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  • “Leaves frame Positano in the late afternoon sun”…<br />
<br />
After an exhilarating drive along the high cliffs of the Amalfi Coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. Circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot-late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large number of tourists and the bright sun did not allow for ideal conditions. As I made my way along the beach and shoreline, rays from the late afternoon sunlight reflecting off the azure blue Mediterranean Sea, was intense and blinding but illuminated the famous church with contrasting rumination. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town tucked between the descending mountains dripping with multicolored dwellings, and the transcendent blue sea, the church’s brilliant majolica tiled cupola is one of the town’s iconic symbols. The ancient church was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this iconic beautiful seaside village.
    Foglie incorniciano Positano nel sol..ggio
  • "Madonna in the Basilica of Santa Maria del Popolo Rome"... <br />
<br />
After a spiritual Mass at St. Peters Basilica and an intense tour of the Vatican, lunchtime with my friend and pilgrim, Patrick, proved inspirational. Forgoing the Coliseum, we aimed for Piazza del Popolo. Encompassed within its sacred walls is a variety of artwork unequaled in the world. Our eyes were on the famous Caravaggio paintings located in the Basilica of Santa Maria del Popolo. The “Crucifixion of Peter” and the “Conversion of Saint Paul” were found to be elusive on my previous visit. The security guard blocked the doorway and turned off the lights to the small chapel inside the Basilica every time I came near. We found the Basilica under reconstruction, waiting for an opening, then rushed inside to find darkness and disarray everywhere. Finally, finding the dark chapel, our eyes could not focus enough to discover the paintings. Suddenly, the light arose and the Caravaggio’s were an arm’s length away. We expeditiously actuated our cameras and euphorically clicked away. Just as hastily, a mysterious guard clicked off the lights. As we calmed down and gathered benevolent thoughts, we aimed our startled eyes toward the exit. The fragmented sunlight streaming into the dark basilica from the vestibule and front doors appeared like a dream. As I vacillated forward, a dark, but luminous statue absorbed by sunlight appeared to gaze upon me with precocious compassion. Her motherly expression offered a perception of love and gratitude. Upon exit, the Eternal City awaited our next impassioned venture.
    Madonna nella Basilica di Santa Mari..Roma
  • “Crucifixion beyond the entrance to the Abbey of Santa Giustina – Padua”…<br />
<br />
Our Pilgrimage finally arrived in Padua and after lunch, we discovered the Abbey of Santa Giustina attached to the Basilica built in the 6th century. It contains the relics of multiple saints (including those of St. Luke the Evangelist). Shaped in the form of a Latin cross, the prodigious Basilica of St. Giustina is one of the most colossal in all of Christianity. The grandeur of the building is enhanced by the Prato della Valle which it overlooks. There are 3 main chapels: the presbytery and 2 chapels for Saints Luke and Matthew that form the transepts and each aisle has six small chapels. The Abbey and the Basilica of St. Anthony were two of my foremost surprises and a must-see on a Pilgrimage to Italy. Unfortunately, pictures were allowed only in St. Giustina, but not in the latter. Initially, I was a bit overwhelmed at the imposing wide open space of the Basilica. The high altar seemed an eternity away. It is difficult to give one a perspective of just how spacious and immense many of these basilicas can be, not only in pictures but in words. The colorful geometric marble floor leads one to the main altar, but only adds to the great depth, size, and dimension of the Basilica. A curiously placed Crucifix standing about 6’ tall is located just inside the colossal nave and appears diminutive below the 26 pillars supporting the 8 cupolas. As most basilicas are traditionally dark depending on the sunlight, the Crucifix was almost a complete faint silhouette only lit by the dome windows above the altar. Standing as close as possible with a telephoto perspective, I was able to reverse the impression of size and portray the grandiosity Christ deserves, as well as the original artist. The distant window light bled over the body and illuminated the darkness. The glow of the original beauty has become radiant. Framed by the brilliant distant archways, the Crucifixion becomes transformed.
    Crocifissione oltre l'ingresso dell'..dova
  • “Organic Venice - Perpetual Evolution of Splendor, Harmony, and Color” …<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. This image was captured along a small canal in front of The Santa Maria Gloriosa dei Frari (St. Mary of the Friars), known locally as Frari, one of the great churches of Venice. Ironically, before my Italian journey, I read Rick Steve’s travel book on Italy and watched all of his shows made in Italy. It seemed every American tourist had his book in their hands following closely every piece of advice he offered. As I pondered my impending images, I looked up and there was Rick about 20 feet in front of me. Sometimes one has moments of brilliance, and mine was to yell…"Hey, Rick” and snap a photo when he looked. He smiled as I walked up and shook his hand, and dumbfoundedly I shared how much he contributed to my tour. He was very gracious as we spoke for about five minutes and then he continued producing his next PBS show on the Venice Lagoon including his favorite church, The Frari. As I walked away shocked by my accidental meeting, the clouds parted and the light transformed a perfect ambiance along this tiny, yet majestic canal.
    Venezia organica - evoluzione perpet..lore
  • “Tranquil twilight descends on the Sorrento Marina Grande”…<br />
<br />
Arriving in Sorrento in late spring, the sunlight colorfully lingered before surrendering to the famous Sorrento moon. One of the highlights of my Italian journey was stumbling upon the tiny Marina Grande fishing village. It was as if I’d walked back in time and merged into this ageless world with its own pace and traditions. Life here seemingly has its own rhythm- a strongly united community tenaciously anchored to its family principles, hard work, and religious traditions. They love the sea and live in symbiosis with it; here time seems to move more slowly than anywhere in the world. In 1558 the Turks plundered the town of Sorrento, and after the Saracens left the inhabitants constructed a solid town wall. My eyes were blessed with an extraordinarily beautiful canvas as a permanent smile measured my face, and my camera gazed upon this tiny bay nestled within the bygone fishing village. I meandered about cautiously, glancing at fishermen humbly repairing their nets. At the heart of the Marina is the Church of Sant’Anna, patron saint of the village. Restaurant Zi' Ntonio a Mare, which jutted out into the bay, was crowded with hungry guests and serenaded by an Italiano singer who, ironically, was singing Dean Martin songs which echoed throughout the bay; guests and this photographer were delightfully enchanted. I gently crept along the water’s edge and tried to capture the perfect, yet the very personal portrait of this piccola baia italiana della perfezione (Italian small bay of perfection). As night fell, the water reflections and resting fishing boats posed for a few more images as fish jumped for their dinner! It was time to enjoy the gifts of the day’s catch at Ristorante di “Zi'Ntonio Mare. The epicureo delights, especially the calamari, olive bread, wine, and the main course of Il pesce San Pietro (The St. Peter's fish), was authentic perfection…just like this perfect piccola bay of Marina Grande.
    Tranquillo crepuscolo Scende su Sorr..ande
  • “Dolphin restaurant at sunset on Marina Grande Sorrento”…<br />
<br />
Arriving in Sorrento in late spring, the sunlight colorfully lingered before surrendering to the famous Sorrento moon. One of the highlights of my Italian journey was stumbling upon the tiny Marina Grande fishing village. It was as if I’d walked back in time and merged into this ageless world with its own pace and traditions. Life here seemingly has its own rhythm- a strongly united community tenaciously anchored to its family principles, hard work, and religious traditions. They love the sea and live in symbiosis with it; here time seems to move more slowly than anywhere in the world. In 1558 the Turks plundered the town of Sorrento, and after the Saracens left the inhabitants constructed a solid town wall. My eyes were blessed with an extraordinarily beautiful canvas as a permanent smile measured my face, and my camera gazed upon this tiny bay nestled within the bygone fishing village. I meandered about cautiously, glancing at fishermen humbly repairing their nets. At the heart of the Marina is the Church of Sant’Anna, patron saint of the village. Restaurant Zi' Ntonio a Mare, which jutted out into the bay, was crowded with hungry guests and serenaded by an Italiano singer who, ironically, was singing Dean Martin songs which echoed throughout the bay; guests and this photographer were delightfully enchanted. I gently crept along the water’s edge and tried to capture the perfect, yet the very personal portrait of this piccola baia italiana della perfezione (Italian small bay of perfection). As night fell, the water reflections and resting fishing boats posed for a few more images as fish jumped for their dinner! It was time to enjoy the gifts of the day’s catch at Ristorante di “Zi'Ntonio Mare. The epicureo delights, especially the calamari, olive bread, wine, and the main course of Il pesce San Pietro (The St. Peter's fish), was authentic perfection…just like this perfect piccola bay of Marina Grande.
    Ristorante Delfino al tramonto sulla..ento
  • “Crucifix next to the Confessional - Santa Maria della Salute Venice - Painting by Dino Carbetta”…<br />
<br />
The Basilica di Santa Maria della Salute (Basilica of St. Mary of Health), commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a prominent position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite small interiorly. I am not sure if it was ever an active parish but more of a shrine with little room for seating. The steps wrapping around the front and sides make a perfect destination for relaxation during warm Venetian days. Interior windows open to the sky which allows for a great deal of sunlight, and as I meandered around I noticed a beautiful crucifix near the confessional. The strong rays of sunshine illuminated the face of Christ just enough to encourage one to examine their conscience one last time before entering into Sacrament of Confession.
    Crocifisso accanto al Confessionale ..etta
  • "Guardian Angel Helps to Illuminate the Altar of the Minor Basilica of San Lorenzo in Lucina Rome - Painting by Dino Carbetta"<br />
<br />
After a profound spiritual experience during Mass at St. Peter's Basilica and an awe-inspiring tour of the Vatican, my friend and fellow pilgrim, Patrick, and I found ourselves uplifted during our lunchtime conversation. We set our sights on the enchanting Piazza del Popolo, with the renowned Caravaggio paintings housed in the Basilica of Santa Maria del Popolo calling to us. On my previous attempts, these masterpieces, "Crucifixion of Peter" and "Conversion of Saint Paul," seemed elusive, always obscured by a security guard who would promptly close the chapel door and turn off the lights. However, this time, luck was on our side. As we approached the Basilica, we discovered it undergoing reconstruction. Once inside, we were met with darkness and disarray, making locating the chapel challenging. Suddenly, a ray of light pierced through the shadows, revealing the Caravaggio paintings steps away and we swiftly captured the moment with our cameras. Alas, our euphoria was short-lived as a mysterious guard promptly turned off the lights again. Despite the fleeting encounter, we left the Basilica with our hearts racing from the exhilarating experience. Immersing ourselves further in the atmosphere of Rome, we stumbled upon the picturesque neighborhood of Lucina and settled into a charming bistro for an aperitivo. To our delight, the ancient Basilica of St. Lawrence, dating back to 366 AD, stood adjacent to our table, beckoning us to explore its history and beauty. Stepping into the Basilica, a brilliant stream of sunlight bathed a majestic angel statue with a heavenly glow, leaving me startled by its ethereal beauty, reminded me of life's preciousness, and how moments of disappointment lead to profound understanding and respite. The angel appeared to reach out, touching the hand of Christ conveying a message of illumination and enlightenment.
    Angelo custode aiuta a illuminare l'..etta
  • “Luminance of Christ - Sorrento Cathedral - Painting by Dino Carbetta”… <br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site but as a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the magnificent Duomo's reverent beauty and peaceful aura. Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became. Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ. This image of sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey. If you gaze for a minute or two, I believe you will also be transported on a remarkable journey. I have painted this image many times, striving for perfection. However, I have ultimately realized perfection is only found in the crucified one. Gal. 2:20 “Yet I live, no longer I, but Christ lives in me; insofar as I now live in the flesh, I live by faith in the Son of God who has loved me and given himself up for me.”
    Luminanza di Cristo - Cattedrale di ..etta
  • “The Venice canal reflects the small bridge in the early evening light - Painting by Dino Carbetta”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define its dynamic persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever-changing light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three days in Venice.
