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  • “Spring Mystical Reflections of Villa Borghese – Rome”…<br />
<br />
Villa Borghese in Roma is a famous Garden and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus. Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and give time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Primavera Riflessioni Mistiche di Vi..Roma
  • “Angels watch over the lake at Villa Borghese in Rome”…<br />
<br />
Villa Borghese in Roma is a famous Garden and Museum that began in the early 17th century and was highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus.  It was neglected over the centuries and was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and give time and rumination to the historical and religious world capital which is the ever the Eternal City of Roma.
    Angeli vigilare lago presso Villa Bo..Roma
  • “Moorish style cloister and gardens in Villa Rufolo, Ravello”…<br />
<br />
The Villa Rufolo, which overlooks the Piazza Vescovado, is the historical and cultural center of Ravello. Built by a wealthy merchant family in the 13th century, the villa has a rich and storied past. Boccaccio, one of the earliest authors of the Italian renaissance, wrote a story about the villa and its owner in his Decameron. In its prime, it was one of the largest and most expensive villas on the Amalfi Coast, and legends grew about hidden treasure on its premises. When Sir Francis Neville Reid, a Scottish botanist, visited the villa in 1851, age and neglect had taken a toll on the villa and many of the rooms had fallen into ruin. Reid, however, fell in love with the Moorish towers and the expansive views. He purchased the villa and began an extensive renovation of the gardens and the remaining rooms. The town has become known as “la città della musica“, city of music, and for the past several decades the Villa Rufolo has been the center of an annual summer concert series that features piano concerts, chamber music, and a grand orchestral performance on a stage built jutting out over the Mediterranean Sea and the rugged Amalfi Coast below. The gardens and grounds of the Villa Rufolo are open year-round and attract visitors from all over the world. Juxtaposed against the sea, the sky, umbrella pines, and the Church of the Annunziata below, the gardens, with their profusion of flowers, have a magical quality to them. The villa itself contains two large towers and the larger of them stands next to a magnificent Moorish style cloister. Because of the magnificent gardens, the Moorish architecture, and the inspiring vistas, the Villa Rufolo is often described as a smaller version of Spain’s famed Alhambra. Traversing the Amalfi Coast was as thrilling as it sounds. The small towns built into the cliffside along the Mediterranean Sea romanticize of glorious past and envisage adventures to come.
    Chiostro e giardini in stile moresco..ello
  • “Mystic Reflections of Villa Borghese – Rome”…<br />
<br />
Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus.  Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, the Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and gives time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Riflessioni Mistiche di Villa Borghe..Roma
  • “Panoramic sunset reflections of Villa Borghese – Rome”…<br />
<br />
Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus.  Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, the Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and gives time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Panoramico riflessioni di tramonto d..Roma
  • “Reflections of the sun on Villa Borghese – Rome”…<br />
<br />
Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus.  Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, the Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and gives time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Riflessioni sole della su Villa Borg..Roma
  • “The evening reflections at Villa Borghese – Rome”…<br />
<br />
I stumbled into photography just before graduation at the U of TN while volunteering at a local hospital where I was influenced to attend Brooks Institute.  The instructors preached the technical aspects of photography, and upon graduation…we could implement our own artistic vision.  As a commercial photographer since graduation, I have had little time to express my artistic vision…until I went to Italy for the first time, where I discovered my true love and passion!  I consider myself a “contemplative” photographer, and as such, I have a three-part process to achieve my final presentation for each image: the discovery, how I perceive the image creation, and how I hope others will perceive the image.  This artistic pursuit, I imagine, is similar to Michelangelo viewing a piece of marble for the first time.  Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake.  Surrounding this small lake is a three-foot iron fence, which I now affectionately call “Il lago di dolore”, or Lake Pain!  I tried to cross this iron fence with camera in hand and a 20lb bag on my shoulder…needless to say, it did not go well!  Despite the intense pain, I continued to take 60 images around the lake, and upon return home, I stubbornly refused to look at them until recently.  My disdain for Lake Pain kept me from discovering the true artistic vision I first saw when I began creating these images. I finally gave into the contempt I had for the Lake and began working on several images.  Perhaps, the viewer will perceive the great pain it took to finally engender a feeling of solace and peace in the true vision, and find that suffering eventually brought forth eminent beauty.  As for this photographer, Il lago di dolore will be a constant reminder that the creation of great art sometimes endures great pain!
    Le riflessioni della sera a Villa Bo..Roma
  • "The sun goes down on the Arch at the gardens of Villa Borghese Roma"...<br />
<br />
I stumbled into photography just before graduation at the U of TN while volunteering at a local hospital where I was influenced to attend Brooks Institute. The instructors preached the technical aspects of photography, and upon graduation…we could implement our own artistic vision. As a commercial photographer since graduation, I have had little time to express my artistic vision…until I went to Italy for the first time, where I discovered my true love and passion! I consider myself a “contemplative” photographer, and as such, I have a three-part process to achieve my final presentation for each image: the discovery, how I perceive the image creation, and how I hope others will perceive the image. This artistic pursuit, I imagine, is similar to Michelangelo viewing a piece of marble for the first time. Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. This image captured the last highlights of the descending sun while gazing through the archway into the mystical dusk drenched gardens.
    Il sole scende sull'Arco ai giardini..Roma
  • "Positano villa stairs and flowers"...<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions. Walking the length of the beach, I found a very, very steep staircase leading straight up to a large veranda at the Albergo California. Taking an exhaustive seat on a plush lounge chair with a perfect view to watch the sunset behind the Amalfi Cliffs, I was taken back by a pleasant Italian (Positano) waiter from the hotel offering a towel, ice water, and drinks for the evening. I expressed that I was not staying at the hotel, but he didn’t seem to mind and proceeded to educate me on the culture of this historic resort village. After a brief rest, I wandered around taking full advantage of Albergo California’s 180 degrees of seaside vistas and bellissimo villas.
    Positano villa le scale e fiori
  • "Hidden villa along the Cannaregio Canal in Tolentino Venice"...<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Nascosta villa lungo il Canale Canna..ezia
  • “The Grand Hotel Excelsior Vittoria Sorrento”…<br />
<br />
Perched on the cliff edge of Sorrento, the inimitable Grand Hotel Excelsior Vittoria has a history full of superlatives. Owned and operated by the Fiorentino family since 1834, the property has hosted many international celebrities, who enjoyed the same breathtaking views of the Bay of Naples and Mount Vesuvius as today's guests. Ruins of Roman Emperor Augustus’ villa are said to lay beneath the property, and the past is also alive in such details as the 18th-century columns, frescoed ceilings, and antiques displayed throughout. Outside, the region's beauty is evident in the lush gardens filled with Mediterranean plants, citrus and olive groves. A quick elevator ride sweeps guests from the port directly to the hotel.  Unfortunately, I was not able to stay at this historical hotel, but photographed it from across a small waterway.  The leaves of the tree I was standing under framed the hotel in its elegant splendor.
    Grande Albergo Excelsior Vittoria So..ento
  • “Sweet Maria panoramic views of Lake Trasimeno”…<br />
<br />
Dolce Maria is the Bed and Breakfast I lodged in for four nights in the medieval hill town of Cortona.  One street over from the main square, the ancient historical building from 15th century is the home of the Barboni family.  There is a restaurant on the ground floor where Madre Paola is one of the famous chefs of Cortona, and her friendly husband Franco and son Gianni help run the properties.  Paola’s 80- something year old mother offered to wash my laundry and hung it to dry on the rooftop.  With only six rooms in this steep vertical villa winding about like a castle, it very much felt like a true Tuscan adventure.  Booking Dolce Maria from Roma, I asked for a room with a view; I didn’t notice a view from the 3rd story room, but Paolo instructed me to a tiny door in the corner…with a winding staircase ascending upward about 2-3 more stories to the rooftop and a private terrace view of the valley below.  On my last evening as the sun dipped in the sky and the birds wisped among the clouds, I photographed this image of Lake Trasimeno and the Tuscan countryside through an art-deco like structure on the roof.  The tiny walled town of Cortona was probably not the most fortified with large amounts of photogenic attractions within its ramparts, but professed to be the perfect central Tuscany location. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970.  If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the bellissimo Tuscan Sun.
    Dolce Maria vista panoramica sul Lag..meno
  • "The angels observe from above the Monumental Church of San Michele Arcangelo Anacapri"...<br />
<br />
On the third morning in Sorrento, I departed on a high speed Ferry to the island of Capri.  Although promoting high-speed, it still took over an hour to arrive at the very crowded Island.  Capri is located off the coast of Naples and there must be a new Ferry full of tourists arriving every 20 minutes throughout the day.  Famous for its Blue Grotto, which I did not venture to this trip, Capri is a picturesque Mediterranean retreat with high cliffs and ancient Roman villas. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri.  I was standing closest to the door on the right side of the bus during the assent up the mountainside.  All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top.  Anacapri is a historic mountaintop town with commanding views of Capri and the sea below.  This 4 image panorama was taken from the tiny balcony above the diminutive Church of St Michael the Archangel in Anacapri, located on Piazza San Nicola. The church was built in 1719, with an octagonal shape and of Baroque style. The church received a "monument" designation due to its notable majolica floor mosaic of creation with Adam and Eve. One must traverse the sacred tile floor on benches around the edges to protect the imagery.
    Gli angeli osservano dall'alto la Ch..apri
  • “My dream my way - Isle of Capri”…<br />
<br />
On the third morning in Sorrento, I departed on a high speed Ferry to the island of Capri.  Although promoting high-speed, it still took over an hour to arrive at the very crowded Island.  Capri is located off the coast of Naples and there must be a new Ferry full of tourists arriving every 20 minutes throughout the day.  Famous for its Blue Grotto, which I did not venture to this trip, Capri is a picturesque Mediterranean retreat with high cliffs and ancient Roman villas. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri.  I was standing closest to the door on the right side of the bus during the assent up the mountainside.  All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top.  Anacapri is a historic mountaintop town with commanding views of Capri and the sea below.  This image was taken in the Bay of Capri along the bustling seaside, where antique wooden excursion boats awaited their passengers.
    Il mio sogno la mia strada - Isola d..apri
  • “Monumental Church of San Michele Arcangelo, Anacapri”…<br />
<br />
On the third morning in Sorrento, I departed on a high-speed ferry to the island of Capri. Although promoting high-speed, it still took over an hour to arrive at the very crowded Island. Capri is located off the coast of Naples and there must be a new Ferry full of tourists arriving every 20 minutes throughout the day. Famous for its Blue Grotto, which I did not venture to this trip, Capri is a picturesque Mediterranean retreat with high cliffs and ancient Roman villas. The highlight of my visit was the small and very crowded bus ride along the edge of the cliff to Anacapri. I was standing closest to the door on the right side of the bus during the ascent up the mountainside. All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top. Anacapri is a historic mountaintop town with commanding views of Capri and the sea below. This 4 image panorama was taken from the tiny balcony above the diminutive Church of St Michael the Archangel in Anacapri, located on Piazza San Nicola. The church was built in 1719, with an octagonal shape and of Baroque style. The church received a "monument" designation due to its notable majolica floor mosaic of creation with Adam and Eve. One must traverse the sacred tile floor on benches around the edges to protect the imagery.
    Chiesa Monumentale di San Michele Ar..apri
  • “Late Afternoon of Colors On the Island of Capri”…<br />
<br />
On the third morning in Sorrento, I departed on a high-speed ferry to the island of Capri. Although promoting high-speed, it still took over an hour to arrive at the very crowded Island. Capri is located off the coast of Naples and there must be a new Ferry full of tourists arriving every 20 minutes throughout the day. Famous for its Blue Grotto, which I did not venture to this trip, Capri is a picturesque Mediterranean retreat with high cliffs and ancient Roman villas. The highlight of my visit was the small and very crowded bus ride along the edge of the cliff to Anacapri. I was standing closest to the door on the right side of the bus during the ascent up the mountainside. All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top. Anacapri is a historic mountaintop town with commanding views of Capri and the sea below. This image was taken in the Bay of Capri of the bustling seaside, with the historic mountaintop town of Capri majestically guarding the port below.
    Tardo Pomeriggio di Colori Sull'Isol..apri
  • "Panoramic view of the majestic Island of Capri"...<br />
<br />
On the third morning in Sorrento, I departed on a high speed Ferry to the island of Capri.  Although promoting high-speed, it still took over an hour to arrive at the very crowded Island.  Capri is located off the coast of Naples and there must be a new Ferry full of tourists arriving every 20 minutes throughout the day.  Famous for its Blue Grotto, which I did not venture to this trip, Capri is a picturesque Mediterranean retreat with high cliffs and ancient Roman villas. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri.  I was standing closest to the door on the right side of the bus during the assent up the mountainside.  All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top.  Anacapri is a historic mountaintop town with commanding views of Capri and the sea below.
    Vista panoramica della maestosa Isol..apri
  • “Bougainvillea anticipates sunset above Positano cliff side”…<br />
<br />
As the sun set on the second exhilarating day in Positano, the villas and flowers posed graciously one last time for this weary photographer. All indications seemed to verify that late May in Positano presented a spectacular pallet of every color under God’s rainbow. This quaint seaside village stimulated one’s senses, aggrandizing its chest and boasting specular perfection. I cannot imagine a more benevolent time of year than during late spring to visit the bellissimo Amalfi coast. This image was my last of the evening before a long hike up to the terrace of Hotel Montemare's famous restaurant. Finally, time to relax and unwind while admiring yet another truly breathtaking sea view of Positano Bay.
    Bougainvillea antecipa tramonto di s..iera
  • "Madonna and Christ Child above Monumental Church of San Michele Arcangelo, Anacapri"...<br />
<br />
On the third morning in Sorrento, I departed on a high speed Ferry to the island of Capri. Although promoting high-speed, it still took over an hour to arrive at the very crowded Island. Capri is located off the coast of Naples and there must be a new Ferry full of tourists arriving every 20 minutes throughout the day. Famous for its Blue Grotto, which I did not venture to this trip, Capri is a picturesque Mediterranean retreat with high cliffs and ancient Roman villas. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri. I was standing closest to the door on the right side of the bus during the assent up the mountainside. All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top. Anacapri is a historic mountaintop town with commanding views of Capri and the sea below. This 4 image panorama was taken from the tiny balcony above the diminutive Church of St Michael the Archangel in Anacapri, located on Piazza San Nicola. The church was built in 1719, with an octagonal shape and of Baroque style. The church received a "monument" designation due to its notable majolica floor mosaic of creation with Adam and Eve. One must traverse the sacred tile floor on benches around the edges to protect the imagery. This image is high above the Altar at the very top of the small church. I climbed a very creaky and tiny spiral staircase to capture this beautiful image of the Madonna and Christ child.
