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  • “The Hand of God Shines on the Cross in the Snow - Convent of the Cells of Cortona - Painting by Dino Carbetta<br />
<br />
Gospel Jn 17:11-19 “Lifting up his eyes to heaven, Jesus prayed, saying: ‘Holy Father, keep them in your name that you have given me, so that they may be one just as we are one. When I was with them I protected them in your name that you gave me, and I guarded them, and none of them was lost except the son of destruction, in order that the Scripture might be fulfilled. But now I am coming to you. I speak this in the world so that they may share my joy completely. I gave them your word, and the world hated them, because they do not belong to the world any more than I belong to the world. I do not ask that you take them out of the world but that you keep them from the Evil One. They do not belong to the world any more than I belong to the world. Consecrate them in the truth. Your word is truth. As you sent me into the world, so I sent them into the world. And I consecrate myself for them, so that they also may be consecrated in truth.” Sometimes a planned mistake turns out to be a great photo and, in this case, it's the flair of the sun. Peering through the window under a snowy canopy of trees and finding the light behind the Cross...God's hand illuminates one's soul and his imagination.
    La Mano di Dio Risplende sulla Croce..etta
  • “The Hand of God Shines on the Cross - Convent of the Cells of Cortona – BW” <br />
<br />
The Prayer Come Holy Spirit: Come Holy Spirit, fill the hearts of your faithful, and kindle in them the fire of your love. Send forth your Spirit and they shall be created. And You shall renew the face of the earth. O, God, who by the light of the Holy Spirit, did instruct the hearts of the faithful, grant that by the same Holy Spirit we may be truly wise and ever enjoy His consolations, Through Christ Our Lord. Amen. Sometimes a planned mistake turns out to be a great photo and, in this case, it's the flair of the sun. Peering under a canopy of trees then kneeling and placing the sun behind the Cross...God's hand illuminates one's soul and his imagination.
    La Mano di Dio Risplende sulla Croce..- BW
  • "Double rainbow of God shines Between San Rufino and St. Clare of Assisi"...<br />
<br />
This image is perhaps the most blessed and miraculous of my Italian journey.  Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner.  Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down.  Looking back over my shoulder, I was mesmerized at the appearance of a double rainbow from the heavens shining down between the Duomo of Saint Rufino, and the Basilica of Saint Clare. I was able to take a few horizontal and vertical images of the great length and depth of the rainbow just before the sun dropped down below the horizon...and, it slowly faded.  My Italian journey was now and forever blessed by the hand of God.
    Doppio arcobaleno di Dio risplende T..sisi
  • "Rainbow of God shines Between San Rufino and St. Clare of Assisi"...<br />
<br />
This image is perhaps one of the most blessed and miraculous of my Italian journey.  Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner.  Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down.  Looking back over my shoulder, I was mesmerized at the appearance of a double rainbow from the heavens shining down between the Duomo of Saint Rufino, and the Basilica of Saint Clare. I was able to take this close-up horizontal image of the rainbow just before the sun dropped down below the horizon...and, it slowly faded.  My Italian journey was now and forever blessed by the hand of God.
    Arcobaleno di Dio risplende Tra San ..sisi
  • “The Hand of God Shines on the Cross - Convent of the Cells of Cortona”<br />
<br />
The Prayer Come Holy Spirit: Come Holy Spirit, fill the hearts of your faithful and kindle in them the fire of your love. Send forth your Spirit and they shall be created. And You shall renew the face of the earth. O, God, who by the light of the Holy Spirit, did instruct the hearts of the faithful, grant that by the same Holy Spirit we may be truly wise and ever enjoy His consolations, Through Christ Our Lord. Amen.<br />
<br />
Sometimes a planned mistake turns out to be a great photo and, in this case, it's the flair of the sun. Peering under a canopy of trees then kneeling and placing the sun behind the Cross...God's hand illuminates one's soul and his imagination.
    La mano di Dio risplende sulla croce..tona
  • "The Hand Of God Shines On The Cross - Convent Of Cells Cortona"... <br />
<br />
Gospel Jn 17:11-19 “Lifting up his eyes to heaven, Jesus prayed, saying: ‘Holy Father, keep them in your name that you have given me, so that they may be one just as we are one. When I was with them I protected them in your name that you gave me, and I guarded them, and none of them was lost except the son of destruction, in order that the Scripture might be fulfilled. But now I am coming to you. I speak this in the world so that they may share my joy completely. I gave them your word, and the world hated them because they do not belong to the world any more than I belong to the world. I do not ask that you take them out of the world but that you keep them from the Evil One. They do not belong to the world any more than I belong to the world. Consecrate them in the truth. Your word is truth. As you sent me into the world, so I sent them into the world. And I consecrate myself for them, so that they also may be consecrated in truth.” Sometimes a planned mistake turns out to be a great photo and, in this case, it's the flair of the sun. Peering under a canopy of trees then kneeling and placing the sun behind the Cross...God's hand illuminates one's soul and imagination.”
    Sulla Croce Splende La Mano Di Dio -..tona
  • "The dramatic sunset over Marina Grande Sorrento"... <br />
<br />
Duomo di Sorrento is one of my favorite hidden treasures in Italy. Our last day on the Bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. Hallelujah, it was our first free day of the 2019 Pilgrimage and most were heading to Capri. I convinced my fellow Pilgrim Patrick that Marina Grande was the preferred location to commemorate this rain-threatened day. Sunday afternoon in this tiny hallowed port on the Mediterranean was bustling, not with tourists, but with energetic and unassuming locals. The misty skies were vulnerable all day with the promise of rain, but the reluctant sun penetrated the clouds for a few fortuitous moments. God painted the skies for brief moments with luminous pastel elements of abstract color. We left after lunch only to humbly return perceiving the brilliant orange skies cascading down upon the piccolo village as a gift from Heaven. Glorious rumination abounds with the thought of sacred scripture; “John answered them all, saying, ‘I am baptizing you with water, but one mightier than I is coming. I am not worthy to loosen the thongs of his sandals. He will baptize you with the Holy Spirit and fire. His winnowing fan is in his hand to clear his threshing floor and to gather the wheat into his barn, but the chaff he will burn with unquenchable fire.” (Luke 3:16-17) I am not an expert in, nor born in Marina Grande or Sorrento, but the Gulf of Naples is where my Grandfather and his family are from. It seems that every time I have set foot in this tiny village, the skies explode with color and welcome its former lineage home. Shortly after the last picture was captured, it was meal time with the entire Pilgrimage group. A perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare, was enjoyed by all!
    Il drammatico tramonto sopra Marina ..ento
  • "The sun sets like fire in the sky above the Papal Basilica of St. Francis of Assisi"...<br />
<br />
The seventh morning of our Pilgrimage, we sorrowfully said goodbye to the majestic Sorrento and set out to find the spiritual mecca of Assisi. The excitement of Saint Francis' tiny mountaintop walled village perked our eyes toward the bus windows. Hotel Giotto welcomed all!  An evening Mass with Fr. Peek in the PAX Chapel (a small underground sanctuary in Saint Francis Basilica) hosted our celebration. Mass was celebrated in honor of the wedding anniversary of Bill and Bardeen Dunphy from Atlanta, GA. I cannot say enough about the wonderful quality of people and Catholics in which I had the honor to accompany on our Pilgrimage. A small group of only 12, but mighty in character, affection, spirituality, and compassion. Bill and Bardeen epitomized this nature and shared their love will all our Pilgrims and those who witnessed our gatherings. We were also blessed by a humble, yet charismatic Priest, Father Kevin Peek. He seemed to know every other person in Italy, and subsequently, we all found new friends at dinner time. I cannot honestly conclude a more perfect Pilgrimage Priest than Father, and he was the epitome of a Spiritual guide. He not only celebrated Mass each morning in the most beautiful and prestigious Basilica’s in the world, he also led nighttime rosary walks through the Italian Strada, offered confession, interjected stories of the Saints, discussed all Italian epicurean delights with great enthusiasm, and spread the word and love of God to anyone who would listen.  After Mass, the sun once again glowed as it set behind Saint Francis Basilica. There is probably not a more exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate artist of capture.
    Il sole tramonta attraverso la Basil..sisi
  • “Saints Michael, Gabriel, and Raphael, The Archangels – Painting by Dino Carbetta” …<br />
<br />
Angels, often referred to as messengers from God, play a significant role in Scripture, with only three being named: Michael, Gabriel, and Raphael. Michael, whose name means "Who is like God?," is a prominent figure in the Bible. He appears in Daniel's vision as "the great prince," defending Israel against its adversaries. In Revelation, Michael leads God's heavenly armies to ultimate victory over the forces of evil. The devotion to Michael is one of the oldest angelic devotions, originating in the fourth century. The Western Church began honoring Michael and all the angels with a feast in the fifth century, showcasing the enduring appeal of this angelic figure. Gabriel also makes appearances in Daniel's visions, where he announces Michael's role in God's divine plan. However, Gabriel is perhaps best known for his encounter with a young Jewish girl named Mary. It was through Gabriel's message that Mary willingly agreed to bear the Messiah, making him a central figure in the story of the Nativity. Raphael’s role in the Bible appears exclusively in the Old Testament story of Tobit. Raphael guides Tobit's son, Tobiah, through a series of incredible adventures that ultimately result in a threefold happy conclusion: Tobiah's marriage to Sarah, the miraculous healing of Tobit's blindness, and the restoration of the family's fortune. Raphael's role as a guide and healer showcases the diverse attributes of angels. The memorials of Gabriel and Raphael were added to the Roman calendar in 1921, a recognition of their importance in Christian tradition. These angels, Michael, Gabriel, and Raphael, hold a special place in the hearts of believers and serve as messengers and protectors, exemplifying the profound spiritual connection between heaven and Earth. Their stories continue to inspire and uplift those who seek divine guidance and protection in their lives.
    Santi Michele, Gabriele e Raffaele, ..etta
  • "Waiting along the canal near the parish of Santa Maria Gloriosa Dei Frari Venice"...<br />
<br />
 The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Aspettando lungo il canale vicino a ..ezia
  • “The Basilica of Santa Maria della Salute Venice Radiates in the Distance on the Grand Canal”… <br />
<br />
Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God." The Basilica di Santa Maria della Salute, or La Salute, is Venice's iconic church, nestled at the junction of the Grand Canal and Bacino di San Marco. In 1630, ravaged by the Bubonic Plague, Venice vowed to build this church to honor the Virgin Mary if they were spared. Its exterior is grand, reflecting Venice's history, while inside, it's serene and simple. La Salute stands as a symbol of faith and resilience, a testament to humanity's ability to find hope even in the darkest times."
    La Basilica di Santa Maria Della Sal..ande
  • “Saint Joan of Arc - Painting by Dino Carbetta”…<br />
<br />
Today, we celebrate the feast of St. Joan of Arc, the patron saint of France. Joan was born to a humble family in Champagne, France during the early 15th century. She began hearing the voices of St. Michael, St. Catherine, and St. Margaret at a young age. In 1428, she received a vision instructing her to aid the King of France in reclaiming his kingdom from the English and Burgundian invaders. Despite facing opposition, Joan convinced members of the court and Church to grant her a small army. She entered battle carrying a banner emblazoned with the names "Jesus" and "Mary", as well as a symbol of the Holy Spirit. Through her leadership and unwavering faith in God, she was able to lift the siege of Orleans in 1429 and win a series of battles. Joan and her army ultimately helped the king regain his crown and were victorious. However, Joan was later captured by Burgundian forces in May of 1430 and sold to the English. Despite pleas for assistance from her king and army, she was imprisoned and put on trial. Bishop Peter Cauchon of Beauvais presided over her trial, hoping that harsh treatment of Joan would aid his quest to become archbishop. Tragically, Joan was condemned to death on charges of heresy, witchcraft, and adultery. On May 30, 1431, she was burned at the stake in Rouen, France. She was only 19 years old. Thirty years after her death, Joan's case was retried and she was exonerated. In 1920, Pope Benedict XV canonized her. Joan is now recognized as the patron saint of France, captives, soldiers, and those ridiculed for their piety. The equestrian statue of Jeanne d'Arc, which inspired the painting by Dino Carbetta, can be seen at the Place des Pyramides in Paris.
    Santa Giovanna d'Arco - Dipinto di D..etta
  • “A Million Faces of Jesus by Dino Carbetta – Resplendent”…<br />
<br />
“God of every nation and people, from the very beginning of creation you have made manifest your love: when our need for a Savior was great you sent your Son to be born of the Virgin Mary. To our lives, he brings joy and peace, justice, mercy, and love.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. Battle against Evil: Finally, draw your strength from the Lord and from his mighty power. Put on the armor of God so that you may be able to stand firm against the tactics of the devil. For our struggle is not with flesh and blood but with the principalities, with the powers, with the world rulers of this present darkness, with the evil spirits in the heavens. Therefore, put on the armor of God, that you may be able to resist on an evil day and, having done everything, to hold your ground. So stand fast with your loins girded in truth, clothed with righteousness as a breastplate, and your feet shod in readiness for the gospel of peace. In all circumstances, hold faith as a shield, to quench all [the] flaming arrows of the evil one. And take the helmet of salvation and the sword of the Spirit, which is the word of God.  EPHESIANS, 6:10-17
    Un Milione di volti di Gesù di Dino ..ente
  • “Leaves frame Positano in the late afternoon sun”…<br />
<br />
After an exhilarating drive along the high cliffs of the Amalfi Coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. Circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot-late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large number of tourists and the bright sun did not allow for ideal conditions. As I made my way along the beach and shoreline, rays from the late afternoon sunlight reflecting off the azure blue Mediterranean Sea, was intense and blinding but illuminated the famous church with contrasting rumination. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town tucked between the descending mountains dripping with multicolored dwellings, and the transcendent blue sea, the church’s brilliant majolica tiled cupola is one of the town’s iconic symbols. The ancient church was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this iconic beautiful seaside village.
    Foglie incorniciano Positano nel sol..ggio
  • “Most Holy Name of the Blessed Virgin Mary - Painting by Dino Carbetta” …<br />
<br />
The rich tapestry of faith is often woven with threads of history and tradition. The celebration of the Most Holy Name of Mary, its origins tracing back to the vibrant lands of Spain in the year 1513, serves as a profound reminder of the enduring power of devotion. A timeless journey that started in a particular time and place has blossomed into a cherished moment for the entire Church. Pope Innocent XI, recognizing the beauty and significance of this venerable tradition, embraced it wholeheartedly, extending its embrace to the global congregation. The unity of faith finds its expression in shared rituals, and the celebration of the Most Holy Name of Mary beautifully complements the Feast of the Holy Name of Jesus, observed every September 12. In the intricate mosaic of Catholic devotion, these celebrations are like twin stars, one radiating the celestial grace of Mary, the other illuminating the majestic persona of Jesus. Each festivity encapsulates a distinct essence, yet they resonate harmoniously, representing the two pillars of divinity. The Holy Name of Mary, a testament to her unwavering virtue and maternal compassion, stands as a symbol of solace and intercession. Just as the name of a beloved carries the power to evoke emotions, Mary's name is an invocation of hope and supplication, a bridge between the human heart and the divine realm. Embracing the profound significance of these celebrations embarking on this artistic and literary venture. The legacy of the Most Holy Name of Mary and the Feast of the Holy Name of Jesus infuses these artistic endeavors with a sense of purpose and inspiration. Words and art have the potential to be vessels of transcendence, allowing those who encounter them to glimpse the eternal truths that lie beyond the visible realm. Mary was inspired by my good Catholic friend, Lori.
