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  • “The Venice canal reflects the small bridge in the early evening light - Painting by Dino Carbetta”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define its dynamic persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever-changing light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three days in Venice.
    Il canale di Venezia riflette il pic..etta
  • “Our Lady of Grace - Painting by Dino Carbetta” …<br />
<br />
Among the many miraculous images of the Mother of God through which she deigns to grant her favors, there is one in the monastery church of the Carmelites in Vienna, entitled, Our Lady of Grace. In 1610 a Carmelite, Dominic of Jesus-Mary, found among the votaries of an old altar in the monastery church of Maria della Scala in Rome, an oil painting of the Mother of God, dust-covered and somewhat torn, which grieved him. Taking it into his hands, he shook the dust off it and kneeling venerated it with great devotion. “O pure and holiest Virgin, nothing in the whole world is worthy of touching your holy face, but since I have nothing but this coarse handkerchief, deign to accept my goodwill.” To his great surprise, then the face of the Mother of God appeared to take on life, and smiling sweetly at him, she bowed her head, which thereafter remained inclined. Fearing he was under an illusion, Dominic became troubled, but Mary assured him that his requests would be heard, and he could ask of her with full confidence any favor he might desire. He fell upon his knees and offered himself entirely to the service of Jesus and Mary and asked for the deliverance of one of his benefactor’s souls in purgatory. Mary told him to offer several Masses and other good works; a short time after when he was again praying before the image, Mary appeared to him bearing the soul of his benefactor to Heaven. Dominic begged that all who venerated Mary in this image of Our Lady of Grace might obtain all they requested. In reply, the Virgin gave him this assurance: “All those who devoutly venerate me in this picture and take refuge to me will have their request granted and I will obtain for them many graces; but especially will I hear their prayers for the relief and deliverance of the souls in purgatory.” Dominic soon after placed the image into Maria Della Scala's church so that more Mary devotees may venerate her.
    Madonna delle Grazie - Dipinto di Di..etta
  • “The Supreme Sacrifice remembered during Lent – Painting by Dino Carbetta”…<br />
<br />
Ashes Signify: “When God drove our first parents from the Garden, he reminded Adam, “you are dust, and to dust, you shall return” (Gn 3:19). We hear these words each year on Ash Wednesday, when the priest places ashes on our foreheads, a reminder of our mortality and the seriousness of the Lenten pilgrimage we are about to begin. Throughout the Old Testament ashes signify sorrow and repentance. Jeremiah commands Israel to mourn its impending doom when he says, “dress in on sackcloth, roll in ashes” (Jer 6:26). When Job emerges from his harrowing face-to-face encounter with God, he says, “I have spoken but did not understand.… Therefore I … repent in dust and ashes” (Jb 42:3-6). Jesus employs similar imagery when he criticizes his listeners’ hardness of heart: “Woe to you … if the mighty deeds done in your midst had been done in Tyre and Sidon, they would long ago have repented in sackcloth and ashes” (Mt 11:21). Ashes and dust amount to the same thing. Neither is particularly pleasant, and both remind us God used some pretty unattractive material when he created us. Lent reminds us how much Christ took on through the Incarnation and what he offered up to us on the cross.” Father Reginald Martin
    Il Supremo Sacrificio ricordato dura..etta
  • “Annunciation of the Lord - Marian Shrine Basilica of the Holy House in Loreto, Italy – Painting by Dino Carbetta” …<br />
<br />
Gospel Lk 1:26-38  “The angel Gabriel was sent from God to a town of Galilee called Nazareth, to a virgin betrothed to a man named Joseph, of the house of David, and the virgin's name was Mary. And coming to her, he said, "Hail, full of grace! The Lord is with you." But she was greatly troubled at what was said and pondered what sort of greeting this might be. Then the angel said to her, "Do not be afraid, Mary, for you have found favor with God. Behold, you will conceive in your womb and bear a son, and you shall name him Jesus.<br />
He will be great and will be called Son of the Most High, and the Lord God will give him the throne of David his father, and he will rule over the house of Jacob forever, and of his Kingdom there will be no end." But Mary said to the angel, "How can this be, since I have no relations with a man?" And the angel said to her in reply, "The Holy Spirit will come upon you, and the power of the Most High will overshadow you. Therefore the child to be born<br />
will be called holy, the Son of God. And behold, Elizabeth, your relative, has also conceived a son in her old age, and this is the sixth month for her who was called barren; for nothing will be impossible for God." Mary said, "Behold, I am the handmaid of the Lord. May it be done to me according to your word." Then the angel departed from her.”
    Annunciazione del Signore - Santuari..etta
  • "Archangel Gabriel - Doge's Palace San Marcò Venice"... <br />
<br />
In the Old Testament, Gabriel prevented Abraham from slaying his son Isaac and encouraged Noah to stow animals into the Ark. In the New Testament, Gabriel declared to Mary (and Joseph) that she was pregnant by the Holy Spirit, which is why this Gabriel is holding an Annunciation lily. In the book of Revelation, Gabriel blows his horn to announce Judgement Day. St Mark’s Basilica is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco and adjoins the Doge's Palace. St. Mark’s Square and the Basilica are the central tourist focal points and the most populous in Venice. The relics of the Biblical Gospel author, Saint Mark, have resided in the Basilica since 828 AD. There are more than 85,000 square feet of luminous mosaics in St. Mark’s Basilica. The mosaics were accomplished over 8 centuries, mostly in gold, and the result is astonishing. It's especially resplendent just before sunset when the sun's dying rays set the golden mosaics ablaze. As I headed for the exit, I noticed a very steep staircase and followed it upward. I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica. In the museum, I did take a few veiled photos of the very famous original four horses dating from Classical Antiquity which are duplicated in front of the Basilica. Meandering outside on the rooftop, I became mesmerized by the multitude of historic artwork residing on high. This knowledgeable and finally crafted saintly angel, Gabriel stood atop the nearest column adjacent to the rooftop, a close-up view not often seen.
    Arcangelo Gabriele - Palazzo Ducale ..ezia
  • “Illuminating glow of the Grand Canal in Venice”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic,” however, there has never been a more perfect description to define Venice’s ever changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight.  The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Venturing about the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number one of 6500 images. Not until I began writing these descriptions did I realize that many of these captures were taken the day I arrived in Venice…it was sensory overload.  Canal sunsets became the norm of my three days in Venice. This has always been one of my favorite images taken from a little alley behind the famous Rialto Bridge peering down the Grand Canal. One cannot help notice the towering Campanile of The Chiesa dei Santi Apostoli di Cristo (Church of the Holy Apostles of Christ). It is a 7th-century Roman Catholic Church, and one of the oldest churches in the city. Not imposing from the exterior, but sacred-elegant and austere interiorly, very much worthy of Mass or just a visit.