    Madonna e Cristo Bambino sopra Chies..apri
  • “The colors of Capri”…<br />
<br />
On the third morning in Sorrento, I departed on a high speed Ferry to the island of Capri.  Although promoting high-speed, it still took over an hour to arrive at the very crowded Island.  Capri is located off the coast of Naples and there must be a new Ferry full of tourists arriving every 20 minutes throughout the day.  Famous for its Blue Grotto, which I did not venture to this trip, Capri is a picturesque Mediterranean retreat with high cliffs and ancient Roman villas. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri.  I was standing closest to the door on the right side of the bus during the assent up the mountainside.  All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top.  Anacapri is a historic mountaintop town with commanding views of Capri and the sea below.  This image was taken in the Bay of Capri while waiting for the last Ferry back to Sorrento.  My eye caught the color of the blue boat and it was the same color of the late afternoon sky.  Ironically, the name on the side of the little boat was “colori”…meaning colors.
    Il colori di Capri
  • “A panoramic view of the majestic island of Capri”…<br />
<br />
On the third morning in Sorrento, I departed on a high speed Ferry to the island of Capri.  Although promoting high-speed, it still took over an hour to arrive at the very crowded Island.  Capri is located off the coast of Naples and there must be a new Ferry full of tourists arriving every 20 minutes throughout the day.  Famous for its Blue Grotto, which I did not venture to this trip, Capri is a picturesque Mediterranean retreat with high cliffs and ancient Roman villas. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri.  I was standing closest to the door on the right side of the bus during the assent up the mountainside.  All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top.  Anacapri is a historic mountaintop town with commanding views of Capri and the sea below.
    Una vista panoramica della maestosa ..apri
  • "The colors burst while the evening fades over Positano"...<br />
<br />
Taking an evening stroll along the strada of Positano, the sun reflected off the hillside forcing the colorful villas to pose just one more time. All indications seemed to verify that late May in Positano presented a spectacular pallet of every color under God’s rainbow. This quaint seaside village stimulated one’s senses, aggrandizing its chest and boasting specular perfection. I cannot imagine a more benevolent time of year than during late spring to visit the bellissimo Amalfi coast. This image was one of my last of the evening before a long hike up to the terrace of Hotel Montemare's famous restaurant. Finally, time to relax and unwind while admiring yet another truly breathtaking sea view of <br />
Positano Bay and the colorful village above.
    I colori scoppiano mentre la sera si..tano
  • "Positano Hotel La Bougainville walking along Via Cristoforo Colombo"...<br />
<br />
As evening descended upon the second exhilarating day in Positano, the villas and flowers posed graciously one last time for this weary photographer. All indications seemed to verify that late May in Positano presented a spectacular pallet of every color under God’s rainbow. This quaint seaside village stimulated one’s senses, aggrandizing its chest and boasting specular perfection. I cannot imagine a more benevolent time of year than during late spring to visit the bellissimo Amalfi coast. This image was my last of the evening before a long hike up to the terrace of Hotel Montemare's famous restaurant. Finally, time to relax and unwind while admiring yet another truly breathtaking sea view of Positano Bay.
    Positano Hotel La Bougainville da pa..ombo
  • Madonna of Victory and the Rosary - Painting by Dino Carbetta<br />
<br />
 Honors the Feast of Our Lady of the Rosary celebrated on October 7. Originally designated as "Our Lady of Victory" by Pope Pius V, this feast commemorates the decisive Battle of Lepanto in 1571 amidst the looming specter of the imminent danger posed by the formidable Ottoman fleet, Pope Pius V implored Europe to unite in prayer, leading a solemn rosary procession in Rome. The painting captures this pivotal moment, depicting the devout supplication of the faithful and the divine intervention that ensued. The Battle of Lepanto marked a turning point in history as the Holy League miraculously vanquished the Ottoman armada, liberating thousands of captive Christians. Pius V attributed this triumph to the intercession of the Mother of God, bestowing upon the world the enduring legacy of the Feast of Our Lady of the Rosary. The significance of Mary's intercession resurfaced during the Battle of Vienna in 1683, where Blessed Marco d’Aviano rallied the besieged Christian forces, urging them to seek solace and strength through the rosary. Under the divine protection of the Blessed Virgin Mary, the Polish relief army secured a resounding victory, thwarting the Ottoman threat to Christendom once again. This artwork serves as a poignant reminder of Mary's unwavering guidance and the transformative power of prayer throughout history. The Queen of Heaven continues to lead the faithful in their spiritual battles, offering solace and hope to all who seek her intercession. In our contemporary age, beset by myriad challenges, Mary beckons us to emulate the faith and resilience of our ancestors, trusting in the enduring promise of redemption and salvation. Through the timeless message conveyed by "Madonna of Victory and the Rosary," viewers are inspired to embrace the fighting faith of Christianity, fortified by the unwavering support of Our Lady, who intercedes on behalf of humanity with boundless love and compassion.
    Madonna della Vittoria e del Rosario..etta
  • “Ascension of the Lord - Painting by Dino Carbetta”…<br />
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Luke 24:46-53 narrates "The Ascension of the Lord." Jesus reveals his resurrection to his disciples after three days of suffering and stresses the significance of spreading the message of repentance and forgiveness of sins in his name to all nations, starting from Jerusalem. He reminds his followers that they are witnesses to these events and assures them that he will send his Father's promise upon them. However, he instructs them to stay in the city until they receive power from above. After blessing them, Jesus ascends to heaven. The disciples enthusiastically return to Jerusalem, continuously praising God in the temple. The Ascension signifies that although Jesus may not be present in a specific location, he is always among us. We have an Advocate who defends and guides us through life and a community that lives out their faith with us in our daily lives. Together, we reveal the lordship of God's love to the world through the Risen Jesus Christ, who ascended to heaven and advocates for us. "And when I am lifted from the earth, I will draw all people to myself." The lifting up of Jesus on the cross signifies and announces his ascent into heaven, which begins it. Jesus Christ, the only priest of the new and everlasting Covenant, "entered not into a sanctuary made by human hands... but into heaven itself, now to appear in the presence of God on our behalf." He is the center and principal actor of the liturgy that honors the Father in heaven. Christ is seated at the right hand of the Father, signifying the inauguration of his kingdom and the fulfillment of the prophet Daniel's vision regarding the Son of man. "To him was given dominion and glory and kingdom, that all peoples, nations, and languages should serve him; his dominion is an everlasting dominion, which shall not pass away, and his kingdom one that shall not be destroyed." The apostles became witnesses to the "kingdom will have no end."
    Ascensione del Signore – Dipinto di ..etta
  • “The Church of Santa Maddalena is surrounded by Roe Deer, both enjoying the sunset over the Dolomites in South Tyrol, Italy - Painting by Dino Carbetta”…<br />
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The Church of St. Magdalene resides in a small village located in the Dolomites of Italy. Both, the village and the church, are symbols of the Val di Funes. This tiny picturesque village of just 377 people is located in the Trentino-Alto Adige region of Northern Italy. Historically, the church was built where the miraculous image of Santa Maddalena was washed up by the Fopal River. Saint Mary Magdalene church is mentioned beginning in 1394. The current form of the nave with a sloping base and a slightly grooved roof cornice, with pear and round bar on the pointed arch portal with a red chalk inscription, was complete in 1492. The mural exterior is the Crucifix on the gable in a niche with a donkey's back, weather-beaten, early XVI century. St. Christopher is lively and virtuoso in movement with a fluttering, wrinkled robe. Interiorly, the keystones on the vault, are bust portraits of Mary with the Christ Child and saints. The valley, as you can see, Val di Funes is stunningly beautiful. Summer, it’s very green and dotted with colorful flowers. Winter, it’s covered with snow, and the ragged Dolomite peaks, pierce the sky toward the heavens. Mary Magdalene is the first among the women following Jesus to proclaim Him as having overcome death. She is the first to announce the joyful message of Easter. But she also proved she was among those who loved Him most when she stood at the foot of the Cross on Mount Calvary together with Mary, His Mother, and the disciple, St. John. She did not deny him or run away in fear as the other disciples did, but remained close to Him every moment, up to and including the tomb. The Italian Roe Deer rejoice in the beauty of God’s creation.
    La Chiesa di Santa Maddalena e’ circ..etta
  • "Dusk falls over the harbor of Riomaggiore"... <br />
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I began my daily journey at the northern most town of Monterosso and took the train to the southernmost town of Riomaggiore. Upon arriving in this picturesque seaside village and moving down to the water’s edge, I noticed proprietor Francesco in front of a tiny boat rental sign. After arranging an evening sail up the coast, I was able to focus on the colorful persona of Riomaggiore. That evening I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. Upon arriving back home in Monterosso, soft light illuminated the sky and azure sea of the Mediterranean convincing me to sail all the way back to Riomaggiore with my gracious guides Claudio and Eddie of "Cinque Terre dal Mare" sailing excursions. We arrived just in time for a perfect sunset and a perfect evening for creating bellissimo new images. After a nice dinner...I caught the last train at midnight back home to Monterosso. A very long day, but worth every minute!
    Crepuscolo cade sul porto di Riomaggiore
  • “Angels Guard the Main Altar of the Sistine Chapel - Basilica of Santa Maria Maggiore Rome”…<br />
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After Mass in the Crucifix Chapel on the second morning of the inaugural Pilgrimage I organized, we were joined by our Roman tour guide for the day. As we listened and ventured around the glorious Basilica, my eyes and camera began to wander. I became stupefied by the grand chapel to the right of the main altar with the rising sun peering through the window just below the cupola. I discreetly wandered in and out in hopes it would shine upon the Holy Crib. The right transept is called the Sistine Chapel, containing the elaborate tomb of Pope Sixtus V (1521-90) and decorated with frescoes and reliefs of events from his reign. The chapel centers on a reliquary containing part of the Holy Crib, and the burial place of Saint Jerome, the 4th-century Doctor of the Church. The architect Domenico Fontana designed the chapel, which also contains the tomb of Pope Pius V. The main altar in the chapel has four gilded bronze angels by Sebastiano Torregiani, holding up the ciborium, which is a model of the chapel itself. The Patriarchal Basilica of St. Mary Major reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God.
    Angeli Custodiscono L'altare Princip..Roma
  • “Illuminated crucifix in Cathedral of Saints Philip and James – Sorrento”… <br />
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The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ.  This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Illuminato crocifisso in Cattedrale ..ento
  • “Silhouette of Gondoliers against the late sun on the Grand Canal near the Church of Santa Maria del Giglio - Red”…<br />
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“Venice” - Henry Wadsworth Longfellow: <br />
WHITE swan of cities, slumbering in thy nest	<br />
So wonderfully built among the reeds	<br />
Of the lagoon, that fences thee and feeds,	<br />
As sayeth thy old historian and thy guest!	<br />
White water-lily, cradled and caressed	<br />
By ocean streams, and from the silt and weeds	<br />
Lifting thy golden pistils with their seeds,	<br />
Thy sun-illumined spires, thy crown and crest!	<br />
White phantom city, whose untrodden streets	<br />
Are rivers, and whose pavements are the shifting	<br />
Shadows of palaces and strips of sky;	<br />
I wait to see thee vanish like the fleets	<br />
Seen in mirage, or towers of cloud uplifting	<br />
In air their unsubstantial masonry.<br />
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The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The rowing oar, which is not fastened to the hull, is used in a sculling manner, also acting as the rudder. For centuries the gondola was the chief means of transportation and most common watercraft within Venice. It is propelled by a gondolier. In modern times the iconic boats still have a role in public transportation in the city, serving as traghetti (ferries) over the Grand Canal. There are just over four hundred gondolas in active service today, virtually all of them used for hire by tourists. In order to become a professional gondolier, you need to obtain a license from the guild. Two hundred years ago, there were 10,000 gondolas in Venice. Although the aristocracy preferred horses to boats through the early Middle-Ages, beginning in the 14th century when horses were outlawed from the streets of Venice, the noble class embraced gondolas as a respectable form of transportation.
    Silhouette di gondolieri contro il t..osso
  • "High altar panorama of the Basilica of Santa Maria del Fiore Florence"...<br />
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Santa Maria del Fiore (also known simply as the Duomo) is the cathedral of Florence known for its distinctive Renaissance dome. Its name ("Saint Mary of the Flower") refers to the lily, the symbol of Florence. The impressive Gothic cathedral complex includes the Duomo, the famous baptistery and a campanile. Built in 1294 to be the largest Roman Catholic Church in the world, it is still the largest masonry dome in the world. Walking down the strada, and turning the corner to view the massive Duomo painted against the sky was captivating. I stopped in my tracks and began taking photos; however, the huge Florence crowds prevented most images from ground level. This was one of the first images I photographed noticing the ancient architecture of the Duomo competing across the narrow strada with the more modern buildings of Firenze.
    Altare maggiore panorama della Basil..enze
  • "Sanctuary of Madonna and child along Calle Dose da Ponte Venice"... <br />
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“O Most Amiable Child Jesus, You who said: "Ask and you shall receive," graciously hear my petition and grant me the favor I ask of You if it be for Your Greater Honor and Glory and for the good of my soul. Amen.” <br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice.
    Santuario di Madonna e bambino lungo..ezia
  • "High altar crucifix from the back of the Papal Basilica of St. Anthony of Padua"... <br />
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I consider this magnificent rear view of the High Altar in St. Anthony’s Basilica looking toward Donatello’s very famous “Crucifix in Padua” one of my few forbidden and miraculous images of my 2019 Pilgrimage to Italy. I was unaware of the mere size and ancient grandeur of the basilica begun in 1233 but found myself mystified by the aura surrounding it and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. As with most prestigious Basilica’s, no photos are allowed, which mostly rendered this photographer reverent, but sad. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. Deceptively, I found myself directly behind the elevated “High Altar,” and as I curiously climbed the steps toward the locked Iron Gate, Donatello’s celestial bronze crucifix began to appear. My surreptitious movement kept me from being noticed by the security guards and our Italian guide. I covertly rested my lens through the iron bars, and quietly depressed the shutter on my camera. Often called “Il Santo” by the locals of Padua, one cannot escape feeling overwhelmed by its majesty, and emanation of spirituality and reverence. The Basilica is austere, mysterious, and solemn, yet capacious, monumental, and impossible to notice every grand detail. However, be emboldened that this Pilgrimage Church is one of the eight international shrines recognized by the Holy See. It is a symbol of faith and hope for all Christian believers. I believe Saint Anthony would be honored and proud to offer Mass here.
    Crocifisso altare maggiore dalla par..dova
  • “Sunrise breaking through the clouds over peaceful Positano”…<br />
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There was only one occasion that I was really able to pre-plan taking photos at sunrise and that was during the last day of three in Positano.  It takes much planning, logistics, and familiarity to figure the best locations and the proper angles and positions of the sun.  My third morning was ideal and fortuitous as it began raining about 10:00 am which gave me perfect clouds for sunrise, finally ending with a very cold wind just in time for sunset.  This image is one of the rare photos of a slumbering Positano in the dewing morning around 6:09 am at the end of May….the beginning of peak tourist season.  By 8:00 am, this tiny seaside village is bustling with tourists and shop owners, and restaurateurs trying to satisfy every need.  All in all, Positano was by far the plushest of all the locations I visited in Italy, and I was blessed to witness everything in full bloom.
