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  • “The Vatican Museums Double Helix Spiral Staircase” …<br />
<br />
This modern double helix staircase is located in the Vatican Museum and is commonly referred to as the "Bramante Staircase" after the original architect who built the first staircase in 1505. It is unlikely that the Vatican realized when it commissioned Giuseppe Momo to build a staircase in 1932, that it would become one of the most photographed pieces in a museum that boasts nine miles of art. The Spiral Staircase, also called the Momo Staircase or the Snail Staircase, is made up of two wrought iron stairways – one going up, one going down – that curve in a double helix. Ironically, it was created at a time before the double helix became a symbol for science, DNA, and subsequently, all human life. The architect’s design was not drawn from at this time, an unknown DNA design, but was made like this purely for convenience. As the staircase was created to link the Belvedere Palace to the streets of Rome. Allowing Pope Julius II to travel directly from his private residence by carriage without fuss, with the staircase a ramp to hold the carriages rather than stairs. The reason for the two separate spirals was so carriages could travel up and down without interruptions, with one spiral marked for travels up, and the other for travels down. This staircase is truly a stunning sight to see, however, due to its age and fragility, visitors seeing this landmark in person is nearly impossible. As only a few exclusive tour groups are allowed access each year! While the staircase was once walked by every visitor to the Vatican Museum on their way in, it is no longer on the route and is closed to the public. Fortunately, my Roman tour guide, once again speaking with the guards, allowed me under the ropes to take a rare image without visitors present.
    I Musei Vaticani Doppia Elica Scala ..iola
  • “Evening view from the deck of Hotel California Positano - BW”…<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal.  After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image.  The climb down the winding road and steep staircases made for quite a workout in the hot late May sun.  Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions.  Walking the length of the beach, I found a very, very steep staircase leading straight up to a large veranda at the Albergo California.  Taking an exhaustive seat on a plush lounge chair with a perfect view to watch the sunset behind the Amalfi Cliffs, I was taken back by a pleasant Italian (Positano) waiter from the hotel offering a towel, ice water, and drinks for the evening.  I expressed that I was not staying at the hotel, but he didn’t seem to mind and proceeded to educate me on the culture of this historic resort village.  After a brief rest, I wandered around taking full advantage of Albergo California’s 180 degrees of seaside vistas.  Turning southward looking down the Amalfi Coast, the seaside town of Praiano began to appear ominous as storm clouds formed above creating a dramatic panorama.
    Serata vista dalla mazzo di Albergo ..- BW
  • "Positano villa stairs and flowers"...<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions. Walking the length of the beach, I found a very, very steep staircase leading straight up to a large veranda at the Albergo California. Taking an exhaustive seat on a plush lounge chair with a perfect view to watch the sunset behind the Amalfi Cliffs, I was taken back by a pleasant Italian (Positano) waiter from the hotel offering a towel, ice water, and drinks for the evening. I expressed that I was not staying at the hotel, but he didn’t seem to mind and proceeded to educate me on the culture of this historic resort village. After a brief rest, I wandered around taking full advantage of Albergo California’s 180 degrees of seaside vistas and bellissimo villas.
    Positano villa le scale e fiori
  • “Dusk falls on Hotel California in Positano”…<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal.  After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image.  The climb down the winding road and steep staircases made for quite a workout in the hot late May sun.  Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions.  Walking the length of the beach, I found a very, very steep staircase leading straight up to a large veranda at the Albergo California.  Taking an exhaustive seat on a plush lounge chair with a perfect view to watch the sunset behind the Amalfi Cliffs, I was taken back by a pleasant Italian (Positano) waiter from the hotel offering a towel, ice water, and drinks for the evening.  I expressed that I was not staying at the hotel, but he didn’t seem to mind and proceeded to educate me on the culture of this historic resort village.  After a brief rest, I wandered around taking full advantage of Albergo California’s 180 degrees of the perfect seaside vistas.
    Crepuscolo cade in Albergo Californi..tano
  • “Twilight ascent to Rocca Maggiore Assisi”… <br />
<br />
Gospel Mt 7:6, 12-14 Jesus said to his disciples: “Do not give what is holy to dogs, or throw your pearls before swine, lest they trample them underfoot, and turn and tear you to pieces. “Do to others whatever you would have them do to you. This is the Law and the Prophets. “Enter through the narrow gate; for the gate is wide and the road broad that leads to destruction, and those who enter through it are many. How narrow the gate and constricted the road that leads to life. And those who find it are few.” Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the reward was always greater than the physical agony endured. "My soul can find no staircase to Heaven unless it be through Earth's loveliness." - Michelangelo.
    Salita del crepuscolo fino a Rocca M..sisi
  • “Sunset view from the Hotel California Positano”…<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal.  After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image.  The climb down the winding road and steep staircases made for quite a workout in the hot late May sun.  Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions.  Walking the length of the beach, I found a very, very steep staircase leading straight up to a large veranda at the Albergo California.  Taking an exhaustive seat on a plush lounge chair with a perfect view to watch the sunset behind the Amalfi Cliffs, I was taken back by a pleasant Italian (Positano) waiter from the hotel offering a towel, ice water, and drinks for the evening.  I expressed that I was not staying at the hotel, but he didn’t seem to mind and proceeded to educate me on the culture of this historic resort village.  After a brief rest, I wandered around taking full advantage of Albergo California’s 180 degrees of seaside vistas.  Turning southward looking down the Amalfi Coast, the seaside town of Praiano began to appear ominous as storm clouds formed above creating a dramatic view.
    Tramonto vista dalla Albergo Califor..tano
  • “Evening Mystical Sun Rays Peep Through the Clouds Above Positano” …<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi Coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. Circling the entire village and its cliffside three times on Positano’s only street, I finally found the parking garage about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the substantial number of tourists and the bright sun did not allow for ideal conditions. Walking the length of the beach, I found a very, very steep staircase leading straight up to a large veranda at the Albergo California. Taking an exhaustive seat on a plush lounge chair with a perfect view to watch the sunset behind the Amalfi Cliffs, I was taken back by a pleasant Italian waiter from the hotel offering a towel, iced water, and drinks for the evening. I expressed that I was not staying at the hotel, but he did not seem to mind and proceeded to educate me on the culture of this historic resort village. The sunset was coy and did not appear to cooperate, but during opportune moments it mystified the cloud arrangement and contributed just enough light and color to satisfy a weary photographer. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town tucked between the descending mountains dripping with multicolored dwellings, and the transcendent blue sea, the church’s brilliant majolica tiled cupola is one of the town’s iconic symbols. The ancient church was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this iconic beautiful seaside village.
    Sera Raggi del Sole Mistici Fanno Ca..tano
  • “Twilight Illuminates the piano steps to the Cathedral of Assisi”…<br />
<br />
Gospel Mt 7:6, 12-14 Jesus said to his disciples: “Do not give what is holy to dogs, or throw your pearls before swine, lest they trample them underfoot, and turn and tear you to pieces. “Do to others whatever you would have them do to you. This is the Law and the Prophets. “Enter through the narrow gate; for the gate is wide and the road broad that leads to destruction, and those who enter through it are many. How narrow the gate and constricted the road that leads to life. And those who find it are few.” Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the reward was always greater than the physical agony endured. "My soul can find no staircase to Heaven unless it be through Earth's loveliness." - Michelangelo.
    Crepuscolo Illumina al Pianoforte gr..sisi
  • “The mystical evening sunlight peeking through the clouds of Positano”…<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi Coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. Circling the entire village and its cliffside three times on Positano’s only street, I finally found the parking garage about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the substantial number of tourists and the bright sun did not allow for ideal conditions. Walking the length of the beach, I found a very, very steep staircase leading straight up to a large veranda at the Albergo California. Taking an exhaustive seat on a plush lounge chair with a perfect view to watch the sunset behind the Amalfi Cliffs, I was taken back by a pleasant Italian waiter from the hotel offering a towel, iced water, and drinks for the evening. I expressed that I was not staying at the hotel, but he did not seem to mind and proceeded to educate me on the culture of this historic resort village. The sunset was coy and did not appear to cooperate, but during opportune moments it mystified the cloud arrangement and contributed just enough light and color to satisfy a weary photographer. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town tucked between the descending mountains dripping with multicolored dwellings, and the transcendent blue sea, the church’s brilliant majolica tiled cupola is one of the town’s iconic symbols. The ancient church was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this iconic beautiful seaside village.
    I raggi sera mistico del sole capoli..tano
  • "The magical twilight time of Positano"...<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions. Walking the length of the beach, I found a very, very steep staircase leading straight up to a large veranda at the Albergo California. Taking an exhaustive seat on a plush lounge chair with a perfect view to watch the sunset behind the Amalfi Cliffs, I was taken back by a pleasant Italian (Positano) waiter from the hotel offering a towel, ice water, and drinks for the evening. I expressed that I was not staying at the hotel, but he didn’t seem to mind and proceeded to educate me on the culture of this historic resort village. The sunset was being coy and didn’t appear to cooperate, but during opportune moments it mystified the ominous clouds, and contributed just enough light and color to satisfy a weary photographer.
    L'orario magica crepuscolo di Positano
  • “Sunset over Praiano from the Hotel California Positano”…<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal.  After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image.  The climb down the winding road and steep staircases made for quite a workout in the hot late May sun.  Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions.  Walking the length of the beach, I found a very, very steep staircase leading straight up to a large veranda at the Albergo California.  Taking an exhaustive seat on a plush lounge chair with a perfect view to watch the sunset behind the Amalfi Cliffs, I was taken back by a pleasant Italian (Positano) waiter from the hotel offering a towel, ice water, and drinks for the evening.  I expressed that I was not staying at the hotel, but he didn’t seem to mind and proceeded to educate me on the culture of this historic resort village.  After a brief rest, I wandered around taking full advantage of Albergo California’s 180 degrees of seaside vistas.  Turning southward looking down the Amalfi Coast, the seaside town of Praiano began to appear ominous as storm clouds formed above creating a dramatic view.
    Tramonto sopra Praiano da degli Albe..tano
  • “Evening view from the deck of Hotel California Positano”…<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal.  After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image.  The climb down the winding road and steep staircases made for quite a workout in the hot late May sun.  Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions.  Walking the length of the beach, I found a very, very steep staircase leading straight up to a large veranda at the Albergo California.  Taking an exhaustive seat on a plush lounge chair with a perfect view to watch the sunset behind the Amalfi Cliffs, I was taken back by a pleasant Italian (Positano) waiter from the hotel offering a towel, ice water, and drinks for the evening.  I expressed that I was not staying at the hotel, but he didn’t seem to mind and proceeded to educate me on the culture of this historic resort village.  After a brief rest, I wandered around taking full advantage of Albergo California’s 180 degrees of seaside vistas.  Turning southward looking down the Amalfi Coast, the seaside town of Praiano began to appear ominous as storm clouds formed above creating a dramatic panorama.
    Serata vista dalla mazzo di Albergo ..tano
  • “Pine tree rises to the sky as the sun sets over the cliffs of Positano”…<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal.  After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image.  The climb down the winding road and steep staircases made for quite a workout in the hot late May sun.  Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions.  Walking the length of the beach, I found a very, very steep staircase leading straight up to a large veranda at the Albergo California.  Taking an exhaustive seat on a plush lounge chair with a perfect view to watch the sunset behind the Amalfi Cliffs, I was taken back by a pleasant Italian (Positano) waiter from the hotel offering a towel, ice water, and drinks for the evening.  I expressed that I was not staying at the hotel, but he didn’t seem to mind and proceeded to educate me on the culture of this historic resort village.  After a brief rest, I wandered around taking full advantage of Albergo California’s 180 degrees of seaside vistas.  Turning southward looking down the Amalfi Coast, the seaside town of Praiano began to appear ominous as storm clouds formed above creating a dramatic view with my favorite tree majestically rising toward heaven.
    Pino Albero sale al cielo come sole ..tano
  • “Angelic Woman Resting Under the Sun at the Cathedral of San Rufino in Assisi”…<br />
<br />
Upon arriving early that day in Assisi, I couldn't resist capturing every moment with my camera from the moment I parked at Hotel Giotto nestled within the walls at the foothills of Assisi. It felt like Saint Francis had orchestrated the day, painting the skies with dramatic perfection and guiding each encounter with a mystical touch. As I embarked on the journey from the Basilica of Saint Francis, every step of the ascent towards the mountain's summit and the fortress of Rocca Maggiore seemed to unveil something even more profound and spiritual than the last. With each arduous staircase climbed, there was an anticipation building, fueled by the promise of divine scenery awaiting at the summit. Finally, as I reached the pinnacle almost at sunset, the clouds parted, and the sun cast its golden glow, accompanied by a gentle mist of rain. Despite the exhaustion from the steep climb, the sight that greeted me around the final bend took my breath away—the Romanesque Duomo of Saint Rufino, standing majestically, a testament to centuries of spiritual and historical significance. As I turned the corner, the late evening sunbathed the façade of the Duomo in a radiant light, illuminating a lone figure basking in its warmth by the side door. Despite the dampness and chill in the air, her presence seemed to emit a warmth that transcended the physical realm. I stood frozen, captivated by the ethereal beauty before me. With trembling hands, I lifted my camera to capture a fleeting moment of this otherworldly scene, hoping to preserve it forever. In that moment, as the shutter clicked, she stirred, her eyes meeting mine with a gentle smile before gracefully departing. I longed for her presence to linger, but all that remained was the memory captured in that single photograph—a mere glimpse of the profound and surreal encounter that would forever echo in my soul.
    Donna Angelicata di Riposo Sotto il ..sisi
  • "Triumph of St. Mark - Lion Majesty - Art by Dino Carbetta"...<br />
<br />
"St. Mark's Basilica in Venice emerges as a testament to both architectural grandeur and spiritual significance, with its pinnacle adorned by the regal figure of St. Mark. Reminiscent of a lion, he stands majestically." This basilica stands as a beacon of Byzantine artistry and religious devotion, situated amidst the bustling heart of Venice, adjacent to the iconic Doge's Palace and overlooking the expansive Piazza San Marco. Since 828 AD, the relics of Saint Mark, the renowned author of one of the four Gospels, have found their eternal sanctuary within the hallowed walls of this sacred edifice. The massive interior of St. Mark’s Basilica dazzles the beholder with its intricate mosaic masterpieces, painstakingly crafted over eight centuries in shimmering gold. The enchanting setting sun ignites the golden mosaics with a celestial glow. Ascending a steep staircase, I was drawn to the museum atop the basilica, where the illustrious original four horses from Classical Antiquity captured my imagination, transcending time, and evoking a sense of life and vitality. Venturing onto the rooftop, I was captivated by the myriad historical artworks adorning the heights. In this painting, St. Mark stands in silent vigil atop his basilica, bathed in the warm hues of the setting sun. Against the backdrop of the orange-tinged skies, the figure of a lion materializes, adding an aura of mystique to the scene. Venetian tradition states that when Mark was traveling through Europe, he arrived at a lagoon in Venice, where an angel appeared to him and said, "Pax tibi Marce, evangelista meus. Hic requiescet corpus tuum." ("Peace be with thee, O Mark, my evangelist. Here thy body will rest.") Through brushstrokes and imagery, I sought to capture the spiritual essence that permeates its sacred grounds. It is a tribute to the enduring legacy of faith and artistry that continues to inspire all who behold its magnificence."
