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  • "The beautiful pigeon enjoys the ancient Fonte Gaia in Piazza del Campo Siena"...<br />
<br />
The Piazza del Campo is a magnificent encapsulated brick gathering center surrounded by Siena’s ancient sienna colored buildings. The sloping piazza has been Siena's civic and social center since the ruling Consiglio dei Nove in the mid-12th century. Built on the site of a Roman marketplace, its paving is divided into nine sectors representing the number of members of the consiglio. The cafes around the perimeter are the most popular coffee and aperitivi spots in town. The site revolutionized the idea of the medieval Italian piazza, having no spatial restrictions or conventional shape nor any symbolic balance of secular or religious power. The Palio di Siena is run twice yearly, in July and August, dirt and sand are brought in and laid around the edges of the Piazza del Campo to transform it into a horse racing track. This traditional race, which has ancient roots, still showcases the fierce rivalry which still remains between the 17 wards of the city. The magnificent Fonte Gaia fountain, designed by Jacopo della Quercia around 1419, adorns the higher part of Piazza del Campo. The fountain we see today stands on the exact spot occupied by a previously existing fountain in 1346. The water that feeds the fountain travels from a spring in the nearby countryside through 16 miles of underground passages known as Bottini, built in the Middle Ages. Fonte Gaia acquired its name after great celebrations took place when the inhabitants of Siena saw the water gushing from the fountain. A large, altar-like rectangular basin is surrounded on three sides by a high parapet. The sides are decorated with reliefs of The Creation of Adam and The Flight from the Garden of Eden. The long section of the fountain is adorned at the center with a Madonna and Child, surrounded by allegories of the Virtues. I found Siena to be one of the most pleasing and still authentic Italian of my travels.
    Il bel piccione si gode l'antica Fon..iena
  • "The sunset begins over Torre del Mangia in Piazza del Campo di Siena"...<br />
<br />
The Piazza del Campo is a magnificent encapsulated brick gathering center surrounded by Siena’s ancient sienna colored buildings. The sloping piazza has been Siena's civic and social center since the ruling Consiglio dei Nove in the mid-12th century. Built on the site of a Roman marketplace, its paving is divided into nine sectors representing the number of members of the consiglio. The cafes around the perimeter are the most popular coffee and aperitivi spots in town. The site revolutionized the idea of the medieval Italian piazza, having no spatial restrictions or conventional shape nor any symbolic balance of secular or religious power. The Palio di Siena is run twice yearly, in July and August, dirt and sand are brought in and laid around the edges of the Piazza del Campo to transform it into a horse racing track. This traditional race, which has ancient roots, still showcases the fierce rivalry which still remains between the 17 wards of the city. I found Siena to be one of the most pleasing and still authentic Italian of my travels. Siena is also the home of Saint Catherine of Siena who was part of the Dominican Order. She was a Scholastic philosopher and theologian who had a great influence on the Catholic Church. Saint Catherine has been declared a Saint and a Doctor of the Church. She is one of the outstanding figures of medieval Catholicism and by the strong influence she has had in the history of the papacy. She is behind the return of the Pope from Avignon to Rome, and carried out many missions entrusted by the pope, a rare feat for a Nun of the Middle Ages.
    Il tramonto inizia sopra Torre del M..iena
  • “Fountain of the goddess Roma in People's Square”…<br />
<br />
Staying in a hotel which was a converted Monastery, Residenza Di Ripetta is between Piazza del Popolo and the famous Spanish Steps, centers of activity in Roma.  Piazza del Popolo is a harmonious oval piazza situated near Borghese Park. Three churches border the square and located in the center is an ancient obelisk from Heliopolis, Egypt dating from 1300 BC.  Santa Maria del Popolo is the most celebrated of the churches, built in the year 1477 and containing sculptures from Bernini and paintings from one of my favorite artists, Caravaggio.  The fountain on the western end of the square is the Fontana del Nettuno and shows Neptune accompanied by Tritons. The fountain opposite the Neptune Fountain, at the foot of the Pincio Gardens, is known as the Fontana della dea di Roma. The central figure is the goddess Rome, flanked by allegorical figures representing the rivers Tiber and Aniene. Below the goddess is a statue of a she-wolf suckling Remus and Romulus, founders of Rome.  This is a very common and visited site in the Piazza, but I was fortunate to have perfect skies and stationary subjects for the creation of the image.
    Fontana della dea Roma in Piazza del..polo
  • “The Moors ring the bell at the top of the Clock Tower in Piazza San Marco Venice”…<br />
<br />
On Ascension Week and the Epiphany, carved figures of the four Magi join the Moors hourly, emerging from the clock face and bowing to the Virgin Mary above them. An angel raises a trumpet in recognition of them, and the Magi bow in return. The Clock Tower in Venice is an early Renaissance building on the north side of the Piazza San Marco, at the entrance to the Merceria. It comprises a tower, which contains the clock, and lower buildings on each side. It adjoins the eastern end of the Procuratie Vecchie. Both the tower and the clock date from the last decade of the 15th century, though the mechanism of the clock has subsequently been much altered. It was placed where the clock would be visible from the waters of the lagoon and give notice to every one of the wealth and glory of Venice. The clock tower is topped by two bronze figures who strike the bell hourly. Although they were originally designated as giants, their dark patina lent them the nickname “Moors.” A relief of the winged lion of St. Mark, patron saint, and symbol of Venice, stands on an open book below the Moors. A statue of the Virgin Mary stands one level down, above the massive clock face. The clock was intentionally designed to sit high enough in the square to be protected from Venice’s waters and to be visible from the canal. Meandering outside on the rooftop above St Mark's Basilica, I became mesmerized by Piazza San Marco below and the multitude of historic artwork residing on high. As the evening sun descended with a fire in the sky, the Moors were called once again to ring the bell reminding all of the romantic Venetian history, and a siren call of utopian futures here in La Serenissima, the ‘Most Serene,’ Veneto.
    I Mori suonano la campana in cima al..ezia
  • “Bernini fountain in Piazza San Pietro”…<br />
<br />
This image was created at the Vatican in the Piazza of Saint Peter of the famous Bernini fountain located in the southern area of the square.  There are two fountains in St. Peter's Square:  the first was created by Carlo Maderno; the other by Gian Lorenzo Bernini, the Italian sculptor and architect, and a major historical figure in the world of architecture. He was the leading sculptor of his age, credited with creating the Baroque style of sculpture, and he was also the designer of the entire square of Saint Peters.  Pope Alexander VII trusted Bernini to develop a structure that would adequately frame a barrier of space for visitors to collect, but also a place for them to bask in the honor and distinction of Rome as a Catholic state. Bernini placed ninety-six saintly statues over the colonnade’s balustrade, which tower majestically over the square, and are viewable in the background of the fountain.
    Bernini fontana di Piazza San Pietro
  • "Bernini fountain in Piazza San Pietro - Vatican"...<br />
<br />
This image was created at the Vatican in the Piazza of Saint Peter of the famous Bernini fountain located in the southern area of the square.  There are two fountains in St. Peter's Square:  the first was created by Carlo Maderno; the other by Gian Lorenzo Bernini, the Italian sculptor and architect, and a major historical figure in the world of architecture. He was the leading sculptor of his age, credited with creating the Baroque style of sculpture, and he was also the designer of the entire square of Saint Peters.  Pope Alexander VII trusted Bernini to develop a structure that would adequately frame a barrier of space for visitors to collect, but also a place for them to bask in the honor and distinction of Rome as a Catholic state. Bernini placed ninety-six saintly statues over the colonnade’s balustrade, which tower majestically over the square, and are viewable in the background of the fountain.
    Bernini fontana di Piazza San Pietro..cano
  • “Rising above the Basilica Piazza San Francesco – Assisi - BW”…<br />
<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore, was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance.
    L'aumento di sopra della piazza di B..- BW
  • “Rising above the Basilica Piazza San Francesco – Assisi”…<br />
<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore, was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance.
    L'aumento di sopra della piazza di B..sisi
  • "Fountain of Piazza del Vescovado near Santa Maria Maggiore - Assisi"...<br />
<br />
The ancient fountain between Santa Maria Maggiore and Chiesa Nuova (New Church) welcomes all to the beauty of Assisi. Entering the beautiful diminutive Chiesa Nova, a Franciscan Monk working inside saw me and without reluctance, rose from his desk and graced me with a half hour tour speaking entirely in Italian. He never hesitated and he never assumed that I was not fluent in Italian; yet, he continued to entrust me with every detail of what looked like a mini Basilica. As we ventured around, he explained every nuance, even the crypt where Saint Francis’ parents reside. Upon completion of the tour, he shook my hand, gave me a gentle embrace, and bestowed a blessing in Italian. While not understanding the language, I left with gratitude and amazement - yet, somehow, I understood his every word.
    Fontana di Piazza Del Vescovado vici..sisi
  • “The prophet Isaiah at the base of the Column of the Immaculate Conception – Rome”…<br />
<br />
The column is situated next to the Piazza di Spagna in the adjacent Piazza Mignanelli in front of the Spanish Embassy in Rome near the Palace of the Propagation of the Faith. It was realized by the architect Luigi Poletti and inaugurated in 1857 on the 8th December thanks to the work of 220 firemen. The work is dedicated to the dogma of the Immaculate Conception that was proclaimed by Pope Pius IX, in 1854, with the Apostolic Constitution Ineffabilis Deus. This dogma states that Mary is the only human being who was born without original sin. The statues are the work of Giuseppi Obici. On the base of the column are 4 bronze statues of Moses, David, the prophet Ezekiel and Isaiah. Below each statue is a verse from the Sacred Scriptures that refers to the dogma of the Immaculate Conception. Below this statue of Isaiah, we find the verse: “Therefore the Lord himself will give you this sign: the virgin shall be with child, and bear a son, and shall name him Immanuel.” (Is 7:14)  Each year, on the 8th of December the Church celebrates the solemnity of the Immaculate Conception. In the afternoon the Holy Father visits the Piazza di Spagna to place roses as an act of homage to Our Lady, at the statue of the Virgin. These roses indicate the love and devotion of the Pope, the Church and the people of the city of Rome for the Virgin Mary. With these roses, the desire is to depose each of anxiety and place hope at the foot of the celestial Mother of the Redeemer. The late afternoon sun was shining directly on the Prophet Isaiah’s pen in anticipation of his divinatory words.
    Il profeta Isaia alla base della Col..Roma
  • “Chapel of the Blessed Sacrament - Adoration of the Shepherds Duomo di Siena”... <br />
<br />
Located at the corner between the right transept and the presbytery, in a position corresponding to the Chapel of Sant'Ansano, the Chapel of the Blessed Sacrament occupies this span. The altarpiece is a canvas depicting the Adoration of the Shepherds by Alessandro Casolani beginning in 1594. The Duomo in Siena lies in a piazza above the Piazza del Campo, a great Gothic building filled with treasures by Pisano, Donatello, Bernini, and Michelangelo as well as frescoes by Pinturicchio. Originally completed in 1263, the 14th century inspired an ambitious attempt to transform the cathedral into the largest temple in all of Christendom, which would dwarf even St. Peter's in Rome. The already-large Duomo would form just the transept of this huge cathedral. In 1348, the Black Death swept through the city and killed 4/5 of Siena's population. The giant cathedral was never completed, and the half-finished walls of the New Cathedral survive as a monument to Siena's ambition and one-time wealth. The magnificent complex of the Cathedral of Siena houses a series of some of the most important monuments of the European artistic panorama. If I was asked to choose only one place that represented the great history of art, architecture, culture, and faith in all of Italy…one would be hard-pressed to find a more complete portfolio than the Cathedral of Siena. I found myself awe-inspired just walking up and facing the elegant façade, striped walls and pillars, and massive size. Upon entering the nave, one is overwhelmed with a plethora of artistic expression and great beauty placed in every available space. From its dome, stained glass, frescos, sculptures, and to what is said to be the most magnificent marble floor in history…it is worth every minute.
    Cappella del Santissimo Sacramento -..iena
  • "Sun hiding behind the Macuteo Obelisk - Roman Pantheon"...<br />
<br />
Eventually, one discovers that God finds a way where there is none. A very crowded Pantheon at 3:00 PM in the bright afternoon made creative photography impossible. However, getting on my knees and placing the sun behind the cross of the Obelisk created a phenomenal appeal. All are original, including the landing dove/pigeon and sun flare. The Obelisk was originally built by one of the most famous Egyptian Pharaohs about 1300 years before Christ by Pharaoh Ramses II for the Temple of Ra in Heliopolis and brought to Rome in ancient times. It was rediscovered in 1374 underneath the apse of the nearby Basilica of Santa Maria Sopra Minerva. In the mid-15th century, the obelisk had been erected in the small Piazza di San Macuto some 200 meters east of the Pantheon, where it remained until its 1711 move to the Piazza della Rotonda. It is still called the Obelisco Macutèo after its previous location. Fontana del Pantheon was constructed by Giacomo Della Porta under Pope Gregory XIII in 1575, and the obelisk was added under Pope Clement XI. The city of Rome harbors the most obelisks in the world. There are eight ancient Egyptian and five ancient Roman obelisks. The Romans used special heavy cargo carriers called obelisk ships to transport the monuments down the Nile to Alexandria and from there across the Mediterranean Sea to Rome. On-site, large Roman cranes were employed to erect the monoliths. The obelisk is crowned by a bronze cross, the symbol of Jesus Christ. One idea that can be drawn from this is that Christianity—the cross of Jesus Christ—conquers paganism.  Another idea is that the obelisk represents the human desire for God which is only fulfilled in the Cross of Christ.