    Illuminando bagliore del Canal Grand..ezia
  • “Organic Venice - Perpetual Evolution of Splendor, Harmony, and Color” …<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. This image was captured along a small canal in front of The Santa Maria Gloriosa dei Frari (St. Mary of the Friars), known locally as Frari, one of the great churches of Venice. Ironically, before my Italian journey, I read Rick Steve’s travel book on Italy and watched all of his shows made in Italy. It seemed every American tourist had his book in their hands following closely every piece of advice he offered. As I pondered my impending images, I looked up and there was Rick about 20 feet in front of me. Sometimes one has moments of brilliance, and mine was to yell…"Hey, Rick” and snap a photo when he looked. He smiled as I walked up and shook his hand, and dumbfoundedly I shared how much he contributed to my tour. He was very gracious as we spoke for about five minutes and then he continued producing his next PBS show on the Venice Lagoon including his favorite church, The Frari. As I walked away shocked by my accidental meeting, the clouds parted and the light transformed a perfect ambiance along this tiny, yet majestic canal.
    Venezia organica - evoluzione perpet..lore
  • “The Venetian evening sun illuminates the winding waterway - Painting by Dino Carbetta”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three glorious days in Venice.
    Il sole della sera Veneziano illumin..etta
  • “Bethlehem Candle - Advent, Mary, and Joseph’s Journey - Painting by Dino Carbetta” …<br />
<br />
(The Four Advent Candles): As a Christian tradition, the wreath holds the four Advent candles. The candles represent Jesus coming as the light in the darkness. One candle is lit each Sunday until all four candles are lit. Each candle brings a slightly greater light into the darkness as Christmas draws nearer. Sometimes a white candle is lit on Christmas Eve or Christmas Day to symbolize that Jesus is with us. This can be referred to as the "Christ candle." Each of the candles lit before Christmas represents an aspect of preparation during the season of Advent. “May we be in this world a ray of that light which shone forth from Bethlehem, bringing joy and peace to the hearts of all men and women.” – Pope Francis The second candle on the Advent wreath represents Peace. Like the first candle, it is also purple. Often called the “Bethlehem Candle,” the second Advent candle reminds us of Mary and Joseph’s journey from Nazareth to Bethlehem before Mary gave birth to Jesus. Building on the meaning of the Prophecy Candle, this second candle recalls that after all of the division, destruction, and dispersion of the kingdom in the Old Testament, there might finally be peace on Earth – Jesus is coming, and so is his Kingdom of Peace. As we read in the quote from Pope Francis, this light of peace shone forth from Bethlehem for all the world. This Advent, light the second candle on Sunday, December 4, 2022. In composting the five images for Advent, I have found adding all the elements frustrating, but extremely rewarding upon conclusion. Especially, by adding the candles to each image, hopefully, you will find the light.
    Candela di Betlemme - Avvento, Viagg..etta
  • “The Fourth Advent Candle Represents Love, Called the Candle of the Angels - Painting by Dino Carbetta” … <br />
<br />
As a Christian tradition, the wreath holds the four Advent candles. The candles represent Jesus coming as the light in the darkness. One candle is lit each Sunday until all four candles are lit. Each candle brings a slightly greater light into the darkness as Christmas draws nearer. Sometimes a white candle is lit on Christmas Eve or Christmas Day to symbolize that Jesus is with us. This can be referred to as the "Christ candle." Each of the candles lit before Christmas represents an aspect of preparation during the season of Advent. The Fourth Advent Candle/Sunday: Love “And in the end, everything else will turn out to be unimportant and inessential, except for this: Father, Child, and Love.” – St. (Pope) John Paul II. The fourth candle of Advent represents Love, the ultimate love of God that He might send His only Son for us. Called the “Angel’s Candle,” the fourth candle of Advent is lit the Sunday before Christmas, and it is the color purple, leading us to eagerly await the new Kingdom of God on earth. This Advent, light the fourth candle on Sunday, December 18, 2022. The four candles of Advent represent the four Sundays of Advent and symbolize hope, peace, joy, and love. Also. light the fifth candle on Christmas to represent the birth of Christ. This painting concluded during this entire four weeks of Advent, it may not be the most beautiful, but to me, it represents the symbiosis of our two lives. The difficult challenge of living on this earth, compared to the preparation for our new birth. Infant Jesus is the hope of new life, a perfect life where the old becomes new again. I can rejoice with you in surviving each day, year, and earthly life, to realize hope, which renews our spirit with peace, joy, and most of all, love.
    La Quarta Candela dell'Avvento Rappr..etta
  • “Glowing Orange Reflection On The Venetian Canal – Painting by Dino Carbetta”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three days in Venice. This image was taken around 7:30 PM on the first evening in Italy by a very exhausted adventurer, which inspired the discovery of the first of many new loves, Espresso!! This image was all but discarded after my developing skill let me down as the dark foreground of the canal and bright sunlit building clashed with too little or too much contrast.  A re-examination after nine years allowed me to reprocess the image, and to my surprise, the original reason I captured this image in the first place, revealed itself and has become a favorite.
    Incandescente Arancio Riflessione Su..etta
  • “Dome of San Nicola da Tolentino keeps vigil over the peaceful Canal of Venice - Painting by Dino Carbetta”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Canal sunsets became the norm of my three days in Venice. This peaceful evening image was created standing at the intersection of two canals looking toward the dramatic sky as the distant campanile of St. Nicholas of Tolentino kept a watchful eye over Bellissimo Venezia.
    Cupola di San Nicola da Tolentino ma..etta
  • “Hotel Ca 'D'Oro Venice canal view”...<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Sometimes we get lucky and sometimes blessed…taking the water taxi during a downpour from the airport to my hotel was a bit disconcerting. However, when the sun finally came out, my little hotel became the key to the entire Venetian world! The view from the tiny hotel port…..how lucky can one be?
    Albergo Ca 'D'Oro Venezia vista canale
  • “First Sunday of Advent - Painting by Dino Carbetta” …<br />
<br />
“Lord our God, we praise you for your Son, Jesus Christ: He is Emmanuel, the hope of the peoples, He is the wisdom that teaches and guides us, He is the Savior of every nation. Lord God, let your blessing come upon us as we light the candles of this wreath. May the wreath and its light be a sign of Christ’s promise to bring us salvation. May He come quickly and not delay. We ask this through Christ our Lord. Amen.” (First Advent Candle/Sunday: Hope) “Once in our world, a stable had something in it that was bigger than our whole world.” – C.S. Lewis It is only fitting that the first candle on the Advent wreath represents Hope – the first Sunday of Advent not only leads us to anticipate the birth of Christ but celebrate the beginning of a new liturgical season as well. The first candle is purple, the primary color of Advent and a color symbolizing royalty. Sometimes called the “Prophecy Candle,” the first candle harkens us back to Isaiah’s foretelling of the birth of Christ and all of the promises God gave us in the Old Testament that would be fulfilled by the birth of Jesus. This Advent, light the first candle on Sunday, November 27, 2022. (The Four Advent Candles) As a Christian tradition, the wreath holds the four Advent candles. The candles represent Jesus coming as the light in the darkness. One candle is lit each Sunday until all four candles are lit. As Christmas draws nearer, each candle brings a slightly greater light into the darkness. The four candles of Advent represent the four Sundays of Advent, and they respectively symbolize hope, peace, joy, and love. In some homes and parishes, people will also light the fifth candle on Christmas Eve or Christmas Day to represent the birth of Jesus; this candle, when added to the Advent wreath, is typically white and larger than the other candles and is placed in the center of the wreath.