    Alba rottura attraverso le nuvole so..tano
  • "Crucified Christ - Monumental Church of San Michele Arcangelo, Anacapri"...<br />
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Located in the Piazza of Anacapri, the mountaintop above the island of Capri. It dates to 1595 when it replaced Chiesa di Santa Maria as the parish church.  One can view the ancient church contrasting with the more modern white façade. The sacristy and oratorio, were originally in the Chiesa di San Carlo. Architectural features include two bell towers and a baroque facade. The church was enlarged with two chapels and the nave was extended towards the square. The plan of the church is in the form of a Latin cross with a single nave, lateral chapels and a dome above the intersection of the nave and the transept. The belfry can be seen to the left of the facade with two clocks and three bells dedicated to Santa Sofia, Santa Maroa and Santa Elia. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri. I was standing closest to the door on the right side of the bus during the assent up the mountainside. All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top. Anacapri is a historic mountaintop town with commanding views of Capri and the sea below, as well as a concentration of Mediterranean colors, scents, and sounds. Town life here has remained authentic despite the island's tourism: tucked between the houses there are tiny, humble vegetable gardens surrounded by lush tropical plants. A walk around the center of Anacapri will take you past tiny Neapolitan tailor shops, artisan shoemakers, and Enoteca       ...all with the scent of the town's lemon groves that permeates the air. How the ancients managed to arrive at this secluded island and traverse their way to settlements atop is mind boggling.  However, contemplating the mysteries of civilization, one gets lost in the plush ambience. The pleasant aroma and commanding sea view demand that you stay for just a little while longer!
    Cristo Crocifisso - Chiesa Monumenta..apri
  • "The Cathedral of Orvieto seeks paradise above the roofs tops"...<br />
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Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a big chunk of volcanic stone called tufa, and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this cliff top village over 2000 years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliff side views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. The 14th Century Duomo was constructed to provide a home for the “Corporal of Bolsena”, a miracle which occurred in 1263 in the nearby town of Bolsena. A traveling priest who had doubts about the truth of transubstantiation found that his Host was bleeding so much that it stained the altar cloth. The cloth is now stored in the “Chapel of the Corporal” inside the cathedral.  It’s amazing to turn the corner only to view, stop, and stare as the majestic Cathedral slowly rises to touch the heavens above.
    Il Duomo di Orvieto cerca il paradis..cime
  • “Papà’s Embrace - A Painting by Dino Carbetta” ...<br />
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In this intimate and profoundly moving portrait, Pope Francis is depicted embracing a young child, a moment of pure tenderness and compassion. The close-up composition captures the deep emotions reflected in their faces—the gentle warmth of a shepherd and the innocent trust of a child. As Papà Francesco, he is more than just the leader of the Church; he is a father to the faithful, especially to the poor, the marginalized, and the forgotten. His papacy has been defined by an unyielding commitment to those in need, reaching beyond borders, divisions, and prejudices to offer the healing embrace of Christ. His paternal care reflects God's boundless love, recognizing only the human soul in need of grace, regardless of status or wealth. Yet, this calling has not been without suffering. Like a shepherd in turbulent waters, Pope Francis has faced relentless challenges from an indifferent world and from within his flock. The Church, a vessel of salvation, is also a place of great human struggle, where pride, rigidity, and division sometimes overshadow the very message of Christ. Some believe they hold the fullness of truth, are unwilling to listen, quick to judge, and slow to love. And yet, through it all, Papà Francesco presses forward, undeterred in his mission, carrying the burdens of leadership with the heart of a servant. All he has ever sought is to bring the world closer to Christ. To remind the faithful that mercy triumphs over judgment, that love conquers discord, and that true wisdom is found not in self-righteous certainty, but in humble service. Papà’s Embrace is not just a moment of tenderness—it is a testament to a shepherd’s endurance, a father’s unwavering love, and a disciple’s relentless pursuit of the Gospel. In this embrace, we see the heart of a man who has given everything to guide souls home. May we, too, find the humility to embrace one another, as Christ embraces us all.
    Papà’s Embrace - A Painting by Dino ..etta
  • “Angel with the Cross on Ponte Sant'Angelo Rome - Photo by Dino Carbetta”<br />
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Captured just after sundown, this image reveals a tranquil scene as the sky deepens into a majestic blue, highlighting the golden light on the angelic figures that line the bridge. The Ponte Sant'Angelo (Bridge of Angels) spans the Tiber River, only a short walk from St. Peter’s Basilica. For centuries, it has symbolized the transition from the busy streets of Rome to the sacred space of Vatican City, offering a contemplative pause for pilgrims crossing into the spiritual heart of the city. The bridge’s ten angel sculptures were designed by Gian Lorenzo Bernini, though few were carved by his own hand. His vision, however, lives on in these figures, which stand as silent sentinels, each holding symbols of Christ’s Passion. The bridge is anchored by statues of Saints Peter and Paul, marking the gateway to the spiritual realm. With their imposing presence, they frame the passageway, guiding travelers to reflect on their journey of faith. One of the most striking figures is the "Angel with the Cross." Its serene expression and reverent pose underscore the deep symbolism of the cross it holds. Beneath the statue, a Latin inscription from Isaiah 9:6 reads, "Cuius principatus super humerum eius" — "Dominion rests on his shoulders." This prophetic message of Christ’s kingship resonates deeply with the scene, reminding all who pass of the weight of Christ's authority and sacrifice. In Dino Carbetta's photograph, the interplay of light and shadow creates a sense of the eternal. The angel seems illuminated from within, standing out against the fading Roman sky. Through his lens, Carbetta captures more than just a moment—he preserves the spiritual legacy of the bridge, inviting viewers to reflect on the enduring message of faith, sacrifice, and redemption that permeates this historic path. The image speaks to the timeless intersection of art, faith, and history in one of Rome's most iconic locations.
    Angelo con la Croce sul Ponte Sant'A..etta
  • "The First Light of Dawn - Fishing Along the Ligurian Coast - A Painting by Dino Carbetta" ...<br />
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Step into the timeless beauty of the Italian Riviera, where nature, history, and faith converge in a stunning reflection of Italy's coastal charm. This painting transports viewers to a serene moment at dawn, capturing a young Italian boy fishing with his dog on the Ligurian coast as the first light of the day bathes the scene in a warm, golden glow. In the background, an ancient church stands as a steadfast sentinel, its weathered stones embodying the resilience and faith of the Ligurian people, who have lived in harmony with the sea for centuries. With its stone façade and bell tower, the church symbolizes continuity, enduring through time and the Mediterranean's waves. As the soft morning light washes over it, every detail of the church’s architecture is illuminated, bringing forth a sense of reverence and peace. The surrounding landscape, lush with rolling hills and framed by the sparkling sea, enhances the scene’s tranquil beauty, inviting viewers into a world where nature and faith are inseparably woven together. As dawn breaks, the painting beautifully encapsulates the stunning allure of the Ligurian coast while also conveying its profound spiritual essence. The calm waters and radiant sky, the ancient church and the boy's quiet fishing all evoke a sense of stillness and reflection, inviting viewers to pause and absorb the deeper meaning behind the scene. The Italian Riviera, a blend of past and present, is more than a destination; it's a pilgrimage and a testament to the enduring bond between humanity, nature, and faith. This work offers a glimpse into the soul of the Ligurian coast, where history whispers through the hills, and the divine presence is felt in every ray of the rising sun. Here, the essence of life unfolds in simple yet profound moments, reminding us of the beauty found in everyday rituals and the sacred connections that define our existence.
    Le Prime Luci Dell'Alba - Pesca Lung..etta
  • “Saint Charbel: Patron of Corporal and Spiritual Suffering - Painting by Dino Carbetta” ...<br />
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Saint Charbel Makhlouf, born in Lebanon in 1828, is venerated as the Patron Saint of those who face both physical and spiritual afflictions. His life was a profound expression of monastic dedication, characterized by rigorous prayer, fasting, and solitude. This commitment reflects his deep spiritual resilience and unwavering devotion to God’s will. The depiction of Saint Charbel captures more than his physical likeness; it encapsulates his profound spiritual essence. His serene gaze and tranquil demeanor symbolize an intimate communion with the Divine, representing a state of inner peace and unshakable faith The deep spiritual depth and serenity of Saint Charbel reflect his ongoing intercession and influence on many today. Saint Charbel’s life was marked by numerous miracles that continued well after his death. During his lifetime, he was known for his miraculous healings, often attributed to his fervent prayers and deep faith. After his passing in 1898, his tomb became a site of extraordinary miracles. Pilgrims from around the world have reported miraculous healings and profound spiritual experiences at his shrine. These miracles include the healing of terminal illnesses, resolution of chronic conditions, and transformative spiritual experiences, reinforcing his reputation as a powerful intercessor and a beacon of divine grace. The image of Saint Charbel visually testifies to his miracles and serves as a conduit for his grace and healing, inviting viewers to reflect on his life and intercession. Turning to Saint Charbel’s life offers solace and rejuvenation during times of suffering.. This depiction not only highlights his role as a miracle worker but also as a symbol of hope, guiding viewers toward spiritual and emotional rejuvenation through the sacred harmony and divine grace that defined his life.
    San Charbel Patrono della Sofferenza..etta
  • “Saint Bonaventure the “Seraphic Doctor”- Painting by Dino Carbetta” ...<br />
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Though not widely known today, was a pivotal figure in the medieval Church and the Franciscan Order. Renowned for his academic prowess at the University of Paris, he endeared himself to his students through his deep Franciscan devotion to Jesus and the Church, earning the title "Seraphic Doctor." Born as John in Bagnoregio in 1221, he adopted Bonaventure upon joining the Franciscans at 22. "Saint Francis believed to have healed Bonaventure from a severe childhood illness." Saint Bonaventure's academic career halted when he was elected General Minister of the Friars. His 17-year tenure was challenging, marked by internal disputes over the interpretation of poverty. Despite these trials, Bonaventure's prayerful nature and administrative acumen enabled him to guide the Order through effective legislation. He fostered an organized spirituality grounded in Saint Francis's vision, blending practical life with doctrinal faith, thus infusing his teachings with a distinctive warmth. Towards the end of his service as General Minister, Pope Gregory X appointed Bonaventure as a Cardinal and the bishop of Albano. However, during the Second Council of Lyon in 1274, he passed away unexpectedly, with some speculating he was poisoned. Despite his sudden death, Saint Bonaventure left a revitalized Franciscan Order and a legacy of writings centered on his profound love for Jesus. Bonaventure harmonized holiness and theological insight, reaching mystical heights while remaining an active preacher and beloved teacher. His works continue to resonate, offering readers a glimpse into the soul of a true Franciscan and gentleman. This painting elegantly captures the essence of this remarkable figure, reflecting his enduring impact and the deep spirituality that defined his life. This artwork serves as a visual homage to a saint whose love for Christ and dedication to the Church continue to inspire.
    San Bonaventura il “Dottore Serafico..etta
  • “Saint Catherine of Siena Bearing the Sacred Stigmata - Painting by Dino Carbetta” ...<br />
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Captures the essence of a remarkable life devoted to Christ. Born on March 25, 1347, Catherine Benincasa embraced a profound commitment: surrendering to her Lord. From her early years as the 23rd child of Jacopo and Lapa Benincasa, Catherine displayed remarkable intelligence, cheerfulness, and intense religious devotion. Rejecting societal pressures, Catherine boldly cut her hair in protest against superficial expectations to attract a husband, earning her room for solitary prayer and reflection. At 18, she entered the Dominican Third Order, dedicating three years to seclusion, prayer, and austerity. Yet, her contemplative life attracted followers from diverse backgrounds, drawn to her unwavering faith and spiritual insight. Despite opposition and slander, Catherine fearlessly engaged with the world, advocating for spiritual growth and addressing public affairs through her letters. Her influence grew, marked by her holiness, Dominican affiliation, and profound impact on Pope Gregory XI. In tumultuous times marked by the Great Schism, Catherine remained steadfast, advocating for unity within the Church and tirelessly promoting peace. Her final years were spent in Rome, fervently praying for Pope Urban VI and the Church's unity. Declared co-patron of Italy in 1461, Catherine's spiritual legacy endures alongside Francis of Assisi. Named a Doctor of the Church in 1970, her teachings, encapsulated in "The Dialogue," transcend time, inviting us to pursue holiness as a lifelong endeavor. Catherine's unwavering pursuit of holiness resonates despite the stark differences between her era and ours. Her mystical experiences and ascetic practices may seem distant, yet her recognition of holiness as a lifelong journey remains relevant in our rapidly changing world. Catherine's devotion to Christ compels us to seek the divine presence in our lives as we journey through Christianity.
    Santa Caterina da Siena Recante le S..etta
  • "Sacred Union - Madonna and The Christ Child - Painting by Dino Carbetta”<br />
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Within these gentle Palette strokes, we are transported into the heart of Catholic devotion, where the divine bond between mother and child is exalted in sacred imagery. Within this painting, we behold the Madonna, Our Lady of Grace, cradling the Christ Child, the Savior of humanity, in her loving embrace. As we contemplate this sacred scene, we are reminded of the profound significance of Mary in the Catholic tradition. She is the Mother of God and the embodiment of purity, humility, and unwavering faith. Her presence in the painting evokes a sense of reverence and awe, inviting us to draw closer to her maternal intercession. The Christ Child emanates a divine glow, his gaze intimately intertwining with the intense eyes of his Mother, as they extend blessings to all who seek their grace. His innocence and vulnerability symbolize divine condescension, as God humbles Himself to dwell among humanity, offering redemption and salvation to all who believe. In the tender union between the Madonna and the Christ Child, we witness the epitome of sacrificial love. Mary's selfless devotion to her son mirrors the love of the Heavenly Father, who so loved the world that He sent His only begotten Son for our salvation. Their embrace transcends earthly affection, revealing the depths of divine compassion that permeate the universe. Let us contemplate the significance of the Blessed Virgin Mary as the Mediatrix of all graces, the channel through which divine mercy flows into the world. Let us entrust ourselves to her maternal care and seek guidance on our faith journey. May the sacred union depicted in this painting inspire us to deepen our relationship with God and emulate the virtues of Mary in our daily lives. Through her intercession and the grace of her Son, may we be strengthened in faith, hope, and charity, as we strive to live as faithful disciples of Christ in the world today.
