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Misticamente, San Giovanni Bosco off..etta
L'occhio luminescente di Cristo guar..etta
Madonna Addolorata Radiante Azzurre ..etta
Sant'Elena con in mano la croce - Sa..Roma
Il Crocifisso - La Basilica di Santa..etta
La Beata Vergine Maria - Dipinto di ..etta
Crocifissione oltre l'ingresso dell'..dova
Madonna Addolorata Azzurre - Duomo d..sisi
Crocifissione del Sacrificio Trionfa..ento
Padre Peek Celebra la Cena dell'agne..alfi
La Crocifissione del Sacrificio Trio..ento
Madonna Addolorata Azzurre - Duomo d..anza
La luce del sole illumina il Crocifi..ento
Cristo in Paradiso - la Basilica di ..ezia
L'oculo del Pantheon di 2000 anni di..aria
Celesti di luce rischiara il crocifi..ento
Fra Giovanni Angelico - Il Fratello ..etta
Cervi Contemplano la Luce del Mondo ..etta
Santa Caterina si estende la Croce e..etta
La Beata Vergine Maria - Dipinto di ..Rosa
Il Supremo Sacrificio ricordato dura..etta
Sbirciando fuori dall'ingresso princ..Roma
Madonna Abbraccia la Croce in Santa ..Roma
Altare del Crocifisso - Basilica di ..ezia
Madonna Addolorata Azzurre - Duomo d..vina
Guardando verso l'alto a Crocifisso ..sisi
Vicino a Cristo - Sant'Andrea Duomo ..alfi
La Chiamata di San Matteo - Abbracci..etta
San Giovanni Battista - Giovane e Si..etta
Gesù Buon Pastore - Dipinto di Dino ..etta
San Pietro in il Arcibasilica Papale..etta
Presentation of the Lord – Painting ..etta
Guardians of Faith - Saints Timothy ..etta
San Giacomo Magno - Apostolo e Marti..etta
Saint Basil the Great – Painting by ..etta
The Illuminated Pen Apostle Johns Jo..etta
Transcendent Sacrifice - Saint Step..etta
Regalità della Beata Vergine Maria -..etta
Adorazione Eucaristica – Dipinto di ..etta
Sant'Antonio da Padova Abbraccia Ges..etta
Domenica delle Palme della Passione ..etta
Emmanuele, “Dio è Con Noi” – Dipinto..etta
Candela di Betlemme - Avvento, Viagg..etta
Sant'Agnese d'Assisi Di fronte a San..etta
Baciando la Santa Croce si Acquisisc..enza
Apostolo, Sant'Andrea Davanti al suo..etta
San Luca Evangelista – Dipinto di Di..etta
Nostra Signora del Santo Rosario - B..etta
Cristo Crocifisso che inizia l'ascen..etta
Santa Chiara d'Assisi Davanti a San ..etta
Sant'Antonio da Padova all'interno d..etta
Madonna con Santi Francescani - Basi..ezia
Sion, la Città Reale di Dio - Dipint..etta
Ora D'oro Crocifissione - Dipinto di..etta
La luce dell'agnello - Dipinto di Di..etta
Santissimo Crocifisso all'interno de..etta
San Nicola e Bambini nella Neve - Di..etta
San Padre Pio da Pietrelcina - Dipin..etta
Alleanza dei Cuori di Gesù e Maria -..etta
Il Sacro Cuore di Gesù - Minore Basi..etta
Cortona monumento alla seconda guerr..etta
Vetrata di Cristo Benedizione St Jam..como
Il ritorno di Francesco uomo peniten..iesa
La Beata Vergine Maria - Dipinto di ..ente
Angelo custode aiuta a illuminare l'..etta
San Giuseppe il Lavoratore - Dipinto..etta
Cristo in Battistero - La Basilica d..Roma
Fede, Speranza e Amore - Dipinto di ..etta
Gesù Piange sull'America Fratturata ..etta
Il Cuore Immacolato di Maria - Dipin..etta
In God Is Our Trust ... Painting by ..etta
America Patriottica - Dipinto di Din..etta
Il bagliore della Madonna nella Chie..real
Madonna Che Abbraccia Il Rosario - S..etta
Ave Regina Pacis - Basilica di Santa..iore
Celesti di luce rischiara il crocifi..etta
Porte centrali in bronzo di San Paol..aolo
Salire di Cristo - Sant'Andrea Duomo..alfi
Campanile della Cattedrale dei Santi..ento
Santissimo Crocifisso all'interno de..sisi
Baldacchino oro Angelo Candelabra - ..Roma
Natività di San Francesco con la Sac..useo
Gloriosa Madonna Addolorata - Duomo..sisi
Gloriosa Madonna Addolorata - Duomo..dore
Cappella del Santissimo Crocifisso a..sisi
Monumento a san Francesco d'assisi a..Roma
Crocifisso al di là di vestibolo del..dova
Cristo illuminato da Paradiso - la B..ezia
San Giovanni Battista - Basilica Cat..iena
Passione di Cristo - Duomo di Ravell..alia
Il 2000 anni vecchio Pantheon occhio..aria
La Clementine Cappella cupola della ..etro
Raggi Celesti di luce rischiarare il..ento
Reliquia stanza della Cattedrale di ..alfi
Madonna e Cristo bambino scoperto su..alfi
Thérèse de l'Enfant Jésus et de la S..etta
Contemplando la vita sul Canale di V..etta
La Solennità della Santissima Trinit..etta
Un cervo che appare alla finestra me..etta
Cristo di fronte il Paradiso - la Ba..etta
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![“Our Lady of Sorrows Radiant Blue - Cathedral of San Rufino, Assisi - Painting by Dino Carbetta”…<br />
<br />