    Prima Domenica di Avvento - Dipinto ..etta
  • “Silhouette of Gondoliers against the late sun on the Grand Canal near the Church of Santa Maria del Giglio - Red”…<br />
<br />
“Venice” - Henry Wadsworth Longfellow: <br />
WHITE swan of cities, slumbering in thy nest	<br />
So wonderfully built among the reeds	<br />
Of the lagoon, that fences thee and feeds,	<br />
As sayeth thy old historian and thy guest!	<br />
White water-lily, cradled and caressed	<br />
By ocean streams, and from the silt and weeds	<br />
Lifting thy golden pistils with their seeds,	<br />
Thy sun-illumined spires, thy crown and crest!	<br />
White phantom city, whose untrodden streets	<br />
Are rivers, and whose pavements are the shifting	<br />
Shadows of palaces and strips of sky;	<br />
I wait to see thee vanish like the fleets	<br />
Seen in mirage, or towers of cloud uplifting	<br />
In air their unsubstantial masonry.<br />
	<br />
The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The rowing oar, which is not fastened to the hull, is used in a sculling manner, also acting as the rudder. For centuries the gondola was the chief means of transportation and most common watercraft within Venice. It is propelled by a gondolier. In modern times the iconic boats still have a role in public transportation in the city, serving as traghetti (ferries) over the Grand Canal. There are just over four hundred gondolas in active service today, virtually all of them used for hire by tourists. In order to become a professional gondolier, you need to obtain a license from the guild. Two hundred years ago, there were 10,000 gondolas in Venice. Although the aristocracy preferred horses to boats through the early Middle-Ages, beginning in the 14th century when horses were outlawed from the streets of Venice, the noble class embraced gondolas as a respectable form of transportation.
    Silhouette di gondolieri contro il t..osso
  • “Sun illuminates the cross through door of the Convent of cells Cortona”… <br />
<br />
Known as Le Celle, this Franciscan hermitage is just five miles from Cortona at the foot of Mount Sant’ Egidio. In 1211, St. Francis along with a few of his followers built the first nine cells of the hermitage, and it has taken the name of Le Celle ever since. Inside the tiny cell belonging to St. Francis is a tiny window, the bed on which he slept, his desk, and a painting of the Madonna and Child where he prayed. The Hermitage invokes a peaceful atmosphere of spirituality and solitude, yet it is vibrant with religious life. Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. The convent is able to offer lodgings to those contemplating a vocational life. Just inside one of the doors to Le Celle, I noticed the sunlight shining delicately through the transom window gently illuminating the old wooden door and cross. This image epitomizes all the simplicities in which Saint Francis preached and lived. It represents his spartan structure with the rough-textured concrete walls, antique faded wooden door, the green trees in nature which he loved, and the mystic evening sun softening the aging appearance, and revealing his simple life of prayer and personal austerity.
    Sole croce illumina attraverso Porte..tona
  • “Pieta - Church of Saint Moses Venice - BW”… <br />
<br />
Sixth Sorrow: The Crucifixion and Descent from the Cross: After this, Joseph of Arimathea, secretly a disciple of Jesus for fear of the Jews, asked Pilate if he could remove the body of Jesus. And Pilate permitted it. So he came and took his body” (Jn 19:38). Saying, “It is finished,” Jesus bows his head and dies. Mary remembers his words at the Passover meal: “This cup is the new covenant in my blood, which will be shed for you” (Lk 22:20). The dreaded time is now: the precious blood of her son is poured out for all humankind. The covenant is sealed. Jesus, her son, the Son of God, is dead. In her heart, Mary dies with him. Two broken hearts—one pierced with a spear, one pierced with sorrow—become one: Jesus and Mary, forever united for the whole human family. Mary’s sorrow is all the greater because of the greatness of her love. Jesus’ body is taken down from the cross and placed in her arms. Mary embraces her son with a love beyond words, beyond grief itself. For now, it is the grief of a consummate sorrow. She, who had given birth to divinity, now presses the bloodied and battered remains of his humanity close to her sorrowful and shattered heart. “Let it be done according to thy will, Lord,” she prays. Our first stop was Chiesa di San Moisè, built initially in the 8th century. It is dedicated to Moses, and like the Byzantines, the Venetians often considered Old Testament prophets as canonized saints. It also honors Moisè Venier, the aristocrat who funded the reconstruction during the 9th century. San Moisè is the parish church of one of the parishes in the Vicariate of San Marco-Castello. The elaborate Baroque facade, dating from 1668, is profusely decorated with sculpture. This Bellissimo Pietà is by Antonio Corradini, the famous Italian Rococo sculptor. We continued to the Basilica dei Frari which was foremost and Chiesa di San Geremia to visit St. Lucy.
    Pieta - Chiesa di San Moisè Venezia - BW
  • "Sun shines on the Convent of cells - founded by San Francesco in Cortona"...<br />
<br />
Known as Le Celle, this Franciscan hermitage is just five miles from Cortona at the foot of Mount Sant’ Egidio. In 1211, St. Francis along with a few of his followers built the first nine cells of the hermitage, and it has taken the name of Le Celle ever since. Inside the tiny cell belonging to St. Francis is a tiny window, the bed on which he slept, his desk, and a painting of the Madonna and Child where he prayed. The Hermitage invokes a peaceful atmosphere of spirituality and solitude, yet it is vibrant with religious life. Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge, creates a surreal and picturesque vision of Saint Francis’ image of God and nature. The convent is able to offer lodgings to those contemplating a vocational life. Just inside one of the doors to Le Celle, I noticed the sunlight shining delicately through the transom window gently illuminating the old wooden door and cross. This image epitomizes all the simplicities in which Saint Francis preached and lived. It represents his spartan structure with the rough textured concrete walls, antique faded wooden door, the green trees in nature which he loved, and the mystic evening sun softening the aging appearance, and revealing his simple life of prayer and personal austerity.
    Sole splende sul Convento di celle -..tona
  • “Venice Sun Evening Reflections”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic”; however, there has never been a more perfect description to define Venice’s ever changing persona.  Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out.  Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight.  The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope.  Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul.  My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images.  Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload.  Sometimes we get lucky, and sometimes blessed…taking the water taxi during a downpour from the airport to my hotel was a bit disconcerting.  However, when the sun finally came out, my little hotel became the key to the entire Venetian world!  The view from the tiny hotel dock as the sun breaks, and one of the first 75 images taken in Italy.
    Venezia Sole di Sera Riflessioni
  • "Late afternoon light illuminates the saturated colors of Venice"...<br />
<br />
I am not sure if I am the first to describe Venice as “organic”; however, there has never been a more perfect description to define Venice’s ever changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. This image was taken near a small canal in front of The Santa Maria Gloriosa dei Frari (St. Mary of the Friars), known locally as Frari, one of the great churches of Venice. The late afternoon sunlight stimulated the glowing, magical, and saturated Venetian colors.
    La luce del tardo pomeriggio illumin..ezia
  • "The Triumphal Quadriga - Horses of Saint Mark's Basilica in Venice"...<br />
<br />
St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace.  St. Mark’s Square and the Basilica are the central tourist focal points, and most crowded of Venice.  The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD.  After a long wait in line to enter the Basilica (with no photos allowed), the interior was quite unique.  As I headed for the exit, I noticed a very steep staircase and followed it upward.  I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica.  At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica.  The horses date to Greece in the 4th century BC, and were eventually displayed at the Hippodrome in Constantinople until Venice sacked them in 1204 AD; also, Napoleon forcibly took them to Paris.  In 1815, the now almost 2500 year old horses made it safely back to Venice.  They are very much worth viewing, and if you stare for a moment…they come to life.  I eventually made my way for a prominent view atop the tiny rooftop terrace in the front of the Basilica, which mesmerized with commanding views of St. Mark’s Square and adjacent Doge’s Palace. I often view this image of the most famous and well-traveled horses in the world and ponder all they have witnessed over the last 2000 years.