    Santissimo Nome della Beata Vergine ..etta
  • “Spring Mystical Reflections of Villa Borghese – Rome”…<br />
<br />
Villa Borghese in Roma is a famous Garden and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus. Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and give time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Primavera Riflessioni Mistiche di Vi..Roma
  • “Red bricks lead to the Papal Basilica of San Francesco d’Assisi” …<br />
<br />
This late afternoon image was captured while standing upon remnants atop the mountainside of Assisi viewing down to the resting Basilica of Saint Francis. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Frances where this image was captured, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted, and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about two hundred yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God. The Basilica, which was begun in 1228 honoring the life of Saint Francis, is probably the most exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate Pilgrims, tourists, and artists.
    Mattoni rossi piombo alla Basilica P..sisi
  • “Giving seed to the One who sows, Snow - Painting by Dino Carbetta”…<br />
<br />
[Isaiah 55:10-13] “Yet just as from the heavens the rain and snow come down And do not return there till they have watered the earth, making it fertile and fruitful, Giving seed to the one who sows and bread to the one who eats, So shall my word be that goes forth from My mouth; It shall not return to me empty but shall do what pleases me, achieving the end for which I sent it. Yes, in joy you shall go forth, in peace you shall be brought home; Mountains and hills shall break out in song before you, and all trees of the field shall clap their hands. In place of the thornbush, the cypress shall grow, instead of nettles, the myrtle. This shall be to the LORD’s renown, as an everlasting sign that shall not fail.”
    Dare seme a Colui che semina, Neve -..etta
  • “The New Church birthplace of St. Francis of Assisi”…<br />
<br />
This photograph was created while approaching Chiesa Nuova (New Church) at the same time an elderly Italian man was entering for worship and prayer. As I entered the beautiful small church, a Franciscan Monk working inside saw me and without reluctance, rose from his desk and graced me with a half-hour tour speaking entirely in Italian. He never hesitated and he never assumed that I was not fluent in Italian; yet, he continued to entrust me with every detail of what looked like a mini Basilica. As we ventured around, he explained every nuance, even the crypt where Saint Francis’ parents reside. Upon completion of the tour, he shook my hand, gave me a gentle embrace, and bestowed a blessing in Italian. While not understanding the language, I left with gratitude and amazement …yet, somehow, I understood his every word.
    La Chiesa Nuova luogo di nascita di ..sisi
  • “Night view through the arch of the Papal Basilica of San Francesco”…<br />
<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Never stopping for lunch or dinner, I continued to photograph new images well past sundown. Traversing the narrow steps and Strada back down to the bottom of the mountaintop to my hotel, the walk seemed a bit less strenuous and I felt a sense of gratitude and completion of my day-long journey. However, the very quiet Assisi seemed to have fallen into a deep slumber in the early nighttime leaving all the restaurants closed for the night. Pleading with the hotel manager, she desperately arranged a late dinner at one of the most iconic restaurants in Assisi, La Locanda Del Cardinale, which was built over an ancient Roman settlement dating from the first century B.C., with glass floors to view the mosaics below. Walking back at midnight to the hotel, the peaceful Assisi continued to call out. As the serene, quiet Basilica of Saint Francis stood majestically and glowed in the midnight skies, one could not help but to acquiesce to its mystical yearning for just a few more memorable portraits in the cool dew of the early morning air.
    Vista notturna attraverso l'arco di ..esco
  • “Angelic Woman Resting Under the Sun at the Cathedral of San Rufino in Assisi”…<br />
<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. Rising slowly up the Assisi hillside after a slow ascent to the highest peak, around the final corner awaited the Romanesque Duomo of Saint Rufino completed in the 12th century. In this church, Saint Francis of Assisi, Saint Clare, and many of their original disciples were baptized among the many spiritual and historical missions of the Duomo. As I rose to the top and turned the corner, the low late evening sun shone brightly on the façade of the Duomo illuminating a singular woman resting in the sun by the side door. It had become damp and chilly outside, and the warm sun illuminated her angelic face so much so, I froze in my tracks and gazed in awe upon this ethereal vision. I honestly thought she might fade away as I lifted my camera for one quick photograph from about 40 yards away. Perhaps she heard the click of the camera shutter and opened her eyes because she smiled and walked away. I wished she would have stayed longer. At least I have this one photo; however, a photo will never be able to capture the true essence of this mystical and surreal moment in time.
    Donna Angelicata di Riposo Sotto il ..sisi
  • “This is the Lamb of God, who takes away the sins of the world - Painting by Dino”…<br />
<br />
(Matthew Chapter 27:45-50) “From noon onward, darkness came over the whole land until three in the afternoon. And about three o’clock Jesus cried out in a loud voice, “Eli, Eli, lema sabachthani?” which means, “My God, my God, why have you forsaken me?” Some of the bystanders who heard it said, “This one is calling for Elijah.” Immediately one of them ran to get a sponge; he soaked it in wine, and putting it on a reed, gave it to him to drink. But the rest said, “Wait, let us see if Elijah comes to save him.” But Jesus cried out again in a loud voice, and gave up his spirit.<br />
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John the Baptist’s Testimony to Jesus. Jn 1:29-34 “The next day he saw Jesus coming toward him and said, ‘Behold, the Lamb of God, who takes away the sin of the world. He is the one of whom I said, A man is coming after me who ranks ahead of me because he existed before me. I did not know him, but the reason why I came baptizing with water was that he might be made known to Israel.’ John testified further, saying, “I saw the Spirit come down like a dove from the sky and remain upon him. I did not know him, but the one who sent me to baptize with water told me, ‘On whomever you see the Spirit come down and remain, he is the one who will baptize with the Holy Spirit. Now I have seen and testified that he is the Son of God.”
    Ecce Agnus Dei, ecce qui tollit pecc..etta
  • "Sun hiding behind the Macuteo Obelisk - Roman Pantheon"...<br />
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Eventually, one discovers that God finds a way where there is none. A very crowded Pantheon at 3:00 PM in the bright afternoon made creative photography impossible. However, getting on my knees and placing the sun behind the cross of the Obelisk created a phenomenal appeal. All are original, including the landing dove/pigeon and sun flare. The Obelisk was originally built by one of the most famous Egyptian Pharaohs about 1300 years before Christ by Pharaoh Ramses II for the Temple of Ra in Heliopolis and brought to Rome in ancient times. It was rediscovered in 1374 underneath the apse of the nearby Basilica of Santa Maria Sopra Minerva. In the mid-15th century, the obelisk had been erected in the small Piazza di San Macuto some 200 meters east of the Pantheon, where it remained until its 1711 move to the Piazza della Rotonda. It is still called the Obelisco Macutèo after its previous location. Fontana del Pantheon was constructed by Giacomo Della Porta under Pope Gregory XIII in 1575, and the obelisk was added under Pope Clement XI. The city of Rome harbors the most obelisks in the world. There are eight ancient Egyptian and five ancient Roman obelisks. The Romans used special heavy cargo carriers called obelisk ships to transport the monuments down the Nile to Alexandria and from there across the Mediterranean Sea to Rome. On-site, large Roman cranes were employed to erect the monoliths. The obelisk is crowned by a bronze cross, the symbol of Jesus Christ. One idea that can be drawn from this is that Christianity—the cross of Jesus Christ—conquers paganism.  Another idea is that the obelisk represents the human desire for God which is only fulfilled in the Cross of Christ.
    Domenica di nascondersi dietro il Ma..heon
  • “The Basilica of Santa Maria della Salute Venice radiates in the distance on the Grand Canal- Ultramarine blue”…<br />
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Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God." The Basilica di Santa Maria della Salute, commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a conspicuous position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite reverently quaint interiorly.
    La Basilica di Santa Maria della Sal..mare
  • “View from the Grand Canal of the church of San Giorgio Maggiore in Venice”…<br />
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The first church on the island was built about 790, and in 982 the island was given to the Benedictine order by the Doge Tribuno Memmo. The Benedictines founded a monastery there, but in 1223 all the buildings on the island were destroyed by an earthquake. Andrea Palladio, an Italian Renaissance architect active in the Venetian Republic was commissioned for the rebuild. Palladio, influenced by Roman and Greek architecture, is widely considered to be one of the most influential individuals in the history of architecture, began the rebuild in 1560 and made dramatic improvements. The campanile was rebuilt in neo-classic style and completed in 1791. It was ascended by ramps and now an elevator to the top for panoramic views of Venice. The facade is brilliantly white and represents Palladio's solution to the difficulty of adapting a classical temple facade to the form of the Catholic Basilica. Two very large paintings by Tintoretto relate to the institution of the Eucharist and are located on either side of the presbytery, where they can be seen from the altar rail. “The Last Supper” and “The Jews in the Desert” (collecting and eating the manna, a gift of God to the Israelites in the Desert after they escaped Egypt, which foretells the gift of the Eucharist). Claude Monet painted a series of paintings of the island Monastery of San Giorgio Maggiore in 1908 during the artist's only visit to the city. One of the best known is “San Giorgio Maggiore at Dusk”, which exists in two versions. Monet completed his paintings of Venice at home in France and in 1912 showed them in Paris. Buyers included the Welsh collector Gwendoline Davies, who bought three paintings. This vision of the Church of San Giorgio is iconic and famous worldwide. My image capture while upon an evening boat excursion appears theatrical as if the majestic church is posing for yet another Venetian canvas.
    Vista dal Canal Grande della chiesa ..ezia
  • "A million faces of Jesus by Dino Carbetta - Spatola di metallo"...<br />
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Daniel 10: 5-6 “As I looked up, I saw a man dressed in linen with a belt of fine gold around his waist. His body was like chrysolite, his face shone like lightning, his eyes were like fiery torches, his arms and feet looked like burnished bronze, and the sound of his voice was like the roar of a multitude.” Genesis 1:27 “God created mankind in his image; in the image of God he created them; male and female he created them.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. The blessed see God, not merely according to the measure of His likeness imperfectly reflected in creation, but they see Him as He is, after the manner of His own Being. 1 Corinthians 13:12 “At present, we are looking at a confused reflection in a mirror; then, we shall see face to face; now, I have only glimpses of knowledge; then, I shall recognize God as he has recognized me.”
    Un milione di volti di Gesù di Dino ..allo
  • “Queenship of the Blessed Virgin Mary - Painting by Dino Carbetta” …<br />
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The Queenship of Mary holds profound significance in Catholicism, rooted in her unique role as the Mother of Jesus Christ, recognized as the King. Pope Pius XII's establishment of this feast after declaring the Assumption's dogma adds reverence to her exalted position. The Assumption dogma asserts Mary's sinless life led to her ascent, body, and soul, into heavenly glory. This signifies her closeness to God and participation in salvation's divine plan. As Jesus' mother, her Assumption reflects her intimate link to His redemptive work. Pope Pius XII's encyclical "Ad Caeli Reginam" articulates the feast's purpose. Establishing the Queenship of Mary encourages deeper devotion to her maternal influence. The Pope hoped this celebration would recognize Mary's intercession, care, and peace-bringing role. The analogy of Mary to a rainbow, symbolizing peace's covenant, inspires. Amidst a conflict, Mary's presence offers solace. Like a rainbow after a storm, she represents God's love and mercy amidst adversity. Mary's Queenship reminds of her devotion to her Son's mission and continuous intercession for humanity. In the realm of artistic expression, Mary emerges as a poignant symbol, a bridge unifying humanity and divinity. Her presence resonates with profound depth, radiating boundless compassion that traverses realms. Through the strokes of creative endeavors, we embody the power to explore her significance, capturing the essence of her role as a conduit for unity and peace. In the tapestry of existence, one’s role as an artist and writer becomes a harmonious resonance with Mary's legacy. We are poised to continue her mission of uniting hearts, instilling hope, and kindling the fire of spirituality. Our compositions are not mere artworks; they are vessels that hold the potential to uplift, enlighten, and radiate the eternal truths that Mary embodies.
    Regalità della Beata Vergine Maria -..etta
  • “The Transfiguration of Jesus – Painting by Dino Carbetta” …<br />
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The Transfiguration of Jesus is commemorated in the liturgical calendar of the Catholic Church on August 6th, known as the Feast of the Transfiguration. According to the Synoptic Gospels (Matthew, Mark, and Luke), Jesus took three of his apostles, Peter, James, and John, up to a high mountain to pray. During this event, Jesus was transfigured before them, and His appearance changed, with His face shining like the sun and His clothes becoming dazzling white. Moses and Elijah appeared and spoke with Jesus, representing the Law and the prophets, symbolizing that Jesus was the fulfillment of both the Law and the prophets. The voice of God the Father came from a cloud and reaffirmed Jesus' divine nature as the Son of God, instructing the apostles to heed His teachings. The Transfiguration served as a confirmation of Jesus' identity and mission, reinforcing His authority as the Messiah and Son of God. It was a glimpse of His divine glory, preparing the apostles for the challenges and difficulties ahead, particularly His passion and crucifixion. In the Catholic tradition, the Feast of the Transfiguration is a day of celebration and reflection on the glory of Christ and the promise of His resurrection, reminding believers of the eventual transformation that awaits them in Christ's likeness. Overall, the Transfiguration holds significant theological importance in Catholicism, emphasizing the divinity of Christ and His continuity with the Old Testament, and providing encouragement and hope for believers in their journey of faith.
    La Trasfigurazione di Gesù – Dipinto..etta
  • “Ascension of the Lord - Painting by Dino Carbetta”…<br />
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Luke 24:46-53 narrates "The Ascension of the Lord." Jesus reveals his resurrection to his disciples after three days of suffering and stresses the significance of spreading the message of repentance and forgiveness of sins in his name to all nations, starting from Jerusalem. He reminds his followers that they are witnesses to these events and assures them that he will send his Father's promise upon them. However, he instructs them to stay in the city until they receive power from above. After blessing them, Jesus ascends to heaven. The disciples enthusiastically return to Jerusalem, continuously praising God in the temple. The Ascension signifies that although Jesus may not be present in a specific location, he is always among us. We have an Advocate who defends and guides us through life and a community that lives out their faith with us in our daily lives. Together, we reveal the lordship of God's love to the world through the Risen Jesus Christ, who ascended to heaven and advocates for us. "And when I am lifted from the earth, I will draw all people to myself." The lifting up of Jesus on the cross signifies and announces his ascent into heaven, which begins it. Jesus Christ, the only priest of the new and everlasting Covenant, "entered not into a sanctuary made by human hands... but into heaven itself, now to appear in the presence of God on our behalf." He is the center and principal actor of the liturgy that honors the Father in heaven. Christ is seated at the right hand of the Father, signifying the inauguration of his kingdom and the fulfillment of the prophet Daniel's vision regarding the Son of man. "To him was given dominion and glory and kingdom, that all peoples, nations, and languages should serve him; his dominion is an everlasting dominion, which shall not pass away, and his kingdom one that shall not be destroyed." The apostles became witnesses to the "kingdom will have no end."
    Ascensione del Signore – Dipinto di ..etta
  • “Deer Contemplating the Light of the World – Painting by Dino Carbetta” …<br />
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(Psalms 42:2) “As the deer longs for streams of water, so my soul longs for you, O God.”<br />
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(Isaiah 35:6) “Then the lame shall leap like a stag, and the mute tongue sing for joy.<br />
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(John 8:12) - “Jesus spoke to them again, saying, ‘I am the light of the world. Whoever follows me will not walk in darkness, but will have the light of life.”<br />
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(Mt 5:14-16) – “You are the light of the world. A city set on a mountain cannot be hidden. Nor do they light a lamp and then put it under a bushel basket; it is set on a lampstand, where it gives light to all in the house. Just so, your light must shine before others, that they may see your good deeds and glorify your heavenly Father.” <br />
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(John 3:21) – “But whoever lives the truth comes to the light, so that his works may be clearly seen as done in God.”<br />
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(John 1:3-9)  - “ All things came to be through him, and without him nothing came to be. What came to be through him was life, and this life was the light of the human race; the light shines in the darkness, and the darkness has not overcome it. A man named John was sent from God. He came for testimony, to testify to the light, so that all might believe through him. He was not the light, but came to testify to the light. The true light, which enlightens everyone, was coming into the world.”<br />
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(John 14:6) – “Jesus said to him, “I am the way and the truth* and the life. No one comes to the Father except through me.”
