dino carbetta

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  • “Angels Guard the Main Altar of the Sistine Chapel - Basilica of Santa Maria Maggiore Rome”…<br />
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After Mass in the Crucifix Chapel on the second morning of the inaugural Pilgrimage I organized, we were joined by our Roman tour guide for the day. As we listened and ventured around the glorious Basilica, my eyes and camera began to wander. I became stupefied by the grand chapel to the right of the main altar with the rising sun peering through the window just below the cupola. I discreetly wandered in and out in hopes it would shine upon the Holy Crib. The right transept is called the Sistine Chapel, containing the elaborate tomb of Pope Sixtus V (1521-90) and decorated with frescoes and reliefs of events from his reign. The chapel centers on a reliquary containing part of the Holy Crib, and the burial place of Saint Jerome, the 4th-century Doctor of the Church. The architect Domenico Fontana designed the chapel, which also contains the tomb of Pope Pius V. The main altar in the chapel has four gilded bronze angels by Sebastiano Torregiani, holding up the ciborium, which is a model of the chapel itself. The Patriarchal Basilica of St. Mary Major reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God.
    Angeli Custodiscono L'altare Princip..Roma
  • “Papà’s Embrace - A Painting by Dino Carbetta” ...<br />
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In this intimate and profoundly moving portrait, Pope Francis is depicted embracing a young child, a moment of pure tenderness and compassion. The close-up composition captures the deep emotions reflected in their faces—the gentle warmth of a shepherd and the innocent trust of a child. As Papà Francesco, he is more than just the leader of the Church; he is a father to the faithful, especially to the poor, the marginalized, and the forgotten. His papacy has been defined by an unyielding commitment to those in need, reaching beyond borders, divisions, and prejudices to offer the healing embrace of Christ. His paternal care reflects God's boundless love, recognizing only the human soul in need of grace, regardless of status or wealth. Yet, this calling has not been without suffering. Like a shepherd in turbulent waters, Pope Francis has faced relentless challenges from an indifferent world and from within his flock. The Church, a vessel of salvation, is also a place of great human struggle, where pride, rigidity, and division sometimes overshadow the very message of Christ. Some believe they hold the fullness of truth, are unwilling to listen, quick to judge, and slow to love. And yet, through it all, Papà Francesco presses forward, undeterred in his mission, carrying the burdens of leadership with the heart of a servant. All he has ever sought is to bring the world closer to Christ. To remind the faithful that mercy triumphs over judgment, that love conquers discord, and that true wisdom is found not in self-righteous certainty, but in humble service. Papà’s Embrace is not just a moment of tenderness—it is a testament to a shepherd’s endurance, a father’s unwavering love, and a disciple’s relentless pursuit of the Gospel. In this embrace, we see the heart of a man who has given everything to guide souls home. May we, too, find the humility to embrace one another, as Christ embraces us all.
    Papà’s Embrace - A Painting by Dino ..etta
  • “Agony in the Garden – Painting by Dino Carbetta” …<br />
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The agony in the Garden of Gethsemane encompasses Holy Week in the life of Jesus. Occurring after the Last Supper, before his betrayal and arrest, all part of the Passion of Jesus leading to his crucifixion and death. This episode is described in the three Synoptic Gospels in the New Testament. According to these accounts, Jesus, accompanied by Peter, John, and James, enters the garden of Gethsemane on the Mount of Olives where he experiences great anguish and prays to be delivered from his impending suffering, while also accepting God's will. Immediately after the Last Supper, Jesus retreated to a garden to pray. Jesus was accompanied by three Apostles: Peter, John, and James, whom he asked to stay awake and pray. He moved "a stone's throw away" from them, where he felt overwhelming sadness and anguish, and said "My Father if it is possible, let this cup pass me by. Nevertheless, let it be as You, not I, would have it." Then, a little while later, he said, "If this cup cannot pass by, but I must drink it, Your will be done!" He said this prayer thrice, checking on the three apostles after each prayer and finding them asleep. He commented: "The spirit is willing, but the flesh is weak". An angel came from heaven to strengthen him. During his agony as he prayed, "His sweat was, as it were, great drops of blood falling upon the ground" (Luke 22:44). In Roman Catholic tradition, the Agony in the Garden is the first Sorrowful Mystery of the Rosary and the First Station of the Scriptural Way of The Cross Catholic tradition includes specific prayers and devotions as acts of reparation for the sufferings of Jesus during His Agony and Passion.
    Agonia Nell'Orto – Dipinto di Dino C..etta
  • ”Radiant Saint Teresa of Lisieux - the ‘Little Flower’ - Painting by Dino Carbetta”… <br />
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Saint Therese of Lisieux was a woman who discovered a deep source of God's love and an endless love for others. Despite facing many difficulties throughout her life, she remained calm and joyful. She once said, "I prefer the quiet sacrifices of everyday life to the most ecstatic experiences. Even picking up a pin out of love can change someone's life." Her simple message still resonates with millions of people today. Though she only lived for 24 years, Therese believed that her journey was just beginning in serving God, promising to bring goodness to the world from heaven. This promise, known as her "Shower of Roses," continues to flow through the Church. Therese, also known as the "Little Flower," was a Carmelite nun who lived a hidden life in the convent of Lisieux, France. Despite her seemingly uneventful life, she found redemption in quiet endurance and made suffering her mission. She entered the Carmel convent to "save souls and pray for priests," as she said. Pope Pius X called her "the greatest saint of modern times," and she was canonized in 1925. In 1997, Pope John Paul II named her a Doctor of the Church, making her the third woman to receive this honor. Even her parents were canonized in 2015. Though she was known as Therese of the Child Jesus and the Holy Face, she had a profound depth of spiritual maturity that earned her a place among the great spiritual leaders. Her autobiography, "The Story of a Soul," is cherished by many worldwide. As you gaze upon this radiant portrayal, you can't help but be drawn into the world of Saint Thérèse. Her gentle and humble spirit, symbolized by the 'Little Flower,' is radiantly captured in every brushstroke. The delicate colors and intricate details in the painting bring to life the warmth and devotion that characterized her life. Thank you for allowing me to share this poignant piece of art with you.
    Radiosa Santa Teresa di Lisieux - il..etta
  • “Mystic Reflections of Villa Borghese – Rome”…<br />
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Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus.  Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, the Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and gives time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Riflessioni Mistiche di Villa Borghe..Roma
  • "A million faces of Jesus by Dino Carbetta - Spatola di metallo"...<br />
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Daniel 10: 5-6 “As I looked up, I saw a man dressed in linen with a belt of fine gold around his waist. His body was like chrysolite, his face shone like lightning, his eyes were like fiery torches, his arms and feet looked like burnished bronze, and the sound of his voice was like the roar of a multitude.” Genesis 1:27 “God created mankind in his image; in the image of God he created them; male and female he created them.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. The blessed see God, not merely according to the measure of His likeness imperfectly reflected in creation, but they see Him as He is, after the manner of His own Being. 1 Corinthians 13:12 “At present, we are looking at a confused reflection in a mirror; then, we shall see face to face; now, I have only glimpses of knowledge; then, I shall recognize God as he has recognized me.”
    Un milione di volti di Gesù di Dino ..allo
  • "The oculus of the 2000 year-old Pantheon of Santa Maria"...<br />
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The ancient Pantheon is still the world's largest unreinforced concrete dome.  Both the height and the diameter of the dome is exactly 142 feet.  The Romans were so far ahead of their time...just imagine the possibilities if the empire had survived. The Pantheon is now an active Catholic church known as Santa Maria Rotonda.  The ancient tradition of dropping rose petals from the open oculus happens at noon every Pentecostal Sunday during Mass.  The rose petals symbolize the descent of the Holy Spirit falling on the apostles and the faithful, and it dates back as early as 600 years after the birth of Christ.  Vigili del Fuoco (firefighters) of Rome, climb on top of the Pantheon’s dome, and drop thousands of rose petals as the choir chants the sequence of Veni Sancte Spiritus.
    L'oculo del Pantheon di 2000 anni di..aria
  • “The evening reflections at Villa Borghese – Rome”…<br />
<br />
I stumbled into photography just before graduation at the U of TN while volunteering at a local hospital where I was influenced to attend Brooks Institute.  The instructors preached the technical aspects of photography, and upon graduation…we could implement our own artistic vision.  As a commercial photographer since graduation, I have had little time to express my artistic vision…until I went to Italy for the first time, where I discovered my true love and passion!  I consider myself a “contemplative” photographer, and as such, I have a three-part process to achieve my final presentation for each image: the discovery, how I perceive the image creation, and how I hope others will perceive the image.  This artistic pursuit, I imagine, is similar to Michelangelo viewing a piece of marble for the first time.  Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake.  Surrounding this small lake is a three-foot iron fence, which I now affectionately call “Il lago di dolore”, or Lake Pain!  I tried to cross this iron fence with camera in hand and a 20lb bag on my shoulder…needless to say, it did not go well!  Despite the intense pain, I continued to take 60 images around the lake, and upon return home, I stubbornly refused to look at them until recently.  My disdain for Lake Pain kept me from discovering the true artistic vision I first saw when I began creating these images. I finally gave into the contempt I had for the Lake and began working on several images.  Perhaps, the viewer will perceive the great pain it took to finally engender a feeling of solace and peace in the true vision, and find that suffering eventually brought forth eminent beauty.  As for this photographer, Il lago di dolore will be a constant reminder that the creation of great art sometimes endures great pain!
    Le riflessioni della sera a Villa Bo..Roma
  • Il Battistero Nella Basilica di Sant..Roma
  • “The glow of the Holy Cross in the ruins of the Colosseum”…<br />
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The Colosseum is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque, stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.  It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.
    Il bagliore della Santa Croce tra le..sseo
  • “A perfect evening overlooking the Colosseum”…<br />
<br />
A sunlit and pleasant view of the ancient and organic Colosseum.  The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  I created this image in the late evening as the guards ushered me out for closing time.
    Una serata perfetta che si affaccia ..sseo
  • “Ring side seat Colosseum”…<br />
<br />
A sunlit and pleasant view of the ancient and organic Colosseum.  The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  I created this image in the late evening as the guards ushered me out for closing time.
    Sedile laterale anello Colosseo
  • “The Beautiful Full Moon Illuminates and Inspires Emotion in the Bay of the Ligurian Coast - Painting by Dino Carbetta” ...<br />
<br />
Nestled in the Liguria region, the Italian Riviera is a breathtaking coastal stretch where nature, history, and culture harmoniously intertwine. Spanning from Ventimiglia, near the French Riviera, to the enchanting Gulf of Poets north of Tuscany, this region is a treasure trove of stunning landscapes and architectural marvels. You'll discover captivating seaside villages and luxurious resort towns along the coast, such as Sanremo, Portofino, and the renowned Cinque Terre. These destinations offer stunning scenery and a seamless blend of history and modernity. Italy's coastal towns, adorned with a Catholic church, are dotted along the peninsula, serving as beacons of faith, hope, and comfort. The church, strategically located atop each town, stands as a lighthouse and a maternal figure, protecting all who seek its embrace. The painting captures this essence, portraying an ancient church and bell tower standing resilient against the timeless waves of the Mediterranean Sea. The church symbolizes the enduring spirit of the Ligurian people, with the “stained glass Jesus” blessing those along the bay, deeply intertwined with the sea for centuries. As dusk falls, the painting shows a priest enjoying the serene bay, his faithful dog frolicking at the water's edge. The soft glow of the blue Mediterranean moon casts a mesmerizing light on the church's façade, while lush green hills and the sparkling sea frame the scene. The painting invites viewers to step into a world where time slows down, allowing the whispers of history to resonate. The Italian Riviera is not just a destination; it is a place of pilgrimage, an abundant source of inspiration, and a testament to the enduring connection between humanity and the divine. This artwork captures the physical beauty and spiritual essence of the Ligurian Riviera, offering a profound glimpse into its soul.
    La Bellissima Luna Piena Illumina ed..etta
  • “Van Gogh Style of Café Terrace at Night in Rome Italy - Painting by Dino Carbetta”…<br />
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Paying homage to the genius of Vincent van Gogh while seamlessly blending it with the captivating allure of Rome. In this winsome rendition, I endeavor to channel van Gogh's distinctive style, characterized by bold brushwork, vibrant colors, and expressive forms, to evoke the dynamic atmosphere of Rome's bustling energy. With each brushstroke, trying to transport viewers to the heart of Rome, the soft glow of streetlights and the moon illuminate the scene, casting a spell of warmth and intimacy. The Café Terrace, a focal point of van Gogh's original masterpiece, invites viewers to imagine themselves amidst the lively conversations and laughter of patrons enjoying their evening in the Eternal City. Through meticulous mindfulness, capturing the essence of van Gogh's vision, infusing it with the unique charm and vitality of Rome. The result is a captivating tableau that not only celebrates van Gogh's artistic legacy but also offers a fresh perspective on the timeless charisma of Rome. This imitation of van Gogh’s use of color and form is on full display, "The artistic recreation captures the vibrant energy of the Roman skyline, while also showcasing its rich religious history." Each brush stroke is imbued with a sense of awe and vitality, breathing life into the canvas and inviting viewers to immerse themselves in the rich history of Roman life. From the cobblestone streets to the bustling café terrace, rendered with precision and care, creating a sense of depth and immersion uniquely van Gogh. Gazing upon this artistic interpretation, one is transported on a journey through time and space, where the artistic genius of van Gogh converges with the eternal beauty of Rome. Let's appreciate the enchanting beauty of art and its connection to life. Café Terrace at Night in Rome, Italy reminds us of art's power to unite us in a shared experience of beauty and wonder.
    Stile Van Gogh Della Terrazza Di Un ..etta
  • “Jesus Christ Sacred Heart - Painting by Dino Carbetta” …<br />
<br />
The Solemnity of the Sacred Heart of Jesus, a significant observance in the Catholic faith, takes place on the nineteenth day after Pentecost. This day acknowledges the immense love and sacrifice that Jesus made for humanity. The heart is a powerful symbol in this devotion, representing a person's core, the center of all spiritual activity, and the seat of all emotion, particularly love. This symbolism is firmly rooted in Judaism, where the heart was recognized as the principal life organ, embodying the essence of a person. The painting of Christ's Face in the Sacred Heart of Jesus is an evocative piece that seeks to capture and convey the profound love and sacrifice embodied in this devotion. The heart of Jesus, often depicted aflame with love and pierced, symbolizes His unending love and the pain He endured for the salvation of humanity. This imagery is designed to inspire deep personal reflection and a heartfelt response to Christ’s love. The intricate details of the painting, from the gentle contours of Christ's face to the radiant glow of His heart, invite viewers to a contemplative experience. The flames encircling the Sacred Heart represent the divine love that burns eternally for all souls, a love that transcends time and space. The thorns that pierce His heart remind him of the suffering He willingly accepted out of love for mankind. This dual imagery of love and suffering is central to understanding the depth of Christ’s compassion and the call to emulate His love in our lives. The emotive power of the painting invites viewers to deepen their understanding and forge a profound connection with the Sacred Heart. "The Sacred Heart brings comfort, protection, and grace for living a holy life." As an artist, I hope this artwork brings divine blessings, inspiring devotion, gratitude, and love.