    Sacra Unione - Madonna col Bambino -..etta
  • “Saint Joseph and Jesus - Painting by Dino Carbetta”…<br />
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Within these brushstrokes lies the essence of inspiration, and the profound narrative of Saint Joseph, a figure whose life whispers volumes of faith, devotion, and humility. Though dwelling in the shadows of history, St. Joseph emerges as a beacon of silent strength and unwavering commitment. From the moment the celestial proclamation graced his ears, he embraced his divine calling with a depth of devotion unmatched. His love for his foster son, Jesus, knew no bounds, as he selflessly sacrificed all for their well-being. Handpicked by the Divine to shepherd the Savior, St. Joseph embodied the essence of fatherhood, guiding and safeguarding Jesus with tender care. In his humble actions, we find a blueprint for authentic masculinity and familial devotion, and his very existence is a testament to the sanctity of the family unit. While the annals of history may not boast of miraculous deeds or grand proclamations, St. Joseph's quiet resolve and unwavering faith echo through the corridors of time. Scripture unveils glimpses of his character, from his immediate protection of Mary to his steadfast obedience to divine command. The profound reverence bestowed upon St. Joseph by luminaries like St. Teresa of Ávila speaks volumes of his enduring impact. Through her devoted advocacy, St. Joseph's silent influence permeated the hearts of many, offering solace and inspiration to those who sought his intercession. In a world enraptured by the clamor of ambition and accolades, St. Joseph's humble example beckons us to embrace simplicity, humility, and unwavering trust in Divine providence. His legacy is a powerful testament to the transformative impact of selfless love and resolute faith. St. Joseph's quiet presence continues to inspire and elevate souls to profound depths of spiritual contemplation, reminding us that true greatness lies not in grandeur, but in the silent acts of love and devotion that echo through eternity.
    San Giuseppe e Gesù - Dipinto di Din..etta
  • "Resurrection - The Name of Jesus - Painting by Dino Carbetta”<br />
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Resonates deeply with the sacred text of Philippians 2:10, embodying the profound submission and reverence accorded to Jesus Christ within Christian doctrine. The name of Jesus encapsulates divine authority, grace, and the promise of salvation, marking the apex of God's redemptive narrative through His life, crucifixion, and triumphant resurrection. At its essence, this magnum opus delves into the core tenet of Christianity: the resurrection of Jesus Christ, portrayed with compelling symbolism and spiritual depth. It beckons viewers to ponder the eternal significance of this pivotal event, which heralds a profound transformation. Jesus Christ commands attention at the center of the canvas, radiating both tranquility and might, His raised hand a testament to His dominion over death, even bearing the wounds as symbols of His sacrifice. The symbolism is rich; the two fingers of His right hand represent His dual nature—human and divine—while the unity of the remaining three fingers symbolizes the Holy Trinity. Surrounding Him, a milieu of sacred elements bathed in celestial light evokes the divine presence. The empty tomb and the cross, rendered with symbolism, underscore the theological gravity of Christ's resurrection, affirming the redemptive love and promise it embodies. This artwork underscores Jesus Christ's indispensable role in the Christian faith, asserting His sovereignty over sin and death. Viewers are invited to encounter the living Christ and contemplate the profound implications of His resurrection. In engaging with this profound piece, they are confronted with the timeless truth of Easter: that death has been vanquished, and new life is made attainable through faith in Jesus Christ. Thus, "Resurrection - The Name of Jesus" serves as a poignant reminder of the hope and promise inherent in Christ's victory over death, beckoning viewers to embrace the transformative power of The Resurrection.
    Resurrezione - Il Nome di Gesù - Dip..etta
  • “Madonna of Tears - Painting by Dino Carbetta” …<br />
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It serves as a focal point for the devotion to "Our Lady of Tears," which has experienced a resurgence of interest. This devotion, as evidenced by the records of The Marian Library/International Marian Research Institute, is underscored by a profound Rosary dedication to Mary under this title. Additionally, contemporary interpretations of Our Lady of Tears have emerged, signaling the enduring relevance of this devotion. The genesis of this devotion traces back to November 8, 1929, when Sister Amalia experienced a divine encounter while praying fervently in the presence of the Eucharist. Seeking intercession for a loved one's dire illness, Sister Amalia was instructed by Jesus Himself on the efficacy of praying through the tears of His mother, Mary. This pivotal moment led to the formulation of a unique Rosary, comprised of forty-nine small pearls divided into seven decades, reminiscent of the Seven Sorrows of Mary Rosary. This Rosary, adorned with three small pearls and the medal of Our Lady of Tears, became a tangible expression of devotion to Mary's sorrowful tears and unwavering love for humanity. In the painting, Mary, the Sorrowful Mother, is depicted in a contemplative posture, her tears bearing witness to the profound anguish she experienced throughout her son Jesus Christ's life and the redemptive sacrifice He made for humanity. Amidst her tears, Mary personifies the essence of maternal love and compassion, while bearing witness to her son's journey to save the world from sin. This devotion, endorsed by Pope Paul VI, resonates with believers seeking solace and grace through prayer and contemplation of Mary's role in the divine plan of salvation. As the faithful engage with the Madonna of Tears painting and the accompanying Rosary devotion, discover more about Mary's sorrow and Christ's mission, and find comfort in her intercession.
    Madonna delle Lacrime - Dipinto di D..etta
  • “Van Gogh Style of Café Terrace at Night in Rome Italy - Painting by Dino Carbetta”…<br />
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Paying homage to the genius of Vincent van Gogh while seamlessly blending it with the captivating allure of Rome. In this winsome rendition, I endeavor to channel van Gogh's distinctive style, characterized by bold brushwork, vibrant colors, and expressive forms, to evoke the dynamic atmosphere of Rome's bustling energy. With each brushstroke, trying to transport viewers to the heart of Rome, the soft glow of streetlights and the moon illuminate the scene, casting a spell of warmth and intimacy. The Café Terrace, a focal point of van Gogh's original masterpiece, invites viewers to imagine themselves amidst the lively conversations and laughter of patrons enjoying their evening in the Eternal City. Through meticulous mindfulness, capturing the essence of van Gogh's vision, infusing it with the unique charm and vitality of Rome. The result is a captivating tableau that not only celebrates van Gogh's artistic legacy but also offers a fresh perspective on the timeless charisma of Rome. This imitation of van Gogh’s use of color and form is on full display, "The artistic recreation captures the vibrant energy of the Roman skyline, while also showcasing its rich religious history." Each brush stroke is imbued with a sense of awe and vitality, breathing life into the canvas and inviting viewers to immerse themselves in the rich history of Roman life. From the cobblestone streets to the bustling café terrace, rendered with precision and care, creating a sense of depth and immersion uniquely van Gogh. Gazing upon this artistic interpretation, one is transported on a journey through time and space, where the artistic genius of van Gogh converges with the eternal beauty of Rome. Let's appreciate the enchanting beauty of art and its connection to life. Café Terrace at Night in Rome, Italy reminds us of art's power to unite us in a shared experience of beauty and wonder.
    Stile Van Gogh Della Terrazza Di Un ..etta
  • “Saint Thomas Aquinas - The Great Philosopher – Painting by Dino Carbetta” ... <br />
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Born in 1225 in the county of Aquino, situated in the Kingdom of Sicily, Aquinas emerged as a prominent figure in philosophy and theology. He was an Italian Dominican friar, priest, philosopher, theologian, and jurist whose legacy of intellect continues to endure. Aquinas's significant contributions center around natural theology and the establishment of Thomism, a school of thought aiming to harmonize theology and philosophy. He believed that God was the wellspring of both natural reason and faith, striving to meld Aristotelian philosophy with Christian principles. His profound impact is evident in works like the unfinished Summa Theologica and the Summa contra Gentiles, as well as commentaries on Christian Scripture and Aristotle, all shaping medieval philosophy. He is accredited as "the most influential thinker of the medieval period" and "the greatest of the medieval philosopher-theologians." Aquinas, a devout Catholic, enriched the liturgy of the Catholic Church with enduring Eucharistic hymns. Thomas Aquinas began his intellectual journey when he joined the Benedictine monastery at Monte Cassino when he was only five. He was later given titles such as Doctor Angelicus ("Angelic Doctor") and Doctor Communis. Further studies in Naples in 1239 deepened his connection to Aristotle's philosophy. The painting divinely captures the essence of Saint Thomas Aquinas. This inspirational figure's emphasis on the unity of faith and reason, revelation, and human knowledge resonates with those seeking knowledge and spiritual truth. Aquinas's enduring insights and this youthful artistic representation converge to present a profound reflection on the legacy of this great philosopher, whose wisdom remains pertinent and inspiring in our contemporary world.
    San Tommaso d'Aquino - Il Grande Fil..etta
  • "Sanctuary of Innocence - Mother Mary's Gentle Embrace Amidst the Holy Innocents -  Palette Knife Rendering by Dino Carbetta"<br />
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The Feast of the Holy Innocents solemnly commemorates a tragic event wherein innocent children were brutally slaughtered, becoming the early church's first martyrs and emphasizing the sanctity of human life. Evolving from a day of solemn religious contemplation, it has blossomed into a festive celebration, particularly cherished in Roman Catholic countries. The Flight into Egypt, the Second Sorrow in the Story of the Holy Innocents, swiftly unfolds as Joseph heeds a divine warning delivered through a dream. Fleeing from Herod's sinister intent to annihilate the newborn Christ, Joseph and Mary embark on a perilous journey, grappling with uncertainties and fears. Despite Mary's apprehensions about the desert wilderness, her unwavering trust in God's providence shines through. The couple's decision to uproot their lives to shield the infant Jesus highlights their profound commitment to protecting the sacred life within their family. Noteworthy is the deference to the authority of Saint Joseph, even though Mary is Immaculately Conceived and Jesus is the Word made flesh. Herod, a politically astute and brutal ruler, reacts with paranoia to the news of the newborn king, deceptively feigning homage while plotting the massacre of Bethlehem's male children under two years old. Beyond the historical significance, the Holy Innocents' massacre serves as a poignant reminder of ongoing challenges to the sanctity of life, drawing parallels to contemporary issues like genocide and abortion. Each human life, graced by Jesus' death and resurrection, is a precious treasure destined for eternity. This narrative invites reflection on life's profound value, resonating with the inspirational message that each soul, touched by the divine, holds immeasurable significance in the grandeur of existence. Mother Mary's comforting embrace envelops the innocent children.
    Sanctuary of Innocence - Mother Mary..etta
  • "Sacred Harmony - The Holy Family Nativity – Painting by Dino Carbetta” …<br />
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In the serene narrative of Luke 2:8-14, we find shepherds tending to their flock in the quietude of the night. Suddenly, the angel of the Lord emerges, bathed in divine radiance, evoking awe in the shepherds. Amidst their trepidation, the angel utters, "Fear not," heralding joyful tidings for all. The city of David becomes the stage for the announcement of a Savior, the Messiah, born to the world. A sign unfolds—an infant in swaddling clothes, lying in a manger. This humble scene marks a profound inception, emphasizing salvation's inclusive accessibility to all, irrespective of societal standing.  A celestial spectacle ensues as heavenly hosts join the angel in a harmonious symphony of praise. Their proclamation resounds, "Glory to God in the highest, and on earth peace to those on whom his favor rests." Beyond the shepherds, this celestial chorus envelops all creation, showcasing the universality of divine grace. This painting encapsulates the sacred moment, with the Holy Family at its centre, radiating profound symbolism that delves into the essence of human existence. The tender depiction of the infant in swaddling clothes, nestled in a manger, signifies a humble genesis for the Savior, emphasizing the universal accessibility of salvation that transcends societal divisions. Beyond a visual representation, The artwork transforms into a visual sermon, guiding observers into a contemplative space where the sacred narrative unfolds. Through meticulous brushstrokes and thoughtful composition, the painting invites us to witness not just a historical event but an eternal truth—within the simplicity of a stable, profound and universal message of hope and peace is born. May this artwork inspire and resonate with those who explore its depths. In its quiet distinction, let it echo the timeless proclamation of peace and goodwill to all who encounter its transformative narrative.
    Sacred Harmony - The Holy Family Nat..etta
  • “Saint Cecilia - Roman Virgin and Martyr - Painting by Dino Carbetta” …<br />
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Saint Cecilia, a revered Roman virgin martyr, holds a special place in the heart of the Catholic Church. She is recognized as the patroness of music and musicians. It is recounted that during her wedding, as musicians played, Cecilia "sang in her heart to the Lord." Her significance is marked by musical compositions dedicated to her, and on the 22nd of November, her feast becomes the inspiration for concerts and musical festivals. Also known as Cecilia of Rome, she is among the virgin martyrs commemorated by name in the Canon of the Mass in the Latin Church. The church of Santa Cecilia in Trastevere, established in the 3rd century by Pope Urban I, is believed to stand on the site where she once lived and ultimately met her fate. She was forced into marriage to a pagan nobleman named Valerian, despite her vow of virginity. During the wedding ceremony, Cecilia sat apart, singing to God in her heart, earning her the title of the patron saint of musicians. In a remarkable turn of events, Cecilia, true to her vow, informed Valerian that an angel of the Lord was watching over her. This angel, she proclaimed, would punish him for violating her purity but would bestow love upon him if he respected her commitment. To witness this angel, Valerian was directed to the third milestone on the Via Appia, where he underwent baptism by Pope Urban I. He beheld the angel standing beside her, adorning her with a crown of roses and lilies. Cecilia's martyrdom unfolds after that of her husband Valerian and his brother. Legend has it that, struck three times on the neck with a sword, Cecilia miraculously lived for three more days. In her final request to the pope, she asked for her home to be converted into a church. Saint Cecilia found her resting place in the Catacomb of Callixtus, later transferred to the Church of Santa Cecilia in Trastevere in 1599, her body incorrupt and appearing as if in peaceful slumber.
    Santa Cecilia - Vergine Romana e Mar..etta
  • “Crimson Crucifixion in the Chapel of the Church of Santa Maria Assunta in Positano - Painting by Dino Carbetta”…<br />
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Amidst the breathtaking landscapes of the Amalfi Coast, my journey led me to the enchanting village of Positano. The drive along the high cliffs, winding down the narrow lane from Sorrento, was nothing short of exhilarating. The sensory overload of Positano's beauty and its photogenic allure left me captivated. Navigating the village's single lane, which winds down from the top and back up to where it began, presented a unique challenge. After circling the entire village three times, I finally reached the parking garage by the hotel, positioned about 2/3rds up the facing village in the captivating image before you. The descent down the winding road and steep staircases, though strenuous in the late May sun, became a memorable part of the adventure. Upon reaching the beach and marina, any exhaustion I felt dissipated in the face of Positano's plush beauty. Despite the challenges posed by the multitude of tourists and the intense sunlight, I endeavored to capture the essence of this coastal haven. As I traversed the beach and shoreline, the late afternoon sunlight, piercing through the mountaintop, blinded me momentarily. It was during this encounter with the radiant glow that the Church of Santa Maria Assunta emerged before me. Positioned strategically in the heart of the town, with the Azzurro Mediterranean Sea as its backdrop, the church's colorful majolica tiled cupola stands as an iconic symbol of Positano. Delving into the ancient roots of this sacred place, I discovered a hidden gem within the church—a Crucifix housed in a small chapel. Dating back to 1159, this chapel was dedicated to the Blessed Virgin Mary. It is here that Santa Maria, with her blessed and watchful eye, continues to oversee Positano, welcoming all to this seaside paradise.