The title "Our Lady of Sorrows" bestowed upon our Blessed Mother beckons our attention to her profound suffering and grief, most notably during the passion and death of our Lord. It encompasses the seven sorrows of Mary, as foretold by the Priest Simeon. "This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed, and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare" Lk 2:34-35. These seven sorrows of our Blessed Mother weave a poignant narrative: the flight of the Holy Family into Egypt, the loss and finding of the child Jesus in the Temple, Mary's encounter with Jesus on His way to Calvary, her presence at the foot of the cross during our Lord's crucifixion, cradling Jesus as He was taken down from the cross, and His burial. In the prophecy of Simeon, a sword would pierce our Blessed Mother's heart, and find its fulfillment. Mary is depicted with her heart exposed and seven swords piercing it, symbolizing her profound sorrows. Her unwavering courage, love, and trust with which Mary embraced each trial, echoing her initial fiat: "Let it be done unto me according to thy word," first spoken at the Annunciation. This unwavering faith is beautifully depicted in the Adoration of the Madonna as a participant in the Passion of Christ, as captured in the iconographic tradition in 1672. Luke 2:34-35 serves as the foundation of this profound portrayal: "He blessed them and said to Mary his mother: 'Behold, this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; and thy own soul a sword shall pierce, that out of many hearts, thoughts may be revealed.'" In "Our Lady of Sorrows," we witness not only the depths of Mary's sorrow but also the enduring strength of her faith, an inspiration for all who encounter this ethereal work of art.](https://www.dinocarbetta.com/img-get2/I0000TEOwMlL4oA8/fill=/fit=200x200/I0000TEOwMlL4oA8.jpg)
!["Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi"...<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."](https://www.dinocarbetta.com/img-get2/I0000Pf36JaMJDdk/fill=/fit=200x200/I0000Pf36JaMJDdk.jpg)
![“Father Peek Celebrates the Lamb's Supper - Amalfi Cathedral”…<br />
<br />
A church has resided on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Newer walls have been taken down to expose parts of the ancient original church, and one can ponder history by this glimpse back in time. Andrew, Saint Peter’s brother and one of Christ’s closest disciples was also the disciple of John the Baptist. Saint Andrew was called with Peter: “As [Jesus] was walking by the Sea of Galilee, he saw two brothers, Simon who is now called Peter, and his brother Andrew, casting a net into the sea; they were fishermen. He said to them, ‘Come after me, and I will make you fishers of men.’ At once they left their nets and followed him” (Matthew 4:18-20). Stairs near the east end of the Duomo descend into the Crypt of St. Andrew, where his relics are kept in the central altar. The crypt is decorated with magnificent Baroque murals from 1660. As I knelt and prayed at the glorious crypt befitting this great disciple who was martyred on an X shaped crucifix, my mind wandered off the true nature of this chosen man who became a Saint. I stirred around to the back of the altar and found myself facing his eternal light and relics. I knelt again in prayer feeling the great essence and presence of this selfless apostle. As in many other locations and churches in Italy, where Saints seem to be from every town, I was overcome with deep emotion and an abundance of heartfelt spiritual joy! Our Pilgrimage of 2019 found us celebrating Mass in the chapel just to the left of the High Altar below the image of the “Last Supper.” A reverent and poignant remembrance of cherished time on the Amalfi Coast.](https://www.dinocarbetta.com/img-get2/I0000z5mCVYrdLwc/fill=/fit=200x200/I0000z5mCVYrdLwc.jpg)
!["Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi - Luminance"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."](https://www.dinocarbetta.com/img-get2/I0000fPjHBbRRdvw/fill=/fit=200x200/I0000fPjHBbRRdvw.jpg)
!["Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi - Olivina"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."](https://www.dinocarbetta.com/img-get2/I0000raej_1YdxkQ/fill=/fit=200x200/I0000raej_1YdxkQ.jpg)
![“Apostle, Saint Andrew In front of his Duomo of Sant'Andrea - Painting by Dino Carbetta” …<br />
<br />