    Il Trionfale Quadriga - Cavalli dell..ezia
  • "Basilica di San Marco - Venice"...<br />
<br />
St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace.  St. Mark’s Square and the Basilica are the central tourist focal points and most crowded of Venice.  The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD.  After a long wait in line to enter the Basilica (with no photos allowed), the interior was quite unique.  As I headed for the exit, I noticed a very steep staircase and followed it upward.  I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica.  At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica.  The horses date to Greece in the 4th century BC, and were eventually displayed at the Hippodrome in Constantinople until Venice sacked them in 1204 AD; also, Napoleon forcibly took them to Paris.  In 1815, the now almost 2500 year old horses made it safely back to Venice.  They are very much worth viewing, and if you stare for a moment…they come to life.  I eventually made my way for a prominent view atop the tiny rooftop terrace in the front of the Basilica, which mesmerized with commanding views of St. Mark’s Square and adjacent Doge’s Palace.
    Basilica di San Marco - Venezia
  • “Dome of San Nicola da Tolentino keeps vigil over the peaceful Canal of Venice”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Canal sunsets became the norm of my three days in Venice. This peaceful evening image was created standing at the intersection of two canals looking toward the dramatic sky as the distant campanile of St. Nicholas of Tolentino kept a watchful eye over Bellissimo Venezia.
    Cupola di San Nicola da Tolentino ma..ezia
  • “Adoration of the Shepherds - Vatican Museums - Gallery of the Tapestries”…<br />
<br />
Flemish tapestries, realized in Brussels by Pieter van Aelst’s School from drawings by Raphael’s pupils, during the pontificate of Clement VII hang on the walls. They were first shown in the Sistine Chapel in 1531 and arranged for exhibition in the Gallery in 1838. The Tapestries were woven with silk, wool, and gold after Raffaello’s death. They are known as Della Scuola Nuova (New School) as opposed to the Scuola Vecchia (Old School) now in the Pinacoteca Vaticana. Of the original twelve tapestries, eleven remain of which nine are on display since 1838. “Adoration of the Shepherds” is one of many I photographed with great amazement. Each angle of view changes the perspective of each Tapestry. The artistic creativity throughout history shrouds one with pure awe and the understanding of God’s divine grace upon the shoulders of these great artists. One can find a plethora of more than five miles of great artistic inspiration on the Vatican Museum walls.
    Adorazione dei Pastori - Musei Vatic..azzi
  • “Silhouette of Gondoliers against the late sun on the Grand Canal near the Church of Santa Maria del Giglio”…<br />
<br />
“Venice” - Henry Wadsworth Longfellow: <br />
WHITE swan of cities, slumbering in thy nest	<br />
So wonderfully built among the reeds	<br />
Of the lagoon, that fences thee and feeds,	<br />
As sayeth thy old historian and thy guest!	<br />
White water-lily, cradled and caressed	<br />
By ocean streams, and from the silt and weeds	<br />
Lifting thy golden pistils with their seeds,	<br />
Thy sun-illumined spires, thy crown and crest!	<br />
White phantom city, whose untrodden streets	<br />
Are rivers, and whose pavements are the shifting	<br />
Shadows of palaces and strips of sky;	<br />
I wait to see thee vanish like the fleets	<br />
Seen in mirage, or towers of cloud uplifting	<br />
In air their unsubstantial masonry.<br />
	<br />
The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The rowing oar, which is not fastened to the hull, is used in a sculling manner, also acting as the rudder. For centuries the gondola was the chief means of transportation and most common watercraft within Venice. It is propelled by a gondolier. In modern times the iconic boats still have a role in public transportation in the city, serving as traghetti (ferries) over the Grand Canal. There are just over four hundred gondolas in active service today, virtually all of them used for hire by tourists. In order to become a professional gondolier, you need to obtain a license from the guild. Two hundred years ago, there were 10,000 gondolas in Venice. Although the aristocracy preferred horses to boats through the early Middle-Ages, beginning in the 14th century when horses were outlawed from the streets of Venice, the noble class embraced gondolas as a respectable form of transportation.
    Silhouette di gondolieri contro il t..glio
  • “Guardian Angel - Patriarchal Cathedral Basilica of St. Mark Venice”…<br />
<br />
St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace.  St. Mark’s Square and the Basilica are the central tourist focal points, and most crowded of Venice.  The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD.  After a long wait in line to enter the Basilica (with no photos allowed), the interior was quite unique.  As I headed for the exit, I noticed a very steep staircase and followed it upward.  I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica.  At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica.  The horses date to Greece in the 4th century BC, and were eventually displayed at the Hippodrome in Constantinople until Venice sacked them in 1204 AD; also, Napoleon forcibly took them to Paris.  In 1815, the now almost 2500 year old horses made it safely back to Venice.  They are very much worth viewing, and if you stare for a moment…they come to life.  I eventually made my way for a prominent view atop the tiny rooftop terrace in the front of the Basilica, which mesmerized with commanding views of St. Mark’s Square and adjacent Doge’s Palace.  This knowledgeable and finally crafted saintly angel stood atop the nearest column adjacent to the rooftop, a close-up view not often seen.
    Angelo custode - Basilica Cattedrale..ezia
  • “The organic colors and shapes of Venice”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic”; however, there has never been a more perfect description to define Venice’s ever changing persona.  Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out.  Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight.  The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope.  This image was taken along a small canal in front of The Santa Maria Gloriosa dei Frari (St. Mary of the Friars), known locally as Frari, one of the great churches of Venice.  Ironically, before my Italian journey, I read Rick Steves travel book on Italy and watched all of his shows made in Italy.  It seemed every American tourist had his book in their hands following closely every piece of advice he offered.  As I pondered my impending images, I looked up and there was Rick about 20 feet in front of me.  Sometimes one has moments of brilliance, and mine was to yell…”hey Rick” and snap a photo when he looked.  He actually smiled as I walked up and shook his hand, and dumbfoundedly I shared how much he contributed to my trip.  He was very gracious as we spoke for about five minutes and then he continued producing his next PBS show on the Venice Lagoon including his favorite church, Frari.  As I walked away shocked by my accidental meeting, the clouds parted and the light struck a perfect note along this tiny majestic canal.