    Il canale di Venezia riflette il pic..etta
  • 🌹“The Light of Life - Convent of Cells Cortona - Painting by Dino Carbetta”… <br />
🌹Ascending from a tiny cell within Le Celle, I noticed the radiant sunlight illuminating the ancient stone stairway. Considering the location, its 1000 years of age, and its Saintly founding fathers, one could not help feeling spiritually exalted as the bright light immersed my ascension to the top. I didn’t quite reach Heaven at the height of the mystic climb, but perhaps the illumination rendered a touch of hope to a weary and petitioning photo artist. “(Gospel - Lk 24:1-12) At daybreak on the first day of the week the women who had come from Galilee with Jesus took the spices they had prepared and went to the tomb. They found the stone rolled away from the tomb; but when they entered, they did not find the body of the Lord Jesus. While they were puzzling over this, behold, two men in dazzling garments appeared to them. They were terrified and bowed their faces to the ground. They said to them, “Why do you seek the living One among the dead? He is not here, but he has been raised. Remember what he said to you while he was still in Galilee, that the Son of Man must be handed over to sinners and be crucified, and rise on the third day.” And they remembered his words. Then they returned from the tomb and announced all these things to the eleven and to all the others. The women were Mary Magdalene, Joanna, and Mary the mother of James; the others who accompanied them also told this to the apostles, but their story seemed like nonsense and they did not believe them. But Peter got up and ran to the tomb, bent down, and saw the burial cloths alone; then he went home amazed at what had happened.”
    La Luce della Vita - Convento di Cel..etta
  • “Illuminating glow of the Grand Canal in Venice”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic,” however, there has never been a more perfect description to define Venice’s ever changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight.  The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Venturing about the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number one of 6500 images. Not until I began writing these descriptions did I realize that many of these captures were taken the day I arrived in Venice…it was sensory overload.  Canal sunsets became the norm of my three days in Venice. This has always been one of my favorite images taken from a little alley behind the famous Rialto Bridge peering down the Grand Canal. One cannot help notice the towering Campanile of The Chiesa dei Santi Apostoli di Cristo (Church of the Holy Apostles of Christ). It is a 7th-century Roman Catholic Church, and one of the oldest churches in the city. Not imposing from the exterior, but sacred-elegant and austere interiorly, very much worthy of Mass or just a visit.
    Illuminando bagliore del Canal Grand..ezia
  • “Mystical Rays of the Evening Sun Shine Above Positano”…<br />
<br />
After an exhilarating drive along the high cliffs of the Amalfi Coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. Circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot-late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the considerable number of tourists and the bright sun did not allow for ideal conditions. As I made my way along the beach and shoreline, rays from the late afternoon sunlight reflecting off the azure blue Mediterranean Sea, were intense and blinding but illuminated the famous church with contrasting rumination. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town tucked between the descending mountains dripping with multicolored dwellings, and the transcendent blue sea, the church’s brilliant majolica tiled cupola is one of the town’s iconic symbols. The ancient church was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this iconic beautiful seaside village.
    Raggi Mistico della Sera Sole Splend..tano
  • “The Raven of Venice by Pietro Piccione - Painting and Verse by Dino Carbetta”…<br />
<br />
I sit and stare, surrounded by l'acqua everywhere, waiting patiently for my bountiful, yet fair unequivocal share. I own this place, every space, dark ambiguous feathers grant me this grace. It may be just a supposition; the Father above has chosen my instinctive position. My most serene Venice, ancient and grey, bustling with humans most every day. No need to scuttle, my multi-colored brethren gather scraps with the repetitive climax of a Venetian Play. Steely eyes, a distant glare, diligent Pigeon’s begging, but I sit, and I stare. Humans throw the foolish gull food, amused by the feathery brood. The shadow veil is a mysterious epicurean tale. I, no scurry or covet, I sit, and I stare. Venezia, the island city, tourist dream in prose and verse of past glories masquerading, yet perverse. Surrounded by the luminous spectacle; ornate marble and frescoed palace, my world of bell towers, domes, and azure waters under the Adriatic air, I sit and stare. For I am the king of this basin, the Raven, mysterious violet ebony, no one questions my grace in. I am the romance and protector of my tiny canal, yet high enough above, my reflection dances in the water below, offering a Bellissimo prayer. I sit and I stare. The time is near, as I transport to bygone years, for I am the romantic Doge of this tiny island abode. I take what I desire, as the sunlight sets ablaze the waters with sparkling fire. Alas, for I am only the illusory purple Pigeon baptized Peter, yet I will forever dream as I sit, and stare.
    Il Corvo di Venezia di Pietro Piccio..etta
  • "Christ Crucified - Santa Maria della Salute Venice - BW"... <br />
<br />
The Basilica di Santa Maria della Salute (Basilica of St. Mary of Health), commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a prominent position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite small interiorly. I am not sure if it was ever an active parish but more of a shrine with little room for seating. The steps wrapping around the front and sides make a perfect destination for relaxation during warm Venetian days. Interior windows open to the sky which allows for a great deal of sunlight, and as I meandered around I noticed a beautiful crucifix near the confessional. The strong rays of sunshine illuminated the face of Christ just enough to encourage one to examine their conscience one last time before entering into Sacrament of Confession.
    Cristo Crocifisso - Santa Maria dell..- BW
  • “Navigating the Cinque Terre as evening descends on Riomaggiore”…<br />
<br />
I began my daily journey at the northernmost town of Monterosso and took the train to the southernmost town of Riomaggiore. I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. This image was created standing on the rooftop of the antique 28 foot Angelina’s galley with my arms around the mast and my 25-pound camera bag strapped over my shoulder, creating a human tripod for support. I could not help noticing tourists in each village photographing our boat as we sailed up and down the coast; perhaps it was the image of a silly photographer hanging on for dear life as the waves wobbled the boat side to side in anticipation of a splashdown?! Leaving for my destination of Monterosso, soft light illuminated the sky and azure sea of the Mediterranean convincing me to sail back to Riomaggiore with my gracious guides Claudio and Eddie of "Cinque Terre dal Mare" sailing excursions. We arrived just in time for a perfect sunset. After a nice dinner...I caught the last train at midnight back home to Monterosso. I believe there is great appeal in each of the five Cinque Terre villages, each with a different history, people, elements, and culture. However, I could not help falling in love with tiny Riomaggiore for its scenic appeal, charming culture, and friendly residents. This photograph was created as I prepared to disembark the Angelina, and the bright hue of the evening sunlight began to fade.
    Navigando le Cinque Terre mentre ser..iore
  • “The Luminance of Christ - Sorrento Cathedral”… <br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became. Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ. This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey. I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    La Luminanza di Cristo - Cattedrale ..ento
  • "The Crucifixion - Cathedral of Sorrento"...<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix.  It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light illuminating Christ in a mystical way.  The two images with the sunlight shining through the windows are my most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Il Crocifissione - Cattedrale di Sor..ento
  • “The Venetian evening sun illuminates the winding waterway - Painting by Dino Carbetta”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three glorious days in Venice.
    Il sole della sera Veneziano illumin..etta
  • “Peaceful evening view of Praiano from the cliffs of Positano – Light Blue”…<br />
<br />
Visiting Positano, one cannot help but notice the diminutive town snuggled in the side of a cliff jutting out into the Mediterranean Sea seven miles south of Positano. The tiny village seemed to glow every evening with the last bit of sunlight raining down as Praiano extended its petals skyward. High above the cliffs, buildings are scattered about with just enough via and Strada to support the population of just over 2000. And, like most places in Italy, there is a church for about every 300 parishioners of its population. The most famous is the Church of San Luca Evangelista, famous for its splendid majolica floor, the Church of Santa Maria a Castro, and the Convent of San Domenico located in the high Campo valley with breathtaking views. The vista of Praiano facing northward toward Positano brightly displays a prominent gold-colored church with the traditional majolica tile dome named Parrocchia Di San Gennaro, one of the most beautiful churches on the Amalfi Coast. In addition to the maze of little lanes, narrow flights of steps, and pastel-colored cottages, one of the most characteristic features of Praiano is the majolica tiled votive shrines, which can be seen throughout the town. The shrines were constructed by the local families to both claim their ownership of a particular property and to obtain its divine protection. The town displays the most romantic sunsets on the Amalfi Coast with two beautiful beaches, Marina di Praia and Cala della Gavitella. The latter beach catches the sun from dawn until dusk and can be reached from the center of the town via a pathway interspersed with short flights of steps. From my vantage point for this image and many others, it mystically seemed as though the sun never set on the Bellissimo Villaggio molto piccolo of Praiano.
    Serata tranquilla vista di Praiano d..urro
  • "Crepuscolo sul Sorrentina villaggio di pescatori"...<br />
<br />
Arriving in Sorrento in late spring, the sunlight colorfully lingered before surrendering to the famous Sorrento moon. One of the highlights of my Italian journey was stumbling upon the tiny Marina Grande fishing village. It was as if I’d walked back in time and merged into this ageless world with its own pace and traditions. Life here seemingly has its own rhythm- a strongly united community tenaciously anchored to its family principles, hard work, and religious traditions. They love the sea and live in symbiosis with it; here time seems to move more slowly than anywhere in the world. In 1558 the Turks plundered the town of Sorrento, and after the Saracens left the inhabitants constructed a solid town wall. My eyes were blessed with an extraordinarily beautiful canvas as a permanent smile measured my face, and my camera gazed upon this tiny bay nestled within the bygone fishing village. I meandered about cautiously, glancing at fishermen humbly repairing their nets. At the heart of the Marina is the Church of Sant’Anna, patron saint of the village. Restaurant Zi' Ntonio a Mare, which jutted out into the bay, was crowded with hungry guests and serenaded by an Italiano singer who, ironically, was singing Dean Martin songs which echoed throughout the bay; guests and this photographer were delightfully enchanted. I gently crept along the water’s edge and tried to capture the perfect, yet the very personal portrait of this piccola baia italiana della perfezione (Italian small bay of perfection). As night fell, the water reflections and resting fishing boats posed for a few more images as fish jumped for their dinner! It was time to enjoy the gifts of the day’s catch at Ristorante di “Zi'Ntonio Mare. The epicureo delights, especially the calamari, olive bread, wine, and the main course of Il pesce San Pietro (The St. Peter's fish), was authentic perfection…just like this perfect piccola bay of Marina Grande.
    Crepuscolo sul Sorrentina villaggio ..tori
  • “Glowing Orange Reflection On The Venetian Canal – Painting by Dino Carbetta”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three days in Venice. This image was taken around 7:30 PM on the first evening in Italy by a very exhausted adventurer, which inspired the discovery of the first of many new loves, Espresso!! This image was all but discarded after my developing skill let me down as the dark foreground of the canal and bright sunlit building clashed with too little or too much contrast.  A re-examination after nine years allowed me to reprocess the image, and to my surprise, the original reason I captured this image in the first place, revealed itself and has become a favorite.
    Incandescente Arancio Riflessione Su..etta
  • “Dome of San Nicola da Tolentino keeps vigil over the peaceful Canal of Venice - Painting by Dino Carbetta”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Canal sunsets became the norm of my three days in Venice. This peaceful evening image was created standing at the intersection of two canals looking toward the dramatic sky as the distant campanile of St. Nicholas of Tolentino kept a watchful eye over Bellissimo Venezia.
    Cupola di San Nicola da Tolentino ma..etta
  • “Hotel Ca 'D'Oro Venice canal view”...<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Sometimes we get lucky and sometimes blessed…taking the water taxi during a downpour from the airport to my hotel was a bit disconcerting. However, when the sun finally came out, my little hotel became the key to the entire Venetian world! The view from the tiny hotel port…..how lucky can one be?
    Albergo Ca 'D'Oro Venezia vista canale
  • “The Crucified Christ in the Cathedral of Saints Philip and James - Sorrento”… <br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site but as a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the magnificent Duomo's reverent beauty and peaceful aura. Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became. Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ. This image with the sunlight shining through the window is one of my most meaningful and favorite images from my Italian journey. If you gaze for a minute or two, I believe you will also be transported on a remarkable crusade.
    Il Cristo Crocifisso nella Cattedral..ento
  • "Late afternoon light illuminates the saturated colors of Venice"...<br />
<br />
I am not sure if I am the first to describe Venice as “organic”; however, there has never been a more perfect description to define Venice’s ever changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. This image was taken near a small canal in front of The Santa Maria Gloriosa dei Frari (St. Mary of the Friars), known locally as Frari, one of the great churches of Venice. The late afternoon sunlight stimulated the glowing, magical, and saturated Venetian colors.