    Domenica di nascondersi dietro il Ma..heon
  • “Saint Jerome - Chigi Chapel in the Cathedral of Siena” …<br />
<br />
Is a window into the rich history and artistic grandeur of Siena's Duomo, the Cathedral of Siena. This magnificent cathedral, perched above the bustling Piazza del Campo, stands as a testament to the city's glorious past, filled with remarkable treasures by renowned artists like Pisano, Donatello, Bernini, and even Michelangelo. Completed in 1263, the 14th century ushered in an audacious vision – to transform this cathedral into the largest in all of Christendom, surpassing even the grandeur of St. Peter's in Rome. However, the devastating Black Death of 1348 struck, claiming four-fifths of Siena's population, its half-built walls becoming a poignant monument to the city's once unbridled prosperity. If tasked with selecting a singular location that encapsulates Italy's grand tapestry of history, art, architecture, culture, and faith, the Cathedral of Siena would undoubtedly emerge as an unparalleled choice. Distinguished by its striped walls and commanding pillars, you can't help but be struck by its sheer magnitude. Stepping inside the nave, you are immediately enveloped by a symphony of artistic expression and unparalleled beauty meticulously placed in every conceivable space. From the celestial dome to the intricate stained glass, from the captivating frescoes to the masterful sculptures, and culminating in what is revered as the most magnificent marble floor in history, the cathedral is an artistic treasure trove. Among the many artistic gems is the sculpture of Saint Jerome by the eminent Italian artist Gianlorenzo Bernini shines brightly. St. Jerome, stands as a towering figure, both in art and in history. He was a Scripture scholar of unparalleled distinction, responsible for translating a substantial portion of the Old Testament from its original Hebrew form. His commentaries continue to serve as an enduring source of scriptural inspiration for us today.
    San Girolamo - Cappella Chigi nel Du..iena
  • “Saint Joseph and Baby Jesus - Santa Maria Maggiore in Assisi and Venice - Painting by Dino Carbetta”…<br />
<br />
The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built in this site close to the Roman city walls in the 4th century. The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. The interior has a basilica plan with three naves, separated by pillars. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal its age and status throughout history. This image is a compilation painting of several images I combined from Assisi to Venice. Saint Joseph is the patron of the Universal Church. Here along with the young Christ, the painting reveals both Perfect and Sacred Hearts.
    San Giuseppe e Gesù Bambino - Santa ..etta
  • “Luminous Madonna - Santa Maria Maggiore in Assisi - Painting by Dino Carbetta”…<br />
<br />
The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built on this site close to the Roman city walls in the 4th century. The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. The interior has a basilica plan with three naves, separated by pillars. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal their age and status throughout history. Hail Mary, full of grace, the Lord is with you. Blessed are you among women, and blessed is the fruit of your womb, Jesus. Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death. Amen.
    Luminous Madonna - Santa Maria Maggi..etta
  • “Angels watch over the lake at Villa Borghese in Rome”…<br />
<br />
Villa Borghese in Roma is a famous Garden and Museum that began in the early 17th century and was highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus.  It was neglected over the centuries and was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and give time and rumination to the historical and religious world capital which is the ever the Eternal City of Roma.
    Angeli vigilare lago presso Villa Bo..Roma
  • “Our Lady of Lourdes - Santa Maria dei Miracoli Rome - Painting by Dino Carbetta”…<br />
<br />
After a spiritual Mass at St. Peters Basilica and an intense tour of the Vatican, lunchtime with my friend and pilgrim, Patrick, proved inspirational. We aimed for Piazza del Popolo, encompassed within its sacred walls is a variety of artwork unequaled in the world. Our eyes were on the famous Caravaggio paintings located in the Basilica of Santa Maria del Popolo. The “Crucifixion of Peter” and the “Conversion of Saint Paul” were found to be elusive on my previous visit. The security guard blocked the doorway and turned off the lights to the small chapel inside the Basilica every time I came near. We found the Basilica under reconstruction, waiting for an opening, then rushed inside to find darkness and disarray everywhere. Finally, finding the dark chapel, our eyes could not focus enough to discover the paintings. Suddenly, the light arose and the Caravaggio’s were an arm’s length away. We expeditiously actuated our cameras and euphorically clicked away. Just as hastily, a mysterious guard clicked off the lights. As we calmed down and gathered benevolent thoughts, we aimed our startled eyes toward the exit. The fragmented sunlight streaming into the dark basilica from the vestibule and front doors appeared like a dream. Upon exit, the Eternal City awaited our next impassioned venture which didn’t take long. We headed toward the twin churches opposite Santa Maria del Popolo. On the right is Santa Maria in Montesanto and the left is Santa Maria dei Miracoli. According to tradition, the painting of Madonna dei Miracoli originates from a miracle of 1325. A woman praying to an image of The Virgin Mary painted on the walls along the Tiber River to save her drowning son was miraculously answered.  A small Chapel was built in honor of The Virgin Mary and eventually became this extraordinary church. Pilgrims continue to pray for Our Lady’s intercession in the blessing of future miracles.
    Nostra Signora di Lourdes - Santa Ma..etta
  • "Madonna in the Basilica of Santa Maria del Popolo Rome"... <br />
<br />
After a spiritual Mass at St. Peters Basilica and an intense tour of the Vatican, lunchtime with my friend and pilgrim, Patrick, proved inspirational. Forgoing the Coliseum, we aimed for Piazza del Popolo. Encompassed within its sacred walls is a variety of artwork unequaled in the world. Our eyes were on the famous Caravaggio paintings located in the Basilica of Santa Maria del Popolo. The “Crucifixion of Peter” and the “Conversion of Saint Paul” were found to be elusive on my previous visit. The security guard blocked the doorway and turned off the lights to the small chapel inside the Basilica every time I came near. We found the Basilica under reconstruction, waiting for an opening, then rushed inside to find darkness and disarray everywhere. Finally, finding the dark chapel, our eyes could not focus enough to discover the paintings. Suddenly, the light arose and the Caravaggio’s were an arm’s length away. We expeditiously actuated our cameras and euphorically clicked away. Just as hastily, a mysterious guard clicked off the lights. As we calmed down and gathered benevolent thoughts, we aimed our startled eyes toward the exit. The fragmented sunlight streaming into the dark basilica from the vestibule and front doors appeared like a dream. As I vacillated forward, a dark, but luminous statue absorbed by sunlight appeared to gaze upon me with precocious compassion. Her motherly expression offered a perception of love and gratitude. Upon exit, the Eternal City awaited our next impassioned venture.
    Madonna nella Basilica di Santa Mari..Roma
  • “The Mystical Reflections of Villa Borghese Rome - Painting by Dino Carbetta”…<br />
<br />
Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus. Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, the Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and gives time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    I Riflessi Mistici di Villa Borghese..etta
  • “The Crucifixion above the altar of the Church of Santa Maria Maggiore in Assisi”…<br />
<br />
My artistic interpretation here is of the Crucified Jesus as primary to the Image of The Divine Mercy. St. Faustina asked the Lord about the meaning of the rays in the image: The two rays denote Blood and Water. The pale ray stands for the Water which makes souls righteous. The red ray stands for the Blood which is the life of souls. These two rays issued forth from the depths of My tender mercy when My agonized Heart was opened by a lance on the Cross. Happy is the one who will dwell in their shelter, for the just hand of God shall not lay hold of him. The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built in this site close to the Roman city walls in the 4th century.  The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal its age and status throughout history.
    La Crocifissione sopra l'altare a Ch..sisi
  • “Moorish style cloister and gardens in Villa Rufolo, Ravello”…<br />
<br />
The Villa Rufolo, which overlooks the Piazza Vescovado, is the historical and cultural center of Ravello. Built by a wealthy merchant family in the 13th century, the villa has a rich and storied past. Boccaccio, one of the earliest authors of the Italian renaissance, wrote a story about the villa and its owner in his Decameron. In its prime, it was one of the largest and most expensive villas on the Amalfi Coast, and legends grew about hidden treasure on its premises. When Sir Francis Neville Reid, a Scottish botanist, visited the villa in 1851, age and neglect had taken a toll on the villa and many of the rooms had fallen into ruin. Reid, however, fell in love with the Moorish towers and the expansive views. He purchased the villa and began an extensive renovation of the gardens and the remaining rooms. The town has become known as “la città della musica“, city of music, and for the past several decades the Villa Rufolo has been the center of an annual summer concert series that features piano concerts, chamber music, and a grand orchestral performance on a stage built jutting out over the Mediterranean Sea and the rugged Amalfi Coast below. The gardens and grounds of the Villa Rufolo are open year-round and attract visitors from all over the world. Juxtaposed against the sea, the sky, umbrella pines, and the Church of the Annunziata below, the gardens, with their profusion of flowers, have a magical quality to them. The villa itself contains two large towers and the larger of them stands next to a magnificent Moorish style cloister. Because of the magnificent gardens, the Moorish architecture, and the inspiring vistas, the Villa Rufolo is often described as a smaller version of Spain’s famed Alhambra. Traversing the Amalfi Coast was as thrilling as it sounds. The small towns built into the cliffside along the Mediterranean Sea romanticize of glorious past and envisage adventures to come.
    Chiostro e giardini in stile moresco..ello
  • “Archidado Cortona”…<br />
<br />
Every year, a procession of 300 or more people wearing wonderful medieval costumes, as well as many riders on their horses, parade through Cortona's historic center. The competition known as the Giostra dell'Archidado commemorates the wedding of Francesco Casali, Lord of Cortona, and the noblewoman Antonia Salimbeni of Sienna, which took place in 1397. The crossbowmen from Cortona's five quarters, "Quintieri", compete for a golden arrow. The contest is held in Piazza Signorelli.  Flag throwing (or flag tossing) is often a major part of the historical costume festivals that are one of the great attractions of Tuscany and, indeed, of all Italy. The performers, known as Sbandieratori, usually young men but with an increasing number of young ladies taking part, dress in medieval costumes and are usually accompanied by drummers (Tamburi) and sometimes trumpeters (Trombettieri).  Skills range from good to truly excellent. The younger participants engage in synchronized flag waving through tossing and catching their own flags, while the truly skilled carry out amazing and beautiful exercises involving simultaneously throwing two flags to two partners in their team.  In this image are three band members posing and waving, with a little girl eating Gelato as she seems enamored with the Sbandieratori.
    Giostra dell'Archidao Cortona
  • “Mosaic facade of the Basilica of San Marco Venice”… <br />
<br />
St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace. St. Mark’s Square and the Basilica are the central tourist focal points and most crowded of Venice. The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD. After a long wait in line to enter the Basilica (with no photos allowed), the interior was unique. As I headed for the exit, I noticed a very steep staircase and followed it upward. I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica. At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica. They are very much worth viewing, and if you stare for a moment…they come to life. This image is a close up captured of the very large mosaic over the front entrance to the Basilica. Mk 16:15-20: Jesus appeared to the Eleven and said to them: “Go into the whole world and proclaim the Gospel to every creature. Whoever believes and is baptized will be saved; whoever does not believe will be condemned. These signs will accompany those who believe: in my name they will drive out demons, they will speak new languages. They will pick up serpents with their hands, and if they drink any deadly thing, it will not harm them. They will lay hands on the sick, and they will recover.” Then the Lord Jesus, after he spoke to them, was taken up into heaven and took his seat at the right hand of God. But they went forth and preached everywhere, while the Lord worked with them and confirmed the word through accompanying signs.
    Mosaico facciata Basilica di San Mar..ezia
  • “Adoration of the Shepherds - Chapel of the Blessed Sacrament Duomo of Siena”...<br />
<br />
Located at the corner between the right transept and the presbytery, in a position corresponding to the Chapel of Sant'Ansano, the Chapel of the Blessed Sacrament occupies this span. The altarpiece is a canvas depicting the Adoration of the Shepherds by Alessandro Casolani beginning in 1594. The Duomo in Siena lies in a piazza above the Piazza del Campo, a great Gothic building filled with treasures by Pisano, Donatello, Bernini, and Michelangelo as well as frescoes by Pinturicchio. Originally completed in 1263, the 14th century inspired an ambitious attempt to transform the cathedral into the largest temple in all of Christendom, which would dwarf even St. Peter's in Rome. The already-large Duomo would form just the transept of this huge cathedral. In 1348, the Black Death swept through the city and killed 4/5 of Siena's population. The giant cathedral was never completed, and the half-finished walls of the New Cathedral survive as a monument to Siena's ambition and one-time wealth. The magnificent complex of the Cathedral of Siena houses a series of some of the most important monuments of the European artistic panorama. If I was asked to choose only one place that represented the great history of art, architecture, culture, and faith in all of Italy…one would be hard-pressed to find a more complete portfolio than the Cathedral of Siena. I found myself awe-inspired just walking up and facing the elegant façade, striped walls and pillars, and massive size. Upon entering the nave, one is overwhelmed with a plethora of artistic expression and great beauty placed in every available space. From its dome, stained glass, frescos, sculptures, and to what is said to be the most magnificent marble floor in history…it is worth every minute.
    Adorazione dei Pastori - Cappella de..iena
  • “Saint Mary Magdalene - Chigi Chapel of Siena Cathedral”…<br />
<br />
The Duomo in Siena lies in a piazza above the Piazza del Campo, a great Gothic building filled with treasures by Pisano, Donatello, Bernini, and Michelangelo as well as frescoes by Pinturicchio. Originally completed in 1263, the 14th century inspired an ambitious attempt to transform the cathedral into the largest temple in all of Christendom, which would dwarf even St. Peter's in Rome. The already-large Duomo would form just the transept of this huge cathedral. In 1348, the Black Death swept through the city and killed 4/5 of Siena's population. The giant cathedral was never completed, and the half-finished walls of the New Cathedral survive as a monument to Siena's ambition and one-time wealth. The magnificent complex of the Cathedral of Siena houses a series of some of the most important monuments of the European artistic panorama. One will travel along a memorable itinerary to the discovery of self and the truth of faith through culture and art, the result of more than a millennium of Western history. If I was asked to choose only one place that represented the great history of art, architecture, culture, and faith in all of Italy…one would be hard-pressed to find a more complete portfolio than the Cathedral of Siena. I found myself awe-inspired just walking up and facing the elegant façade, striped walls and pillars, and massive size. Upon entering the nave, one is overwhelmed with a plethora of artistic expression and great beauty placed in every available space. From its dome, stained glass, frescos, sculptures, and to what is said to be the most magnificent marble floor in history…it is worth every minute. Saints Jerome and Mary Magdalene are sculptures by the great Italian artist Gianlorenzo Bernini. Work began on the sculptures in 1661 and now reside in the Chigi Chapel of the Siena Cathedral.