    Le organici colori e forme di Venezia
  • “Santa Teresa d'Avila - Painting by Dino Carbetta”…<br />
<br />
Teresa of Ávila (born March 1515), also called Saint Teresa of Jesus, was a Spanish noblewoman who felt called to convent life in the Catholic Church. Teresa lived in an age of exploration as well as political, social, and religious upheaval. It was the 16th century, a time of turmoil and reform. She was born before the Protestant Reformation and died almost 20 years after the closing of the Council of Trent. A Carmelite nun, a prominent Spanish mystic, religious reformer, author, theologian of the contemplative life and mental prayer, she earned the rare distinction of being declared a Doctor of the Church, but not until over four centuries after her death. Active during the Catholic Reformation, she reformed the Carmelite Orders of both women and men. The movement she initiated was later joined by the younger Spanish Carmelite friar and mystic John of the Cross. It led eventually to the establishment of the Discalced Carmelites. A formal papal decree adopting the split from the old order was issued in 1580. Teresa was a woman “for God,” a woman of prayer, discipline, and compassion. Her heart belonged to God. Her ongoing conversion was an arduous lifelong struggle, involving ongoing purification and suffering. She was misunderstood, misjudged, and opposed in her efforts at reform. Yet she struggled on, courageous and faithful; she struggled with her mediocrity, her illness, her opposition. And in the midst of all this, she clung to God in life and prayer. Her writings on prayer and contemplation are drawn from her experience: powerful, practical, and graceful. She founded many new monasteries, traveled, wrote, fought—always to renew, to reform. In herself, in her prayer, in her life, in her efforts to reform, in all the people she touched, she was a woman for others, a woman who inspired and gave life. Her writings, especially the Way of Perfection and The Interior Castle, have helped generations of believers.
    Santa Teresa d'Avila - Dipinto di Di..etta
  • “Colorful reflections along the narrow canal in Venice”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three glorious days in Venice.
    Colorate riflessioni lungo il strett..ezia
  • “Venetian Pink Reflections”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic”; however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three days in Venice. This image is a combination of two to make a narrow “pink” canal panorama.
    Riflessi Rosa Veneziani
  • “Iridescent Venetian Sunset”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three glorious days in Venice.
    Iridescente Veneziano Tramonto
  • “The Venice canal reflects the small bridge in the early evening light"...<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define its dynamic persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever-changing light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three days in Venice.
    Il canale di Venezia riflette il pic..sera
  • “Pieta - Church of Saint Moses Venice”… <br />
<br />
Sixth Sorrow: The Crucifixion and Descent from the Cross: After this, Joseph of Arimathea, secretly a disciple of Jesus for fear of the Jews, asked Pilate if he could remove the body of Jesus. And Pilate permitted it. So he came and took his body” (Jn 19:38). Saying, “It is finished,” Jesus bows his head and dies. Mary remembers his words at the Passover meal: “This cup is the new covenant in my blood, which will be shed for you” (Lk 22:20). The dreaded time is now: the precious blood of her son is poured out for all humankind. The covenant is sealed. Jesus, her son, the Son of God, is dead. In her heart, Mary dies with him. Two broken hearts—one pierced with a spear, one pierced with sorrow—become one: Jesus and Mary, forever united for the whole human family. Mary’s sorrow is all the greater because of the greatness of her love. Jesus’ body is taken down from the cross and placed in her arms. Mary embraces her son with a love beyond words, beyond grief itself. For now, it is the grief of a consummate sorrow. She, who had given birth to divinity, now presses the bloodied and battered remains of his humanity close to her sorrowful and shattered heart. “Let it be done according to thy will, Lord,” she prays. Our first stop was Chiesa di San Moisè, built initially in the 8th century. It is dedicated to Moses, and like the Byzantines, the Venetians often considered Old Testament prophets as canonized saints. It also honors Moisè Venier, the aristocrat who funded the reconstruction during the 9th century. San Moisè is the parish church of one of the parishes in the Vicariate of San Marco-Castello. The elaborate Baroque facade, dating from 1668, is profusely decorated with sculpture. This Bellissimo Pietà is by Antonio Corradini, the famous Italian Rococo sculptor. We continued to the Basilica dei Frari which was foremost and Chiesa di San Geremia to visit St. Lucy.
    Pieta - Chiesa di San Moisè Venezia
  • “The translucent Paraclete descends over the Rio Marin Foundation of the Great School of San Giovanni Evangelista – Venice”…<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever changing persona. Venice is perhaps the most uniquely recognizable seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out. Morning fog gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning mist… opened like flower petals in the springtime at first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Il Paraclito traslucido discende sop..ezia
  • “The abandoned entrance of the past beyond Calle Dose from Ponte Venezia”…<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever changing persona. Venice is perhaps the most uniquely recognizable seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out. Morning fog gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning mist… opened like flower petals in the springtime at first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    L'ingresso abbandonato del passato o..ezia
  • “Silhouette of Gondoliers against the late sun on the Grand Canal near the Church of Santa Maria del Giglio - Green Water”…<br />
“Venice” - Henry Wadsworth Longfellow: <br />
WHITE swan of cities, slumbering in thy nest	<br />
So wonderfully built among the reeds	<br />
Of the lagoon, that fences thee and feeds,	<br />
As sayeth thy old historian and thy guest!	<br />
White water-lily, cradled and caressed	<br />
By ocean streams, and from the silt and weeds	<br />
Lifting thy golden pistils with their seeds,	<br />
Thy sun-illumined spires, thy crown and crest!	<br />
White phantom city, whose untrodden streets	<br />
Are rivers, and whose pavements are the shifting	<br />
Shadows of palaces and strips of sky;	<br />
I wait to see thee vanish like the fleets	<br />
Seen in mirage, or towers of cloud uplifting	<br />
In air their unsubstantial masonry.<br />
	<br />
The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The rowing oar, which is not fastened to the hull, is used in a sculling manner, also acting as the rudder. For centuries the gondola was the chief means of transportation and most common watercraft within Venice. It is propelled by a gondolier. In modern times the iconic boats still have a role in public transportation in the city, serving as traghetti (ferries) over the Grand Canal. There are just over four hundred gondolas in active service today, virtually all of them used for hire by tourists. In order to become a professional gondolier, you need to obtain a license from the guild. Two hundred years ago, there were 10,000 gondolas in Venice. Although the aristocracy preferred horses to boats through the early Middle-Ages, beginning in the 14th century when horses were outlawed from the streets of Venice, the noble class embraced gondolas as a respectable form of transportation.
    Silhouette di gondolieri contro il t..cqua
  • "The sun shines on the Cross of Indulgences - Convent of cells founded by San Francesco in Cortona"...<br />
<br />
Known as Le Celle, this Franciscan hermitage is just five miles from Cortona at the foot of Mount Sant’ Egidio. In 1211, St. Francis along with a few of his followers built the first nine cells of the hermitage, and it has taken the name of Le Celle ever since. Inside the tiny cell belonging to St. Francis is a tiny window, the bed on which he slept, his desk, and a painting of the Madonna and Child where he prayed. The Hermitage invokes a peaceful atmosphere of spirituality and solitude, yet it is vibrant with religious life. Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge, creates a surreal and picturesque vision of Saint Francis’ image of God and nature. The convent is able to offer lodgings to those contemplating a vocational life. Just inside one of the doors to Le Celle, I noticed the sunlight shining delicately through the transom window gently illuminating the old wooden door and cross. This image epitomizes all the simplicities in which Saint Francis preached and lived. It represents his spartan structure with the rough textured concrete walls, antique faded wooden door, the green trees in nature which he loved, and the mystic evening sun softening the aging appearance, and revealing his simple life of prayer and personal austerity.