    Trionfo di San Marco - Maestà del Le..etta
  • “Apostle, Saint Andrew In front of his Duomo of Sant'Andrea - Painting by Dino Carbetta” …<br />
<br />
Embarking on a rain-soaked ferry journey along the picturesque coast, I made my way to the enchanting seaside town of Amalfi. Normally bustling with tourists transported from everywhere, the Duomo di Amalfi found itself relatively serene on this dreary day. A sacred haven has graced this Amalfi site since the year 596 AD; the ninth-century structure still stands resolute. In the early 13th century, a new cathedral emerged beside the ancient one, providing a dignified resting place for St. Andrew the Apostle. Modern interventions have exposed fragments of the original church, inviting contemplation of bygone eras. St. Andrew, the brother of Saint Peter and a cherished disciple of Christ was also a follower of John the Baptist. Their calling unfolded on the shores of the Sea of Galilee: “As [Jesus] was walking by, he saw two brothers, Simon (Peter), and his brother Andrew, casting a net into the sea; they were fishermen. He said to them, ‘Come after me, and I will make you fishers of men.’ At once they left their nets and followed him” (Matthew 4:18-20). Descending near the east end of the Duomo, a staircase leads to the Crypt of St. Andrew, where his revered relics rest upon the central altar. Adorned with magnificent Baroque murals dating back to 1660, the crypt provides a sacred space for reflection. Kneeling in prayer within this splendid crypt, befitting the memory of the apostle martyred on an X-shaped crucifix, my thoughts meandered into the profound nature of this chosen man turned Disciple and Saint. As I circled to the rear of the altar, I found myself bathed in the eternal light and relics of Saint Andrew. With each prayer, I sensed the essence and presence of this selfless apostle. Much like other sanctuaries and churches across Italy, where saints hail from every corner, I was overwhelmed by deep emotion and an abundance of heartfelt spiritual joy!"
    Apostolo, Sant'Andrea Davanti al suo..etta
  • “Winter Through the Illuminated Medieval Gates Scene of the Church of the Assumption of Mary on Lake Bled, Slovenia - Painting by Dino Carbetta”…<br />
<br />
Amidst the winter's embrace, beyond the luminous medieval gates, unfolds the enchanting tableau of the Church of the Assumption of Mary on Lake Bled, Slovenia—a testament to timeless beauty just 180 miles from Venice and a mere ninety-three miles from Trieste, Italy. Journey through the annals of time, where the sacred site, consecrated in 1142, underwent transformative evolution. The Gothic era left its indelible mark in the 15th century, adorning the church with a new presbytery, a freestanding bell tower, and a majestic main altar. The seismic echoes of 1509 compelled a meticulous Baroque renovation, preserving only remnants of the Gothic era—ethereal frescoes and a wooden statue of the Virgin Mary. The 17th century heralded another chapter, shaping the church's destiny after an earthquake. The opulent gold-plated main altar, featuring the Virgin Mary, has stood as a pinnacle since 1747. Side altars dedicated to St. Sebastian, St. Magdalena, and St. Anna emerged in the late 17th century, adding to the church's splendor. The 177-foot tower chimes three bells, marking the passage of time. The architectural marvel extends beyond the church—ancillary buildings, enduring walls, and a monumental staircase with a symbolic 99 steps. A spiritual focal point, the wishing bell embodies a cherished tradition. Legend has it that ringing the bell and paying homage to the Virgin Mary grants wishes—a testament to enduring faith. The brushstrokes capture this ethereal narrative, inviting viewers to immerse themselves in the profound history and timeless spirituality within the Church of the Assumption of Mary on Lake Bled. The illuminated medieval gates serve as a gateway to a world where the past meets the present, evoking awe and reverence.
    Inverno Attraverso le Porte Medieval..etta
  • “The heavenly stairs on the morning walk along via S. Francesco – Assisi”…<br />
<br />
"My soul can find no staircase to Heaven unless it be through Earth's loveliness."  (Michelangelo)<br />
 “And he said to him, “Amen, amen,* I say to you, you will see the sky opened and the angels of God ascending and descending on the Son of Man.” (John 1:51)<br />
 “Then he had a dream: a stairway* rested on the ground, with its top reaching to the heavens; and God’s angels were going up and down on it.” (Genesis 28:12)
    Le scale celesti sulla mattina cammi..sisi
  • “Go down the stairs and you'll find the hostel where Francis was born the poor man”…<br />
<br />
This is the inscription carved into the stone below the sculpture and above the stairway down to the small room where Saint Francis was born.  I passed by this small archway and opening above a staircase and was taken by its simple beauty, never knowing the significance until my return home as my Italian language is a work in progress.  Saint Francis of Assisi was born in 1181, and he became an Italian Roman Catholic friar and preacher. He founded the men's Order of Friars Minor, Order of Saint Clare, and the Third Order of Saint Francis. St. Francis is one of the most venerated religious figures in history.  He was canonized in 1228, and along with Saint Catherine of Siena he was designated Patron saint of Italy. He later became associated with patronage of animals and the natural environment; known for his love of the Eucharist; bearing the wounds of stigmata; the apparition of Seraphic angels during his religious ecstasy; and for the creation of the Christmas Nativity Scene.
    Scendere le scale e troverai L'ostel..ello
  • "Madonna and Christ Child above Monumental Church of San Michele Arcangelo, Anacapri"...<br />
<br />
On the third morning in Sorrento, I departed on a high speed Ferry to the island of Capri. Although promoting high-speed, it still took over an hour to arrive at the very crowded Island. Capri is located off the coast of Naples and there must be a new Ferry full of tourists arriving every 20 minutes throughout the day. Famous for its Blue Grotto, which I did not venture to this trip, Capri is a picturesque Mediterranean retreat with high cliffs and ancient Roman villas. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri. I was standing closest to the door on the right side of the bus during the assent up the mountainside. All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top. Anacapri is a historic mountaintop town with commanding views of Capri and the sea below. This 4 image panorama was taken from the tiny balcony above the diminutive Church of St Michael the Archangel in Anacapri, located on Piazza San Nicola. The church was built in 1719, with an octagonal shape and of Baroque style. The church received a "monument" designation due to its notable majolica floor mosaic of creation with Adam and Eve. One must traverse the sacred tile floor on benches around the edges to protect the imagery. This image is high above the Altar at the very top of the small church. I climbed a very creaky and tiny spiral staircase to capture this beautiful image of the Madonna and Christ child.
    Madonna e Cristo Bambino sopra Chies..apri
  • “Sweet Maria panoramic views of Lake Trasimeno”…<br />
<br />
Dolce Maria is the Bed and Breakfast I lodged in for four nights in the medieval hill town of Cortona.  One street over from the main square, the ancient historical building from 15th century is the home of the Barboni family.  There is a restaurant on the ground floor where Madre Paola is one of the famous chefs of Cortona, and her friendly husband Franco and son Gianni help run the properties.  Paola’s 80- something year old mother offered to wash my laundry and hung it to dry on the rooftop.  With only six rooms in this steep vertical villa winding about like a castle, it very much felt like a true Tuscan adventure.  Booking Dolce Maria from Roma, I asked for a room with a view; I didn’t notice a view from the 3rd story room, but Paolo instructed me to a tiny door in the corner…with a winding staircase ascending upward about 2-3 more stories to the rooftop and a private terrace view of the valley below.  On my last evening as the sun dipped in the sky and the birds wisped among the clouds, I photographed this image of Lake Trasimeno and the Tuscan countryside through an art-deco like structure on the roof.  The tiny walled town of Cortona was probably not the most fortified with large amounts of photogenic attractions within its ramparts, but professed to be the perfect central Tuscany location. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970.  If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the bellissimo Tuscan Sun.
    Dolce Maria vista panoramica sul Lag..meno
  • “Crimson Crucifixion in the Chapel of the Church of Santa Maria Assunta in Positano - Painting by Dino Carbetta”…<br />
<br />
Amidst the breathtaking landscapes of the Amalfi Coast, my journey led me to the enchanting village of Positano. The drive along the high cliffs, winding down the narrow lane from Sorrento, was nothing short of exhilarating. The sensory overload of Positano's beauty and its photogenic allure left me captivated. Navigating the village's single lane, which winds down from the top and back up to where it began, presented a unique challenge. After circling the entire village three times, I finally reached the parking garage by the hotel, positioned about 2/3rds up the facing village in the captivating image before you. The descent down the winding road and steep staircases, though strenuous in the late May sun, became a memorable part of the adventure. Upon reaching the beach and marina, any exhaustion I felt dissipated in the face of Positano's plush beauty. Despite the challenges posed by the multitude of tourists and the intense sunlight, I endeavored to capture the essence of this coastal haven. As I traversed the beach and shoreline, the late afternoon sunlight, piercing through the mountaintop, blinded me momentarily. It was during this encounter with the radiant glow that the Church of Santa Maria Assunta emerged before me. Positioned strategically in the heart of the town, with the Azzurro Mediterranean Sea as its backdrop, the church's colorful majolica tiled cupola stands as an iconic symbol of Positano. Delving into the ancient roots of this sacred place, I discovered a hidden gem within the church—a Crucifix housed in a small chapel. Dating back to 1159, this chapel was dedicated to the Blessed Virgin Mary. It is here that Santa Maria, with her blessed and watchful eye, continues to oversee Positano, welcoming all to this seaside paradise.
    Cremisi Crocifissione nella cappella..etta
  • “Excitement Abounds As Warm Summer Evening Descends Over Positano” …<br />
After a thrilling descent along the winding cliffs from Sorrento, the first glimpse of Positano stole the breath and stirred the soul. Clinging to the mountainside in cascading tiers of color and light, this legendary village appears more dream than dwelling — a vision conjured from sea mist and sun. Navigating the town’s lone serpentine road three full times, I finally discovered the hidden parking tucked near my hotel, perched high above the scene now immortalized in this photograph. The descent was a pilgrimage — narrow alleys, stone staircases, and the intense heat of late May pressed against every step. But upon reaching the beach and the marina, the weight lifted. The Mediterranean, ablaze with afternoon light, shimmered in hues of sapphire and flame. It was as though heaven itself poured its radiance into the sea. And rising amidst it all stood the Church of Santa Maria Assunta — quiet and eternal, her brilliant majolica dome shimmering like a celestial crown. Since 1159, she has watched over Positano with maternal grace, her gaze cast upon the faithful below and the infinite blue beyond. Nestled between cliff and sea, she stands as both anchor and blessing — a house of prayer and a symbol of divine beauty. Later, crossing the warm sands toward a seaside hotel terrace, I found stillness. Facing north, with the village spread before me like a living fresco, I watched as the sun retreated behind the mountains, casting golden rays across Positano’s vibrant facade. In those final moments of light, camera in hand, I captured the mystical union of nature, architecture, and the sacred — a fleeting hour when time itself stands still. Through this photograph, the soul of Positano is revealed — not just in its beauty, but in its quiet invitation to wonder, to rest, and to believe.
    Eccitazione Abbonda Come la Calda Se..tano
  • “Christus Patiens above the High Altar of the Franciscan Basilica of Santa Chiara d'Assisi”…<br />
<br />
Around sunset, the clouds shifted and the descending sun illuminated the Assisi mountaintop as a slight mist of rain mystified the landscape. The ascent was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. As I approached the last two Churches after 7:00 pm; the Basilica of Saint Clare, and the Cathedral of Saint Rufino...I noticed the security guard locking Santa Chiara’s front door. I rushed forward anxiously and begged to just look quickly inside the Vestibule. He only spoke Italian and frustrated with me, said I had one minute inside. Aiming my camera and telephoto lens directly toward the High Altar which seemed a mile away, I clicked one picture as the guard hastily gestured me outside. Ironically, I found that no pictures are allowed in this Basilica. And, on my Pilgrimage of 2019, was frustrated during my tour of the historic and reverent church, still, no pictures were allowed. I always try to respect the rules and venerate every location, however, I did take two very surreptitious images in the Oratorio del Crocifisso (Oratory of the Crucifix), a peaceful chapel that preserves the venerable 12th-century crucifix that spoke to St. Francis at San Damiano. This abrupt photo of the painted crucifix still hangs above the high altar of Santa Chiara and was probably the first painting that was commissioned for the new church. The image was conceived shortly before Saint Clare’s death in 1260 and is attributed to the Maestro di Santa Chiara. The iconography of Christus Patiens (the dying Christ on the Cross) was widely used in early Franciscan churches. In this example, the Virgin and St John the Evangelist flank the Cross, with another figure of the Virgin (praying and flanked by angels) and Christ Pantocrator above.
    Christus Patiens sopra l'Altare Magg..sisi
  • “Rising above the Basilica Piazza San Francesco – Assisi - BW”…<br />
<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore, was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance.
    L'aumento di sopra della piazza di B..- BW
  • "The guiding light of Santa Maria Maggiore and the New Church of Assisi"...<br />
<br />
(Psalms: 65:9) “Distant peoples stand in awe of your marvels; the places of morning and evening you make resound with joy.” Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted, and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the reward was always greater than the physical agony endured. This image was captured as I followed the radiant winding road illuminated by the evening glimmer of the descending sun.
    La luce guida tra Santa Maria Maggio..sisi
  • "The light of the evening sun illuminates the flowers and the church of Santa Maria Assunta in Positano"...<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal.  After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image.  The climb down the winding road and steep staircases made for quite a workout in the hot late May sun.  Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions.  As I made my way along the beach and shoreline, rays from the late afternoon sunlight coming over the mountain top blinded me as they illuminated the famous church.  The hazy ambience was perfectly accentuating a glowing cross and the Majorca cupula of Santa Maria Assunta.
    La luce del sole di sera illumina i ..tano
  • “Mystical Rays of the Evening Sun Shine Above Positano”…<br />
<br />
After a thrilling descent along the winding cliffs from Sorrento, the first glimpse of Positano stole the breath and stirred the soul. Clinging to the mountainside in cascading tiers of color and light, this legendary village appears more dream than dwelling — a vision conjured from sea mist and sun. Navigating the town’s lone serpentine road three full times, I finally discovered the hidden parking tucked near my hotel, perched high above the scene now immortalized in this photograph. The descent was a pilgrimage — narrow alleys, stone staircases, and the intense heat of late May pressed against every step. But upon reaching the beach and the marina, the weight lifted. The Mediterranean, ablaze with afternoon light, shimmered in hues of sapphire and flame. It was as though heaven itself poured its radiance into the sea. And rising amidst it all stood the Church of Santa Maria Assunta — quiet and eternal, her brilliant majolica dome shimmering like a celestial crown. Since 1159, she has watched over Positano with maternal grace, her gaze cast upon the faithful below and the infinite blue beyond. Nestled between cliff and sea, she stands as both anchor and blessing — a house of prayer and a symbol of divine beauty. Later, crossing the warm sands toward a seaside hotel terrace, I found stillness. Facing north, with the village spread before me like a living fresco, I watched as the sun retreated behind the mountains, casting golden rays across Positano’s vibrant facade. In those final moments of light, camera in hand, I captured the mystical union of nature, architecture, and the sacred — a fleeting hour when time itself stands still. Through this photograph, the soul of Positano is revealed — not just in its beauty, but in its quiet invitation to wonder, to rest, and to believe.
    Raggi Mistico della Sera Sole Splend..tano
  • "Blessed Mother Mary inside the Cathedral of San Rufino in Assisi - Painting by Dino Carbetta"...<br />
<br />
Luke 1:46-48 And Mary said: “My soul proclaims the greatness of the Lord; my spirit rejoices in God my savior. For he has looked upon his handmaid’s lowliness; behold, from now on will all ages call me blessed." Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. Rising slowly up the Assisi hillside after a slow ascent to the highest peak, around the final corner awaited the Romanesque Duomo of Saint Rufino completed in the 12th century. In this church, Saint Francis of Assisi, Saint Clare, and many of their original disciples were baptized among the many spiritual and historical missions of the Duomo.