    La luce del tardo pomeriggio illumin..ezia
  • “Illuminated crucifix in Cathedral of Saints Philip and James – Sorrento”… <br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ.  This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Illuminato crocifisso in Cattedrale ..ento
  • “Quiet evening view of Praiano from the cliffs of Positano”…<br />
<br />
Visiting Positano, one cannot help but notice the diminutive town snuggled in the side of a cliff jutting out into the Mediterranean Sea seven miles south of Positano. The tiny village seemed to glow every evening with the last bit of sunlight raining down as Praiano extended its petals skyward. High above the cliffs, buildings are scattered about with just enough via and Strada to support the population of just over 2000. And, like most places in Italy, there is a church for about every 300 parishioners of its population. The most famous is the Church of San Luca Evangelista, famous for its splendid majolica floor, the Church of Santa Maria a Castro, and the Convent of San Domenico located in the high Campo valley with breathtaking views. The vista of Praiano facing northward toward Positano brightly displays a prominent gold-colored church with the traditional majolica tile dome named Parrocchia Di San Gennaro, one of the most beautiful churches on the Amalfi Coast. In addition to the maze of little lanes, narrow flights of steps, and pastel-colored cottages, one of the most characteristic features of Praiano is the majolica tiled votive shrines, which can be seen throughout the town. The shrines were constructed by the local families to both claim their ownership of a particular property and to obtain its divine protection. The town displays the most romantic sunsets on the Amalfi Coast with two beautiful beaches, Marina di Praia and Cala della Gavitella. The latter beach catches the sun from dawn until dusk and can be reached from the center of the town via a pathway interspersed with short flights of steps. From my vantage point for this image and many others, it mystically seemed as though the sun never set on the Bellissimo Villaggio molto piccolo of Praiano.
    Tranquilla vista serata di Praiano d..tano
  • “Sun illuminates the cross through door of the Convent of cells Cortona”… <br />
<br />
Known as Le Celle, this Franciscan hermitage is just five miles from Cortona at the foot of Mount Sant’ Egidio. In 1211, St. Francis along with a few of his followers built the first nine cells of the hermitage, and it has taken the name of Le Celle ever since. Inside the tiny cell belonging to St. Francis is a tiny window, the bed on which he slept, his desk, and a painting of the Madonna and Child where he prayed. The Hermitage invokes a peaceful atmosphere of spirituality and solitude, yet it is vibrant with religious life. Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. The convent is able to offer lodgings to those contemplating a vocational life. Just inside one of the doors to Le Celle, I noticed the sunlight shining delicately through the transom window gently illuminating the old wooden door and cross. This image epitomizes all the simplicities in which Saint Francis preached and lived. It represents his spartan structure with the rough-textured concrete walls, antique faded wooden door, the green trees in nature which he loved, and the mystic evening sun softening the aging appearance, and revealing his simple life of prayer and personal austerity.
    Sole croce illumina attraverso Porte..tona
  • "Sunlight illuminates the Crucifix - Sorrento Cathedral"…<br />
<br />
The Nicene Creed:<br />
I believe in one God, the Father almighty, maker of heaven and earth, of all things visible and invisible. I believe in one Lord Jesus Christ, the Only Begotten Son of God, born of the Father before all ages. God from God, Light from Light, true God from true God, begotten, not made, consubstantial with the Father; through him all things were made. For us men and for our salvation he came down from heaven, and by the Holy Spirit was incarnate of the Virgin Mary,<br />
and became man. For our sake he was crucified under Pontius Pilate, he suffered death and was buried, and rose again on the third day in accordance with the Scriptures. He ascended into heaven and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead and his kingdom will have no end. I believe in the Holy Spirit, the Lord, the giver of life, who proceeds from the Father and the Son, who with the Father and the Son is adored and glorified, who has spoken through the prophets. I believe in one, holy, catholic and apostolic Church. I confess one Baptism for the forgiveness of sins and I look forward to the resurrection of the dead and the life of the world to come. Amen
    La luce del sole illumina il Crocifi..ento
  • "Sun shines on the Convent of cells - founded by San Francesco in Cortona"...<br />
<br />
Known as Le Celle, this Franciscan hermitage is just five miles from Cortona at the foot of Mount Sant’ Egidio. In 1211, St. Francis along with a few of his followers built the first nine cells of the hermitage, and it has taken the name of Le Celle ever since. Inside the tiny cell belonging to St. Francis is a tiny window, the bed on which he slept, his desk, and a painting of the Madonna and Child where he prayed. The Hermitage invokes a peaceful atmosphere of spirituality and solitude, yet it is vibrant with religious life. Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge, creates a surreal and picturesque vision of Saint Francis’ image of God and nature. The convent is able to offer lodgings to those contemplating a vocational life. Just inside one of the doors to Le Celle, I noticed the sunlight shining delicately through the transom window gently illuminating the old wooden door and cross. This image epitomizes all the simplicities in which Saint Francis preached and lived. It represents his spartan structure with the rough textured concrete walls, antique faded wooden door, the green trees in nature which he loved, and the mystic evening sun softening the aging appearance, and revealing his simple life of prayer and personal austerity.
    Sole splende sul Convento di celle -..tona
  • “Venice Sun Evening Reflections”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic”; however, there has never been a more perfect description to define Venice’s ever changing persona.  Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out.  Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight.  The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope.  Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul.  My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images.  Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload.  Sometimes we get lucky, and sometimes blessed…taking the water taxi during a downpour from the airport to my hotel was a bit disconcerting.  However, when the sun finally came out, my little hotel became the key to the entire Venetian world!  The view from the tiny hotel dock as the sun breaks, and one of the first 75 images taken in Italy.
    Venezia Sole di Sera Riflessioni
  • “Celestial light illuminates the crucifix - Cathedral of Sorrento”…<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ.  This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Celesti di luce rischiara il crocifi..ento
  • “Crimson Crucifixion in the chapel of Church of Santa Maria Assunta in Positano”…<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi Coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. After circling the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large number of tourists and the bright sun did not allow for ideal conditions. As I made my way along the beach and shoreline, rays from the late afternoon sunlight coming over the mountain top blinded me as they illuminated the famous church. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town with the backdrop of the Azzurro Mediterranean Sea, the church’s colorful majolica tiled cupola is one of the town’s iconic symbols. I found this Crucifix inside a small chapel of the ancient church which was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this beautiful seaside village.
    Cremisi Crocifissione nella cappella..tano
  • ”Gondola escaping from the morning fog towards the sunlight of San Moisè, Venice”…<br />
<br />
Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass in the sacristy. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Gondola in fuga dalla nebbia mattuti..ezia
  • "Luminance of Christ - Cathedral of Sorrento - Contrasting color"...<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ.  This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Luminanza di Cristo - Cattedrale di ..asto
  • “The Church of Sant'Anna in Marina Grande of Sorrento”…<br />
<br />
The church of Sant’ Anna at Marina Grande was consecrated as a civil parish in 1945. The church, originally dedicated to San Giacomo della Marche and a new church was created at the behest of the fishermen of the Confraternita di San Giovanni in Fontibus and dedicated to the Souls in Purgatory in 1680. The church was restored in 1800 and reconsecrated to Sant’Anna whose following in the west became popular in the 16th century when it was preached that her faith had laid the foundation of courage that allowed her daughter to stand by the Cross as her Son was crucified and still believe. The squat bell tower has a distinctive green and yellow majolica tiled cupola. Sant’ Anna’s bells are an important link between the village and its fishermen out at sea. Like many bells along the Amalfi Coast, Sant’ Anna’s bells not only call the congregation to church but chime the hours and the quarter hours. During the restoration the gilded stucco decoration was added to the cool white nave where there are statues of San Giaocchino holding two turtle doves (his other attributes are a shovel and a lamb); St Joseph; the Holy Heart of Jesus and St. Paul with his martyr’s sword. My first visit to Marina Grande, I found the church after hours to be closed, but upon my Spring Pilgrimage of 2019…the doors were open just before Mass. I captured only 2 images of the altar and the Crucified Jesus which I found alive and fascinating. Combining the two images of the small, but an elegant church with a peak of sunlight from upper windows shining upon the altar gives the reverent, spiritual, and mystical appeal the Church of Sant’ Anna in Marina Grande deserves. I hope to visit here again in the near future and spend more time getting to know this fisherman’s parish.
    La Chiesa di Sant'Anna a Marina Gran..ento
  • “Crucifix beyond the vestibule of the Abbey of Santa Giustina – Padua”… <br />
<br />
Our Pilgrimage finally arrived in Padua and after lunch, we discovered the Abbey of Santa Giustina attached to the Basilica built in the 6th century. It contains the relics of multiple saints (including those of St. Luke the Evangelist). Shaped in the form of a Latin cross, the prodigious Basilica of St. Giustina is one of the most colossal in all of Christianity. The grandeur of the building is enhanced by the Prato della Valle which it overlooks. There are 3 main chapels: the presbytery and 2 chapels for Saints Luke and Matthew that form the transepts and each aisle has six small chapels. The Abbey and the Basilica of St. Anthony were two of my foremost surprises and a must-see on a Pilgrimage to Italy. Unfortunately, pictures were allowed only in St. Giustina, but not in the latter. Initially, I was a bit overwhelmed at the imposing wide open space of the Basilica. The high altar seemed an eternity away. It is difficult to give one a perspective of just how spacious and immense many of these basilicas can be, not only in pictures but in words. The colorful geometric marble floor leads one to the main altar, but only adds to the great depth, size, and dimension of the Basilica. A curiously placed Crucifix standing about 6’ tall is located just inside the colossal nave and appears diminutive below the 26 pillars supporting the 8 cupolas. As most basilicas are traditionally dark depending on the sunlight, the Crucifix was almost a complete faint silhouette only lit by the dome windows above the altar. Standing as close as possible with a telephoto perspective, I was able to reverse the impression of size and portray the grandiosity Christ deserves, as well as the original artist. The distant window light bled over the body and illuminated the darkness. The glow of the original beauty has become radiant. Framed by the brilliant distant archways, the Crucifixion becomes transformed.
    Crocifisso al di là di vestibolo del..dova
  • “The organic colors and shapes of Venice”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic”; however, there has never been a more perfect description to define Venice’s ever changing persona.  Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out.  Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight.  The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope.  This image was taken along a small canal in front of The Santa Maria Gloriosa dei Frari (St. Mary of the Friars), known locally as Frari, one of the great churches of Venice.  Ironically, before my Italian journey, I read Rick Steves travel book on Italy and watched all of his shows made in Italy.  It seemed every American tourist had his book in their hands following closely every piece of advice he offered.  As I pondered my impending images, I looked up and there was Rick about 20 feet in front of me.  Sometimes one has moments of brilliance, and mine was to yell…”hey Rick” and snap a photo when he looked.  He actually smiled as I walked up and shook his hand, and dumbfoundedly I shared how much he contributed to my trip.  He was very gracious as we spoke for about five minutes and then he continued producing his next PBS show on the Venice Lagoon including his favorite church, Frari.  As I walked away shocked by my accidental meeting, the clouds parted and the light struck a perfect note along this tiny majestic canal.
    Le organici colori e forme di Venezia
  • “Sunset at Marina Grande - Port of Sorrento”…<br />
<br />
Arriving in Sorrento in late spring, the sunlight colorfully lingered before surrendering to the famous Sorrento moon.  One of the highlights of my Italian journey was stumbling upon the tiny Marina Grande fishing village. It was as if I’d walked back in time and merged into this ageless world with its own pace and traditions. Life here seemingly has its own rhythm- a strongly united community tenaciously anchored to its family principles, hard work, and religious traditions. They love the sea and live in symbiosis with it; here time seems to move more slowly than anywhere in the world.  In 1558 the Turks plundered the town of Sorrento, and after the Saracens left the inhabitants constructed a solid town wall. My eyes were blessed with an extraordinarily beautiful canvas as a permanent smile measured my face, and my camera gazed upon this tiny bay nestled within the bygone fishing village.  I meandered about cautiously, glancing at fisherman humbly repairing their nets.  At the heart of the Marina is the Church of Sant’Anna, patron saint of the village. Restaurant Zi' Ntonio a Mare, which jutted out into the bay, was crowded with hungry guests and serenaded by an Italiano singer who, ironically, was singing Dean Martin songs which echoed throughout the bay;  guests and this photographer were delightfully enchanted.  I gently creeped along the water’s edge, and tried to capture the perfect, yet very personal portrait of this piccola baia italiana della perfezione (Italian small bay of perfection).  As night fell, the water reflections and resting fishing boats posed for a few more images as fish jumped for their dinner!  It was time to enjoy the gifts of the day’s catch at Ristorante di “Zi'Ntonio Mare.  The epicureo delights, especially the calamari, olive bread, wine, and the main course of Il pesce San Pietro (The St. Peter's fish), was authentic perfection…just like this perfect piccola bay of Marina Grande.