    Il sole splende sulla Croce delle In..tona
  • “As reflections abound ... the canal stops in Venice”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic”; however, there has never been a more perfect description to define Venice’s ever changing persona.  Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out.  Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight.  The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope.  Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul.  My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images.  Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload.  Canal sunsets became the norm of my three days in Venice.
    Come riflessioni abbondano ... il ca..ezia
  • "2000 year old Pantheon eye of Santa Maria"...<br />
<br />
The ancient Pantheon is still the world's largest unreinforced concrete dome.  Both the height and the diameter of the dome is exactly 142 feet.  The Romans were so far ahead of their time...just imagine the possibilities if the empire had survived. The Pantheon is now an active Catholic church known as Santa Maria Rotonda.  The ancient tradition of dropping rose petals from the open oculus happens at noon every Pentecostal Sunday during Mass.  The rose petals symbolize the descent of the Holy Spirit falling on the apostles and the faithful, and it dates back as early as 600 years after the birth of Christ.  Vigili del Fuoco (firefighters) of Rome, climb on top of the Pantheon’s dome, and drop thousands of rose petals as the choir chants the sequence of Veni Sancte Spiritus.
    Il 2000 anni vecchio Pantheon occhio..aria
  • “Ancient Roman garden replica of Hercules from Pompey”…<br />
<br />
This statue among ancient ruins is probably a 15th or 16th century stone replica I accidently stumbled upon in a Roman garden of the very famous bronze statue of Heracles with club, lion skin and golden apples. The original statue was found neatly buried under tiles with the inscription “FCS” (“fulgor conditum summanium”), indicating that it was struck by lightning then buried on the spot. The priceless statue is Gilt bronze Roman artwork of the 2nd century AD, and located in the Vatican museum.  This image is probably the most unusual of my Italian journey and every bit an accidental surprise.  Upon leaving the Basilica of Santa Maria Maggiore, I decided to walk just over a mile to the Basilica di San Giovanni in Laterano.  The street Via Merulana was lined with attractive 5-6 story apartment homes.  Not sure if I was heading in the right direction, I walked into a bottom floor parking garage seeking help, and found an elderly Italian woman sitting in a garden opposite the street. As I walked through the garage to the other side, shockingly I noticed the garden had ancient ruins around the edges with replicas of famous statues as center pieces.  It was as if I’d been transported back to ancient times, and the juxtaposition of the 100 year old newer building seemed aberrant, yet I remembered I was in the Eternal City where civilizations were stacked atop each other for almost 3000 years.  The elderly Italian woman assured me I was heading in the right direction and allowed me a few minutes to photograph the ancient ruins.  She smiled and waved as I left and exclaimed, “Buon Viaggio!” as I walked away.  Her wish for me was “Have a nice trip!” in Italian.
    Antico giardino romano replica di Er..mpeo
  • “Sweet Maria panoramic views of Lake Trasimeno”…<br />
<br />
Dolce Maria is the Bed and Breakfast I lodged in for four nights in the medieval hill town of Cortona.  One street over from the main square, the ancient historical building from 15th century is the home of the Barboni family.  There is a restaurant on the ground floor where Madre Paola is one of the famous chefs of Cortona, and her friendly husband Franco and son Gianni help run the properties.  Paola’s 80- something year old mother offered to wash my laundry and hung it to dry on the rooftop.  With only six rooms in this steep vertical villa winding about like a castle, it very much felt like a true Tuscan adventure.  Booking Dolce Maria from Roma, I asked for a room with a view; I didn’t notice a view from the 3rd story room, but Paolo instructed me to a tiny door in the corner…with a winding staircase ascending upward about 2-3 more stories to the rooftop and a private terrace view of the valley below.  On my last evening as the sun dipped in the sky and the birds wisped among the clouds, I photographed this image of Lake Trasimeno and the Tuscan countryside through an art-deco like structure on the roof.  The tiny walled town of Cortona was probably not the most fortified with large amounts of photogenic attractions within its ramparts, but professed to be the perfect central Tuscany location. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970.  If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the bellissimo Tuscan Sun.
    Dolce Maria vista panoramica sul Lag..meno
  • "Guardian Angel Expression - Basilica Patriarchal Cathedral of San Marcò"...<br />
<br />
St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace.  St. Mark’s Square and the Basilica are the central tourist focal points, and most crowded of Venice.  The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD.  After a long wait in line to enter the Basilica (with no photos allowed), the interior was quite unique.  As I headed for the exit, I noticed a very steep staircase and followed it upward.  I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica.  At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica.  The horses date to Greece in the 4th century BC, and were eventually displayed at the Hippodrome in Constantinople until Venice sacked them in 1204 AD; also, Napoleon forcibly took them to Paris.  In 1815, the now almost 2500 year old horses made it safely back to Venice.  They are very much worth viewing, and if you stare for a moment…they come to life.  I eventually made my way for a prominent view atop the tiny rooftop terrace in the front of the Basilica, which mesmerized with commanding views of St. Mark’s Square and adjacent Doge’s Palace.  This knowledgeable and finally crafted saintly angel stood atop the nearest column adjacent to the rooftop, a close-up view not often seen.
    Angelo Custode espressione - Basilic..arcò
  • “Guardian Angel - Patriarchal Cathedral Basilica of St. Mark”…<br />
<br />
St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace.  St. Mark’s Square and the Basilica are the central tourist focal points and most crowded of Venice.  The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD.  After a long wait in line to enter the Basilica (with no photos allowed), the interior was quite unique.  As I headed for the exit, I noticed a very steep staircase and followed it upward.  I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica.  At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica.  The horses date to Greece in the 4th century BC, and were eventually displayed at the Hippodrome in Constantinople until Venice sacked them in 1204 AD; also, Napoleon forcibly took them to Paris.  In 1815, the now almost 2500 year old horses made it safely back to Venice.  They are very much worth viewing, and if you stare for a moment…they come to life.  I eventually made my way for a prominent view atop the tiny rooftop terrace in the front of the Basilica, which mesmerized with commanding views of St. Mark’s Square and adjacent Doge’s Palace.  This knowledgeable and finally crafted saintly angel stood atop the nearest column adjacent to the rooftop, a close-up view not often seen.
    Angelo Custode - Basilica Cattedral..arcò
  • “Descending sun illuminates the Convent of the Cells of Saint Francis in Cortona”…<br />
<br />
Known as Le Celle, this Franciscan hermitage is just five miles from Cortona at the foot of Mount Sant’ Egidio. In 1211, St. Francis along with a few of his followers built the first nine cells of the hermitage, and it has taken the name of Le Celle ever since.  Inside the tiny cell belonging to St. Francis is a tiny window, the bed on which he slept, his desk, and a painting of the Madonna and Child where he prayed.  The Hermitage invokes a peaceful atmosphere of spirituality and solitude, yet it is vibrant with religious life. Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis.  I found Le Celle to be one of the pleasant surprises in and around Cortona.  The tiny cells built into the side of the mountain with a stream descending along the structural edge, creates a surreal and picturesque vision of Saint Francis’ image of God and nature. The convent is able to offer lodgings to those contemplating a vocational life.  Just inside one of the doors to Le Celle, I noticed the sunlight shining delicately through the transom window gently illuminating the old wooden door and cross.  This image epitomizes all the simplicities in which Saint Frances preached and lived.  It represents his spartan structure with the rough textured concrete walls, antique faded wooden door, the green trees in nature which he loved, and the mystic evening sun softening the aging appearance, and revealing his simple life of prayer and personal austerity.  As I departed the evening tranquility of Le Celle, turning one last time to ponder its beauty…the sun rays divided the clouds and winked at a very grateful photographer.