    Gesù Cristo Sacro Cuore - Dipinto di..etta
  • “Our Lady of Grace - Painting by Dino Carbetta” …<br />
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Among the many miraculous images of the Mother of God through which she deigns to grant her favors, there is one in the monastery church of the Carmelites in Vienna, entitled, Our Lady of Grace. In 1610 a Carmelite, Dominic of Jesus-Mary, found among the votaries of an old altar in the monastery church of Maria della Scala in Rome, an oil painting of the Mother of God, dust-covered and somewhat torn, which grieved him. Taking it into his hands, he shook the dust off it and kneeling venerated it with great devotion. “O pure and holiest Virgin, nothing in the whole world is worthy of touching your holy face, but since I have nothing but this coarse handkerchief, deign to accept my goodwill.” To his great surprise, then the face of the Mother of God appeared to take on life, and smiling sweetly at him, she bowed her head, which thereafter remained inclined. Fearing he was under an illusion, Dominic became troubled, but Mary assured him that his requests would be heard, and he could ask of her with full confidence any favor he might desire. He fell upon his knees and offered himself entirely to the service of Jesus and Mary and asked for the deliverance of one of his benefactor’s souls in purgatory. Mary told him to offer several Masses and other good works; a short time after when he was again praying before the image, Mary appeared to him bearing the soul of his benefactor to Heaven. Dominic begged that all who venerated Mary in this image of Our Lady of Grace might obtain all they requested. In reply, the Virgin gave him this assurance: “All those who devoutly venerate me in this picture and take refuge to me will have their request granted and I will obtain for them many graces; but especially will I hear their prayers for the relief and deliverance of the souls in purgatory.” Dominic soon after placed the image into Maria Della Scala's church so that more Mary devotees may venerate her.
    Madonna delle Grazie - Dipinto di Di..etta
  • "The Fourth Advent Candle Represents Love, Called the Candle of the Angels - Painting by Dino Carbetta"...<br />
<br />
In the 'Angel's Candle,' radiant brushstrokes lead us into profound significance. Purple hues transcend aesthetics, embodying divine love at the Fourth Advent Candle's threshold. The painting transforms the Advent wreath into a visual symphony, each candle igniting hope, peace, joy, and love. The 'Angel's Candle' is a poignant reminder of love's pinnacle in Jesus' birth. The artwork reflects earthly struggles and anticipates spiritual rebirth. The Infant Jesus symbolizes hope amid collective challenges, urging introspection for a profound spiritual awakening. Embracing Advent, the narrative unveils a communal experience, a testament to shared humanity and universal hope. Beyond the canvas, this creation inspires introspection, faith, and renewed purpose. The 'Angel's Candle' is more than paint; it's a testament to love renewing spirits with peace, joy, and divine love's transformative power. In depicting the Nativity, the artist captures Christ's birth's divine moment. Vivid colors and intricate details invite contemplation of the Incarnation's profound significance, transcending traditional artistic boundaries to become a conduit for a deeper understanding of divine love. On December 22, 2024, the 4th Sunday of Advent becomes a day of profound reflection, drawing us to the heart of the Advent Season. This sacred day invites believers to contemplate the nearness of Christ's birth with quiet anticipation and steadfast hope. The lighting of the fourth candle on the Advent wreath symbolizes the fulfillment of God's promise, illuminating hearts with the light of love and peace. As we gather in worship, this moment encourages us to prepare spiritually for the miracle of the Incarnation, deepening our faith and reminding us of the profound joy and significance of Christ's coming into the world.
    La Quarta Candela dell'Avvento Rappr..etta
  • “Spring Mystical Reflections of Villa Borghese – Rome”…<br />
<br />
Villa Borghese in Roma is a famous Garden and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus. Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and give time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Primavera Riflessioni Mistiche di Vi..Roma
  • “Excitement Abounds As Warm Summer Evening Descends Over Positano” …<br />
After a thrilling descent along the winding cliffs from Sorrento, the first glimpse of Positano stole the breath and stirred the soul. Clinging to the mountainside in cascading tiers of color and light, this legendary village appears more dream than dwelling — a vision conjured from sea mist and sun. Navigating the town’s lone serpentine road three full times, I finally discovered the hidden parking tucked near my hotel, perched high above the scene now immortalized in this photograph. The descent was a pilgrimage — narrow alleys, stone staircases, and the intense heat of late May pressed against every step. But upon reaching the beach and the marina, the weight lifted. The Mediterranean, ablaze with afternoon light, shimmered in hues of sapphire and flame. It was as though heaven itself poured its radiance into the sea. And rising amidst it all stood the Church of Santa Maria Assunta — quiet and eternal, her brilliant majolica dome shimmering like a celestial crown. Since 1159, she has watched over Positano with maternal grace, her gaze cast upon the faithful below and the infinite blue beyond. Nestled between cliff and sea, she stands as both anchor and blessing — a house of prayer and a symbol of divine beauty. Later, crossing the warm sands toward a seaside hotel terrace, I found stillness. Facing north, with the village spread before me like a living fresco, I watched as the sun retreated behind the mountains, casting golden rays across Positano’s vibrant facade. In those final moments of light, camera in hand, I captured the mystical union of nature, architecture, and the sacred — a fleeting hour when time itself stands still. Through this photograph, the soul of Positano is revealed — not just in its beauty, but in its quiet invitation to wonder, to rest, and to believe.
    Eccitazione Abbonda Come la Calda Se..tano
  • “Saint Jude the Apostle – Painting by Dino Carbetta” …<br />
<br />
Saint Jude, the Patron Saint of Hope and impossible causes is important in Christian history. As one of Jesus’ original twelve Apostles, he preached the Gospel with unwavering devotion, often in difficult and dangerous circumstances. Through the power of the Holy Spirit, St. Jude brought God's Word to many, inspiring hope in those who needed it most. The Gospel of Matthew identifies St. Jude as the brother of St. James the Less, another Apostle of Jesus. They are considered cousins of Jesus, known as His "brethren." St. Jude is often confused with Judas Iscariot, the Apostle who betrayed Jesus, but his life exemplified loyalty and faithfulness to Christ. In Dino Carbetta’s painting, St. Jude is portrayed as pointing to the image of Christ, a reference to a miracle attributed to him. King Abgar of Edessa, suffering from leprosy, sought the likeness of Jesus for healing. Jesus, moved by the king's faith, pressed His face onto a cloth, leaving His image imprinted on it. He gave this cloth to St. Jude, who delivered it to King Abgar, and through it, the king was miraculously healed. This story highlights St. Jude as a vessel of Christ’s grace, bringing hope and healing. After Jesus' resurrection, he and St. Simon traveled through Mesopotamia, Libya, and Persia, spreading the Gospel and building the early Church. His missionary work led to his martyrdom for his steadfast faith, and his relics now rest in a crypt beneath St. Peter’s Basilica in Rome. For centuries, people have turned to St. Jude in their darkest moments. Saint Bridget of Sweden had a vision where Christ urged her to pray to Him with deep faith, a practice that brings hope in hopeless situations. His name continues to be invoked by those facing impossible challenges, seeking his intercession in times of sickness, crisis, and despair. Dino Carbetta’s painting of St. Jude highlights the Saint as a symbol of Christ’s healing grace and hope.
    San Giuda Apostolo - Dipinto di Dino..etta
  • “Monument of Madonna embracing the Cross in the Basilica of Santa Maria Maggiore in Rome”…<br />
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The first major stop on my first visit to Rome was The Patriarchal Basilica of Saint Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, Saint Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. I found Saint Mary in a spectacular monument to Cardinal Agostino Favoriti, 1685, by Filippo Carcani. The famous 17th-century cardinal is shown seated at a desk behind large allegorical figures of Fortitude (with the lion) and Saint Mary representing religion. Of the very large monument, Mother Mary stood out to me, as one cannot help feeling blessed by her compassionate presence, and the luminescent glow of light gently descending upon her face, revealing her abiding love for her precious son. Pope Benedict XVI, speaking about Pope John Paul II of suffering and his love of the Holy Mother; “in that last Easter Sunday of his life, the Holy Father, marked by suffering, came once more to the window of the Apostolic Palace and one last time gave his blessing Urbi et Orbi (‘to the city and the world’). “We can be sure that our beloved pope is standing today at the window of the Father’s house, that sees us and blesses us. Yes, bless us, Holy Father. We entrust your dear soul to the Mother of God, your Mother, who guided you each day and who will guide you now to the glory of her Son, our Lord Jesus Christ. Amen.”
    Monumento di Madonna abbracciando La..Roma
  • 🌹The Resurrection of the Lord - Painting by Dino Carbetta<br />
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🌹(Gospel Jn 20:1-9)  “On the first day of the week, Mary of Magdala came to the tomb early in the morning, while it was still dark, and saw the stone removed from the tomb. So she ran and went to Simon Peter and to the other disciple whom Jesus loved, and told them, “They have taken the Lord from the tomb, and we don’t know where they put him.” So Peter and the other disciple went out and came to the tomb. They both ran, but the other disciple ran faster than Peter and arrived at the tomb first; he bent down and saw the burial cloths there, but did not go in. When Simon Peter arrived after him, he went into the tomb and saw the burial cloths there, and the cloth that had covered his head, not with the burial cloths but rolled up in a separate place. Then the other disciple also went in, the one who had arrived at the tomb first, and he saw and believed. For they did not yet understand the Scripture that he had to rise from the dead.” (Mark 16:19-20) “So then the Lord Jesus, after he spoke to them, was taken up into heaven and took his seat at the right hand of God. But they went forth and preached everywhere, while the Lord worked with them and confirmed the word through accompanying signs.)
    La Resurrezione del Signore - Dipint..etta
  • “Sunrise on the Veranda in Positano”…<br />
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A hush blanketed Positano in the stillness of early morning, as if Heaven itself had breathed softly upon its pastel cliffs. It was my final day in this dreamlike haven, and by divine fortune, the dawn greeted me with golden silence and a sea of waking light. As I began the steep descent into the heart of the village, my eyes were drawn to a hidden veranda, perfectly perched with a view that seemed kissed by angels. A locked gate denied entry, but not inspiration. Kneeling in quiet resolve, I threaded my lens through a slender opening in the wrought iron, capturing a single frame of a moment never to return. Such beauty required foresight. This sunrise was the only one I had the grace to plan, requiring careful study of Positano’s winding geography, the play of morning light, and the unpredictable rhythms of the sea and sky. By 10:00 a.m., gentle rain began to fall, as if to seal the morning in sacred memory. By sunset, a biting wind swept in from the Azzurro Sea, closing the day with solemn grandeur. At 6:50 a.m., when this image was taken, the town still slept beneath its canopy of dew and prayer. No footsteps echoed, no voices stirred—only the quiet bloom of bougainvillea and the glint of sun upon majolica. By 8:00, life would return in full flourish: shopkeepers unlocking doors, the scent of espresso in the air, travelers arriving with wide eyes and eager hearts. Of all the sanctuaries I visited across Italy, Positano was the most lush, the most radiant—where even silence bloomed. And in that tranquil veranda at sunrise, Heaven whispered: “Consider how the flowers grow. They do not toil or spin. But I tell you, not even Solomon in all his splendor was arrayed like one of them.” —Luke 12:27
    Alba Sulla Veranda a Positano
  • “Our Lady of Sorrows Radiant Blue - Cathedral of San Rufino, Assisi - Painting by Dino Carbetta”…<br />
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The title "Our Lady of Sorrows" bestowed upon our Blessed Mother beckons our attention to her profound suffering and grief, most notably during the passion and death of our Lord. It encompasses the seven sorrows of Mary, as foretold by the Priest Simeon. "This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed, and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare" Lk 2:34-35. These seven sorrows of our Blessed Mother weave a poignant narrative: the flight of the Holy Family into Egypt, the loss and finding of the child Jesus in the Temple, Mary's encounter with Jesus on His way to Calvary, her presence at the foot of the cross during our Lord's crucifixion, cradling Jesus as He was taken down from the cross, and His burial. In the prophecy of Simeon, a sword would pierce our Blessed Mother's heart, and find its fulfillment. Mary is depicted with her heart exposed and seven swords piercing it, symbolizing her profound sorrows. Her unwavering courage, love, and trust with which Mary embraced each trial, echoing her initial fiat: "Let it be done unto me according to thy word," first spoken at the Annunciation. This unwavering faith is beautifully depicted in the Adoration of the Madonna as a participant in the Passion of Christ, as captured in the iconographic tradition in 1672. Luke 2:34-35 serves as the foundation of this profound portrayal: "He blessed them and said to Mary his mother: 'Behold, this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; and thy own soul a sword shall pierce, that out of many hearts, thoughts may be revealed.'" In "Our Lady of Sorrows," we witness not only the depths of Mary's sorrow but also the enduring strength of her faith, an inspiration for all who encounter this ethereal work of art.
    Madonna Addolorata Radiante Azzurre ..etta
  • "Saint Helena holding the cross - Santa Croce in Gerusalemme, Rome"...<br />
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The Basilica of the Holy Cross in Jerusalem is located in Rome, in the Esquilino quarter, close to the Aurelian Walls and the Castrense Amphitheatre, between the Basilica of St. John Lateran and Porta Maggiore. The Basilica of the Holy Cross is part of the route of the “Seven Churches” that ancient pilgrims used to visit on foot. Several sources, including an inscription in the church, verify that the Sessorian Palace was owned by the empress St. Helen (c.255-330), Constantine's mother. From the end of the 4th century, it was said that St. Helen had made a pilgrimage to the Holy Land, during which she discovered the True Cross on which Christ was crucified and many other relics. It was also said that she wished to set up a shrine in Rome for pilgrims who could not travel to Jerusalem. The first room of the chapel has a Roman-era statue of St. Helen holding the cross. Beneath the statue is a floor believed to contain soil from the Holy Land. Under the protective glass covering the soil are many paper prayers from the faithful. Fragments of the cross were circulating in the West by 348 AD. The earliest historical record of the church, dated to 501 AD, refers to it as "Hierusalem basilica Sessoriani palatii." Architecturally, it is notable that the 4th-century Chapel of St. Helen is quite similar in design to a martyrium that was erected by Constantine in Jerusalem to house a fragment of the True Cross. In 1492, a dramatic discovery was made in the course of repairs to a mosaic: a brick inscribed with the words TITULUS CRUCIS (Title of the Cross). Sealed behind the brick was a fragment of an inscription in wood, with the word "Nazarene" written in Hebrew, Latin, and Greek. The Title is mentioned in all four Gospel accounts. This was our first stop on our Pilgrimage of 2019 in Italy. A very propitious, historical, and spiritual beginning to a monumental journey in The Eternal City.
    Sant'Elena con in mano la croce - Sa..Roma
  • “One Million Faces of Jesus - Painting by Dino Carbetta” …<br />
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In Daniel 10:5-6, a vivid portrayal unfolds: "As I looked up, I saw a man dressed in linen with a belt of fine gold around his waist. His body was like chrysolite, his face shone like lightning, his eyes were like fiery torches, his arms and feet looked like burnished bronze, and the sound of his voice was like the roar of a multitude." This biblical imagery resonates with the timeless truth found in Genesis 1:27, reminding us that "God created mankind in his image; in the image of God he created them; male and female he created them." These verses, like brushstrokes on the canvas of my artistic journey, have fueled my fascination with the countenance of Christ since early childhood. Since I was young, I have been exploring art and expressing my creativity through sketches, drawings, and photographs. Blessed with humble artistic skills, the culmination of three years of introspection has birthed my current interpretation, a visual metamorphosis of the face of Christ. The blessed gaze upon Him face to face, a vision described as immediate, direct, and surpassingly clear and distinct. It transcends the limitations of our earthly perception, offering a glimpse into the divine reality. As the apostle Paul eloquently expresses in 1 Corinthians 13:12, "At present, we are looking at a confused reflection in a mirror; then, we shall see face to face; now, I have only glimpses of knowledge; then, I shall recognize God as he has recognized me." This verse encapsulates the profound journey of seeking clarity and revelation, a journey echoed in my artistic pursuit to capture the essence of the divine appearance. Just as the biblical verses guide us toward a profound encounter, may this artwork beckon viewers to recognize God with a depth that surpasses mere glimpses of knowledge—a recognition that resonates with the profound truth of divine revelation.