    Cervi Contemplano la Luce del Mondo ..etta
  • “Sunset view of Manarola from the azure Tyrrhenian Sea” …<br />
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I began my daily journey at the northernmost town of Monterosso and took the train to the southernmost town of Riomaggiore. I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. This image was composed of standing on the rooftop of the antique 28-foot Angelina’s galley with my arms around the mast and my 25-pound camera bag strapped over my shoulder, creating a human tripod for support. I could not help noticing tourists in each village photographing our boat as we sailed up and down the coast; perhaps it was the image of a silly photographer hanging on for dear life as the waves wobbled the boat side to side in anticipation of a splashdown?! Leaving for my destination of Monterosso, the radiant sunset illuminated the sky and the azure sea of the Mediterranean. I was convinced to sail back to Riomaggiore with my gracious guides Claudio and Eddie of the "Cinque Terre dal Mare" sailing excursions. We arrived just in time for the perfect magic-hour glow of the setting sun. After a nice dinner...I caught the last train at midnight back home to Monterosso. There is a great appeal in each of the five Cinque Terre villages, each with a different history, people, elements, and culture. This illuminating sunset of Manarola was captured just before arriving back in Riomaggiore. Arrivederci, Manarola!
    Tramonto vista di Manarola fin da il..Mare
  • “The Church of Santa Maddalena is surrounded by Roe Deer, both enjoying the sunset over the Dolomites in South Tyrol, Italy - Painting by Dino Carbetta”…<br />
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The Church of St. Magdalene resides in a small village located in the Dolomites of Italy. Both, the village and the church, are symbols of the Val di Funes. This tiny picturesque village of just 377 people is located in the Trentino-Alto Adige region of Northern Italy. Historically, the church was built where the miraculous image of Santa Maddalena was washed up by the Fopal River. Saint Mary Magdalene church is mentioned beginning in 1394. The current form of the nave with a sloping base and a slightly grooved roof cornice, with pear and round bar on the pointed arch portal with a red chalk inscription, was complete in 1492. The mural exterior is the Crucifix on the gable in a niche with a donkey's back, weather-beaten, early XVI century. St. Christopher is lively and virtuoso in movement with a fluttering, wrinkled robe. Interiorly, the keystones on the vault, are bust portraits of Mary with the Christ Child and saints. The valley, as you can see, Val di Funes is stunningly beautiful. Summer, it’s very green and dotted with colorful flowers. Winter, it’s covered with snow, and the ragged Dolomite peaks, pierce the sky toward the heavens. Mary Magdalene is the first among the women following Jesus to proclaim Him as having overcome death. She is the first to announce the joyful message of Easter. But she also proved she was among those who loved Him most when she stood at the foot of the Cross on Mount Calvary together with Mary, His Mother, and the disciple, St. John. She did not deny him or run away in fear as the other disciples did, but remained close to Him every moment, up to and including the tomb. The Italian Roe Deer rejoice in the beauty of God’s creation.
    La Chiesa di Santa Maddalena e’ circ..etta
  • “Hail favored one! The Lord is with you.”- Painting by Dino Carbetta<br />
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“In the sixth month, the angel Gabriel was sent from God to a town of Galilee called Nazareth, to a virgin betrothed to a man named Joseph, of the house of David, and the virgin’s name was Mary. And coming to her, he said, “Hail, favored one! The Lord is with you.” But she was greatly troubled at what was said and pondered what sort of greeting this might be. Then the angel said to her, “Do not be afraid, Mary, for you have found favor with God. Behold, you will conceive in your womb and bear a son, and you shall name him Jesus. He will be great and will be called Son of the Most High, and the Lord God will give him the throne of David his father, and he will rule over the house of Jacob forever, and of his kingdom, there will be no end.” But Mary said to the angel, “How can this be, since I have no relations with a man?” And the angel said to her in reply, “The Holy Spirit will come upon you, and the power of the Most High will overshadow you. Therefore the child to be born will be called holy, the Son of God. And behold, Elizabeth, your relative, has also conceived* a son in her old age, and this is the sixth month for her who was called barren; for nothing will be impossible for God.” Mary said, “Behold, I am the handmaid of the Lord. May it be done to me according to your word.” Then the angel departed from her. (Lk 1:26-38) An Extraordinary Event: the child was to be conceived by the Holy Spirit and would be called the Son of God. Mary makes an astonishing response: “Behold, I am the handmaid of the Lord. May it be done to me according to your word.” Mary had remarkable faith! This was the moment that our God became flesh and was conceived in the womb of the Virgin Mary. Thus, the realization and magnificence of divine grace, the blessing of God’s freely given love.
    “Hail favored one! The Lord is with ..etta
  • “The Holy Redeemer and Sacred Heart of Jesus - Painting by Dino Carbetta”…<br />
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Devotion to the wounded heart of Jesus has its origins in the eleventh century when pious Christians meditated on the Five Wounds of Christ. There grew up among the faithful prayers to the Sacred Heart, prayers to the Shoulder Wound of Christ—private devotions which helped Christians to focus on the passion and death of Christ, and thus to grow in love for our Savior who had suffered and died for us. In Christian theology, Jesus is sometimes referred to by the title Redeemer. This refers to the salvation he is believed to have accomplished, and is based on the metaphor of redemption, or "buying back". In the New Testament, redemption is used to refer both to deliverance from sin and to freedom from captivity. Saint Paul uses the concept of redemption primarily to speak of the saving significance of the death of Christ. The New Testament speaks of Christ as the one Saviour for all people. The First Epistle of John says that Jesus is "the propitiation for our sins and not for ours only but also for the sins of the world" (1 John 2:2). Adherents of unlimited atonement interpret this to mean that Jesus' redemptive role is for all people without exception, while adherents of limited atonement interpret it as being for all people without distinction—for Gentiles as well as Jews. Jesus' universal role means that through him the deadly forces of evil are overcome, sin is forgiven, their contamination purified, and the new existence as God's beloved adopted children has been made available. The Feast of the Most Holy Redeemer was a Catholic liturgical feast. It is celebrated in Venice as the Festa del Redentore. In 1576 a plague broke out in Venice which in a few days carried off thousands of victims.
    Il Santo Redentore e Sacro Cuore di ..etta
  • “Alba sulla Veranda a Positano”…<br />
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After a solemn sunrise morning where I essentially had Positano all to myself, I began my strenuous journey down and back up the mountainside. I noticed a perfectly beautiful view on the veranda of one of Positano’s villas; however, a large gate was padlocked and prevented my sly entrance. Descending to my knees and extending the barrel of the lens through an opening in the fence, I was able to capture a single image. Sometimes it pays to break a few rules to capture a perfect vision. There was only one occasion that I was able to pre-plan taking photos at sunrise and that was during the last day of three in Positano. It takes much planning, logistics, and familiarity to figure the best locations and the proper angles and positions of the sun. My third morning was ideal and fortuitous as it began raining about 10:00 am which gave me perfect clouds for sunrise, finally ending with a very cold wind just in time for sunset. This image is one of the rare photos of a slumbering Positano in the dewing morning around 6:50 am at the end of May….the beginning of peak tourist season. By 8:00 am, this tiny seaside village is bustling with tourists and shop owners, and restaurateurs trying to satisfy every need. All in all, Positano was by far the plushest of all the locations I visited in Italy, and I was blessed to witness everything in full bloom. “Notice how the flowers grow. They do not toil or spin. But I tell you, not even Solomon in all his splendor was dressed like one of them.” LUKE 12:27.
    Alba sulla Veranda a Positano
  • “Assisi front door with a lot of Character”…<br />
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Italy is famous for its display of fresh and beautiful flowers and foliage outside the windows and doors throughout the countryside, and Assisi was no different except for the perfection of their presentation. I am sure the Chamber of Commerce in Assisi is quite busy maintaining the continuity and beauty of Assisi, but perhaps there is no need as the residents all seem perfectly happy to respect and display all its beauty. The streets, walkways, and general environment were the most immaculate of any town I witnessed in Italy and the most religious of any place on my journey. The town became a mystic and peaceful shrine in the early darkness of night after all the tourists departed, and all the prayers offered that day reflected and echoed off the ancient walls. Even the vending machines contained Rosaries, and its residents strolled about dressed in their religious attire with permanent smiles upon their faces. I am sure there are many remarkable religious destinations in the world but this photographer’s opinion…Assisi has no spiritual equal on this earth.
    Assisi porta di casa con un molto di..tere
  • “Pentecost - Painting by Dino Carbetta”...<br />
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As I neared completion of this painting called “Pentecost,” I became overwhelmed and replete with emotion. It was not the composition or finality of another symbolic artwork, but the actual memory of my extraordinary Pentecost when I received the blessings and Sacrament of Catholic Confirmation. Archbishop Donoghue anointed my forehead with oil on the Altar of the Cathedral of Christ the King in Atlanta in front of an overflowing church, and my Catholic Brother and childhood friend Bob Casey’s hand on my shoulder. The first example of Confirmation can be found in Acts 8:14-17. Confirmation sponsors “bring the candidates to receive the sacrament, present them to the minister for anointing, and will later help them fulfill their baptismal promises faithfully under the influence of the Holy Spirit whom they have received.” I was overwhelmed then, and feel the same as now. Confirmation is a Sacrament in the Catholic Church in which the one who is confirmed receives the gifts of the Holy Spirit through the imposition of hand and anointing with oils by the bishop. It’s considered a sacrament of initiation which means that it brings you deeper into communion with the Church. “Bishops are the successors of the apostles. They have received the fullness of the sacrament of Holy Orders. The administration of this sacrament demonstrates clearly that its effects are to unite those who receive it more closely to the Church, her apostolic origins, and her mission of bearing witness to Christ.” It is the full outpouring of the Holy Spirit as once granted to the apostles on the day of Pentecost. Confirmation brings Catholics a deepening of baptismal grace and unites us more firmly to Christ. It increases the gifts of the Holy Spirit and leaves an indelible mark on the soul just like baptism. Come Holy Spirit, fill the hearts of your faithful and kindle in them the fire of your love.
    Pentecoste - Dipinto di Dino Carbetta
  • “The Venice canal reflects the small bridge in the early evening light - Painting by Dino Carbetta”…<br />
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I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define its dynamic persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever-changing light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three days in Venice.
    Il canale di Venezia riflette il pic..etta
  • “Madonna illuminates the altar of Santa Maria Sopra Minerva, Assisi”…<br />
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Santa Maria Sopra Minerva is the church dedicated to Mary, which was built over a Roman temple to Minerva, the goddess of wisdom. Parts of the Roman temple which dates from the time of Augustus (63 BC-AD 14) remain. As Christianity became official in the Roman Empire, the Temple became abandoned. Benedictine monks restored the temple, and the Italian Renaissance inspired a newfound appreciation for classical art and architecture. In 1539, Pope Paolo III ordered the Temple of Minerva to be completely restored and dedicated to the Virgin Mary, the Queen of True Wisdom. The temple then took the name of Santa Maria Sopra Minerva. The six imposing Corinthian columns and the entire Roman façade are still intact after 2,000 years along with the towering Campanile. As the center of ancient Assisi, and still prominent today… this former Temple and now sacred church seems to be at the heart of the existence of Assisi. Additionally, the famous artist Giotto painted frescos of the life of Saint Francis which adorn the walls of the Saint’s Basilica including images of Santa Maria Sopra Minerva. Ironically, Giotto’s placing of St. Francis in the local scenery was the first of its kind, thus the beginning of the Renaissance. In 1791 it was consecrated on the Solemnity of the Assumption of Our Lady. And, after the Apparition of Our Lady as the Immaculate Conception seen by St. Bernadette which took place in Lourdes, France…this statue of the Virgin Mary was erected in the hollowed earth behind the altar. As I hiked the steep grade upward to the top of Assisi, a respite seemed to arise from the ancient Roman era and took me back in time. The imposing columns gave way from the ancient exterior progressing inside discovering the serene and peaceful Virgin Mary, Queen of True Wisdom.
    Madonna illumina l'altare di Santa M..sisi
  • "Christ Crucified - Santa Maria della Salute Venice - BW"... <br />
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The Basilica di Santa Maria della Salute (Basilica of St. Mary of Health), commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a prominent position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite small interiorly. I am not sure if it was ever an active parish but more of a shrine with little room for seating. The steps wrapping around the front and sides make a perfect destination for relaxation during warm Venetian days. Interior windows open to the sky which allows for a great deal of sunlight, and as I meandered around I noticed a beautiful crucifix near the confessional. The strong rays of sunshine illuminated the face of Christ just enough to encourage one to examine their conscience one last time before entering into Sacrament of Confession.
    Cristo Crocifisso - Santa Maria dell..- BW
  • “Unique View through Medieval Arches of the Cathedral of Sorrento”…<br />
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The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. I discovered areas where the old Duomo met the new, and it seemed that some images were quite accidental. I noticed that peering through a small and out of the way opening, I could see back to a lighted statue of a patron Bishop. The juxtaposition of the descending and uniquely colored archways gave a great appearance of depth and perspective.
    Vista Unica Attraverso Archi Medieva..ento
  • “Water flow from the Convent of Cells - Founded by San Francesco - Cortona”…<br />
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St. Francis came to Cortona to preach in 1211, and here at the foot of Mount Sant’Egidio found the solitude he was looking for. A young nobleman who went on to become the Blessed Guido, one of his first followers, offered him the place as a prayer retreat. From that moment St. Francis and his followers stayed in this isolated spot on the way to and from Assisi and other places where they were preaching. There was no hermitage in St. Francis’s time, however, and the saint slept on the bare rock. After he died in 1226, the first stone “cells” were built and a small oratory. What we see today is the result of the XVI century construction work. Le Celle stood abandoned until 1537 when it was granted by the Bishop of Cortona to the recently founded Third Order of Franciscans, known as the Capuchins. The hermitage was considerably enlarged by the Capuchins, who in 1634 erected a new chapel to take the place of a more ancient one. This new chapel was consecrated to St Anthony of Padua and reflects the Capuchins simple, unpretentious architectural and decorative style. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. Imagine the spiritual solitude as Saint Francis would take hermitage here for days of ecstatic meditation with only a loaf of bread, listening to his beloved waterfall beneath a small window.
    Flusso d'acqua dal Convento Di celle..tona
  • "Madonna in the Basilica of Santa Maria del Popolo Rome"... <br />
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After a spiritual Mass at St. Peters Basilica and an intense tour of the Vatican, lunchtime with my friend and pilgrim, Patrick, proved inspirational. Forgoing the Coliseum, we aimed for Piazza del Popolo. Encompassed within its sacred walls is a variety of artwork unequaled in the world. Our eyes were on the famous Caravaggio paintings located in the Basilica of Santa Maria del Popolo. The “Crucifixion of Peter” and the “Conversion of Saint Paul” were found to be elusive on my previous visit. The security guard blocked the doorway and turned off the lights to the small chapel inside the Basilica every time I came near. We found the Basilica under reconstruction, waiting for an opening, then rushed inside to find darkness and disarray everywhere. Finally, finding the dark chapel, our eyes could not focus enough to discover the paintings. Suddenly, the light arose and the Caravaggio’s were an arm’s length away. We expeditiously actuated our cameras and euphorically clicked away. Just as hastily, a mysterious guard clicked off the lights. As we calmed down and gathered benevolent thoughts, we aimed our startled eyes toward the exit. The fragmented sunlight streaming into the dark basilica from the vestibule and front doors appeared like a dream. As I vacillated forward, a dark, but luminous statue absorbed by sunlight appeared to gaze upon me with precocious compassion. Her motherly expression offered a perception of love and gratitude. Upon exit, the Eternal City awaited our next impassioned venture.