    Cremisi Crocifissione nella cappella..etta
  • “Most Holy Name of the Blessed Virgin Mary - Painting by Dino Carbetta” …<br />
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The rich tapestry of faith is often woven with threads of history and tradition. The celebration of the Most Holy Name of Mary, its origins tracing back to the vibrant lands of Spain in the year 1513, serves as a profound reminder of the enduring power of devotion. A timeless journey that started in a particular time and place has blossomed into a cherished moment for the entire Church. Pope Innocent XI, recognizing the beauty and significance of this venerable tradition, embraced it wholeheartedly, extending its embrace to the global congregation. The unity of faith finds its expression in shared rituals, and the celebration of the Most Holy Name of Mary beautifully complements the Feast of the Holy Name of Jesus, observed every September 12. In the intricate mosaic of Catholic devotion, these celebrations are like twin stars, one radiating the celestial grace of Mary, the other illuminating the majestic persona of Jesus. Each festivity encapsulates a distinct essence, yet they resonate harmoniously, representing the two pillars of divinity. The Holy Name of Mary, a testament to her unwavering virtue and maternal compassion, stands as a symbol of solace and intercession. Just as the name of a beloved carries the power to evoke emotions, Mary's name invokes hope and supplication, a bridge between the human heart and the divine realm. I am embracing the profound significance of these celebrations embarking on this artistic and literary venture. The legacy of the Most Holy Name of Mary and the Feast of the Holy Name of Jesus infuses these artistic endeavors with a sense of purpose and inspiration. Words and art have the potential to be vessels of transcendence, allowing those who encounter them to glimpse the eternal truths that lie beyond the visible realm. Mary was inspired by my good Catholic friend, Lori.
    Santissimo Nome della Beata Vergine ..etta
  • “The Assumption of the Blessed Virgin Mary - Painting by Dino Carbetta” …<br />
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The Assumption of Mary is a profound belief cherished by the Catholic Church, one of the four Marian dogmas. In his apostolic constitution "Munificentissimus Deus," Pope Pius XII officially defined this dogma on 1 November 1950. It proclaims and reveals that the immaculate Mother of God, Mary ever virgin, at the end of her earthly life, was taken up, body and soul, into the heavenly glory by God Himself. This momentous declaration finds its roots in the 1854 dogma of the Immaculate Conception, affirming that Mary was conceived free from original sin, and both doctrines are grounded in the understanding of Mary as the Mother of God. "The Assumption of the Blessed Virgin Mary - Painting by Dino Carbetta," gracefully captures the essence of this belief, depicting Mary in "the light" of her glory. She exalts the greatness of the Lord and finds joy in God, her savior. Her life reflects the wonders God has bestowed upon her, and she humbly leads others to acknowledge God's holiness. Mary is portrayed as a lowly handmaid who deeply reverences her God, yet she has been exalted to the highest heights. From this position of strength and grace, she becomes a beacon of hope and compassion, assisting the lowly and the poor in finding justice on earth. At the same time, she challenges the rich and powerful to reconsider their attachment to wealth and power as sources of true happiness. Through the Assumption of Mary, we are reminded of the immense love and divine grace that God bestows upon His faithful followers. Mary's life journey is an inspiring example of faith, humility, and dedication, guiding us toward a deeper connection with God and a more compassionate outlook on the world around us. As we contemplate this dogma, let us embrace the awe and wonder it evokes and seek to emulate Mary's virtues in our lives.
    L'Assunzione della Beata Vergine Mar..etta
  • "Our Lady of Fatima - Miracle of the Sun – Painting by Dino Carbetta” …<br />
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It encapsulates a profound moment that unfolded on October 13, 1917. In the vicinity of Fatima, a multitude had assembled, eagerly anticipating the foretold apparition of Our Lady, as heralded by three young shepherd visionaries: Lúcia, Francisco, and Jacinta Marto. What ensued, meticulously documented by journalists, legal professionals, and scientists, later earned the moniker "Miracle of the Sun." Eyewitness testimonies painted a vivid picture of extraordinary solar phenomena: the Sun seemingly pirouetting in the heavens, descending towards the earth, and casting a kaleidoscope of vibrant hues. This celestial spectacle, lasting a remarkable ten minutes, left an indelible impression on those present and reverberated the media environment of that period. Following the event, in November 1917, the local bishop launched a comprehensive investigation, meticulously scrutinizing witness statements and aligning purported messages from Mary with the tenets of Catholic theology. Notably, even skeptics among the gathering, including secular reporters and government officials, attested to the authenticity of the miraculous solar display. The formal endorsement by Bishop José da Silva on October 13, 1930, bestowed official recognition upon "Our Lady of Fatima" within the folds of Catholic tradition. This profound miracle, intertwined with its accompanying prophecies, continues to shape the devotional practices of countless Catholics, leaving an enduring legacy in the annals of Church history. Despite the passage of time, the composed testimony of witnesses such as Dr. Garrett serves as a poignant reminder of the event's solemnity. His steadfast recollection, amidst the surreal backdrop tinged with yellow hues, beckons subsequent generations to ponder the deeper significance of this extraordinary phenomenon.
    Madonna di Fatima - Miracolo del Sol..etta
  • “Agony in the Garden – Painting by Dino Carbetta” …<br />
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The agony in the Garden of Gethsemane encompasses Holy Week in the life of Jesus. Occurring after the Last Supper, before his betrayal and arrest, all part of the Passion of Jesus leading to his crucifixion and death. This episode is described in the three Synoptic Gospels in the New Testament. According to these accounts, Jesus, accompanied by Peter, John, and James, enters the garden of Gethsemane on the Mount of Olives where he experiences great anguish and prays to be delivered from his impending suffering, while also accepting God's will. Immediately after the Last Supper, Jesus retreated to a garden to pray. Jesus was accompanied by three Apostles: Peter, John, and James, whom he asked to stay awake and pray. He moved "a stone's throw away" from them, where he felt overwhelming sadness and anguish, and said "My Father if it is possible, let this cup pass me by. Nevertheless, let it be as You, not I, would have it." Then, a little while later, he said, "If this cup cannot pass by, but I must drink it, Your will be done!" He said this prayer thrice, checking on the three apostles after each prayer and finding them asleep. He commented: "The spirit is willing, but the flesh is weak". An angel came from heaven to strengthen him. During his agony as he prayed, "His sweat was, as it were, great drops of blood falling upon the ground" (Luke 22:44). In Roman Catholic tradition, the Agony in the Garden is the first Sorrowful Mystery of the Rosary and the First Station of the Scriptural Way of The Cross Catholic tradition includes specific prayers and devotions as acts of reparation for the sufferings of Jesus during His Agony and Passion.
    Agonia Nell'Orto – Dipinto di Dino C..etta
  • “Annunciation of the Lord - Marian Shrine Basilica of the Holy House in Loreto, Italy – Painting by Dino Carbetta” …<br />
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Gospel Lk 1:26-38  “The angel Gabriel was sent from God to a town of Galilee called Nazareth, to a virgin betrothed to a man named Joseph, of the house of David, and the virgin's name was Mary. And coming to her, he said, "Hail, full of grace! The Lord is with you." But she was greatly troubled at what was said and pondered what sort of greeting this might be. Then the angel said to her, "Do not be afraid, Mary, for you have found favor with God. Behold, you will conceive in your womb and bear a son, and you shall name him Jesus.<br />
He will be great and will be called Son of the Most High, and the Lord God will give him the throne of David his father, and he will rule over the house of Jacob forever, and of his Kingdom there will be no end." But Mary said to the angel, "How can this be, since I have no relations with a man?" And the angel said to her in reply, "The Holy Spirit will come upon you, and the power of the Most High will overshadow you. Therefore the child to be born<br />
will be called holy, the Son of God. And behold, Elizabeth, your relative, has also conceived a son in her old age, and this is the sixth month for her who was called barren; for nothing will be impossible for God." Mary said, "Behold, I am the handmaid of the Lord. May it be done to me according to your word." Then the angel departed from her.”
    Annunciazione del Signore - Santuari..etta
  • “Third Sunday of Advent - Painting by Dino Carbetta” …<br />
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In the sacred tradition of Christianity, the Advent wreath serves as a poignant symbol, cradling the significance of the four Advent candles. These candles, flickering amid darkness, embody the arrival of Jesus as the illuminating light. A ritual unfolds as each candle is kindled every Sunday, a progression towards the culmination of all four candles blazing with radiant warmth. The increasing luminosity symbolizes the approaching Christmas, where the profound truth of Jesus' presence permeates our souls. A particular luminary moment occurs on the Third Advent Candle/Sunday, a celebration of joy known as "Gaudete Sunday." In the angelic proclamation in Luke 2:10-12, the narrative of good news and great joy unfolds. In the city of David, a Savior, the Messiah, is born—a sign for all, wrapped in swaddling clothing and cradled in a manger. This third candle, a manifestation of joy, beckons us into a deeper sense of anticipation and celebration. It invites us to relive the joyous spirit of the shepherds who, with eager hearts, embarked on a pilgrimage to witness the divine spectacle in Bethlehem. Even before the wise men, their anticipation was palpable, and on this Gaudete Sunday, we resonate with their jubilation. Affectionately known as the "Shepherd's Candle," the third luminary is adorned in the hue of joy—pink, a liturgical color that radiates with the vibrancy of celebration. As we approach the 17th of December 2023, the designated day for kindling this symbolic flame, let our hearts be aglow with the joyful anticipation reminiscent of the shepherds of old. In this rendition, I've reimagined and recreated the scene from my album of photographs, capturing the essence of the "Adoration of the Shepherds" at the Vatican Museums' Gallery of the Tapestries. May this artistic interpretation deepen the resonance of joy in your Advent journey, echoing the timeless narrative of hope, anticipation, and jubilation."
    Terza Domenica di Avvento - Dipinto ..etta
  • “Excitement Abounds As Warm Summer Evening Descends Over Positano” …<br />
After a thrilling descent along the winding cliffs from Sorrento, the first glimpse of Positano stole the breath and stirred the soul. Clinging to the mountainside in cascading tiers of color and light, this legendary village appears more dream than dwelling — a vision conjured from sea mist and sun. Navigating the town’s lone serpentine road three full times, I finally discovered the hidden parking tucked near my hotel, perched high above the scene now immortalized in this photograph. The descent was a pilgrimage — narrow alleys, stone staircases, and the intense heat of late May pressed against every step. But upon reaching the beach and the marina, the weight lifted. The Mediterranean, ablaze with afternoon light, shimmered in hues of sapphire and flame. It was as though heaven itself poured its radiance into the sea. And rising amidst it all stood the Church of Santa Maria Assunta — quiet and eternal, her brilliant majolica dome shimmering like a celestial crown. Since 1159, she has watched over Positano with maternal grace, her gaze cast upon the faithful below and the infinite blue beyond. Nestled between cliff and sea, she stands as both anchor and blessing — a house of prayer and a symbol of divine beauty. Later, crossing the warm sands toward a seaside hotel terrace, I found stillness. Facing north, with the village spread before me like a living fresco, I watched as the sun retreated behind the mountains, casting golden rays across Positano’s vibrant facade. In those final moments of light, camera in hand, I captured the mystical union of nature, architecture, and the sacred — a fleeting hour when time itself stands still. Through this photograph, the soul of Positano is revealed — not just in its beauty, but in its quiet invitation to wonder, to rest, and to believe.
    Eccitazione Abbonda Come la Calda Se..tano
  • “Saint Jude the Apostle – Painting by Dino Carbetta” …<br />
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Saint Jude, the Patron Saint of Hope and impossible causes is important in Christian history. As one of Jesus’ original twelve Apostles, he preached the Gospel with unwavering devotion, often in difficult and dangerous circumstances. Through the power of the Holy Spirit, St. Jude brought God's Word to many, inspiring hope in those who needed it most. The Gospel of Matthew identifies St. Jude as the brother of St. James the Less, another Apostle of Jesus. They are considered cousins of Jesus, known as His "brethren." St. Jude is often confused with Judas Iscariot, the Apostle who betrayed Jesus, but his life exemplified loyalty and faithfulness to Christ. In Dino Carbetta’s painting, St. Jude is portrayed as pointing to the image of Christ, a reference to a miracle attributed to him. King Abgar of Edessa, suffering from leprosy, sought the likeness of Jesus for healing. Jesus, moved by the king's faith, pressed His face onto a cloth, leaving His image imprinted on it. He gave this cloth to St. Jude, who delivered it to King Abgar, and through it, the king was miraculously healed. This story highlights St. Jude as a vessel of Christ’s grace, bringing hope and healing. After Jesus' resurrection, he and St. Simon traveled through Mesopotamia, Libya, and Persia, spreading the Gospel and building the early Church. His missionary work led to his martyrdom for his steadfast faith, and his relics now rest in a crypt beneath St. Peter’s Basilica in Rome. For centuries, people have turned to St. Jude in their darkest moments. Saint Bridget of Sweden had a vision where Christ urged her to pray to Him with deep faith, a practice that brings hope in hopeless situations. His name continues to be invoked by those facing impossible challenges, seeking his intercession in times of sickness, crisis, and despair. Dino Carbetta’s painting of St. Jude highlights the Saint as a symbol of Christ’s healing grace and hope.
    San Giuda Apostolo - Dipinto di Dino..etta
  • “The Gondoliers illuminated by the afternoon light along Rio De La Toletta Venice - Painting by Dino Carbetta” …<br />
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Our itinerary included Basilica, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. In the maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission in Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated from the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Le Gondoliera illuminate dalla luce ..etta
  • "Mystically, St. John Bosco offered Mass for the Pilgrims in the Sorrento Cathedral - Painting by Dino Carbetta"...<br />
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St. John Bosco (1815 – 1888), was a man of God, who besides his many miracles and ordinary life of holiness, received visions of Mary and numerous prophetic dreams. St. Bosco also worked countless miracles. He had the gift of multiplication of the loaves, and St. John even raised a boy from the dead to give him the chance of a good confession. The boy confessed his sins and died, but this time he went straight to Heaven. St. John Bosco was ordained a priest in 1841, and he worked tirelessly with young boys in his neighborhood. His goal was to make saints out of them, and at least one of his boys became a saint, St. Dominic Savio. St. John founded the Oratory of St. Francis de Sales and was the chaplain there. He opened up workshops for tailoring and shoe-making to help the boys not only grow spiritually but have enough money to live. St. John lived daily for Jesus Christ. He would rise early, hear Confessions, and write letters to those in need for hours into the night. He wrote over 130 works defending the faith, and for that, he was hated by the enemies of the Church. There were numerous plots to kill him though none succeeded. Father Peek, stood in this day for Saint John Bosco and offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. I am sure Saint John Bosco would have been proud of the lessons taught and learned during our scholarly and spiritual pursuit.