    Un Milione di Volti di Gesù - Dipint..etta
  • "Guardian Angel Helps to Illuminate the Altar of the Minor Basilica of San Lorenzo in Lucina Rome - Painting by Dino Carbetta"<br />
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After a spiritual Mass at St. Peter’s Basilica and a tour of the Vatican, lunch with my fellow pilgrim Patrick became an inspiring moment. We decided to forgo the Coliseum in favor of Piazza del Popolo, our hearts set on seeing the renowned Caravaggio paintings in the Basilica of Santa Maria del Popolo. The “Crucifixion of Peter” and the “Conversion of Saint Paul” had eluded me during a previous visit, The security guard would block the entrance, plunging the chapel into darkness. With great success and spirits high, we ultimately ventured into the lively streets of Rome, where our journey led us to the charming neighborhood of Lucina. We paused for an aperitivo at a bistro, the ancient Basilica of St. Lawrence, built in 366 AD, standing beside us, beckoning for a visit. Upon entering, I was struck by the radiant sunlight streaming through the window, illuminating the majestic figure of an angel. The scene evoked a profound reflection on the sanctity of life and how moments of disappointment can lead to unexpected grace. The angel, reaching out to touch the hand of Christ, was bathed in a divine light, symbolizing the very blessing that we, as pilgrims, had experienced that day. In that sacred space, under the watchful presence of Saint Lawrence, the guardian of the church and a martyr of extraordinary faith, I felt a connection to the deeper meaning of our journey Just as Saint Lawrence’s unwavering devotion and ultimate sacrifice illuminated the path for countless believers, so too does the angelic vision captured in this painting remind us that amid life’s trials, divine intervention is always possible, guiding us toward clarity, joy, and the grace of unexpected blessings. And if you look closely, one of those blessings is the famous painting of the Crucifixion upon the altar, a testament to the enduring power of faith and sacrifice.
    Angelo custode aiuta a illuminare l'..etta
  • “Saint Joseph the Worker – Painting by Dino Carbetta”… <br />
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Establishing deep devotion to Saint Joseph among Catholics, and in response to the “May Day” celebrations for workers sponsored by Communists, Pope Pius XII instituted the feast of Saint Joseph the Worker in 1955. Saint Joseph, the carpenter, and foster father of Jesus, is but one example of the holiness of human labor. Saint Joseph is held up as a model of such work. Pius XII emphasized this when he said, “The spirit flows to you and all men from the heart of the God-man, Savior of the world, but certainly, no worker was ever more completely and profoundly penetrated by it than the foster father of Jesus, who lived with Him in the closest intimacy and community of family life and work.” To capture the devotion to Saint Joseph within the Catholic liturgy, in 1870, Pope Pius IX declared Saint Joseph the patron of the Universal Church. This quiet Father was given the noble task of caring and watching over the Virgin Mary and Jesus now cares for and watches over the Church and models all the dignity of human work. This painting is also a combination of many images captured from Rome and Assisi. Here along with the young Christ, this portrayal reveals both Perfect and Sacred Hearts.
    San Giuseppe il Lavoratore - Dipinto..etta
  • “Christ in the Baptistery - The Basilica of Santa Maria Maggiore Rome”…<br />
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Saint John the Baptist, the great religious reformer was sent by God to prepare the people for the Messiah. His vocation was one of selfless giving. “I am baptizing you with water, for repentance, but the one who is coming after me is mightier than I. I am not worthy to carry his sandals. He will baptize you with the Holy Spirit and fire” (Matthew 3:11). Scripture tells us that many people followed John looking to him for hope. St. John never allowed himself the false honor of receiving these people for his own glory. He knew his calling was one of preparation. When the time came, he led his disciples to Jesus: “The next day John was there again with two of his disciples, and as he watched Jesus walk by, he said, ‘Behold, the Lamb of God.’ The two disciples heard what he said and followed Jesus” (John 1:35-37). At the center of this 17th-century chapel is the baptismal font attributed to Giuseppe Valadier and consisting of a red porphyry stone basin topped by golden sculptures; the elaborate décor of the chapel includes polychrome marble walls, colorful ceiling frescoes, gleaming gold stucco work, commemorative plaques, marble busts of church officials, and the marble altarpiece of the Assumption of the Virgin sculpted by Pietro Bernini – above which is a glowing image of the all-seeing Eye of Providence.
    Cristo in Battistero - La Basilica d..Roma
  • “The Blessed Virgin Mary - Painting by Dino Carbetta”… <br />
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Embarking on this artistic journey is a deep, reflective experience. The canvas graciously hosts the expression of my imaginative essence, enabling a tender exploration of the intricacies surrounding the imminent Mother of Christ with profound empathy and understanding. I find myself captivated by the authentic and tender expression emanating from the divine radiance of the Holy Spirit within her essence. Throughout the nuanced process of creation, my musings invariably gravitated toward my venerable Maternal figure, whose boundless love and nurturing served as an inspiring wellspring. Endowed with blessings of unfathomable magnitude, she embarked on a courageous odyssey, irrevocably altering the trajectory of humanity. Through her steadfast devotion and unwavering trust in the Divine, she emerges as an enduring beacon of optimism, guiding souls toward the transcendental path. Her unassuming heart acknowledges her divine role as a servant of the Divine, a reflection of boundless mercy extending through generations to those who revere the Supreme. It extols the divine strength fortifying the unpretentious and humbling the haughty, illustrating divine justice upholding the oppressed and showering the indigent with abundance. Mary's unwavering faith and the divine grace bestowed upon her elevate her to a timeless symbol—incarnating hope, love, and devotion across epochs. As observers engage with the painting, my profound aspiration is for them to discern the beauty and profound significance embodied by the Blessed Virgin Mary, to be stirred by her celestial presence, and to recognize the enduring impact she continues to exert on the spiritual odyssey of humanity. May this artistic creation stand as an elevated beacon, impelling all to embrace the profound realms of faith, love, and devotion, finding solace in the enduring legacy of the Virgin Mother.
    La Beata Vergine Maria - Dipinto di ..etta
  • "Madonna embracing the Rosary - Santa Maria dei Miracoli Rome - Painting by Dino Carbetta"... <br />
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Our Lady of the Rosary feast was instituted to honor Mary for the Christian victory over the Turks at Lepanto on October 7, 1571. Pope St. Pius V and all Christians had prayed the Rosary for victory. The Rosary, or the Psalter of the Blessed Virgin Mary, is one of the best prayers to Mary, the Mother of God. Lepanto, perhaps the most complete victory ever gained over the Ottoman Empire, on October 7, 1571, is commemorated by the invocation "Help of Christians," inserted in the Litany of Loretto. At Belgrade, the Turks were defeated on the Feast of Our Lady ad Nives in 1716. A second victory gained that year on the Octave of the Assumption determined Pope Clement XI to command the Feast of the Rosary to be celebrated by the universal Church. Leo XIII added the invocation "Queen of the Most Holy Rosary, pray for us," to the Litany of Loretto. The Feast is in reality a great festival of thanksgiving for the signal and countless benefits bestowed on Christendom through the Rosary of our blessed Queen. In modern times successive popes have urged the faithful to pray the Rosary. It is a form of contemplative prayer, mental and vocal prayer, which brings down God’s blessing on the Church. It is a biblically inspired prayer that is centered on meditation on the salvific mysteries of Christ in union with Mary, who was so closely associated with her Son in his redeeming activity.
    Madonna Che Abbraccia Il Rosario - S..etta
  • “Evening Rain Over Positano - Painting by Dino Carbetta”… <br />
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The last three days in Positano unfolded like a symphony of contrasts—light and shadow, warmth and cold, sunshine and rain. It began with a glorious sunrise, where the early morning light painted the coastal town in hues of gold. This was followed by a rainy ferry ride to Amalfi, where the Duomo, with its stunning architecture, provided a sanctuary for my camera. The return journey was marked by a relentless downpour, with the wind cutting through the cold air as we sailed back to Positano. Despite the inclement weather, I continued photographing, determined to capture the moment's essence. As we approached Positano, the combination of fog and rain seemed to obscure any hope of a clear shot. But to my surprise, this blend of elements transformed the scene into something ethereal—a surreal, almost mystical vision of the colorful seaside village. The Church of Santa Maria Assunta, a cornerstone of Positano’s cultural and religious identity, stood resilient in the rain, its ancient walls a testament to faith and history, having been dedicated to the Blessed Virgin Mary in 1159. The unexpected chill in the air was a stark reminder that even in the southernmost reaches of Italy, the weather can surprise. Lacking proper winter attire, dinner on the hotel terrace was a frigid affair, softened only by the warmth of a propane heater and the comfort of a blanket provided by the restaurant. Yet, with all storms comes light, and just as the evening seemed to close in darkness, the rain ceased, and the sun reappeared, casting a breathtaking glow over the village. Occasionally, one finds themselves in the right place at the right time, and Positano, with its ever-changing moods, proved once again to be Italy’s most photogenic gem. The final painting, a tribute to this unforgettable moment, needed only slight enhancement to capture the mystical beauty that nature had so generously provided.
    Pioggia Serale su Positano - Dipinto..etta
  • Organic Venice - Perpetual Evolution of Splendor, Harmony, and Color ...<br />
Venice, in its essence, is an “organic” masterpiece—shaped by the eternal dance of light, tide, and time. Venice is a city that seems to understand time's passage, gently unveiling its beauty in new ways with each moment. It captures the heart, reminding us that there's always something lovely waiting to be discovered. Upon my arrival from the USA, Venice welcomed me with heavy rain, veiling its grandeur in mist and melancholy. Yet, as the storm began to recede, the clouds parted, and a soft golden light flooded the city, transforming it before my eyes. What had been weary under the storm’s weight now shimmered with a radiant, almost sacred vitality. The sunlight caressed the ancient facades, and the canals seemed to hum with newfound life. Venice bloomed again—its colors rich and deep, the water reflecting the golden embrace of heaven itself. The city, which had rested in silence, now sang with a divine brilliance, as though a celestial painter had brushed its streets with light and hope. I captured this fleeting moment along the shimmering, tranquil canal that flows gracefully in front of the magnificent Santa Maria Gloriosa dei Frari, where the soft glow of sunlight dances on the water's surface, creating an enchanting scene filled with timeless beauty. And then, a serendipitous moment—the travel guru Rick Steves appeared, just 20 feet away, filming his PBS show. Taking advantage of the moment, I called out, “Hey, Rick!” and snapped a photo as he turned, his smile as warm as the golden light illuminating Venice. We shared a brief greeting, and he imparted a few words of wisdom before resuming his filming. As I walked away, the clouds parted, and Venice glowed in a final burst of golden light—a blessing from above, a gift of grace. This photograph is one of my favorites, showcasing Venice's ever-changing beauty—a city continually renewed by the divine touch adorning its canals and streets.
    Venezia organica - evoluzione perpet..lore
  • “Father Peek Celebrates the Lamb's Supper - Amalfi Cathedral”…<br />
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A church has resided on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Newer walls have been taken down to expose parts of the ancient original church, and one can ponder history by this glimpse back in time. Andrew, Saint Peter’s brother and one of Christ’s closest disciples was also the disciple of John the Baptist. Saint Andrew was called with Peter: “As [Jesus] was walking by the Sea of Galilee, he saw two brothers, Simon who is now called Peter, and his brother Andrew, casting a net into the sea; they were fishermen. He said to them, ‘Come after me, and I will make you fishers of men.’ At once they left their nets and followed him” (Matthew 4:18-20). Stairs near the east end of the Duomo descend into the Crypt of St. Andrew, where his relics are kept in the central altar. The crypt is decorated with magnificent Baroque murals from 1660. As I knelt and prayed at the glorious crypt befitting this great disciple who was martyred on an X shaped crucifix, my mind wandered off the true nature of this chosen man who became a Saint. I stirred around to the back of the altar and found myself facing his eternal light and relics. I knelt again in prayer feeling the great essence and presence of this selfless apostle. As in many other locations and churches in Italy, where Saints seem to be from every town, I was overcome with deep emotion and an abundance of heartfelt spiritual joy! Our Pilgrimage of 2019 found us celebrating Mass in the chapel just to the left of the High Altar below the image of the “Last Supper.” A reverent and poignant remembrance of cherished time on the Amalfi Coast.
    Padre Peek Celebra la Cena dell'agne..alfi
  • "Crucifix of the Basilica Sacristy inside the Patriarchal Cathedral of San Marco Venice"... <br />
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“God of hope and mercy, we lift up to you all victims of natural disasters and those responding with assistance and aid. Protect all who are in any form of danger; provide practical help to those in need; strengthen the weary, console the grieving, heal the suffering; and bless those engaged in disaster relief efforts with safety and courage. Help all people of good will respond with compassion and generous hearts. Amen.”<br />
The last day of our Pilgrimage of 2019 was spent in Venice. Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass offered by our Father Peek. Our last Mass of 2 weeks of travel throughout Italy could not have ended in a more appropriate location. My first visit to Venice was in 2012 like all tourists, I waited in line at St. Marks Basilica and was rushed through with limitations. The crowds and speed in which they pushed us through was quite underwhelming. Our Pilgrimage of 2019 reserved a special appointment for Mass in the Basilica’s main Sacristy. I photographed each Mass, but I made sure when arriving in the area of this picture, which is the final prayer and preparation for each Priest offering Mass anywhere in the Basilica. The main focus is the Crucifix in front of a kneeler, and various last minute preparation for Divine Liturgy. I was not allowed further images on the rest of the tour of St. Marks, but the intensive back-room maze we were lead to and from our destination gave me the spiritual, historical, and reverent image in my heart and soul that I so desired from this magnificent structure and its contents. I was quite overwhelmed with the ancient beauty, and the fact St. Mark watches over his earthly home with a Fatherly Spirit. To me, Venice is intoxicating and a place of passion, and it all begins at the Cathedral of St. Marks.
    Crocifisso Sagrestia della Basilica ..ezia
  • "Hidden villa along the Cannaregio Canal in Tolentino Venice"...<br />
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The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Nascosta villa lungo il Canale Canna..ezia
  • "Father Peek Elevates the Host for Adoration - The Church of Santo Spirito in Sassia"... <br />
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As the gentle morning light bathes the ancient streets of Rome, we embark on a pilgrimage of faith, drawn inexorably towards the magnificent Santo Spirito. Nestled in the shadows of the grandeur of St. Peter’s Basilica, this sacred sanctuary stands as a testament to Divine Mercy, a legacy meticulously nurtured by the revered St. John Paul II.  Each day, at the reverent hour of 3 p.m., congregants assemble to recite the Divine Mercy Chaplet, enveloping the sanctuary in an atmosphere of grace and tranquility. Yet, beneath its architectural splendor lies a narrative woven with threads of compassion and service, echoing through the annals of history. From its humble beginnings in the eighth century as the Santa Maria church in Sassia, devoted to the Virgin Mary, to the founding of Europe's inaugural "Holy Spirit Hospital" in response to the impassioned plea of Pope Innocent III in 1198, this sacred space has been a bastion of solace and healing for countless souls. Within the sanctified precincts of Santo Spirito, a chapel on the right stands as a testament to The Divine Mercy and to the venerable Saint Faustina. Here, the revered statue of the "Apostle of The Divine Mercy," accompanied by her reliquary gifted by the esteemed Holy Father John Paul II, beckons believers to contemplative prayer. Father Peek's dignified gesture elevating the Host for adoration in this captivating photograph touches our hearts. With reverent genuflection, the priest invites us to behold Jesus Christ, true God and true Man, present upon the altar. Let our gaze linger upon the sacred Body of Christ, and within the depths of our souls, may we echo the profound words of adoration: "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things."