    Tramonto a Marina Grande - Porto di ..ento
  • “The crucifix beside the confessional - Santa Maria della Salute Venice”…<br />
<br />
The Basilica di Santa Maria della Salute (Basilica of St. Mary of Health), commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a prominent position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite small interiorly. I am not sure if it was ever an active parish but more of a shrine with little room for seating. The steps wrapping around the front and sides make a perfect destination for relaxation during warm Venetian days. Interior windows open to the sky which allows for a great deal of sunlight, and as I meandered around I noticed a beautiful crucifix near the confessional. The strong rays of sunshine illuminated the face of Christ just enough to encourage one to examine their conscience one last time before entering into Sacrament of Confession.
    Del Crocifisso accanto confessionale..ezia
  • “Rest for the tired fishing boats of Marina Grande Sorrento”…<br />
<br />
Arriving in Sorrento in late spring, the sunlight colorfully lingered before surrendering to the famous Sorrento moon. A highlight of my Italian journey was stumbling upon the tiny Marina Grande fishing village. It was as if I’d walked back in time and merged into this ageless world with its own pace and traditions. Life here seemingly has its own rhythm- a strongly united community tenaciously anchored to its family principles, hard work, and religious traditions. They love the sea and live in symbiosis with it; here time seems to move more slowly than anywhere in the world.  In 1558 the Turks plundered the town of Sorrento, and after the Saracens left the inhabitants constructed a solid town wall. My eyes were blessed with an extraordinarily beautiful canvas as a permanent smile measured my face, and my camera gazed upon this tiny bay nestled within the bygone fishing village.  I meandered about cautiously, glancing at fisherman humbly repairing their nets.  At the heart of the Marina is the Church of Sant’Anna, patron saint of the village. Restaurant Zi' Ntonio a Mare, which jutted out into the bay, was crowded with hungry guests and serenaded by an Italiano singer who, ironically, was singing Dean Martin songs which echoed throughout the bay;  guests and this photographer were delightfully enchanted.  I gently creeped along the water’s edge, and tried to capture the perfect, yet very personal portrait of this piccola baia italiana della perfezione (Italian small bay of perfection).  As night fell, the water reflections and resting fishing boats posed for a few more images as fish jumped for their dinner!  It was time to enjoy the gifts of the day’s catch at Ristorante di “Zi'Ntonio Mare.  The epicureo delights, especially the calamari, olive bread, wine, and the main course of Il pesce San Pietro (The St. Peter's fish), was authentic perfection…just like this perfect piccola bay of Marina Grande.
    Riposo per le barche da pesca stanco..ento
  • “Overview of the Church of Santa Maria Assunta in Positano”…<br />
<br />
This image is a combination of three horizontal images to create a panoramic view centered on the main focal point of Positano…the Church of Santa Maria Assunta.  After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal.  After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image.  The climb down the winding road and steep staircases made for quite a workout in the hot late May sun.  Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions.  As I made my way along the beach and shoreline, rays from the late afternoon sunlight coming over the mountain top blinded me as they illuminated the famous church. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious and architectural landscape. Strategically located in the center of town with the backdrop of the azzurro Mediterranean Sea, the church’s colorful majolica tiled cupola is one of the town’s iconic symbols. The ancient church was dedicated to the Blessed Virgin Mary in 1159.  Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this beautiful seaside village.
    Panoramica di Chiesa di Santa Maria ..tano
  • “The bell tower of the church of San Pietro rises above Corniglia”…<br />
<br />
I began my daily journey at the northern most town of Monterosso and took the train to the southernmost town of Riomaggiore. I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. Upon arriving back home in Monterosso, soft light illuminated the sky and azure sea of the Mediterranean convincing me to sail all the way back to Riomaggiore with my gracious guides Claudio and Eddie of "Cinque Terre dal Mare" sailing excursions. We arrived just in time for a perfect sunset. After a nice dinner...I caught the last train at midnight back home to Monterosso. A very long day, but worth every minute!  This panorama image of Corniglia, the only Cinque Terre town not directly on the sea…was taken on the journey back to Riomaggiore at dusk.  The tiny village seems snuggled into the Cliffside soaking up the last bit of sunlight before nightfall.  The ancient campanile of the church of Saint Peter, which was built in 1334, begins to peer over the cliff in the upper part of Corniglia.
    Il campanile della chiesa di San Pie..glia
  • "Sun rays from the dome of the Cesi chapel - Basilica of Santa Maria Maggiore"...<br />
<br />
The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value, and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the basilica. As I wondered around this beautiful Basilica, I found a very quaint, but majestic place called the Cesi Chapel.  I was taken by not only the serenity, but the sunlight shining brightly through an oculus in the center of the ceiling. Above the altar is an extravagant fresco which like many of the others in the chapel describes the martyrdom of Saint Catherine of Alexandria. Saint Catherine was a martyr who was said to be one of the saints who appeared to counsel St. Joan of Arc who converted hundreds of people to Christianity.
    Raggi di Sun dalla cupola della capp..iore
  • "The light of the evening sun illuminates the flowers and the church of Santa Maria Assunta in Positano"...<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal.  After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image.  The climb down the winding road and steep staircases made for quite a workout in the hot late May sun.  Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions.  As I made my way along the beach and shoreline, rays from the late afternoon sunlight coming over the mountain top blinded me as they illuminated the famous church.  The hazy ambience was perfectly accentuating a glowing cross and the Majorca cupula of Santa Maria Assunta.
    La luce del sole di sera illumina i ..tano
  • "Sailing Cinque Terre with the late evening sun on Corniglia"...<br />
<br />
I began my daily journey at the northernmost town of Monterosso and took the train to the southernmost town of Riomaggiore. I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. Upon arriving back home in Monterosso, soft light illuminated the sky and azure sea of the Mediterranean convincing me to sail back to Riomaggiore with my gracious guides Claudio and Eddie of "Cinque Terre dal Mare" sailing excursions. We arrived just in time for a perfect sunset. After a nice dinner...I caught the last train at midnight back home to Monterosso. An exceptionally long day, but worth every minute! This panorama image of Corniglia, the only Cinque Terre town not directly on the sea…was taken on the journey back to Riomaggiore at dusk. The tiny village seems snuggled into the Cliffside soaking up the last bit of sunlight before nightfall. The ancient campanile of the church of Saint Peter, which was built in 1334, begins to peer over the cliff in the upper part of Corniglia. I caught the last train at midnight back home to Monterosso. There is a great appeal in each of the five Cinque Terre villages, each with a different history, people, elements, and culture. This illuminating sunset of Manarola was captured just before arriving back in Riomaggiore. Arrivederci, Manarola!
    Vela Cinque Terre con la sera tarda ..glia
  • “Colorful reflections along the narrow canal in Venice”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three glorious days in Venice.
    Colorate riflessioni lungo il strett..ezia
  • “Venetian Pink Reflections”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic”; however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three days in Venice. This image is a combination of two to make a narrow “pink” canal panorama.
    Riflessi Rosa Veneziani
  • “Dome of San Nicola da Tolentino keeps vigil over the peaceful Canal of Venice”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Canal sunsets became the norm of my three days in Venice. This peaceful evening image was created standing at the intersection of two canals looking toward the dramatic sky as the distant campanile of St. Nicholas of Tolentino kept a watchful eye over Bellissimo Venezia.
    Cupola di San Nicola da Tolentino ma..ezia
  • “The Venice canal reflects the small bridge in the early evening light"...<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define its dynamic persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever-changing light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three days in Venice.
    Il canale di Venezia riflette il pic..sera
  • “Cathedral of Saints Philip and James in Sorrento - Nave to the Crucifixion”…<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became. Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ. This image looking down the nave with the sunlight shining through the windows is one of the most meaningful and favorite images from my Italian journey.
    Cattedrale dei Santi Filippo e Giaco..ione
  • “Our Lady of Lourdes - Santa Maria dei Miracoli Rome - Painting by Dino Carbetta”…<br />
<br />
After a spiritual Mass at St. Peters Basilica and an intense tour of the Vatican, lunchtime with my friend and pilgrim, Patrick, proved inspirational. We aimed for Piazza del Popolo, encompassed within its sacred walls is a variety of artwork unequaled in the world. Our eyes were on the famous Caravaggio paintings located in the Basilica of Santa Maria del Popolo. The “Crucifixion of Peter” and the “Conversion of Saint Paul” were found to be elusive on my previous visit. The security guard blocked the doorway and turned off the lights to the small chapel inside the Basilica every time I came near. We found the Basilica under reconstruction, waiting for an opening, then rushed inside to find darkness and disarray everywhere. Finally, finding the dark chapel, our eyes could not focus enough to discover the paintings. Suddenly, the light arose and the Caravaggio’s were an arm’s length away. We expeditiously actuated our cameras and euphorically clicked away. Just as hastily, a mysterious guard clicked off the lights. As we calmed down and gathered benevolent thoughts, we aimed our startled eyes toward the exit. The fragmented sunlight streaming into the dark basilica from the vestibule and front doors appeared like a dream. Upon exit, the Eternal City awaited our next impassioned venture which didn’t take long. We headed toward the twin churches opposite Santa Maria del Popolo. On the right is Santa Maria in Montesanto and the left is Santa Maria dei Miracoli. According to tradition, the painting of Madonna dei Miracoli originates from a miracle of 1325. A woman praying to an image of The Virgin Mary painted on the walls along the Tiber River to save her drowning son was miraculously answered.  A small Chapel was built in honor of The Virgin Mary and eventually became this extraordinary church. Pilgrims continue to pray for Our Lady’s intercession in the blessing of future miracles.
    Nostra Signora di Lourdes - Santa Ma..etta
  • “Heavenly lights illuminate the crucifix - Sorrento Cathedral - Painting by Dino Carbetta”…<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ.  This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Celesti di luce rischiara il crocifi..etta
  • “The translucent Paraclete descends over the Rio Marin Foundation of the Great School of San Giovanni Evangelista – Venice”…<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever changing persona. Venice is perhaps the most uniquely recognizable seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out. Morning fog gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning mist… opened like flower petals in the springtime at first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Il Paraclito traslucido discende sop..ezia
  • "Crucifixion in the Church of Santa Maria Assunta chapel in Positano"... <br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions. As I made my way along the beach and shoreline, rays from the late afternoon sunlight coming over the mountain top blinded me as they illuminated the famous church. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious and architectural landscape. Strategically located in the center of town with the backdrop of the azzurro Mediterranean Sea, the church’s colorful majolica tiled cupola is one of the town’s iconic symbols. I found this Crucifix inside a small chapel of the ancient church which was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this beautiful seaside village.
    Crocifissione nella cappella di Chie..tano
  • “The abandoned entrance of the past beyond Calle Dose from Ponte Venezia”…<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever changing persona. Venice is perhaps the most uniquely recognizable seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out. Morning fog gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning mist… opened like flower petals in the springtime at first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    L'ingresso abbandonato del passato o..ezia
  • **Campanile della Cattedrale dei Santi Filippo e Giacomo – Sorrento<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became. Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light illuminating Christ in a mystical way. This image with the sunlight shining through the window is one of my most meaningful and favorite images from my Italian journey. I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Campanile della Cattedrale dei Santi..ento
  • “Three-dimensional artistic impression of the Crucifix in the Abbey of Santa Giustina – Padua”…<br />
<br />
Our Pilgrimage finally arrived in Padua and after lunch, we discovered the Abbey of Santa Giustina attached to the Basilica built in the 6th century. It contains the relics of multiple saints (including those of St. Luke the Evangelist). Shaped in the form of a Latin cross, the prodigious Basilica of St. Giustina is one of the most colossal in all of Christianity. The grandeur of the building is enhanced by the Prato della Valle which it overlooks. There are 3 main chapels: the presbytery and 2 chapels for Saints Luke and Matthew that form the transepts and each aisle has six small chapels. The Abbey and the Basilica of St. Anthony were two of my foremost surprises and a must-see on a Pilgrimage to Italy. Unfortunately, pictures were allowed only in St. Giustina, but not in the latter. Initially, I was a bit overwhelmed at the imposing wide open space of the Basilica. The high altar seemed an eternity away. The colorful geometric marble floor leads one to the main altar, but only adds to the great depth, size, and dimension of the Basilica. A curiously placed Crucifix standing about 6’ tall is located just inside the colossal nave and appears diminutive below the 26 pillars supporting the 8 cupolas. As most basilicas are traditionally dark depending on the sunlight, the Crucifix was almost a complete faint silhouette only lit by the dome windows above the altar. I wanted to create an impression of depth in the crucifix itself transposed against the massive Basilica and distance of the architecture. It took several days and many failures, however, I was finally able to find the three dimensions of Christ I was searching for. The glow of the original beauty has become radiant. Framed by the brilliant distant archways, the Crucifixion becomes transformed.