    Misticamente, San Giovanni Bosco off..etta
  • “The Hand of God Shines on the Cross in the Snow - Convent of the Cells of Cortona - Painting by Dino Carbetta”…<br />
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Gospel Jn 17:11-19 “Lifting up his eyes to heaven, Jesus prayed, saying: ‘Holy Father, keep them in your name that you have given me, so that they may be one just as we are one. When I was with them I protected them in your name that you gave me, and I guarded them, and none of them was lost except the son of destruction, in order that the Scripture might be fulfilled. But now I am coming to you. I speak this in the world so that they may share my joy completely. I gave them your word, and the world hated them, because they do not belong to the world any more than I belong to the world. I do not ask that you take them out of the world but that you keep them from the Evil One. They do not belong to the world any more than I belong to the world. Consecrate them in the truth. Your word is truth. As you sent me into the world, so I sent them into the world. And I consecrate myself for them, so that they also may be consecrated in truth.” In the realm of artistic serendipity, a premeditated error can unveil a spectacular image, as seen in the captivating interplay of sunlight. Casting its radiance through the window amidst a snowy tapestry of trees, the light graces the Cross with its presence. Here, it is not just the physical realm that is illuminated; it is the soul and the realm of imagination itself that basks in the divine glow. The Hand of God, subtly painted by the artist, breathes life into both canvas and spirit, transcending the boundaries of mere observation to illuminate the profound connection between art, spirituality, and the boundless landscapes of the human soul.
    La Mano di Dio Risplende sulla Croce..etta
  • ”Radiant Saint Teresa of Lisieux - the ‘Little Flower’ - Painting by Dino Carbetta”… <br />
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Saint Therese of Lisieux was a woman who discovered a deep source of God's love and an endless love for others. Despite facing many difficulties throughout her life, she remained calm and joyful. She once said, "I prefer the quiet sacrifices of everyday life to the most ecstatic experiences. Even picking up a pin out of love can change someone's life." Her simple message still resonates with millions of people today. Though she only lived for 24 years, Therese believed that her journey was just beginning in serving God, promising to bring goodness to the world from heaven. This promise, known as her "Shower of Roses," continues to flow through the Church. Therese, also known as the "Little Flower," was a Carmelite nun who lived a hidden life in the convent of Lisieux, France. Despite her seemingly uneventful life, she found redemption in quiet endurance and made suffering her mission. She entered the Carmel convent to "save souls and pray for priests," as she said. Pope Pius X called her "the greatest saint of modern times," and she was canonized in 1925. In 1997, Pope John Paul II named her a Doctor of the Church, making her the third woman to receive this honor. Even her parents were canonized in 2015. Though she was known as Therese of the Child Jesus and the Holy Face, she had a profound depth of spiritual maturity that earned her a place among the great spiritual leaders. Her autobiography, "The Story of a Soul," is cherished by many worldwide. As you gaze upon this radiant portrayal, you can't help but be drawn into the world of Saint Thérèse. Her gentle and humble spirit, symbolized by the 'Little Flower,' is radiantly captured in every brushstroke. The delicate colors and intricate details in the painting bring to life the warmth and devotion that characterized her life. Thank you for allowing me to share this poignant piece of art with you.
    Radiosa Santa Teresa di Lisieux - il..etta
  • "Saint Helena holding the cross - Santa Croce in Gerusalemme, Rome"...<br />
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The Basilica of the Holy Cross in Jerusalem is located in Rome, in the Esquilino quarter, close to the Aurelian Walls and the Castrense Amphitheatre, between the Basilica of St. John Lateran and Porta Maggiore. The Basilica of the Holy Cross is part of the route of the “Seven Churches” that ancient pilgrims used to visit on foot. Several sources, including an inscription in the church, verify that the Sessorian Palace was owned by the empress St. Helen (c.255-330), Constantine's mother. From the end of the 4th century, it was said that St. Helen had made a pilgrimage to the Holy Land, during which she discovered the True Cross on which Christ was crucified and many other relics. It was also said that she wished to set up a shrine in Rome for pilgrims who could not travel to Jerusalem. The first room of the chapel has a Roman-era statue of St. Helen holding the cross. Beneath the statue is a floor believed to contain soil from the Holy Land. Under the protective glass covering the soil are many paper prayers from the faithful. Fragments of the cross were circulating in the West by 348 AD. The earliest historical record of the church, dated to 501 AD, refers to it as "Hierusalem basilica Sessoriani palatii." Architecturally, it is notable that the 4th-century Chapel of St. Helen is quite similar in design to a martyrium that was erected by Constantine in Jerusalem to house a fragment of the True Cross. In 1492, a dramatic discovery was made in the course of repairs to a mosaic: a brick inscribed with the words TITULUS CRUCIS (Title of the Cross). Sealed behind the brick was a fragment of an inscription in wood, with the word "Nazarene" written in Hebrew, Latin, and Greek. The Title is mentioned in all four Gospel accounts. This was our first stop on our Pilgrimage of 2019 in Italy. A very propitious, historical, and spiritual beginning to a monumental journey in The Eternal City.
    Sant'Elena con in mano la croce - Sa..Roma
  • “Orvieto ancient Etruscan walls and rain soaked hardscape overlook the local vineyards - Painting by Dino Carbetta”…<br />
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Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a big chunk of volcanic stone called tufa and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this clifftop village over 2000 years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliffside views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. The 14th Century Duomo was constructed to provide a home for the “Corporal of Bolsena”, a miracle that occurred in 1263 in the nearby town of Bolsena. A traveling priest who had doubts about the truth of transubstantiation found that his Host was bleeding so much that it stained the altar cloth. The cloth is now stored in the “Chapel of the Corporal” inside the cathedral. It’s amazing to turn the corner only to view, stop, and stare as the majestic Cathedral slowly rises to touch the heavens above.
    Orvieto antica mura etrusche e piogg..etta
  • Jesus of Nazareth – Sorrentino Fishing Boat – Marina Grande, Sorrento<br />
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In quaint Sorrento, near the Amalfi Coast, lies my heart’s gem—the Cathedral of Saints Philip and James. Father Peek led a cherished Mass at the majestic High Altar during our pilgrimage. Skipping Capri, I chose Marina Grande to commemorate this sacred day. I convinced my friend Patrick that the marina held a unique charm, perfect for reflecting on our journey. We arrived on a rainy Sunday afternoon. The bustling port wasn’t filled with tourists, but with spirited locals going about their day. Overcast skies hovered, but now and then the sun broke through, painting the heavens in soft, fleeting pastels. In that light, a solitary boat gently rocked at the mouth of the Piccolo Marina. On its stern, it bore the name: “Gesù di Nazareth.” A striking moment—graceful and profound. That name called to mind Saint Matthew’s Gospel, when Jesus, asleep in the boat amid a storm, rose and calmed the seas: “Then He arose and rebuked the winds and the sea, and there was a great calm.” (Matthew 8:26) The peaceful scene stirred another memory—the recent passing of my childhood friend Shannon, just a week earlier. The soft, radiant sky felt like a message... a trace of Heaven. In that moment, grief gave way to peace. It was as though Shannon’s spirit was near, in the hush between wind and wave. We returned to the marina that evening to capture the tranquil seascape before joining the pilgrimage group for dinner at my favorite restaurant, Zi’Ntonio Mare. Within Sorrento’s sacred stillness and Marina Grande’s beauty, I found both comfort and inspiration. The boat’s name remains etched in my heart, a living reminder that Christ is present—within the storm, beside the sea, and in every quiet farewell. This photograph is not just an image—it is a memory etched in stillness, a symbol of faith floating on gentle waters.
    Gesù di Nazareth - Peschereccio Sorr..ento
  • “Quiet evening view of Praiano from the cliffs of Positano”…<br />
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Visiting Positano, one cannot help but notice the diminutive town snuggled in the side of a cliff jutting out into the Mediterranean Sea seven miles south of Positano. The tiny village seemed to glow every evening with the last bit of sunlight raining down as Praiano extended its petals skyward. High above the cliffs, buildings are scattered about with just enough via and Strada to support the population of just over 2000. And, like most places in Italy, there is a church for about every 300 parishioners of its population. The most famous is the Church of San Luca Evangelista, famous for its splendid majolica floor, the Church of Santa Maria a Castro, and the Convent of San Domenico located in the high Campo valley with breathtaking views. The vista of Praiano facing northward toward Positano brightly displays a prominent gold-colored church with the traditional majolica tile dome named Parrocchia Di San Gennaro, one of the most beautiful churches on the Amalfi Coast. In addition to the maze of little lanes, narrow flights of steps, and pastel-colored cottages, one of the most characteristic features of Praiano is the majolica tiled votive shrines, which can be seen throughout the town. The shrines were constructed by the local families to both claim their ownership of a particular property and to obtain its divine protection. The town displays the most romantic sunsets on the Amalfi Coast with two beautiful beaches, Marina di Praia and Cala della Gavitella. The latter beach catches the sun from dawn until dusk and can be reached from the center of the town via a pathway interspersed with short flights of steps. From my vantage point for this image and many others, it mystically seemed as though the sun never set on the Bellissimo Villaggio molto piccolo of Praiano.
    Tranquilla vista serata di Praiano d..tano
  • “The ancient and the modern compete for a piece of heaven in Florence”…<br />
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Santa Maria del Fiore (also known simply as the Duomo) is the cathedral of Florence known for its distinctive Renaissance dome. Its name ("Saint Mary of the Flower") refers to the lily, the symbol of Florence. The impressive Gothic cathedral complex includes the Duomo, the famous baptistery, and a campanile. Built-in 1294 to be the largest Roman Catholic Church in the world, it is still the largest masonry dome in the world. Walking down the Strada, and turning the corner to view the massive Duomo painted against the sky was captivating. I stopped in my tracks and began taking photos; however, the huge Florence crowds prevented most images from ground level. This was one of the first images I photographed noticing the ancient architecture of the Duomo competing across the narrow Strada with the more modern buildings of Firenze as colorful evening skies danced above.
    L'antico e il moderno competere per ..enze
  • “Luminance of Christ - Sorrento Cathedral - Painting by Dino Carbetta”… <br />
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Transporting viewers to the heart of Sorrento, where the Cathedral of San Filippo and San Giacomo stands as a testament to spiritual devotion and architectural brilliance. Despite Sorrento's notoriety, not as a pilgrimage destination, the Duomo's roots trace back to the 11th century, with a notable reconstruction in the 15th century, boasting Romanesque grandeur. Stepping into this sacred space, one is enveloped by a solemn ambience. Devout elders engaged in novena prayers grace the pews, their reverence tangible. As I silently traversed the cathedral, its sacred aura embraced me. The ornate ceiling and towering pillars unveiled the Duomo's inner sanctum, while the adjacent bell tower stood as a silent sentinel of faith's enduring passage through time. However, it was the Crucifix above the Altar that captivated my gaze. Its vivid portrayal seemed to transcend the canvas, exuding divine presence. Illuminated by sunlight, the figure of Christ radiated an ethereal glow, every detail illuminated to reveal profound depths of meaning. In that sacred moment, I felt transported beyond earthly confines. With my lens, I aimed to preserve the interplay of light and shadow, showcasing the everlasting beauty of faith. This image, a cherished memento of my Italian sojourn, embodies the transformative power of art and devotion. As Galatians 2:20 echoes, "Yet I live, no longer I, but Christ lives in me," I found resonance. In the pursuit of artistic perfection, I encountered a deeper truth—that true perfection resides in the crucified one, whose boundless love and sacrifice redeem all. May this testament to faith inspire others on their journey of discovery and devotion, reminding them of the profound beauty found in the luminance of Christ. "Enveloped within this painting lies a poignant representation that captures and magnifies the profound essence of Christ's true meaning."
    Luminanza di Cristo - Cattedrale di ..etta
  • “Crucifixion beyond the entrance to the Abbey of Santa Giustina – Padua”…<br />
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Our Pilgrimage finally arrived in Padua and after lunch, we discovered the Abbey of Santa Giustina attached to the Basilica built in the 6th century. It contains the relics of multiple saints (including those of St. Luke the Evangelist). Shaped in the form of a Latin cross, the prodigious Basilica of St. Giustina is one of the most colossal in all of Christianity. The grandeur of the building is enhanced by the Prato della Valle which it overlooks. There are 3 main chapels: the presbytery and 2 chapels for Saints Luke and Matthew that form the transepts and each aisle has six small chapels. The Abbey and the Basilica of St. Anthony were two of my foremost surprises and a must-see on a Pilgrimage to Italy. Unfortunately, pictures were allowed only in St. Giustina, but not in the latter. Initially, I was a bit overwhelmed at the imposing wide open space of the Basilica. The high altar seemed an eternity away. It is difficult to give one a perspective of just how spacious and immense many of these basilicas can be, not only in pictures but in words. The colorful geometric marble floor leads one to the main altar, but only adds to the great depth, size, and dimension of the Basilica. A curiously placed Crucifix standing about 6’ tall is located just inside the colossal nave and appears diminutive below the 26 pillars supporting the 8 cupolas. As most basilicas are traditionally dark depending on the sunlight, the Crucifix was almost a complete faint silhouette only lit by the dome windows above the altar. Standing as close as possible with a telephoto perspective, I was able to reverse the impression of size and portray the grandiosity Christ deserves, as well as the original artist. The distant window light bled over the body and illuminated the darkness. The glow of the original beauty has become radiant. Framed by the brilliant distant archways, the Crucifixion becomes transformed.
    Crocifissione oltre l'ingresso dell'..dova
  • “Crucified Face of Christ - Painting by Dino Carbetta”… <br />
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Above the altar of the Duomo di Sorrento hangs a lifelike Crucifix, a profound symbol that has become a central theme in my artistic exploration. My portfolio is adorned with various depictions of this captivating crucifixion, serving as a primary focus in my study of light and the sacred image of Christ. This singular representation of Christ, seemingly alive, exerts a significant influence on my journey in religious art. In the heart of Sorrento, the main church, known as the Duomo or the Cathedral of San Filippo and San Giacomo, shelters this mesmerizing Crucifix. Although Sorrento is not traditionally considered a pilgrimage site but rather a picturesque seaside resort village, the Duomo, with its origins dating back to the 11th century and a complete reconstruction in the 15th century in Romanesque style, stands as a testament to divine beauty. The Cathedral's unassuming facade belies the grandeur within—three naves separated by pillars and a meticulously crafted, ornate ceiling. Adjacent to the cathedral, a medieval bell tower rests on an arch supported by four columns. On the day I entered the cathedral, only a few elderly women were engaged in fervent prayer, reciting a novena in the front pews. Respectful of their devotion, I quietly explored the sacred space, immersing myself in the reverent beauty and tranquil atmosphere of the Duomo. In this unassuming setting, I encountered a detailed statue of Jesus that left an indelible impression on my soul. Amidst the subdued whispers of prayer, I was moved by the Crucified Christ’s gaze—one of both agony and mercy. This painting, rendered in a sketch-like intimacy, was born from that silent reverence. It seeks to echo the immediacy of His Passion and the evolving impressionistic spirit of divine sorrow. May its silent suffering stir the soul, and may its sacred presence dwell in the hearts of all who behold it.