    Padre Peek Eleva Consacrata l'ostia ..ssia
  • “The prophet Isaiah at the base of the Column of the Immaculate Conception – Rome”…<br />
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The column is situated next to the Piazza di Spagna in the adjacent Piazza Mignanelli in front of the Spanish Embassy in Rome near the Palace of the Propagation of the Faith. It was realized by the architect Luigi Poletti and inaugurated in 1857 on the 8th December thanks to the work of 220 firemen. The work is dedicated to the dogma of the Immaculate Conception that was proclaimed by Pope Pius IX, in 1854, with the Apostolic Constitution Ineffabilis Deus. This dogma states that Mary is the only human being who was born without original sin. The statues are the work of Giuseppi Obici. On the base of the column are 4 bronze statues of Moses, David, the prophet Ezekiel and Isaiah. Below each statue is a verse from the Sacred Scriptures that refers to the dogma of the Immaculate Conception. Below this statue of Isaiah, we find the verse: “Therefore the Lord himself will give you this sign: the virgin shall be with child, and bear a son, and shall name him Immanuel.” (Is 7:14)  Each year, on the 8th of December the Church celebrates the solemnity of the Immaculate Conception. In the afternoon the Holy Father visits the Piazza di Spagna to place roses as an act of homage to Our Lady, at the statue of the Virgin. These roses indicate the love and devotion of the Pope, the Church and the people of the city of Rome for the Virgin Mary. With these roses, the desire is to depose each of anxiety and place hope at the foot of the celestial Mother of the Redeemer. The late afternoon sun was shining directly on the Prophet Isaiah’s pen in anticipation of his divinatory words.
    Il profeta Isaia alla base della Col..Roma
  • "A million faces of Jesus by Dino Carbetta - Infinite"...<br />
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Daniel 10: 5-6 “As I looked up, I saw a man dressed in linen with a belt of fine gold around his waist. His body was like chrysolite, his face shone like lightning, his eyes were like fiery torches, his arms and feet looked like burnished bronze, and the sound of his voice was like the roar of a multitude.” Genesis 1:27 “God created mankind in his image; in the image of God he created them; male and female he created them.” Since early childhood my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel and touch this beatific vision.  Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. The blessed see God, not merely according to the measure of His likeness imperfectly reflected in creation, but they see Him as He is, after the manner of His own Being. 1 Corinthians 13:12 “At present, we are looking at a confused reflection in a mirror; then, we shall see face to face; now, I have only glimpses of knowledge; then, I shall recognize God as he has recognized me.”
    Un milione di volti di Gesù di Dino ..nito
  • "A million faces of Jesus by Dino Carbetta - Blue & Brown"...<br />
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Daniel 10: 5-6 “As I looked up, I saw a man dressed in linen with a belt of fine gold around his waist. His body was like chrysolite, his face shone like lightning, his eyes were like fiery torches, his arms and feet looked like burnished bronze, and the sound of his voice was like the roar of a multitude.” Genesis 1:27 “God created mankind in his image; in the image of God he created them; male and female he created them.” Since early childhood my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel and touch this beatific vision.  Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. The blessed see God, not merely according to the measure of His likeness imperfectly reflected in creation, but they see Him as He is, after the manner of His own Being. 1 Corinthians 13:12 “At present, we are looking at a confused reflection in a mirror; then, we shall see face to face; now, I have only glimpses of knowledge; then, I shall recognize God as he has recognized me.”
    Un milione di volti di Gesù di Dino ..rone
  • "A million faces of Jesus by Dino Carbetta - Silver"...<br />
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Daniel 10: 5-6 “As I looked up, I saw a man dressed in linen with a belt of fine gold around his waist. His body was like chrysolite, his face shone like lightning, his eyes were like fiery torches, his arms and feet looked like burnished bronze, and the sound of his voice was like the roar of a multitude.” Genesis 1:27 “God created mankind in his image; in the image of God he created them; male and female he created them.” Since early childhood my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel and touch this beatific vision.  Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. The blessed see God, not merely according to the measure of His likeness imperfectly reflected in creation, but they see Him as He is, after the manner of His own Being. 1 Corinthians 13:12 “At present, we are looking at a confused reflection in a mirror; then, we shall see face to face; now, I have only glimpses of knowledge; then, I shall recognize God as he has recognized me.”
    Un milione di volti di Gesù di Dino ..ento
  • "Pope Pius IX prays before the altar of Santa Maria Maggiore in Rome"...<br />
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The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica.
    Papa Pio IX prega davanti all'altare..Roma
  • "Altar of the basilica of the Arch of San Giovanni in Laterano"...<br />
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Dedicated to St. John the Baptist and St. John the Evangelist, the Basilica of St. John Lateran is the first among the four major basilicas of Rome. It is also the Cathedral of the Bishop of Rome, the Pope, and is thus known as the "Cathedral of Rome and of the World." Built by Constantine the Great in the 4th century, San Giovanni in Laterano was the first Christian/Catholic church erected in Rome. The present structure of the Basilica resembles Saint Peter's Basilica, and the ancient church was residence of the Papacy until the (1377) return from exile in Avignon and permanent relocation to the Vatican. Many Popes were responsible for repair and additions to the Basilica’s overall splendor and importance throughout the last 1700 years.
    Altare della basilica dell'Archil di..rano
  • "The nave of the Basilica of Santa Maria Maggiore - Rome"...<br />
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The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica.
    La navata della Basilica di Santa Ma..Roma
  • “Fountain of the goddess Roma in People's Square”…<br />
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Staying in a hotel which was a converted Monastery, Residenza Di Ripetta is between Piazza del Popolo and the famous Spanish Steps, centers of activity in Roma.  Piazza del Popolo is a harmonious oval piazza situated near Borghese Park. Three churches border the square and located in the center is an ancient obelisk from Heliopolis, Egypt dating from 1300 BC.  Santa Maria del Popolo is the most celebrated of the churches, built in the year 1477 and containing sculptures from Bernini and paintings from one of my favorite artists, Caravaggio.  The fountain on the western end of the square is the Fontana del Nettuno and shows Neptune accompanied by Tritons. The fountain opposite the Neptune Fountain, at the foot of the Pincio Gardens, is known as the Fontana della dea di Roma. The central figure is the goddess Rome, flanked by allegorical figures representing the rivers Tiber and Aniene. Below the goddess is a statue of a she-wolf suckling Remus and Romulus, founders of Rome.  This is a very common and visited site in the Piazza, but I was fortunate to have perfect skies and stationary subjects for the creation of the image.
    Fontana della dea Roma in Piazza del..polo
  • “The Colosseum asking peace from the heavens above”…<br />
<br />
The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. It is considered one of the greatest works of Roman architecture and Roman engineering in history.  Occupying a site just east of the Roman Forum, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  On my last evening in Italy, as the guards ushered me out at closing time…I photographed this dramatic cloud structure hovering mystically from the heavens above.
    Il Colosseo chiedendo pace dai cieli..opra
  • “Dusk falls on the Colosseum in Rome”…<br />
<br />
The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  As evening descended on the ancient Colosseum, the sun and the clouds performed a mystical light show to the delight of the weary travelers and one adrenalized photographer.
    Crepuscolo scende sul Colosseo di Roma
  • “The Holy Cross blesses the Christian martyrs of the Roman Colosseum – II”…<br />
<br />
This is one of the most poignant and meaningful images of my entire Italian journey. The Holy Cross stands very majestic as evening descends on the ancient ruins.  The Colosseum has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque, stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  Viewing the iconic Colosseum for the first time…I was in awe.  It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.
    Il Santa Croce benedice i martiri cr..- II
  • “Quiet Evening View of Praiano from the Cliffs of Positano - Painting by Dino Carbetta”…<br />
<br />
From the cliffs of Positano, a quiet evening reveals Praiano, a quaint village tucked into the rugged hillsides of the Amalfi Coast. As twilight spreads its golden embrace across the landscape, the azure blue of the Mediterranean Sea meets the boundless sky, creating a feeling of profound peace and serenity. Here, the gentle ebb of time seems to slow, and the beauty of nature is felt deeply in the heart. Praiano, with its pastel-colored cottages and winding stone streets, stretches down toward the horizon, bathed in the last rays of sunlight. The sun’s glow softly illuminates the whitewashed walls and the warm majolica tiles of its iconic churches, including the Parrocchia di San Gennaro, a shining beacon against the deepening blue of the sea. The village seems almost suspended in time, where every small detail, from the tiled votive shrines to the picturesque beaches, exudes a quiet reverence for life and faith. As the sun dips lower, there’s a sense of perfect contentment — an inexplicable calm that arises from being surrounded by such beauty. The waters of the Mediterranean, vast and unyielding, reflect the golden and azure hues of the sky, while the village glows with a timeless tranquility. This scene, so serene, feels like a quiet prayer — a gentle reminder of the blessings that come from both earth and heaven. Praiano, with its simplicity and charm, feels like a place where peace is born from the very air itself. The sun never seems to fully set on this village; instead, it quietly withdraws, leaving behind the softest hues and the lingering sense of warmth. It’s a village not just of beauty, but of deep contentment and peace, where the azure blue of the sea and sky mirrors the inner calm of the heart. "The light shines in the darkness, and the darkness has not overcome it." — John 1:5
    Tranquilla Vista Serata di Praiano D..etta
  • “Van Gogh Style of a Café Terrace at Night in Venice Italy - Painting by Dino Carbetta ...<br />
<br />
In this homage to Vincent van Gogh's brilliance, I seamlessly intertwine his masterful style with the mesmerizing allure of Venice. With bold brushwork and vibrant hues reminiscent of van Gogh's signature technique, I aim to capture the lively spirit of Venice's romantic ambiance. Each stroke aims to transport viewers to the island's heart, where the gentle glow of moonlit waters casts an enchanting spell of warmth and intimacy. The Café Terrace, central to van Gogh's original masterpiece, beckons viewers to envision themselves amidst the joyful chatter of patrons along the Venetian Canals. By meticulously channeling van Gogh's vision and infusing it with the vibrant vitality of Venice, I present a captivating tableau that not only honors his artistic legacy but also offers a fresh perspective on the timeless allure of Venice. This homage to van Gogh's use of color and form breathes life into the canvas, capturing the dynamic energy of Venetian architecture and canals while celebrating its rich religious history. Each brushstroke resonates with a sense of wonder and vitality, inviting viewers to delve into the rich tapestry of Venetian life. From the picturesque canals to the serene café terrace, meticulously rendered to evoke depth and immersion, this artwork embodies van Gogh's essence while embracing the eternal beauty of Venice. This artwork combines van Gogh's genius with Venice's charm. Let us cherish the enchanting beauty of art and its profound connection to life. "Café Terrace at Night in Venice, Italy" is a poignant reminder of art's ability to unite us in a shared experience of beauty and wonder, transcending boundaries and enriching our lives with its timeless allure. St Mark's Campanile is Venice's tallest structure and a city symbol, with a weathervane of Archangel Gabriel on top.
    Stile Van Gogh di una Terrazza di un..etta
  • "Resurrection - Redemptive Light - Painting by Dino Carbetta”<br />
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A profound testament to the core principles of Christian doctrine, drawing viewers into a contemplative journey reminiscent of the sacred verses of Philippians 2:10: “that at the name of Jesus, every knee should bend, of those in heaven and on earth and under the earth.” The profound embodiment of divine authority, grace, and the assurance of salvation is found in Jesus Christ's name. “Redemptive Light” invites reflection on its transformative power and eternal significance. Capturing the radiance of Christ's divine presence and his triumph over death symbolizing the enduring power of faith and hope for believers. Central to the canvas is the figure of Jesus Christ, exuding both tranquility and fortitude, His hands adorned with the scars of sacrifice yet radiating victory over death. These wounds etched into His flesh stand as tangible symbols of triumph and sovereignty, reminding viewers of the redemptive power of His love. White lilies and roses, symbols of purity and divine presence, heighten the spiritual atmosphere, evoking a sense of reverence and wonder. Every element within the composition, from the scars to the celestial light and symbolic flora, intricately weaves a narrative of redemption and transcendence. The vacant tomb and cross serve to underscore the theological weight of Christ's resurrection, affirming the boundless love and promise it embodies. This artwork emphasizes the indispensable role of Jesus Christ in the Christian faith, reaffirming His dominion over sin and death. Encouraging one to encounter the living Christ and contemplate the profound implications of His resurrection, embracing the transformative potential it offers. Through "Resurrection - Redemptive Light," audiences confront the timeless truth of Easter: death vanquished, and new life through faith in Jesus Christ. It serves as a heartfelt invitation to embrace the hope and promise found in His victory.
    Resurrezione - Luce Redentiva - Dipi..etta
  • “Saint James the Great - Apostle and Martyr - Painting by Dino Carbetta” …<br />
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James was born to Zebedee and Salome, the latter being the sister of Mary, the mother of Jesus. This familial connection makes James a significant figure, as he was revealed to be a cousin to the Son of God. His brother, John the Apostle, was also among the Twelve, creating a sacred bond within the apostolic circle. James was one of the earliest disciples and answered the call to follow Jesus by the seashore. Alongside John and Peter, they formed a triumvirate, privileged to witness pivotal moments in Christ's ministry. They saw the raising of Jairus' daughter, the transfiguration, and the poignant agony in the Garden of Gethsemane. James's fiery spirit sometimes led him astray, and he and his brother once sought positions of honor, prompting a gentle rebuke from Jesus. James and his brother once considered calling down fire on a Samaritan town, revealing his passion for his faith. But Jesus, embodying mercy, redirected their fervor, teaching a lesson in compassion over judgment. Despite this episode, James remained faithful to the end. He was martyred by the sword under the rule of "Herod," becoming the first apostle to embrace martyrdom. In the sacred traditions of the Catholic Church, Saint James assumes the role of the patron saint of Spain. Legend holds that his earthly remains are resting in Santiago de Compostela in Galicia. The very name Santiago echoes in Latin resonating with the essence of a sanctuary devoted to Saint James. The timeless pilgrimage known as the "Way of St. James" emerges as a poignant expression of devotion, drawing Catholics into a sacred journey that has spanned the epochs from the Early Middle Ages to the present. "The legacy of Saint James, as portrayed by Dino, is a universal symbol of resilience, devotion, and the pursuit of a higher calling. The canvas mirrors the aspirations of those seeking meaning and purpose in their lives."
    San Giacomo Magno - Apostolo e Marti..etta
  • “Saint Bernadette Soubirous and the Miracle at Lourdes – Painting by Dino Carbetta” …<br />
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Our Lady of Lourdes is a title given to the Blessed Virgin Mary, recognized by Roman Catholics in honor of the Marian apparition that occurred in Lourdes, France. Saint Bernadette Soubirous was a fourteen-year-old peasant girl who witnessed Our Lady’s apparition. There was a total of seventeen apparitions over the year 1858. Our Lady told St. Bernadette that we were to pray for the Conversion of Sinners, and she stated, “I am the Immaculate Conception.”  Saint Bernadette was asked to dig in the ground, and a “spring” would erupt. She did as she was told, and to this day the water runs. Nearly six million faithful make the pilgrimage annually, and hundreds of miracles have been reported through these visits. The Sanctuary of Our Lady of Lourdes is an area of ground surrounding the Catholic shrine (Grotto) to Our Lady of Lourdes in the town of Lourdes, France. The Sanctuary is a destination for pilgrimage; sick pilgrims are reputed to be miraculously healed by Lourdes water. This ground is owned and administered by the Roman Catholic Church. Grottos intended as replicas of the one at Our Lady of Lourdes, and other grottos in honor of Our Lady of Lourdes, are often described as "Lourdes grottos." Lourdes has become a place of pilgrimage, healing, and even more of faith. Church authorities have recognized over sixty miraculous cures, although there have probably been many more. To people of faith, this is not surprising. It is a continuation of Jesus’ healing miracles—now performed at the intercession of his mother. Some would say that the greater miracles are hidden. Many who visit Lourdes return home with renewed faith and a readiness to serve God in their needy brothers and sisters. There still may be people who doubt the apparitions of Lourdes. “For those who believe in God, no explanation is necessary. For those who do not believe, no explanation is possible.”