    Beata Madre Maria all'interno della ..etta
  • “Leaves Frame Positano in the Late Afternoon Sun.”…<br />
<br />
From the northern heights of Positano, where silence lingers just above the bustle, this photograph captures a moment bathed in serenity and sun. After a daring drive from Sorrento, clinging to the cliffs of the Amalfi Coast, I descended into a world suspended between sea and sky. Positano revealed itself like a vision — a cascade of color tumbling from the mountains into the waiting arms of the Mediterranean. The village, with its sole winding road, required three full circuits before I discovered the tucked-away garage near my hotel, nestled about two-thirds up the vibrant hillside seen here. The journey downward was steep and sun-drenched, a physical trial through narrow walkways and staircases. Yet at the marina’s edge, fatigue gave way to wonder. The late May sun shimmered upon the sea, scattering silver and sapphire into the air. It was a brightness that blinded — and yet, clarified. Framed by overhanging leaves, the scene unfolds like a natural cathedral. The radiant blue sky above and the sea below embrace Positano in a divine spectrum of color and light. Rising at the heart of it all, the Church of Santa Maria Assunta glows in reverent stillness. Her golden majolica dome, a crown of devotion, reflects the light of centuries. Dedicated in 1159 to the Blessed Virgin Mary, she has stood ever since — a sacred sentinel nestled among cascading homes and flowering terraces, her presence both humble and holy. This photograph, taken in the golden hush of afternoon, captures more than beauty. It is an invitation to pause. To peer through the leaves. To behold a place where heaven kisses earth and where every stone, every color, every beam of light sings of the eternal.
    Foglie Incorniciano Positano nel Sol..ggio
  • "The Evening Sun Breaks Through the Clouds Above Positano"... <br />
<br />
After a thrilling descent along the winding cliffs from Sorrento, the first glimpse of Positano stole the breath and stirred the soul. Clinging to the mountainside in cascading tiers of color and light, this legendary village appears more dream than dwelling — a vision conjured from sea mist and sun. Navigating the town’s lone serpentine road three full times, I finally discovered the hidden parking tucked near my hotel, perched high above the scene now immortalized in this photograph. The descent was a pilgrimage — narrow alleys, stone staircases, and the intense heat of late May pressed against every step. But upon reaching the beach and the marina, the weight lifted. The Mediterranean, ablaze with afternoon light, shimmered in hues of sapphire and flame. It was as though heaven itself poured its radiance into the sea. And rising amidst it all stood the Church of Santa Maria Assunta — quiet and eternal, her brilliant majolica dome shimmering like a celestial crown. Since 1159, she has watched over Positano with maternal grace, her gaze cast upon the faithful below and the infinite blue beyond. Nestled between cliff and sea, she stands as both anchor and blessing — a house of prayer and a symbol of divine beauty. Later, crossing the warm sands toward a seaside hotel terrace, I found stillness. Facing north, with the village spread before me like a living fresco, I watched as the sun retreated behind the mountains, casting golden rays across Positano’s vibrant facade. In those final moments of light, camera in hand, I captured the mystical union of nature, architecture, and the sacred — a fleeting hour when time itself stands still. Through this photograph, the soul of Positano is revealed — not just in its beauty, but in its quiet invitation to wonder, to rest, and to believe.
    Il Sole Della Sera Attraversa le Nuv..tano
  • “Blessed Madonna inside the Cathedral of San Rufino in Assisi - Painting by Dino Carbetta”…<br />
<br />
Luke 1:46-48 And Mary said: “My soul proclaims the greatness of the Lord; my spirit rejoices in God my savior. For he has looked upon his handmaid’s lowliness; behold, from now on will all ages call me blessed." Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain was highlighted by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. Rising slowly up the Assisi hillside after a slow ascent to the highest peak, around the final corner awaited the Romanesque Duomo of Saint Rufino completed in the 12th century. In this church, Saint Francis of Assisi, Saint Clare, and many of their original disciples were baptized among the many spiritual and historical missions of the Duomo. “O Mary, you shine continuously on our journey as a sign of salvation and hope. We entrust ourselves to you, Health of the Sick. At the foot of the Cross, you participated in Jesus’ pain, with steadfast faith. You, Salvation of the Faithful Peoples, know what we need. We are certain that you will provide, so that, as you did at Cana of Galilee, joy and feasting might return after this moment of trial. Help us, Mother of Divine Love, to conform ourselves to the Father’s will and to do what Jesus tells us: He who took our sufferings upon Himself, and bore our sorrows to bring us, through the Cross, to the joy of the Resurrection. Amen. We seek refuge under your protection, O Holy Mother of God. Do not despise our pleas – we who are put to the test – and deliver us from every danger, O glorious and blessed Virgin.” Pope Francis.
    Beata Madonna all'interno della Catt..etta
  • "Crucifixion in the Church of Santa Maria Assunta chapel in Positano"... <br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions. As I made my way along the beach and shoreline, rays from the late afternoon sunlight coming over the mountain top blinded me as they illuminated the famous church. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious and architectural landscape. Strategically located in the center of town with the backdrop of the azzurro Mediterranean Sea, the church’s colorful majolica tiled cupola is one of the town’s iconic symbols. I found this Crucifix inside a small chapel of the ancient church which was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this beautiful seaside village.
    Crocifissione nella cappella di Chie..tano
  • “Rising above the Basilica Piazza San Francesco – Assisi”…<br />
<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore, was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance.
    L'aumento di sopra della piazza di B..sisi
  • “Narrow passage to the Cathedral of Positano”…<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal.  After circling around the entire village and cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began…I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image.  I began my descent from Hotel Montemare, which also has a great family restaurant on a large terrace overlooking the bay.  The climb down the winding road and steep staircases made for quite a workout in the hot late May sun.  The alleyways seemed to slip downward between every building and many maintained unique views of the sea, Duomo, town, or mountains of Positano.
    Stretto passaggio al Duomo di Positano
  • “Overview of the Church of Santa Maria Assunta in Positano”…<br />
<br />
This image is a combination of three horizontal images to create a panoramic view centered on the main focal point of Positano…the Church of Santa Maria Assunta.  After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal.  After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image.  The climb down the winding road and steep staircases made for quite a workout in the hot late May sun.  Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions.  As I made my way along the beach and shoreline, rays from the late afternoon sunlight coming over the mountain top blinded me as they illuminated the famous church. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious and architectural landscape. Strategically located in the center of town with the backdrop of the azzurro Mediterranean Sea, the church’s colorful majolica tiled cupola is one of the town’s iconic symbols. The ancient church was dedicated to the Blessed Virgin Mary in 1159.  Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this beautiful seaside village.
    Panoramica di Chiesa di Santa Maria ..tano
  • "Looking up to the Crucified Christ in the Cathedral of San Rufino in Assisi"...<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore, was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. Rising slowly up the Assisi hillside after a slow ascent to the highest peak, around the final corner awaited the Romanesque Duomo of Saint Rufino completed in the 12th century. In this church, Saint Francis of Assisi, Saint Clare, and many of their original disciples were baptized among the many spiritual and historical missions of the Duomo.  Peering upward from the perspective of the Christian witnesses to the crucifixion, one cannot imagine His passion and pain. Yet, with great scrutiny… His pain more internal, and His vision external for all to see.
    Guardando verso l'alto a Crocifisso ..sisi
  • “Flowers and laundry - the charm of Positano”…<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal.  After circling around the entire village and cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began…I finally found the parking garage by the hotel. I began my descent from Hotel Montemare, which also has a great family restaurant on a large terrace overlooking the bay.  The climb down the winding road and steep staircases made for quite a workout in the hot late May sun.  The alleyways seemed to slip downward between every building and many maintained unique views of the sea, Duomo, town, or mountains of Positano. Descending the endless steps, I caught a glimpse of the afternoon sun reflecting in the doors of a second story balcony with dozens of white linens hanging to dry.  Framing the balcony just above the coral colored awning … vibrant red flowers accented the contrast of the pastel domestic scene that is Italy at its finest.   Viva Italia!
    Fiori e lavanderia - il fascino di P..tano
  • “Passage to the bay of Positano”…<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal.  After circling around the entire village and cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began…I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image.  I began my descent from Hotel Montemare, which also has a great family restaurant on a large terrace overlooking the bay.  The climb down the winding road and steep staircases made for quite a workout in the hot late May sun.  The alleyways seemed to slip downward between every building and many maintained unique views of the sea, Duomo, town, or mountains of Positano.
    Passaggio alla baia di Positano
  • "Blessed Mother Mary in the Cathedral of San Rufino of Assisi"...<br />
<br />
Luke 1:46-48 And Mary said: “My soul proclaims the greatness of the Lord; my spirit rejoices in God my savior. For he has looked upon his handmaid’s lowliness; behold, from now on will all ages call me blessed." Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. Rising slowly up the Assisi hillside after a slow ascent to the highest peak, around the final corner awaited the Romanesque Duomo of Saint Rufino completed in the 12th century. In this church, Saint Francis of Assisi, Saint Clare, and many of their original disciples were baptized among the many spiritual and historical missions of the Duomo.
    Beata Madre Maria all'interno della ..sisi
  • "Blessed Madonna inside the Cathedral of San Rufino di Assisi"...<br />
<br />
Luke 1:46-48 And Mary said: “My soul proclaims the greatness of the Lord; my spirit rejoices in God my savior. For he has looked upon his handmaid’s lowliness; behold, from now on will all ages call me blessed." Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the Fortress was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. Rising slowly up the Assisi hillside after a slow ascent to the highest peak, around the final corner awaited the Romanesque Duomo of Saint Rufino completed in the 12th century. In this church, Saint Francis of Assisi, Saint Clare, and many of their original disciples were baptized among the many spiritual and historical missions of the Duomo. “O Mary, you shine continuously on our journey as a sign of salvation and hope. We entrust ourselves to you, Health of the Sick. At the foot of the Cross, you participated in Jesus’ pain, with steadfast faith. You, Salvation of the Faithful Peoples, know what we need. We are certain that you will provide, so that, as you did at Cana of Galilee, joy and feasting might return after this moment of trial. Help us, Mother of Divine Love, to conform ourselves to the Father’s will and to do what Jesus tells us: He who took our sufferings upon Himself, and bore our sorrows to bring us, through the Cross, to the joy of the Resurrection. Amen. We seek refuge under your protection, O Holy Mother of God. Do not despise our pleas – we who are put to the test – and deliver us from every danger, O glorious and blessed Virgin.” Pope Francis
    Beata Madonna all'interno della Catt..sisi
  • "Colorful overview of Santa Maria Assunta in Positano"...<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions. As I made my way along the beach and shoreline, rays from the late afternoon sunlight coming over the mountain top blinded me as they illuminated the famous church. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious and architectural landscape. Strategically located in the center of town with the backdrop of the azzurro Mediterranean Sea, the church’s colorful majolica tiled cupola is one of the town’s iconic symbols. The ancient church was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this beautiful seaside village.
    Panoramica colorata di Santa Maria A..tano
  • “Haze of light in the late afternoon descends on the church of Santa Maria Assunta in Positano”…<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal.  After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image.  The climb down the winding road and steep staircases made for quite a workout in the hot late May sun.  Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions.  As I made my way along the beach and shoreline, rays from the late afternoon sunlight coming over the mountain top blinded me as they illuminated the famous church.  The hazy ambience was perfectly accentuating a glowing cross and the Majorca cupula of Santa Maria Assunta.
    Caligine di luce nel tardo pomeriggi..tano
  • Madonna of Victory and the Rosary - Painting by Dino Carbetta<br />
<br />
 Honors the Feast of Our Lady of the Rosary celebrated on October 7. Originally designated as "Our Lady of Victory" by Pope Pius V, this feast commemorates the decisive Battle of Lepanto in 1571 amidst the looming specter of the imminent danger posed by the formidable Ottoman fleet, Pope Pius V implored Europe to unite in prayer, leading a solemn rosary procession in Rome. The painting captures this pivotal moment, depicting the devout supplication of the faithful and the divine intervention that ensued. The Battle of Lepanto marked a turning point in history as the Holy League miraculously vanquished the Ottoman armada, liberating thousands of captive Christians. Pius V attributed this triumph to the intercession of the Mother of God, bestowing upon the world the enduring legacy of the Feast of Our Lady of the Rosary. The significance of Mary's intercession resurfaced during the Battle of Vienna in 1683, where Blessed Marco d’Aviano rallied the besieged Christian forces, urging them to seek solace and strength through the rosary. Under the divine protection of the Blessed Virgin Mary, the Polish relief army secured a resounding victory, thwarting the Ottoman threat to Christendom once again. This artwork serves as a poignant reminder of Mary's unwavering guidance and the transformative power of prayer throughout history. The Queen of Heaven continues to lead the faithful in their spiritual battles, offering solace and hope to all who seek her intercession. In our contemporary age, beset by myriad challenges, Mary beckons us to emulate the faith and resilience of our ancestors, trusting in the enduring promise of redemption and salvation. Through the timeless message conveyed by "Madonna of Victory and the Rosary," viewers are inspired to embrace the fighting faith of Christianity, fortified by the unwavering support of Our Lady, who intercedes on behalf of humanity with boundless love and compassion.
    Madonna della Vittoria e del Rosario..etta
  • “Ascension of the Lord - Painting by Dino Carbetta”…<br />
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Luke 24:46-53 narrates "The Ascension of the Lord." Jesus reveals his resurrection to his disciples after three days of suffering and stresses the significance of spreading the message of repentance and forgiveness of sins in his name to all nations, starting from Jerusalem. He reminds his followers that they are witnesses to these events and assures them that he will send his Father's promise upon them. However, he instructs them to stay in the city until they receive power from above. After blessing them, Jesus ascends to heaven. The disciples enthusiastically return to Jerusalem, continuously praising God in the temple. The Ascension signifies that although Jesus may not be present in a specific location, he is always among us. We have an Advocate who defends and guides us through life and a community that lives out their faith with us in our daily lives. Together, we reveal the lordship of God's love to the world through the Risen Jesus Christ, who ascended to heaven and advocates for us. "And when I am lifted from the earth, I will draw all people to myself." The lifting up of Jesus on the cross signifies and announces his ascent into heaven, which begins it. Jesus Christ, the only priest of the new and everlasting Covenant, "entered not into a sanctuary made by human hands... but into heaven itself, now to appear in the presence of God on our behalf." He is the center and principal actor of the liturgy that honors the Father in heaven. Christ is seated at the right hand of the Father, signifying the inauguration of his kingdom and the fulfillment of the prophet Daniel's vision regarding the Son of man. "To him was given dominion and glory and kingdom, that all peoples, nations, and languages should serve him; his dominion is an everlasting dominion, which shall not pass away, and his kingdom one that shall not be destroyed." The apostles became witnesses to the "kingdom will have no end."
    Ascensione del Signore – Dipinto di ..etta
  • “Beacon of Hope – Painting by Dino Carbetta” …<br />
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Hope is faith acting and trusting in the promises of God. “Hope” moves us to abide in the word of God, and hope gives meaning to our trials. Hope destines us to live with Christ and it gives us the ability to continue on the path of apostles in freedom and trust. We experience difficulties at different points in our lives. But no circumstance, no pain, and no suffering can ever negate the hope we have in Christ, and God’s promises in Scripture. Both the Old and New Testaments are filled with hundreds of passages on hope. From these passages, we see how important it is to live out our Christian lives as disciples in hope. <br />
(2 Corinthians 4:16-18) "So we do not lose heart. Though our outer nature is wasting away, our inner nature is being renewed every day. For this slight momentary affliction is preparing for us an eternal weight of glory beyond all comparison, because we look not to the things that are seen but to the things that are unseen; for the things that are seen are transient, but the things that are unseen are eternal."<br />
(Philippians 4:4-7) "Rejoice in the Lord always; again I will say, Rejoice. Let all men know your forbearance. The Lord is at hand. Have no anxiety about anything, but in everything by prayer and supplication with thanksgiving let your requests be made known to God. And the peace of God, which passes all understanding, will keep your hearts and your minds in Christ Jesus."<br />
(1 Peter 1:3-5)  “Blessed be the God and Father of our Lord Jesus Christ, who in his great mercy gave us a new birth to a living hope through the resurrection of Jesus Christ from the dead, to an inheritance that is imperishable, undefiled, and unfading, kept in heaven for you who by the power of God are safeguarded through faith, to a salvation that is ready to be revealed in the final time.”