    Volto Crocifisso di Cristo - Pittura..etta
  • “Sun illuminates the cross through door of the Convent of cells Cortona”… <br />
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Known as Le Celle, this Franciscan hermitage is just five miles from Cortona at the foot of Mount Sant’ Egidio. In 1211, St. Francis along with a few of his followers built the first nine cells of the hermitage, and it has taken the name of Le Celle ever since. Inside the tiny cell belonging to St. Francis is a tiny window, the bed on which he slept, his desk, and a painting of the Madonna and Child where he prayed. The Hermitage invokes a peaceful atmosphere of spirituality and solitude, yet it is vibrant with religious life. Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. The convent is able to offer lodgings to those contemplating a vocational life. Just inside one of the doors to Le Celle, I noticed the sunlight shining delicately through the transom window gently illuminating the old wooden door and cross. This image epitomizes all the simplicities in which Saint Francis preached and lived. It represents his spartan structure with the rough-textured concrete walls, antique faded wooden door, the green trees in nature which he loved, and the mystic evening sun softening the aging appearance, and revealing his simple life of prayer and personal austerity.
    Sole croce illumina attraverso Porte..tona
  • “Crucifixion of the Triumphal Sacrifice - Holy Mass in the Cathedral of Sorrento”…<br />
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Our 2019 Italy Pilgrimage with Spiritual Director: Fr. Kevin Peek offering Mass. “The Nicene Creed: I believe in one God, the Father almighty, maker of heaven and earth, of all things visible and invisible. I believe in one Lord Jesus Christ, the Only Begotten Son of God, born of the Father before all ages. God from God, Light from Light, true God from true God, begotten, not made, consubstantial with the Father; through him all things were made. For us men and for our salvation he came down from heaven, and by the Holy Spirit was incarnate of the Virgin Mary, and became man. For our sake he was crucified under Pontius Pilate, he suffered death and was buried, and rose again on the third day in accordance with the Scriptures. He ascended into heaven and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead and his kingdom will have no end. I believe in the Holy Spirit, the Lord, the giver of life, who proceeds from the Father and the Son, who with the Father and the Son is adored and glorified, who has spoken through the prophets. I believe in one, holy, catholic and apostolic Church. I confess one Baptism for the forgiveness of sins and I look forward to the resurrection of the dead and the life of the world to come. Amen”
    Crocifissione del Sacrificio Trionfa..ento
  • “Resting Under the Arches of the Doge's Palace – Venice”…<br />
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The Palace is the most representative symbol of Venice's culture, which, together with the Basilica of San Marco at the back and the Piazzetta in the forefront, forms of the most famous sceneries in the world. Peering through the Doge’s arches, one can view the famous and ancient Church of San Giorgio Maggiore across the Grand Canal. For centuries the Doge's Palace had three fundamental roles: the Doge residence, the seat of government, and the palace of justice. This was where some of the most important decisions for Venice's, and even Europe's destiny were taken in this splendid example of Venetian gothic architecture. Most medieval palaces all over Italy, the Doge's Palace was built oppositely with the loggias down below and full walls above, whereas buildings like this normally had a huge base to make them easier to defend. Venetians considered their government as legitimate not by imposition or divine right, like in other Italian medieval cities, but as an expression of the Venetians' will. The thirty-six stone capitals on their arches are a marvelous example of medieval sculpture and give us a rich repertoire of symbolic figures: vice and virtue, saints, martyrs, knights, trades, birds, and signs of the zodiac. As on the outside, the facades indicate the double motive of the portico on the lower floors and of the walls with wide windows on the higher part. The architecture, which matches the marble loggia to the bricks of the masonry, manages to create a language that is both simple and ornate, the perfect expression of the spirit of the Republic. Majestic, mystical, and ornately reverent, indicate the one and only Doge’s Palace of Veneto.
    Riposando Sotto Gli Archi del Palazz..ezia
  • “The Celestial Boat of Jesus rests in Marina Grande Sorrento”…<br />
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This sunset image of the lone antique fishing boat is the most iconic of the seaside views from Sorrento. The lone boat represents many perceptions and creative thoughts and portrays imagery of stillness and beauty among the restless seas. It reminds me of Saint Matthew’s account of Jesus’ calming of the winds and the seas: "As Jesus got into a boat, his disciples followed him. Suddenly a violent storm came upon the sea so that the boat was being swamped by waves, but he was asleep. They came and woke him, saying, "Lord, save us! We are perishing!” He said to them, "Why are you terrified, O you of little faith?" Then he got up, rebuked the winds and the sea, and there was a great calm. The men were amazed and said, "What sort of man is this, whom even the winds and the sea obey?" (Matt. 8:23-27). One of the highlights of my Italian journey was stumbling upon the tiny Marina Grande fishing village. It was as if I’d walked back in time and merged into this ageless world with its own pace and traditions. Life here seemingly has its rhythm—a strongly united community tenaciously anchored to its family principles, hard work, and religious traditions. They love the sea and live in symbiosis with it; time seems to move more slowly than anywhere in the world. My eyes were blessed with an extraordinarily beautiful canvas as a permanent smile measured my face, and my camera gazed upon this tiny bay nestled within the bygone fishing village. As night fell, the water reflections and resting fishing boats posed for a few more images as fish jumped for their dinner. It was time to enjoy the gifts of the day’s catch at Ristorante di “Zi'Ntonio Mare.” The epicurean delights, especially the calamari, olive bread, wine, and the main course of Il pesce San Pietro (The St. Peter's fish), were authentic perfection—just like this perfect piccola baia italiana della perfezione (Italian small bay of perfection).
    La Barca Celeste di Gesù riposa in M..ento
  • Organic Venice - Perpetual Evolution of Splendor, Harmony, and Color ...<br />
Venice, in its essence, is an “organic” masterpiece—shaped by the eternal dance of light, tide, and time. Venice is a city that seems to understand time's passage, gently unveiling its beauty in new ways with each moment. It captures the heart, reminding us that there's always something lovely waiting to be discovered. Upon my arrival from the USA, Venice welcomed me with heavy rain, veiling its grandeur in mist and melancholy. Yet, as the storm began to recede, the clouds parted, and a soft golden light flooded the city, transforming it before my eyes. What had been weary under the storm’s weight now shimmered with a radiant, almost sacred vitality. The sunlight caressed the ancient facades, and the canals seemed to hum with newfound life. Venice bloomed again—its colors rich and deep, the water reflecting the golden embrace of heaven itself. The city, which had rested in silence, now sang with a divine brilliance, as though a celestial painter had brushed its streets with light and hope. I captured this fleeting moment along the shimmering, tranquil canal that flows gracefully in front of the magnificent Santa Maria Gloriosa dei Frari, where the soft glow of sunlight dances on the water's surface, creating an enchanting scene filled with timeless beauty. And then, a serendipitous moment—the travel guru Rick Steves appeared, just 20 feet away, filming his PBS show. Taking advantage of the moment, I called out, “Hey, Rick!” and snapped a photo as he turned, his smile as warm as the golden light illuminating Venice. We shared a brief greeting, and he imparted a few words of wisdom before resuming his filming. As I walked away, the clouds parted, and Venice glowed in a final burst of golden light—a blessing from above, a gift of grace. This photograph is one of my favorites, showcasing Venice's ever-changing beauty—a city continually renewed by the divine touch adorning its canals and streets.
    Venezia organica - evoluzione perpet..lore
  • "The evening sun radiates over the hilltop of Cortona"... <br />
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The ancient church of Santa Maria delle Grazie Calcinaio is resting on the hillside, presiding in a welcoming posture to all those strong enough to brave Cortona’s steep inclines. The Church was constructed between the years of 1485 and 1513. It is the architectural work of Francesco di Giorgio Martini who designed it after having been contacted by his friend and great artist Luca Signorelli. The Renaissance-style church built on a Latin cross plan with an elegant dome soars into the olive trees on the hillside above. It was the church of the guild of the shoemakers, who used their vats of lime for tanning leather, protected by an image of the Madonna painted by Bernardo Covatti, which is now displayed on the main altar of the church. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970. If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the Bellissimo Tuscan Sun.
    Il sera sole si irradia sopra la col..tona
  • “Pietà discovered on the wall of St. Andrew's Cathedral Amalfi”… <br />
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On the last of three glorious days in Positano, I woke early to witness the sunrise over the village. However, around 10:00 am, the cold rains poured down, dampening the once magnificent sun. Undeterred, I decided to take a rain-soaked ferry down the coast to the charming seaside town of Amalfi. The Cattedrale di Sant'Andrea, also known as the Duomo di Amalfi, is usually teeming with tourists who have traveled for miles by bus or ferry. Yet, due to the dreary weather, many opted to stay away. A church has graced this spot in Amalfi since the year 596 AD, and remarkably, the ninth-century structure still stands proudly today. In the early 13th century, the present cathedral was built adjacent to the old one, serving as a final resting place for the revered St. Andrew the Apostle. Initially, the two buildings were joined to form a single, magnificent six-nave Romanesque cathedral. While exploring the cathedral, I discovered a fascinating piece of history. Portions of the newer walls have been carefully removed, revealing glimpses of the ancient original church. As I passed by one of these exposed walls on three separate occasions, I failed to notice anything extraordinary. It was only when I stepped back and gazed intently that the ancient Pieta gradually materialized before my eyes. The mystical beauty of this faded image left me astounded. Seizing the opportunity, I captured two photographs, intending to merge them into a panoramic view, fervently hoping that the essence of this miraculous vision would manifest. For over 1500 years, God has preserved this unique fresco, but its fading state suggests that it will soon vanish completely. I consider myself truly blessed to have beheld this extraordinary sight and fervently aspire to safeguard it for future generations.
    Pietà scoperto sul muro della Catted..alfi
  • “Positano's Church of Santa Maria Assunta illuminated by the evening light”…<br />
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Taking an evening stroll along the Strada of Positano, the highlight was the majestic evening view of the church of Santa Maria Assunta overlooking the hillside. The colorful dome is made of majolica tiles which are very prominent on the Amalfi Coast, and the church contains a thirteenth-century Byzantine icon of the legendary Black Madonna. All indications seemed to verify that late May in Positano presented a spectacular pallet of every color under God’s rainbow. This quaint seaside village stimulated one’s senses, aggrandizing its chest and boasting specular perfection. I cannot imagine a more benevolent time of year than during late spring to visit the Bellissimo Amalfi coast. This image was one of my last of the evening before a long hike up to the terrace of Hotel Montemare's famous restaurant. Finally, time to relax and unwind while admiring yet another truly breathtaking sea view of Positano Bay.
    Positano's Chiesa di Santa Maria Ass..sera
  • “Pieta - Church of Saint Moses Venice - BW”… <br />
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Sixth Sorrow: The Crucifixion and Descent from the Cross: After this, Joseph of Arimathea, secretly a disciple of Jesus for fear of the Jews, asked Pilate if he could remove the body of Jesus. And Pilate permitted it. So he came and took his body” (Jn 19:38). Saying, “It is finished,” Jesus bows his head and dies. Mary remembers his words at the Passover meal: “This cup is the new covenant in my blood, which will be shed for you” (Lk 22:20). The dreaded time is now: the precious blood of her son is poured out for all humankind. The covenant is sealed. Jesus, her son, the Son of God, is dead. In her heart, Mary dies with him. Two broken hearts—one pierced with a spear, one pierced with sorrow—become one: Jesus and Mary, forever united for the whole human family. Mary’s sorrow is all the greater because of the greatness of her love. Jesus’ body is taken down from the cross and placed in her arms. Mary embraces her son with a love beyond words, beyond grief itself. For now, it is the grief of a consummate sorrow. She, who had given birth to divinity, now presses the bloodied and battered remains of his humanity close to her sorrowful and shattered heart. “Let it be done according to thy will, Lord,” she prays. Our first stop was Chiesa di San Moisè, built initially in the 8th century. It is dedicated to Moses, and like the Byzantines, the Venetians often considered Old Testament prophets as canonized saints. It also honors Moisè Venier, the aristocrat who funded the reconstruction during the 9th century. San Moisè is the parish church of one of the parishes in the Vicariate of San Marco-Castello. The elaborate Baroque facade, dating from 1668, is profusely decorated with sculpture. This Bellissimo Pietà is by Antonio Corradini, the famous Italian Rococo sculptor. We continued to the Basilica dei Frari which was foremost and Chiesa di San Geremia to visit St. Lucy.
    Pieta - Chiesa di San Moisè Venezia - BW
  • “Father Peek Celebrates the Lamb's Supper - Amalfi Cathedral”…<br />
<br />
A church has resided on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Newer walls have been taken down to expose parts of the ancient original church, and one can ponder history by this glimpse back in time. Andrew, Saint Peter’s brother and one of Christ’s closest disciples was also the disciple of John the Baptist. Saint Andrew was called with Peter: “As [Jesus] was walking by the Sea of Galilee, he saw two brothers, Simon who is now called Peter, and his brother Andrew, casting a net into the sea; they were fishermen. He said to them, ‘Come after me, and I will make you fishers of men.’ At once they left their nets and followed him” (Matthew 4:18-20). Stairs near the east end of the Duomo descend into the Crypt of St. Andrew, where his relics are kept in the central altar. The crypt is decorated with magnificent Baroque murals from 1660. As I knelt and prayed at the glorious crypt befitting this great disciple who was martyred on an X shaped crucifix, my mind wandered off the true nature of this chosen man who became a Saint. I stirred around to the back of the altar and found myself facing his eternal light and relics. I knelt again in prayer feeling the great essence and presence of this selfless apostle. As in many other locations and churches in Italy, where Saints seem to be from every town, I was overcome with deep emotion and an abundance of heartfelt spiritual joy! Our Pilgrimage of 2019 found us celebrating Mass in the chapel just to the left of the High Altar below the image of the “Last Supper.” A reverent and poignant remembrance of cherished time on the Amalfi Coast.
    Padre Peek Celebra la Cena dell'agne..alfi
  • “Father Peek Elevates the Host for Adoration - The Patriarchal Cathedral Basilica of San Marco Venice”…<br />
<br />
On the final day of our pilgrimage, we arrived in Venice, a city that breathes history and faith. We began our journey with a bus ride from Padua to the Venetian Lagoon, where a private boat carried us to the Patriarchal Cathedral Basilica of San Marco. This architectural masterpiece and spiritual haven was the perfect culmination of our journey. My first visit to Venice left me longing for a deeper connection with this sacred place. This time, our pilgrimage granted us a special appointment for Mass in the Basilica’s main Sacristy. The space, normally hidden from public view, became the setting for a profound moment of worship led by our beloved Father Peek. As he elevated the Host for adoration, I captured a photograph that forever holds the essence of our journey—a sacred encounter with the divine. Father Peek, whose devotion to God and his flock is unwavering, is now the pastor of one of my childhood churches. His spirit reflects Christ’s love, and his leadership inspires all who know him. We also discussed another pilgrimage to Italy, an invitation for all who seek to deepen their faith and witness the beauty of our Church in the heart of Italy. While I could not take more photographs during our tour of St. Mark’s, the hidden corridors we walked left an indelible mark on my spirit. St. Mark’s Basilica endures as an iconic testament to the faith that has sustained it for centuries. St. Mark’s presence fills the air, his fatherly spirit guiding us through the mysteries of faith. Venice enchants with its canals and grandeur, but for me, its true heart beats within St. Mark’s. The Eucharist is the center of our faith, a profound encounter with Christ that transcends time and space. In the elevation of the Host, we are drawn into the very heart of God, a mystery that continues to unfold with each step of our journey.