    Santa Bernadette Soubirous e il Mira..etta
  • “Father Peek Raises the Consecrated Host for Adoration - The Church of Santo Spirito in Sassia - Painting by Dino Carbetta” …<br />
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On our 4th gentile morning in Roma before leaving for Sorrento, we walked from our hotel to the Bellissimo Santo Spirito for Mass. Located just steps from St. Peter’s Basilica, the church is the center of the Divine Mercy established by St. John Paul II. Each day at 3 p.m. the congregants assemble to pray the Divine Mercy Chaplet in this reverent sanctuary containing St. Faustina Kowalska and St. John Paul II relics. The church is distinguished for its beautiful and pious artistic and aesthetic adornment, yet, also has a long history of bringing mercy to the human spirit and body. In the eighth century, there was a church in this place called Santa Maria in Sassia dedicated to the Virgin Mary. The name of the church comes from “the Saxon school,” where pilgrims from Northern Europe and Saxon nations received their first spiritual and material assistance. In 1198, at the request of Pope Innocent III, the first “Holy Spirit Hospital” in Europe was built adjacent to the church. The chapel on the right side is dedicated to The Divine Mercy and to Saint Faustina where the “The Apostle of The Divine Mercy” statue resides with her reliquary donated by the Holy Father John Paul II. The reflection of Father Peek in “The Elevation of the Host” is after genuflection in adoration. The priest raises the Host so that the Faithful may also adore Jesus Christ, true God, and true Man present on the altar. Look at the sacred Body of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things."
    Padre Peek Eleva Consacrata l'ostia ..etta
  • “Mystical Rays of the Evening Sun Shine Above Positano”…<br />
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After a thrilling descent along the winding cliffs from Sorrento, the first glimpse of Positano stole the breath and stirred the soul. Clinging to the mountainside in cascading tiers of color and light, this legendary village appears more dream than dwelling — a vision conjured from sea mist and sun. Navigating the town’s lone serpentine road three full times, I finally discovered the hidden parking tucked near my hotel, perched high above the scene now immortalized in this photograph. The descent was a pilgrimage — narrow alleys, stone staircases, and the intense heat of late May pressed against every step. But upon reaching the beach and the marina, the weight lifted. The Mediterranean, ablaze with afternoon light, shimmered in hues of sapphire and flame. It was as though heaven itself poured its radiance into the sea. And rising amidst it all stood the Church of Santa Maria Assunta — quiet and eternal, her brilliant majolica dome shimmering like a celestial crown. Since 1159, she has watched over Positano with maternal grace, her gaze cast upon the faithful below and the infinite blue beyond. Nestled between cliff and sea, she stands as both anchor and blessing — a house of prayer and a symbol of divine beauty. Later, crossing the warm sands toward a seaside hotel terrace, I found stillness. Facing north, with the village spread before me like a living fresco, I watched as the sun retreated behind the mountains, casting golden rays across Positano’s vibrant facade. In those final moments of light, camera in hand, I captured the mystical union of nature, architecture, and the sacred — a fleeting hour when time itself stands still. Through this photograph, the soul of Positano is revealed — not just in its beauty, but in its quiet invitation to wonder, to rest, and to believe.
    Raggi Mistico della Sera Sole Splend..tano
  • “St. John the Apostle at the Archbasilica of Saint John Lateran Rome”… <br />
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Dedicated to St. John the Baptist and St. John the Evangelist, the Basilica of St. John Lateran is the first among the four major basilicas of Rome. It is also the Cathedral of the Bishop of Rome, the Pope, and is thus known as the "Cathedral of Rome and the World." Built by Constantine the Great in the 4th century, San Giovanni in Laterano was the first Christian/Catholic church erected in Rome. The present structure of the Basilica resembles Saint Peter's Basilica, and the ancient church was the residence of the Papacy until the (1377) return from exile in Avignon and permanent relocation to the Vatican. In 1702, Pope Clement XI announced a grand scheme for twelve sculptures of the Apostles to fill the niches left in the nave of the Basilica. The commission was opened to all the premier sculptors of late Baroque Rome, Camillo Rusconi was the sculptor of St. John. One cannot help being impressed by the larger-than-life statues of these great men blessing the nave with their imposing presence. John’s own Gospel refers to him as “the disciple whom Jesus loved”, the one who reclined next to Jesus at the Last Supper, and the one to whom Jesus gave the exquisite honor of caring for his mother, as John stood beneath the cross. “Woman, behold your son…. Behold, your mother” Because of the depth of his Gospel, John is usually thought of as the eagle of theology, soaring in high regions that other writers did not enter. John’s Jesus speaks at the Last Supper as if he were already in heaven. John’s is the Gospel of Jesus’ glory.
    San Giovanni Apostolo presso Arcibas..Roma
  • “The Sacred Heart of Jesus - Basilica of San Lorenzo in Lucina Rome - Painting by Dino Carbetta”…<br />
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19 days after Pentecost, Catholics celebrate the Solemnity of the Sacred Heart of Jesus. The Catechism, quoting Pope Pius XII’s beautiful encyclical on the devotion to the Sacred Heart of Jesus, states, “Jesus has loved us all with a human heart. For this reason, the Sacred Heart of Jesus, pierced by our sins and for our salvation, ‘is quite rightly considered the chief sign and symbol of that… love with which the divine Redeemer continually loves the eternal Father and all human beings without exception. To appreciate this rich symbolism of the heart, we must remember in Judaism that the word heart represented the core of the person. While recognized as the principal life organ, the heart was also considered the center of all spiritual activity. Here was the seat of all emotion, especially love. As the psalms express, God speaks to a person in his heart and there probes him. This notion of the heart is clear in Deuteronomy 6:5-6: “Therefore, you shall love the Lord, your God, with all your heart, and with all your soul, and with all your strength. Take to heart these words which I enjoin on you today.” In 1675, Margaret Mary received the vision which came to be known as the “great apparition.” Jesus asked that the modern Feast of the Sacred Heart be celebrated each year on the Friday following Corpus Christi, in reparation for the ingratitude of men for the sacrifice which Christ had made for them. “O most holy heart of Jesus, the fountain of every blessing, I adore you, I love you, and with lively sorrow for my sins I offer you this poor heart of mine. Make me humble, patient, pure, and wholly obedient to your will. Grant, Good Jesus that I may live in you and for you. Protect me in the midst of danger. Comfort me in my afflictions. Give me health of body, assistance in my temporal needs, your blessing on all that I do, and the grace of a holy death. Amen.”
    Il Sacro Cuore di Gesù - Minore Basi..etta
  • “Apse Mosaic Triumphal Arch of Christ flanked by the Apostles - Basilica of San Paolo outside the walls of Rome”…<br />
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Saint Peter and Saint Paul are celebrated together, the two saints are the founders of the See of Rome, through their preaching, ministry, and martyrdom there. Erected during the fourth century AD, the Basilica of St. Paul Outside the Walls is one of the four major basilicas of Rome, and the second largest after St. Peter's Basilica. It was founded on the burial ground of St. Paul. Saint Paul is well-known for his epistle to the Ephesians, where he famously describes the “armor of God.” He uses the armor that a Roman soldier commonly wore to describe a spiritual armor that prepares a Christian to “stand against the wiles of the devil.” For we are not contending against flesh and blood, but against the principalities, against the powers, against the world rulers of this present darkness, against the spiritual hosts of wickedness in the heavenly places” Ephesians 6:11-12. Peter makes his great confession of faith: “You are the Messiah” Mark 8:29. It was one of the many glorious moments in Peter’s life, beginning with the day he was called from his nets along the Sea of Galilee to become a fisher of men for Jesus. The New Testament clearly shows Peter as the apostles' leader, chosen by Jesus to have a special relationship with him. With James and John, he was privileged to witness the Transfiguration, the raising of a dead child to life, and the agony in Gethsemane. In 395 A.D., St. Augustine said of Saints Peter and Paul: “Both apostles share the same feast day, for these two were one; and even though they suffered on different days, they were as one. Peter went first, and Paul followed. And so we celebrate this day made holy by the apostles' blood. Let us embrace what they believed, their life, their labors, their sufferings, their preaching, and their confession of faith.”
    Abside Mosaico Arco di trionfo di Cr..Roma
  • “I saw the Spirit descend like a Dove - Painting by Dino Carbetta”…<br />
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Acts 2:1-4 “When the time for Pentecost was fulfilled, they were all in one place together. And suddenly there came from the sky a noise like a strong driving wind, and it filled the entire house in which they were. Then there appeared to them tongues as of fire, which parted and came to rest on each one of them. And they were all filled with the Holy Spirit and began to speak in different tongues, as the Spirit enabled them to proclaim. Jn 20:19-23 “On the evening of that first day of the week, when the doors were locked, where the disciples were, for fear of the Jews, Jesus came and stood in their midst and said to them, “Peace be with you.” When he had said this, he showed them his hands and his side. The disciples rejoiced when they saw the Lord. Jesus said to them again, “Peace be with you. As the Father has sent me, so I send you.” And when he had said this, he breathed on them and said to them, “Receive the Holy Spirit. Whose sins you forgive are forgiven them, and whose sins you retain are retained.”
    Ho visto lo Spirito scendere come un..etta
  • “Peering out of the main entrance of Santa Croce in Gerusalemme, Rome”…<br />
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The Basilica of the Holy Cross in Jerusalem is located in Rome, in the Esquilino quarter, close to the Aurelian Walls and the Castrense Amphitheatre, between the Basilica of St. John Lateran and Porta Maggiore. The Basilica of the Holy Cross is part of the route of the “Seven Churches” that ancient pilgrims used to visit on foot. Several sources, including an inscription in the church, verify that the Sessorian Palace was owned by the empress St. Helen (c.255-330), Constantine's mother. From the end of the 4th century, it was said that St. Helen had made a pilgrimage to the Holy Land, during which she discovered the True Cross on which Christ was crucified and many other relics. It was also said that she wished to set up a shrine in Rome for pilgrims who could not travel to Jerusalem. The first room of the chapel has a Roman-era statue of St. Helen holding the cross. Beneath the statue is a floor believed to contain soil from the Holy Land. Under the protective glass covering the soil are many paper prayers from the faithful. Fragments of the cross were circulating in the West by 348 AD. The earliest historical record of the church, dated to 501 AD, refers to it as "Hierusalem basilica Sessoriani palatii." Architecturally, it is notable that the 4th-century Chapel of St. Helen is quite similar in design to a martyrium that was erected by Constantine in Jerusalem to house a fragment of the True Cross. In 1492, a dramatic discovery was made in the course of repairs to a mosaic: a brick inscribed with the words TITULUS CRUCIS (Title of the Cross). Sealed behind the brick was a fragment of an inscription in wood, with the word "Nazarene" written in Hebrew, Latin, and Greek. The Title is mentioned in all four Gospel accounts. This was our first stop on our Pilgrimage of 2019 in Italy. A very propitious, historical, and spiritual beginning to a monumental journey in The Eternal City.
    Sbirciando fuori dall'ingresso princ..Roma
  • “St. Paul's in front of the Papal Basilica St. Paul Outside the Walls”…<br />
<br />
Erected during the fourth century AD, the Basilica of St. Paul Outside the Walls (Basilica di San Paolo Fuori le Mura) is one of the four major basilicas of Rome, and the second largest after St. Peter's Basilica. It was founded on the burial ground of St. Paul. St. Paul, armed and ready with a sword, is one of the most common statues or paintings seen in Catholic Churches around the world. He is frequently depicted with a sword for two primary reasons. The first reason is because St. Paul is well-known for his epistle to the Ephesians, where he famously describes the “armor of God.” He uses the armor that was commonly worn by a Roman Solider to describe a spiritual armor that prepares a Christian to “stand against the wiles of the devil. For we are not contending against flesh and blood, but against the principalities, against the powers, against the world rulers of this present darkness, against the spiritual hosts of wickedness in the heavenly places” (Ephesians 6:11-12). A few verses later St. Paul writes, “And take the … sword of the Spirit, which is the word of God” (Ephesians 6:17). The second reason why St. Paul often carries a sword is because of a long-standing tradition of depicting martyr saints with the instrument of their death. As St. Paul was a Roman citizen, he was not eligible to be crucified. Instead, St. Paul was decapitated with a sword outside of the walls of Rome. So while St. Paul may not have been a fierce warrior, he was a “soldier of God,” fighting valiantly to spread the Kingdom of God on earth.
    San Paolo di fronte alla Basilica Pa..Mura
  • “Western entrance evening view of the Roman Colosseum - BW”…<br />
<br />
The Colosseum, is an elliptical amphitheater in the center of the city of Rome, the largest ever built during the Roman Empire. It is considered one of the greatest works of Roman architecture and Roman engineering in history.  Occupying a site just east of the Roman Forum, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still, has close connections with the Roman Catholic Church, as each Good Friday the Pope leads torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheater, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past but the forgiveness and sacrifice of its present stature.
    Occidentale ingresso vista sera del ..- BW
  • “Small Archangels - Papal Archbasilica of St. John in Lateran”…<br />
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Dedicated to St. John the Baptist and St. John the Evangelist, the Basilica of St. John Lateran is the first among the four major basilicas of Rome. It is also the Cathedral of the Bishop of Rome, the Pope, and is thus known as the "Cathedral of Rome and of the World." Built by Constantine the Great in the 4th century, San Giovanni in Laterano was the first Christian/Catholic church erected in Rome. The present structure of the Basilica resembles Saint Peter's Basilica, and the ancient church was residence of the Papacy until the (1377) return from exile in Avignon and permanent relocation to the Vatican. Many Popes were responsible for repair and additions to the Basilica’s overall splendor and importance throughout the last 1700 years. This image was inspired upon noticing dozens of tiny cherub angels holding up the archways of a long and narrow hallway leading to a sacred and Holy Door of the Archbasilica. Each angel is unique and has a different face and expression. One cannot help being overcome with humility observing the veneration of the Basilica’s Piccoli Angeli protecting all the wondrous souls within.
    Piccolo Gli Arcangeli - Arcibasilica..rano
  • “Panoramic sunset reflections of Villa Borghese – Rome”…<br />
<br />
Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus.  Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, the Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and gives time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Panoramico riflessioni di tramonto d..Roma
  • “The Clementine Chapel dome of St. Peter's Basilica”…<br />
<br />
Conceived as a pendant to the Gregorian Chapel on the other side of the Basilica, the Clementine Chapel occupies the southeast corner of St. Peter’s and was begun by Michelangelo and completed by Giacomo Della Porta.  The chapel consists of a central space covered by a copula and of two small aisles extending north towards the nave and west towards the south transept. The chapel takes its name from Clement VIII, the pope who, for the Jubilee of 1600, commissioned its rich decoration of colored marbles, stuccos and mosaics inspired by the history of salvation and the life of Christ.  I came to realize during my travels of Italy and viewing the great artistic interiors of the Basilica’s, Duomo’s, and many churches, the idea and intention of the creators of these great structures was to give the Christian visitor a sense of heaven and hope for eternal life.  The seemingly dreary life of the Christian world until modern times became transported, and thus transformed to a better place upon entering these magnificent structures of worship.  The reverence and appearance of heaven found in these divine churches can only enhance one’s experience and allows each to see with their own eyes…a touch of God’s splendor.
    La Clementine Cappella cupola della ..etro
  • "The Cross of the Colosseum illuminated in the evening"...<br />
<br />
The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum. The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition. A Cross stands exultant in the Colosseum center with a plaque stating: “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.” In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck. It is as grand in person as it appears in the media, and it seems to hold a very mystical aura. Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature. As evening descended on the ancient Colosseum, the sun illuminated the cross. I was determined to capture this amazing image as the security guards circled to kick me out...
    La Croce del Colosseo illuminato in ..rata
  • “A perfect evening overlooking the Colosseum - BW”…<br />
<br />
A sunlit and pleasant view of the ancient and organic Colosseum.  The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  I created this image in the late evening as the guards ushered me out for closing time.
    Una serata perfetta che si affaccia ..- BW
  • "The sun goes down on the Arch at the gardens of Villa Borghese Roma"...<br />
<br />
I stumbled into photography just before graduation at the U of TN while volunteering at a local hospital where I was influenced to attend Brooks Institute. The instructors preached the technical aspects of photography, and upon graduation…we could implement our own artistic vision. As a commercial photographer since graduation, I have had little time to express my artistic vision…until I went to Italy for the first time, where I discovered my true love and passion! I consider myself a “contemplative” photographer, and as such, I have a three-part process to achieve my final presentation for each image: the discovery, how I perceive the image creation, and how I hope others will perceive the image. This artistic pursuit, I imagine, is similar to Michelangelo viewing a piece of marble for the first time. Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. This image captured the last highlights of the descending sun while gazing through the archway into the mystical dusk drenched gardens.