    Impressione artistica tridimensional..dova
  • "The sun shines on the Cross of Indulgences - Convent of cells founded by San Francesco in Cortona"...<br />
<br />
Known as Le Celle, this Franciscan hermitage is just five miles from Cortona at the foot of Mount Sant’ Egidio. In 1211, St. Francis along with a few of his followers built the first nine cells of the hermitage, and it has taken the name of Le Celle ever since. Inside the tiny cell belonging to St. Francis is a tiny window, the bed on which he slept, his desk, and a painting of the Madonna and Child where he prayed. The Hermitage invokes a peaceful atmosphere of spirituality and solitude, yet it is vibrant with religious life. Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge, creates a surreal and picturesque vision of Saint Francis’ image of God and nature. The convent is able to offer lodgings to those contemplating a vocational life. Just inside one of the doors to Le Celle, I noticed the sunlight shining delicately through the transom window gently illuminating the old wooden door and cross. This image epitomizes all the simplicities in which Saint Francis preached and lived. It represents his spartan structure with the rough textured concrete walls, antique faded wooden door, the green trees in nature which he loved, and the mystic evening sun softening the aging appearance, and revealing his simple life of prayer and personal austerity.
    Il sole splende sulla Croce delle In..tona
  • “The St. Peter's bell tower rises above the beautiful Blue Sea in Corniglia”…<br />
<br />
I began my daily journey at the northern most town of Monterosso and took the train to the southernmost town of Riomaggiore. I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. Upon arriving back home in Monterosso, soft light illuminated the sky and azure sea of the Mediterranean convincing me to sail all the way back to Riomaggiore with my gracious guides Claudio and Eddie of "Cinque Terre dal Mare" sailing excursions. We arrived just in time for a perfect sunset. After a nice dinner...I caught the last train at midnight back home to Monterosso. A very long day, but worth every minute!  This panorama image of Corniglia, the only Cinque Terre town not directly on the sea…was taken on the journey back to Riomaggiore at dusk.  The tiny village seems snuggled into the Cliffside soaking up the last bit of sunlight before nightfall.  The ancient campanile of the church of Saint Peter, which was built in 1334, begins to peer over the cliff in the upper part of Corniglia.
    Il campanile di San Pietro domina il..glia
  • “As reflections abound ... the canal stops in Venice”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic”; however, there has never been a more perfect description to define Venice’s ever changing persona.  Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out.  Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight.  The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope.  Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul.  My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images.  Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload.  Canal sunsets became the norm of my three days in Venice.
    Come riflessioni abbondano ... il ca..ezia
  • “The mystical evening sunlight peeking through the clouds of Positano”…<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi Coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. Circling the entire village and its cliffside three times on Positano’s only street, I finally found the parking garage about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the substantial number of tourists and the bright sun did not allow for ideal conditions. Walking the length of the beach, I found a very, very steep staircase leading straight up to a large veranda at the Albergo California. Taking an exhaustive seat on a plush lounge chair with a perfect view to watch the sunset behind the Amalfi Cliffs, I was taken back by a pleasant Italian waiter from the hotel offering a towel, iced water, and drinks for the evening. I expressed that I was not staying at the hotel, but he did not seem to mind and proceeded to educate me on the culture of this historic resort village. The sunset was coy and did not appear to cooperate, but during opportune moments it mystified the cloud arrangement and contributed just enough light and color to satisfy a weary photographer. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town tucked between the descending mountains dripping with multicolored dwellings, and the transcendent blue sea, the church’s brilliant majolica tiled cupola is one of the town’s iconic symbols. The ancient church was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this iconic beautiful seaside village.
    I raggi sera mistico del sole capoli..tano
  • “The Holy Family protects the entrance to the Church of Sant'Agostino Montepulciano”…<br />
<br />
A late afternoon excursion from Cortona led me to the medieval town of Montepulciano, which stands on an ancient walled hilltop in southern Tuscany, not far from Siena. Within its ramparts are elegant Renaissance palaces, ancient churches, charming squares, hidden corners, and vast panoramas of the famous vineyard valleys of the Val d'Orcia. Montepulciano has received great attention following the filming of the sequel Twilight - New Moon. I would love to spend more time in the picturesque town, and will include a longer stay in my return to Italy.  Montepulciano is famous for not just one but two excellent wines, Vino Nobile di Montepulciano and Rosso di Montepulciano. However, it is often underestimated in terms of the interest of its art and architecture, perhaps because of its small size.  This image was created of the church of St. Augustine founded in 1285, as the last rays of sunlight shine mystically across the façade of the ancient church.
    La Sacra Famiglia protegge l'ingress..iano
  • "Colorful overview of Santa Maria Assunta in Positano"...<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions. As I made my way along the beach and shoreline, rays from the late afternoon sunlight coming over the mountain top blinded me as they illuminated the famous church. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious and architectural landscape. Strategically located in the center of town with the backdrop of the azzurro Mediterranean Sea, the church’s colorful majolica tiled cupola is one of the town’s iconic symbols. The ancient church was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this beautiful seaside village.
    Panoramica colorata di Santa Maria A..tano
  • “Sunlight shines on the Convent of the Cells by St. Francis in Cortona”…<br />
<br />
St. Francis came to Cortona to preach in 1211, and here at the foot of Mount Sant’Egidio found the solitude he was looking for. A young nobleman who went on to become the Blessed Guido, one of his first followers, offered him the place as a prayer retreat. From that moment St. Francis and his followers stayed in this isolated spot on the way to and from Assisi and other places where they were preaching. There was no hermitage in St. Francis’s time, however, and the saint slept on the bare rock. After he died in 1226, the first stone “cells” were built and a small oratory. What we see today is the result of the XVI century construction work. Le Celle stood abandoned until 1537 when it was granted by the Bishop of Cortona to the recently founded Third Order of Franciscans, known as the Capuchins. The hermitage was considerably enlarged by the Capuchins, who in 1634 erected a new chapel to take the place of a more ancient one. This new chapel was consecrated to St Anthony of Padua and reflects the Capuchins simple, unpretentious architectural and decorative style. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. Imagine the spiritual solitude as Saint Francis would take hermitage here for days of ecstatic meditation with only a loaf of bread, listening to his beloved waterfall beneath a small window.
    Luce del sole splende sulla Convento..tona
  • “Pine Tree overseas evening view from the cliffs of Positano”…<br />
<br />
Visiting Positano, one cannot help but notice the diminutive town snuggled in the side of a cliff jutting out into the Mediterranean Sea seven miles south of Positano.  The tiny village seemed to glow every evening with the last bit of sunlight raining down as Praiano extended its petals skyward.  High above the cliffs, buildings are scattered about with just enough via and strada to support the population of just over 2000.  And, like most places in Italy, there is a church for about every 300 parishioners of its population.  The most famous are the Church of San Luca Evangelista, famous for its splendid majolica floor, the Church of Santa Maria a Castro, and the Convent of San Domenico located in the high Campo valley with breathtaking views. The vista of Praiano facing northward toward Positano brightly displays a prominent gold colored church with the traditional majolica tile dome named Parrocchia Di San Gennaro, one of the most beautiful churches on the Amalfi Coast.  In addition to the maze of little lanes, narrow flights of steps, and pastel colored cottages, one of the most characteristic features of Praiano is the majolica tiled votive shrines, which can be seen throughout the town. The shrines were constructed by the local families in order to both claim their ownership of a particular property and to obtain its divine protection. The town displays the most romantic sunsets on the Amalfi Coast with two beautiful beaches, Marina di Praia and Cala della Gavitella.  The latter beach catches the sun from dawn until dusk and can be reached from the center of the town via a pathway interspersed with short flights of steps.  From my vantage point for this image and many others, it mystically seemed as though the sun never set on the bellissimo villaggio molto piccolo of Praiano.
    Pino Albero oltremare serata vista d..tano
  • "The San Pietro bell tower shines at twilight over Corniglia"...<br />
<br />
I began my daily journey at the northern most town of Monterosso and took the train to the southernmost town of Riomaggiore. I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. Upon arriving back home in Monterosso, soft light illuminated the sky and azure sea of the Mediterranean convincing me to sail all the way back to Riomaggiore with my gracious guides Claudio and Eddie of "Cinque Terre dal Mare" sailing excursions. We arrived just in time for a perfect sunset. After a nice dinner...I caught the last train at midnight back home to Monterosso. A very long day, but worth every minute! This image of Corniglia, the only Cinque Terre town not directly on the sea…was taken at the beginning of the journey from Riomaggiore. The two image panorama of this tiny village seems to snuggle into the Cliffside basking in the evening sunlight.
    Il campanile di San Pietro brilla al..glia
  • “Descending sun illuminates the Convent of the Cells of Saint Francis in Cortona”…<br />
<br />
Known as Le Celle, this Franciscan hermitage is just five miles from Cortona at the foot of Mount Sant’ Egidio. In 1211, St. Francis along with a few of his followers built the first nine cells of the hermitage, and it has taken the name of Le Celle ever since.  Inside the tiny cell belonging to St. Francis is a tiny window, the bed on which he slept, his desk, and a painting of the Madonna and Child where he prayed.  The Hermitage invokes a peaceful atmosphere of spirituality and solitude, yet it is vibrant with religious life. Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis.  I found Le Celle to be one of the pleasant surprises in and around Cortona.  The tiny cells built into the side of the mountain with a stream descending along the structural edge, creates a surreal and picturesque vision of Saint Francis’ image of God and nature. The convent is able to offer lodgings to those contemplating a vocational life.  Just inside one of the doors to Le Celle, I noticed the sunlight shining delicately through the transom window gently illuminating the old wooden door and cross.  This image epitomizes all the simplicities in which Saint Frances preached and lived.  It represents his spartan structure with the rough textured concrete walls, antique faded wooden door, the green trees in nature which he loved, and the mystic evening sun softening the aging appearance, and revealing his simple life of prayer and personal austerity.  As I departed the evening tranquility of Le Celle, turning one last time to ponder its beauty…the sun rays divided the clouds and winked at a very grateful photographer.
    Scendendo sole illumina il Convento ..tona
  • “Magic hour lights Marina Grande Sorrento”…<br />
<br />
Arriving in Sorrento in late spring, the sunlight colorfully lingered before surrendering to the famous Sorrento moon.  One of the highlights of my Italian journey was stumbling upon the tiny Marina Grande fishing village. It was as if I’d walked back in time and merged into this ageless world with its own pace and traditions. Life here seemingly has its own rhythm- a strongly united community tenaciously anchored to its family principles, hard work, and religious traditions. They love the sea and live in symbiosis with it; here time seems to move more slowly than anywhere in the world.  In 1558 the Turks plundered the town of Sorrento, and after the Saracens left the inhabitants constructed a solid town wall. My eyes were blessed with an extraordinarily beautiful canvas as a permanent smile measured my face, and my camera gazed upon this tiny bay nestled within the bygone fishing village.  I meandered about cautiously, glancing at fisherman humbly repairing their nets.  At the heart of the Marina is the Church of Sant’Anna, patron saint of the village. Restaurant Zi' Ntonio a Mare, which jutted out into the bay, was crowded with hungry guests and serenaded by an Italiano singer who, ironically, was singing Dean Martin songs which echoed throughout the bay;  guests and this photographer were delightfully enchanted.  I gently creeped along the water’s edge, and tried to capture the perfect, yet very personal portrait of this piccola baia italiana della perfezione (Italian small bay of perfection).  As night fell, the water reflections and resting fishing boats posed for a few more images as fish jumped for their dinner!  It was time to enjoy the gifts of the day’s catch at Ristorante di “Zi'Ntonio Mare.  The epicureo delights, especially the calamari, olive bread, wine, and the main course of Il pesce San Pietro (The St. Peter's fish), was authentic perfection…just like this perfect piccola bay of Marina Grande.
    Ora magica illumina Marina Grande So..ento
  • “Haze of light in the late afternoon descends on the church of Santa Maria Assunta in Positano”…<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal.  After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image.  The climb down the winding road and steep staircases made for quite a workout in the hot late May sun.  Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions.  As I made my way along the beach and shoreline, rays from the late afternoon sunlight coming over the mountain top blinded me as they illuminated the famous church.  The hazy ambience was perfectly accentuating a glowing cross and the Majorca cupula of Santa Maria Assunta.