    Santa Maria Maddalena - Cappella Chi..iena
  • "Siena Cathedral magnificent architecture"...<br />
<br />
The Duomo in Siena lies in a piazza above the Piazza del Campo, a great Gothic building filled with treasures by Pisano, Donatello, Bernini, and Michelangelo as well as frescoes by Pinturicchio. Originally completed in 1263, the 14th century inspired an ambitious attempt to transform the cathedral into the largest temple in all of Christendom, which would dwarf even St. Peter's in Rome. The already-large Duomo would form just the transept of this huge cathedral.  In 1348, the Black Death swept through the city and killed 4/5 of Siena's population. The giant cathedral was never completed, and the half-finished walls of the New Cathedral survive as a monument to Siena's ambition and one-time wealth.  The magnificent complex of the Cathedral of Siena houses a series of some of the most important monuments of the European artistic panorama. One will travel along a memorable itinerary to the discovery of self and the truth of faith through culture and art, the result of more than a millennium of Western history.  If I was asked to choose only one place that represented the great history of art, architecture, culture, and faith in all of Italy…one would be hard pressed to find a more complete portfolio than the Cathedral of Siena.  I found myself awe-inspired just walking up and facing the elegant façade, striped walls and pillars, and massive size.  Upon entering into the nave, one is overwhelmed with a plethora of artistic expression and great beauty placed in every available space.  From its dome, stained glass, frescos, sculptures, and to what is said to be the most magnificent marble floor in history…it is worth every minute.
    Duomo di Siena magnifica architettura
  • “Angel Candelabra illuminates the way to the altar - Siena Cathedral”…<br />
<br />
The Duomo in Siena lies in a piazza above the Piazza del Campo, a great Gothic building filled with treasures by Pisano, Donatello, Bernini, and Michelangelo as well as frescoes by Pinturicchio. Originally completed in 1263, the 14th century inspired an ambitious attempt to transform the cathedral into the largest temple in all of Christendom, which would dwarf even St. Peter's in Rome. The already-large Duomo would form just the transept of this huge cathedral.  In 1348, the Black Death swept through the city and killed 4/5 of Siena's population. The giant cathedral was never completed, and the half-finished walls of the New Cathedral survive as a monument to Siena's ambition and one-time wealth.  The magnificent complex of the Cathedral of Siena houses a series of some of the most important monuments of the European artistic panorama. One will travel along a memorable itinerary to the discovery of self and the truth of faith through culture and art, the result of more than a millennium of Western history.  If I was asked to choose only one place that represented the great history of art, architecture, culture, and faith in all of Italy…one would be hard pressed to find a more complete portfolio than the Cathedral of Siena.  I found myself awe-inspired just walking up and facing the elegant façade, striped walls and pillars, and massive size.  Upon entering into the nave, one is overwhelmed with a plethora of artistic expression and great beauty placed in every available space.  From its dome, stained glass, frescos, sculptures, and to what is said to be the most magnificent marble floor in history…it is worth every minute.  This image is one of Domenico Beccafumi’s eight Angels on the pillars near the high altar- just one of the small and elegant details of this great Duomo.
    Angelo Candelabra illumina strada pe..iena
  • "Crucified Christ - Monumental Church of San Michele Arcangelo, Anacapri"...<br />
<br />
Located in the Piazza of Anacapri, the mountaintop above the island of Capri. It dates to 1595 when it replaced Chiesa di Santa Maria as the parish church.  One can view the ancient church contrasting with the more modern white façade. The sacristy and oratorio, were originally in the Chiesa di San Carlo. Architectural features include two bell towers and a baroque facade. The church was enlarged with two chapels and the nave was extended towards the square. The plan of the church is in the form of a Latin cross with a single nave, lateral chapels and a dome above the intersection of the nave and the transept. The belfry can be seen to the left of the facade with two clocks and three bells dedicated to Santa Sofia, Santa Maroa and Santa Elia. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri. I was standing closest to the door on the right side of the bus during the assent up the mountainside. All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top. Anacapri is a historic mountaintop town with commanding views of Capri and the sea below, as well as a concentration of Mediterranean colors, scents, and sounds. Town life here has remained authentic despite the island's tourism: tucked between the houses there are tiny, humble vegetable gardens surrounded by lush tropical plants. A walk around the center of Anacapri will take you past tiny Neapolitan tailor shops, artisan shoemakers, and Enoteca       ...all with the scent of the town's lemon groves that permeates the air. How the ancients managed to arrive at this secluded island and traverse their way to settlements atop is mind boggling.  However, contemplating the mysteries of civilization, one gets lost in the plush ambience. The pleasant aroma and commanding sea view demand that you stay for just a little while longer!
    Cristo Crocifisso - Chiesa Monumenta..apri
  • “Mystic Reflections of Villa Borghese – Rome”…<br />
<br />
Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus.  Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, the Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and gives time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Riflessioni Mistiche di Villa Borghe..Roma
  • "Luminous Madonna - Santa Maria Maggiore in Assisi"...<br />
<br />
The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built in this site close to the Roman city walls in the 4th century. The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. The interior has a basilica plan with three naves, separated by pillars. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal its age and status throughout history.
    Luminous Madonna - Santa Maria Maggi..sisi
  • "The angels observe from above the Monumental Church of San Michele Arcangelo Anacapri"...<br />
<br />
On the third morning in Sorrento, I departed on a high speed Ferry to the island of Capri.  Although promoting high-speed, it still took over an hour to arrive at the very crowded Island.  Capri is located off the coast of Naples and there must be a new Ferry full of tourists arriving every 20 minutes throughout the day.  Famous for its Blue Grotto, which I did not venture to this trip, Capri is a picturesque Mediterranean retreat with high cliffs and ancient Roman villas. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri.  I was standing closest to the door on the right side of the bus during the assent up the mountainside.  All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top.  Anacapri is a historic mountaintop town with commanding views of Capri and the sea below.  This 4 image panorama was taken from the tiny balcony above the diminutive Church of St Michael the Archangel in Anacapri, located on Piazza San Nicola. The church was built in 1719, with an octagonal shape and of Baroque style. The church received a "monument" designation due to its notable majolica floor mosaic of creation with Adam and Eve. One must traverse the sacred tile floor on benches around the edges to protect the imagery.
    Gli angeli osservano dall'alto la Ch..apri
  • “Archidado Cortona games”…<br />
<br />
Every year, a procession of 300 or more people wearing wonderful medieval costumes, as well as many riders on their horses, parade through Cortona's historic center. The competition known as the Giostra dell'Archidado commemorates the wedding of Francesco Casali, Lord of Cortona, and the noblewoman Antonia Salimbeni of Sienna, which took place in 1397. The crossbowmen from Cortona's five quarters, "Quintieri", compete for a golden arrow. The contest is held in Piazza Signorelli.  Flag throwing (or flag tossing) is often a major part of the historical costume festivals that are one of the great attractions of Tuscany and, indeed, of all Italy. The performers, known as Sbandieratori, usually young men but with an increasing number of young ladies taking part, dress in medieval costumes and are usually accompanied by drummers (Tamburi) and sometimes trumpeters (Trombettieri). Skills range from good to truly excellent. The younger participants engage in synchronized flag waving through tossing and catching their own flags, while the truly skilled carry out amazing and beautiful exercises involving simultaneously throwing two flags to two partners in their team.  I was fortunate to arrive in Cortona from Roma on Sunday, the last day of the festival.
    Giostra dell'Archidao Cortona partite
  • "Basilica di San Marco - Venice"...<br />
<br />
St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace.  St. Mark’s Square and the Basilica are the central tourist focal points and most crowded of Venice.  The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD.  After a long wait in line to enter the Basilica (with no photos allowed), the interior was quite unique.  As I headed for the exit, I noticed a very steep staircase and followed it upward.  I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica.  At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica.  The horses date to Greece in the 4th century BC, and were eventually displayed at the Hippodrome in Constantinople until Venice sacked them in 1204 AD; also, Napoleon forcibly took them to Paris.  In 1815, the now almost 2500 year old horses made it safely back to Venice.  They are very much worth viewing, and if you stare for a moment…they come to life.  I eventually made my way for a prominent view atop the tiny rooftop terrace in the front of the Basilica, which mesmerized with commanding views of St. Mark’s Square and adjacent Doge’s Palace.
    Basilica di San Marco - Venezia
  • “Spring Mystical Reflections of Villa Borghese – Rome”…<br />
<br />
Villa Borghese in Roma is a famous Garden and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus. Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and give time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Primavera Riflessioni Mistiche di Vi..Roma
  • "Crucifixion above the altar of the Church of Santa Maria Maggiore in Assisi"...<br />
<br />
The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built on this site close to the Roman city walls in the 4th century.  The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. The interior has a basilica plan with three naves, separated by pillars. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal their age and status throughout history.
    Crocifissione sopra l'altare della C..sisi
  • “Monumental Church of San Michele Arcangelo, Anacapri”…<br />
<br />
On the third morning in Sorrento, I departed on a high-speed ferry to the island of Capri. Although promoting high-speed, it still took over an hour to arrive at the very crowded Island. Capri is located off the coast of Naples and there must be a new Ferry full of tourists arriving every 20 minutes throughout the day. Famous for its Blue Grotto, which I did not venture to this trip, Capri is a picturesque Mediterranean retreat with high cliffs and ancient Roman villas. The highlight of my visit was the small and very crowded bus ride along the edge of the cliff to Anacapri. I was standing closest to the door on the right side of the bus during the ascent up the mountainside. All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top. Anacapri is a historic mountaintop town with commanding views of Capri and the sea below. This 4 image panorama was taken from the tiny balcony above the diminutive Church of St Michael the Archangel in Anacapri, located on Piazza San Nicola. The church was built in 1719, with an octagonal shape and of Baroque style. The church received a "monument" designation due to its notable majolica floor mosaic of creation with Adam and Eve. One must traverse the sacred tile floor on benches around the edges to protect the imagery.
    Chiesa Monumentale di San Michele Ar..apri
  • “Panoramic sunset reflections of Villa Borghese – Rome”…<br />
<br />
Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus.  Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, the Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and gives time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Panoramico riflessioni di tramonto d..Roma
  • “Archidado Cortona game”…<br />
<br />
Every year, a procession of 300 or more people wearing wonderful medieval costumes, as well as many riders on their horses, parade through Cortona's historic center. The competition known as the Giostra dell'Archidado commemorates the wedding of Francesco Casali, Lord of Cortona, and the noblewoman Antonia Salimbeni of Sienna, which took place in 1397. The crossbowmen from Cortona's five quarters, "Quintieri", compete for a golden arrow. The contest is held in Piazza Signorelli.  Flag throwing (or flag tossing) is often a major part of the historical costume festivals that are one of the great attractions of Tuscany and, indeed, of all Italy. The performers, known as Sbandieratori, usually young men but with an increasing number of young ladies taking part, dress in medieval costumes and are usually accompanied by drummers (Tamburi) and sometimes trumpeters (Trombettieri). Skills range from good to truly excellent. The younger participants engage in synchronized flag waving through tossing and catching their own flags, while the truly skilled carry out amazing and beautiful exercises involving simultaneously throwing two flags to two partners in their team.  I was fortunate to arrive in Cortona from Roma on Sunday, the last day of the festival.
    Giostra dell'Archidao Cortona partita
  • “Joust of the festival - Ancient Book Binder Cortona”…<br />
<br />
Every year, a procession of 300 or more people wearing wonderful medieval costumes, as well as many riders on their horses, parade through Cortona's historic center. The competition known as the Giostra dell'Archidado commemorates the wedding of Francesco Casali, Lord of Cortona, and the noblewoman Antonia Salimbeni of Sienna, which took place in 1397. The crossbowmen from Cortona's five quarters, "Quintieri", compete for a golden arrow. The contest is held in Piazza Signorelli.  This image of the ancient Book Binder is the quintessential representation of the medieval Tuscan Cortona.
    Giostra del festival - Libro Antico ..tona
  • "The Triumphal Quadriga - Horses of Saint Mark's Basilica in Venice"...<br />
<br />
St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace.  St. Mark’s Square and the Basilica are the central tourist focal points, and most crowded of Venice.  The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD.  After a long wait in line to enter the Basilica (with no photos allowed), the interior was quite unique.  As I headed for the exit, I noticed a very steep staircase and followed it upward.  I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica.  At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica.  The horses date to Greece in the 4th century BC, and were eventually displayed at the Hippodrome in Constantinople until Venice sacked them in 1204 AD; also, Napoleon forcibly took them to Paris.  In 1815, the now almost 2500 year old horses made it safely back to Venice.  They are very much worth viewing, and if you stare for a moment…they come to life.  I eventually made my way for a prominent view atop the tiny rooftop terrace in the front of the Basilica, which mesmerized with commanding views of St. Mark’s Square and adjacent Doge’s Palace. I often view this image of the most famous and well-traveled horses in the world and ponder all they have witnessed over the last 2000 years.