    Il sole scende sull'Arco ai giardini..Roma
  • "Dome of the Basilica of St. Peter seen from the window of the Vatican Museum"...
    Cupola della Basilica di San Pietro ..cano
  • "Bernini fountain in Piazza San Pietro - Vatican"...<br />
<br />
This image was created at the Vatican in the Piazza of Saint Peter of the famous Bernini fountain located in the southern area of the square.  There are two fountains in St. Peter's Square:  the first was created by Carlo Maderno; the other by Gian Lorenzo Bernini, the Italian sculptor and architect, and a major historical figure in the world of architecture. He was the leading sculptor of his age, credited with creating the Baroque style of sculpture, and he was also the designer of the entire square of Saint Peters.  Pope Alexander VII trusted Bernini to develop a structure that would adequately frame a barrier of space for visitors to collect, but also a place for them to bask in the honor and distinction of Rome as a Catholic state. Bernini placed ninety-six saintly statues over the colonnade’s balustrade, which tower majestically over the square, and are viewable in the background of the fountain.
    Bernini fontana di Piazza San Pietro..cano
  • “Bernini's baldachin in St. Peter's Basilica”…<br />
<br />
At the crossing of the transepts is the central focus of the interior, the baldacchino. This monumental canopy shelters the papal altar and the holy relics of St. Peter.  Artistically, it also serves to fill the vertical space under Michelangelo's great dome.  Made of 927 tons of dark bronze (removed from the Pantheon's roof in 1633) accented with gold vine leaves, the baldacchino stands 90 feet tall. The baldacchino was created by Lorenzo Bernini from 1624 to 1633 under the direction of Barberini Pope Urban VIII, who added Baroque embellishment to much of Rome.  The spiral columns derive their shapes from the columns of the baldacchino in the original St. Peter's Basilica built by Constantine, which legend has it came from Solomon's Temple in Jerusalem.  Cherubs are repeated throughout the monument, giving an overall effect of the Ark of the Covenant.  The view from beneath the baldacchino shows the Holy Spirit within a radiant sunburst, which for me stood out from the backdrop of the great dome representing the heavens above.  I came to realize during my travels of Italy and viewing the great artistic interiors of the Basilica’s, Duomo’s, and many churches, the idea and intention of the creators of these great structures was to give the Christian visitor a sense of heaven and hope for eternal life.  The seemingly dreary life of the Christian world until modern times became transported, and thus transformed to a better place upon entering these magnificent structures of worship.  The reverence and appearance of heaven found in these divine churches can only enhance one’s experience and allows each to see with their own eyes…a touch of God’s splendor.
    Baldacchino del Bernini nella Basili..etro
  • “Bernini fountain in Piazza San Pietro”…<br />
<br />
This image was created at the Vatican in the Piazza of Saint Peter of the famous Bernini fountain located in the southern area of the square.  There are two fountains in St. Peter's Square:  the first was created by Carlo Maderno; the other by Gian Lorenzo Bernini, the Italian sculptor and architect, and a major historical figure in the world of architecture. He was the leading sculptor of his age, credited with creating the Baroque style of sculpture, and he was also the designer of the entire square of Saint Peters.  Pope Alexander VII trusted Bernini to develop a structure that would adequately frame a barrier of space for visitors to collect, but also a place for them to bask in the honor and distinction of Rome as a Catholic state. Bernini placed ninety-six saintly statues over the colonnade’s balustrade, which tower majestically over the square, and are viewable in the background of the fountain.
    Bernini fontana di Piazza San Pietro
  • “Twilight Voyage to the Seaside Sanctuary – A Painting by Dino Carbetta”<br />
<br />
Mary Victoria sails through the golden hush of twilight, her small vessel drifting across the calm Ligurian Sea like a hymn. The fading sun spills its last light over rippling waves, guiding her toward a sacred shore where an ancient church, carved from centuries of prayer, stands in silent welcome. Atop its weathered bell tower, the cross glows like a beacon—its silhouette etched in light against the sky, as a single white dove soars above, a symbol of peace and divine grace. On the dock below, her faithful companion Max waits—ears perked, tail gently wagging, eyes shining joyfully. His happy presence mirrors the warmth she carries wherever she goes, a loyal soul as gentle as the breeze that fills her sail. The moment captures not merely a return to beauty, but a deeper passage into serenity and light. Flowers cascade down stone walls, the perfume of rosemary and sea air mingle, and the hills above cradle the church like open hands in prayer. Here, between sea and sanctuary, Mary Victoria lives out her quiet vocation—not behind walls, but in the world, where she shepherds children with tenderness and shares her irrepressible joy with all who cross her path. Her laughter is a source of healing, and her words a soothing balm for the soul. She brings delight like morning sun through stained glass—unexpected, radiant, and real. This painting is no mere landscape—it is a living meditation. In it, the soul finds stillness. The church, steadfast and luminous, becomes a sacred threshold. Her voyage is not a return, but a testament: to a life infused with love, to a spirit that never wearies, to the grace of one who makes the world gentler by her presence. Twilight Voyage to the Seaside Sanctuary is a sacred embrace in color and light—a tribute to faith, joy, and the eternal welcome of the heart. "The Lord is my shepherd; I shall not want." – Psalm 23:1
    “Twilight Voyage to the Seaside Sanc..tta”
  • Venice: A Benediction of Light and Time<br />
<br />
On the final day of our sacred pilgrimage, we were carried to the gates of a dream — Venice, that eternal sigh between water and sky. Departing from Padua in the silver hush of morning, we crossed the Venetian Lagoon by private boat, drawn toward the hallowed splendor of the Basilica di San Marco. Beneath its golden domes, we offered our final Mass, a crown upon our journey. After wandering the ornate halls of the Doge’s Palace, we were loosed into the city itself — to taste her, to breathe her, to remember her before the sun would fall and call us away. Fellow pilgrim Patrick and I, kindred in devotion and wonder, raced into the living labyrinth. Eight and a third miles unspooled beneath our feet, though the passing of distance was forgotten in the rapture of discovery. From the solemn majesty of the Basilica dei Frari to the sacred hush surrounding Saint Lucy at Chiesa di San Geremia, every step was a pilgrimage within a pilgrimage. Venice, defiant and sorrowful, offers no clear path. GPS was powerless against her mysteries. We surrendered to her rhythm, capturing her vanishing wonders with cameras that clicked like desperate prayers. Along the Santa Fosca Canal, as afternoon leaned into twilight, the sunlight pierced the hollow windows of abandoned buildings, pouring rivers of gold across crumbling stones. In that fleeting hour, it was as if time itself bowed in mourning, light blessing ruin, beauty embracing decay. When the sky deepened to indigo, we arrived at Ristorante Pizzería Da Alvise, its humble tables shimmering over the gentle waters. There, with bread, wine, and the soft ache of farewells, Venice began to dissolve into memory — not as a place we had visited, but as a tender ache stitched forever into the soul, luminous and eternal, like a song you hear once, and never forget. From the depths of my Italian heart, I know I will forever long for Venice — a lost paradise glimpsed only once beyond the veil of time.
    Venice A Benediction of Light and Time
  • “The Evening Venetian Sun Illuminates the Winding Waterway - Painting by Dino Carbetta”…<br />
<br />
Venice is not merely a place—it is a living breath of heaven on earth, a sacred mirage carved by time, water, and wonder. In the fading light of evening, it becomes something more: a sanctified dream, where every ripple upon the water and every worn stone whispers the memory of saints and centuries. The Evening Venetian Sun Illuminates the Winding Waterway captures a holy moment—when the sun, like divine fire, bends low over the lagoon and anoints the city with gold. On this particular evening, the day’s trials seemed to dissolve as the light grew tender. The waterway, winding gently through the ancient heart of Venice, became a mirror of eternity, reflecting not only the facades of history but the radiant presence of something greater—something eternal. The churches stood in silent reverence, their spires reaching toward heaven as if echoing the prayers of pilgrims past. The air was still, save for the soft lapping of water and the hush of awe, as if even the city knew it was being bathed in a sacramental light. And yet, there was life in abundance—light dancing across windows, shadows lengthening with grace, gondolas drifting like sacred relics upon the tide. It was in this hour that Venice revealed her truest self: not merely a marvel of human ingenuity, but a divine canvas, renewed each day by the Artist of all creation. This painting does not merely depict a place—it invites the soul to rest, to see with contemplative eyes, and to remember that beauty, even when veiled, is never gone. Like grace, it returns—unexpectedly, powerfully, and always with purpose. In this winding canal, under the glow of the evening sun, Venice breathes the peace of heaven, reminding us that even in the world’s complexity, God's beauty still flows like water—endlessly, luminously, forever. “For with You is the fountain of life; in Your light, we see light.” — Psalm 36:9
    The Evening Venetian Sun Illuminates..etta
  • “The Glory of His Return – Painting by Dino Carbetta” ...<br />
<br />
"Behold, He is coming with the clouds, and every eye will see Him." – Revelation 1:7                In "The Glory of His Return," Christ stands in radiant majesty, descending from the heavens as the King of Kings. The sky above Him is alive with celestial brilliance, and at the center of this moment, the Holy Spirit, in the form of a great white dove, descends, symbolizing the fulfillment of God’s promise. The heavens open wide, and all creation bears witness to the return of the Son of Man. Before Him stands a vast multitude, robed in luminous white, their hands raised in praise, drawn into His divine light. They now stand in the presence of their Redeemer, free from time and waiting. Every eye beholds Him, and the long-awaited promise is fulfilled. This painting captures the essence of that final triumph—the heavens ablaze, the earth in awe, and the faithful gathered as one. The brilliance of Christ’s presence bathes them in light, transforming not just their forms but their very souls. Christ, once veiled in mystery, is now revealed in His full glory. He is the Alpha and the Omega, the Lamb upon the Throne, the answer to every cry of the human heart. His return is an unavoidable reality for all believers. As Christians, we are united by the Nicene Creed, affirming one Lord, faith, and baptism. His return will mark the moment of judgment for all, with the dead's judgment already complete. Those living at the time of the Second Coming will be judged according to their works. Our Lord will judge us accordingly. Rejecting Him leads to mortal sin without remorse, ultimately resulting in eternal separation from God. "By rejecting grace in this life, one already judges oneself." The righteous will attain glory, while others will be purified. Let this painting be a reminder: He is coming, not as a distant hope, but as the victorious King. May this inspire us to prepare our hearts for His return.
    The Glory of His Return – Painting b..etta
  • "The Light of Saint Patrick – Painting by Dino Carbetta” ...<br />
<br />
As the golden sun descends over the rugged coastline, its light bathes the land in a warm embrace, mirroring the faith that has endured for centuries. Three sheep, gentle and unburdened, stand in the foreground—symbols of the faithful, watched over by the unseen Shepherd. The distant lighthouse, standing steadfast against the rolling tides, serves as a beacon of guidance, much like Saint Patrick, who illuminated Ireland with the light of Christ. Nestled beyond, an ancient church and a solemn Celtic cross whisper of prayers uttered through generations, of faith carved into the very soul of the land. Among the rocks and wild grasses, delicate green clovers bloom—reminders of the Trinity and of the saint who walked this hallowed ground, bringing hope to a nation. This painting is not just a tribute to Saint Patrick’s Day but to the enduring presence of faith, light, and the promise that no soul is ever truly lost in the darkness. The Shepherd’s call is always near, echoing in the winds that sweep over the emerald cliffs and in the quiet hush of the evening tide.
    The Light of Saint Patrick – Paintin..etta
  • "The Pro-Life Warrior – A Painting by Dino Carbetta"<br />
<br />
Capturing a powerful, almost mythical moment in American political and cultural history, The Pro-Life Warrior presents President Donald Trump in a striking, heroic light. Riding a white horse with majestic wings—symbols of purity, strength, and divine protection—a faint halo hovers above him, signifying his connection to a higher purpose. The swirling sky symbolizes the energy and determination defining his presidency and the transformative changes it has brought. The scene unfolds against a dynamic backdrop of Washington D.C., grounding this powerful moment in the heart of American history and politics. Yet, Trump’s larger-than-life presence suggests his influence reaches beyond the ordinary, into the realms of destiny and divine providence. The horse's angelic wings elevate the narrative, as a symbol of hope and strength for those who share his values. This work speaks directly to themes of hope, change, and perseverance. It serves as a visual testament to the fervent prayers of millions who have supported Trump, praying for a future guided by moral clarity within the pro-life movement. As a Catholic artist who deeply cherishes the sanctity of life, this painting reflects both a personal and collective message—an invitation to reflect on the ongoing battle for life, family, and faith in an ever-evolving world. President Trump and First Lady Melania have long stood as unwavering champions of the pro-life cause. They embody a dedication to safeguarding the most vulnerable, driven by a vision of justice and compassion. The Pro-Life Warrior is a celebration of his leadership and a tribute to their steadfast commitment to the sacredness of life. This painting is a powerful reminder of the strength and resilience needed to uphold the values we hold dear. It should be displayed on the walls of hope, an inspiration for all who believe in the sanctity of life and the pursuit of a more just and compassionate world.
    The Pro-Life Warrior – A Painting by..etta
  • “Let the Little Ones Come to Me – A Painting by Dino Carbetta” ...<br />
<br />
This luminous painting is a visual hymn to Christ’s boundless love, depicting Jesus at the heart of a celestial embrace—surrounded by four angelic young girls, each radiating purity, faith, and devotion. Inspired by Matthew 19:14, where Christ declares, "Let the little ones come to me and do not hinder them, for the kingdom of heaven belongs to such as these," this work speaks to the tender and eternal bond between Jesus and the innocent at heart. The composition is both intimate and divine. Jesus stands at the center, his radiant halo glowing in a symphony of colors, a reflection of his divinity and unwavering compassion. Above him, a white dove gracefully descends, symbolizing the Holy Spirit, as if Heaven itself is blessing this sacred moment. The four young girls, dressed in soft hues of blue and pink, gather closely around him—two in the foreground, embodying youthful innocence, and two slightly older behind them, appearing as graceful figures with angelic presence. Their expressions mirror a profound trust and joy—a silent yet powerful testament to the pure-hearted who dwell in God’s presence. Vibrant yet ethereal colors infuse the painting with a heavenly glow, where soft blues and pinks create an atmosphere of peace, love, and divine serenity. The setting is no mere backdrop—it is a bridge between Heaven and Earth, where light and spirit intertwine, drawing the viewer into the sacred intimacy of this moment. This painting is more than an image; it is an invitation—a call to rediscover the innocence of faith, the unshakable trust of a child in their Creator. It reminds us that in Christ’s presence, we are all his children, embraced in a love that is infinite, unwavering, and eternal. Through masterful brushstrokes and spiritual depth, this work captures not just a scene, but a truth: that the pure-hearted will always find refuge in the arms of the Divine.
    Let the Little Ones Come to Me – A P..etta
  • “Twilight on the Mediterranean Ligurian Riviera - Painting by Dino Carbetta” ...<br />
<br />
The Italian Riviera, a captivating stretch of coastline in the Liguria region, offers an unparalleled blend of natural beauty, history, and culture. Extending from Ventimiglia near the French Riviera to the poetic allure of the Gulf of Poets north of Tuscany, this region is a treasure trove of scenic splendor and architectural wonders. The Italian Riviera has enchanting seaside villages and resort towns, including Sanremo, Portofino, and the renowned Cinque Terre. These locales are not just destinations but gateways to an experience where the past and present seamlessly converge. The painting captures the essence of a bygone era, preserving an ancient church that stands as a sentinel of faith and resilience against the timeless waves of the Mediterranean Sea. The church exudes reverence and continuity, symbolizing the enduring spirit of the Ligurian people intertwined with the sea for centuries. As dusk settles, a man is seen returning home, his faithful dog sleeping on the dock, and a cat eagerly hungry for dinner. This humble scene against the ancient church backdrop brings the painting to life with daily rhythm and intimate connection. The blue Mediterranean moon highlights the church's façade, while verdant hills and sparkling sea frame the scene. The painting invites viewers to step into a world where time slows down, where the whispers of history can be heard in the rustling leaves and the distant cries of seabirds. The Italian Riviera is more than a destination; it is a place of pilgrimage, a source of inspiration, and a testament to the enduring connection between humanity and the divine. The painting captures the physical beauty and spiritual essence of the Ligurian Riviera, providing a glimpse into its soul. The man's journey home with his loyal companions represents the timeless bond between people, nature, and the divine, converging in this magical twilight moment.