    Caligine di luce nel tardo pomeriggi..tano
  • “Iridescent Venetian Sunset”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three glorious days in Venice.
    Iridescente Veneziano Tramonto
  • "Christ Crucified - Santa Maria della Salute Venice"...<br />
<br />
The Basilica di Santa Maria della Salute (Basilica of St. Mary of Health), commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice.  It stands in a prominent position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon.  In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary.  The Basilica is an ornate, massive structure in its exterior; however, it is quite small interiorly.  I am not sure if it was ever an active parish but more of a shrine with little room for seating.  The steps wrapping around the front and sides make a perfect destination for relaxation during warm Venetian days.  Interior windows open to the sky which allows for a great deal of sunlight, and as I meandered around I noticed a beautiful crucifix near the confessional.  The strong rays of sunshine illuminated the face of Christ just enough to encourage one to examine their conscience one last time before entering into Sacrament of Confession.
    Cristo Crocifisso - Santa Maria dell..ezia
  • “Colorful spring afternoon on Rio del Frari – Venice”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic”; however, there has never been a more perfect description to define Venice’s ever changing persona.  Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out.  Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight.  The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope.  This image was taken along a small canal in front of The Santa Maria Gloriosa dei Frari (St. Mary of the Friars), known locally as Frari, one of the great churches of Venice.  Ironically, before my Italian journey, I read Rick Steves travel book on Italy and watched all of his shows made in Italy.  It seemed every American tourist had his book in their hands following closely every piece of advice he offered.  As I pondered my impending images, I looked up and there was Rick about 20 feet in front of me.  Sometimes one has moments of brilliance, and mine was to yell…”hey Rick” and snap a photo when he looked.  He actually smiled as I walked up and shook his hand, and dumbfoundedly I shared how much he contributed to my trip.  He was very gracious as we spoke for about five minutes and then he continued producing his next PBS show on the Venice Lagoon including his favorite church, Frari.  As I walked away shocked by my accidental meeting, the clouds parted and the light struck a perfect note along this tiny majestic canal.
    Colorato primavera pomeriggio sul Ri..ezia
  • “Evening sun over the bay of Positano protected by umbrella pine”…<br />
Visiting Positano, one cannot help but notice the diminutive town snuggled in the side of a cliff jutting out into the Mediterranean Sea seven miles south of Positano.  The tiny village seemed to glow every evening with the last bit of sunlight raining down as Praiano extended its petals skyward.  High above the cliffs, buildings are scattered about with just enough via and strada to support the population of just over 2000.  And, like most places in Italy, there is a church for about every 300 parishioners of its population.  The most famous are the Church of San Luca Evangelista, famous for its splendid majolica floor, the Church of Santa Maria a Castro, and the Convent of San Domenico located in the high Campo valley with breathtaking views. The vista of Praiano facing northward toward Positano brightly displays a prominent gold colored church with the traditional majolica tile dome named Parrocchia Di San Gennaro, one of the most beautiful churches on the Amalfi Coast.  In addition to the maze of little lanes, narrow flights of steps, and pastel colored cottages, one of the most characteristic features of Praiano is the majolica tiled votive shrines, which can be seen throughout the town. The shrines were constructed by the local families in order to both claim their ownership of a particular property and to obtain its divine protection. The town displays the most romantic sunsets on the Amalfi Coast with two beautiful beaches, Marina di Praia and Cala della Gavitella.  The latter beach catches the sun from dawn until dusk and can be reached from the center of the town via a pathway interspersed with short flights of steps.  From my vantage point for this image and many others, it mystically seemed as though the sun never set on the bellissimo villaggio molto piccolo of Praiano.
    Sole di sera sopra la baia di Posita..pino
  • "Guardian angel helps to illuminate the altar of the Minor Basilica of San Lorenzo in Lucina - Rome"... <br />
<br />
Artistic, meaningful, and profound, this is a personal favorite from my 2019 Pilgrimage to Italy. After a spiritual Mass at St. Peters Basilica and an intense tour of the Vatican, lunchtime with my friend and pilgrim, Patrick, proved inspirational. Forgoing the Coliseum, we aimed for Piazza del Popolo. Our eyes were on the famous Caravaggio paintings located in the Basilica of Santa Maria del Popolo. The “Crucifixion of Peter” and the “Conversion of Saint Paul” were found to be elusive on my previous visit. The security guard blocked the doorway and turned off the lights to the small chapel inside the Basilica every time I came near. We found the Basilica under reconstruction, waiting for an opening, then rushed inside to find darkness and disarray everywhere. Finally, finding the dark chapel, our eyes could not focus enough to discover the paintings. Suddenly, the light arose and the Caravaggio’s were an arm’s length away. We expeditiously actuated our cameras and euphorically clicked away. Just as hastily, a mysterious guard clicked off the lights. Waltzing out in an adrenalin rush having stood so close to the priceless paintings… we decided to take on the bustling Roma. We stumbled into a Bellissimo neighborhood called Lucina and settled at a bistro for an aperitivo. The ancient Basilica of St. Lawrence built in 366 AD, was adjacent to our table and required a visit. As I walked in, I was startled by the brilliant sunlight coming through the window directly upon the majestic angel. The vision reminded me of our precious life and how disappointment sometimes leads to great respite and understanding. The Angel was reaching out touching the hand of Christ becoming illuminated. I know the same happened on this very day for a couple of wide-eyed exploring Pilgrims who metaphorically reached out and were blessed by an uncharacteristic joy and an unexpected grace.
    Angelo custode aiuta a illuminare l'..Roma
  • “Our Lady of Lourdes - Santa Maria dei Miracoli Rome”…<br />
<br />
After a spiritual Mass at St. Peters Basilica and an intense tour of the Vatican, lunchtime with my friend and pilgrim, Patrick, proved inspirational. Forgoing the Coliseum, we aimed for Piazza del Popolo. Encompassed within its sacred walls is a variety of artwork unequaled in the world. Our eyes were on the famous Caravaggio paintings located in the Basilica of Santa Maria del Popolo. The “Crucifixion of Peter” and the “Conversion of Saint Paul” were found to be elusive on my previous visit. The security guard blocked the doorway and turned off the lights to the small chapel inside the Basilica every time I came near. We found the Basilica under reconstruction, waiting for an opening, then rushed inside to find darkness and disarray everywhere. Finally, finding the dark chapel, our eyes could not focus enough to discover the paintings. Suddenly, the light arose and the Caravaggio’s were an arm’s length away. We expeditiously actuated our cameras and euphorically clicked away. Just as hastily, a mysterious guard clicked off the lights. As we calmed down and gathered benevolent thoughts, we aimed our startled eyes toward the exit. The fragmented sunlight streaming into the dark basilica from the vestibule and front doors appeared like a dream. Upon exit, the Eternal City awaited our next impassioned venture which didn’t take long. We headed toward the twin churches opposite Santa Maria del Popolo. On the right is Santa Maria in Montesanto and on the left is Santa Maria dei Miracoli. According to tradition, the painting of Madonna dei Miracoli originates from a miracle of 1325. A woman praying to an image of The Virgin Mary painted on the walls along the Tiber River to save her drowning son was miraculously answered.  A small Chapel was built in honor of The Virgin Mary and eventually became this extraordinary church. Pilgrims continue to pray for Our Lady’s intercession in the blessing of future miracles.
    Our Lady of Lourdes - Santa Maria de..Rome
  • “Sunlight illuminates the Crucifixion of the main altar of the Cathedral of San Rufino in Assisi”…<br />
<br />
The first time I visited the Cathedral, I was laboriously working my way up the Assisi mountain top, of which the Cathedral of San Rufino is the last church. Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous. Although every building in Assisi celebrates Saint Francis, the city’s cathedral is dedicated to San Rufino. It's named for Assisi's patron saint, a former 3rd-century bishop, and martyr. After converting Assisi to Christianity, he was killed by drowning in a nearby river. The cathedral has been a very important aspect in the history of the Franciscan order. It was here that Saint Francis, Saint Clare, and many of their original disciples were baptized. Hearing Francis preaching in this church in 1209, Saint Clare became deeply touched by his message and realized her calling. In 1228, here for the canonization of Saint Francis, Pope Gregory IX consecrated the high altar. A humorous story of the relics of Saint Rufino remaining in this ancient church before it was consecrated as a Cathedral is part of history. The townspeople fought for the saint’s body with the current Bishop Ugone, who wanted to move it to the Cathedral of Santa Maria Maggiore. The citizens took a position against the move and started a real “tug of war” with the saint's coffin. The sixty Bishops’ men were beaten by only seven Assisi citizens. The victory was seen as miraculous, even by Ugone, who then decided to renovate the small Basilica, which eventually became the Cathedral for Assisi.  The relics of St Rufino were removed from the crypt and translated to a new sarcophagus under the High Altar and newly-completed nave in 1586. The luminous window light on the side of the Crucifix surrounding Christ with Heaven’s brilliancy captured my abiding heart and unwavering soul.
    La luce del sole illumina la Crocifi..sisi
  • “Venice blue boat”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic”; however, there has never been a more perfect description to define Venice’s ever changing persona.  Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out.  Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight.  The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope.  Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images.  Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload.  Sometimes we get lucky, and sometimes blessed…taking the water taxi during a downpour from the airport to my hotel was a bit disconcerting.  However, when the sun finally came out, my little hotel became the key to the entire Venetian world!  The view from the tiny hotel dock as the sun breaks…
    Venezia azzurro barca
  • "A view from Positano to Praiano of the blue skies reflected in the Mediterranean Sea"...<br />
<br />
Visiting Positano, one cannot help but notice the diminutive town snuggled in the side of a cliff jutting out into the Mediterranean Sea seven miles south of Positano.  The tiny village seemed to glow every evening with the last bit of sunlight raining down as Praiano extended its petals skyward.  High above the cliffs, buildings are scattered about with just enough via and strada to support the population of just over 2000.  And, like most places in Italy, there is a church for about every 300 parishioners of its population.  The most famous are the Church of San Luca Evangelista, famous for its splendid majolica floor, the Church of Santa Maria a Castro, and the Convent of San Domenico located in the high Campo valley with breathtaking views. The vista of Praiano facing northward toward Positano brightly displays a prominent gold colored church with the traditional majolica tile dome named Parrocchia Di San Gennaro, one of the most beautiful churches on the Amalfi Coast.  In addition to the maze of little lanes, narrow flights of steps, and pastel colored cottages, one of the most characteristic features of Praiano is the majolica tiled votive shrines, which can be seen throughout the town. The shrines were constructed by the local families in order to both claim their ownership of a particular property and to obtain its divine protection. The town displays the most romantic sunsets on the Amalfi Coast with two beautiful beaches, Marina di Praia and Cala della Gavitella.  The latter beach catches the sun from dawn until dusk and can be reached from the center of the town via a pathway interspersed with short flights of steps.  From my vantage point for this image and many others, it mystically seemed as though the sun never set on the bellissimo villaggio molto piccolo of Praiano.
    Una vista da Positano a Praiano dei ..aneo
  • "Beautiful spring afternoon on the Rio del Frari - Venice"...<br />
<br />
I am not sure if I am the first to describe Venice as “organic”; however, there has never been a more perfect description to define Venice’s ever changing persona.  Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out.  Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight.  The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope.  This image was taken along a small canal in front of The Santa Maria Gloriosa dei Frari (St. Mary of the Friars), known locally as Frari, one of the great churches of Venice.  Ironically, before my Italian journey, I read Rick Steves travel book on Italy and watched all of his shows made in Italy.  It seemed every American tourist had his book in their hands following closely every piece of advice he offered.  As I pondered my impending images, I looked up and there was Rick about 20 feet in front of me.  Sometimes one has moments of brilliance, and mine was to yell…”hey Rick” and snap a photo when he looked.  He actually smiled as I walked up and shook his hand, and dumbfoundedly I shared how much he contributed to my trip.  He was very gracious as we spoke for about five minutes and then he continued producing his next PBS show on the Venice Lagoon including his favorite church, Frari.  As I walked away shocked by my accidental meeting, the clouds parted and the light struck a perfect note along this tiny majestic canal.