    Faro Della Speranza - Dipinto di Din..etta
  • “Assisi front door with a lot of Character”…<br />
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Italy is famous for its display of fresh and beautiful flowers and foliage outside the windows and doors throughout the countryside, and Assisi was no different except for the perfection of their presentation. I am sure the Chamber of Commerce in Assisi is quite busy maintaining the continuity and beauty of Assisi, but perhaps there is no need as the residents all seem perfectly happy to respect and display all its beauty. The streets, walkways, and general environment were the most immaculate of any town I witnessed in Italy and the most religious of any place on my journey. The town became a mystic and peaceful shrine in the early darkness of night after all the tourists departed, and all the prayers offered that day reflected and echoed off the ancient walls. Even the vending machines contained Rosaries, and its residents strolled about dressed in their religious attire with permanent smiles upon their faces. I am sure there are many remarkable religious destinations in the world but this photographer’s opinion…Assisi has no spiritual equal on this earth.
    Assisi porta di casa con un molto di..tere
  • La Beata Vergine Maria - Dipinto di Dino Carbetta - Rosa <br />
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“The Blessed Virgin Mary - Painting by Dino Carbetta - Rose”… Upon completion of a new and original painting of the teenage Virgin Mary, I sit and stare into her eyes trying to imagine the complexity of the overwhelming magnitude of the future Mother of Christ. Her sincere and loving gaze, illuminating with the glow of the Holy Spirit within her very soul emanates outwardly representing all Mothers. I envision my wonderful Mother as I struggled to bring this two-dimensional representation to life. Again, my humble skills, yet meticulous manner combined to exhaust one complete month of trial and error. Irrevocably, a courageous young teenage Jewish girl is blessed beyond comprehension… <br />
“The Virgin Mother is constantly present on this journey of faith of the People of God towards the light. This is shown especially by the canticle of the "Magnificat," which, having welled up from the depths of Mary's faith at the Visitation, ceaselessly re-echoes in the heart of the Church down the centuries. This is proved by its daily recitation in the liturgy of Vespers and at many other moments of both personal and communal devotion.” (Saint John Paul II) <br />
"My soul magnifies the Lord, <br />
and my spirit rejoices in God my Savior, <br />
for he has looked on his servant in her lowliness. <br />
For behold, henceforth all generations <br />
will call me blessed; <br />
for he who is mighty has done great things for me,<br />
and holy is his name: <br />
and his mercy is from age to age <br />
on those who fear him. <br />
He has shown strength with his arm,<br />
he has scattered the proud-hearted,<br />
he has cast down the mighty from their thrones, <br />
and lifted up the lowly; <br />
he has filled the hungry with good things, <br />
sent the rich away empty. <br />
He has helped his servant Israel, <br />
remembering his mercy, <br />
as he spoke to our fathers, <br />
to Abraham and to his posterity forever." (Lk.1:46-55)
    La Beata Vergine Maria - Dipinto di ..Rosa
  • “Panoramic view from the Bar Giardino San Lorenzo of the Cathedral of San Rufino of Assisi”… <br />
<br />
Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous and a more pleasant excursion. After morning Mass at Chiesa Nuova, and then to Portiuncula. The town has grown up around the Basilica of Our Lady of the Angels. Our Pilgrims took a break for lunch while fellow Pilgrim, Patrick and I headed for the mountain top of Assisi for panoramic views of the town below. The breathless spectacle peering down one side of the fortress is St. Francis Basilica, and the unparagoned ancient architecture on the opposite side and only way up and down, are Bellissimo landscapes of San Rufino and the Basilica di Santa Chiara. Shortly upon our descent, we found a spectacular hidden respite through the wall named: “Bar Giardino San Lorenzo,” where we stopped for lunch. This charming oasis on top of Assisi, was analogous to a floral garden paradise, with astounding views of the valley below and as far away as Siena. Perfect areas abound with shaded tables and chairs and a hut for the main area of the tiny restaurant. The Italiani husband and wife smile graciously as they served up a lunch menu and drinks for the astounded patrons. It appeared to us Pilgrims that we stumbled on the most perfect plot of land in all of Assisi, and found ourselves blessed to sit and relax for moments as we could not help aiming our cameras at God’s pleasant surroundings. After dozens of images exhausted, and nourishment for our hunger and thirst, a sad goodbye was extended to our hosts and a touch of paradise. To date, I have only had the opportunity to visit Assisi twice in my lifetime, but I could not imagine a more perfect spiritual, aesthetically beautiful, and peaceful location in the world. We were off to our next incredible adjacency, the Cathedral of San Rufino.
    Vista panoramica della Cattedrale di..enzo
  • "Dusk falls over the harbor of Riomaggiore"... <br />
<br />
I began my daily journey at the northern most town of Monterosso and took the train to the southernmost town of Riomaggiore. Upon arriving in this picturesque seaside village and moving down to the water’s edge, I noticed proprietor Francesco in front of a tiny boat rental sign. After arranging an evening sail up the coast, I was able to focus on the colorful persona of Riomaggiore. That evening I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. Upon arriving back home in Monterosso, soft light illuminated the sky and azure sea of the Mediterranean convincing me to sail all the way back to Riomaggiore with my gracious guides Claudio and Eddie of "Cinque Terre dal Mare" sailing excursions. We arrived just in time for a perfect sunset and a perfect evening for creating bellissimo new images. After a nice dinner...I caught the last train at midnight back home to Monterosso. A very long day, but worth every minute!
    Crepuscolo cade sul porto di Riomaggiore
  • “Angels Guard the Main Altar of the Sistine Chapel - Basilica of Santa Maria Maggiore Rome”…<br />
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After Mass in the Crucifix Chapel on the second morning of the inaugural Pilgrimage I organized, we were joined by our Roman tour guide for the day. As we listened and ventured around the glorious Basilica, my eyes and camera began to wander. I became stupefied by the grand chapel to the right of the main altar with the rising sun peering through the window just below the cupola. I discreetly wandered in and out in hopes it would shine upon the Holy Crib. The right transept is called the Sistine Chapel, containing the elaborate tomb of Pope Sixtus V (1521-90) and decorated with frescoes and reliefs of events from his reign. The chapel centers on a reliquary containing part of the Holy Crib, and the burial place of Saint Jerome, the 4th-century Doctor of the Church. The architect Domenico Fontana designed the chapel, which also contains the tomb of Pope Pius V. The main altar in the chapel has four gilded bronze angels by Sebastiano Torregiani, holding up the ciborium, which is a model of the chapel itself. The Patriarchal Basilica of St. Mary Major reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God.
    Angeli Custodiscono L'altare Princip..Roma
  • “Illuminated crucifix in Cathedral of Saints Philip and James – Sorrento”… <br />
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The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ.  This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Illuminato crocifisso in Cattedrale ..ento
  • "High altar panorama of the Basilica of Santa Maria del Fiore Florence"...<br />
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Santa Maria del Fiore (also known simply as the Duomo) is the cathedral of Florence known for its distinctive Renaissance dome. Its name ("Saint Mary of the Flower") refers to the lily, the symbol of Florence. The impressive Gothic cathedral complex includes the Duomo, the famous baptistery and a campanile. Built in 1294 to be the largest Roman Catholic Church in the world, it is still the largest masonry dome in the world. Walking down the strada, and turning the corner to view the massive Duomo painted against the sky was captivating. I stopped in my tracks and began taking photos; however, the huge Florence crowds prevented most images from ground level. This was one of the first images I photographed noticing the ancient architecture of the Duomo competing across the narrow strada with the more modern buildings of Firenze.
    Altare maggiore panorama della Basil..enze
  • “Sunrise breaking through the clouds over peaceful Positano”…<br />
<br />
There was only one occasion that I was really able to pre-plan taking photos at sunrise and that was during the last day of three in Positano.  It takes much planning, logistics, and familiarity to figure the best locations and the proper angles and positions of the sun.  My third morning was ideal and fortuitous as it began raining about 10:00 am which gave me perfect clouds for sunrise, finally ending with a very cold wind just in time for sunset.  This image is one of the rare photos of a slumbering Positano in the dewing morning around 6:09 am at the end of May….the beginning of peak tourist season.  By 8:00 am, this tiny seaside village is bustling with tourists and shop owners, and restaurateurs trying to satisfy every need.  All in all, Positano was by far the plushest of all the locations I visited in Italy, and I was blessed to witness everything in full bloom.
    Alba rottura attraverso le nuvole so..tano
  • "Crucified Christ - Monumental Church of San Michele Arcangelo, Anacapri"...<br />
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Located in the Piazza of Anacapri, the mountaintop above the island of Capri. It dates to 1595 when it replaced Chiesa di Santa Maria as the parish church.  One can view the ancient church contrasting with the more modern white façade. The sacristy and oratorio, were originally in the Chiesa di San Carlo. Architectural features include two bell towers and a baroque facade. The church was enlarged with two chapels and the nave was extended towards the square. The plan of the church is in the form of a Latin cross with a single nave, lateral chapels and a dome above the intersection of the nave and the transept. The belfry can be seen to the left of the facade with two clocks and three bells dedicated to Santa Sofia, Santa Maroa and Santa Elia. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri. I was standing closest to the door on the right side of the bus during the assent up the mountainside. All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top. Anacapri is a historic mountaintop town with commanding views of Capri and the sea below, as well as a concentration of Mediterranean colors, scents, and sounds. Town life here has remained authentic despite the island's tourism: tucked between the houses there are tiny, humble vegetable gardens surrounded by lush tropical plants. A walk around the center of Anacapri will take you past tiny Neapolitan tailor shops, artisan shoemakers, and Enoteca       ...all with the scent of the town's lemon groves that permeates the air. How the ancients managed to arrive at this secluded island and traverse their way to settlements atop is mind boggling.  However, contemplating the mysteries of civilization, one gets lost in the plush ambience. The pleasant aroma and commanding sea view demand that you stay for just a little while longer!
    Cristo Crocifisso - Chiesa Monumenta..apri
  • "The Cathedral of Orvieto seeks paradise above the roofs tops"...<br />
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Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a big chunk of volcanic stone called tufa, and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this cliff top village over 2000 years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliff side views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. The 14th Century Duomo was constructed to provide a home for the “Corporal of Bolsena”, a miracle which occurred in 1263 in the nearby town of Bolsena. A traveling priest who had doubts about the truth of transubstantiation found that his Host was bleeding so much that it stained the altar cloth. The cloth is now stored in the “Chapel of the Corporal” inside the cathedral.  It’s amazing to turn the corner only to view, stop, and stare as the majestic Cathedral slowly rises to touch the heavens above.
    Il Duomo di Orvieto cerca il paradis..cime
  • “Papà’s Embrace - A Painting by Dino Carbetta” ...<br />
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In this intimate and profoundly moving portrait, Pope Francis is depicted embracing a young child, a moment of pure tenderness and compassion. The close-up composition captures the deep emotions reflected in their faces—the gentle warmth of a shepherd and the innocent trust of a child. As Papà Francesco, he is more than just the leader of the Church; he is a father to the faithful, especially to the poor, the marginalized, and the forgotten. His papacy has been defined by an unyielding commitment to those in need, reaching beyond borders, divisions, and prejudices to offer the healing embrace of Christ. His paternal care reflects God's boundless love, recognizing only the human soul in need of grace, regardless of status or wealth. Yet, this calling has not been without suffering. Like a shepherd in turbulent waters, Pope Francis has faced relentless challenges from an indifferent world and from within his flock. The Church, a vessel of salvation, is also a place of great human struggle, where pride, rigidity, and division sometimes overshadow the very message of Christ. Some believe they hold the fullness of truth, are unwilling to listen, quick to judge, and slow to love. And yet, through it all, Papà Francesco presses forward, undeterred in his mission, carrying the burdens of leadership with the heart of a servant. All he has ever sought is to bring the world closer to Christ. To remind the faithful that mercy triumphs over judgment, that love conquers discord, and that true wisdom is found not in self-righteous certainty, but in humble service. Papà’s Embrace is not just a moment of tenderness—it is a testament to a shepherd’s endurance, a father’s unwavering love, and a disciple’s relentless pursuit of the Gospel. In this embrace, we see the heart of a man who has given everything to guide souls home. May we, too, find the humility to embrace one another, as Christ embraces us all.
    Papà’s Embrace - A Painting by Dino ..etta
  • “Angel with the Cross on Ponte Sant'Angelo Rome - Photo by Dino Carbetta”<br />
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Captured just after sundown, this image reveals a tranquil scene as the sky deepens into a majestic blue, highlighting the golden light on the angelic figures that line the bridge. The Ponte Sant'Angelo (Bridge of Angels) spans the Tiber River, only a short walk from St. Peter’s Basilica. For centuries, it has symbolized the transition from the busy streets of Rome to the sacred space of Vatican City, offering a contemplative pause for pilgrims crossing into the spiritual heart of the city. The bridge’s ten angel sculptures were designed by Gian Lorenzo Bernini, though few were carved by his own hand. His vision, however, lives on in these figures, which stand as silent sentinels, each holding symbols of Christ’s Passion. The bridge is anchored by statues of Saints Peter and Paul, marking the gateway to the spiritual realm. With their imposing presence, they frame the passageway, guiding travelers to reflect on their journey of faith. One of the most striking figures is the "Angel with the Cross." Its serene expression and reverent pose underscore the deep symbolism of the cross it holds. Beneath the statue, a Latin inscription from Isaiah 9:6 reads, "Cuius principatus super humerum eius" — "Dominion rests on his shoulders." This prophetic message of Christ’s kingship resonates deeply with the scene, reminding all who pass of the weight of Christ's authority and sacrifice. In Dino Carbetta's photograph, the interplay of light and shadow creates a sense of the eternal. The angel seems illuminated from within, standing out against the fading Roman sky. Through his lens, Carbetta captures more than just a moment—he preserves the spiritual legacy of the bridge, inviting viewers to reflect on the enduring message of faith, sacrifice, and redemption that permeates this historic path. The image speaks to the timeless intersection of art, faith, and history in one of Rome's most iconic locations.
    Angelo con la Croce sul Ponte Sant'A..etta
  • "The First Light of Dawn - Fishing Along the Ligurian Coast - A Painting by Dino Carbetta" ...<br />
<br />
Step into the timeless beauty of the Italian Riviera, where nature, history, and faith converge in a stunning reflection of Italy's coastal charm. This painting transports viewers to a serene moment at dawn, capturing a young Italian boy fishing with his dog on the Ligurian coast as the first light of the day bathes the scene in a warm, golden glow. In the background, an ancient church stands as a steadfast sentinel, its weathered stones embodying the resilience and faith of the Ligurian people, who have lived in harmony with the sea for centuries. With its stone façade and bell tower, the church symbolizes continuity, enduring through time and the Mediterranean's waves. As the soft morning light washes over it, every detail of the church’s architecture is illuminated, bringing forth a sense of reverence and peace. The surrounding landscape, lush with rolling hills and framed by the sparkling sea, enhances the scene’s tranquil beauty, inviting viewers into a world where nature and faith are inseparably woven together. As dawn breaks, the painting beautifully encapsulates the stunning allure of the Ligurian coast while also conveying its profound spiritual essence. The calm waters and radiant sky, the ancient church and the boy's quiet fishing all evoke a sense of stillness and reflection, inviting viewers to pause and absorb the deeper meaning behind the scene. The Italian Riviera, a blend of past and present, is more than a destination; it's a pilgrimage and a testament to the enduring bond between humanity, nature, and faith. This work offers a glimpse into the soul of the Ligurian coast, where history whispers through the hills, and the divine presence is felt in every ray of the rising sun. Here, the essence of life unfolds in simple yet profound moments, reminding us of the beauty found in everyday rituals and the sacred connections that define our existence.