Embarking on a rain-soaked ferry journey along the picturesque coast, I made my way to the enchanting seaside town of Amalfi. Normally bustling with tourists transported from everywhere, the Duomo di Amalfi found itself relatively serene on this dreary day. A sacred haven has graced this Amalfi site since the year 596 AD; the ninth-century structure still stands resolute. In the early 13th century, a new cathedral emerged beside the ancient one, providing a dignified resting place for St. Andrew the Apostle. Modern interventions have exposed fragments of the original church, inviting contemplation of bygone eras. St. Andrew, the brother of Saint Peter and a cherished disciple of Christ was also a follower of John the Baptist. Their calling unfolded on the shores of the Sea of Galilee: “As [Jesus] was walking by, he saw two brothers, Simon (Peter), and his brother Andrew, casting a net into the sea; they were fishermen. He said to them, ‘Come after me, and I will make you fishers of men.’ At once they left their nets and followed him” (Matthew 4:18-20). Descending near the east end of the Duomo, a staircase leads to the Crypt of St. Andrew, where his revered relics rest upon the central altar. Adorned with magnificent Baroque murals dating back to 1660, the crypt provides a sacred space for reflection. Kneeling in prayer within this splendid crypt, befitting the memory of the apostle martyred on an X-shaped crucifix, my thoughts meandered into the profound nature of this chosen man turned Disciple and Saint. As I circled to the rear of the altar, I found myself bathed in the eternal light and relics of Saint Andrew. With each prayer, I sensed the essence and presence of this selfless apostle. Much like other sanctuaries and churches across Italy, where saints hail from every corner, I was overwhelmed by deep emotion and an abundance of heartfelt spiritual joy!"](https://www.dinocarbetta.com/img-get2/I00001pdSDmwiFP4/fill=/fit=200x200/I00001pdSDmwiFP4.jpg)
![“Zion, the Royal City of God - Painting by Dino Carbetta”…<br />
<br />
[Isaiah 2:2] “In days to come, The Mountain of the LORD’s house shall be established as the highest mountain and raised above the hills. All nations shall stream toward it. <br />
In the Bleak Midwinter ~ Christina Rossetti “In the bleak midwinter Frosty wind made moan, Earth stood hard as iron, Water like a stone; Snow had fallen, snow on snow, Snow on snow, In the bleak midwinter Long ago. Our God, Heaven cannot hold Him, Nor earth sustain; Heaven and earth shall flee away When He comes to reign. In the bleak midwinter A stable place sufficed The Lord God Almighty, Jesus Christ.”](https://www.dinocarbetta.com/img-get2/I0000hz.b77jYhd0/fill=/fit=200x200/I0000hz.b77jYhd0.jpg)
![“Golden Hour Crucifixion – Painting by Dino Carbetta”…<br />
<br />
I consider this magnificent rear view of the High Altar in St. Anthony’s Basilica looking toward Donatello’s very famous “Crucifix in Padua” one of my few forbidden and miraculous images of my 2019 Pilgrimage to Italy. I was unaware of the mere size and ancient grandeur of the basilica begun in 1233 but found myself mystified by the aura surrounding it and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis, and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. Deceptively, I found myself directly behind the elevated “High Altar,” and as I curiously climbed the steps toward the locked Iron Gate, Donatello’s celestial bronze crucifix began to appear. This is the story of my experience with the "High altar crucifix from the back of the Papal Basilica of St. Anthony of Padua"... The crucifix was centered at the bottom of the image and small. I decided to paint the crucifix using the original silhouette and front illumination. I added a magnificent sunset or “Golden Hour” to highlight the Crucifix. “yet I live, no longer I, but Christ lives in me; insofar as I now live in the flesh, I live by faith in the Son of God who has loved me and given himself up for me.” [Galatians 2:20]](https://www.dinocarbetta.com/img-get2/I0000JF5qhMiAUvM/fill=/fit=200x200/I0000JF5qhMiAUvM.jpg)
!["Stained Glass of Christ Blessing St James at the Cathedral of Saints Philip and James"...<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. James and Philip human men who became foundation stones of the Church, as we are reminded that holiness and its consequent apostolate are entirely the gifts of God. LUKE 24:49 “And [behold] I am sending the promise of my Father upon you, but stay in the city until you are clothed with power from on high.” Their first commission had been to expel unclean spirits, heal diseases, and announce the kingdom. They learned, gradually, that these externals were sacraments of an even greater miracle inside their persons…the divine power to love like God.](https://www.dinocarbetta.com/img-get2/I0000DIoWn9cXTyE/fill=/fit=200x200/I0000DIoWn9cXTyE.jpg)
![“Faith, Hope, and Love – Painting by Dino Carbetta”…<br />
<br />