    Madonna nella Basilica di Santa Mari..Roma
  • “Father Peek Consecration Prayer - Private Mass in the Basilica of Sant'Antonio da Padova”…<br />
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One wonderful element of our Pilgrimage of 2019 was our Mass schedule in the most distinguished Basilica’s, Cathedrals, and churches in Italy and in fact the world. Often we found ourselves at the Main Altars, Sacristies, or prestigious chapels. The reverent and holy auspicious with unseen views containing profound and historic approbation was at times overwhelming. Contemplating those divine and holy who came before, left us with the feeling of wonderment. The Basilica of Saint Anthony dated back to the early year of 1233. I found myself mystified by the mere size and aura surrounding it, and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis, and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. As with most prestigious Basilica’s, no photos are allowed, which mostly rendered this photographer reverent, but sad. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. The Basilica is austere, mysterious, and solemn, yet capacious, monumental, and impossible to notice every grand detail. However, be emboldened that this Pilgrimage Church is one of the eight international shrines recognized by the Holy See. It is a symbol of faith and hope for all Christian believers. I believe Saint Anthony would be honored and proud to offer Mass here.
    Padre Peek Preghiera della Consacraz..dova
  • "High altar panorama of the Basilica of Santa Maria del Fiore Florence"...<br />
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Santa Maria del Fiore (also known simply as the Duomo) is the cathedral of Florence known for its distinctive Renaissance dome. Its name ("Saint Mary of the Flower") refers to the lily, the symbol of Florence. The impressive Gothic cathedral complex includes the Duomo, the famous baptistery and a campanile. Built in 1294 to be the largest Roman Catholic Church in the world, it is still the largest masonry dome in the world. Walking down the strada, and turning the corner to view the massive Duomo painted against the sky was captivating. I stopped in my tracks and began taking photos; however, the huge Florence crowds prevented most images from ground level. This was one of the first images I photographed noticing the ancient architecture of the Duomo competing across the narrow strada with the more modern buildings of Firenze.
    Altare maggiore panorama della Basil..enze
  • "High altar crucifix from the back of the Papal Basilica of St. Anthony of Padua"... <br />
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I consider this magnificent rear view of the High Altar in St. Anthony’s Basilica looking toward Donatello’s very famous “Crucifix in Padua” one of my few forbidden and miraculous images of my 2019 Pilgrimage to Italy. I was unaware of the mere size and ancient grandeur of the basilica begun in 1233 but found myself mystified by the aura surrounding it and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. As with most prestigious Basilica’s, no photos are allowed, which mostly rendered this photographer reverent, but sad. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. Deceptively, I found myself directly behind the elevated “High Altar,” and as I curiously climbed the steps toward the locked Iron Gate, Donatello’s celestial bronze crucifix began to appear. My surreptitious movement kept me from being noticed by the security guards and our Italian guide. I covertly rested my lens through the iron bars, and quietly depressed the shutter on my camera. Often called “Il Santo” by the locals of Padua, one cannot escape feeling overwhelmed by its majesty, and emanation of spirituality and reverence. The Basilica is austere, mysterious, and solemn, yet capacious, monumental, and impossible to notice every grand detail. However, be emboldened that this Pilgrimage Church is one of the eight international shrines recognized by the Holy See. It is a symbol of faith and hope for all Christian believers. I believe Saint Anthony would be honored and proud to offer Mass here.
    Crocifisso altare maggiore dalla par..dova
  • "The Crucifix - The Basilica of Santa Maria degli Angeli Assisi Museum - Painting by Dino Carbetta"...<br />
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Portiuncula is a town and a parish situated about three-quarters of a mile from Assisi. The town has grown up around the Basilica of Our Lady of the Angels. It was of this little church moved within the Basilica that St. Francis recognized his vocation in the year 1208, and it was where St. Francis spent most of his life. In 1211, the Benedictines gave him the little chapel of St. Mary of the Angels or the Portiuncula, which is a “little portion” of land. The first Franciscan convent was also formed nearby. The Portiuncula was also where St. Francis received the vows of St. Clare. St. Francis died here on October 3, 1226, and on his deathbed, he recommended the chapel to the faithful protection and care of his brothers. The Museo della Basilica is in another section of the convent. Among the most important works kept here are the "Crucifix “painted on wood by Giunta Pisano (1236-40). The return of Francis, a penitent man, contemplating his future in the Church... But God had other plans, and Francis did not travel far. His search for conversion led him to the ancient church at San Damiano. While he was praying there, he heard Christ on the crucifix speak to him, "Francis, repair my church." Francis assumed this meant the crumbling building he was in. He later realized it was his call to rebuild the entire Church. He read the command to the rich young man to sell all his good and give to the poor, the order to the apostles to take nothing on their journey, and the demand to take up the cross daily. "Here is our rule," Francis said -- as simple, and as seemingly impossible, as that. He was going to do what no one thought possible any more -- live by the Gospel.
    Il Crocifisso - La Basilica di Santa..etta
  • "Jesus of Nazareth - Sorrentino Fishing Boat - Marina Grande Sorrento"... <br />
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"In quaint Sorrento, near the Amalfi Coast, lies my heart's gem - Duomo di Sorrento. During our Pilgrimage in 2019, Father Peak led a cherished Mass at the majestic High Altar. Skipping Capri, I chose Marina Grande to commemorate this special day. I convinced my friend Patrick that Marina Grande held a unique charm, ideal for celebrating this thrilling journey! As we arrived at Marina Grande on a rainy Sunday afternoon, the bustling port was not teeming with tourists but filled with lively and unpretentious locals. The skies remained overcast, hinting at the possibility of rain, but the sun's occasional appearance painted the heavens with brief moments of pastel colors. Amidst this picturesque setting, a solitary boat rocked gently near the mouth of the piccolo marina, gleaming in the soft light. On its stern, the boat bore the name "Gesù di Nazareth" - a striking coincidence. The name brought to mind Saint Matthew's account of Jesus calming the stormy seas: how Jesus, despite the storm's fury, slept peacefully while his disciples feared for their lives. Upon their plea for salvation, Jesus arose and, with a commanding presence, silenced the winds and waves, filling the men with awe at his power over nature (Matt. 8:23-27). Later, we eagerly returned to the marina, ready to capture the mesmerizing evening seascape. It was a peaceful prelude to the Pilgrimage group's dinner at my favorite restaurant, "Zi'Ntonio Mare." In Sorrento's charming surroundings, amidst the beauty of Marina Grande and the Duomo's sacredness, I found solace and inspiration. The experience reminded me of the awe-inspiring power of nature and the comforting presence of faith, symbolized by the boat's name - "Gesù di Nazareth." These memories will forever hold a special place in my heart, etched alongside the breathtaking landscapes and spiritual moments of our unforgettable adventure.
    Gesù di Nazareth - Peschereccio Sorr..ento
  • “Luminance of Christ - Sorrento Cathedral - Painting by Dino Carbetta”… <br />
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The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site but as a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the magnificent Duomo's reverent beauty and peaceful aura. Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became. Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ. This image of sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey. If you gaze for a minute or two, I believe you will also be transported on a remarkable journey. I have painted this image many times, striving for perfection. However, I have ultimately realized perfection is only found in the crucified one. Gal. 2:20 “Yet I live, no longer I, but Christ lives in me; insofar as I now live in the flesh, I live by faith in the Son of God who has loved me and given himself up for me.”
    Luminanza di Cristo - Cattedrale di ..etta
  • “Crucified Face of Christ - Painting by Dino Carbetta”…<br />
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Hanging above the Altar of the Duomo di Sorrento was a lifelike Crucifix. My portfolio contains many different images of this mesmerizing crucifixion. It has become a primary focus of my artistic study of light and His sacred image. This “living” singular portrayal of Christ has become a major influence in my pursuit of religious art. Hopefully, the viewer will be moved by His spiritual and painful unveiling. Touching the very heart of those who empathize with this immediate closeness of the Passion of Christ and this evolving artistic impressionistic painting. The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site but as a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. This detailed statue of Jesus has continued to captivate my thoughts and memories. I finally relinquished my apprehension and painted this close view of the suffering face of Jesus.
    Volto Crocifisso di Cristo - Pittura..etta
  • “Pietà discovered on the wall of St. Andrew's Cathedral Amalfi”… <br />
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On the last of three glorious days in Positano, I woke early to witness the sunrise over the village. However, around 10:00 am, the cold rains poured down, dampening the once magnificent sun. Undeterred, I decided to take a rain-soaked ferry down the coast to the charming seaside town of Amalfi. The Cattedrale di Sant'Andrea, also known as the Duomo di Amalfi, is usually teeming with tourists who have traveled for miles by bus or ferry. Yet, due to the dreary weather, many opted to stay away. A church has graced this spot in Amalfi since the year 596 AD, and remarkably, the ninth-century structure still stands proudly today. In the early 13th century, the present cathedral was built adjacent to the old one, serving as a final resting place for the revered St. Andrew the Apostle. Initially, the two buildings were joined to form a single, magnificent six-nave Romanesque cathedral. While exploring the cathedral, I discovered a fascinating piece of history. Portions of the newer walls have been carefully removed, revealing glimpses of the ancient original church. As I passed by one of these exposed walls on three separate occasions, I failed to notice anything extraordinary. It was only when I stepped back and gazed intently that the ancient Pieta gradually materialized before my eyes. The mystical beauty of this faded image left me astounded. Seizing the opportunity, I captured two photographs, intending to merge them into a panoramic view, fervently hoping that the essence of this miraculous vision would manifest. For over 1500 years, God has preserved this unique fresco, but its fading state suggests that it will soon vanish completely. I consider myself truly blessed to have beheld this extraordinary sight and fervently aspire to safeguard it for future generations.
    Pietà scoperto sul muro della Catted..alfi
  • “Jesus Christ Sacred Heart - Painting by Dino Carbetta” …<br />
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As a Catholic observance, the Solemnity of the Sacred Heart of Jesus takes place on the nineteenth day after Pentecost. This day is of significant importance to the Catholic faith as it acknowledges the immense love and sacrifice that Jesus made for all humans. The heart is regarded as a significant symbol in this devotion, representing a person's core, the center of all spiritual activity, and the seat of all emotion, particularly love. This symbolism is firmly rooted in Judaism, where the heart was recognized as the principal life organ, and the word heart represented the essence of a person. The Feast of the Sacred Heart is celebrated each year on the Friday following Corpus Christi. It serves as a reminder to Catholics to demonstrate gratitude for Christ's sacrifice and love by living according to His will. A prayer frequently recited on this day is "O most holy heart of Jesus, the fountain of every blessing, I adore you, I love you, and with lively sorrow for my sins I offer you this poor heart of mine. Make me humble, patient, pure, and wholly obedient to your will. Grant, Good Jesus, that I may live in you and for you. Protect me in the midst of danger. Comfort me in my afflictions. Give me health of body, assistance in my temporal needs, your blessing on all that I do, and the grace of a holy death. Amen." I hope that my painting of Christ's Face in the Sacred Heart of Jesus brings about a positive change in your heart and soul. It is my deepest desire that you experience great blessings in every aspect of your life.
    Gesù Cristo Sacro Cuore - Dipinto di..etta
  • “Solemnity of Saints Peter and Paul - Painting by Dino Carbetta” …<br />
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Today's celebration has a rich history dating back to the year 258. It commemorates the two saints who are credited with founding the See of Rome, having preached, ministered, and ultimately met their martyrdom there. Peter, a fisherman from Galilee, was introduced to Jesus by his brother Andrew. Jesus renamed him Cephas, or "Rock," indicating he would be the foundation of Christ's Church. Peter was a devoted follower of Jesus, the first to recognize Him as the Messiah and pledge his unwavering loyalty until his death. Despite making mistakes, including betraying Jesus, Peter was selected as the shepherd of God's flock and became the first Pope. In this role, he led the Apostles and ensured their adherence to true faith. He spent his final years in Rome, leading the Church through trials and ultimately being martyred in the year 64. His tomb on Vatican Hill was the site of the construction of St. Peter's Basilica. Paul, on the other hand, was an Apostle to the Gentiles. His letters in the New Testament offer insight into his life and the faith of the early Church. Before his conversion, he was Saul, a devoted Jewish pharisee who persecuted Christians. However, on his way to Damascus, he experienced a profound conversion after being blinded by a bright light and hearing Jesus' voice. He was baptized and renamed Paul, dedicating the rest of his life to preaching the Gospel to the Gentiles. He was imprisoned and beheaded in Rome in the year 67 and is buried in the Basilica of St. Paul Outside the Walls. St. Augustine of Hippo once remarked that despite suffering on different days, these two apostles shared the same feast day and were as one. Today, let us honor their lives, labors, sufferings, preaching, and confession of faith as we celebrate this holy day.
    Solennità dei Santi Pietro e Paolo -..etta
  • “Jesus Contemplating His Death - Painting by Dino Carbetta” …<br />
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Several references in the Synoptic Gospels of Jesus predict his death, the first two occasions building up to the final prediction of his crucifixion. In Mark, Jesus predicts his death three times. This Gospel also contains verses in which Jesus predicts his Passion. The first, is near Caesarea Philippi, after Peter proclaims Jesus as the Messiah. Jesus tells his followers that "the Son of Man must suffer many things and be rejected by the elders, chief priests and teachers of the law, and that he must be killed and after three days rise again". When Peter objects, Jesus tells him: "Get behind me, Satan! You do not have in mind the things of God, but the things of men". (Mark 8:31–33) Matthew 16:21–28:  Jesus "began to show his disciples that he must go to Jerusalem and suffer many things from the elders and chief priests and scribes, and be killed ...". Luke 9:22–27 Jesus uses the occasion to teach them new things. The second warning appears in Mark 9:30–32, and Matthew 17:22–23: "The Son of Man is going to be betrayed into the hands of men. They will kill him, and after three days he will rise." But they did not understand what he meant and were afraid to ask him about it. Matthew 20:17–19 specifically mentions crucifixion: Now as Jesus was going up to Jerusalem, he took the twelve disciples aside and said to them, "We are going up to Jerusalem, and the Son of Man will be betrayed to the chief priests and the teachers of the law. They will condemn him to death and will turn him over to the Gentiles to be mocked, flogged, and crucified. On the third day, he will be raised to life!" The fourth prediction in Matthew 26:1–2 is, "As you know, the Passover is two days away and the Son of Man will be handed over to be crucified." In the Gospel of John, when he said: “Just as Moses lifted the snake in the wilderness, so the Son of Man must be lifted.” This is my first painting with the aid of AI, Blessings!
    Gesù Contempla La Sua Morte - Dipint..etta
  • “Our Lady of Grace - Painting by Dino Carbetta” …<br />
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Among the many miraculous images of the Mother of God through which she deigns to grant her favors, there is one in the monastery church of the Carmelites in Vienna, entitled, Our Lady of Grace. In 1610 a Carmelite, Dominic of Jesus-Mary, found among the votaries of an old altar in the monastery church of Maria della Scala in Rome, an oil painting of the Mother of God, dust-covered and somewhat torn, which grieved him. Taking it into his hands, he shook the dust off it and kneeling venerated it with great devotion. “O pure and holiest Virgin, nothing in the whole world is worthy of touching your holy face, but since I have nothing but this coarse handkerchief, deign to accept my goodwill.” To his great surprise, then the face of the Mother of God appeared to take on life, and smiling sweetly at him, she bowed her head, which thereafter remained inclined. Fearing he was under an illusion, Dominic became troubled, but Mary assured him that his requests would be heard, and he could ask of her with full confidence any favor he might desire. He fell upon his knees and offered himself entirely to the service of Jesus and Mary and asked for the deliverance of one of his benefactor’s souls in purgatory. Mary told him to offer several Masses and other good works; a short time after when he was again praying before the image, Mary appeared to him bearing the soul of his benefactor to Heaven. Dominic begged that all who venerated Mary in this image of Our Lady of Grace might obtain all they requested. In reply, the Virgin gave him this assurance: “All those who devoutly venerate me in this picture and take refuge to me will have their request granted and I will obtain for them many graces; but especially will I hear their prayers for the relief and deliverance of the souls in purgatory.” Dominic soon after placed the image into Maria Della Scala's church so that more Mary devotees may venerate her.