    Bellissimo primavera pomeriggio sul ..ezia
  • "God illuminates the crucifix - Cathedral of Sorrento"...<br />
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The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light illuminating Christ in a mystical way.  This image with the sunlight shining through the window is one of my most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Dio illumina il crocifisso - Cattedr..ento
  • “Corniglia from the sea aboard the Angelina Dada”…<br />
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I began my daily journey at the northern most town of Monterosso and took the train to the southernmost town of Riomaggiore. I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. Upon arriving back home in Monterosso, soft light illuminated the sky and azure sea of the Mediterranean convincing me to sail all the way back to Riomaggiore with my gracious guides Claudio and Eddie of "Cinque Terre dal Mare" sailing excursions. We arrived just in time for a perfect sunset. After a nice dinner...I caught the last train at midnight back home to Monterosso. A very long day, but worth every minute!  This image of Corniglia, the only Cinque Terre town not directly on the sea…was taken at the beginning of the journey from Riomaggiore.  The two image panorama of this tiny village seems to snuggle into the Cliffside basking in the evening sunlight.
    Corniglia dal mare a bordo della Ang..Dada
  • “Saint Joan of Arc - Painting by Dino Carbetta”…<br />
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Today, we celebrate the feast of St. Joan of Arc, the patron saint of France. Joan was born to a humble family in Champagne, France during the early 15th century. She began hearing the voices of St. Michael, St. Catherine, and St. Margaret at a young age. In 1428, she received a vision instructing her to aid the King of France in reclaiming his kingdom from the English and Burgundian invaders. Despite facing opposition, Joan convinced members of the court and Church to grant her a small army. She entered battle carrying a banner emblazoned with the names "Jesus" and "Mary", as well as a symbol of the Holy Spirit. Through her leadership and unwavering faith in God, she was able to lift the siege of Orleans in 1429 and win a series of battles. Joan and her army ultimately helped the king regain his crown and were victorious. However, Joan was later captured by Burgundian forces in May of 1430 and sold to the English. Despite pleas for assistance from her king and army, she was imprisoned and put on trial. Bishop Peter Cauchon of Beauvais presided over her trial, hoping that harsh treatment of Joan would aid his quest to become archbishop. Tragically, Joan was condemned to death on charges of heresy, witchcraft, and adultery. On May 30, 1431, she was burned at the stake in Rouen, France. She was only 19 years old. Thirty years after her death, Joan's case was retried and she was exonerated. In 1920, Pope Benedict XV canonized her. Joan is now recognized as the patron saint of France, captives, soldiers, and those ridiculed for their piety. The equestrian statue of Jeanne d'Arc, which inspired the painting by Dino Carbetta, can be seen at the Place des Pyramides in Paris.
    Santa Giovanna d'Arco - Dipinto di D..etta
  • “A Million Faces of Jesus by Dino Carbetta – Resplendent”…<br />
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“God of every nation and people, from the very beginning of creation you have made manifest your love: when our need for a Savior was great you sent your Son to be born of the Virgin Mary. To our lives, he brings joy and peace, justice, mercy, and love.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. Battle against Evil: Finally, draw your strength from the Lord and from his mighty power. Put on the armor of God so that you may be able to stand firm against the tactics of the devil. For our struggle is not with flesh and blood but with the principalities, with the powers, with the world rulers of this present darkness, with the evil spirits in the heavens. Therefore, put on the armor of God, that you may be able to resist on an evil day and, having done everything, to hold your ground. So stand fast with your loins girded in truth, clothed with righteousness as a breastplate, and your feet shod in readiness for the gospel of peace. In all circumstances, hold faith as a shield, to quench all [the] flaming arrows of the evil one. And take the helmet of salvation and the sword of the Spirit, which is the word of God.  EPHESIANS, 6:10-17
    Un Milione di volti di Gesù di Dino ..ente
  • “This is the Lamb of God, who takes away the sins of the world - Painting by Dino”…<br />
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(Matthew Chapter 27:45-50) “From noon onward, darkness came over the whole land until three in the afternoon. And about three o’clock Jesus cried out in a loud voice, “Eli, Eli, lema sabachthani?” which means, “My God, my God, why have you forsaken me?” Some of the bystanders who heard it said, “This one is calling for Elijah.” Immediately one of them ran to get a sponge; he soaked it in wine, and putting it on a reed, gave it to him to drink. But the rest said, “Wait, let us see if Elijah comes to save him.” But Jesus cried out again in a loud voice, and gave up his spirit.<br />
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John the Baptist’s Testimony to Jesus. Jn 1:29-34 “The next day he saw Jesus coming toward him and said, ‘Behold, the Lamb of God, who takes away the sin of the world. He is the one of whom I said, A man is coming after me who ranks ahead of me because he existed before me. I did not know him, but the reason why I came baptizing with water was that he might be made known to Israel.’ John testified further, saying, “I saw the Spirit come down like a dove from the sky and remain upon him. I did not know him, but the one who sent me to baptize with water told me, ‘On whomever you see the Spirit come down and remain, he is the one who will baptize with the Holy Spirit. Now I have seen and testified that he is the Son of God.”
    Ecce Agnus Dei, ecce qui tollit pecc..etta
  • "Sun hiding behind the Macuteo Obelisk - Roman Pantheon"...<br />
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Eventually, one discovers that God finds a way where there is none. A very crowded Pantheon at 3:00 PM in the bright afternoon made creative photography impossible. However, getting on my knees and placing the sun behind the cross of the Obelisk created a phenomenal appeal. All are original, including the landing dove/pigeon and sun flare. The Obelisk was originally built by one of the most famous Egyptian Pharaohs about 1300 years before Christ by Pharaoh Ramses II for the Temple of Ra in Heliopolis and brought to Rome in ancient times. It was rediscovered in 1374 underneath the apse of the nearby Basilica of Santa Maria Sopra Minerva. In the mid-15th century, the obelisk had been erected in the small Piazza di San Macuto some 200 meters east of the Pantheon, where it remained until its 1711 move to the Piazza della Rotonda. It is still called the Obelisco Macutèo after its previous location. Fontana del Pantheon was constructed by Giacomo Della Porta under Pope Gregory XIII in 1575, and the obelisk was added under Pope Clement XI. The city of Rome harbors the most obelisks in the world. There are eight ancient Egyptian and five ancient Roman obelisks. The Romans used special heavy cargo carriers called obelisk ships to transport the monuments down the Nile to Alexandria and from there across the Mediterranean Sea to Rome. On-site, large Roman cranes were employed to erect the monoliths. The obelisk is crowned by a bronze cross, the symbol of Jesus Christ. One idea that can be drawn from this is that Christianity—the cross of Jesus Christ—conquers paganism.  Another idea is that the obelisk represents the human desire for God which is only fulfilled in the Cross of Christ.
    Domenica di nascondersi dietro il Ma..heon
  • “The Basilica of Santa Maria della Salute Venice radiates in the distance on the Grand Canal- Ultramarine blue”…<br />
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Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God." The Basilica di Santa Maria della Salute, commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a conspicuous position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite reverently quaint interiorly.
    La Basilica di Santa Maria della Sal..mare
  • “View from the Grand Canal of the church of San Giorgio Maggiore in Venice”…<br />
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The first church on the island was built about 790, and in 982 the island was given to the Benedictine order by the Doge Tribuno Memmo. The Benedictines founded a monastery there, but in 1223 all the buildings on the island were destroyed by an earthquake. Andrea Palladio, an Italian Renaissance architect active in the Venetian Republic was commissioned for the rebuild. Palladio, influenced by Roman and Greek architecture, is widely considered to be one of the most influential individuals in the history of architecture, began the rebuild in 1560 and made dramatic improvements. The campanile was rebuilt in neo-classic style and completed in 1791. It was ascended by ramps and now an elevator to the top for panoramic views of Venice. The facade is brilliantly white and represents Palladio's solution to the difficulty of adapting a classical temple facade to the form of the Catholic Basilica. Two very large paintings by Tintoretto relate to the institution of the Eucharist and are located on either side of the presbytery, where they can be seen from the altar rail. “The Last Supper” and “The Jews in the Desert” (collecting and eating the manna, a gift of God to the Israelites in the Desert after they escaped Egypt, which foretells the gift of the Eucharist). Claude Monet painted a series of paintings of the island Monastery of San Giorgio Maggiore in 1908 during the artist's only visit to the city. One of the best known is “San Giorgio Maggiore at Dusk”, which exists in two versions. Monet completed his paintings of Venice at home in France and in 1912 showed them in Paris. Buyers included the Welsh collector Gwendoline Davies, who bought three paintings. This vision of the Church of San Giorgio is iconic and famous worldwide. My image capture while upon an evening boat excursion appears theatrical as if the majestic church is posing for yet another Venetian canvas.
    Vista dal Canal Grande della chiesa ..ezia
  • "The dramatic sunset over Marina Grande Sorrento"... <br />
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Duomo di Sorrento is one of my favorite hidden treasures in Italy. Our last day on the Bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. Hallelujah, it was our first free day of the 2019 Pilgrimage and most were heading to Capri. I convinced my fellow Pilgrim Patrick that Marina Grande was the preferred location to commemorate this rain-threatened day. Sunday afternoon in this tiny hallowed port on the Mediterranean was bustling, not with tourists, but with energetic and unassuming locals. The misty skies were vulnerable all day with the promise of rain, but the reluctant sun penetrated the clouds for a few fortuitous moments. God painted the skies for brief moments with luminous pastel elements of abstract color. We left after lunch only to humbly return perceiving the brilliant orange skies cascading down upon the piccolo village as a gift from Heaven. Glorious rumination abounds with the thought of sacred scripture; “John answered them all, saying, ‘I am baptizing you with water, but one mightier than I is coming. I am not worthy to loosen the thongs of his sandals. He will baptize you with the Holy Spirit and fire. His winnowing fan is in his hand to clear his threshing floor and to gather the wheat into his barn, but the chaff he will burn with unquenchable fire.” (Luke 3:16-17) I am not an expert in, nor born in Marina Grande or Sorrento, but the Gulf of Naples is where my Grandfather and his family are from. It seems that every time I have set foot in this tiny village, the skies explode with color and welcome its former lineage home. Shortly after the last picture was captured, it was meal time with the entire Pilgrimage group. A perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare, was enjoyed by all!
    Il drammatico tramonto sopra Marina ..ento
  • "The sun sets like fire in the sky above the Papal Basilica of St. Francis of Assisi"...<br />
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The seventh morning of our Pilgrimage, we sorrowfully said goodbye to the majestic Sorrento and set out to find the spiritual mecca of Assisi. The excitement of Saint Francis' tiny mountaintop walled village perked our eyes toward the bus windows. Hotel Giotto welcomed all!  An evening Mass with Fr. Peek in the PAX Chapel (a small underground sanctuary in Saint Francis Basilica) hosted our celebration. Mass was celebrated in honor of the wedding anniversary of Bill and Bardeen Dunphy from Atlanta, GA. I cannot say enough about the wonderful quality of people and Catholics in which I had the honor to accompany on our Pilgrimage. A small group of only 12, but mighty in character, affection, spirituality, and compassion. Bill and Bardeen epitomized this nature and shared their love will all our Pilgrims and those who witnessed our gatherings. We were also blessed by a humble, yet charismatic Priest, Father Kevin Peek. He seemed to know every other person in Italy, and subsequently, we all found new friends at dinner time. I cannot honestly conclude a more perfect Pilgrimage Priest than Father, and he was the epitome of a Spiritual guide. He not only celebrated Mass each morning in the most beautiful and prestigious Basilica’s in the world, he also led nighttime rosary walks through the Italian Strada, offered confession, interjected stories of the Saints, discussed all Italian epicurean delights with great enthusiasm, and spread the word and love of God to anyone who would listen.  After Mass, the sun once again glowed as it set behind Saint Francis Basilica. There is probably not a more exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate artist of capture.