    Crepuscolo sulla Riviera Ligure Medi..etta
  • "Van Gogh Style Cafe Terrace at Night in Sorrento Italy - Painting by Dino Carbetta” ...<br />
<br />
In paying homage to the brilliance of Vincent van Gogh while seamlessly intertwining it with the enchanting charm of Sorrento. This alluring rendition aims to channel van Gogh's distinctive style, marked by bold brushwork, lively colors, and expressive forms, to capture the vibrant essence of Sorrento's evening ambiance. With every stroke, endeavoring to transport viewers to the coast of Sorrento, where the gentle glow of window lights and moonlight illuminates the scene, casting a spell of warmth and intimacy. The Café Terrace, reminiscent of van Gogh's original masterpiece, beckons viewers to envision themselves amidst the lively chatter and laughter of patrons savoring their evening in this coastal gem. Through careful craftsmanship, seeking to encapsulate the essence of van Gogh's vision, infused with the unique spirit and sea-side vitality of Sorrento. The outcome is a captivating portrayal that not only honors van Gogh's artistic legacy but also provides a fresh perspective on the timeless allure of Sorrento. This emulation of van Gogh's use of color and form is beautifully showcased, capturing the vibrant energy of the Sorrento. Each brushstroke resonates with a sense of wonder and vitality, breathing life into the canvas and inviting viewers to immerse themselves in the rich tapestry of Sorrento's life. From the exciting marina to the bustling café terrace, meticulously rendered with care, creating a sense of depth and immersion reminiscent of van Gogh's style. Beholding this artistic interpretation, one embarks on a journey through time and space, where van Gogh's artistic brilliance converges with the eternal allure of Sorrento. Let us marvel at the captivating beauty of art and its profound connection to life. Café Terrace at Night in Sorrento glistens as a poignant reminder of art's ability to unite us in a shared appreciation of beauty and wonder.
    Stile Van Gogh Della Terrazza Di Un ..etta
  • “The Compassion of Our Lady Friday” – Painting by Dino Carbetta<br />
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This sacred painting evokes a profound and heartrending sorrow, portraying the Blessed Virgin Mary beneath the crushing weight of her Son’s cross. It is a moment suspended in anguish, yet illumined by divine love—a visual meditation that finds deep resonance on the Friday of Sorrows, a day devoted to remembering Mary's suffering during Lent. The Feast of Our Lady of Compassion began with the Servite Order’s votive Mass in 1668, was formalized by Pope Innocent XII in 1692, and later moved to the Friday before Palm Sunday by Pope Benedict XIII in 1727. This solemn day draws the faithful into the pierced heart of the Virgin, echoing Simeon’s prophecy: “And a sword shall pierce your own soul also.” Mary’s sorrow in this painting is not remote; it is alive, pressing against the soul. Her eyes radiate acceptance, as if already sharing in the redemptive agony of her Son. This is not mere maternal grief; it is a sacred co-suffering, revealing the vastness of her love not only for Jesus, but for all humanity. The Church’s veneration of Our Lady of Sorrows affirms her deep suffering, her unwavering faith, and her exalted role. She stood when others fled. She believed when the world went dark. Through compassionate brushstrokes, this image invites quiet contemplation of Mary’s presence at the foot of every cross, especially the unseen ones we carry. A single red rose graces the scene—vibrant, sorrowful, and rich in meaning. It speaks of hope, sacrifice, and the promise of resurrection. It draws the heart to the “Light of the World,” her Son, Jesus Christ. This painting opens the soul to Mary's sorrow and strength—a love that invites us to believe, endure, and rise with her into the glory of Easter.
    La Compassione Della Madonna Del Ven..etta
  • “Transcendent Sacrifice - Saint Stephen's Martyrdom – Painting by Dino Carbetta” …<br />
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He said: “Nailed to the cross, Jesus said, “Father, forgive them; for they know not what they do” Lk 23:34. Likewise, Stephen “knelt down and cried with a loud voice, 'Lord, do not hold this sin against them'” Acts 7:60. Stephen is therefore a martyr, which means witness, because he does as Jesus did. Within the sacred narrative of the Feast of Saint Stephen, we are immersed in a profound account of a man filled with grace and power, confronting fierce opposition from the Synagogue of Freedmen. Undeterred, Stephen engages in a spirited debate, showcasing wisdom and a spirit that his opponents cannot withstand. As the intense scene unfolds, Stephen, fortified by the Holy Spirit, beholds the glory of God and Jesus, declaring, "Behold, I see the heavens opened and the Son of Man standing at the right hand of God." This powerful proclamation ignites rage among dissenters, ultimately leading to his brutal stoning and expulsion from the city. Amidst the assault, Stephen displays unwavering faith, echoing Christ's words on the cross, pleading for forgiveness with the poignant cry, "Lord Jesus, receive my spirit." In a compassionate plea reminiscent of Jesus, he adds, "Lord, do not hold this sin against them." Acts of the Apostles paints Stephen as a chosen figure to address grievances within the disciple community, his eloquence and wisdom testifying to his deep faith and alignment with the Holy Spirit. His subsequent martyrdom accentuates the challenges faced by those committed to God. In Stephen's life and sacrifice, we encounter a vivid portrayal of faith, resilience, and forgiveness. As we reflect on this narrative, may we draw inspiration from Stephen's unwavering devotion, courage to speak the truth, and compassionate plea for forgiveness in the face of adversity. Let his example inspire us on our journeys of faith and commitment to the profound teachings that guide our lives.
    Transcendent Sacrifice - Saint Step..etta
  • “Let Your Goodness Appear to Us - Painting by Dino Carbetta” …<br />
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“Let your goodness Lord, appear to us, that we, made in your image, may conform ourselves to it. In our own strength we cannot imagine your majesty, power, and wonder, nor is it fitting for us to even try. But your mercy reaches from the heavens, through the clouds, to the earth below. You have come to us as a small child, but you have brought us the greatest gift, the gift of your eternal love. Caress us with your tiny hands, embrace us with your tiny arms, and pierce our hearts with your soft, sweet cries. Amen.” – <br />
St. Bernard of Clairvaux <br />
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O Come, Redeemer Of The Earth: “O Come, Redeemer of the earth, and manifest thy virgin-birth. Let every age in wonder fall: such birth befits the God of all. Begotten of no human will but of the Spirit, Thou art still the Word of God in flesh arrayed, the promised fruit to man displayed. The Virgin’s womb that burden gained, its virgin honor still unstained. The banners there of virtue glow; God in his temple dwells below. Proceeding from His chamber free that royal home of purity a giant in twofold substance one, rejoicing now His course to run. O equal to the Father, Thou! gird on Thy fleshly mantle now; the weakness of our mortal state with deathless might invigorate. Thy cradle here shall glitter bright, and darkness breathe a newer light where endless faith shall shine serene and twilight never intervene. – St. Ambrose All praise, eternal Son, to Thee, whose advent sets Thy people free, whom, with the Father, we adore, and Holy Ghost, for evermore. Amen.” – St. Ambrose
    Lascia Che la Tua Bontà ci Appaia - ..etta
  • “Bethlehem Candle - Advent, Mary, and Joseph’s Journey - Painting by Dino Carbetta” …<br />
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 Rooted in the Christian tradition, the wreath cradles the profound symbolism of the four Advent candles, each representing the impending arrival of Jesus as the illuminating light amidst darkness. Lit consecutively on each Sunday, these candles collectively radiate an increasing glow, symbolizing the approaching celebration of Christmas. A white candle may grace the scene on Christmas Eve or Christmas Day, known as the "Christ candle," symbolizing the presence of Jesus. In this sacred preparation journey, the candles hold significance, with each representing a facet of Advent's spiritual anticipation. Echoing the sentiments of Pope Francis, who beautifully expressed, “May we be in this world a ray of that light which shone forth from Bethlehem, bringing joy and peace to the hearts of all men and women.” The second candle, often called the "Bethlehem Candle," stands as a visual ode to Peace, mirroring the hue of the first purple candle. It serves as a poignant reminder of Mary and Joseph's arduous journey from Nazareth to Bethlehem, culminating in the miraculous birth of Jesus. Drawing inspiration from the Prophecy Candle, this second luminary evokes the possibility of peace on Earth after the historical tumult and disarray chronicled in the Old Testament. With the advent of Jesus, the harbinger of peace, a new era dawns. Pope Francis's words resonate, affirming that the light of peace emanating from Bethlehem extends its luminosity to the world. As you light the second candle on Sunday, December 8, 2024, let it shine forth, reflecting not only the sacred journey of Mary and Joseph but also the enduring and universal longing for peace on Earth. Compiling the essence of Advent into five evocative images proved both challenging and gratifying. The presence of candles in each visual narrative serves as a sacred beacon, drawing you toward the divine light of Christ within your soul.
    Candela di Betlemme - Avvento, Viagg..etta
  • “First Sunday of Advent - Painting by Dino Carbetta” … <br />
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"Lord our God, we lift our praises for your Son, Jesus Christ: Emmanuel, the hope of nations; Wisdom that enlightens and guides us; Savior of all people. Heavenly Father, let your blessings descend upon us as we kindle the flames on this wreath. May this wreath and its radiance signify Christ's pledge to bring us salvation swiftly. May His arrival be imminent. We implore this through Christ our Lord. Amen." (First Advent Candle/Sunday: Hope) "In our earthly realm, a stable housed something greater than our entire world." – C.S. Lewis.  It is befitting that the inaugural candle on the Advent wreath embodies Hope – the first Sunday of Advent not only leads us in anticipation of Christ's birth but also marks the commencement of a new liturgical season. The first candle, purple, the primary hue of Advent and a regal symbol, is sometimes known as the 'Prophecy Candle.' This candle echoes Isaiah's prophecy of Christ's birth, fulfilling the Old Testament promises. Light the first candle this Advent on Sunday, December 3, 2022. (The Four Advent Candles) Embedded in Christian tradition, the wreath cradles the four Advent candles, each representing Jesus as the light in the darkness. Every Sunday sees the illumination of a new candle until all four blaze brightly. As Christmas approaches, each candle dispels a bit more darkness. These four candles signify the four Sundays of Advent, symbolizing hope, peace, joy, and love. In some homes and parishes, a fifth candle is lit on Christmas Eve or Christmas Day, symbolizing Jesus' birth. This candle, typically white and grander than the others, takes center stage in the wreath, radiating the joy of the Savior's arrival."
    Prima Domenica di Avvento - Dipinto ..etta
  • Saint Agnes of Assisi In front of San Damiano ... Painting by Dino Carbetta<br />
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When St. Clare received the veil in 1212, she left behind a young sister named Agnes, who was fourteen years old. In answer to Clare's prayers and inspired by God, Agnes left for the same convent only 16 days later. Saint Francis named Clare's sister Agnes because she was gentle like a young lamb. St Francis then led the two maidens to St Damian's convent, where he also gave the holy habit to Agnes. She now endeavored to imitate her saintly sister in everything and devoted all her spare time to prayer and contemplation. She lived a very austere life, partaking only of bread and water, and wearing coarse clothing. St. Francis quickly recognized the valuable virtue hidden within this remarkable soul. Recognizing her potential, St. Francis chose Agnes to establish a new convent in Florence, demonstrating remarkable faith in her abilities despite her youth. Saint Agnes of Assisi was favored with many extraordinary graces by God. In her deep devotion, she often felt elevated above the earth. From Holy Thursday until Holy Saturday, she was once so found in rapture in the contemplation of the sufferings of Christ that she was under the impression she had spent only an hour in this mystical state. Agnes shared her sister's devotion to prayer and the strict penances of the Poor Ladies at San Damiano. When a group of Benedictine nuns in Monticelli asked to become Poor Ladies, Clare sent Agnes to become abbess of the monastery. Agnes soon wrote a rather sad letter about how much she missed Clare and the other nuns at San Damiano. After establishing monasteries in northern Italy, Agnes was recalled to San Damiano in 1253, as Clare lay dying. In her last moments, Clare addressed her sister in these words, "My beloved sister, it is the will of God that I go, but be comforted, you will soon come and rejoin me with our Lord." Three months later Agnes followed her sister to eternity on November 16, 1253.
    Sant'Agnese d'Assisi Di fronte a San..etta
  • "Radiant Crucifix at the Convent of Cells Founded by St. Francis - Cortona"... <br />
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Beneath the ancient sky of Cortona, where the sacred whispers of Saint Francis still breathe through stone and cypress, a single moment unfolds in silence and glory. In this original photograph, the crucifix stands not in shadow but in luminous triumph—its silhouette bathed in the brilliance of a sun piercing the heavens. Illuminated by sunlight filtering through the canopy, the cross reflects the sacred simplicity of the Convent of Cells, founded by the Poverello of Assisi. The radiant sun behind the cross mirrors Christ’s high priestly prayer in John’s Gospel: “Consecrate them in the truth. Your word is truth.” This natural glow is no mere light—it symbolizes divine presence, transforming the ordinary into the sacred. The photograph becomes a quiet miracle, echoing Christ’s desire that we be not of the world, but sanctified within it. The light that crowns the crucifix is a heavenly reply to that prayer—a visual sanctification. It speaks of unity, protection, and the quiet joy promised to those who walk in His name. The scene suggests that when we align ourselves with the divine, we too are bathed in light and truth, much like the unexpected beauty of the sun illuminating the cross. More than a captured image, this work is a testament: a stillness where earth and heaven meet, where the eternal word becomes visible through creation. It invites the soul to lift its gaze and remember that light always prevails in the sacred silence of faith. And on a day marked by sorrow, do not dwell in sadness—but rejoice in the Lord, for He died for our sins, and in His radiant love, we are made new. “Rejoice in the Lord always. I shall say it again: rejoice!” (Philippians 4:4)
    Radioso Crocifisso presso del Conven..tona
  • “The Vatican Museums Double Helix Spiral Staircase” …<br />
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This modern double helix staircase is located in the Vatican Museum and is commonly referred to as the "Bramante Staircase" after the original architect who built the first staircase in 1505. It is unlikely that the Vatican realized when it commissioned Giuseppe Momo to build a staircase in 1932, that it would become one of the most photographed pieces in a museum that boasts nine miles of art. The Spiral Staircase, also called the Momo Staircase or the Snail Staircase, is made up of two wrought iron stairways – one going up, one going down – that curve in a double helix. Ironically, it was created at a time before the double helix became a symbol for science, DNA, and subsequently, all human life. The architect’s design was not drawn from at this time, an unknown DNA design, but was made like this purely for convenience. As the staircase was created to link the Belvedere Palace to the streets of Rome. Allowing Pope Julius II to travel directly from his private residence by carriage without fuss, with the staircase a ramp to hold the carriages rather than stairs. The reason for the two separate spirals was so carriages could travel up and down without interruptions, with one spiral marked for travels up, and the other for travels down. This staircase is truly a stunning sight to see, however, due to its age and fragility, visitors seeing this landmark in person is nearly impossible. As only a few exclusive tour groups are allowed access each year! While the staircase was once walked by every visitor to the Vatican Museum on their way in, it is no longer on the route and is closed to the public. Fortunately, my Roman tour guide, once again speaking with the guards, allowed me under the ropes to take a rare image without visitors present.