Psalm 46: 2-8 “God is our refuge and our strength, an ever-present help in distress. Thus we do not fear, though earth be shaken and mountains quake to the depths of the sea, though its waters rage and foam and mountains totter at its surging. Streams of the river gladden the city of God, the holy dwelling of the Most High. God is in its midst; it shall not be shaken; God will help it at break of day. Though nations rage and kingdoms totter, he utters his voice and the earth melts. The LORD of hosts is with us; our stronghold is the God of Jacob.” <br />
<br />
2 Corinthians 4:8-10 “We are afflicted in every way, but not constrained; perplexed, but not driven to despair; persecuted, but not abandoned; struck down, but not destroyed; always carrying about in the body the dying of Jesus, so that the life of Jesus may also be manifested in our body.”<br />
<br />
Romans 5:1-5 “Therefore, since we have been justified by faith, we have peace with God through our Lord Jesus Christ, through whom we have gained access [by faith] to this grace in which we stand, and we boast in hope of the glory of God. Not only that, but we even boast of our afflictions, knowing that affliction produces endurance, and endurance, proven character, and proven character, hope, and hope does not disappoint, because the love of God has been poured out into our hearts through the Holy Spirit that has been given to us.”](https://www.dinocarbetta.com/img-get2/I0000b_OTorwwbzM/fill=/fit=200x200/I0000b_OTorwwbzM.jpg)
![“The glow of the Madonna in the New Church of San Francesco di Assisi – Ethereal”…<br />
<br />
Psalm 46:9-11 “Come and see the works of the LORD, who has done fearsome deeds on earth; Who stops wars to the ends of the earth, breaks the bow, splinters the spear, and burns the shields with fire; Be still and know that I am God! I am exalted among the nations, exalted on the earth.”<br />
<br />
Romans 5:1-5 “Therefore, since we have been justified by faith, we have peace* with God through our Lord Jesus Christ, through whom we have gained access [by faith] to this grace in which we stand, and we boast in hope of the glory of God. Not only that, but we even boast of our afflictions, knowing that affliction produces endurance, and endurance, proven character, and proven character, hope, and hope does not disappoint, because the love of God has been poured out into our hearts through the holy Spirit that has been given to us.](https://www.dinocarbetta.com/img-get2/I0000CGZ9bI9fIDw/fill=/fit=200x200/I0000CGZ9bI9fIDw.jpg)
!["Glorious Madonna of Sorrows - Cathedral of San Rufino, Assisi"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."](https://www.dinocarbetta.com/img-get2/I0000QgHTTqXjsZI/fill=/fit=200x200/I0000QgHTTqXjsZI.jpg)
!["Glorious Madonna of Sorrows - Cathedral of San Rufino, Assisi - Splendor"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."](https://www.dinocarbetta.com/img-get2/I00000gmkgWjP9m4/fill=/fit=200x200/I00000gmkgWjP9m4.jpg)
!["Relic room of the Cathedral of Sant'Andrea - Amalfi"...<br />
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I caught the rain soaked ferry down the coast to the seaside town of Amalfi. The Duomo di Amalfi is usually packed with tourists bused and ferried from 100’s of miles away, but with the dreary weather many stayed away. A church has resided on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Newer walls have been taken down to expose parts of the ancient original church, and one can ponder history by this glimpse back in time. Andrew, Saint Peter’s brother and one of Christ’s closest disciples was also the disciple of John the Baptist. Saint Andrew was called with Peter: “As [Jesus] was walking by the Sea of Galilee, he saw two brothers, Simon who is now called Peter, and his brother Andrew, casting a net into the sea; they were fishermen. He said to them, ‘Come after me, and I will make you fishers of men.’ At once they left their nets and followed him” (Matthew 4:18-20). Stairs near the east end of the Duomo descend into the Crypt of St. Andrew, where his relics are kept in the central altar. The crypt is decorated with magnificent Baroque murals from 1660. As I knelt and prayed at the glorious crypt befitting this great disciple who was martyred on an X shaped crucifix, my mind wondered of the true nature of this chosen man who became a Saint. I stirred around to the back of the altar and found myself facing his eternal light and relics. I knelt again in prayer feeling the great essence and presence of this selfless apostle. As in many other locations and churches in Italy, where Saints seem to be from every town, I was overcome with deep emotion and an abundance of heartfelt spiritual joy!](https://www.dinocarbetta.com/img-get2/I00000J34hxwE5TU/fill=/fit=200x200/I00000J34hxwE5TU.jpg)