    Il sole tramonta attraverso la Basil..sisi
  • "Our Lady of Fatima - Miracle of the Sun – Painting by Dino Carbetta” …<br />
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The painting entitled "Our Lady of Fatima - Miracle of the Sun"  depicts an event that occurred on October 13, 1917. A large crowd had gathered near Fatima to witness the next apparition of Our Lady, as foretold by three shepherd children, Lúcia, Francisco, and Jacinta Marto. According to reports from journalists, lawyers, and scientists who were in attendance, the event that followed became known as the "Miracle of the Sun." Witnesses claimed to have seen extraordinary solar activity, such as the Sun appearing to "dance" or zig-zag in the sky, careen towards the Earth, or emitting multicolored light and radiant colors. The event lasted for ten minutes and was widely reported in newspapers. In November 1917, the local bishop conducted a canonical investigation of the event, reviewing witness accounts and assessing private revelations from Mary that were compatible with Catholic theology. The priests conducting the investigation were convinced by the concurring testimony of extraordinary solar phenomena from secular reporters, government officials, and other skeptics in attendance. Bishop José da Silva declared the miracle "worthy of belief" on October 13, 1930, permitting "Our Lady of Fatima" within the Catholic Church. Over the years, the miracle and related prophecies have impacted the devotional practices of many Catholics, and it continues to be a significant event in the history of the church. Despite the enduring interest in the miracle, Dr. Garrett, who was present at the event, affirmed that he was in his right mind and not suffering from a hallucination. He described everything as taking on the color of old yellow damask, with people looking unattractive and suffering from jaundice. He observed all the phenomena calmly and serenely, without any emotional disturbance, leaving it to others to interpret and explain them.
    Madonna di Fatima - Miracolo del Sol..etta
  • “Annunciation of the Lord - Marian Shrine Basilica of the Holy House in Loreto, Italy – Painting by Dino Carbetta” …<br />
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Gospel Lk 1:26-38  “The angel Gabriel was sent from God to a town of Galilee called Nazareth, to a virgin betrothed to a man named Joseph, of the house of David, and the virgin's name was Mary. And coming to her, he said, "Hail, full of grace! The Lord is with you." But she was greatly troubled at what was said and pondered what sort of greeting this might be. Then the angel said to her, "Do not be afraid, Mary, for you have found favor with God. Behold, you will conceive in your womb and bear a son, and you shall name him Jesus.<br />
He will be great and will be called Son of the Most High, and the Lord God will give him the throne of David his father, and he will rule over the house of Jacob forever, and of his Kingdom there will be no end." But Mary said to the angel, "How can this be, since I have no relations with a man?" And the angel said to her in reply, "The Holy Spirit will come upon you, and the power of the Most High will overshadow you. Therefore the child to be born<br />
will be called holy, the Son of God. And behold, Elizabeth, your relative, has also conceived a son in her old age, and this is the sixth month for her who was called barren; for nothing will be impossible for God." Mary said, "Behold, I am the handmaid of the Lord. May it be done to me according to your word." Then the angel departed from her.”
    Annunciazione del Signore - Santuari..etta
  • “Excitement abounds as the warm summer evening falls on Positano” …<br />
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After an exhilarating drive along the high cliffs on the Amalfi Coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. Circling the entire village and its cliffside three times on Positano’s only street, I finally found the parking garage about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the substantial number of tourists and the bright sun did not allow for ideal conditions. Walking the length of the beach, I found a very, very steep staircase leading straight up to a large veranda at the Albergo California. Taking an exhaustive seat on a plush lounge chair with a perfect view to watch the sunset behind the Amalfi Cliffs, I was taken back by a pleasant Italian waiter from the hotel offering a towel, iced water, and drinks for the evening. I expressed that I was not staying at the hotel, but he did not seem to mind and proceeded to educate me on the culture of this historic resort village. The sunset was coy and did not appear to cooperate, but during opportune moments it mystified the cloud arrangement and contributed just enough light and color to satisfy a weary photographer. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town tucked between the descending mountains dripping with multicolored dwellings, and the transcendent blue sea, the church’s brilliant majolica tiled cupola is one of the town’s iconic symbols. The ancient church was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this iconic beautiful seaside village.
    Eccitazione abbonda come la calda se..tano
  • “Saint Jude the Apostle – Painting by Dino Carbetta” …<br />
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St. Jude is the Patron Saint of Hope and impossible causes and one of Jesus’ original twelve Apostles. He preached the Gospel with great passion, often in the most difficult circumstances. Through the power of the Holy Spirit, he made profound differences in people's lives as he offered them the Word of God. The Gospel tells us that St. Jude was a brother of St. James the Less, also one of the Apostles. They are described in the Gospel of Matthew as the "brethren" of Jesus, probably cousins. St. Jude is often confused with Judas Iscariot who betrayed Jesus. St. Jude is traditionally depicted carrying the image of Jesus in his hand. This recalls one of his miracles during his work spreading the Word of God. King Abgar of Edessa asked Jesus to cure him of leprosy and sent an artist to bring him a drawing of Jesus. Impressed with Abgar’s great faith, Jesus pressed His face on a cloth, leaving the image of His face on it. He gave the cloth to St. Jude, who took the image to Abgar and cured him. After the death and resurrection of Jesus, St. Jude traveled throughout Mesopotamia, Libya, and Persia with St. Simon preaching and building up the foundations of the early Church. St. Jude died a martyr death for his unwavering faith. His body was later brought to Rome and placed in a crypt under St. Peter's Basilica. Over the ages, many people in desperate need have turned to Saint Jude in prayer. Saint Bridget of Sweden said she was directed in a vision to pray with deep faith and confidence to Saint Jude. She stated that Christ told her, “Following his surname, Thaddeus, the amiable or loving, Saint Jude will show himself most willing to help.” Today, Saint Jude continues to be one of the most popular and beloved Saints, a trusted heavenly intercessor for all those seeking God’s assistance during times of family crisis, sickness, and trouble, especially when all hope seems lost.
    San Giuda Apostolo - Dipinto di Dino..etta
  • “The Celestial Boat of Jesus rests in Marina Grande Sorrento”…<br />
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This sunset image of the lone antique fishing boat is the most iconic of the seaside views from Sorrento. The lone boat represents many perceptions and creative thoughts and portrays imagery of stillness and beauty among the restless seas. It reminds me of Saint Matthew’s account of Jesus’ calming of the winds and the seas: "As Jesus got into a boat, his disciples followed him. Suddenly a violent storm came upon the sea so that the boat was being swamped by waves, but he was asleep. They came and woke him, saying, "Lord, save us! We are perishing!” He said to them, "Why are you terrified, O you of little faith?" Then he got up, rebuked the winds and the sea, and there was a great calm. The men were amazed and said, "What sort of man is this, whom even the winds and the sea obey?" (Matt. 8:23- 27)
    La Barca Celeste di Gesù riposa in M..ento
  • “Father Peek Celebrates the Lamb's Supper - Amalfi Cathedral”…<br />
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A church has resided on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Newer walls have been taken down to expose parts of the ancient original church, and one can ponder history by this glimpse back in time. Andrew, Saint Peter’s brother and one of Christ’s closest disciples was also the disciple of John the Baptist. Saint Andrew was called with Peter: “As [Jesus] was walking by the Sea of Galilee, he saw two brothers, Simon who is now called Peter, and his brother Andrew, casting a net into the sea; they were fishermen. He said to them, ‘Come after me, and I will make you fishers of men.’ At once they left their nets and followed him” (Matthew 4:18-20). Stairs near the east end of the Duomo descend into the Crypt of St. Andrew, where his relics are kept in the central altar. The crypt is decorated with magnificent Baroque murals from 1660. As I knelt and prayed at the glorious crypt befitting this great disciple who was martyred on an X shaped crucifix, my mind wandered off the true nature of this chosen man who became a Saint. I stirred around to the back of the altar and found myself facing his eternal light and relics. I knelt again in prayer feeling the great essence and presence of this selfless apostle. As in many other locations and churches in Italy, where Saints seem to be from every town, I was overcome with deep emotion and an abundance of heartfelt spiritual joy! Our Pilgrimage of 2019 found us celebrating Mass in the chapel just to the left of the High Altar below the image of the “Last Supper.” A reverent and poignant remembrance of cherished time on the Amalfi Coast.
    Padre Peek Celebra la Cena dell'agne..alfi
  • "Father Peek elevates the Host for Adoration - The Church of Santo Spirito in Sassia"... <br />
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This image is one of my favorites and the most poignant of our 2019 Pilgrimage. On our fourth gentile morning in Roma before leaving for Sorrento, we walked from our hotel to the Bellissimo Santo Spirito for Mass. Located just steps from St. Peter’s Basilica, the church is the center of the Divine Mercy established by St. John Paul II. Each day at 3 p.m. the congregants assemble to pray the Divine Mercy Chaplet in this reverent sanctuary containing St. Faustina Kowalska and St. John Paul II relics. The church is distinguished for its beautiful and pious artistic and aesthetic adornment, yet, also has a long history of bringing mercy to the human spirit and body. In the eighth century, a church called Santa Maria in Sassia was dedicated to the Virgin Mary. The name of the church comes from “the Saxon school,” where pilgrims from Northern Europe and Saxon nations received their first spiritual and material assistance. In 1198, at the request of Pope Innocent III, the first “Holy Spirit Hospital” in Europe was built adjacent to the church. The chapel on the right side is dedicated to The Divine Mercy and to Saint Faustina where the “The Apostle of The Divine Mercy” statue resides with her reliquary donated by the Holy Father John Paul II. The reflection of Father Peek in “The Elevation of the Host” is after genuflection in adoration. The priest raises the Host so that the Faithful may also adore Jesus Christ, the true God, and true Man present on the altar. Look at the sacred Body of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things."
    Padre Peek Eleva Consacrata l'ostia ..ssia
  • “Most Holy Name of the Blessed Virgin Mary - Painting by Dino Carbetta” …<br />
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The rich tapestry of faith is often woven with threads of history and tradition. The celebration of the Most Holy Name of Mary, its origins tracing back to the vibrant lands of Spain in the year 1513, serves as a profound reminder of the enduring power of devotion. A timeless journey that started in a particular time and place has blossomed into a cherished moment for the entire Church. Pope Innocent XI, recognizing the beauty and significance of this venerable tradition, embraced it wholeheartedly, extending its embrace to the global congregation. The unity of faith finds its expression in shared rituals, and the celebration of the Most Holy Name of Mary beautifully complements the Feast of the Holy Name of Jesus, observed every September 12. In the intricate mosaic of Catholic devotion, these celebrations are like twin stars, one radiating the celestial grace of Mary, the other illuminating the majestic persona of Jesus. Each festivity encapsulates a distinct essence, yet they resonate harmoniously, representing the two pillars of divinity. The Holy Name of Mary, a testament to her unwavering virtue and maternal compassion, stands as a symbol of solace and intercession. Just as the name of a beloved carries the power to evoke emotions, Mary's name is an invocation of hope and supplication, a bridge between the human heart and the divine realm. Embracing the profound significance of these celebrations embarking on this artistic and literary venture. The legacy of the Most Holy Name of Mary and the Feast of the Holy Name of Jesus infuses these artistic endeavors with a sense of purpose and inspiration. Words and art have the potential to be vessels of transcendence, allowing those who encounter them to glimpse the eternal truths that lie beyond the visible realm. Mary was inspired by my good Catholic friend, Lori.
    Santissimo Nome della Beata Vergine ..etta
  • “Light of the Five Advent Candles on Christmas - Painting by Dino Carbetta” …<br />
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The five Advent candles represent Jesus coming as the light in the darkness. One candle is lit each Sunday until all four candles are lit. Each candle brings a slightly greater light into the darkness as Christmas draws nearer. Sometimes a white candle is lit on Christmas Eve or Christmas Day to symbolize that Jesus is with us. This can be referred to as the "Christ candle." Each of the candles lit before Christmas represents an aspect of preparation during the season of Advent. The four candles of Advent represent the four Sundays of Advent and symbolize hope, peace, joy, and love. Also, the fifth candle on Christmas represents the birth of Christ. Infant Jesus is the hope of new life, a perfect life where the old becomes new again. I can rejoice with you in surviving each day, year, and earthly life, to realize hope, which renews our spirit with peace, joy, and most of all, love. “Lord Jesus, Master of both light and darkness, send your Holy Spirit upon our preparation for Christmas. We who have so much to do seek quiet spaces to hear Your voice each day. We who are anxious over many things look forward to your coming among us. We who are blessed in so many ways long for the complete joy of Your Kingdom. We whose hearts are heavy seek the joy of Your presence. We are Your people, walking in darkness yet seeking the light. To You, we say, ‘Come, Lord Jesus!” “The angel said to them, “Do not be afraid; for behold, I proclaim to you good news of great joy that will be for all the people. For today in the city of David, a savior has been born for you who is Messiah and Lord. And this will be a sign for you: you will find an infant wrapped in swaddling clothes and lying in a manger.’ And suddenly there was a multitude of the heavenly host with the angel, praising God and saying: “Glory to God in the highest and on earth peace to those on whom his favor rests.” Luke 2: 10-14.
    Luce delle Cinque Candele dell'Avven..etta
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