    Padre Peek eleva I'Host per l'Adoraz..ezia
  • "The brave little boat faces threatening skies during a dramatic sunset over Marina Grande Sorrento - Painting"...<br />
<br />
Our last day on the bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. Hallelujah, it was our first free day of the 2019 Pilgrimage and most were heading to Capri. I convinced my fellow Pilgrim Patrick that Marina Grande was the preferred location to commemorate this rain threatened day. Sunday afternoon in this tiny hallowed port on the Mediterranean was bustling, not with tourist, but with energetic and unassuming locals. The misty skies were vulnerable all day with the threat of rain, but the reluctant sun penetrated the clouds for a few fortuitous moments. God painted the skies for brief moments with luminous pastel elements of abstract color. A lonely boat gleamed in the late evening sun resting upon the silent waves. Saint Matthew’s account of Peter trying to walk on water came to mind: “Peter said to him in reply, ‘Lord, if it is you, command me to come to you on the water.” He said, “Come.” Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how [strong] the wind was he became frightened; and, beginning to sink, he cried out, “Lord, save me!” Immediately Jesus stretched out his hand and caught him, and said to him, “O you of little faith,* why did you doubt?” After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, “Truly, you are the Son of God.” (Matt: 14: 28-33) We left after lunch only to humbly return again capturing the evening seascape a few hours before our reservation with the entire Pilgrimage group for a perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare.
    La coraggiosa barchetta affronta min..tura
  • “View from the Grand Canal of the church of San Giorgio Maggiore in Venice - Blue and Red”…<br />
<br />
The first church on the island was built about 790, and in 982 the island was given to the Benedictine order by the Doge Tribuno Memmo. The Benedictines founded a monastery there, but in 1223 all the buildings on the island were destroyed by an earthquake. Andrea Palladio, an Italian Renaissance architect active in the Venetian Republic was commissioned for the rebuild. Palladio, influenced by Roman and Greek architecture, is widely considered to be one of the most influential individuals in the history of architecture, began the rebuild in 1560 and made dramatic improvements. The campanile was rebuilt in neo-classic style and completed in 1791. It was ascended by ramps and now an elevator to the top for panoramic views of Venice. The facade is brilliantly white and represents Palladio's solution to the difficulty of adapting a classical temple facade to the form of the Catholic Basilica. Two very large paintings by Tintoretto relate to the institution of the Eucharist and are located on either side of the presbytery, where they can be seen from the altar rail. “The Last Supper” and “The Jews in the Desert” (collecting and eating the manna, a gift of God to the Israelites in the Desert after they escaped Egypt, which foretells the gift of the Eucharist). Claude Monet painted a series of paintings of the island Monastery of San Giorgio Maggiore in 1908 during the artist's only visit to the city. One of the best known is “San Giorgio Maggiore at Dusk”, which exists in two versions. Monet completed his paintings of Venice at home in France and in 1912 showed them in Paris. Buyers included the Welsh collector Gwendoline Davies, who bought three paintings. This vision of the Church of San Giorgio is iconic and famous worldwide. My image capture while upon an evening boat excursion appears theatrical as if the majestic church is posing for yet another Venetian canvas.
    Vista dal Canal Grande della chiesa ..ossa
  • "The Gondoliera illuminated by the afternoon light along Rio De La Toletta Venezia"...<br />
<br />
Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Le Gondoliera illuminate dalla luce ..ezia
  • "Father Peek Elevates the Host for Adoration - The Church of Santo Spirito in Sassia"... <br />
<br />
As the gentle morning light bathes the ancient streets of Rome, we embark on a pilgrimage of faith, drawn inexorably towards the magnificent Santo Spirito. Nestled in the shadows of the grandeur of St. Peter’s Basilica, this sacred sanctuary stands as a testament to Divine Mercy, a legacy meticulously nurtured by the revered St. John Paul II.  Each day, at the reverent hour of 3 p.m., congregants assemble to recite the Divine Mercy Chaplet, enveloping the sanctuary in an atmosphere of grace and tranquility. Yet, beneath its architectural splendor lies a narrative woven with threads of compassion and service, echoing through the annals of history. From its humble beginnings in the eighth century as the Santa Maria church in Sassia, devoted to the Virgin Mary, to the founding of Europe's inaugural "Holy Spirit Hospital" in response to the impassioned plea of Pope Innocent III in 1198, this sacred space has been a bastion of solace and healing for countless souls. Within the sanctified precincts of Santo Spirito, a chapel on the right stands as a testament to The Divine Mercy and to the venerable Saint Faustina. Here, the revered statue of the "Apostle of The Divine Mercy," accompanied by her reliquary gifted by the esteemed Holy Father John Paul II, beckons believers to contemplative prayer. Father Peek's dignified gesture elevating the Host for adoration in this captivating photograph touches our hearts. With reverent genuflection, the priest invites us to behold Jesus Christ, true God and true Man, present upon the altar. Let our gaze linger upon the sacred Body of Christ, and within the depths of our souls, may we echo the profound words of adoration: "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things."
    Padre Peek Eleva Consacrata l'ostia ..ssia
  • "A million faces of Jesus by Dino Carbetta - Spatola di metallo"...<br />
<br />
Daniel 10: 5-6 “As I looked up, I saw a man dressed in linen with a belt of fine gold around his waist. His body was like chrysolite, his face shone like lightning, his eyes were like fiery torches, his arms and feet looked like burnished bronze, and the sound of his voice was like the roar of a multitude.” Genesis 1:27 “God created mankind in his image; in the image of God he created them; male and female he created them.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. The blessed see God, not merely according to the measure of His likeness imperfectly reflected in creation, but they see Him as He is, after the manner of His own Being. 1 Corinthians 13:12 “At present, we are looking at a confused reflection in a mirror; then, we shall see face to face; now, I have only glimpses of knowledge; then, I shall recognize God as he has recognized me.”
    Un milione di volti di Gesù di Dino ..allo
  • "Sunlight illuminates the Crucifix - Sorrento Cathedral"…<br />
<br />
The Nicene Creed:<br />
I believe in one God, the Father almighty, maker of heaven and earth, of all things visible and invisible. I believe in one Lord Jesus Christ, the Only Begotten Son of God, born of the Father before all ages. God from God, Light from Light, true God from true God, begotten, not made, consubstantial with the Father; through him all things were made. For us men and for our salvation he came down from heaven, and by the Holy Spirit was incarnate of the Virgin Mary,<br />
and became man. For our sake he was crucified under Pontius Pilate, he suffered death and was buried, and rose again on the third day in accordance with the Scriptures. He ascended into heaven and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead and his kingdom will have no end. I believe in the Holy Spirit, the Lord, the giver of life, who proceeds from the Father and the Son, who with the Father and the Son is adored and glorified, who has spoken through the prophets. I believe in one, holy, catholic and apostolic Church. I confess one Baptism for the forgiveness of sins and I look forward to the resurrection of the dead and the life of the world to come. Amen
    La luce del sole illumina il Crocifi..ento
  • "Pentecost - The Basilica di Santa Maria Gloriosa dei Frari Venice"...<br />
<br />
Gospel Jn 20:19-23: On the evening of that first day of the week, when the doors were locked, where the disciples were, for fear of the Jews, Jesus came and stood in their midst and said to them, "Peace be with you." When he had said this, he showed them his hands and his side. The disciples rejoiced when they saw the Lord. Jesus said to them again, "Peace be with you. As the Father has sent me, so I send you." And when he had said this, he breathed on them and said to them, "Receive the Holy Spirit. Whose sins you forgive are forgiven them, and whose sins you retain are retained."
    Pentecoste - La Basilica di Santa Ma..ezia
  • "The oculus of the 2000 year-old Pantheon of Santa Maria"...<br />
<br />
The ancient Pantheon is still the world's largest unreinforced concrete dome.  Both the height and the diameter of the dome is exactly 142 feet.  The Romans were so far ahead of their time...just imagine the possibilities if the empire had survived. The Pantheon is now an active Catholic church known as Santa Maria Rotonda.  The ancient tradition of dropping rose petals from the open oculus happens at noon every Pentecostal Sunday during Mass.  The rose petals symbolize the descent of the Holy Spirit falling on the apostles and the faithful, and it dates back as early as 600 years after the birth of Christ.  Vigili del Fuoco (firefighters) of Rome, climb on top of the Pantheon’s dome, and drop thousands of rose petals as the choir chants the sequence of Veni Sancte Spiritus.
    L'oculo del Pantheon di 2000 anni di..aria
  • “Holy Door of the Church of Saint Agnes of Montepulciano"... <br />
<br />
St. Agnes of Montepulciano was born in 13th-century Tuscany. At the age of six, Agnes began trying to convince her parents to allow her to join a convent. She was finally admitted to the Dominican convent at Montepulciano at age nine. Agnes' reputation for holiness attracted other sisters, and she became an abbess at the unheard of age of 15. She insisted on greater austerities in the abbey. She lived on bread and water for 15 years, slept on the ground and used a stone for a pillow. It was said that she had visions of the Virgin Mary and that in her visions angels gave her Communion. Agnes also had a vision in which she was holding the infant Jesus. When she awoke from her trance, she was holding the small gold crucifix the infant Jesus was wearing. She died in 1317. Miracles have been reported at her tomb. When her body was moved to a church years after her death, it was found incorrupt. She was canonized in 1726. The saint’s shrine is located facing the 16th century ramparts of the Porta al Prato of Montepulciano. It opens into the lower part of the historical center and completed in 1306. The hill was chosen by the saint to build her church following visions of a stairway to heaven, it was originally occupied by brothels. Agnes purchased the land herself for 1,200 lire. The hill was transformed from a sinful location to a holy and reverent community. The church, monumental cloister, and its convent are now totally transformed and host the incorrupt body of Saint Agnes.
    Porta Santa della Chiesa di Sant'Agn..iano
  • "Sun shines on the Convent of cells - founded by San Francesco in Cortona"...<br />
<br />
Known as Le Celle, this Franciscan hermitage is just five miles from Cortona at the foot of Mount Sant’ Egidio. In 1211, St. Francis along with a few of his followers built the first nine cells of the hermitage, and it has taken the name of Le Celle ever since. Inside the tiny cell belonging to St. Francis is a tiny window, the bed on which he slept, his desk, and a painting of the Madonna and Child where he prayed. The Hermitage invokes a peaceful atmosphere of spirituality and solitude, yet it is vibrant with religious life. Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge, creates a surreal and picturesque vision of Saint Francis’ image of God and nature. The convent is able to offer lodgings to those contemplating a vocational life. Just inside one of the doors to Le Celle, I noticed the sunlight shining delicately through the transom window gently illuminating the old wooden door and cross. This image epitomizes all the simplicities in which Saint Francis preached and lived. It represents his spartan structure with the rough textured concrete walls, antique faded wooden door, the green trees in nature which he loved, and the mystic evening sun softening the aging appearance, and revealing his simple life of prayer and personal austerity.
    Sole splende sul Convento di celle -..tona
  • "Pope Pius IX prays before the altar of Santa Maria Maggiore in Rome"...<br />
<br />
The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica.
    Papa Pio IX prega davanti all'altare..Roma
  • Il Battistero Nella Basilica di Sant..Roma
  • “The glow of the Holy Cross in the ruins of the Colosseum”…<br />
<br />
The Colosseum is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque, stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.  It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.
    Il bagliore della Santa Croce tra le..sseo
  • "Sunrise from Hotel California - Positano"...<br />
<br />
After a solemn sunrise morning where I essentially had Positano all to myself and before my strenuous journey down and back up the mountainside, I found my perfect vantage point upon the veranda of my favorite hotel, Albergo California, where I spent photographing the sunset on the first evening in Positano.  Out of the corner of my eye I noticed the orange glow of the sunrise in one of the hotel’s windows and captured this reflective image. There was only one occasion that I was really able to pre-plan taking photos at sunrise and that was during the last day of three in Positano.  It takes much planning, logistics, and familiarity to figure the best locations and the proper angles and positions of the sun.  My third morning was ideal and fortuitous as it began raining about 10:00 am which gave me perfect clouds for sunrise, finally ending with a very cold wind just in time for sunset.  This image is one of the rare photos of a slumbering Positano in the dewing morning around 6:45 am at the end of May….the beginning of peak tourist season.  By 8:00 am, this tiny seaside village is bustling with tourists and shop owners, and restaurateurs trying to satisfy every need.  All in all, Positano was by far the plushest of all the locations I visited in Italy, and I was blessed to witness everything in full bloom.
    Alba da Albergo California - Positano
  • “A perfect evening overlooking the Colosseum”…<br />
<br />
A sunlit and pleasant view of the ancient and organic Colosseum.  The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  I created this image in the late evening as the guards ushered me out for closing time.
    Una serata perfetta che si affaccia ..sseo
  • “Ring side seat Colosseum”…<br />
<br />
A sunlit and pleasant view of the ancient and organic Colosseum.  The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  I created this image in the late evening as the guards ushered me out for closing time.
    Sedile laterale anello Colosseo
  • "Front doors 26-28 along Via Roma Cortona"...<br />
<br />
Before embarking upon my one month journey in Italy, I prepared by walking, running, and exercising 3-4 hours a day to get in shape to hike the steep grades carrying a 25lb. camera bag over the strenuous terrain of the Italian countryside.  No amount of training prepared me for the hot and humid climate, mountainous landscape, and steep grades throughout the country of Italy, and the extremely grueling le strade in Cortona.  This image was created on one of the main streets of Cortona with gradients reaching about 15% or more.  This image is not distorted as Italian architects are famous for overcoming difficulties or seemingly impossible tasks. Here is an example of three front doorways along perhaps one of the steepest town streets I have ever encountered.  I actually had to stand sideways to create this photograph to level out the image. Thanks be to God for the amazing beauty of the flowers, which give hope to the weary and exhausted climbers into the tiny town center.  "From a high Tuscan hill, fifty miles from Florence between Arezzo and Perugia, rises the equally ancient and noble city of Cortona. Before the city lays a vast and beautiful plain, it is flanked on either side by distant hills and valleys while behind it are towering yet fruitful mountains. Cortona has a picturesque aspect, quite a bit longer than wide, turned towards the midday sun.”… 17th century quote.  A part from its artistic beauty, Cortona is a very important tourist destination because of its privileged geographical location. One can easily visit many interesting towns, which have appeal from a cultural and artistic point of view, like Florence, Siena, Perugia, Pienza, Montepulciano, Montalcino, Lake Trasimeno, Arezzo, Assisi, Gubbio, Orvieto, Spoleto and many others.
    Porte Anteriori 26-28 lungo Via Roma..tona
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