    Il Trionfale Quadriga - Cavalli dell..ezia
  • “Joust of the Archidao Cortona Flag Flyers” …<br />
<br />
Every year, a procession of three hundred or more people wearing wonderful medieval costumes and many riders on their horse’s parade through Cortona's historic center. The competition known as the Giostra dell'Archidado commemorates the wedding of Francesco Casali, Lord of Cortona, and the noblewoman Antonia Salimbeni of Sienna, which took place in 1397. The crossbowmen from Cortona's five quarters, "Quintieri", compete for a golden arrow. The contest is held in Piazza Signorelli. Flag throwing (or flag tossing) is often a major part of the historical costume festivals that are one of the great attractions of Tuscany and, indeed, of all of Italy. The performers, known as Sbandieratori, usually young men but with an increasing number of young ladies taking part, dress in medieval costumes and are usually accompanied by drummers (Tamburi) and sometimes trumpeters (Trombettieri). Skills range from good to truly excellent. The younger participants engage in synchronized flags by tossing and catching their flags, while the truly skilled conduct amazing and beautiful exercises involving simultaneously throwing two flags to two partners in their team. I was fortunate to arrive in Cortona from Roma on Sunday festival’s last festival. Capturing the quick-moving Giostra, band members, and soaring flags was an adventure. I am positive that in the year 1397 it was quite dangerous, but I also found danger in such close quarters and so many moving, and colorful parts.
    Giostra dell'Archidao Cortona Bandie..tini
  • “Notre Dame de Bétharram Our Lady of the Beautiful Branch Crowned by Pius X - Santa Maria dei Miracoli Rome - Painting by Dino Carbetta”…<br />
<br />
The church of Santa Maria dei Miracoli completed in 1675 is one of two twin churches that stand like sentinels at the beginning of Via del Corso as it leaves the Piazza del Popolo. The accompanying church is Santa Maria in Montesanto. Built by Carlo Rainaldi, the two churches are seemingly indistinguishable from the exterior, however unique inside. The first chapel on the right-hand side has an altar dedicated to Our Lady of Bétharram, named after a shrine near Lourdes. It contains a copy of Renoir's Madonna at Bétharram and this beautifully famous statue. The order of the Priests of the Sacred Heart, who minister this church, was founded at Bétharram. The Abbot Orsini wrote: “Our Lady of Betharam, in the Diocese of Lescar, in the Province of Bearn. This image was found, in the year 1503, by some shepherds, who, seeing an extraordinary light on the spot where the High Altar of the Chapel now stands, came up to it and found there, an image of Our Lady, for which they had a Chapel built immediately.” “Lord Jesus, you are the source and lover of life. Reawaken in us respect for every human life. Help us to see in each child the marvelous work of our Creator. Open our hearts to welcome every child as a unique and wonderful gift. Guide the work of doctors, nurses, and midwives. May the life of a mother and her baby in the womb be equally cherished and dignified. Help those who make our laws to uphold the uniqueness and sacredness of every human life, from the first moment of conception to natural death. Give us wisdom and generosity to build a society that cares for all. Together with Mary, your Mother, in whose womb you took on our human nature, Help us to choose life in every decision we make. We ask this in the joyful hope of eternal life with you, and the communion of the Blessed Trinity. Amen.”
    Notre Dame de Bétharram Nostra Signo..etta
  • "Archangel Gabriel - Doge's Palace San Marcò Venice"... <br />
<br />
In the Old Testament, Gabriel prevented Abraham from slaying his son Isaac and encouraged Noah to stow animals into the Ark. In the New Testament, Gabriel declared to Mary (and Joseph) that she was pregnant by the Holy Spirit, which is why this Gabriel is holding an Annunciation lily. In the book of Revelation, Gabriel blows his horn to announce Judgement Day. St Mark’s Basilica is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco and adjoins the Doge's Palace. St. Mark’s Square and the Basilica are the central tourist focal points and the most populous in Venice. The relics of the Biblical Gospel author, Saint Mark, have resided in the Basilica since 828 AD. There are more than 85,000 square feet of luminous mosaics in St. Mark’s Basilica. The mosaics were accomplished over 8 centuries, mostly in gold, and the result is astonishing. It's especially resplendent just before sunset when the sun's dying rays set the golden mosaics ablaze. As I headed for the exit, I noticed a very steep staircase and followed it upward. I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica. In the museum, I did take a few veiled photos of the very famous original four horses dating from Classical Antiquity which are duplicated in front of the Basilica. Meandering outside on the rooftop, I became mesmerized by the multitude of historic artwork residing on high. This knowledgeable and finally crafted saintly angel, Gabriel stood atop the nearest column adjacent to the rooftop, a close-up view not often seen.
    Arcangelo Gabriele - Palazzo Ducale ..ezia
  • “St Mark rises magnificently with the strength of a lion on top of St Mark's Basilica in Venice - Painting by Dino Carbetta”… <br />
<br />
The most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco and adjoins the Doge's Palace. St. Mark’s Square and the Basilica are the central tourist focal points and the most populous in Venice. The relics of the Biblical Gospel author, Saint Mark, have resided in the Basilica since 828 AD. There are more than 85,000 square feet of luminous mosaics in St. Mark’s Basilica. The mosaics were accomplished over 8 centuries, mostly in gold, and the result is astonishing. It's especially resplendent just before sunset when the sun's dying rays set the golden mosaics ablaze. As I headed for the exit, I noticed a very steep staircase and followed it upward. I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica. In the museum, I did take a few veiled photos of the very famous original four horses dating from Classical Antiquity which are duplicated in front of the Basilica. They are very much worth viewing, and if you stare for a moment…they come to life. Meandering outside on the rooftop, I became mesmerized by the multitude of historic artwork residing on high. This image is a close-up captured of St Mark standing majestically atop his Basilica. Embedded within the orange sunset skies behind the Statue of San Marco, a Lion appeared briefly in my camera lens. Mysteriously and mystically, he only appeared again as I began to paint this image. Venetian tradition states that when Mark was traveling through Europe, he arrived at a lagoon in Venice, whereby an angel appeared to him and said, "Pax tibi Marce, evangelista meus. Hic requiescet corpus tuum." ("Peace be with thee, O Mark, my evangelist. Here thy body will rest.")
    San Marco sorge magnificamente con l..etta
  • "Guardian Angel Helps to Illuminate the Altar of the Minor Basilica of San Lorenzo in Lucina Rome - Painting by Dino Carbetta"<br />
<br />
After a profound spiritual experience during Mass at St. Peter's Basilica and an awe-inspiring tour of the Vatican, my friend and fellow pilgrim, Patrick, and I found ourselves uplifted during our lunchtime conversation. We set our sights on the enchanting Piazza del Popolo, with the renowned Caravaggio paintings housed in the Basilica of Santa Maria del Popolo calling to us. On my previous attempts, these masterpieces, "Crucifixion of Peter" and "Conversion of Saint Paul," seemed elusive, always obscured by a security guard who would promptly close the chapel door and turn off the lights. However, this time, luck was on our side. As we approached the Basilica, we discovered it undergoing reconstruction. Once inside, we were met with darkness and disarray, making locating the chapel challenging. Suddenly, a ray of light pierced through the shadows, revealing the Caravaggio paintings steps away and we swiftly captured the moment with our cameras. Alas, our euphoria was short-lived as a mysterious guard promptly turned off the lights again. Despite the fleeting encounter, we left the Basilica with our hearts racing from the exhilarating experience. Immersing ourselves further in the atmosphere of Rome, we stumbled upon the picturesque neighborhood of Lucina and settled into a charming bistro for an aperitivo. To our delight, the ancient Basilica of St. Lawrence, dating back to 366 AD, stood adjacent to our table, beckoning us to explore its history and beauty. Stepping into the Basilica, a brilliant stream of sunlight bathed a majestic angel statue with a heavenly glow, leaving me startled by its ethereal beauty, reminded me of life's preciousness, and how moments of disappointment lead to profound understanding and respite. The angel appeared to reach out, touching the hand of Christ conveying a message of illumination and enlightenment.
    Angelo custode aiuta a illuminare l'..etta
  • “The Mystical Reflections of Villa Borghese Rome”…<br />
<br />
Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus. Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, the Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and gives time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    I Riflessi Mistici di Villa Borghese..Roma
  • “Church of Santa Sofia – Anacapri”… <br />
<br />
It is located in the Piazza of Anacapri, the mountaintop above the island of Capri. It dates to 1595 when it replaced Chiesa di Santa Maria di Costantinopoli as the parish church. One can view the ancient church contrasting with the more modern white façade. The sacristy and oratorio were originally in the Chiesa di San Carlo. Architectural features include two bell towers and a baroque facade. The church was enlarged with two chapels and the nave was extended towards the square. The plan of the church is in the form of a Latin cross with a single nave, lateral chapels, and a dome above the intersection of the nave and the transept. The belfry can be seen to the left of the facade with two clocks and three bells dedicated to Santa Sofia, Santa Maroa, and Santa Elia. The highlight of my visit was the small and very crowded bus ride along the cliff's edge to Anacapri. I was standing closest to the door on the right side of the bus during the ascent up the mountainside. All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top. Anacapri is a historic mountaintop town with commanding views of Capri and the sea below, as well as a concentration of Mediterranean colors, scents, and sounds. Town life here has remained authentic despite the island's tourism: tucked between the houses there are tiny, humble vegetable gardens surrounded by lush tropical plants. A walk around the center of Anacapri will take you past tiny Neapolitan tailor shops, artisan shoemakers, and Enoteca ...all with the scent of the town's lemon groves that permeates the air. How the ancients managed to arrive at this secluded island and traverse their way to settlements atop is mind-boggling. However, contemplating the mysteries of civilization, one gets lost in the plush ambiance. The pleasant aroma and commanding sea view demand that you stay for just a little while longer!
    Chiesa di Santa Sofia - Anacapri
  • ”Riflessioni di tramonto di Villa Borghese - Roma“Sunset reflections of Villa Borghese – Rome”…<br />
<br />
Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus.  Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, the Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and gives time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Riflessioni di tramonto di Villa Bor..Roma
  • "Saint John the Baptist - Basilica Cateriniana of San Domenico Siena"...<br />
<br />
Our first stop in Siena was for Mass at the Basilica Cateriniana of San Domenico. It is an immense ancient brick church founded by the Dominicans in 1125 as part of their friary. San Domenico is closely associated with St. Catherine of Siena, and the actual head of the Saint is located in the Chapel of Saint Catherine. The third chapel consists of a sculpture of Saint John the Baptist, the work of artist Matteo di Giovanni. St. John, the great religious reformer was sent by God to prepare the people for the Messiah. His vocation was one of selfless giving. “I am baptizing you with water, for repentance, but the one who is coming after me is mightier than I. I am not worthy to carry his sandals. He will baptize you with the Holy Spirit and fire” (Matthew 3:11). Scripture tells us that many people followed John looking to him for hope.   St. John never allowed himself the false honor of receiving these people for his own glory. He knew his calling was one of preparation. When the time came, he led his disciples to Jesus: “The next day John was there again with two of his disciples, and as he watched Jesus walk by, he said, ‘Behold, the Lamb of God.’ The two disciples heard what he said and followed Jesus” (John 1:35-37). We then ventured across the piazza of Siena to the Basilica of St Francis and were blessed to view the Eucharistic miracle of Siena. Since they are in such a perfect state of conservation, maintaining the appearances of bread, the Catholic Church assures us that although they were consecrated in the year 1730, these Eucharistic Hosts are still really and truly the Body of Christ. The miraculous Hosts have been cherished and venerated for over 250 years. We completed our blessed day with visits to the childhood home of St. Catherine and the Cathedral of Siena. A complete spiritual and physically exhausting day of true pilgrimage was had by all!
    San Giovanni Battista - Basilica Cat..iena
  • "Madonna and Christ Child above Monumental Church of San Michele Arcangelo, Anacapri"...<br />
<br />
On the third morning in Sorrento, I departed on a high speed Ferry to the island of Capri. Although promoting high-speed, it still took over an hour to arrive at the very crowded Island. Capri is located off the coast of Naples and there must be a new Ferry full of tourists arriving every 20 minutes throughout the day. Famous for its Blue Grotto, which I did not venture to this trip, Capri is a picturesque Mediterranean retreat with high cliffs and ancient Roman villas. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri. I was standing closest to the door on the right side of the bus during the assent up the mountainside. All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top. Anacapri is a historic mountaintop town with commanding views of Capri and the sea below. This 4 image panorama was taken from the tiny balcony above the diminutive Church of St Michael the Archangel in Anacapri, located on Piazza San Nicola. The church was built in 1719, with an octagonal shape and of Baroque style. The church received a "monument" designation due to its notable majolica floor mosaic of creation with Adam and Eve. One must traverse the sacred tile floor on benches around the edges to protect the imagery. This image is high above the Altar at the very top of the small church. I climbed a very creaky and tiny spiral staircase to capture this beautiful image of the Madonna and Christ child.
    Madonna e Cristo Bambino sopra Chies..apri
  • “Guardian Angel - Patriarchal Cathedral Basilica of St. Mark Venice”…<br />
<br />
St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace.  St. Mark’s Square and the Basilica are the central tourist focal points, and most crowded of Venice.  The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD.  After a long wait in line to enter the Basilica (with no photos allowed), the interior was quite unique.  As I headed for the exit, I noticed a very steep staircase and followed it upward.  I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica.  At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica.  The horses date to Greece in the 4th century BC, and were eventually displayed at the Hippodrome in Constantinople until Venice sacked them in 1204 AD; also, Napoleon forcibly took them to Paris.  In 1815, the now almost 2500 year old horses made it safely back to Venice.  They are very much worth viewing, and if you stare for a moment…they come to life.  I eventually made my way for a prominent view atop the tiny rooftop terrace in the front of the Basilica, which mesmerized with commanding views of St. Mark’s Square and adjacent Doge’s Palace.  This knowledgeable and finally crafted saintly angel stood atop the nearest column adjacent to the rooftop, a close-up view not often seen.