    Le Prime Luci Dell'Alba - Pesca Lung..etta
  • “Saint Charbel: Patron of Corporal and Spiritual Suffering - Painting by Dino Carbetta” ...<br />
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Saint Charbel Makhlouf, born in Lebanon in 1828, is venerated as the Patron Saint of those who face both physical and spiritual afflictions. His life was a profound expression of monastic dedication, characterized by rigorous prayer, fasting, and solitude. This commitment reflects his deep spiritual resilience and unwavering devotion to God’s will. The depiction of Saint Charbel captures more than his physical likeness; it encapsulates his profound spiritual essence. His serene gaze and tranquil demeanor symbolize an intimate communion with the Divine, representing a state of inner peace and unshakable faith The deep spiritual depth and serenity of Saint Charbel reflect his ongoing intercession and influence on many today. Saint Charbel’s life was marked by numerous miracles that continued well after his death. During his lifetime, he was known for his miraculous healings, often attributed to his fervent prayers and deep faith. After his passing in 1898, his tomb became a site of extraordinary miracles. Pilgrims from around the world have reported miraculous healings and profound spiritual experiences at his shrine. These miracles include the healing of terminal illnesses, resolution of chronic conditions, and transformative spiritual experiences, reinforcing his reputation as a powerful intercessor and a beacon of divine grace. The image of Saint Charbel visually testifies to his miracles and serves as a conduit for his grace and healing, inviting viewers to reflect on his life and intercession. Turning to Saint Charbel’s life offers solace and rejuvenation during times of suffering.. This depiction not only highlights his role as a miracle worker but also as a symbol of hope, guiding viewers toward spiritual and emotional rejuvenation through the sacred harmony and divine grace that defined his life.
    San Charbel Patrono della Sofferenza..etta
  • “Saint Bonaventure the “Seraphic Doctor”- Painting by Dino Carbetta” ...<br />
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Though not widely known today, was a pivotal figure in the medieval Church and the Franciscan Order. Renowned for his academic prowess at the University of Paris, he endeared himself to his students through his deep Franciscan devotion to Jesus and the Church, earning the title "Seraphic Doctor." Born as John in Bagnoregio in 1221, he adopted Bonaventure upon joining the Franciscans at 22. "Saint Francis believed to have healed Bonaventure from a severe childhood illness." Saint Bonaventure's academic career halted when he was elected General Minister of the Friars. His 17-year tenure was challenging, marked by internal disputes over the interpretation of poverty. Despite these trials, Bonaventure's prayerful nature and administrative acumen enabled him to guide the Order through effective legislation. He fostered an organized spirituality grounded in Saint Francis's vision, blending practical life with doctrinal faith, thus infusing his teachings with a distinctive warmth. Towards the end of his service as General Minister, Pope Gregory X appointed Bonaventure as a Cardinal and the bishop of Albano. However, during the Second Council of Lyon in 1274, he passed away unexpectedly, with some speculating he was poisoned. Despite his sudden death, Saint Bonaventure left a revitalized Franciscan Order and a legacy of writings centered on his profound love for Jesus. Bonaventure harmonized holiness and theological insight, reaching mystical heights while remaining an active preacher and beloved teacher. His works continue to resonate, offering readers a glimpse into the soul of a true Franciscan and gentleman. This painting elegantly captures the essence of this remarkable figure, reflecting his enduring impact and the deep spirituality that defined his life. This artwork serves as a visual homage to a saint whose love for Christ and dedication to the Church continue to inspire.
    San Bonaventura il “Dottore Serafico..etta
  • “Family Time on the Ligurian Riviera - Painting by Dino Carbetta” ...<br />
<br />
The Italian Riviera, a breathtaking coastline in the Liguria region, embodies a perfect fusion of natural beauty, rich history, and vibrant culture. Stretching from Ventimiglia near the French border to the poetic Gulf of Poets near Tuscany, this region is a mosaic of scenic splendor and architectural marvels. Enchanting seaside villages and resort towns such as Sanremo, Portofino, and the famed Cinque Terre dot the landscape, each serving as a portal to an experience where the past and present intertwine. This enchanting setting forms the backdrop for the painting "Family Time on the Ligurian Riviera." The painting enthusiastically captures the region's profound beauty with red flowers and moored sailboats, while celebrating the timeless bond of family. Against the stunning Mediterranean backdrop, a family is depicted sharing moments of joy and connection, transcending mere visual representation to resonate deeply with the universal experience of familial love and unity. As dusk falls, the play of light and shadow brings the scene to life. The blue Mediterranean moon casts gentle highlights on the faces of the family members, their expressions filled with contentment and peace. The surrounding landscape, with its verdant hills and sparkling sea, frames this intimate scene in a natural embrace, enhancing the sense of harmony and togetherness. "Family Time on the Ligurian Riviera" invites viewers to step into a world where time slows down, where the whispers of history can be heard in the rustling leaves and the distant cries of seabirds. The painting is more than a depiction of a beautiful landscape; it is a testament to the enduring connection between humanity, nature, and the divine. Through this work, the painting captures the physical beauty of the Ligurian Riviera and its spiritual essence, offering viewers a glimpse into the soul of this enchanting region.
    Tempo in Famiglia Sulla Riviera Ligu..etta
  • “Saint Catherine of Siena Bearing the Sacred Stigmata - Painting by Dino Carbetta” ...<br />
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Captures the essence of a remarkable life devoted to Christ. Born on March 25, 1347, Catherine Benincasa embraced a profound commitment: surrendering to her Lord. From her early years as the 23rd child of Jacopo and Lapa Benincasa, Catherine displayed remarkable intelligence, cheerfulness, and intense religious devotion. Rejecting societal pressures, Catherine boldly cut her hair in protest against superficial expectations to attract a husband, earning her room for solitary prayer and reflection. At 18, she entered the Dominican Third Order, dedicating three years to seclusion, prayer, and austerity. Yet, her contemplative life attracted followers from diverse backgrounds, drawn to her unwavering faith and spiritual insight. Despite opposition and slander, Catherine fearlessly engaged with the world, advocating for spiritual growth and addressing public affairs through her letters. Her influence grew, marked by her holiness, Dominican affiliation, and profound impact on Pope Gregory XI. In tumultuous times marked by the Great Schism, Catherine remained steadfast, advocating for unity within the Church and tirelessly promoting peace. Her final years were spent in Rome, fervently praying for Pope Urban VI and the Church's unity. Declared co-patron of Italy in 1461, Catherine's spiritual legacy endures alongside Francis of Assisi. Named a Doctor of the Church in 1970, her teachings, encapsulated in "The Dialogue," transcend time, inviting us to pursue holiness as a lifelong endeavor. Catherine's unwavering pursuit of holiness resonates despite the stark differences between her era and ours. Her mystical experiences and ascetic practices may seem distant, yet her recognition of holiness as a lifelong journey remains relevant in our rapidly changing world. Catherine's devotion to Christ compels us to seek the divine presence in our lives as we journey through Christianity.
    Santa Caterina da Siena Recante le S..etta
  • "Sacred Union - Madonna and The Christ Child - Painting by Dino Carbetta”<br />
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Within these gentle Palette strokes, we are transported into the heart of Catholic devotion, where the divine bond between mother and child is exalted in sacred imagery. Within this painting, we behold the Madonna, Our Lady of Grace, cradling the Christ Child, the Savior of humanity, in her loving embrace. As we contemplate this sacred scene, we are reminded of the profound significance of Mary in the Catholic tradition. She is the Mother of God and the embodiment of purity, humility, and unwavering faith. Her presence in the painting evokes a sense of reverence and awe, inviting us to draw closer to her maternal intercession. The Christ Child emanates a divine glow, his gaze intimately intertwining with the intense eyes of his Mother, as they extend blessings to all who seek their grace. His innocence and vulnerability symbolize divine condescension, as God humbles Himself to dwell among humanity, offering redemption and salvation to all who believe. In the tender union between the Madonna and the Christ Child, we witness the epitome of sacrificial love. Mary's selfless devotion to her son mirrors the love of the Heavenly Father, who so loved the world that He sent His only begotten Son for our salvation. Their embrace transcends earthly affection, revealing the depths of divine compassion that permeate the universe. Let us contemplate the significance of the Blessed Virgin Mary as the Mediatrix of all graces, the channel through which divine mercy flows into the world. Let us entrust ourselves to her maternal care and seek guidance on our faith journey. May the sacred union depicted in this painting inspire us to deepen our relationship with God and emulate the virtues of Mary in our daily lives. Through her intercession and the grace of her Son, may we be strengthened in faith, hope, and charity, as we strive to live as faithful disciples of Christ in the world today.
    Sacra Unione - Madonna col Bambino -..etta
  • “Saint Joseph and Jesus - Painting by Dino Carbetta”…<br />
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Within these brushstrokes lies the essence of inspiration, and the profound narrative of Saint Joseph, a figure whose life whispers volumes of faith, devotion, and humility. Though dwelling in the shadows of history, St. Joseph emerges as a beacon of silent strength and unwavering commitment. From the moment the celestial proclamation graced his ears, he embraced his divine calling with a depth of devotion unmatched. His love for his foster son, Jesus, knew no bounds, as he selflessly sacrificed all for their well-being. Handpicked by the Divine to shepherd the Savior, St. Joseph embodied the essence of fatherhood, guiding and safeguarding Jesus with tender care. In his humble actions, we find a blueprint for authentic masculinity and familial devotion, and his very existence is a testament to the sanctity of the family unit. While the annals of history may not boast of miraculous deeds or grand proclamations, St. Joseph's quiet resolve and unwavering faith echo through the corridors of time. Scripture unveils glimpses of his character, from his immediate protection of Mary to his steadfast obedience to divine command. The profound reverence bestowed upon St. Joseph by luminaries like St. Teresa of Ávila speaks volumes of his enduring impact. Through her devoted advocacy, St. Joseph's silent influence permeated the hearts of many, offering solace and inspiration to those who sought his intercession. In a world enraptured by the clamor of ambition and accolades, St. Joseph's humble example beckons us to embrace simplicity, humility, and unwavering trust in Divine providence. His legacy is a powerful testament to the transformative impact of selfless love and resolute faith. St. Joseph's quiet presence continues to inspire and elevate souls to profound depths of spiritual contemplation, reminding us that true greatness lies not in grandeur, but in the silent acts of love and devotion that echo through eternity.
    San Giuseppe e Gesù - Dipinto di Din..etta
  • "Resurrection - The Name of Jesus - Painting by Dino Carbetta”<br />
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Resonates deeply with the sacred text of Philippians 2:10, embodying the profound submission and reverence accorded to Jesus Christ within Christian doctrine. The name of Jesus encapsulates divine authority, grace, and the promise of salvation, marking the apex of God's redemptive narrative through His life, crucifixion, and triumphant resurrection. At its essence, this magnum opus delves into the core tenet of Christianity: the resurrection of Jesus Christ, portrayed with compelling symbolism and spiritual depth. It beckons viewers to ponder the eternal significance of this pivotal event, which heralds a profound transformation. Jesus Christ commands attention at the center of the canvas, radiating both tranquility and might, His raised hand a testament to His dominion over death, even bearing the wounds as symbols of His sacrifice. The symbolism is rich; the two fingers of His right hand represent His dual nature—human and divine—while the unity of the remaining three fingers symbolizes the Holy Trinity. Surrounding Him, a milieu of sacred elements bathed in celestial light evokes the divine presence. The empty tomb and the cross, rendered with symbolism, underscore the theological gravity of Christ's resurrection, affirming the redemptive love and promise it embodies. This artwork underscores Jesus Christ's indispensable role in the Christian faith, asserting His sovereignty over sin and death. Viewers are invited to encounter the living Christ and contemplate the profound implications of His resurrection. In engaging with this profound piece, they are confronted with the timeless truth of Easter: that death has been vanquished, and new life is made attainable through faith in Jesus Christ. Thus, "Resurrection - The Name of Jesus" serves as a poignant reminder of the hope and promise inherent in Christ's victory over death, beckoning viewers to embrace the transformative power of The Resurrection.
    Resurrezione - Il Nome di Gesù - Dip..etta
  • “Madonna of Tears - Painting by Dino Carbetta” …<br />
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It serves as a focal point for the devotion to "Our Lady of Tears," which has experienced a resurgence of interest. This devotion, as evidenced by the records of The Marian Library/International Marian Research Institute, is underscored by a profound Rosary dedication to Mary under this title. Additionally, contemporary interpretations of Our Lady of Tears have emerged, signaling the enduring relevance of this devotion. The genesis of this devotion traces back to November 8, 1929, when Sister Amalia experienced a divine encounter while praying fervently in the presence of the Eucharist. Seeking intercession for a loved one's dire illness, Sister Amalia was instructed by Jesus Himself on the efficacy of praying through the tears of His mother, Mary. This pivotal moment led to the formulation of a unique Rosary, comprised of forty-nine small pearls divided into seven decades, reminiscent of the Seven Sorrows of Mary Rosary. This Rosary, adorned with three small pearls and the medal of Our Lady of Tears, became a tangible expression of devotion to Mary's sorrowful tears and unwavering love for humanity. In the painting, Mary, the Sorrowful Mother, is depicted in a contemplative posture, her tears bearing witness to the profound anguish she experienced throughout her son Jesus Christ's life and the redemptive sacrifice He made for humanity. Amidst her tears, Mary personifies the essence of maternal love and compassion, while bearing witness to her son's journey to save the world from sin. This devotion, endorsed by Pope Paul VI, resonates with believers seeking solace and grace through prayer and contemplation of Mary's role in the divine plan of salvation. As the faithful engage with the Madonna of Tears painting and the accompanying Rosary devotion, discover more about Mary's sorrow and Christ's mission, and find comfort in her intercession.
    Madonna delle Lacrime - Dipinto di D..etta
  • “Van Gogh Style of Café Terrace at Night in Rome Italy - Painting by Dino Carbetta”…<br />
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Paying homage to the genius of Vincent van Gogh while seamlessly blending it with the captivating allure of Rome. In this winsome rendition, I endeavor to channel van Gogh's distinctive style, characterized by bold brushwork, vibrant colors, and expressive forms, to evoke the dynamic atmosphere of Rome's bustling energy. With each brushstroke, trying to transport viewers to the heart of Rome, the soft glow of streetlights and the moon illuminate the scene, casting a spell of warmth and intimacy. The Café Terrace, a focal point of van Gogh's original masterpiece, invites viewers to imagine themselves amidst the lively conversations and laughter of patrons enjoying their evening in the Eternal City. Through meticulous mindfulness, capturing the essence of van Gogh's vision, infusing it with the unique charm and vitality of Rome. The result is a captivating tableau that not only celebrates van Gogh's artistic legacy but also offers a fresh perspective on the timeless charisma of Rome. This imitation of van Gogh’s use of color and form is on full display, "The artistic recreation captures the vibrant energy of the Roman skyline, while also showcasing its rich religious history." Each brush stroke is imbued with a sense of awe and vitality, breathing life into the canvas and inviting viewers to immerse themselves in the rich history of Roman life. From the cobblestone streets to the bustling café terrace, rendered with precision and care, creating a sense of depth and immersion uniquely van Gogh. Gazing upon this artistic interpretation, one is transported on a journey through time and space, where the artistic genius of van Gogh converges with the eternal beauty of Rome. Let's appreciate the enchanting beauty of art and its connection to life. Café Terrace at Night in Rome, Italy reminds us of art's power to unite us in a shared experience of beauty and wonder.