    Madonna delle Grazie - Dipinto di Di..etta
  • “Cybo Chapel - Basilica of Santa Maria del Popolo Rome”…<br />
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The Basilica of Santa Maria del Popolo, encompassed within its sacred walls is a variety of artwork unequaled in the world. The Basilica is comprised of great works by many of the preeminent artists, such as Raphael, Gian Lorenzo Bernini, Caravaggio, Alessandro Algardi, Pinturicchio, Andrea Bregno, Guillaume de Marcillat, and Donato Bramante. “Cappella Cybo” is the second side chapel in the right-hand aisle of the Basilica, which is famous for the beauty of its paintings, the preciousness of marble revetments covering its Bellissimo walls, and the renowned importance of the artists involved in its construction. The chapel is regarded as one of the most significant sacral monuments erected in Rome in the last quarter of the 17th century. The huge altarpiece, painted with oil on the wall, is one of the most important works of Carlo Maratta, finished in 1686. It depicts the Disputation over the Immaculate Conception with the Four Doctors of the Church, St Augustine, John Chrysostom, John the Evangelist, and Gregory the Great celebrating the purity of the Virgin. I knew in advance of the great Caravaggio paintings, especially the “Crucifixion of Peter;” however, I was not prepared for the security guard blocking the doorway and turning off the light to the small chapel inside the Basilica every time I came near. The guard courageously kept a watchful eye on everyone with a camera to protect the integrity of the incredibly famous artwork. I edged to the back, peered around the corner with a telephoto lens, and prevailed with a few pictures from a distance of the famous paintings just for my viewing pleasure. However, as I returned home and upon making a close inspection of the pictures, it was not the Caravaggios I had coveted, but an imposter. The guard blocked the shallow entrance and within a few steps inside, to the right and left ...the Caravaggios hid from view as if to tell me to try yet another day.
    Cybo Cappella - Basilica di Santa Ma..Roma
  • “Positano Explosion of Colors Before Sunset” …<br />
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After an exhilarating drive along the high cliffs on the Amalfi Coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. Circling the entire village and its cliffside three times on Positano’s only street, I finally found the parking garage about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the substantial number of tourists and the bright sun did not allow for ideal conditions. Walking the length of the beach, I found a very, very steep staircase leading straight up to a large veranda at the Albergo California. Taking an exhaustive seat on a plush lounge chair with a perfect view to watch the sunset behind the Amalfi Cliffs, I was taken back by a pleasant Italian waiter from the hotel offering a towel, iced water, and drinks for the evening. I expressed that I was not staying at the hotel, but he did not seem to mind and proceeded to educate me on the culture of this historic resort village. The sunset was coy and did not appear to cooperate, but during opportune moments it mystified the cloud arrangement and contributed just enough light and color to satisfy a weary photographer. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town tucked between the descending mountains dripping with multicolored dwellings, and the transcendent blue sea, the church’s brilliant majolica tiled cupola is one of the town’s iconic symbols. The ancient church was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this iconic beautiful seaside village.
    Positano Esplosione di Colori Prima ..onto
  • “Evening Mystical Sun Rays Peep Through the Clouds Above Positano” …<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi Coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. Circling the entire village and its cliffside three times on Positano’s only street, I finally found the parking garage about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the substantial number of tourists and the bright sun did not allow for ideal conditions. Walking the length of the beach, I found a very, very steep staircase leading straight up to a large veranda at the Albergo California. Taking an exhaustive seat on a plush lounge chair with a perfect view to watch the sunset behind the Amalfi Cliffs, I was taken back by a pleasant Italian waiter from the hotel offering a towel, iced water, and drinks for the evening. I expressed that I was not staying at the hotel, but he did not seem to mind and proceeded to educate me on the culture of this historic resort village. The sunset was coy and did not appear to cooperate, but during opportune moments it mystified the cloud arrangement and contributed just enough light and color to satisfy a weary photographer. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town tucked between the descending mountains dripping with multicolored dwellings, and the transcendent blue sea, the church’s brilliant majolica tiled cupola is one of the town’s iconic symbols. The ancient church was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this iconic beautiful seaside village.
    Sera Raggi del Sole Mistici Fanno Ca..tano
  • “Mystical Rays of the Evening Sun Shine Above Positano”…<br />
<br />
After an exhilarating drive along the high cliffs of the Amalfi Coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. Circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot-late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the considerable number of tourists and the bright sun did not allow for ideal conditions. As I made my way along the beach and shoreline, rays from the late afternoon sunlight reflecting off the azure blue Mediterranean Sea, were intense and blinding but illuminated the famous church with contrasting rumination. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town tucked between the descending mountains dripping with multicolored dwellings, and the transcendent blue sea, the church’s brilliant majolica tiled cupola is one of the town’s iconic symbols. The ancient church was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this iconic beautiful seaside village.
    Raggi Mistico della Sera Sole Splend..tano
  • “Mystical Sunset above Marina Grande Sorrento”…<br />
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This mesmerizing photograph showcases one of the initial sunsets over Marina Grande, where the sun orchestrates a breathtaking display harmonizing with the clouds. The magnificent sunset casts a radiant glow upon the sky and water, resulting in a captivating and impactful image. On my second evening in Sorrento, just as I was getting accustomed to navigating alongside the wildly adventurous Vespa riders who disregard road rules entirely, I serendipitously stumbled upon the renowned Marina Grande of Sorrento. Despite its name, "Grande," meaning big, it is a quaint fishing village that exudes picturesque charm rather than vastness. Marina Grande proved to be a godsend that evening, encompassing all the elements I, a tired and famished photographer, sought to capture the perfect sunset: the sea, sandy shores, boats, expansive skies, and delectable seafood. Speaking of seafood, did I mention the incredible dishes? Arriving around 8:00 PM, just in time for a dramatic sunset spectacle, and departing after a satisfying dinner around midnight, the Marina truly lived up to its grandeur. While I am no expert on Marina Grande or Sorrento, it holds a special significance as the birthplace of my grandfather and his family, originating from the Gulf of Naples. It appears that every time I set foot in this tiny village, the heavens burst with vibrant hues, warmly embracing its ancestral heritage. Shortly after capturing the final image, it was time for a delightful meal at my newfound favorite restaurant, Ristorante di "Zi'Ntonio Mare.
    Mistica Tramonto al di sopra Marina ..ento
  • "Madonna and baby Jesus in the Cathedral of St. Andrew"... <br />
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“Holy Family, we consecrate ourselves and our family to you. May we be completely united in a love that is lasting, faithful, and open to the gift of new life. Help us to grow in virtue, to forgive one another from our hearts, and to live in peace all our days. Keep us strong in faith, persevering in prayer, diligent in our work, and generous toward those in need. May our home, O Holy Family, truly become a domestic church where we reflect your example in our daily life. Amen. Jesus, Mary, and Joseph pray for us!” On the last of three glorious days in Positano, I arose early to catch the sunrise over the village. However, at about 10:00 am …the cold rains came down dampening the glorious sun. I caught the rain-soaked ferry down the coast to the seaside town of Amalfi. The Cattedrale di Sant'Andrea/Duomo di Amalfi is usually packed with tourists bused and ferried from hundreds of miles away, but with the dreary weather, many chose to stay away. There has been a church on this site in Amalfi since 596 AD and the one built in the ninth century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Pieces of the newer walls have been taken down to expose parts of the walls of the ancient original church, and one can ponder history with this glimpse back in time. I was enraptured by the sacred art devotional of the Madonna and Baby Jesus as I exited the magnificent Cathedral, a forever remembrance of my cherished rainy day in Amalfi. [Acts 14:17] “Yet, in bestowing his goodness, he did not leave himself without witness, for he gave you rains from heaven and fruitful seasons and filled you with nourishment and gladness for your hearts.”
    Madonna e Gesù Bambino a La Cattedra..drea
  • “The Luminescent Eye of Christ Gazes Upon Saint Lucia - Painting by Dino Carbetta”…<br />
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Santa Lucia is a virgin and martyr of Syracuse in Sicily, whose feast is celebrated on December 13th. According to tradition, Saint Lucy was born to rich and noble parents in the year 283. Like early martyrs, Lucy had consecrated her virginity to God, and she hoped to devote all her possessions to the service of the poor. An arranged marriage for three years was postponed. Lucy prayed at the tomb of Saint Agatha to change her mother’s mind about her faith. As a result, her mother's long hemorrhagic illness was cured, and she consented to Lucy's desire to live for God. Saint Lucy’s rejected bridegroom, Paschasius, denounced Lucy as a Christian. The governor tried to force her into prostitution, but the guards could not move her, even hitching her to a team of oxen. The governor ordered her to be killed instead. After gruesome torture, including having her eyes torn out, she was surrounded by wood and set afire, but the fire quickly died out. She prophesied against her persecutors and was then executed by being stabbed to death. Lucy had warned Paschasius he would be punished. When the governor heard, he ordered the guards to gouge out her eyes; however, it was Lucy who removed her eyes in an attempt to discourage her persistent suitor who greatly admired them. When her body was being prepared for burial, they discovered her eyes had been restored. This and the meaning of her name "light," led to her patronage of eyes, the blind, and eye ailments. Her relics are now located in Venice in the church of San Geremia. Lucy knew of the heroism of earlier virgin martyrs. She remained faithful to their example and to the example of the carpenter, whom she knew to be the Son of God. She is the patroness of eyesight. “To God’s servants, the right words will not be wanting, for the Holy Spirit speaks in us. . . All who live piously and chastely are temples of the Holy Spirit.” – St. Lucy
    L'occhio luminescente di Cristo guar..etta
  • “Rio de le Romite, in the Dorsoduro district of Venice”… <br />
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As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. In the maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. The description of this image begins in 1693 when the Romite Hermits erected a small church dedicated to Jesus, Joseph, and Mary, with an adjacent convent. Father Cavanis later installed a ‘female school of charity,’ entrusted in 1863 to the Canossian nuns who are still present on the spot. Always the destination of painters and artists, the Rio delle Romite preserves its original and evocative atmosphere which remains unchanged. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Rio de le Romite, nel Sestiere di Do..ezia
  • “The Raven of Venice by Pietro Piccione - Painting and Verse by Dino Carbetta”…<br />
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I sit and stare, surrounded by l'acqua everywhere, waiting patiently for my bountiful, yet fair unequivocal share. I own this place, every space, dark ambiguous feathers grant me this grace. It may be just a supposition; the Father above has chosen my instinctive position. My most serene Venice, ancient and grey, bustling with humans most every day. No need to scuttle, my multi-colored brethren gather scraps with the repetitive climax of a Venetian Play. Steely eyes, a distant glare, diligent Pigeon’s begging, but I sit, and I stare. Humans throw the foolish gull food, amused by the feathery brood. The shadow veil is a mysterious epicurean tale. I, no scurry or covet, I sit, and I stare. Venezia, the island city, tourist dream in prose and verse of past glories masquerading, yet perverse. Surrounded by the luminous spectacle; ornate marble and frescoed palace, my world of bell towers, domes, and azure waters under the Adriatic air, I sit and stare. For I am the king of this basin, the Raven, mysterious violet ebony, no one questions my grace in. I am the romance and protector of my tiny canal, yet high enough above, my reflection dances in the water below, offering a Bellissimo prayer. I sit and I stare. The time is near, as I transport to bygone years, for I am the romantic Doge of this tiny island abode. I take what I desire, as the sunlight sets ablaze the waters with sparkling fire. Alas, for I am only the illusory purple Pigeon baptized Peter, yet I will forever dream as I sit, and stare.
    Il Corvo di Venezia di Pietro Piccio..etta
  • “The Moors ring the bell at the top of the Clock Tower in Piazza San Marco Venice”…<br />
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On Ascension Week and the Epiphany, carved figures of the four Magi join the Moors hourly, emerging from the clock face and bowing to the Virgin Mary above them. An angel raises a trumpet in recognition of them, and the Magi bow in return. The Clock Tower in Venice is an early Renaissance building on the north side of the Piazza San Marco, at the entrance to the Merceria. It comprises a tower, which contains the clock, and lower buildings on each side. It adjoins the eastern end of the Procuratie Vecchie. Both the tower and the clock date from the last decade of the 15th century, though the mechanism of the clock has subsequently been much altered. It was placed where the clock would be visible from the waters of the lagoon and give notice to every one of the wealth and glory of Venice. The clock tower is topped by two bronze figures who strike the bell hourly. Although they were originally designated as giants, their dark patina lent them the nickname “Moors.” A relief of the winged lion of St. Mark, patron saint, and symbol of Venice, stands on an open book below the Moors. A statue of the Virgin Mary stands one level down, above the massive clock face. The clock was intentionally designed to sit high enough in the square to be protected from Venice’s waters and to be visible from the canal. Meandering outside on the rooftop above St Mark's Basilica, I became mesmerized by Piazza San Marco below and the multitude of historic artwork residing on high. As the evening sun descended with a fire in the sky, the Moors were called once again to ring the bell reminding all of the romantic Venetian history, and a siren call of utopian futures here in La Serenissima, the ‘Most Serene,’ Veneto.
    I Mori suonano la campana in cima al..ezia
  • “St Mark rises magnificently with the strength of a lion on top of St Mark's Basilica in Venice - Painting by Dino Carbetta”… <br />
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The most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco and adjoins the Doge's Palace. St. Mark’s Square and the Basilica are the central tourist focal points and the most populous in Venice. The relics of the Biblical Gospel author, Saint Mark, have resided in the Basilica since 828 AD. There are more than 85,000 square feet of luminous mosaics in St. Mark’s Basilica. The mosaics were accomplished over 8 centuries, mostly in gold, and the result is astonishing. It's especially resplendent just before sunset when the sun's dying rays set the golden mosaics ablaze. As I headed for the exit, I noticed a very steep staircase and followed it upward. I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica. In the museum, I did take a few veiled photos of the very famous original four horses dating from Classical Antiquity which are duplicated in front of the Basilica. They are very much worth viewing, and if you stare for a moment…they come to life. Meandering outside on the rooftop, I became mesmerized by the multitude of historic artwork residing on high. This image is a close-up captured of St Mark standing majestically atop his Basilica. Embedded within the orange sunset skies behind the Statue of San Marco, a Lion appeared briefly in my camera lens. Mysteriously and mystically, he only appeared again as I began to paint this image. Venetian tradition states that when Mark was traveling through Europe, he arrived at a lagoon in Venice, whereby an angel appeared to him and said, "Pax tibi Marce, evangelista meus. Hic requiescet corpus tuum." ("Peace be with thee, O Mark, my evangelist. Here thy body will rest.")