    Angelo custode - Basilica Cattedrale..ezia
  • “Reflections of the sun on Villa Borghese – Rome”…<br />
<br />
Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus.  Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, the Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and gives time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Riflessioni sole della su Villa Borg..Roma
  • "Pietà in the church of Santa Sofia - Anacapri"...<br />
<br />
Is located in the Piazza of Anacapri, the mountaintop above the island of Capri. It dates to 1595 when it replaced Chiesa di Santa Maria di Costantinopoli as the parish church.  One can view the ancient church contrasting with the more modern white façade. The sacristy and oratorio, were originally in the Chiesa di San Carlo. Architectural features include two bell towers and a baroque facade. The church was enlarged with two chapels and the nave was extended towards the square. The plan of the church is in the form of a Latin cross with a single nave, lateral chapels and a dome above the intersection of the nave and the transept. The belfry can be seen to the left of the facade with two clocks and three bells dedicated to Santa Sofia, Santa Maroa and Santa Elia. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri. I was standing closest to the door on the right side of the bus during the assent up the mountainside. All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top. Anacapri is a historic mountaintop town with commanding views of Capri and the sea below, as well as a concentration of Mediterranean colors, scents, and sounds. Town life here has remained authentic despite the island's tourism: tucked between the houses there are tiny, humble vegetable gardens surrounded by lush tropical plants. A walk around the center of Anacapri will take you past tiny Neapolitan tailor shops, artisan shoemakers, and Enoteca       ...all with the scent of the town's lemon groves that permeates the air. How the ancients managed to arrive at this secluded island and traverse their way to settlements atop is mind boggling.  However, contemplating the mysteries of civilization, one gets lost in the plush ambience. The pleasant aroma and commanding sea view demand that you stay for just a little while longer!
    Pietà nella Chiesa di Santa Sofia - ..apri
  • "Guardian Angel Expression - Basilica Patriarchal Cathedral of San Marcò"...<br />
<br />
St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace.  St. Mark’s Square and the Basilica are the central tourist focal points, and most crowded of Venice.  The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD.  After a long wait in line to enter the Basilica (with no photos allowed), the interior was quite unique.  As I headed for the exit, I noticed a very steep staircase and followed it upward.  I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica.  At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica.  The horses date to Greece in the 4th century BC, and were eventually displayed at the Hippodrome in Constantinople until Venice sacked them in 1204 AD; also, Napoleon forcibly took them to Paris.  In 1815, the now almost 2500 year old horses made it safely back to Venice.  They are very much worth viewing, and if you stare for a moment…they come to life.  I eventually made my way for a prominent view atop the tiny rooftop terrace in the front of the Basilica, which mesmerized with commanding views of St. Mark’s Square and adjacent Doge’s Palace.  This knowledgeable and finally crafted saintly angel stood atop the nearest column adjacent to the rooftop, a close-up view not often seen.
    Angelo Custode espressione - Basilic..arcò
  • “Guardian Angel - Patriarchal Cathedral Basilica of St. Mark”…<br />
<br />
St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace.  St. Mark’s Square and the Basilica are the central tourist focal points and most crowded of Venice.  The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD.  After a long wait in line to enter the Basilica (with no photos allowed), the interior was quite unique.  As I headed for the exit, I noticed a very steep staircase and followed it upward.  I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica.  At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica.  The horses date to Greece in the 4th century BC, and were eventually displayed at the Hippodrome in Constantinople until Venice sacked them in 1204 AD; also, Napoleon forcibly took them to Paris.  In 1815, the now almost 2500 year old horses made it safely back to Venice.  They are very much worth viewing, and if you stare for a moment…they come to life.  I eventually made my way for a prominent view atop the tiny rooftop terrace in the front of the Basilica, which mesmerized with commanding views of St. Mark’s Square and adjacent Doge’s Palace.  This knowledgeable and finally crafted saintly angel stood atop the nearest column adjacent to the rooftop, a close-up view not often seen.
    Angelo Custode - Basilica Cattedral..arcò
  • “Atrium of the Cathedral of St. Andrew in Amalfi”…<br />
<br />
On the last of three glorious days in Positano, I arose early to catch sunrise over the village.  However, at about 10:00 am …the cold rains came down dampening the glorious sun.  I caught the rain soaked ferry down the coast to the seaside town of Amalfi.  The Cattedrale di Sant'Andrea/Duomo di Amalfi is usually packed with tourists bused and ferried from hundreds of miles away, but with the dreary weather many chose to stay away.  There has been a church on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral.  Amalfi Cathedral looms impressively over the small Piazza Duomo from atop 62 broad stairs. Its facade, is an Arab-Sicilian riot of stripes, arches, and mosaics.  As I waited for the rain to slow at the top of the very steep steps under the facade, I peered up and noticed the intricate design and captured a few unique angles.
    Atrio della Cattedrale di Sant'Andre..alfi
  • “Night at the Trevi Fountain - Pointillism Painting by Dino Carbetta”…<br />
<br />
The ‘Fontana di Trevi’, perhaps the most famous fountain in the world and definitely in Rome. The baroque fountain on the Piazza di Trevi square was initially designed by Bernini for Pope Clemens XII. However, it was not built until 50 years later after a redesign by the architect Nicola Salvi and finished in 1762. The fountain's fame is in part the result of the many films featuring the Fountain, including La Dolce Vita, Angels and Demons, The Lizzie McGuire Movie, and Roman Holiday. Almost 100’ high, the Trevi Fountain was built against the Palazzo Poli building. In the center underneath the arch stands the statue of the nautical god Neptune, being pulled to the sea on his shell-shaped chariot pulled by two winged horses and tritons. One of the horses is calm and obedient, the other is vociferous. They symbolize the changing tides of the sea. The two statues in the niches next to Neptune represent Abundance to the left and Health to the right. The name ‘La Fontana di Trevi’ is derived from “tre via,” or three roads that originally came together at the site of the fountain. It is tradition to throw a coin into the fountain – keep your eyes closed and throw the coin into the water over your left shoulder using your right hand. According to legend, the person who throws the coin will one day return to Rome. Throw two coins into the fountain and you will find your love in Rome. Prefer to get married? Throw three coins into the fountain. Every week, the municipality of Rome cleans the fountain and donates a large portion of the proceeds (1.4 million annually) to a charity aiding poor families. Every time I have visited the Trevi, it was so crowded that it was difficult to get close. I finally visited around 11:00 PM and found the nighttime was more approachable. Actualizing photographs, I finally decided to paint one in a new style of Pointillism.
    Notte presso Fontana di Trevi - Punt..etta
  • "Guardian angel helps to illuminate the altar of the Minor Basilica of San Lorenzo in Lucina - Rome"... <br />
<br />
Artistic, meaningful, and profound, this is a personal favorite from my 2019 Pilgrimage to Italy. After a spiritual Mass at St. Peters Basilica and an intense tour of the Vatican, lunchtime with my friend and pilgrim, Patrick, proved inspirational. Forgoing the Coliseum, we aimed for Piazza del Popolo. Our eyes were on the famous Caravaggio paintings located in the Basilica of Santa Maria del Popolo. The “Crucifixion of Peter” and the “Conversion of Saint Paul” were found to be elusive on my previous visit. The security guard blocked the doorway and turned off the lights to the small chapel inside the Basilica every time I came near. We found the Basilica under reconstruction, waiting for an opening, then rushed inside to find darkness and disarray everywhere. Finally, finding the dark chapel, our eyes could not focus enough to discover the paintings. Suddenly, the light arose and the Caravaggio’s were an arm’s length away. We expeditiously actuated our cameras and euphorically clicked away. Just as hastily, a mysterious guard clicked off the lights. Waltzing out in an adrenalin rush having stood so close to the priceless paintings… we decided to take on the bustling Roma. We stumbled into a Bellissimo neighborhood called Lucina and settled at a bistro for an aperitivo. The ancient Basilica of St. Lawrence built in 366 AD, was adjacent to our table and required a visit. As I walked in, I was startled by the brilliant sunlight coming through the window directly upon the majestic angel. The vision reminded me of our precious life and how disappointment sometimes leads to great respite and understanding. The Angel was reaching out touching the hand of Christ becoming illuminated. I know the same happened on this very day for a couple of wide-eyed exploring Pilgrims who metaphorically reached out and were blessed by an uncharacteristic joy and an unexpected grace.
    Angelo custode aiuta a illuminare l'..Roma
  • “Our Lady of Lourdes - Santa Maria dei Miracoli Rome”…<br />
<br />
After a spiritual Mass at St. Peters Basilica and an intense tour of the Vatican, lunchtime with my friend and pilgrim, Patrick, proved inspirational. Forgoing the Coliseum, we aimed for Piazza del Popolo. Encompassed within its sacred walls is a variety of artwork unequaled in the world. Our eyes were on the famous Caravaggio paintings located in the Basilica of Santa Maria del Popolo. The “Crucifixion of Peter” and the “Conversion of Saint Paul” were found to be elusive on my previous visit. The security guard blocked the doorway and turned off the lights to the small chapel inside the Basilica every time I came near. We found the Basilica under reconstruction, waiting for an opening, then rushed inside to find darkness and disarray everywhere. Finally, finding the dark chapel, our eyes could not focus enough to discover the paintings. Suddenly, the light arose and the Caravaggio’s were an arm’s length away. We expeditiously actuated our cameras and euphorically clicked away. Just as hastily, a mysterious guard clicked off the lights. As we calmed down and gathered benevolent thoughts, we aimed our startled eyes toward the exit. The fragmented sunlight streaming into the dark basilica from the vestibule and front doors appeared like a dream. Upon exit, the Eternal City awaited our next impassioned venture which didn’t take long. We headed toward the twin churches opposite Santa Maria del Popolo. On the right is Santa Maria in Montesanto and on the left is Santa Maria dei Miracoli. According to tradition, the painting of Madonna dei Miracoli originates from a miracle of 1325. A woman praying to an image of The Virgin Mary painted on the walls along the Tiber River to save her drowning son was miraculously answered.  A small Chapel was built in honor of The Virgin Mary and eventually became this extraordinary church. Pilgrims continue to pray for Our Lady’s intercession in the blessing of future miracles.
    Our Lady of Lourdes - Santa Maria de..Rome
  • “Atrium of the Cathedral of St. Andrew in Amalfi sunburst”…<br />
<br />
On the last of three glorious days in Positano, I arose early to catch sunrise over the village.  However, at about 10:00 am the cold rains came down dampening the glorious sun.  I caught the rain soaked ferry down the coast to the seaside town of Amalfi.  The Cattedrale di Sant'Andrea/Duomo di Amalfi is usually packed with tourists bused and ferried from hundreds of miles away, but with the dreary weather many chose to stay away.  There has been a church on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral.  Amalfi Cathedral looms impressively over the small Piazza Duomo from atop 62 broad stairs. Its facade, is an Arab-Sicilian riot of stripes, arches, and mosaics.  As I waited for the rain to slow at the top of the very steep steps under the facade, I peered up and noticed the intricate design and captured a few unique angles.
    Atrio della Cattedrale di Sant'Andre..gera
  • “Orvieto ancient Etruscan walls and rain soaked hardscape overlook the local vineyards - Painting by Dino Carbetta”…<br />
<br />
Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a big chunk of volcanic stone called tufa and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this clifftop village over 2000 years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliffside views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. The 14th Century Duomo was constructed to provide a home for the “Corporal of Bolsena”, a miracle that occurred in 1263 in the nearby town of Bolsena. A traveling priest who had doubts about the truth of transubstantiation found that his Host was bleeding so much that it stained the altar cloth. The cloth is now stored in the “Chapel of the Corporal” inside the cathedral. It’s amazing to turn the corner only to view, stop, and stare as the majestic Cathedral slowly rises to touch the heavens above.
    Orvieto antica mura etrusche e piogg..etta
  • “Christus Patiens above the High Altar of the Franciscan Basilica of Santa Chiara d'Assisi”…<br />
<br />
Around sunset, the clouds shifted and the descending sun illuminated the Assisi mountaintop as a slight mist of rain mystified the landscape. The ascent was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. As I approached the last two Churches after 7:00 pm; the Basilica of Saint Clare, and the Cathedral of Saint Rufino...I noticed the security guard locking Santa Chiara’s front door. I rushed forward anxiously and begged to just look quickly inside the Vestibule. He only spoke Italian and frustrated with me, said I had one minute inside. Aiming my camera and telephoto lens directly toward the High Altar which seemed a mile away, I clicked one picture as the guard hastily gestured me outside. Ironically, I found that no pictures are allowed in this Basilica. And, on my Pilgrimage of 2019, was frustrated during my tour of the historic and reverent church, still, no pictures were allowed. I always try to respect the rules and venerate every location, however, I did take two very surreptitious images in the Oratorio del Crocifisso (Oratory of the Crucifix), a peaceful chapel that preserves the venerable 12th-century crucifix that spoke to St. Francis at San Damiano. This abrupt photo of the painted crucifix still hangs above the high altar of Santa Chiara and was probably the first painting that was commissioned for the new church. The image was conceived shortly before Saint Clare’s death in 1260 and is attributed to the Maestro di Santa Chiara. The iconography of Christus Patiens (the dying Christ on the Cross) was widely used in early Franciscan churches. In this example, the Virgin and St John the Evangelist flank the Cross, with another figure of the Virgin (praying and flanked by angels) and Christ Pantocrator above.