    I Musei Vaticani Doppia Elica Scala ..iola
  • “By Kissing the Holy Cross One Acquires a Year and 40 Days of Indulgence” …<br />
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The title of this image is the inscription on each cross placed at every entrance to the Colosseum. It still maintains close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch-lit "Way of the Cross" procession that starts in the area around the Colosseum. Christ believers throughout history have generally regarded the Colosseum as a site of the martyrdom of large numbers of believers during the great persecution of Christians in the Roman Empire, as evidenced by Church history and tradition. A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheater, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck. It is as grand in person as it appears in the media, and it seems to hold a very mystical aura. Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past but the forgiveness and sacrifice of its present stature.
    Baciando la Santa Croce si Acquisisc..enza
  • “The Evening Sun Highlights the Gondolas Under the Rialto Bridge in Venice” …<br />
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The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The rowing oar, which is not fastened to the hull, is used in a sculling manner, also acting as the rudder. For centuries, the gondola was the chief means of transportation and the most common watercraft within Venice. A gondolier propels it. In modern times the iconic boats still have a role in public transportation in the city, serving as traghetti (ferries) over the Grand Canal. There are just over four hundred gondolas in active service today, virtually all of them used for hire by tourists. To become a professional gondolier you need to obtain a license from the guild. Two hundred years ago, there were 10,000 gondolas in Venice. Although the aristocracy preferred horses to boats through the early Middle Ages, beginning in the 14th century when horses were outlawed from the streets of Venice, the noble class embraced gondolas as a respectable form of transportation. They say if you are happy with the price of your gondola, you need to ask again as you probably did not understand him correctly. The Ponte di Rialto (Rialto Bridge) is the sincere heart of Venice. The iconic structure was completed in 1591 as a permanent replacement for various bridges that spanned the Grand Canal since the 12th Century.
    Il Sole della Sera Mette in Evidenza..ezia
  • “Saint Luke the Evangelist – Painting by Dino Carbetta” …<br />
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Luke, one of the Four Evangelists, holds a profound place in the Christian tradition as the author of both the Gospel of Luke and the Acts of the Apostles. Accounting for over a quarter of its text, more than any other author. He beautifully illustrates the parallel between Christ's life and the Church's. Notably, Luke is the sole Gentile Christian among the Gospel writers. Tradition suggests that he hailed from Antioch and is affectionately referred to as "our beloved physician" by Saint Paul. His Gospel is believed to have been written around 70 A.D. Luke's presence in the Acts of the Apostles is equally significant. In his unwavering faith, Luke stands by Paul through countless journeys, including Rome, Luke remained, attested by Paul himself: "Only Luke is with me" (2 Timothy 4:11). Luke also shares a special connection with the women in Jesus' life, particularly Mary. Only in Luke's gospel do we find the treasured accounts of the Annunciation, Mary's visit to Elizabeth with the Magnificat, the Presentation, and the story of Jesus' disappearance in Jerusalem. Luke's contributions extend to the Scriptural verses of the Hail Mary: "Hail Mary, full of grace," spoken at the Annunciation, and "Blessed are you, and blessed is the fruit of your womb, Jesus." Luke is honored as the pioneer of Christian iconography, making him a patron saint of artists, doctors, and medical caregivers. His relics are preserved in the Abbey of Santa Giustina in Padua, Italy. Reading Luke's gospel provides profound insight into his character as someone who had deep compassion for the poor, advocated for the inclusivity of all in God's kingdom, respected and uplifted women, and found hope in God's boundless mercy for all. In his artistry and words, Dino Carbetta gracefully captures the essence of Saint Luke the Evangelist, inspiring all with the profound message of love, compassion, and faith.
    San Luca Evangelista – Dipinto di Di..etta
  • “Santa Chiara d'Assisi In front of San Damiano ... Painting by Dino Carbetta” … <br />
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In the grand narrative of history, Clare of Assisi shines as a luminous figure, embodying unwavering devotion and courageous faith. This Italian saint, deeply connected with Francis of Assisi, carved a path of sanctity that continues to inspire. Clare was not merely a follower but a beacon of feminine spirituality, founding the Order of Poor Clares within the Franciscan tradition. At eighteen, Clare’s heart was ignited by Francis' words. In a moment of profound spiritual awakening, she escaped her family’s expectations, meeting Francis at the altar. There, she shed her worldly trappings, cutting her long hair and exchanging her rich garments for Francis’ rough tunic—a bold declaration of her commitment to a life of poverty and service. Clare’s life at San Damiano was of radical simplicity and deep faith. She served the sick, washed the feet of her fellow nuns, and lived in a community that embraced seclusion and poverty. Despite pressures to relax these strictures, Clare remained steadfast, famously declaring, “I need to be absolved from my sins, but I do not wish to be absolved from the obligation of following Jesus Christ.” One of the most powerful episodes of her life occurred when Saracen invaders threatened the convent. Clare placed the Blessed Sacrament on the walls and prayed, “O God, do these defenseless hearts find solace?” Her faith was so profound that the invaders fled, leaving the convent unharmed. Clare’s life was a continuous prayer, a testament to her connection with the divine. Even in her final moments, she spoke of the light that guided her, saying, “In the story of my life, pain found no dwelling, His light illuminated my steps.” The painting by Dino Carbetta captures this legacy, honoring Clare’s devotion and courage, making her spirit visible and her story told anew, her light continues to guide others on their spiritual journey.
    Santa Chiara d'Assisi Davanti a San ..etta
  • “St. Peter's Basilica - Madonna of the Column, Dome”…<br />
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Our Lady of the Column is a Byzantine Madonna and Child that was painted on a column of Porta Santa marble in the original Basilica of St. Peter (Constantine). There is no detailed information on the original painting available, but from the style, it appears to be 11th-12th century. When the new Basilica was built in the 16th century, the column and painting were preserved; and in 1581 it was placed in a marble frame created by Giacomo della Porta, who designed an altar of exquisite marble with alabaster columns. After the Second Vatican Council, Paul VI honored it with the title of "Mater Ecclesiae". In 1981 John Paul II had a mosaic reproduction of it set on the external wall of the palazzo facing St. Peter's Square, where it can also be seen illuminated at night. The chapel is covered by one of the basilica's minor cupolas which let in light that enhances the colors of the altar. On the vault of the dome are portraits of the Litany of Loreto in the spandrels: St. Bonaventure, St. Thomas Aquinas, St. Cyril of Alexandra, St. John Damascene. Inside the lunettes are the portraits of The Virgin Mother and Child, the Dream of St. Joseph, and the Kings, David and Solomon. This image is one of the multitudes of beautiful images in and around Saint Peter’s Basilica, the most resplendent church in the world.
    Basilica di San Pietro - Madonna del..pola
  • “The Ascension of the Lord - Painting by Dino Carbetta”…<br />
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Captures a pivotal moment in Christian faith depicted in Luke 24:46-53. This passage narrates the profound significance of Jesus' resurrection and ascension. Jesus, having conquered death, imparts to his disciples the imperative of spreading the message of repentance and forgiveness throughout the world. Beginning in Jerusalem, they are to witness these transformative events, awaiting the promised power from above. As Jesus ascends, he blesses his disciples, leaving them with a tangible sense of his presence despite his physical departure. Their return to Jerusalem is marked by overflowing joy and continuous praise in the temple. This joyous occasion signifies that though Jesus may no longer walk the earth, his spirit remains present, advocating for and guiding believers. In the painting, the lifting up of Jesus on the cross symbolizes the commencement of his ascension into heaven. He, the sole mediator of the new Covenant, transcends earthly confines to intercede on behalf of humanity before God. Christ, seated at the Father's right hand, fulfils ancient prophecies and establishes his dominion over all peoples. The apostles, now witnesses to this eternal reign, embody the enduring nature of Christ's kingdom. Their proclamation resonates through the ages, heralding the everlasting dominion of the Risen Lord. Through the Ascension, we are reminded of our profound connection to the divine, guided by an ever-present Advocate and united in faith with a community that proclaims God's boundless love to the world. After this narrative, this painting beautifully encapsulates the essence of the Ascension, serving as a visual testament to the enduring significance of this pivotal event in the Christian faith.
    L'Ascensione del Signore - Dipinto d..etta
  • “A Million Faces of Jesus by Dino Carbetta – Resplendent”…<br />
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“God of every nation and people, from the very beginning of creation you have made manifest your love: when our need for a Savior was great you sent your Son to be born of the Virgin Mary. To our lives, he brings joy and peace, justice, mercy, and love.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. Battle against Evil: Finally, draw your strength from the Lord and from his mighty power. Put on the armor of God so that you may be able to stand firm against the tactics of the devil. For our struggle is not with flesh and blood but with the principalities, with the powers, with the world rulers of this present darkness, with the evil spirits in the heavens. Therefore, put on the armor of God, that you may be able to resist on an evil day and, having done everything, to hold your ground. So stand fast with your loins girded in truth, clothed with righteousness as a breastplate, and your feet shod in readiness for the gospel of peace. In all circumstances, hold faith as a shield, to quench all [the] flaming arrows of the evil one. And take the helmet of salvation and the sword of the Spirit, which is the word of God.  EPHESIANS, 6:10-17
    Un Milione di volti di Gesù di Dino ..ente
  • “St. Nicholas and Children in the Snow - Painting by Dino Carbetta”…<br />
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St. Nicholas, also known as Kris Kringle in Germany, Pere Noel in France, and Father Christmas in Britain, is a beloved figure worldwide, especially among children. He is admired for his boundless love for God and humanity, which transcends cultural boundaries. Nicholas lived in modern-day Turkey during the third century. He lost his parents to an epidemic when he was young, but was raised in a devout Christian family and followed Christ's directive to "Sell what you own and give the money to the poor." Nicholas dedicated his entire inheritance to helping those in need, including the sick and distressed. He became known for his selflessness and was eventually appointed Bishop of Myra at a young age. Nicholas was renowned for his advocacy for the welfare of children, his compassion for sailors and ships, and his benevolence towards the less fortunate. Despite facing exile and imprisonment during the persecution of Christians under Roman Emperor Diocletian, Nicholas remained steadfast in his faith. He stood resilient at the Council of Nicaea in AD 325, defending the Church against heresy. Nicholas' life is a testament to fortitude and unwavering commitment. His legacy lives on through countless stories and legends that portray him as a cherished protector and advocate for the underprivileged, a beacon of hope. The modern embodiment of generosity, Santa Claus, is inspired by Nicholas' enduring legacy. In 1823, the poem "A Visit from St. Nicholas," also known as "The Night Before Christmas," immortalized Nicholas as the bearer of gifts and sweets on Christmas Eve. Art captures the essence of love, compassion, and the enduring magic of giving that St. Nicholas embodies. Through delicate brushstrokes, we see St. Nicholas surrounded by children in snow-kissed scenes, symbolizing warmth, joy, and the true meaning of the holiday season.
    San Nicola e Bambini nella Neve - Di..etta
  • “Saint Pope John Paul II - Painting by Dino Carbetta” …<br />
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Saint John Paul II is one of the most well-known pontiffs in recent history and is most remembered for his charismatic nature, his love of youth and his world travels, along with his role in the fall of communism in Europe during his 27-year papacy. He established World Youth Day, which brought together millions of young people from around the globe. Karol Jósef Wojtyła was born in 1920 in Poland. He expressed exceptional apostolic zeal, particularly for families, young people, and the sick. Among the many fruits which he has left as a heritage to the Church are above all his rich body of teachings, the promulgation of the Catechism of the Catholic Church, and the Codes of Canon Law. In Rome on April 2, 2005, the eve of the Second Sunday of Easter (or of Divine Mercy), he died peacefully in the Lord. “Christ is the center of the universe and human history” was the opening line of John Paul II’s 1979 encyclical, Redeemer of the Human Race. In 1995, he described himself to the United Nations General Assembly as “a witness to hope.” In his 27 years of papal ministry, John Paul II wrote fourteen encyclicals and five books, canonized 482 saints, and beatified 1,338 people. In the last years of his life, he suffered from Parkinson’s disease, Pope Francis canonized him in 2014. Presiding at the funeral Mass, Pope Benedict XVI, concluded his homily by saying: “None of us can ever forget how, in that last Easter Sunday of his life, the Holy Father, marked by suffering, came once more to the window of the Apostolic Palace and one last time gave his blessing Urbi et orbi (‘to the city and the world). “We can be sure that our beloved pope is standing today at the window of the Father’s house, which sees us and blesses us. Yes, bless us, Holy Father. We entrust your dear soul to the Mother of God, your Mother, who guided you each day and will now guide you to the glory of her Son, our Lord Jesus Christ.
    San Papa Giovanni Paolo II - Dipinto..etta
  • Immaculate, Queen and Mother of the Church - Painting by Dino Carbetta<br />
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In the profound silence of contemplation, we immerse ourselves in the reverence and beauty of this painting. The artwork captures Mary's purity and divine motherhood, enveloping us in a spiritual aura that transcends earthly existence. St. Maximilian Maria Kolbe, a devoted servant of Mary, once asked the Immaculate Conception, "Who are you?" Through his meditations, he discerned that Mary was uniquely the Immaculate Conception, conceived without original sin—a distinction setting her apart from all other descendants of Eve. This singular grace forms the foundation of her role in salvation history. Mary's union with the Holy Spirit is the ultimate expression of divine love, where Uncreated Love meets created love. Saints and visionaries have affirmed this intimate, profound relationship through the ages. In her miraculous encounters at Lourdes, St. Bernadette Soubirous heard Mary declare, "I am the Immaculate Conception." Emphasizing the divine mystery of her being—pure, holy, and eternally united with the Holy Spirit. In the painting, we witness the serene majesty of Mary, crowned as the Queen and Mother of the Church. Her immaculate heart radiates purity and love, inviting the faithful to seek her intercession and embrace her maternal guidance. The painting emphasizes Mary's pivotal role in the divine plan of salvation. Her virginal womb, reserved for the Incarnation of Jesus Christ, signifies the profound mystery of divine love and human redemption. As we gaze upon this sacred image, we draw inspiration from St. Maximilian's prayer, a heartfelt invocation that echoes through time: "O Mary, conceived without sin, pray for us who have recourse to thee." This daily prayer testifies to the enduring faith and devotion that countless souls have placed in Mary's intercession. It reminds us of the transformative power of her immaculate purity and her unwavering commitment to guide us toward her Son.
    Immacolata, Regina e Madre della Chi..etta
  • “The Raven of Venice by Pietro Piccione - Painting and Verse by Dino Carbetta”…<br />
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I sit and stare, surrounded by l'acqua everywhere, waiting patiently for my bountiful, yet fair unequivocal share. I own this place, every space, dark ambiguous feathers grant me this grace. It may be just a supposition; the Father above has chosen my instinctive position. My most serene Venice, ancient and grey, bustling with humans almost every day. No need to scuttle, my multi-colored brethren gather scraps with the repetitive climax of a Venetian Play. Steely eyes, a distant glare, diligent Pigeon’s begging, but I sit, and I stare. Humans throw the foolish gull food, amused by the feathery brood. The Shadow Veil is a mysterious epicurean tale. I, no scurry or covet, I sit, and I stare. Venezia, the island city, tourist dream in prose and verse of past glories masquerading, yet perverse. Surrounded by the luminous spectacle; ornate marble and frescoed palace, my world of bell towers, domes, and azure waters under the Adriatic air, I sit and stare. For I am the king of this basin, the Raven, mysterious violet ebony, no one questions my grace in. I am the romance and protector of my tiny canal, yet high enough above, my reflection dances in the water below, offering a Bellissimo prayer. I sit and I stare. The time is near, as I transport to bygone years, for I am the romantic Doge of this tiny island abode. I take what I desire, as the sunlight sets ablaze the waters with sparkling fire. Alas, for I am only the illusory purple Pigeon baptized Peter, yet I will forever dream as I sit, and stare.
    Il Corvo di Venezia di Pietro Piccio..etta
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