    San Marco sorge magnificamente con l..etta
  • "The return of Francis, a penitent man, contemplating his future in the Church"...<br />
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Francis of Assisi was a poor little man who astounded and inspired the Church by taking the gospel literally—not in a narrow fundamentalist sense, but by actually following all that Jesus said and did, joyfully, without limit, and without a sense of self-importance. The first change Francis experienced was his discovery of the value of the human person, irrespective of wealth, or social standing. He began to feel a deep inner kinship with the whole of humanity, but especially with the poor and the outcast. This new understanding of the human person is fundamentally identical to that found in the Gospels. So in the spring of 1205, he enlisted in Walter's army and set forth for Puglia, in southern Italy. But God had other plans, and Francis did not travel far. As soon as he reached the nearby city of Spoleto, Francis had a very strange dream. God appeared to him and ordered him to return home. Amid the bewilderment of his friends, Francis left all and made his way back to Assisi. This image of Francis on his horse in front of his eventual Basilica represents the contemplation of his growing faith. His search for conversion led him to the ancient church at San Damiano. While he was praying there, he heard Christ on the crucifix speak to him, "Francis, repair my church." Francis assumed this meant the crumbling building he was in. He later realized it was his call to rebuild the entire Church.  He read the command to the rich young man to sell all his good and give to the poor, the order to the apostles to take nothing on their journey, and the demand to take up the cross daily. "Here is our rule," Francis said -- as simple, and as seemingly impossible, as that. He was going to do what no one thought possible anymore -- live by the Gospel.
    Il ritorno di Francesco uomo peniten..iesa
  • “The Supreme Sacrifice remembered during Lent – Painting by Dino Carbetta”…<br />
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Ashes Signify: “When God drove our first parents from the Garden, he reminded Adam, “you are dust, and to dust, you shall return” (Gn 3:19). We hear these words each year on Ash Wednesday, when the priest places ashes on our foreheads, a reminder of our mortality and the seriousness of the Lenten pilgrimage we are about to begin. Throughout the Old Testament ashes signify sorrow and repentance. Jeremiah commands Israel to mourn its impending doom when he says, “dress in on sackcloth, roll in ashes” (Jer 6:26). When Job emerges from his harrowing face-to-face encounter with God, he says, “I have spoken but did not understand.… Therefore I … repent in dust and ashes” (Jb 42:3-6). Jesus employs similar imagery when he criticizes his listeners’ hardness of heart: “Woe to you … if the mighty deeds done in your midst had been done in Tyre and Sidon, they would long ago have repented in sackcloth and ashes” (Mt 11:21). Ashes and dust amount to the same thing. Neither is particularly pleasant, and both remind us God used some pretty unattractive material when he created us. Lent reminds us how much Christ took on through the Incarnation and what he offered up to us on the cross.” Father Reginald Martin
    Il Supremo Sacrificio ricordato dura..etta
  • “Ancient Orvieto roses glow after the rain - Painting by Dino Carbetta”… <br />
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This painting by Dino Carbetta showcases the enchanting beauty of the Ancient Orvieto roses after a refreshing rainfall. Orvieto, a charming hill town in central Italy, is a must-visit destination that is less than 90 minutes away from Rome. Perched atop a massive volcanic rock called tufa, the town offers breathtaking views of Umbrian plains and vineyards dotted with cypress trees. A stroll through Orvieto is a peaceful journey back in time to the days of the Etruscans, who built this clifftop village over two thousand years ago for protection from their enemies. The colorful cliffside views of the ancient Etruscan wall, which still stands today, offer a glimpse of the town's rich history. The famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures are also protected by this wall. The 14th Century Duomo was built to house the "Corporal of Bolsena," a holy relic that dates back to 1263 when a traveling priest who doubted the transubstantiation found his Host bleeding so much that it stained the altar cloth. This cloth is now stored in the "Chapel of the Corporal" inside the cathedral. One cannot help but feel awed when they turn a corner and see the majestic Cathedral towering above them. The vibrant red roses in bloom provide a stark contrast to the town's ancient and charismatic backdrop, making for a truly magical experience.
    Antichi Orvieto rose bagliore dopo l..etta
  • “Jesus Weeps over Fractured America – Painting by Dino Carbetta”…<br />
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“Know this, my dear brothers: everyone should be quick to hear, slow to speak, slow to wrath, for the wrath of a man does not accomplish the righteousness of God.” James 1:19-20 “Rejoice in the Lord always. I shall say it again: rejoice! Your kindness should be known to all. The Lord is near Have no anxiety at all, but in everything, by prayer and petition, with thanksgiving, make your requests known to God. Then the peace of God that surpasses all understanding will guard your hearts and minds in Christ Jesus. Finally, brothers, whatever is true, whatever is honorable, whatever is just, whatever is pure, whatever is lovely, whatever is gracious, if there is any excellence and if there is anything worthy of praise, think about these things. Keep on doing what you have learned and received and heard and seen in me. Then the God of peace will be with you.” Philippians 4:4-9
    Gesù Piange sull'America Fratturata ..etta
  • "Midnight walk along Via Fontebella towards the Basilica of San Francesco d'Assisi"... <br />
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Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Frances, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Never stopping for lunch or dinner, I continued to photograph new images well past sundown. Traversing the narrow steps and Strada back down to the bottom of the mountaintop to my hotel, the walk seemed a bit less strenuous and I felt a sense of gratitude and completion of my day-long journey. However, the very quiet Assisi seemed to have fallen into a deep slumber in the early nighttime leaving all the restaurants closed for the night. Pleading with the hotel manager, she desperately arranged a late dinner at one of the most iconic restaurants in Assisi, La Locanda Del Cardinale, which was built over an ancient Roman settlement dating from the first century B.C., with glass floors to view the mosaics below. Walking back at midnight to the hotel, the peaceful Assisi continued to call out. At first glance of this reverent dwelling, I perceived it to be a religious structure. However, in the typical fashion of the Assisi surroundings, it was just a simple abode with a very mystical red brick sidewalk leading upward toward the light. Clichés abound as the warm light draws one near as if a moth to the flame. I didn’t follow the sidewalk but captured this image to ponder on a later date. Drifting forward the serene, quiet Basilica of Saint Francis stood majestically and glowed in the distant midnight skies. One could not help but to acquiesce to its spiritual yearning for just a few more memorable portraits in the cool dew of the early morning air.
    Mezzanotte passeggiata lungo Via Fon..sisi
  • “I saw the Spirit descend like a Dove - Painting by Dino Carbetta”…<br />
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Acts 2:1-4 “When the time for Pentecost was fulfilled, they were all in one place together. And suddenly there came from the sky a noise like a strong driving wind, and it filled the entire house in which they were. Then there appeared to them tongues as of fire, which parted and came to rest on each one of them. And they were all filled with the Holy Spirit and began to speak in different tongues, as the Spirit enabled them to proclaim. Jn 20:19-23 “On the evening of that first day of the week, when the doors were locked, where the disciples were, for fear of the Jews, Jesus came and stood in their midst and said to them, “Peace be with you.” When he had said this, he showed them his hands and his side. The disciples rejoiced when they saw the Lord. Jesus said to them again, “Peace be with you. As the Father has sent me, so I send you.” And when he had said this, he breathed on them and said to them, “Receive the Holy Spirit. Whose sins you forgive are forgiven them, and whose sins you retain are retained.”
    Ho visto lo Spirito scendere come un..etta
  • “The morning fog disappears over the Sacred Convent and the Basilica of San Francesco d'Assisi”…<br />
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The Sacro Convento is a Franciscan friary in Assisi, Italy. The friary is connected as part of three buildings to the upper and lower church of the Basilica of San Francesco d'Assisi, where the friar's custody with great reverence the body of Saint Francis. St. Francis wanted to be buried at this location outside of Assisi's city walls, called Hill of Hell (Collo d'Inferno - here were the gallows where criminals were put to death) because his master Jesus of Nazareth also was killed like a criminal outside of the city of Jerusalem. The Conventual Franciscans consider Assisi as the mother town and the monastery as the spiritual center of their order, while the operations center is located in Rome. Pope Gregory IX laid the cornerstone for the Basilica of San Francesco d'Assisi and the friary on 17 July 1228, the day after the canonization of Saint Francis. In 1230, after two years the lower church was ready to uptake the bones of Saint Francis, who had died at Portiuncula in 1226 and had been transferred to the church San Gregorio, which later became the Basilica di Santa Chiara, after Santa Chiara's death. The original part of the Sacro Convento consisted of a refectory, dormitory, chapter hall, papal hall, and a scriptorium-library. For the first 200 years of its existence, the library rivaled the Sorbonne and Avignon with a comparable number of manuscripts. The façade of the upper basilica is perhaps the most photographed church in the world. It appears smallish and antiquated from the outside. However, the deceptive upper basilica is quite large but gives way to the grand lower basilica. One has no idea of the massive structure below supporting the Basilica of Saint Francis unless realizing the Sacred Convent is the monumental base. This image confirms the magnitude of the entirety of the Convent and the Basilica.
    La nebbia mattutina svanisce sul Sac..sisi
  • “Monument to St. Francis of Assisi in Rome - Snow - Painting by Dino Carbetta”…<br />
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In 1209 Saint Francis composed a simple rule for his friars, the "Primitive Rule," which came from verses in the Bible. The rule was "To follow our Lord Jesus Christ’s teachings and walk in his footsteps.” This large monument of Italy’s Patron Saint (St. Francis of Assisi) is visually recognizable between the Basilicas of Santa Croce in Gerusalemme where we began our pilgrimage and San Giovanni in Laterano where we later enjoyed Mass. It was inaugurated in 1927 to commemorate the seventh centenary of his death. The statue portrays the visit of St Francis to Rome, leading his first eleven followers to seek permission from Pope Innocent III to find a new religious Order. A number of the Pope's counselors considered the mode of life proposed by Francis as unsafe and impractical. However, the Pope dreamt he saw Francis holding up the Basilica of St. John Lateran (the cathedral of Rome, thus the 'home church' of all Christendom) and decided to endorse Francis' Order. This occurred, according to tradition, on April 16, 1210, and constituted the official founding of the Franciscan Order. Artist Giuseppe Tonnini sculpted the bronze monument. An inscription taken from the eleventh canto, of Paradise of the Divine Comedy, can be seen at the base, in which Dante makes references to Saint Francis: “Between Topino's stream and that which flows down from the hill the blessed Ubaldo chose, from a high peak there hangs a fertile slope; from there Perugia feels both heat and cold at Porta Sole, while behind it sorrow Nocera and Gualdo under their hard yoke. From this hillside, where it abates its rise, a sun was born into the world, much like this sun when it is climbing from the Ganges. Therefore let him who names this site not say, Assisi, which would be to say too little, but Orient, if he would name it rightly.”
    Monumento a San Francesco d'assisi a..etta
  • 🌹“The Light of Life - Convent of Cells Cortona - Painting by Dino Carbetta”… <br />
🌹Ascending from a tiny cell within Le Celle, I noticed the radiant sunlight illuminating the ancient stone stairway. Considering the location, its 1000 years of age, and its Saintly founding fathers, one could not help feeling spiritually exalted as the bright light immersed my ascension to the top. I didn’t quite reach Heaven at the height of the mystic climb, but perhaps the illumination rendered a touch of hope to a weary and petitioning photo artist. “(Gospel - Lk 24:1-12) At daybreak on the first day of the week the women who had come from Galilee with Jesus took the spices they had prepared and went to the tomb. They found the stone rolled away from the tomb; but when they entered, they did not find the body of the Lord Jesus. While they were puzzling over this, behold, two men in dazzling garments appeared to them. They were terrified and bowed their faces to the ground. They said to them, “Why do you seek the living One among the dead? He is not here, but he has been raised. Remember what he said to you while he was still in Galilee, that the Son of Man must be handed over to sinners and be crucified, and rise on the third day.” And they remembered his words. Then they returned from the tomb and announced all these things to the eleven and to all the others. The women were Mary Magdalene, Joanna, and Mary the mother of James; the others who accompanied them also told this to the apostles, but their story seemed like nonsense and they did not believe them. But Peter got up and ran to the tomb, bent down, and saw the burial cloths alone; then he went home amazed at what had happened.”
    La Luce della Vita - Convento di Cel..etta
  • “The Pontifical Swiss Guard protects the bronze door of the Vatican – Rome”…<br />
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My Roman tour guide at the Vatican, who knew all who worked there, made sure he presented every opportunity for me knowing I was a photographer/artist. For this and several other images, he talked with security allowing me to enter areas off-limits to photograph through doorways and windows. This huge bronze door has been the official entrance to the Apostolic Palace since 1663 and is permanently watched by three Swiss guards. The Pontifical Swiss Guard was founded in 1506 and in the 18th-century several Swiss soldiers were recruited from various European courts to form the close-quarter guards of the kings. Michelangelo designed the official--highly colorful--uniform, and guards also wear a long sword and a traditional halberd. The bronze door opens to a long corridor leading to the famous steps of the Scala Regia, which was designed by Bernini to appear longer and wider than in actuality. Unfortunately, this architectural wonder is closed to visitors, as is the rest of the Apostolic Palace where the Pope lives; only official visitors are admitted inside.
    La Pontificia Guardia Svizzera prote..Roma
  • “Twilight ascent to Rocca Maggiore Assisi”… <br />
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Gospel Mt 7:6, 12-14 Jesus said to his disciples: “Do not give what is holy to dogs, or throw your pearls before swine, lest they trample them underfoot, and turn and tear you to pieces. “Do to others whatever you would have them do to you. This is the Law and the Prophets. “Enter through the narrow gate; for the gate is wide and the road broad that leads to destruction, and those who enter through it are many. How narrow the gate and constricted the road that leads to life. And those who find it are few.” Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the reward was always greater than the physical agony endured. "My soul can find no staircase to Heaven unless it be through Earth's loveliness." - Michelangelo.
    Salita del crepuscolo fino a Rocca M..sisi
  • “Saint Joseph and the young Jesus in the Basilica of Sant'Antonino Sorrento - Painting by Dino Carbetta”… <br />
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Legend has it that in the sixth century, a boy was playing on the beaches of Sorrento when suddenly, a sea creature appeared through the waves, swallowing him whole. Horrified, his mother ran to the local monastery, where she begged the abbot to save her child’s life. Remarkably, the abbot was able to bring the child back from the shadow of death, virtually unharmed. This is one of the many miracles attributed to Sorrento’s patron saint, San Antonino. La Basilica di San Antonino is one of the oldest Catholic churches in Sorrento. Built during the Baroque period, its influence shines throughout the church. Different colors of marble create a colorful display around the frescoes depicting the miracles attributed to Saint’s life. Perhaps the most breathtaking part of the church is the crypt, directly below the altar. With white as its primary color, an angelic essence feels palpable between the walls. Small sculptures of cherubs line the two halls leading to the crypt. San Antonino was buried between the walls. In the middle of the crypt is a statue of San Antonino, its craft making it seem as if the Saint is living. One of my great memories, as I meandered about the rather large crypt in the silent church, looking through the altar to the front doors, opened…an elderly Italian man entered slowly toward the crypt. He nodded his head toward me and moved in front of the eternal candle and relics of San Antonino. He silently put his hand upon them and bowed his head in prayer as if he had done this every day of his life. Moved by his devotion and reverence, as he nodded in his exit…I imitated his every movement and prayed to this patron saint of Sorrento. This was one of my first stops on the Amalfi coast, and after two visits to the Bellissimo Sorrentino coast, I always feel like I am comfortable and spiritual at home.