    Christus Patiens sopra l'Altare Magg..sisi
  • “Conversion on the Way to Damascus - Saint Paul by Caravaggio”…<br />
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After a spiritual Mass at St. Peters Basilica and an intense tour of the Vatican, discussions with fellow pilgrim, Patrick, proved inspirational. Our eyes were fixated on the famous Caravaggio paintings located in the acclaimed Basilica of Santa Maria del Popolo. The “Crucifixion of Peter” and the “Conversion on the Way to Damascus” were elusive on my previous visit. We found the Basilica under reconstruction, waiting for an opening, then rushed inside to find darkness and disarray everywhere. Finally, finding the dark chapel, our eyes could not focus enough to discover the paintings. Suddenly, the light arose and the Caravaggio’s were an arm’s length away. We expeditiously actuated our cameras and euphorically clicked away. Just as hastily, a mysterious guard clicked off the lights. “On his journey, as he was nearing Damascus, a light from the sky suddenly flashed around him. He fell to the ground and heard a voice saying to him, “Saul, Saul, why are you persecuting me?” He said, “Who are you, sir?” The reply came, “I am Jesus, whom you are persecuting.” [Acts 9:3-5] The scene is lit by a strong light but the three figures are engulfed by almost impenetrable darkness. A few faint rays on the light evoke Jesus' epiphany but these are not the real source of the lighting, and the groom remains seemingly oblivious to the presence of the divine. Caravaggio's style of Tenebrism, where forms in paintings emerge from a dark background with usually one source of stark light, creates dramatic effects with its strong contrasts. This lighting was evoking spiritual drama in the Conversion of Saint Paul. In the present day, the reputation of Caravaggio remains impressive - ranked alongside the likes of Da Vinci, Michelangelo, and Raphael. I am always appreciative upon completion of one of my many artworks. Displaying this elusive image by the great Caravaggio, I am triumphant!
    Conversione sulla via di Damasco - S..ggio
  • "Late afternoon sun along the Rio Dei Tolentini in Venice"...<br />
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The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Sole del tardo pomeriggio lungo il R..ezia
  • “The Immaculate Heart of Mary - Painting by Dino Carbetta”…<br />
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The Immaculate Heart of Mary is a devotional name used to refer to the interior life of the Blessed Virgin Mary. Early Christians were first attracted by the love and virtues of the Heart of Mary. The Gospel itself invited this attention with exquisite discretion and delicacy. Compassion for the Virgin Mother was the first characteristic of this devotion and appeal. It was at the foot of the Cross that the Christian heart first made the association to the Heart of Mary. Simeon's prophecy paved the way and furnished the devotion with one of its favorite formulae and most popular representations: “the heart pierced with a sword.” But Mary was not merely passive at the foot of the Cross; "she cooperated through charity," as St. Augustine says, ‘in the work of our redemption." The veneration of the Heart of Mary is analogous to the worship of the Sacred Heart of Jesus. There are, however, differences in this analogy as devotion to the heart of Jesus is especially directed to the "divine heart" as overflowing with love for humanity. In the devotion to Mary, however, the attraction is the love of her heart for Jesus and God. The second difference is the nature of the devotion itself: in the devotion to the Sacred Heart of Jesus, the Roman Catholic venerates in a sense of love responding to love, in the devotion to the Heart of Mary, study and imitation hold as important a place as love. The devotion aims to unite humankind to God through Mary's heart, and this process involves the ideas of consecration and reparation. The idea for this painting was to include all the elements of Her perfect Heart, Christ, and His Holy Spirit.
    Il Cuore Immacolato di Maria - Dipin..etta
  • “Crucifix beyond the vestibule of the Abbey of Santa Giustina – Padua”… <br />
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Our Pilgrimage finally arrived in Padua and after lunch, we discovered the Abbey of Santa Giustina attached to the Basilica built in the 6th century. It contains the relics of multiple saints (including those of St. Luke the Evangelist). Shaped in the form of a Latin cross, the prodigious Basilica of St. Giustina is one of the most colossal in all of Christianity. The grandeur of the building is enhanced by the Prato della Valle which it overlooks. There are 3 main chapels: the presbytery and 2 chapels for Saints Luke and Matthew that form the transepts and each aisle has six small chapels. The Abbey and the Basilica of St. Anthony were two of my foremost surprises and a must-see on a Pilgrimage to Italy. Unfortunately, pictures were allowed only in St. Giustina, but not in the latter. Initially, I was a bit overwhelmed at the imposing wide open space of the Basilica. The high altar seemed an eternity away. It is difficult to give one a perspective of just how spacious and immense many of these basilicas can be, not only in pictures but in words. The colorful geometric marble floor leads one to the main altar, but only adds to the great depth, size, and dimension of the Basilica. A curiously placed Crucifix standing about 6’ tall is located just inside the colossal nave and appears diminutive below the 26 pillars supporting the 8 cupolas. As most basilicas are traditionally dark depending on the sunlight, the Crucifix was almost a complete faint silhouette only lit by the dome windows above the altar. Standing as close as possible with a telephoto perspective, I was able to reverse the impression of size and portray the grandiosity Christ deserves, as well as the original artist. The distant window light bled over the body and illuminated the darkness. The glow of the original beauty has become radiant. Framed by the brilliant distant archways, the Crucifixion becomes transformed.
    Crocifisso al di là di vestibolo del..dova
  • 🌹The Resurrection of the Lord - Painting by Dino Carbetta<br />
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🌹(Gospel Jn 20:1-9)  “On the first day of the week, Mary of Magdala came to the tomb early in the morning, while it was still dark, and saw the stone removed from the tomb. So she ran and went to Simon Peter and to the other disciple whom Jesus loved, and told them, “They have taken the Lord from the tomb, and we don’t know where they put him.” So Peter and the other disciple went out and came to the tomb. They both ran, but the other disciple ran faster than Peter and arrived at the tomb first; he bent down and saw the burial cloths there, but did not go in. When Simon Peter arrived after him, he went into the tomb and saw the burial cloths there, and the cloth that had covered his head, not with the burial cloths but rolled up in a separate place. Then the other disciple also went in, the one who had arrived at the tomb first, and he saw and believed. For they did not yet understand the Scripture that he had to rise from the dead.” (Mark 16:19-20) “So then the Lord Jesus, after he spoke to them, was taken up into heaven and took his seat at the right hand of God. But they went forth and preached everywhere, while the Lord worked with them and confirmed the word through accompanying signs.)
    La Resurrezione del Signore - Dipint..etta
  • "Stained Glass of Christ Blessing St James at the Cathedral of Saints Philip and James"...<br />
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The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. James and Philip human men who became foundation stones of the Church, as we are reminded that holiness and its consequent apostolate are entirely the gifts of God. LUKE 24:49 “And [behold] I am sending the promise of my Father upon you, but stay in the city until you are clothed with power from on high.” Their first commission had been to expel unclean spirits, heal diseases, and announce the kingdom. They learned, gradually, that these externals were sacraments of an even greater miracle inside their persons…the divine power to love like God.
    Vetrata di Cristo Benedizione St Jam..como
  • "Sunset descends on a Tuscan farm along the Val d'Orcia - Painting by Dino Carbetta"...<br />
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A late afternoon excursion from Cortona led me to the medieval town of Montepulciano, which stands on an ancient walled hilltop in southern Tuscany, not far from Siena. Within its ramparts are elegant Renaissance palaces, ancient churches, charming squares, hidden corners, and vast panoramas of the famous vineyard valleys of the Val d'Orcia. Montepulciano has received great attention following the filming of the sequel Twilight - New Moon. I would love to spend more time in the picturesque town and will include a longer stay in my return to Italy. Montepulciano is famous for not just one but two excellent wines, Vino Nobile di Montepulciano and Rosso di Montepulciano. However, it is often underestimated in terms of the interest of its art and architecture, perhaps because of its small size. One of the many promises I made to myself upon my return home was to drink a glass of my favorite Italian wine nightly and without a doubt...Montepulciano is my favorite wine region. I conceived and eventually painted this panoramic photograph by combining two images during sunset along the Val d’Orcia. Unfortunately, this image is one of very few from this famous scenic Tuscan countryside, but I pray and aspire for many more.
    Tramonto scende su fattoria toscana ..etta
  • "Madonna embracing the Rosary - Santa Maria dei Miracoli Rome - Painting by Dino Carbetta"... <br />
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Our Lady of the Rosary feast was instituted to honor Mary for the Christian victory over the Turks at Lepanto on October 7, 1571. Pope St. Pius V and all Christians had prayed the Rosary for victory. The Rosary, or the Psalter of the Blessed Virgin Mary, is one of the best prayers to Mary, the Mother of God. Lepanto, perhaps the most complete victory ever gained over the Ottoman Empire, on October 7, 1571, is commemorated by the invocation "Help of Christians," inserted in the Litany of Loretto. At Belgrade, the Turks were defeated on the Feast of Our Lady ad Nives in 1716. A second victory gained that year on the Octave of the Assumption determined Pope Clement XI to command the Feast of the Rosary to be celebrated by the universal Church. Leo XIII added the invocation "Queen of the Most Holy Rosary, pray for us," to the Litany of Loretto. The Feast is in reality a great festival of thanksgiving for the signal and countless benefits bestowed on Christendom through the Rosary of our blessed Queen. In modern times successive popes have urged the faithful to pray the Rosary. It is a form of contemplative prayer, mental and vocal prayer, which brings down God’s blessing on the Church. It is a biblically inspired prayer that is centered on meditation on the salvific mysteries of Christ in union with Mary, who was so closely associated with her Son in his redeeming activity.
    Madonna Che Abbraccia Il Rosario - S..etta
  • “The Church of Sant'Anna in Marina Grande of Sorrento”…<br />
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The church of Sant’ Anna at Marina Grande was consecrated as a civil parish in 1945. The church, originally dedicated to San Giacomo della Marche and a new church was created at the behest of the fishermen of the Confraternita di San Giovanni in Fontibus and dedicated to the Souls in Purgatory in 1680. The church was restored in 1800 and reconsecrated to Sant’Anna whose following in the west became popular in the 16th century when it was preached that her faith had laid the foundation of courage that allowed her daughter to stand by the Cross as her Son was crucified and still believe. The squat bell tower has a distinctive green and yellow majolica tiled cupola. Sant’ Anna’s bells are an important link between the village and its fishermen out at sea. Like many bells along the Amalfi Coast, Sant’ Anna’s bells not only call the congregation to church but chime the hours and the quarter hours. During the restoration the gilded stucco decoration was added to the cool white nave where there are statues of San Giaocchino holding two turtle doves (his other attributes are a shovel and a lamb); St Joseph; the Holy Heart of Jesus and St. Paul with his martyr’s sword. My first visit to Marina Grande, I found the church after hours to be closed, but upon my Spring Pilgrimage of 2019…the doors were open just before Mass. I captured only 2 images of the altar and the Crucified Jesus which I found alive and fascinating. Combining the two images of the small, but an elegant church with a peak of sunlight from upper windows shining upon the altar gives the reverent, spiritual, and mystical appeal the Church of Sant’ Anna in Marina Grande deserves. I hope to visit here again in the near future and spend more time getting to know this fisherman’s parish.
    La Chiesa di Sant'Anna a Marina Gran..ento
  • “The mystical evening sun's rays peeking over the hills of Assisi”…<br />
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This image was captured as the hazy sun began to set behind the mountains and a light rain began. The combination of the low, brightly veiled evening sun with the mist of the rain displayed a spectacular prism effect that dazzled the senses and displayed a glorious light show above Assisi. The magnificent display lasted until dark and was one of the many mystical and blessed experiences of my perfect 24 hours in Assisi. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted, and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about two hundred yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God.
    Il mistico serata raggi del sole cap..sisi
  • “The sunset breaking through the rain clouds over Marina Grande Sorrento”…<br />
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Duomo di Sorrento is one of my favorite hidden treasures in Italy. Our last day on the bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. Hallelujah, it was our first free day of the 2019 Pilgrimage and most were heading to Capri. I convinced my fellow Pilgrim Patrick that Marina Grande was the preferred location to commemorate this rain-threatened day. Sunday afternoon in this tiny hallowed port on the Mediterranean was bustling, not with tourists, but with energetic and unassuming locals. The misty skies were vulnerable all day with the promise of rain, but the reluctant sun penetrated the clouds for a few fortuitous moments. God painted the skies for brief moments with luminous pastel elements of abstract color. We left after lunch only to humbly return perceiving the brilliant orange skies cascading down upon the piccolo village as a gift from Heaven. The brilliant heavenly evening sun upon the Marina offered reverent thoughts of Sunday’s Mass. “Now the people were filled with expectation, and all were asking in their hearts whether John might be the Messiah. John answered them all, saying, “I am baptizing you with water, but one mightier than I is coming. I am not worthy to loosen the thongs of his sandals. He will baptize you with the Holy Spirit and fire. His winnowing fan is in his hand to clear his threshing floor and to gather the wheat into his barn, but the chaff he will burn with unquenchable fire.” (Luke 3:15-17) We left after lunch only to humbly return again capturing the evening seascape a few hours before our reservation with the entire Pilgrimage group for a perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare.
    Il tramonto che attraversa le nuvole..ento
  • "Crucifix of the Basilica Sacristy inside the Patriarchal Cathedral of San Marco Venice"... <br />
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“God of hope and mercy, we lift up to you all victims of natural disasters and those responding with assistance and aid. Protect all who are in any form of danger; provide practical help to those in need; strengthen the weary, console the grieving, heal the suffering; and bless those engaged in disaster relief efforts with safety and courage. Help all people of good will respond with compassion and generous hearts. Amen.”<br />
The last day of our Pilgrimage of 2019 was spent in Venice. Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass offered by our Father Peek. Our last Mass of 2 weeks of travel throughout Italy could not have ended in a more appropriate location. My first visit to Venice was in 2012 like all tourists, I waited in line at St. Marks Basilica and was rushed through with limitations. The crowds and speed in which they pushed us through was quite underwhelming. Our Pilgrimage of 2019 reserved a special appointment for Mass in the Basilica’s main Sacristy. I photographed each Mass, but I made sure when arriving in the area of this picture, which is the final prayer and preparation for each Priest offering Mass anywhere in the Basilica. The main focus is the Crucifix in front of a kneeler, and various last minute preparation for Divine Liturgy. I was not allowed further images on the rest of the tour of St. Marks, but the intensive back-room maze we were lead to and from our destination gave me the spiritual, historical, and reverent image in my heart and soul that I so desired from this magnificent structure and its contents. I was quite overwhelmed with the ancient beauty, and the fact St. Mark watches over his earthly home with a Fatherly Spirit. To me, Venice is intoxicating and a place of passion, and it all begins at the Cathedral of St. Marks.