    Scendendo sole illumina il Convento ..tona
  • "Madonna of the Angels - The Basilica of Saint Mary of the Angels – Assisi"...<br />
<br />
Portiuncula is a town and a parish situated about three-quarters of a mile from Assisi. The town has grown up around the Basilica of Our Lady of the Angels. It was of this little church moved within the Basilica that St. Francis recognized his vocation in the year 1208, and it was where St. Francis spent most of his life. In 1211, the Benedictines gave him the little chapel of St. Mary of the Angels or the Portiuncula, which is a “little portion” of land. The first Franciscan convent was also formed nearby. The Portiuncula was also where St. Francis received the vows of St. Clare. St. Francis died here on October 3, 1226, and on his death-bed, he recommended the chapel to the faithful protection and care of his brothers. Two years before Saint Francis of Assisi died, and when he was 42 years old — one year after he had built the first crib in honor of Our Lord — he went off to a lonely mountain called Mount Alvernia, to prepare himself by forty days of fasting and prayer for the feast of Saint Michael, the greatest of God’s angels. On the feast of the Exaltation of the Holy Cross on September 14, Saint Francis received in his hands, feet and side the Sacred Wounds from Our Lord’s own body. Never was a saint more beautifully loved than Saint Francis of Assisi. The wounds Jesus gave him stayed in his hands, feet, and side, and continually bled for two more years, until he died in 1226. This realistic image of St. Francis with the Stigmata on his hands was captured in the Basilica Museum, along with many other historical treasures from his life. Our 2019 Pilgrimage was fortunate to tour this very reverent and spiritual Basilica. The gold-plated statue of the Madonna degli Angeli by the sculptor Colasanti and cast by Ferdinando Marinelli Artistic Foundry was put on top of the façade in 1930.
    Madonna degli Angeli - La Basilica d..sisi
  • “Venice blue boat”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic”; however, there has never been a more perfect description to define Venice’s ever changing persona.  Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out.  Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight.  The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope.  Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images.  Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload.  Sometimes we get lucky, and sometimes blessed…taking the water taxi during a downpour from the airport to my hotel was a bit disconcerting.  However, when the sun finally came out, my little hotel became the key to the entire Venetian world!  The view from the tiny hotel dock as the sun breaks…
    Venezia azzurro barca
  • "Beautiful spring afternoon on the Rio del Frari - Venice"...<br />
<br />
I am not sure if I am the first to describe Venice as “organic”; however, there has never been a more perfect description to define Venice’s ever changing persona.  Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out.  Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight.  The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope.  This image was taken along a small canal in front of The Santa Maria Gloriosa dei Frari (St. Mary of the Friars), known locally as Frari, one of the great churches of Venice.  Ironically, before my Italian journey, I read Rick Steves travel book on Italy and watched all of his shows made in Italy.  It seemed every American tourist had his book in their hands following closely every piece of advice he offered.  As I pondered my impending images, I looked up and there was Rick about 20 feet in front of me.  Sometimes one has moments of brilliance, and mine was to yell…”hey Rick” and snap a photo when he looked.  He actually smiled as I walked up and shook his hand, and dumbfoundedly I shared how much he contributed to my trip.  He was very gracious as we spoke for about five minutes and then he continued producing his next PBS show on the Venice Lagoon including his favorite church, Frari.  As I walked away shocked by my accidental meeting, the clouds parted and the light struck a perfect note along this tiny majestic canal.
    Bellissimo primavera pomeriggio sul ..ezia
  • “Colorful spring afternoon on Rio del Frari – Venice”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic”; however, there has never been a more perfect description to define Venice’s ever changing persona.  Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out.  Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight.  The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope.  This image was taken along a small canal in front of The Santa Maria Gloriosa dei Frari (St. Mary of the Friars), known locally as Frari, one of the great churches of Venice.  Ironically, before my Italian journey, I read Rick Steves travel book on Italy and watched all of his shows made in Italy.  It seemed every American tourist had his book in their hands following closely every piece of advice he offered.  As I pondered my impending images, I looked up and there was Rick about 20 feet in front of me.  Sometimes one has moments of brilliance, and mine was to yell…”hey Rick” and snap a photo when he looked.  He actually smiled as I walked up and shook his hand, and dumbfoundedly I shared how much he contributed to my trip.  He was very gracious as we spoke for about five minutes and then he continued producing his next PBS show on the Venice Lagoon including his favorite church, Frari.  As I walked away shocked by my accidental meeting, the clouds parted and the light struck a perfect note along this tiny majestic canal.
    Colorato primavera pomeriggio sul Ri..ezia
  • "The Solitary bench and old tree reflecting Orvieto ancient Etruscan walls and vineyards below"...<br />
<br />
Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a big chunk of volcanic stone called tufa, and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this cliff-top village over 2000 years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful Cliffside views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. I photographed the ancient wall, hardscape, and tree silhouette overlooking the valley below as the clouds presented dramatic, and artistic designs for the mystified tourists and locals alike.
    Il Banco solitario e vecchio albero ..anti
  • "Going down the old stairs in Cortona to find the modern"...<br />
<br />
Entering Cortona, one realizes the charm and charisma of this hilltop village. With its steep streets, ruined Etruscan and Roman walls, narrow alleys, and medieval buildings, Cortona maintains ancient origins and has remained uniquely unchanged today. Before embarking upon my one month journey in Italy, I prepared by walking, running, and exercising 3-4 hours a day to get in shape to hike the steep grades carrying a 25lb. camera bag over the strenuous terrain of the Italian countryside. No amount of training prepared me for the hot and humid climate, mountainous landscape, and steep grades throughout the country of Italy, and the extremely grueling le strade in Cortona. The tiny walled town of Cortona was probably not the most fortified with large amounts of photogenic attractions within its ramparts, but professed to be the perfect central Tuscany location. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970. If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the bellissimo Tuscan Sun. The warm ambiance of Cortona, in contrast with its grueling hills…one may find colorful, delicate, and enduring beauty.
    Scendendo giù per le antiche scale a..erno
  • “Virgin Mary in front of the Sanctuary of Our Lady of Lourdes - Painting by Dino Carbetta” …<br />
<br />
Our Lady of Lourdes is a title of the Blessed Virgin Mary, invoked by Roman Catholics in honor of the Marian Apparition that took place in Lourdes, France.  Saint Bernadette Soubirous was a fourteen-year-old peasant girl that witnessed Our Lady’s apparition.  There was a total of seventeen apparitions over the year 1858.  Our Lady told St. Bernadette that we were to pray for the Conversion of Sinners, and she stated, “I am the Immaculate Conception.”  Saint Bernadette was asked to dig in the ground and a “spring” would erupt.  She did as she was told, and to this day the water runs.  Nearly 6 million faithful make the pilgrimage annually, and hundreds of miracles have been reported through these visits.  The Sanctuary of Our Lady of Lourdes is an area of ground surrounding the Catholic shrine (Grotto) to Our Lady of Lourdes in the town of Lourdes, France. The Sanctuary is a destination for pilgrimage; sick pilgrims are reputed to be miraculously healed by Lourdes water. This ground is owned and administered by the Roman Catholic Church. Grottos intended as replicas of the one at Our Lady of Lourdes, and other grottos in honor of Our Lady of Lourdes, are often described as "Lourdes grottos." Lourdes has become a place of pilgrimage and healing, but even more of faith. Church authorities have recognized over 60 miraculous cures, although there have probably been many more. To people of faith, this is not surprising. It is a continuation of Jesus’ healing miracles—now performed at the intercession of his mother. Some would say that the greater miracles are hidden. Many who visit Lourdes return home with renewed faith and a readiness to serve God in their needy brothers and sisters. There still may be people who doubt the apparitions of Lourdes. “For those who believe in God, no explanation is necessary. For those who do not believe, no explanation is possible.”