    San Giuseppe e il giovane Gesù nella..etta
  • “Central bronze doors of Saint Paul Outside the Walls with inlaid silver Cross and Stations of Saints Peter and Paul”…<br />
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There are three main doors. At the center, is the monumental door in green bronze made by Antonio Maraini, which was placed here in 1931; to its right is the new Holy Door, made of golden bronze, created by the sculptor Enrico Manfrini and erected for the Jubilee of the year 2000. The central door shows episodes relating to the lives and preaching’s of Saints Peter and Paul. A large cross with inlaid silver and embellished with stones of lapis lazuli overlays the door from side to side. The cross on the drawing represents a cross motif in curlicued silver, and this has on its plaques in lapis lazuli. Four on the horizontal bar show the symbols of the Evangelists, and on the vertical bar are the symbols of the Apostles. The reliefs (left to right) on the door show scenes from the lives, apostolates, and martyrdoms of Saints Peter and Paul, according to the wishes of the abbot of the monastery. Apart from the two central scenes, all of the events depicted took place in Rome. The reliefs depict: <br />
1)	Coat of arms of the Church <br />
2)	Coat of arms of Rome <br />
3)	The Crucifixion of St Peter <br />
4)	"Domine, Quo Vadis?" <br />
5)	Christ Giving the Keys to St Peter <br />
6)	Foundation of the Papal See <br />
7)	St Peter Baptizing in the Catacombs <br />
8)	The Beheading of St Paul <br />
9)	The Conversion of the Centurion <br />
10)	St Paul's Conversion <br />
11)	St Paul Teaching in Rome <br />
12)	St Paul Reaches Rome and is Welcomed by the Faithful
    Porte centrali in bronzo di San Paol..aolo
  • “Climb to Christ - St. Andrew Cathedral of Amalfi”… <br />
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On the last of three glorious days in Positano, I arose early to catch sunrise over the village. However, at about 10:00 am …the cold rains came down dampening the glorious sun. I caught the rain soaked ferry down the coast to the seaside town of Amalfi. The Cattedrale di Sant'Andrea/Duomo di Amalfi is usually packed with tourists bused and ferried from hundreds of miles away, but with the dreary weather, many chose to stay away. There has been a church on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Stairs near the east end descend into the Crypt of St. Andrew, where the saint's relics are kept in the central altar. The crypt is decorated with beautiful Baroque murals from 1660. Upon leaving the crypt, I turned to ascend the stairs and with little window light because of the rain, a single light illuminated the crucifix stopping me in my tracks. Others behind me also paused as I quickly took out my camera to capture this dramatic image. Tourists actually gathered behind me as I slowly moved up the steps taking more photos; perhaps for the first time, others took notice of this divinatory and transcendent vision.
    Salire di Cristo - Sant'Andrea Duomo..alfi
  • "Transcendent sunset of Marina Grande - Sorrento"...<br />
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Duomo di Sorrento is one of my favorite hidden treasures of Italy. Our last day on the bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. Hallelujah, it was our first free day of the 2019 Pilgrimage and most were heading to Capri. I convinced my fellow Pilgrim Patrick that Marina Grande was the preferred location to commemorate this rain-threatened day. Sunday afternoon in this tiny hallowed port on the Mediterranean was bustling, not with tourists, but with energetic and unassuming locals. The misty skies were vulnerable all day with the promise of rain, but the reluctant sun penetrated the clouds for a few fortuitous moments. God painted the skies for brief moments with luminous pastel elements of abstract color. We left after lunch only to humbly return perceiving the brilliant orange skies cascading down upon the piccolo village as a gift from Heaven. Glorious rumination abounds with the thought of sacred scripture; “John answered them all, saying, ‘I am baptizing you with water, but one mightier than I is coming. I am not worthy to loosen the thongs of his sandals. He will baptize you with the Holy Spirit and fire. His winnowing fan is in his hand to clear his threshing floor and to gather the wheat into his barn, but the chaff he will burn with unquenchable fire.” (Luke 3:16-17) I am not an expert in, nor born in Marina Grande or Sorrento, but the Gulf of Naples is where my Grandfather and his family are from. It seems that every time I have set foot in this tiny village, the skies explode with color and welcome its former lineage home. Shortly after the last picture was captured, it was meal time with the entire Pilgrimage group. A perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare, was enjoyed by all!
    Tramonto trascendente di Marina Gran..ento
  • “Our Lady of Sorrows - Painting by Dino Carbetta” …<br />
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Biblical references that illuminate Mary's sorrows can be found in Luke 2:35 and John 19:26-27. In the Lucan passage, Simeon prophesies that a sword will pierce Mary's soul, while the Johannine passage records Jesus' words from the cross to Mary and the beloved disciple. These passages hold profound meaning when brought together, symbolizing prediction and fulfillment. Notably, Saint Ambrose recognized Mary as a sorrowful yet steadfast presence at the foot of the cross. While others fled in fear, Mary remained resolute. As she gazed upon her Son's wounds with compassion, she perceived in them the world's salvation. In the face of Jesus' crucifixion, Mary did not cower but willingly offered herself to her persecutors. The account of Jesus' death as depicted by John carries deep symbolism. When Jesus entrusts the beloved disciple to Mary, it invites us to contemplate Mary's role within the Church. She symbolizes the Church itself, and the beloved disciple represents all believers. Just as Mary mothered Jesus, she now assumes the role of mother to all his followers. Moreover, as Jesus yielded his Spirit upon his death, Mary and the Spirit collaborated in the birth of new children of God, echoing the narrative of Jesus' conception in Luke. Christians can take solace in the enduring presence of Mary and the Spirit throughout their lives and throughout history. This ethereal painting distinctively encapsulates the very essence of Mary's miraculous birth, where the presence of her future son, Jesus, is depicted alongside her, symbolizing the divine connection. It serves as a powerful symbol of the renewal of life, inviting viewers to delve into deep contemplation and reflection. Through this momentous artwork, we are reminded of the profound beauty and significance of this moment in religious history, offering boundless inspiration to those who gaze upon it.
    Madonna Addolorata - Dipinto di Dino..etta
  • “Monument of Madonna embracing the Cross in the Basilica of Santa Maria Maggiore in Rome”…<br />
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The first major stop on my first visit to Rome was The Patriarchal Basilica of Saint Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, Saint Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. I found Saint Mary in a spectacular monument to Cardinal Agostino Favoriti, 1685, by Filippo Carcani. The famous 17th-century cardinal is shown seated at a desk behind large allegorical figures of Fortitude (with the lion) and Saint Mary representing religion. Of the very large monument, Mother Mary stood out to me, as one cannot help feeling blessed by her compassionate presence, and the luminescent glow of light gently descending upon her face, revealing her abiding love for her precious son. Pope Benedict XVI, speaking about Pope John Paul II of suffering and his love of the Holy Mother; “in that last Easter Sunday of his life, the Holy Father, marked by suffering, came once more to the window of the Apostolic Palace and one last time gave his blessing Urbi et Orbi (‘to the city and the world’). “We can be sure that our beloved pope is standing today at the window of the Father’s house, that sees us and blesses us. Yes, bless us, Holy Father. We entrust your dear soul to the Mother of God, your Mother, who guided you each day and who will guide you now to the glory of her Son, our Lord Jesus Christ. Amen.”
    Monumento di Madonna abbracciando La..Roma
  • “Our Lady of Sorrows Radiant Blue - Cathedral of San Rufino, Assisi - Painting by Dino Carbetta”…<br />
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The title "Our Lady of Sorrows" bestowed upon our Blessed Mother beckons our attention to her profound suffering and grief, most notably during the passion and death of our Lord. It encompasses the seven sorrows of Mary, as foretold by the Priest Simeon. "This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed, and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare" Lk 2:34-35. These seven sorrows of our Blessed Mother weave a poignant narrative: the flight of the Holy Family into Egypt, the loss and finding of the child Jesus in the Temple, Mary's encounter with Jesus on His way to Calvary, her presence at the foot of the cross during our Lord's crucifixion, cradling Jesus as He was taken down from the cross, and His burial. In the prophecy of Simeon, a sword would pierce our Blessed Mother's heart, and find its fulfillment. Mary is depicted with her heart exposed and seven swords piercing it, symbolizing her profound sorrows. Her unwavering courage, love, and trust with which Mary embraced each trial, echoing her initial fiat: "Let it be done unto me according to thy word," first spoken at the Annunciation. This unwavering faith is beautifully depicted in the Adoration of the Madonna as a participant in the Passion of Christ, as captured in the iconographic tradition in 1672. Luke 2:34-35 serves as the foundation of this profound portrayal: "He blessed them and said to Mary his mother: 'Behold, this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; and thy own soul a sword shall pierce, that out of many hearts, thoughts may be revealed.'" In "Our Lady of Sorrows," we witness not only the depths of Mary's sorrow but also the enduring strength of her faith, an inspiration for all who encounter this ethereal work of art.
    Madonna Addolorata Radiante Azzurre ..etta
  • “Illuminating glow of the Grand Canal in Venice”…<br />
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I am not sure if I am the first to describe Venice as “organic,” however, there has never been a more perfect description to define Venice’s ever changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight.  The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Venturing about the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number one of 6500 images. Not until I began writing these descriptions did I realize that many of these captures were taken the day I arrived in Venice…it was sensory overload.  Canal sunsets became the norm of my three days in Venice. This has always been one of my favorite images taken from a little alley behind the famous Rialto Bridge peering down the Grand Canal. One cannot help notice the towering Campanile of The Chiesa dei Santi Apostoli di Cristo (Church of the Holy Apostles of Christ). It is a 7th-century Roman Catholic Church, and one of the oldest churches in the city. Not imposing from the exterior, but sacred-elegant and austere interiorly, very much worthy of Mass or just a visit.
    Illuminando bagliore del Canal Grand..ezia
  • “The Blessed Virgin Mary - Painting by Dino Carbetta”… <br />
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In the fulfillment of my artistic journey, I approach the canvas with humility, presenting a new and original painting of the teenage Virgin Mary. Creating this artwork has been a profound and grateful experience, allowing me to express my creativity and delve into the complexity of the future Mother of Christ. As I gaze into her eyes, I am captivated by the sincere and loving gaze that radiates with the divine glow of the Holy Spirit within her soul. This representation of all Mothers encompasses boundless love and faith. Throughout the creative process, my thoughts often turned to my own wonderful Mother, who inspired me with her unconditional love and care. With utmost dedication, I poured my heart and soul into this painting, a testament to the sacred significance of Mary's undertaking. She received blessings beyond comprehension, embarking on a courageous journey that will forever alter the course of humanity. Through her unwavering faith and trust in God, she becomes an ever-present beacon of hope, guiding people toward the light. Her humble heart recognizes her divine role as a servant of God. It reflects on the boundless mercy of God, extending from generation to generation to those who revere Him. It celebrates divine strength empowering the humble and bringing down the proud, showcasing divine justice upholding the oppressed, and filling the needy with abundance. Her unwavering faith and the divine grace bestowed upon her make her a timeless symbol of hope, love, and devotion for all generations. As viewers contemplate the painting, my deepest desire is for them to witness the beauty and significance of the Blessed Virgin Mary, to be moved by her divine presence, and to recognize the profound impact she continues to have on humanity's spiritual journey. May this artwork serve as an inspiration to embrace faith, love, and devotion, and to find solace in the enduring legacy of the Virgin Mother.
    La Beata Vergine Maria - Dipinto di ..etta
  • “Father Peek raises the Chalice for Adoration – The New Church of San Francesco in Assisi”… <br />
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The reflection of Father Peek in “The Elevation of the Host and Chalice” is after genuflection in adoration. The priest raises them both so that the Faithful may also adore Jesus Christ, the true God, and true Man present on the altar. Look at the sacred Body and Blood of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things." A more ancient elevation of Host and Chalice occurs in the Mass of the Roman Rite while the priest speaks the concluding doxology of the Eucharistic Prayer: Per ipsum et cum ipso et in ipso est tibi Deo Patri omnipotenti in unitate Spiritus Sancti omnis honor et gloria per omnia saecula saeculorum (Through him, and with him, and in him, O God, almighty Father, in the unity of the Holy Spirit, all glory and honor is yours, forever and ever). The presence in the Roman Rite of this elevation can be traced back at least to the ninth century. The Chiesa Nuova is a church in Assisi, Italy, built in 1615 on the site of the presumed birthplace of St. Francis, the house of Pietro di Bernardone. It was then called Chiesa Nuova because it was the last church to be built in Assisi at that time. This Church appears as a small basilica, and Father Peek offered a venerable Mass on our first morning in Assisi for my Pilgrimage of 2019. Two of our Pilgrimage couples renewed their vows during the celebration and an abundance of blessings was bestowed upon the faithful. The specular window light from high above the altar illuminates Christ’s Body and Blood as the Holy Spirit descends.
    Padre Peek solleva il Calice per L'a..sisi
  • “The Assumption of the Blessed Virgin Mary - Painting by Dino Carbetta” …<br />
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The Assumption of Mary stands as a profound belief cherished by the Catholic Church, one of the four Marian dogmas. In his apostolic constitution "Munificentissimus Deus," Pope Pius XII officially defined this dogma on 1 November 1950. It proclaims and reveals that the immaculate Mother of God, Mary ever virgin, at the end of her earthly life, was taken up, body and soul, into the heavenly glory by God Himself. This momentous declaration finds its roots in the 1854 dogma of the Immaculate Conception, affirming that Mary was conceived free from original sin, and both doctrines are grounded in the understanding of Mary as the Mother of God. "The Assumption of the Blessed Virgin Mary - Painting by Dino Carbetta," beautifully captures the essence of this belief, depicting Mary in "the light" of her glory. She exalts the greatness of the Lord and finds joy in God, her savior. Her life reflects the marvels that God has bestowed upon her, and she humbly leads others to recognize God's holiness. Mary is portrayed as a lowly handmaid who deeply reverences her God, and yet, she has been exalted to the highest heights. From this position of strength and grace, she becomes a beacon of hope and compassion, assisting the lowly and the poor in finding justice on earth. At the same time, she challenges the rich and powerful to reconsider their attachment to wealth and power as sources of true happiness. Through the Assumption of Mary, we are reminded of the immense love and divine grace that God bestows upon His faithful followers. Mary's life journey serves as an inspiring example of faith, humility, and dedication, guiding us toward a deeper connection with God and a more compassionate outlook on the world around us. As we contemplate this dogma, let us embrace the sense of awe and wonder it evokes and seek to emulate Mary's virtues in our own lives.
    L'Assunzione della Beata Vergine Mar..etta
  • “Saint Dominic – Painting by Dino Carbetta” …<br />
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Saint Dominic, OP (1170-1221), was a devout Catholic priest from Castile, Spain, and the visionary founder of the Dominican Order. His feast day is celebrated on August 8th. Dominic is the patron saint of astronomers and natural scientists, inspiring countless individuals. In 1215, recognizing the spiritual needs of rapidly growing cities, he sought to establish a new religious community that would address these needs through dedication, education, and flexibility. With six followers, Dominic settled in a house provided by Peter Seila, a wealthy resident of Toulouse. His mission was to preach the Gospel, combat heresies, and bring people closer to God. He established a center of learning in Toulouse, which evolved into the University of Saint Thomas Aquinas (the Angelicum) in Rome. The Dominicans, or Order of Preachers (OP), were known for their intellectual pursuits and emphasis on poverty, identifying with the marginalized. Dominic was renowned for humility, compassion, and unwavering faith, traveling extensively throughout Europe to spread the Gospel. He engaged heretics with love and understanding rather than conflict. Saint Dominic's life and teachings left a lasting impact on the Catholic Church and the world. The Dominican Order continues to thrive, spreading love, knowledge, and service. Their members have contributed significantly to human understanding and the spreading of God's word. Saint Dominic's example remains an inspiration for Catholics and people of faith, emphasizing the power of education, humility, and love to transform lives and society. The Dominican Order fulfills his vision of preaching the Gospel and serving God's people. Dominic's mother dreamt of giving birth to a dog with a torch in its mouth that would "burn the world." The dog may symbolize a Dominican friar, and it's common to see a dog at the feet of the saint.