    Crocifisso Sagrestia della Basilica ..ezia
  • “Christ in Paradise - the Basilica of Santa Maria Gloriosa of the Frari Venice”…<br />
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A view from the Altar in front of Titian’s great painting, peering toward an extraordinary bestowment of artistic reverent beauty of Heaven. The complexity and aggregate of all the artwork involved in this presentation are a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. However, the Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed to sneak a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a very large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and necessitated by the very large church. The wood crucifix from 1468, hangs over the entrance of the choir. Traditionally, there was a Calvary hanging above the choir and beside the Crucifix, there are the sculptures of the Madonna and Saint John the Evangelist. It is very likely that – thanks to His beauty and relevance – this crucifix was taken as a pattern for many others in Venezia and the Veneto region. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    Cristo in Paradiso - la Basilica di ..ezia
  • “Father Peek Raises the Consecrated Host for Adoration - Sorrento Cathedral - Painting by Dino Carbetta” …<br />
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The reflection of Father Peek in “The Elevation of the Host” is after genuflection in adoration. The priest raises the Host so that the Faithful may also adore Jesus Christ, the true God and true Man present on the altar. Look at the sacred Body of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things. “Duomo di Sorrento is one of my favorite hidden treasures in Italy. On our last day on the Bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site but as a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. I am not an expert in, nor was born in Marina Grande or Sorrento, but the Gulf of Naples is where my Grandfather and his family are from. It seems that every time I have set foot in this tiny village, the skies explode with color and welcome its former lineage home. Shortly after the last picture was captured, it was mealtime with the entire Pilgrimage group. A perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare, was enjoyed by all!
    Padre Peek Eleva L'ostia Consacrata ..etta
  • “Explosion of light above the Papal Basilica of San Francesco d'Assisi - Winter Pointillism - Painting by Dino Carbetta”…<br />
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Carol of the Bells: Hark how the bells, sweet silver bells, all seem to say, throw cares away Christmas is here, bringing good cheer, to young and old, meek and the bold. Ding dong ding dong that is their song with joyful ring all caroling. One seems to hear words of good cheer from everywhere filling the air. Oh how they pound, raising the sound, o'er hill and dale, telling their tale. Gaily they ring while people sing songs of good cheer, Christmas is here. Merry, Merry, Merry, Merry Christmas, Merry, Merry, Merry, Merry Christmas. On on they send, on without end, their joyful tone to every home. Ding dong ding... dong! “On that day, “Holy to the LORD” will be written on the horses’ bells. The pots in the house of the LORD will be as the basins before the altar.”~ Zechariah 14:20
    Esplosione di luce sopra la Basilica..etta
  • “Sant'Andrea Imagining the Crucifixion of Christ - Amalfi Cathedral”…<br />
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I caught the rain-soaked ferry down the coast to the seaside town of Amalfi. The Duomo di Amalfi is usually packed with tourists bused and ferried from 100’s of miles away, but with the dreary weather, many stayed away. A church has resided on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Newer walls have been taken down to expose parts of the ancient original church, and one can ponder history by this glimpse back in time. Andrew, Saint Peter’s brother and one of Christ’s closest disciples was also the disciple of John the Baptist. Saint Andrew was called with Peter: “As [Jesus] was walking by the Sea of Galilee, he saw two brothers, Simon who is now called Peter, and his brother Andrew, casting a net into the sea; they were fishermen. He said to them, ‘Come after me, and I will make you fishers of men.’ At once they left their nets and followed him” (Matthew 4:18-20). Stairs near the east end of the Duomo descend into the Crypt of St. Andrew, where his relics are kept in the central altar. The crypt is decorated with magnificent Baroque murals from 1660. As I knelt and prayed at the glorious crypt befitting this great disciple who was martyred on an X-shaped crucifix, my mind wandered to the true nature of this chosen man who became a Disciple and Saint. I stirred around to the back of the altar and found myself facing his eternal light and relics. I knelt again in prayer feeling the great essence and presence of this selfless apostle. As in many other locations and churches in Italy, where Saints seem to be from every town, I was overcome with deep emotion and an abundance of heartfelt spiritual joy!
    Sant'Andrea Immaginare il Crocifissi..alfi
  • “The evening sun illuminates the Angels guarding the Papal Archbasilica of San Giovanni in Laterano – Rome”…<br />
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A familiar grandeur and ambiance welcomed us to Roma on the first evening Mass of our 2019 Pilgrimage. As the evening sun descended through the windows above the grand hallways where Priest of many languages offered Confession during the daytime, I took advantage of the opportunity with an Italian Priest speaking in his native language...a great blessing! Dedicated to St. John the Baptist and St. John the Evangelist, the Basilica of St. John Lateran is the first among the four major basilicas of Rome. It is also the Cathedral of the Bishop of Rome, the Pope, and is thus known as the "Cathedral of Rome and of the World." Built by Constantine the Great in the 4th century, San Giovanni in Laterano was the first Christian/Catholic church erected in Rome. The present structure of the Basilica resembles Saint Peter's Basilica, and the ancient church was residence of the Papacy until the (1377) return from exile in Avignon and permanent relocation to the Vatican. Many Popes were responsible for repair and additions to the Basilica’s overall splendor and importance throughout the last 1700 years. This image was inspired upon noticing dozens of tiny cherub angels holding up the archways of a long and narrow hallway leading to a sacred and Holy Door of the Archbasilica. Each angel is unique and has a different face and expression. One cannot help being overcome with humility observing the veneration of the Basilica’s Piccoli Angeli protecting all the wondrous souls within.
    Il sole della sera illumina gli Ange..Roma
  • “Three-dimensional artistic impression of the Crucifix in the Abbey of Santa Giustina – Padua”…<br />
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Our Pilgrimage finally arrived in Padua and after lunch, we discovered the Abbey of Santa Giustina attached to the Basilica built in the 6th century. It contains the relics of multiple saints (including those of St. Luke the Evangelist). Shaped in the form of a Latin cross, the prodigious Basilica of St. Giustina is one of the most colossal in all of Christianity. The grandeur of the building is enhanced by the Prato della Valle which it overlooks. There are 3 main chapels: the presbytery and 2 chapels for Saints Luke and Matthew that form the transepts and each aisle has six small chapels. The Abbey and the Basilica of St. Anthony were two of my foremost surprises and a must-see on a Pilgrimage to Italy. Unfortunately, pictures were allowed only in St. Giustina, but not in the latter. Initially, I was a bit overwhelmed at the imposing wide open space of the Basilica. The high altar seemed an eternity away. The colorful geometric marble floor leads one to the main altar, but only adds to the great depth, size, and dimension of the Basilica. A curiously placed Crucifix standing about 6’ tall is located just inside the colossal nave and appears diminutive below the 26 pillars supporting the 8 cupolas. As most basilicas are traditionally dark depending on the sunlight, the Crucifix was almost a complete faint silhouette only lit by the dome windows above the altar. I wanted to create an impression of depth in the crucifix itself transposed against the massive Basilica and distance of the architecture. It took several days and many failures, however, I was finally able to find the three dimensions of Christ I was searching for. The glow of the original beauty has become radiant. Framed by the brilliant distant archways, the Crucifixion becomes transformed.
    Impressione artistica tridimensional..dova
  • "Madonna and Child with Saints - Chapel of the Franciscan Saints - Basilica dei Frari Venice"...<br />
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The altarpiece is depicting the Madonna and Child enthroned. To His right are St. Clare, St. Bonaventure, St. Francis and St. Mark; behind the head of the client: father Antonietto da Venezia; to the left: St. John the Baptist, St. Anthony, St. Louis d'Anjou (Bishop of Toulouse) and Saint Andrew. The artist is Bernardino Licinio and completed in the year 1524. The Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed to sneak a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a very large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and necessitated by the very large church. This masterpiece of Madonna and Child is a central theme of all the dramatic chapels around Frari to the delight of the faithful. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook such as the Basilica of Santa Maria Gloriosa dei Frari.
    Madonna col Bambino e santi - Cappel..ezia
  • "Canal on the way to the excellent Pizzería Da Alvise Restaurant - Venice"...<br />
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The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Canale sulla strada per l'eccellente..ezia
  • “The Hand of God Shines on the Cross - Convent of the Cells of Cortona”<br />
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The Prayer Come Holy Spirit: Come Holy Spirit, fill the hearts of your faithful and kindle in them the fire of your love. Send forth your Spirit and they shall be created. And You shall renew the face of the earth. O, God, who by the light of the Holy Spirit, did instruct the hearts of the faithful, grant that by the same Holy Spirit we may be truly wise and ever enjoy His consolations, Through Christ Our Lord. Amen.<br />
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Sometimes a planned mistake turns out to be a great photo and, in this case, it's the flair of the sun. Peering under a canopy of trees then kneeling and placing the sun behind the Cross...God's hand illuminates one's soul and his imagination.
    La mano di Dio risplende sulla croce..tona
  • “Saint Joan of Arc - Painting by Dino Carbetta”…<br />
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Today, we celebrate the feast of St. Joan of Arc, the patron saint of France. Joan was born to a humble family in Champagne, France during the early 15th century. She began hearing the voices of St. Michael, St. Catherine, and St. Margaret at a young age. In 1428, she received a vision instructing her to aid the King of France in reclaiming his kingdom from the English and Burgundian invaders. Despite facing opposition, Joan convinced members of the court and Church to grant her a small army. She entered battle carrying a banner emblazoned with the names "Jesus" and "Mary", as well as a symbol of the Holy Spirit. Through her leadership and unwavering faith in God, she was able to lift the siege of Orleans in 1429 and win a series of battles. Joan and her army ultimately helped the king regain his crown and were victorious. However, Joan was later captured by Burgundian forces in May of 1430 and sold to the English. Despite pleas for assistance from her king and army, she was imprisoned and put on trial. Bishop Peter Cauchon of Beauvais presided over her trial, hoping that harsh treatment of Joan would aid his quest to become archbishop. Tragically, Joan was condemned to death on charges of heresy, witchcraft, and adultery. On May 30, 1431, she was burned at the stake in Rouen, France. She was only 19 years old. Thirty years after her death, Joan's case was retried and she was exonerated. In 1920, Pope Benedict XV canonized her. Joan is now recognized as the patron saint of France, captives, soldiers, and those ridiculed for their piety. The equestrian statue of Jeanne d'Arc, which inspired the painting by Dino Carbetta, can be seen at the Place des Pyramides in Paris.
    Santa Giovanna d'Arco - Dipinto di D..etta
  • “A Million Faces of Jesus by Dino Carbetta – Resplendent”…<br />
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“God of every nation and people, from the very beginning of creation you have made manifest your love: when our need for a Savior was great you sent your Son to be born of the Virgin Mary. To our lives, he brings joy and peace, justice, mercy, and love.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. Battle against Evil: Finally, draw your strength from the Lord and from his mighty power. Put on the armor of God so that you may be able to stand firm against the tactics of the devil. For our struggle is not with flesh and blood but with the principalities, with the powers, with the world rulers of this present darkness, with the evil spirits in the heavens. Therefore, put on the armor of God, that you may be able to resist on an evil day and, having done everything, to hold your ground. So stand fast with your loins girded in truth, clothed with righteousness as a breastplate, and your feet shod in readiness for the gospel of peace. In all circumstances, hold faith as a shield, to quench all [the] flaming arrows of the evil one. And take the helmet of salvation and the sword of the Spirit, which is the word of God.  EPHESIANS, 6:10-17
    Un Milione di volti di Gesù di Dino ..ente
  • “Iridescent Venetian Sunset”…<br />
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I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three glorious days in Venice.
    Iridescente Veneziano Tramonto
  • “Coronation of the Virgin above the Altar - Santa Maria Maggiore”…<br />
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The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. Behind the triumphal arch is the central apse, whose mosaic, dating to the 1200s, is an incredible euphoric vision. Mary and Jesus sit together at the center of the half-dome enthroned. Below the mosaic is four-pointed windows, which are the earliest examples of gothic architecture in Rome. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God. The apse mosaic, depicting the Coronation of the Virgin, is from the late 13th century, by the Franciscan friar, Jacopo Torriti.
    Incoronazione della Vergine sopra l'..iore
  • “Leaves frame Positano in the late afternoon sun”…<br />
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After an exhilarating drive along the high cliffs of the Amalfi Coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. Circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot-late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large number of tourists and the bright sun did not allow for ideal conditions. As I made my way along the beach and shoreline, rays from the late afternoon sunlight reflecting off the azure blue Mediterranean Sea, was intense and blinding but illuminated the famous church with contrasting rumination. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town tucked between the descending mountains dripping with multicolored dwellings, and the transcendent blue sea, the church’s brilliant majolica tiled cupola is one of the town’s iconic symbols. The ancient church was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this iconic beautiful seaside village.
    Foglie incorniciano Positano nel sol..ggio
  • “A Million Faces of Jesus by Dino Carbetta – Mist”…<br />
<br />
Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. Battle against Evil: Finally, draw your strength from the Lord and from his mighty power. Put on the armor of God so that you may be able to stand firm against the tactics of the devil. For our struggle is not with flesh and blood but with the principalities, with the powers, with the world rulers of this present darkness, with the evil spirits in the heavens. Therefore, put on the armor of God, that you may be able to resist on the evil day and, having done everything, to hold your ground. So stand fast with your loins girded in truth, clothed with righteousness as a breastplate, and your feet shod in readiness for the gospel of peace. In all circumstances, hold faith as a shield, to quench all [the] flaming arrows of the evil one. And take the helmet of salvation and the sword of the Spirit, which is the word of God.  EPHESIANS, 6:10-17   Thank you for your prayers!