    Stile Van Gogh Della Terrazza Di Un ..etta
  • “Saint Thomas Aquinas - The Great Philosopher – Painting by Dino Carbetta” ... <br />
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Born in 1225 in the county of Aquino, situated in the Kingdom of Sicily, Aquinas emerged as a prominent figure in philosophy and theology. He was an Italian Dominican friar, priest, philosopher, theologian, and jurist whose legacy of intellect continues to endure. Aquinas's significant contributions center around natural theology and the establishment of Thomism, a school of thought aiming to harmonize theology and philosophy. He believed that God was the wellspring of both natural reason and faith, striving to meld Aristotelian philosophy with Christian principles. His profound impact is evident in works like the unfinished Summa Theologica and the Summa contra Gentiles, as well as commentaries on Christian Scripture and Aristotle, all shaping medieval philosophy. He is accredited as "the most influential thinker of the medieval period" and "the greatest of the medieval philosopher-theologians." Aquinas, a devout Catholic, enriched the liturgy of the Catholic Church with enduring Eucharistic hymns. Thomas Aquinas began his intellectual journey when he joined the Benedictine monastery at Monte Cassino when he was only five. He was later given titles such as Doctor Angelicus ("Angelic Doctor") and Doctor Communis. Further studies in Naples in 1239 deepened his connection to Aristotle's philosophy. The painting divinely captures the essence of Saint Thomas Aquinas. This inspirational figure's emphasis on the unity of faith and reason, revelation, and human knowledge resonates with those seeking knowledge and spiritual truth. Aquinas's enduring insights and this youthful artistic representation converge to present a profound reflection on the legacy of this great philosopher, whose wisdom remains pertinent and inspiring in our contemporary world.
    San Tommaso d'Aquino - Il Grande Fil..etta
  • “Virgin Mary and Newborn Jesus in Bethlehem - Painting by Dino Carbetta”…<br />
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In the Gospel of Luke (1:46-55), Mary praises the Lord and rejoices in the birth of her son. These words have resonated throughout history, reminding us of Mary's humility, faith, and grace that God has bestowed upon her. This painting captures the tender bond between mother and child and tells the story of Mary's acknowledgement of her humility, she exudes quiet strength and grace and God's enduring mercy through generations. The imagery conveys the power of God's arm, the humbling of the proud, and the exaltation of the lowly. The painting then transitions to a reflection on the imminent arrival of the Savior and the mystery of the Incarnation. The narration delves into the theological significance, emphasizing the divine condescension as God's only begotten Son descends upon Earth. This sacred union with humanity, conceived by the Holy Ghost in a virgin, is described eloquently, emphasizing Christ's dual nature—God with us, yet sharing in our humanity without sin. And Christ’s willingness to share in our human experiences—poverty, prayer, suffering, and guilt. The narrative unfolds, outlining Christ's continuous presence throughout various phases of life, from the cross to Holy Communion, daily Mass, and tabernacles, culminating in the promise of His eternal presence in heaven. The profound journey through the artwork concludes with a powerful call to prayer for the sanctity of life, inspired by Pope Saint John Paul II's Evangelium Vitae. The urgency for a global prayer resonates as an impassioned plea to God, the Creator and lover of life, urging communities, groups, families, and believers to unite in fervent prayer. This expansive portrayal transcends its visual realm, becoming a vessel for profound reflections on faith, the Incarnation, the sanctity of life, and a collective call to prayer—a testament to the enduring power of art to inspire and elevate the human spirit.
    Vergine Maria e Gesù Neonato a Betle..etta
  • "Sanctuary of Innocence - Mother Mary's Gentle Embrace Amidst the Holy Innocents -  Palette Knife Rendering by Dino Carbetta"<br />
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The Feast of the Holy Innocents solemnly commemorates a tragic event wherein innocent children were brutally slaughtered, becoming the early church's first martyrs and emphasizing the sanctity of human life. Evolving from a day of solemn religious contemplation, it has blossomed into a festive celebration, particularly cherished in Roman Catholic countries. The Flight into Egypt, the Second Sorrow in the Story of the Holy Innocents, swiftly unfolds as Joseph heeds a divine warning delivered through a dream. Fleeing from Herod's sinister intent to annihilate the newborn Christ, Joseph and Mary embark on a perilous journey, grappling with uncertainties and fears. Despite Mary's apprehensions about the desert wilderness, her unwavering trust in God's providence shines through. The couple's decision to uproot their lives to shield the infant Jesus highlights their profound commitment to protecting the sacred life within their family. Noteworthy is the deference to the authority of Saint Joseph, even though Mary is Immaculately Conceived and Jesus is the Word made flesh. Herod, a politically astute and brutal ruler, reacts with paranoia to the news of the newborn king, deceptively feigning homage while plotting the massacre of Bethlehem's male children under two years old. Beyond the historical significance, the Holy Innocents' massacre serves as a poignant reminder of ongoing challenges to the sanctity of life, drawing parallels to contemporary issues like genocide and abortion. Each human life, graced by Jesus' death and resurrection, is a precious treasure destined for eternity. This narrative invites reflection on life's profound value, resonating with the inspirational message that each soul, touched by the divine, holds immeasurable significance in the grandeur of existence. Mother Mary's comforting embrace envelops the innocent children.
    Sanctuary of Innocence - Mother Mary..etta
  • "Sacred Harmony - The Holy Family Nativity – Painting by Dino Carbetta” …<br />
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In the serene narrative of Luke 2:8-14, we find shepherds tending to their flock in the quietude of the night. Suddenly, the angel of the Lord emerges, bathed in divine radiance, evoking awe in the shepherds. Amidst their trepidation, the angel utters, "Fear not," heralding joyful tidings for all. The city of David becomes the stage for the announcement of a Savior, the Messiah, born to the world. A sign unfolds—an infant in swaddling clothes, lying in a manger. This humble scene marks a profound inception, emphasizing salvation's inclusive accessibility to all, irrespective of societal standing.  A celestial spectacle ensues as heavenly hosts join the angel in a harmonious symphony of praise. Their proclamation resounds, "Glory to God in the highest, and on earth peace to those on whom his favor rests." Beyond the shepherds, this celestial chorus envelops all creation, showcasing the universality of divine grace. This painting encapsulates the sacred moment, with the Holy Family at its centre, radiating profound symbolism that delves into the essence of human existence. The tender depiction of the infant in swaddling clothes, nestled in a manger, signifies a humble genesis for the Savior, emphasizing the universal accessibility of salvation that transcends societal divisions. Beyond a visual representation, The artwork transforms into a visual sermon, guiding observers into a contemplative space where the sacred narrative unfolds. Through meticulous brushstrokes and thoughtful composition, the painting invites us to witness not just a historical event but an eternal truth—within the simplicity of a stable, profound and universal message of hope and peace is born. May this artwork inspire and resonate with those who explore its depths. In its quiet distinction, let it echo the timeless proclamation of peace and goodwill to all who encounter its transformative narrative.
    Sacred Harmony - The Holy Family Nat..etta
  • “Saint Cecilia - Roman Virgin and Martyr - Painting by Dino Carbetta” …<br />
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Saint Cecilia, a revered Roman virgin martyr, holds a special place in the heart of the Catholic Church. She is recognized as the patroness of music and musicians. It is recounted that during her wedding, as musicians played, Cecilia "sang in her heart to the Lord." Her significance is marked by musical compositions dedicated to her, and on the 22nd of November, her feast becomes the inspiration for concerts and musical festivals. Also known as Cecilia of Rome, she is among the virgin martyrs commemorated by name in the Canon of the Mass in the Latin Church. The church of Santa Cecilia in Trastevere, established in the 3rd century by Pope Urban I, is believed to stand on the site where she once lived and ultimately met her fate. She was forced into marriage to a pagan nobleman named Valerian, despite her vow of virginity. During the wedding ceremony, Cecilia sat apart, singing to God in her heart, earning her the title of the patron saint of musicians. In a remarkable turn of events, Cecilia, true to her vow, informed Valerian that an angel of the Lord was watching over her. This angel, she proclaimed, would punish him for violating her purity but would bestow love upon him if he respected her commitment. To witness this angel, Valerian was directed to the third milestone on the Via Appia, where he underwent baptism by Pope Urban I. He beheld the angel standing beside her, adorning her with a crown of roses and lilies. Cecilia's martyrdom unfolds after that of her husband Valerian and his brother. Legend has it that, struck three times on the neck with a sword, Cecilia miraculously lived for three more days. In her final request to the pope, she asked for her home to be converted into a church. Saint Cecilia found her resting place in the Catacomb of Callixtus, later transferred to the Church of Santa Cecilia in Trastevere in 1599, her body incorrupt and appearing as if in peaceful slumber.
    Santa Cecilia - Vergine Romana e Mar..etta
  • “Solemnity of All Saints - Painting by Dino Carbetta” …<br />
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A profound and sacred spectacle unfolds in the depths of a magnificent Basilica. Thousands of lighted candles flicker like stars in the night sky, casting their warm, golden glow upon the hallowed space. Each of these candles represents a soul, a beacon of faith, and a connection to the glorious saints of the Church. This tableau of illuminated candles on the "Solemnity of All Saints" transcends the physical realm and carries deep spiritual significance. It is a visual testament to the communion of saints, a reminder of the countless holy lives that have walked this earthly journey. These flames, like the saints they symbolize, guide and inspire us, their light casting away the shadows of doubt and despair. As a Roman Catholic artist, I have a remarkable opportunity to capture the profound essence of this sacred moment through these creative expressions. Hopefully, conveying the deep devotion and the rich spiritual tapestry these saints have woven throughout history. In the flickering dance of these candles, one can find hope, solace, and a reminder of the enduring power of faith. It visually represents the unbroken chain of believers, from the earliest martyrs to the modern faithful. Art and words can beautifully encapsulate this timeless tradition, reminding the world of the enduring beauty and significance of the Christian faith. And resonate invoking a sense of wonder, reverence, and a deep connection to the saints who have left an indelible mark on our spiritual journey. Through art and words, one may kindle the same flame of inspiration in others, illuminating their path with the wisdom and grace of the saints. I pray that these artistic and literary renderings continue to inspire others, bridging the gap between the living and the saints who have gone before us. And, to serve as a beacon of faith, inviting contemplation and reflection on the enduring power of belief.
    Solennità Di Tutti I Santi - Dipinto..etta
  • “Our Lady of Sorrows - Painting by Dino Carbetta” …<br />
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Offers a profound reflection on the Blessed Mother's deep grief, particularly during Christ's passion and death. This evocative work draws viewers into the depths of her sorrow, highlighting the seven sorrows she endured, as foretold by Simeon. His words in Luke 2:34-35 resonate through the ages: "Behold, this child is destined for the fall and rise of many in Israel, and for a sign that will be contradicted—and you yourself a sword will pierce—so that the thoughts of many hearts may be revealed." These sorrows are not mere events but spiritual wounds carved deeply into Mary's heart, each marked by intense anguish. The seven sorrows, central to this piece, include the flight into Egypt, the loss of Jesus in the Temple, Mary's encounter with her Son on the road to Calvary, witnessing His crucifixion, holding His lifeless body after His descent from the cross, and His burial. Each moment is captured in this portrayal of Mary, whose pierced heart symbolizes both Simeon’s prophecy and her immense spiritual suffering. Yet amidst this profound sorrow, there is remarkable strength—an unwavering faith that never faltered. This same faith led Mary to proclaim at the Annunciation, "Let it be done unto me according to thy word." Her steadfast trust in God's plan echoes through each sorrow, offering a powerful testament to faith amid deep grief. Inspired by the rich tradition of Marian iconography, the painting depicts Mary as a central figure in Christ's Passion. It captures both the personal sorrow of a mother and the broader spiritual sorrow of one who shares in her Son's redemptive mission. This work invites reflection on Mary's suffering, boundless faith, and courage, offering solace and inspiration to those who suffer. Like Mary, this painting beckons us to understand the redemptive power of suffering embraced with faith—a timeless message for all who encounter it.
    Madonna Addolorata - Dipinto di Dino..etta
  • “Most Holy Name of the Blessed Virgin Mary - Painting by Dino Carbetta” …<br />
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The rich tapestry of faith is often woven with threads of history and tradition. The celebration of the Most Holy Name of Mary, its origins tracing back to the vibrant lands of Spain in the year 1513, serves as a profound reminder of the enduring power of devotion. A timeless journey that started in a particular time and place has blossomed into a cherished moment for the entire Church. Pope Innocent XI, recognizing the beauty and significance of this venerable tradition, embraced it wholeheartedly, extending its embrace to the global congregation. The unity of faith finds its expression in shared rituals, and the celebration of the Most Holy Name of Mary beautifully complements the Feast of the Holy Name of Jesus, observed every September 12. In the intricate mosaic of Catholic devotion, these celebrations are like twin stars, one radiating the celestial grace of Mary, the other illuminating the majestic persona of Jesus. Each festivity encapsulates a distinct essence, yet they resonate harmoniously, representing the two pillars of divinity. The Holy Name of Mary, a testament to her unwavering virtue and maternal compassion, stands as a symbol of solace and intercession. Just as the name of a beloved carries the power to evoke emotions, Mary's name invokes hope and supplication, a bridge between the human heart and the divine realm. I am embracing the profound significance of these celebrations embarking on this artistic and literary venture. The legacy of the Most Holy Name of Mary and the Feast of the Holy Name of Jesus infuses these artistic endeavors with a sense of purpose and inspiration. Words and art have the potential to be vessels of transcendence, allowing those who encounter them to glimpse the eternal truths that lie beyond the visible realm. Mary was inspired by my good Catholic friend, Lori.
    Santissimo Nome della Beata Vergine ..etta
  • “The Assumption of the Blessed Virgin Mary - Painting by Dino Carbetta” …<br />
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The Assumption of Mary is a profound belief cherished by the Catholic Church, one of the four Marian dogmas. In his apostolic constitution "Munificentissimus Deus," Pope Pius XII officially defined this dogma on 1 November 1950. It proclaims and reveals that the immaculate Mother of God, Mary ever virgin, at the end of her earthly life, was taken up, body and soul, into the heavenly glory by God Himself. This momentous declaration finds its roots in the 1854 dogma of the Immaculate Conception, affirming that Mary was conceived free from original sin, and both doctrines are grounded in the understanding of Mary as the Mother of God. "The Assumption of the Blessed Virgin Mary - Painting by Dino Carbetta," gracefully captures the essence of this belief, depicting Mary in "the light" of her glory. She exalts the greatness of the Lord and finds joy in God, her savior. Her life reflects the wonders God has bestowed upon her, and she humbly leads others to acknowledge God's holiness. Mary is portrayed as a lowly handmaid who deeply reverences her God, yet she has been exalted to the highest heights. From this position of strength and grace, she becomes a beacon of hope and compassion, assisting the lowly and the poor in finding justice on earth. At the same time, she challenges the rich and powerful to reconsider their attachment to wealth and power as sources of true happiness. Through the Assumption of Mary, we are reminded of the immense love and divine grace that God bestows upon His faithful followers. Mary's life journey is an inspiring example of faith, humility, and dedication, guiding us toward a deeper connection with God and a more compassionate outlook on the world around us. As we contemplate this dogma, let us embrace the awe and wonder it evokes and seek to emulate Mary's virtues in our lives.