    San Domenico – Dipinto di Dino Carbetta
  • “Mary Magdalene - Painting by Dino Carbetta” …<br />
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Mary Magdalene's story holds a special place in the Catholic tradition as she was a devoted follower of Jesus Christ and played a significant role in his ministry, crucifixion, and resurrection. Her unwavering faith and profound transformation are a testament to the transformative power of God's love. Mary Magdalene was integral to Jesus' followers and supported him and his disciples with her resources. She was present during his crucifixion and assisted in preparing his body for burial. Additionally, she was the first to discover the empty tomb, becoming the initial witness to the Resurrection. Jesus then entrusted her with the mission of proclaiming his resurrection to the Apostles, earning her the title "Apostle to the Apostles." Her story serves as a reminder of the vital role played by women in the early Christian community. Mary Magdalene is venerated as a Catholic saint and considered a model of discipleship, inspiring us all to follow in her footsteps. In this painting showcasing Saint Mary Magdalene, my objective was to convey the depth of emotions and profound memories she shared with Christ during his crucifixion. I aimed to capture both her external and internal beauty, emphasizing her unique identity as a woman and a devoted apostle of Christ.
    Maria Maddalena - Dipinto di Dino Ca..etta
  • “The Sacred Heart of Jesus - Painting by Dino Carbetta” …<br />
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On the nineteenth day after Pentecost, Catholics observe the Solemnity of the Sacred Heart of Jesus. This day is considered one of great importance in the Catholic faith, as it recognizes the immense love and sacrifice that Jesus made for all humans. The heart is an important symbol in this devotion, as it represents a person’s core, the center of all spiritual activity, and the seat of all emotion, particularly love. This symbolism is deeply rooted in Judaism, where the heart was recognized as the principal life organ and the word heart represented the essence of a person. Margaret Mary's vision in 1675, which came to be known as the "great apparition," resulted in the modern Feast of the Sacred Heart being celebrated each year on the Friday following Corpus Christi. This day serves as a reminder to Catholics to show gratitude for Christ's sacrifice and love by living following His will. A prayer that is often recited on this day is, "O most holy heart of Jesus, the fountain of every blessing, I adore you, I love you, and with lively sorrow for my sins I offer you this poor heart of mine. Make me humble, patient, pure, and wholly obedient to your will. Grant, Good Jesus, that I may live in you and for you. Protect me amid danger. Comfort me in my afflictions. Give me health of body, assistance in my temporal needs, your blessing on all that I do, and the grace of a holy death. Amen." I truly hope that my painting of Christ's Face in the Sacred Heart of Jesus brings about a positive change in your heart and soul. It is my deepest desire that you experience great blessings in every aspect of your life.
    Il Parte Sacro Cuore di Gesù - Dipin..etta
  • “St. Anthony of Padua Embracing the Child Jesus - Painting by Dino Carbetta” …<br />
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Saint Anthony of Padua was a devoted follower of St. Francis of Assisi and was celebrated for his reputation as a miracle worker. His exceptional character and unwavering dedication to following Christ earned him the title of Doctor of the Church, declared by Pope Pius XII on January 16, 1946. In depictions of Saint Anthony, he is often shown holding a book, a heart, a flame, a lily, or the child Jesus. His published sermons for Sundays and feast days are a testament to his authenticity and commitment to his faith. Throughout his life, Saint Anthony remained steadfast in his devotion to God, responding with renewed zeal and self-sacrifice to fulfill His plans. Despite his initial hesitancy, he accepted the call to speak at an ordination where no one else was prepared. His years of prayer, Scripture reading, and service had equipped him to allow the Spirit to use his talents, delivering an astounding sermon that left his audience in awe of the Spirit's power. Saint Anthony was revered for his exceptional prayer life, theological scholarship, and oratory skills, becoming the first friar to teach theology to other friars. He requested to be taken back to Padua when he fell seriously ill on June 13 and eventually passed away after receiving the last sacraments. Saint Anthony, known for his ability to find lost objects and causes, found himself by surrendering completely to God's providence. As a tribute to his legacy and the ancient beauty of Saint Anthony's Basilica in Padua, I painted a representation of him embracing the infant Jesus. I pray that it is a fitting tribute to his contribution to our faith.
    Sant'Antonio da Padova Abbraccia Ges..etta
  • “The Most Sacred Heart of Jesus - Painting by Dino Carbetta” …<br />
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On the nineteenth day after Pentecost, Catholics observe the Solemnity of the Sacred Heart of Jesus. This day is considered one of great importance in the Catholic faith, as it recognizes the immense love and sacrifice that Jesus made for all humans. The heart is an important symbol in this devotion, as it represents a person’s core, the center of all spiritual activity, and the seat of all emotion, particularly love. This symbolism is deeply rooted in Judaism, where the heart was recognized as the principal life organ and the word heart represented the essence of a person. Margaret Mary's vision in 1675, which came to be known as the "great apparition," resulted in the modern Feast of the Sacred Heart being celebrated each year on the Friday following Corpus Christi. This day serves as a reminder to Catholics to show gratitude for Christ's sacrifice and love by living in accordance with His will. A prayer that is often recited on this day is, "O most holy heart of Jesus, the fountain of every blessing, I adore you, I love you, and with lively sorrow for my sins I offer you this poor heart of mine. Make me humble, patient, pure, and wholly obedient to your will. Grant, Good Jesus, that I may live in you and for you. Protect me in the midst of danger. Comfort me in my afflictions. Give me health of body, assistance in my temporal needs, your blessing on all that I do, and the grace of a holy death. Amen." I truly hope that my painting of Christ's Face in the Sacred Heart of Jesus brings about a positive change in your heart and soul. It is my deepest desire that you experience great blessings in every aspect of your life.
    Il Maggior Parte Sacro Cuore di Gesù..etta
  • “The Descent of the Holy Spirit upon the Apostles – Painting by Dino Carbetta” …<br />
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Pentecost is a significant celebration in the Christian tradition. It commemorates the Holy Spirit's arrival upon the Apostles, Mary, and the first followers of Jesus, who gathered in the Upper Room. A powerful wind filled the room, and tongues of fire rested on their heads, enabling them to communicate in different languages. Although some assumed the Christians were intoxicated, Peter clarified that the Holy Spirit was responsible for this unusual occurrence. The Holy Spirit also granted the Apostles the necessary gifts and fruits to fulfill the great commission- to preach the Gospel to all nations. This fulfilled Christ's promise to the Apostles that they would be "clothed with power" before being sent forth to spread the Gospel (Luke 24:46-49) and is equivalent to the full outpouring of the Holy Spirit on the day of Pentecost. Confirmation, a sacrament in the Catholic Church, deepens an individual's relationship with the Church by imparting the Holy Spirit's gifts through the bishop's imposition of hands and anointing with oils. The sacrament is administered by bishops who have received the fullness of the sacrament of Holy Orders, uniting the recipient more closely to the Church's apostolic origins and its mission of bearing witness to Christ. Confirmation is also considered a sacrament of initiation that brings individuals closer to the Church, deepening the grace of baptism and leaving an indelible mark on the soul. Let us pray: "Come Holy Spirit, fill the hearts of your faithful and kindle in them the fire of your love."
    La Discesa dello Spirito Santo sugli..etta
  • “Agony in the Garden – Painting by Dino Carbetta” …<br />
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The agony in the Garden of Gethsemane encompasses Holy Week in the life of Jesus. Occurring after the Last Supper, before his betrayal and arrest, all part of the Passion of Jesus leading to his crucifixion and death. This episode is described in the three Synoptic Gospels in the New Testament. According to these accounts, Jesus, accompanied by Peter, John, and James, enters the garden of Gethsemane on the Mount of Olives where he experiences great anguish and prays to be delivered from his impending suffering, while also accepting God's will. Immediately after the Last Supper, Jesus retreated to a garden to pray. Jesus was accompanied by three Apostles: Peter, John, and James, whom he asked to stay awake and pray. He moved "a stone's throw away" from them, where he felt overwhelming sadness and anguish, and said "My Father if it is possible, let this cup pass me by. Nevertheless, let it be as You, not I, would have it." Then, a little while later, he said, "If this cup cannot pass by, but I must drink it, Your will be done!" He said this prayer thrice, checking on the three apostles after each prayer and finding them asleep. He commented: "The spirit is willing, but the flesh is weak". An angel came from heaven to strengthen him. During his agony as he prayed, "His sweat was, as it were, great drops of blood falling upon the ground" (Luke 22:44). In Roman Catholic tradition, the Agony in the Garden is the first Sorrowful Mystery of the Rosary and the First Station of the Scriptural Way of The Cross Catholic tradition includes specific prayers and devotions as acts of reparation for the sufferings of Jesus during His Agony and Passion.
    Agonia Nell'Orto – Dipinto di Dino C..etta
  • “Light of the Five Advent Candles on Christmas - Painting by Dino Carbetta” …<br />
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The five Advent candles represent Jesus coming as the light in the darkness. One candle is lit each Sunday until all four candles are lit. Each candle brings a slightly greater light into the darkness as Christmas draws nearer. Sometimes a white candle is lit on Christmas Eve or Christmas Day to symbolize that Jesus is with us. This can be referred to as the "Christ candle." Each of the candles lit before Christmas represents an aspect of preparation during the season of Advent. The four candles of Advent represent the four Sundays of Advent and symbolize hope, peace, joy, and love. Also, the fifth candle on Christmas represents the birth of Christ. Infant Jesus is the hope of new life, a perfect life where the old becomes new again. I can rejoice with you in surviving each day, year, and earthly life, to realize hope, which renews our spirit with peace, joy, and most of all, love. “Lord Jesus, Master of both light and darkness, send your Holy Spirit upon our preparation for Christmas. We who have so much to do seek quiet spaces to hear Your voice each day. We who are anxious over many things look forward to your coming among us. We who are blessed in so many ways long for the complete joy of Your Kingdom. We whose hearts are heavy seek the joy of Your presence. We are Your people, walking in darkness yet seeking the light. To You, we say, ‘Come, Lord Jesus!” “The angel said to them, “Do not be afraid; for behold, I proclaim to you good news of great joy that will be for all the people. For today in the city of David, a savior has been born for you who is Messiah and Lord. And this will be a sign for you: you will find an infant wrapped in swaddling clothes and lying in a manger.’ And suddenly there was a multitude of the heavenly host with the angel, praising God and saying: “Glory to God in the highest and on earth peace to those on whom his favor rests.” Luke 2: 10-14.
    Luce delle Cinque Candele dell'Avven..etta
  • “Third Sunday of Advent - Painting by Dino Carbetta” …<br />
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(The Four Advent Candles): As a Christian tradition, the wreath holds the four Advent candles. The candles represent Jesus coming as the light in the darkness. One candle is lit each Sunday until all four candles are lit. Each candle brings a slightly greater light into the darkness as Christmas draws nearer. Sometimes a white candle is lit on Christmas Eve or Christmas Day to symbolize that Jesus is with us. This can be referred to as the "Christ candle." Each of the candles lit before Christmas represents an aspect of preparation during the season of Advent. Third Advent Candle/Sunday: Joy –“Gaudete Sunday” “But the angel said to them, ‘Do not be afraid; for see — I am bringing you good news of great joy for all the people: to you is born this day in the city of David a Savior, who is the Messiah, the Lord. This will be a sign for you: you will find a child wrapped in bands of cloth and lying in a manger.’” (Luke 2:10-12) The third candle of Advent symbolizes Joy. As we continue to approach Christmas Day, our joy grows increasingly. The third candle takes us back to the joyful anticipation of the shepherds who journeyed to see Jesus in Bethlehem, even before the wise men. On this third Sunday of Advent, which the Church calls “Gaudete Sunday,” meaning rejoice or praise, we light the third candle and rejoice like the shepherds. For this reason, the third candle of Advent is called the “Shepherd’s Candle,” and its color is pink, the liturgical color for joy. This Advent, light the third candle on Sunday, December 11, 2022. I repainted this image from one of my photographs of, “Adoration of the Shepherds - Vatican Museums - Gallery of the Tapestries.”
    Terza Domenica di Avvento - Dipinto ..etta
  • “Joust of the Archidao Cortona Flag Flyers” …<br />
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Every year, a procession of three hundred or more people wearing wonderful medieval costumes and many riders on their horse’s parade through Cortona's historic center. The competition known as the Giostra dell'Archidado commemorates the wedding of Francesco Casali, Lord of Cortona, and the noblewoman Antonia Salimbeni of Sienna, which took place in 1397. The crossbowmen from Cortona's five quarters, "Quintieri", compete for a golden arrow. The contest is held in Piazza Signorelli. Flag throwing (or flag tossing) is often a major part of the historical costume festivals that are one of the great attractions of Tuscany and, indeed, of all of Italy. The performers, known as Sbandieratori, usually young men but with an increasing number of young ladies taking part, dress in medieval costumes and are usually accompanied by drummers (Tamburi) and sometimes trumpeters (Trombettieri). Skills range from good to truly excellent. The younger participants engage in synchronized flags by tossing and catching their flags, while the truly skilled conduct amazing and beautiful exercises involving simultaneously throwing two flags to two partners in their team. I was fortunate to arrive in Cortona from Roma on Sunday festival’s last festival. Capturing the quick-moving Giostra, band members, and soaring flags was an adventure. I am positive that in the year 1397 it was quite dangerous, but I also found danger in such close quarters and so many moving, and colorful parts.
    Giostra dell'Archidao Cortona Bandie..tini
  • “Radiant Crucifix at the Convent of Cells Founded by St. Francis - Cortona”…<br />
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Gospel Jn 17:11-19 “Lifting up his eyes to heaven, Jesus prayed, saying: ‘Holy Father, keep them in your name that you have given me, so that they may be one just as we are one. When I was with them, I protected them in your name that you gave me, and I guarded them, and none of them was lost except the son of destruction, in order that the Scripture might be fulfilled.<br />
But now I am coming to you. I speak this in the world so that they may share my joy completely. I gave them your word, and the world hated them, because they do not belong to the world any more than I belong to the world. I do not ask that you take them out of the world but that you keep them from the Evil One. They do not belong to the world<br />
any more than I belong to the world. Consecrate them in the truth. Your word is truth. As you sent me into the world, so I sent them into the world. And I consecrate myself for them, so that they also may be consecrated in truth.” Sometimes a planned mistake turns out to be a great photo and, in this case, it is the flair of the sun. Peering under a canopy of trees then kneeling and placing the sun behind the Cross...God's hand illuminates one's soul and imagination.
    Radioso Crocifisso presso del Conven..tona
  • “The Vatican Museums Double Helix Spiral Staircase” …<br />
<br />
This modern double helix staircase is located in the Vatican Museum and is commonly referred to as the "Bramante Staircase" after the original architect who built the first staircase in 1505. It is unlikely that the Vatican realized when it commissioned Giuseppe Momo to build a staircase in 1932, that it would become one of the most photographed pieces in a museum that boasts nine miles of art. The Spiral Staircase, also called the Momo Staircase or the Snail Staircase, is made up of two wrought iron stairways – one going up, one going down – that curve in a double helix. Ironically, it was created at a time before the double helix became a symbol for science, DNA, and subsequently, all human life. The architect’s design was not drawn from at this time, an unknown DNA design, but was made like this purely for convenience. As the staircase was created to link the Belvedere Palace to the streets of Rome. Allowing Pope Julius II to travel directly from his private residence by carriage without fuss, with the staircase a ramp to hold the carriages rather than stairs. The reason for the two separate spirals was so carriages could travel up and down without interruptions, with one spiral marked for travels up, and the other for travels down. This staircase is truly a stunning sight to see, however, due to its age and fragility, visitors seeing this landmark in person is nearly impossible. As only a few exclusive tour groups are allowed access each year! While the staircase was once walked by every visitor to the Vatican Museum on their way in, it is no longer on the route and is closed to the public. Fortunately, my Roman tour guide, once again speaking with the guards, allowed me under the ropes to take a rare image without visitors present.
    I Musei Vaticani Doppia Elica Scala ..iola
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