    Un Milione di volti di Gesù di Dino ..chia
  • “I saw the Spirit descend like a Dove - Painting by Dino Carbetta – Azure”…<br />
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Acts 2:1-4 “When the time for Pentecost was fulfilled, they were all in one place together. And suddenly there came from the sky a noise like a strong driving wind, and it filled the entire house in which they were. Then there appeared to them tongues as of fire, which parted and came to rest on each one of them. And they were all filled with the Holy Spirit and began to speak in different tongues, as the Spirit enabled them to proclaim. Jn 20:19-23 “On the evening of that first day of the week, when the doors were locked, where the disciples were, for fear of the Jews, Jesus came and stood in their midst and said to them, “Peace be with you.” When he had said this, he showed them his hands and his side. The disciples rejoiced when they saw the Lord. Jesus said to them again, “Peace be with you. As the Father has sent me, so I send you.” And when he had said this, he breathed on them and said to them, “Receive the Holy Spirit. Whose sins you forgive are forgiven them, and whose sins you retain are retained.”
    Ho visto lo Spirito scendere come un..urro
  • Eucharistic Adoration – Painting by Dino Carbetta<br />
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Embarking on this composition of a painting featuring a Monstrance adorned with a living Host for the sacred act of Adoration was an enchanting and enlightening endeavor. It served as a captivating test and granted me a newfound reverence for the complexity of artistic style within a Monstrance. The inherent profundity of Eucharistic Adoration within our Catholic faith bestows an exalted and sublime dimension upon this noble quest. To capture the essence of this cherished tradition, I integrated a Consecrated Host from a Mass in Rome, preserving its spiritual essence on the canvas. The centerpiece was an exquisite Belgian Gothic Revival gilt brass sun-shaped Monstrance, adorned with shimmering cabochons that amplified the sense of awe during Adoration. Its mark, 'Dehin Frères à Liège,' bestowed a profound sense of heritage and devotion. Delving into the history of the Monstrance allowed me to connect with its ancient roots in the late 19th century, a transformative era that influenced religious artifacts' construction and style. Throughout the journey, I contemplated the profound meaning of Eucharistic Adoration—gazing with reverence upon the consecrated Host, expressing unwavering faith and profound adoration for Christ's presence in the Eucharist. Harnessing color, light, and composition, I aspired to convey the spiritual intensity and serenity experienced during sacred Adoration. The brushstrokes sought to evoke an atmosphere of peace, inviting viewers to contemplation and prayer. This painting serves as a poignant reminder of the enduring significance of Eucharistic Adoration, fostering a profound connection with our spiritual heritage. This humbling and enriching experience allowed me to explore art intricacies, uncover historical contexts, and deepen my understanding of the intense value of Eucharistic Adoration within our cherished Catholic tradition.
    Adorazione Eucaristica – Dipinto di ..etta
  • “Visitation of the Blessed Virgin Mary - Painting by Dino Carbetta” …<br />
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The feast of the Visitation was established in the 13th to 14th centuries as a way to pray for unity within the Church. This celebration is closely linked to Jesus' saving work and is observed after the Annunciation of the Lord and before the Nativity of Saint John the Baptist. Although the visitation story (Luke 1:39-45) focuses on Mary and Elizabeth, Jesus and John the Baptist play a crucial yet subtle role. Jesus brings the joy of messianic salvation to John, causing him to leap with joy, while Elizabeth is filled with the Holy Spirit and praises Mary, referring to her as "the mother of my Lord." This early form of the Church's devotion to Mary is rooted in Elizabeth's words praising God for what He has done for Mary, and only secondarily praising Mary for trusting God's words. Similarly, Mary attributes all her greatness to God in the Magnificat (Luke 1:46-55), just as the Church does. One of the titles given to Mary in her litany is the "Ark of the Covenant," which, like the Ark of the Covenant of old, brings God's presence into the lives of others. Mary has the power to unite all Christians in her son, just as the Ark helped unite the twelve tribes of Israel when it was placed in David's capital. While devotion to Mary may have caused some division, true devotion to her is hoped to lead all to Christ and one another.
    Visitazione della Beata Vergine Mari..etta
  • “Cybo Chapel - Basilica of Santa Maria del Popolo Rome”…<br />
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The Basilica of Santa Maria del Popolo, encompassed within its sacred walls is a variety of artwork unequaled in the world. The Basilica is comprised of great works by many of the preeminent artists, such as Raphael, Gian Lorenzo Bernini, Caravaggio, Alessandro Algardi, Pinturicchio, Andrea Bregno, Guillaume de Marcillat, and Donato Bramante. “Cappella Cybo” is the second side chapel in the right-hand aisle of the Basilica, which is famous for the beauty of its paintings, the preciousness of marble revetments covering its Bellissimo walls, and the renowned importance of the artists involved in its construction. The chapel is regarded as one of the most significant sacral monuments erected in Rome in the last quarter of the 17th century. The huge altarpiece, painted with oil on the wall, is one of the most important works of Carlo Maratta, finished in 1686. It depicts the Disputation over the Immaculate Conception with the Four Doctors of the Church, St Augustine, John Chrysostom, John the Evangelist, and Gregory the Great celebrating the purity of the Virgin. I knew in advance of the great Caravaggio paintings, especially the “Crucifixion of Peter;” however, I was not prepared for the security guard blocking the doorway and turning off the light to the small chapel inside the Basilica every time I came near. The guard courageously kept a watchful eye on everyone with a camera to protect the integrity of the incredibly famous artwork. I edged to the back, peered around the corner with a telephoto lens, and prevailed with a few pictures from a distance of the famous paintings just for my viewing pleasure. However, as I returned home and upon making a close inspection of the pictures, it was not the Caravaggios I had coveted, but an imposter. The guard blocked the shallow entrance and within a few steps inside, to the right and left ...the Caravaggios hid from view as if to tell me to try yet another day.
    Cybo Cappella - Basilica di Santa Ma..Roma
  • “First Sunday of Advent - Painting by Dino Carbetta” …<br />
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“Lord our God, we praise you for your Son, Jesus Christ: He is Emmanuel, the hope of the peoples, He is the wisdom that teaches and guides us, He is the Savior of every nation. Lord God, let your blessing come upon us as we light the candles of this wreath. May the wreath and its light be a sign of Christ’s promise to bring us salvation. May He come quickly and not delay. We ask this through Christ our Lord. Amen.” (First Advent Candle/Sunday: Hope) “Once in our world, a stable had something in it that was bigger than our whole world.” – C.S. Lewis It is only fitting that the first candle on the Advent wreath represents Hope – the first Sunday of Advent not only leads us to anticipate the birth of Christ but celebrate the beginning of a new liturgical season as well. The first candle is purple, the primary color of Advent and a color symbolizing royalty. Sometimes called the “Prophecy Candle,” the first candle harkens us back to Isaiah’s foretelling of the birth of Christ and all of the promises God gave us in the Old Testament that would be fulfilled by the birth of Jesus. This Advent, light the first candle on Sunday, November 27, 2022. (The Four Advent Candles) As a Christian tradition, the wreath holds the four Advent candles. The candles represent Jesus coming as the light in the darkness. One candle is lit each Sunday until all four candles are lit. As Christmas draws nearer, each candle brings a slightly greater light into the darkness. The four candles of Advent represent the four Sundays of Advent, and they respectively symbolize hope, peace, joy, and love. In some homes and parishes, people will also light the fifth candle on Christmas Eve or Christmas Day to represent the birth of Jesus; this candle, when added to the Advent wreath, is typically white and larger than the other candles and is placed in the center of the wreath.
    Prima Domenica di Avvento - Dipinto ..etta
  • “The Gondoliers illuminated by the afternoon light along Rio De La Toletta Venice - Painting by Dino Carbetta” …<br />
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Our itinerary included Basilica, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. In the maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission in Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated from the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Le Gondoliera illuminate dalla luce ..etta
  • "Madonna and baby Jesus in the Cathedral of St. Andrew"... <br />
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“Holy Family, we consecrate ourselves and our family to you. May we be completely united in a love that is lasting, faithful, and open to the gift of new life. Help us to grow in virtue, to forgive one another from our hearts, and to live in peace all our days. Keep us strong in faith, persevering in prayer, diligent in our work, and generous toward those in need. May our home, O Holy Family, truly become a domestic church where we reflect your example in our daily life. Amen. Jesus, Mary, and Joseph pray for us!” On the last of three glorious days in Positano, I arose early to catch the sunrise over the village. However, at about 10:00 am …the cold rains came down dampening the glorious sun. I caught the rain-soaked ferry down the coast to the seaside town of Amalfi. The Cattedrale di Sant'Andrea/Duomo di Amalfi is usually packed with tourists bused and ferried from hundreds of miles away, but with the dreary weather, many chose to stay away. There has been a church on this site in Amalfi since 596 AD and the one built in the ninth century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Pieces of the newer walls have been taken down to expose parts of the walls of the ancient original church, and one can ponder history with this glimpse back in time. I was enraptured by the sacred art devotional of the Madonna and Baby Jesus as I exited the magnificent Cathedral, a forever remembrance of my cherished rainy day in Amalfi. [Acts 14:17] “Yet, in bestowing his goodness, he did not leave himself without witness, for he gave you rains from heaven and fruitful seasons and filled you with nourishment and gladness for your hearts.”
    Madonna e Gesù Bambino a La Cattedra..drea
  • "High altar of the Church of Our Lady of the Assumption - Positano"...<br />
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The history of the Church of Our Lady of the Assumption is closely linked to the Benedictine monastery of St. Mary, which, according to tradition, was built when a Byzantine icon of the Virgin was brought to Positano and venerated thereafter. The Icon belonged to a cargo ship from the East, and offshore of Positano the ship was stopped by a dead calm sea. After unsuccessful attempts to continue sailing, the sailors heard a voice saying “Posa Posa”, meaning, “Put me down, put me down!” (Origin of the name “Positano”). The captain thought this miracle meant that the Virgin wanted to stop there and decided to head for shore. At that point…the ship began to sail again. The sailors disembarked the icon and gave it to the inhabitants of Positano, who chose the Virgin as their patron and built a church in her honor. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town with the backdrop of the Azzurro Mediterranean Sea, the church’s colorful majolica tiled cupola is one of the town’s iconic symbols. I found this Crucifix inside a small chapel of the ancient church which was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this beautiful seaside village.
    Altare maggiore della Chiesa di Nost..tano
  • “Colorful reflections along the narrow canal in Venice”…<br />
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I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three glorious days in Venice.
    Colorate riflessioni lungo il strett..ezia
  • “Macuteo Roman Obelisk in the Pantheon - Painting by Dino Carbetta”…<br />
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Originally one of a pair at the Temple of Ra in Heliopolis, the other being the now much shorter Matteiano Obelisk. Moved to the Temple of Isis near Santa Maria Sopra Minerva. Found in 1373 near San Macuto. Moved to the front of the Pantheon by Pope Clement XI in 1711 over a fountain by Filippo Barigioni. The Aqua Virgo, one of the eleven aqueducts that supplied ancient Rome with drinking water, served the area of the Campus Martius, but had fallen into disrepair and disuse by the late Middle Ages. It was reconstructed under Pope Nicholas V and consecrated in 1453 as the Acqua Vergine. In 1570, Giacomo della Porta was commissioned under Pope Gregory XIII to oversee a major project to extend the distribution of water from the Vergine to eighteen new public fountains. The Obelisk was originally built by one of the most famous Egyptian Pharaohs about 1300 years before Christ, Ramses II. The cross of Jesus, through his death and resurrection, has conquered all evil and fulfilled the desires of every human person expressed through the diversity of religions that have existed throughout history. The ancient obelisk pointed upward toward the sun when built-in Heliopolis, but now it directs the attention of every pilgrim who views this and other Obelisk’s in Rome to the victorious cross of Christ, protecting them and dispersing any evil that approaches. The Feast of the Exaltation of the Cross on Sept. 14 is a reminder for us to place the cross of Christ over everything that we are and do. Christ wants to claim each one of us entirely and invites us to surrender completely to him. The victory of Jesus on the cross informs everything in our lives and allows us to exclaim, “We adore you, O Christ, and we bless you because by your Cross you have redeemed the world.”
    Macuteo Obelisco Romana al Pantheon ..etta
  • "The Crucifix - The Basilica of Santa Maria degli Angeli Assisi Museum - Painting by Dino Carbetta"...<br />
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Portiuncula is a town and a parish situated about three-quarters of a mile from Assisi. The town has grown up around the Basilica of Our Lady of the Angels. It was of this little church moved within the Basilica that St. Francis recognized his vocation in the year 1208, and it was where St. Francis spent most of his life. In 1211, the Benedictines gave him the little chapel of St. Mary of the Angels or the Portiuncula, which is a “little portion” of land. The first Franciscan convent was also formed nearby. The Portiuncula was also where St. Francis received the vows of St. Clare. St. Francis died here on October 3, 1226, and on his deathbed, he recommended the chapel to the faithful protection and care of his brothers. The Museo della Basilica is in another section of the convent. Among the most important works kept here are the "Crucifix “painted on wood by Giunta Pisano (1236-40). The return of Francis, a penitent man, contemplating his future in the Church... But God had other plans, and Francis did not travel far. His search for conversion led him to the ancient church at San Damiano. While he was praying there, he heard Christ on the crucifix speak to him, "Francis, repair my church." Francis assumed this meant the crumbling building he was in. He later realized it was his call to rebuild the entire Church. He read the command to the rich young man to sell all his good and give to the poor, the order to the apostles to take nothing on their journey, and the demand to take up the cross daily. "Here is our rule," Francis said -- as simple, and as seemingly impossible, as that. He was going to do what no one thought possible any more -- live by the Gospel.
    Il Crocifisso - La Basilica di Santa..etta
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