    L'Assunzione della Beata Vergine Mar..etta
  • "Our Lady of Fatima - Miracle of the Sun – Painting by Dino Carbetta” …<br />
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It encapsulates a profound moment that unfolded on October 13, 1917. In the vicinity of Fatima, a multitude had assembled, eagerly anticipating the foretold apparition of Our Lady, as heralded by three young shepherd visionaries: Lúcia, Francisco, and Jacinta Marto. What ensued, meticulously documented by journalists, legal professionals, and scientists, later earned the moniker "Miracle of the Sun." Eyewitness testimonies painted a vivid picture of extraordinary solar phenomena: the Sun seemingly pirouetting in the heavens, descending towards the earth, and casting a kaleidoscope of vibrant hues. This celestial spectacle, lasting a remarkable ten minutes, left an indelible impression on those present and reverberated the media environment of that period. Following the event, in November 1917, the local bishop launched a comprehensive investigation, meticulously scrutinizing witness statements and aligning purported messages from Mary with the tenets of Catholic theology. Notably, even skeptics among the gathering, including secular reporters and government officials, attested to the authenticity of the miraculous solar display. The formal endorsement by Bishop José da Silva on October 13, 1930, bestowed official recognition upon "Our Lady of Fatima" within the folds of Catholic tradition. This profound miracle, intertwined with its accompanying prophecies, continues to shape the devotional practices of countless Catholics, leaving an enduring legacy in the annals of Church history. Despite the passage of time, the composed testimony of witnesses such as Dr. Garrett serves as a poignant reminder of the event's solemnity. His steadfast recollection, amidst the surreal backdrop tinged with yellow hues, beckons subsequent generations to ponder the deeper significance of this extraordinary phenomenon.
    Madonna di Fatima - Miracolo del Sol..etta
  • “Agony in the Garden – Painting by Dino Carbetta” …<br />
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The agony in the Garden of Gethsemane encompasses Holy Week in the life of Jesus. Occurring after the Last Supper, before his betrayal and arrest, all part of the Passion of Jesus leading to his crucifixion and death. This episode is described in the three Synoptic Gospels in the New Testament. According to these accounts, Jesus, accompanied by Peter, John, and James, enters the garden of Gethsemane on the Mount of Olives where he experiences great anguish and prays to be delivered from his impending suffering, while also accepting God's will. Immediately after the Last Supper, Jesus retreated to a garden to pray. Jesus was accompanied by three Apostles: Peter, John, and James, whom he asked to stay awake and pray. He moved "a stone's throw away" from them, where he felt overwhelming sadness and anguish, and said "My Father if it is possible, let this cup pass me by. Nevertheless, let it be as You, not I, would have it." Then, a little while later, he said, "If this cup cannot pass by, but I must drink it, Your will be done!" He said this prayer thrice, checking on the three apostles after each prayer and finding them asleep. He commented: "The spirit is willing, but the flesh is weak". An angel came from heaven to strengthen him. During his agony as he prayed, "His sweat was, as it were, great drops of blood falling upon the ground" (Luke 22:44). In Roman Catholic tradition, the Agony in the Garden is the first Sorrowful Mystery of the Rosary and the First Station of the Scriptural Way of The Cross Catholic tradition includes specific prayers and devotions as acts of reparation for the sufferings of Jesus during His Agony and Passion.
    Agonia Nell'Orto – Dipinto di Dino C..etta
  • “Annunciation of the Lord - Marian Shrine Basilica of the Holy House in Loreto, Italy – Painting by Dino Carbetta” …<br />
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Gospel Lk 1:26-38  “The angel Gabriel was sent from God to a town of Galilee called Nazareth, to a virgin betrothed to a man named Joseph, of the house of David, and the virgin's name was Mary. And coming to her, he said, "Hail, full of grace! The Lord is with you." But she was greatly troubled at what was said and pondered what sort of greeting this might be. Then the angel said to her, "Do not be afraid, Mary, for you have found favor with God. Behold, you will conceive in your womb and bear a son, and you shall name him Jesus.<br />
He will be great and will be called Son of the Most High, and the Lord God will give him the throne of David his father, and he will rule over the house of Jacob forever, and of his Kingdom there will be no end." But Mary said to the angel, "How can this be, since I have no relations with a man?" And the angel said to her in reply, "The Holy Spirit will come upon you, and the power of the Most High will overshadow you. Therefore the child to be born<br />
will be called holy, the Son of God. And behold, Elizabeth, your relative, has also conceived a son in her old age, and this is the sixth month for her who was called barren; for nothing will be impossible for God." Mary said, "Behold, I am the handmaid of the Lord. May it be done to me according to your word." Then the angel departed from her.”
    Annunciazione del Signore - Santuari..etta
  • “Third Sunday of Advent - Painting by Dino Carbetta” …<br />
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In the sacred tradition of Christianity, the Advent wreath serves as a poignant symbol, cradling the significance of the four Advent candles. These candles, flickering amid darkness, embody the arrival of Jesus as the illuminating light. A ritual unfolds as each candle is kindled every Sunday, a progression towards the culmination of all four candles blazing with radiant warmth. The increasing luminosity symbolizes the approaching Christmas, where the profound truth of Jesus' presence permeates our souls. A particular luminary moment occurs on the Third Advent Candle/Sunday, a celebration of joy known as "Gaudete Sunday." In the angelic proclamation in Luke 2:10-12, the narrative of good news and great joy unfolds. In the city of David, a Savior, the Messiah, is born—a sign for all, wrapped in swaddling clothing and cradled in a manger. This third candle, a manifestation of joy, beckons us into a deeper sense of anticipation and celebration. It invites us to relive the joyous spirit of the shepherds who, with eager hearts, embarked on a pilgrimage to witness the divine spectacle in Bethlehem. Even before the wise men, their anticipation was palpable, and on this Gaudete Sunday, we resonate with their jubilation. Affectionately known as the "Shepherd's Candle," the third luminary is adorned in the hue of joy—pink, a liturgical color that radiates with the vibrancy of celebration. As we approach the 17th of December 2023, the designated day for kindling this symbolic flame, let our hearts be aglow with the joyful anticipation reminiscent of the shepherds of old. In this rendition, I've reimagined and recreated the scene from my album of photographs, capturing the essence of the "Adoration of the Shepherds" at the Vatican Museums' Gallery of the Tapestries. May this artistic interpretation deepen the resonance of joy in your Advent journey, echoing the timeless narrative of hope, anticipation, and jubilation."
    Terza Domenica di Avvento - Dipinto ..etta
  • “The mystical evening sun's rays peeking over the hills of Assisi”…<br />
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This image was captured as the hazy sun began to set behind the mountains and a light rain began. The combination of the low, brightly veiled evening sun with the mist of the rain displayed a spectacular prism effect that dazzled the senses and displayed a glorious light show above Assisi. The magnificent display lasted until dark and was one of the many mystical and blessed experiences of my perfect 24 hours in Assisi. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted, and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about two hundred yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God.
    Il mistico serata raggi del sole cap..sisi
  • “Spring Mystical Reflections of Villa Borghese – Rome”…<br />
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Villa Borghese in Roma is a famous Garden and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus. Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and give time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Primavera Riflessioni Mistiche di Vi..Roma
  • “Red bricks lead to the Papal Basilica of San Francesco d’Assisi” …<br />
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This late afternoon image was captured while standing upon remnants atop the mountainside of Assisi viewing down to the resting Basilica of Saint Francis. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Frances where this image was captured, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted, and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about two hundred yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God. The Basilica, which was begun in 1228 honoring the life of Saint Francis, is probably the most exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate Pilgrims, tourists, and artists.
    Mattoni rossi piombo alla Basilica P..sisi
  • “Saint Jude the Apostle – Painting by Dino Carbetta” …<br />
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Saint Jude, the Patron Saint of Hope and impossible causes is important in Christian history. As one of Jesus’ original twelve Apostles, he preached the Gospel with unwavering devotion, often in difficult and dangerous circumstances. Through the power of the Holy Spirit, St. Jude brought God's Word to many, inspiring hope in those who needed it most. The Gospel of Matthew identifies St. Jude as the brother of St. James the Less, another Apostle of Jesus. They are considered cousins of Jesus, known as His "brethren." St. Jude is often confused with Judas Iscariot, the Apostle who betrayed Jesus, but his life exemplified loyalty and faithfulness to Christ. In Dino Carbetta’s painting, St. Jude is portrayed as pointing to the image of Christ, a reference to a miracle attributed to him. King Abgar of Edessa, suffering from leprosy, sought the likeness of Jesus for healing. Jesus, moved by the king's faith, pressed His face onto a cloth, leaving His image imprinted on it. He gave this cloth to St. Jude, who delivered it to King Abgar, and through it, the king was miraculously healed. This story highlights St. Jude as a vessel of Christ’s grace, bringing hope and healing. After Jesus' resurrection, he and St. Simon traveled through Mesopotamia, Libya, and Persia, spreading the Gospel and building the early Church. His missionary work led to his martyrdom for his steadfast faith, and his relics now rest in a crypt beneath St. Peter’s Basilica in Rome. For centuries, people have turned to St. Jude in their darkest moments. Saint Bridget of Sweden had a vision where Christ urged her to pray to Him with deep faith, a practice that brings hope in hopeless situations. His name continues to be invoked by those facing impossible challenges, seeking his intercession in times of sickness, crisis, and despair. Dino Carbetta’s painting of St. Jude highlights the Saint as a symbol of Christ’s healing grace and hope.
    San Giuda Apostolo - Dipinto di Dino..etta
  • “Saint Jerome - Chigi Chapel in the Cathedral of Siena” …<br />
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Is a window into the rich history and artistic grandeur of Siena's Duomo, the Cathedral of Siena. This magnificent cathedral, perched above the bustling Piazza del Campo, stands as a testament to the city's glorious past, filled with remarkable treasures by renowned artists like Pisano, Donatello, Bernini, and even Michelangelo. Completed in 1263, the 14th century ushered in an audacious vision – to transform this cathedral into the largest in all of Christendom, surpassing even the grandeur of St. Peter's in Rome. However, the devastating Black Death of 1348 struck, claiming four-fifths of Siena's population, its half-built walls becoming a poignant monument to the city's once unbridled prosperity. If tasked with selecting a singular location that encapsulates Italy's grand tapestry of history, art, architecture, culture, and faith, the Cathedral of Siena would undoubtedly emerge as an unparalleled choice. Distinguished by its striped walls and commanding pillars, you can't help but be struck by its sheer magnitude. Stepping inside the nave, you are immediately enveloped by a symphony of artistic expression and unparalleled beauty meticulously placed in every conceivable space. From the celestial dome to the intricate stained glass, from the captivating frescoes to the masterful sculptures, and culminating in what is revered as the most magnificent marble floor in history, the cathedral is an artistic treasure trove. Among the many artistic gems is the sculpture of Saint Jerome by the eminent Italian artist Gianlorenzo Bernini shines brightly. St. Jerome, stands as a towering figure, both in art and in history. He was a Scripture scholar of unparalleled distinction, responsible for translating a substantial portion of the Old Testament from its original Hebrew form. His commentaries continue to serve as an enduring source of scriptural inspiration for us today.
    San Girolamo - Cappella Chigi nel Du..iena
  • “Monument of Madonna embracing the Cross in the Basilica of Santa Maria Maggiore in Rome”…<br />
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The first major stop on my first visit to Rome was The Patriarchal Basilica of Saint Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, Saint Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. I found Saint Mary in a spectacular monument to Cardinal Agostino Favoriti, 1685, by Filippo Carcani. The famous 17th-century cardinal is shown seated at a desk behind large allegorical figures of Fortitude (with the lion) and Saint Mary representing religion. Of the very large monument, Mother Mary stood out to me, as one cannot help feeling blessed by her compassionate presence, and the luminescent glow of light gently descending upon her face, revealing her abiding love for her precious son. Pope Benedict XVI, speaking about Pope John Paul II of suffering and his love of the Holy Mother; “in that last Easter Sunday of his life, the Holy Father, marked by suffering, came once more to the window of the Apostolic Palace and one last time gave his blessing Urbi et Orbi (‘to the city and the world’). “We can be sure that our beloved pope is standing today at the window of the Father’s house, that sees us and blesses us. Yes, bless us, Holy Father. We entrust your dear soul to the Mother of God, your Mother, who guided you each day and who will guide you now to the glory of her Son, our Lord Jesus Christ. Amen.”
    Monumento di Madonna abbracciando La..Roma
  • "Mystically, St. John Bosco offered Mass for the Pilgrims in the Sorrento Cathedral - Painting by Dino Carbetta"...<br />
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St. John Bosco (1815 – 1888), was a man of God, who besides his many miracles and ordinary life of holiness, received visions of Mary and numerous prophetic dreams. St. Bosco also worked countless miracles. He had the gift of multiplication of the loaves, and St. John even raised a boy from the dead to give him the chance of a good confession. The boy confessed his sins and died, but this time he went straight to Heaven. St. John Bosco was ordained a priest in 1841, and he worked tirelessly with young boys in his neighborhood. His goal was to make saints out of them, and at least one of his boys became a saint, St. Dominic Savio. St. John founded the Oratory of St. Francis de Sales and was the chaplain there. He opened up workshops for tailoring and shoe-making to help the boys not only grow spiritually but have enough money to live. St. John lived daily for Jesus Christ. He would rise early, hear Confessions, and write letters to those in need for hours into the night. He wrote over 130 works defending the faith, and for that, he was hated by the enemies of the Church. There were numerous plots to kill him though none succeeded. Father Peek, stood in this day for Saint John Bosco and offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. I am sure Saint John Bosco would have been proud of the lessons taught and learned during our scholarly and spiritual pursuit.
    Misticamente, San Giovanni Bosco off..etta
  • “The Baptism of the Lord - Painting by Dino Carbetta”…<br />
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Portrays a profound moment as Jesus descends into the River, sanctifying its waters and endowing them with the transformative power to birth sons of God. This event transcends a mere ritual, echoing a second creation with the active involvement of the entire Trinity. In the Eastern Church, it is known as Theophany, emphasizing the divine revelation as God manifests in three persons during Christ's baptism in the Jordan River. John the Baptist's baptism, a sacramental preparation for Christ, stirred repentance and confession of sins among people. However, Christ, sinless and impeccable, underwent John's baptism not out of necessity but to bestow upon water the true Baptism, capable of cleansing all worldly sins. His baptism mirrors the sacrament we undergo, symbolized by various events. During Christ's baptism, the Holy Spirit descended upon Him; in our Baptism, the Trinity establishes its dwelling within our souls. Christ declared the "Beloved Son" at His baptism, which parallels our Baptism where we, too, become adopted sons of God. The opening of the heavens at Christ's baptism signifies a similar opening for us during our Baptism. Luke 3:15-16, 21-22 narrates the anticipation among the people, speculating whether John might be the Christ. John humbly asserts his role in baptizing with water but foretells someone mightier, who will baptize with the Holy Spirit and fire. As Jesus prays after His baptism, heaven opens, the Holy Spirit descends like a dove, and a voice declares, “You are my beloved Son; with you, I am well pleased.” This sacred moment not only marks Christ's divine affirmation but foreshadows the grace and favor bestowed upon those baptized, inviting them into the loving embrace of the Heavenly Father.
    Il Battesimo del Signore - Dipinto d..etta
  • “The Hand of God Shines on the Cross in the Snow - Convent of the Cells of Cortona - Painting by Dino Carbetta”…<br />
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Gospel Jn 17:11-19 “Lifting up his eyes to heaven, Jesus prayed, saying: ‘Holy Father, keep them in your name that you have given me, so that they may be one just as we are one. When I was with them I protected them in your name that you gave me, and I guarded them, and none of them was lost except the son of destruction, in order that the Scripture might be fulfilled. But now I am coming to you. I speak this in the world so that they may share my joy completely. I gave them your word, and the world hated them, because they do not belong to the world any more than I belong to the world. I do not ask that you take them out of the world but that you keep them from the Evil One. They do not belong to the world any more than I belong to the world. Consecrate them in the truth. Your word is truth. As you sent me into the world, so I sent them into the world. And I consecrate myself for them, so that they also may be consecrated in truth.” In the realm of artistic serendipity, a premeditated error can unveil a spectacular image, as seen in the captivating interplay of sunlight. Casting its radiance through the window amidst a snowy tapestry of trees, the light graces the Cross with its presence. Here, it is not just the physical realm that is illuminated; it is the soul and the realm of imagination itself that basks in the divine glow. The Hand of God, subtly painted by the artist, breathes life into both canvas and spirit, transcending the boundaries of mere observation to illuminate the profound connection between art, spirituality, and the boundless landscapes of the human soul.
    La Mano di Dio Risplende sulla Croce..etta
  • “Giving seed to the One who sows, Snow - Painting by Dino Carbetta”…<br />
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Isaiah 55:10-13, “Yet just as from the heavens the rain and snow come down And do not return there till they have watered the earth, making it fertile and fruitful, Giving seed to the one who sows and bread to the one who eats, So shall my word be that goes forth from My mouth; It shall not return to me empty but shall do what pleases me, achieving the end for which I sent it. Yes, in joy you shall go forth, in peace you shall be brought home; Mountains and hills shall break out in song before you, and all trees of the field shall clap their hands. In place of the thornbush, the cypress shall grow, instead of nettles, the myrtle. This shall be to the LORD’s renown, as an everlasting sign that shall not fail.” “Giving Seed to the One who Sows, Snow - is an artwork that draws inspiration from Isaiah. The rain and snow that fall from the heavens, water the earth and make it fertile and fruitful. God's Word invigorates our souls, guiding us towards spiritual growth and renewal. The painting captures this divine interaction through meticulous strokes and nuanced hues. The snow, symbolizing purity and renewal, blankets the earth, signifying the transformative power of God's Word. The mountains, hills, and trees celebrate this divine work, creating a celestial orchestra of joy and harmony. Deer are creatures of the natural world, and their presence could highlight the interconnectedness of all living things. The deer symbolizes the harmony between the created world and the spiritual realm. It's a testament to God's restorative power, where desolation gives way to abundance, and barrenness blossoms into beauty. In essence, "Giving Seed," is not just an inspired composition but a spiritual odyssey that invites us to reflect on the boundless grace, transformative power, and eternal promise encapsulated in God's Word.
    Dare seme a Colui che semina, Neve -..etta
  • ”Radiant Saint Teresa of Lisieux - the ‘Little Flower’ - Painting by Dino Carbetta”… <br />
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Saint Therese of Lisieux was a woman who discovered a deep source of God's love and an endless love for others. Despite facing many difficulties throughout her life, she remained calm and joyful. She once said, "I prefer the quiet sacrifices of everyday life to the most ecstatic experiences. Even picking up a pin out of love can change someone's life." Her simple message still resonates with millions of people today. Though she only lived for 24 years, Therese believed that her journey was just beginning in serving God, promising to bring goodness to the world from heaven. This promise, known as her "Shower of Roses," continues to flow through the Church. Therese, also known as the "Little Flower," was a Carmelite nun who lived a hidden life in the convent of Lisieux, France. Despite her seemingly uneventful life, she found redemption in quiet endurance and made suffering her mission. She entered the Carmel convent to "save souls and pray for priests," as she said. Pope Pius X called her "the greatest saint of modern times," and she was canonized in 1925. In 1997, Pope John Paul II named her a Doctor of the Church, making her the third woman to receive this honor. Even her parents were canonized in 2015. Though she was known as Therese of the Child Jesus and the Holy Face, she had a profound depth of spiritual maturity that earned her a place among the great spiritual leaders. Her autobiography, "The Story of a Soul," is cherished by many worldwide. As you gaze upon this radiant portrayal, you can't help but be drawn into the world of Saint Thérèse. Her gentle and humble spirit, symbolized by the 'Little Flower,' is radiantly captured in every brushstroke. The delicate colors and intricate details in the painting bring to life the warmth and devotion that characterized her life. Thank you for allowing me to share this poignant piece of art with you.
    Radiosa Santa Teresa di Lisieux - il..etta
  • “Our Lady of Sorrows Radiant Blue - Cathedral of San Rufino, Assisi - Painting by Dino Carbetta”…<br />
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The title "Our Lady of Sorrows" bestowed upon our Blessed Mother beckons our attention to her profound suffering and grief, most notably during the passion and death of our Lord. It encompasses the seven sorrows of Mary, as foretold by the Priest Simeon. "This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed, and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare" Lk 2:34-35. These seven sorrows of our Blessed Mother weave a poignant narrative: the flight of the Holy Family into Egypt, the loss and finding of the child Jesus in the Temple, Mary's encounter with Jesus on His way to Calvary, her presence at the foot of the cross during our Lord's crucifixion, cradling Jesus as He was taken down from the cross, and His burial. In the prophecy of Simeon, a sword would pierce our Blessed Mother's heart, and find its fulfillment. Mary is depicted with her heart exposed and seven swords piercing it, symbolizing her profound sorrows. Her unwavering courage, love, and trust with which Mary embraced each trial, echoing her initial fiat: "Let it be done unto me according to thy word," first spoken at the Annunciation. This unwavering faith is beautifully depicted in the Adoration of the Madonna as a participant in the Passion of Christ, as captured in the iconographic tradition in 1672. Luke 2:34-35 serves as the foundation of this profound portrayal: "He blessed them and said to Mary his mother: 'Behold, this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; and thy own soul a sword shall pierce, that out of many hearts, thoughts may be revealed.'" In "Our Lady of Sorrows," we witness not only the depths of Mary's sorrow but also the enduring strength of her faith, an inspiration for all who encounter this ethereal work of art.
    Madonna Addolorata Radiante Azzurre ..etta
  • "Saint Helena holding the cross - Santa Croce in Gerusalemme, Rome"...<br />
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The Basilica of the Holy Cross in Jerusalem is located in Rome, in the Esquilino quarter, close to the Aurelian Walls and the Castrense Amphitheatre, between the Basilica of St. John Lateran and Porta Maggiore. The Basilica of the Holy Cross is part of the route of the “Seven Churches” that ancient pilgrims used to visit on foot. Several sources, including an inscription in the church, verify that the Sessorian Palace was owned by the empress St. Helen (c.255-330), Constantine's mother. From the end of the 4th century, it was said that St. Helen had made a pilgrimage to the Holy Land, during which she discovered the True Cross on which Christ was crucified and many other relics. It was also said that she wished to set up a shrine in Rome for pilgrims who could not travel to Jerusalem. The first room of the chapel has a Roman-era statue of St. Helen holding the cross. Beneath the statue is a floor believed to contain soil from the Holy Land. Under the protective glass covering the soil are many paper prayers from the faithful. Fragments of the cross were circulating in the West by 348 AD. The earliest historical record of the church, dated to 501 AD, refers to it as "Hierusalem basilica Sessoriani palatii." Architecturally, it is notable that the 4th-century Chapel of St. Helen is quite similar in design to a martyrium that was erected by Constantine in Jerusalem to house a fragment of the True Cross. In 1492, a dramatic discovery was made in the course of repairs to a mosaic: a brick inscribed with the words TITULUS CRUCIS (Title of the Cross). Sealed behind the brick was a fragment of an inscription in wood, with the word "Nazarene" written in Hebrew, Latin, and Greek. The Title is mentioned in all four Gospel accounts. This was our first stop on our Pilgrimage of 2019 in Italy. A very propitious, historical, and spiritual beginning to a monumental journey in The Eternal City.
    Sant'Elena con in mano la croce - Sa..Roma
  • The Majestic Statues of St. Peter’s Basilica<br />
Photograph and Reflection in the Days of the Conclave<br />
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Thirteen colossal statues crown the façade of St. Peter’s Basilica, rising like silent sentinels above the heart of Christendom. At the center stands Christ the Redeemer, arms open in sovereign peace. Beside Christ stand eleven apostles and St. John the Baptist—yet St. Peter is absent. But this is no omission; it is a sacred sign. Peter is not placed above, for he remains at the foundation—his mission too vital to overlook, his presence enshrined below the altar, and his legacy living in the very heart of the Church. Peter is not among the heights; he dwells at the foundation—his statue greeting pilgrims in the square, his tomb resting beneath the high altar. Now, as the Church enters a sacred pause—following the death of Pope Francis—a new conclave approaches. Within the ancient walls of the Vatican, beneath these very statues that gaze down like eternal witnesses, the cardinals now gather in sacred assembly. In prayer and silence, they seek not their own will, but the guidance of the Holy Spirit—to discern the one chosen to bear the keys of Peter and shepherd the Church through the trials of a new age. Here, in the shadow of the saints, they will invoke the Holy Spirit to anoint the next successor of Peter. Once captured under a serene Roman sky, this image now echoes with timeless urgency. The apostles above remind us that the Church is not built on passing leaders, but on an unbroken apostolic foundation. Christ remains at the center. The call of John the Baptist still resounds, preparing the way of the Lord. As the conclave begins, heaven and earth watch in prayer. Soon, one will emerge from among the crimson-clad cardinals—a new Pontiff stepping into Peter’s sandals, carrying the keys once given by Christ Himself. Until then, the statues remain, proclaiming with silent grandeur: Tu es Petrus, et super hanc petram ædificabo Ecclesiam meam.
    “The Majestic Statues of St. Peter’s.. ...
  • "The Crucifix - The Basilica of Santa Maria degli Angeli Assisi Museum - Painting by Dino Carbetta"...<br />
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Portiuncula is a town and a parish situated about three-quarters of a mile from Assisi. The town has grown up around the Basilica of Our Lady of the Angels. It was of this little church moved within the Basilica that St. Francis recognized his vocation in the year 1208, and it was where St. Francis spent most of his life. In 1211, the Benedictines gave him the little chapel of St. Mary of the Angels or the Portiuncula, which is a “little portion” of land. The first Franciscan convent was also formed nearby. The Portiuncula was also where St. Francis received the vows of St. Clare. St. Francis died here on October 3, 1226, and on his deathbed, he recommended the chapel to the faithful protection and care of his brothers. The Museo della Basilica is in another section of the convent. Among the most important works kept here are the "Crucifix “painted on wood by Giunta Pisano (1236-40). The return of Francis, a penitent man, contemplating his future in the Church... But God had other plans, and Francis did not travel far. His search for conversion led him to the ancient church at San Damiano. While he was praying there, he heard Christ on the crucifix speak to him, "Francis, repair my church." Francis assumed this meant the crumbling building he was in. He later realized it was his call to rebuild the entire Church. He read the command to the rich young man to sell all his good and give to the poor, the order to the apostles to take nothing on their journey, and the demand to take up the cross daily. "Here is our rule," Francis said -- as simple, and as seemingly impossible, as that. He was going to do what no one thought possible any more -- live by the Gospel.
    Il Crocifisso - La Basilica di Santa..etta
  • “Orvieto ancient Etruscan walls and rain soaked hardscape overlook the local vineyards - Painting by Dino Carbetta”…<br />
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Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a big chunk of volcanic stone called tufa and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this clifftop village over 2000 years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliffside views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. The 14th Century Duomo was constructed to provide a home for the “Corporal of Bolsena”, a miracle that occurred in 1263 in the nearby town of Bolsena. A traveling priest who had doubts about the truth of transubstantiation found that his Host was bleeding so much that it stained the altar cloth. The cloth is now stored in the “Chapel of the Corporal” inside the cathedral. It’s amazing to turn the corner only to view, stop, and stare as the majestic Cathedral slowly rises to touch the heavens above.
    Orvieto antica mura etrusche e piogg..etta
  • “The New Church birthplace of St. Francis of Assisi”…<br />
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This photograph was created while approaching Chiesa Nuova (New Church) at the same time an elderly Italian man was entering for worship and prayer. As I entered the beautiful small church, a Franciscan Monk working inside saw me and without reluctance, rose from his desk and graced me with a half-hour tour speaking entirely in Italian. He never hesitated and he never assumed that I was not fluent in Italian; yet, he continued to entrust me with every detail of what looked like a mini Basilica. As we ventured around, he explained every nuance, even the crypt where Saint Francis’ parents reside. Upon completion of the tour, he shook my hand, gave me a gentle embrace, and bestowed a blessing in Italian. While not understanding the language, I left with gratitude and amazement …yet, somehow, I understood his every word.
    La Chiesa Nuova luogo di nascita di ..sisi
  • Jesus of Nazareth – Sorrentino Fishing Boat – Marina Grande, Sorrento<br />
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In quaint Sorrento, near the Amalfi Coast, lies my heart’s gem—the Cathedral of Saints Philip and James. Father Peek led a cherished Mass at the majestic High Altar during our pilgrimage. Skipping Capri, I chose Marina Grande to commemorate this sacred day. I convinced my friend Patrick that the marina held a unique charm, perfect for reflecting on our journey. We arrived on a rainy Sunday afternoon. The bustling port wasn’t filled with tourists, but with spirited locals going about their day. Overcast skies hovered, but now and then the sun broke through, painting the heavens in soft, fleeting pastels. In that light, a solitary boat gently rocked at the mouth of the Piccolo Marina. On its stern, it bore the name: “Gesù di Nazareth.” A striking moment—graceful and profound. That name called to mind Saint Matthew’s Gospel, when Jesus, asleep in the boat amid a storm, rose and calmed the seas: “Then He arose and rebuked the winds and the sea, and there was a great calm.” (Matthew 8:26) The peaceful scene stirred another memory—the recent passing of my childhood friend Shannon, just a week earlier. The soft, radiant sky felt like a message... a trace of Heaven. In that moment, grief gave way to peace. It was as though Shannon’s spirit was near, in the hush between wind and wave. We returned to the marina that evening to capture the tranquil seascape before joining the pilgrimage group for dinner at my favorite restaurant, Zi’Ntonio Mare. Within Sorrento’s sacred stillness and Marina Grande’s beauty, I found both comfort and inspiration. The boat’s name remains etched in my heart, a living reminder that Christ is present—within the storm, beside the sea, and in every quiet farewell. This photograph is not just an image—it is a memory etched in stillness, a symbol of faith floating on gentle waters.
    Gesù di Nazareth - Peschereccio Sorr..ento
  • “Night view through the arch of the Papal Basilica of San Francesco”…<br />
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Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Never stopping for lunch or dinner, I continued to photograph new images well past sundown. Traversing the narrow steps and Strada back down to the bottom of the mountaintop to my hotel, the walk seemed a bit less strenuous and I felt a sense of gratitude and completion of my day-long journey. However, the very quiet Assisi seemed to have fallen into a deep slumber in the early nighttime leaving all the restaurants closed for the night. Pleading with the hotel manager, she desperately arranged a late dinner at one of the most iconic restaurants in Assisi, La Locanda Del Cardinale, which was built over an ancient Roman settlement dating from the first century B.C., with glass floors to view the mosaics below. Walking back at midnight to the hotel, the peaceful Assisi continued to call out. As the serene, quiet Basilica of Saint Francis stood majestically and glowed in the midnight skies, one could not help but to acquiesce to its mystical yearning for just a few more memorable portraits in the cool dew of the early morning air.
    Vista notturna attraverso l'arco di ..esco
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