    Vierge Marie devant le Sanctuaire No..etta
  • "The oculus of the 2000 year-old Pantheon of Santa Maria"...<br />
<br />
The ancient Pantheon is still the world's largest unreinforced concrete dome.  Both the height and the diameter of the dome is exactly 142 feet.  The Romans were so far ahead of their time...just imagine the possibilities if the empire had survived. The Pantheon is now an active Catholic church known as Santa Maria Rotonda.  The ancient tradition of dropping rose petals from the open oculus happens at noon every Pentecostal Sunday during Mass.  The rose petals symbolize the descent of the Holy Spirit falling on the apostles and the faithful, and it dates back as early as 600 years after the birth of Christ.  Vigili del Fuoco (firefighters) of Rome, climb on top of the Pantheon’s dome, and drop thousands of rose petals as the choir chants the sequence of Veni Sancte Spiritus.
    L'oculo del Pantheon di 2000 anni di..aria
  • "The Hand Of God Shines On The Cross - Convent Of Cells Cortona"... <br />
<br />
Gospel Jn 17:11-19 “Lifting up his eyes to heaven, Jesus prayed, saying: ‘Holy Father, keep them in your name that you have given me, so that they may be one just as we are one. When I was with them I protected them in your name that you gave me, and I guarded them, and none of them was lost except the son of destruction, in order that the Scripture might be fulfilled. But now I am coming to you. I speak this in the world so that they may share my joy completely. I gave them your word, and the world hated them because they do not belong to the world any more than I belong to the world. I do not ask that you take them out of the world but that you keep them from the Evil One. They do not belong to the world any more than I belong to the world. Consecrate them in the truth. Your word is truth. As you sent me into the world, so I sent them into the world. And I consecrate myself for them, so that they also may be consecrated in truth.” Sometimes a planned mistake turns out to be a great photo and, in this case, it's the flair of the sun. Peering under a canopy of trees then kneeling and placing the sun behind the Cross...God's hand illuminates one's soul and imagination.”
    Sulla Croce Splende La Mano Di Dio -..tona
  • “Apse Mosaic Triumphal Arch of Christ flanked by the Apostles - Basilica of San Paolo outside the walls of Rome”…<br />
<br />
Saint Peter and Saint Paul are celebrated together, the two saints are the founders of the See of Rome, through their preaching, ministry, and martyrdom there. Erected during the fourth century AD, the Basilica of St. Paul Outside the Walls is one of the four major basilicas of Rome, and the second largest after St. Peter's Basilica. It was founded on the burial ground of St. Paul. Saint Paul is well-known for his epistle to the Ephesians, where he famously describes the “armor of God.” He uses the armor that was commonly worn by a Roman Solider to describe a spiritual armor that prepares a Christian to “stand against the wiles of the devil. For we are not contending against flesh and blood, but against the principalities, against the powers, against the world rulers of this present darkness, against the spiritual hosts of wickedness in the heavenly places” Ephesians 6:11-12. Peter makes his great confession of faith: “You are the Messiah” Mark 8:29. It was one of the many glorious moments in Peter’s life, beginning with the day he was called from his nets along the Sea of Galilee to become a fisher of men for Jesus. The New Testament clearly shows Peter as the leader of the apostles, chosen by Jesus to have a special relationship with him. With James and John, he was privileged to witness the Transfiguration, the raising of a dead child to life, and the agony in Gethsemane. In 395 A.D., St. Augustine said of Saints Peter and Paul: “Both apostles share the same feast day, for these two were one; and even though they suffered on different days, they were as one. Peter went first, and Paul followed. And so we celebrate this day made holy for us by the apostles' blood. Let us embrace what they believed, their life, their labors, their sufferings, their preaching, and their confession of faith.”
    Abside Mosaico Arco di trionfo di Cr..Roma
  • "Sun hiding behind the Macuteo Obelisk - Roman Pantheon"...<br />
<br />
Eventually, one discovers that God finds a way where there is none. A very crowded Pantheon at 3:00 PM in the bright afternoon made creative photography impossible. However, getting on my knees and placing the sun behind the cross of the Obelisk created a phenomenal appeal. All are original, including the landing dove/pigeon and sun flare. The Obelisk was originally built by one of the most famous Egyptian Pharaohs about 1300 years before Christ by Pharaoh Ramses II for the Temple of Ra in Heliopolis and brought to Rome in ancient times. It was rediscovered in 1374 underneath the apse of the nearby Basilica of Santa Maria Sopra Minerva. In the mid-15th century, the obelisk had been erected in the small Piazza di San Macuto some 200 meters east of the Pantheon, where it remained until its 1711 move to the Piazza della Rotonda. It is still called the Obelisco Macutèo after its previous location. Fontana del Pantheon was constructed by Giacomo Della Porta under Pope Gregory XIII in 1575, and the obelisk was added under Pope Clement XI. The city of Rome harbors the most obelisks in the world. There are eight ancient Egyptian and five ancient Roman obelisks. The Romans used special heavy cargo carriers called obelisk ships to transport the monuments down the Nile to Alexandria and from there across the Mediterranean Sea to Rome. On-site, large Roman cranes were employed to erect the monoliths. The obelisk is crowned by a bronze cross, the symbol of Jesus Christ. One idea that can be drawn from this is that Christianity—the cross of Jesus Christ—conquers paganism.  Another idea is that the obelisk represents the human desire for God which is only fulfilled in the Cross of Christ.
    Domenica di nascondersi dietro il Ma..heon
  • “The Arch Papal Basilica of St. John Lateran Mosaic Apse - Rome”…<br />
 <br />
The present mosaic, executed in 1878, is a copy of the destroyed original completed in 1291 by two Franciscan friars, Jacopo da Camerino and Jacopo Torriti, commissioned by Pope Nicholas IV who was also a Franciscan. The upper part depicts the bust of Christ in a dark blue empyrean with the red clouds of dawn, accompanied by four angels on each side and with a six-winged seraph above. Here, Christ is being depicted under his aspect of the Rising Sun (Malachi 4:2, Luke 1:78). It is thought that the seraph replaced a Hand of God which, with Christ and the Dove below him, would have given a Trinitarian iconography. A jeweled cross which is a depiction of the True Cross formerly venerated in Jerusalem and bears a central medallion showing The Baptism of Christ. The Dove of the Holy Spirit emits seven streams from its beak which are symbolic of the Seven Gifts of the Holy Spirit. These streams form a pool where the cross stands and from this flow the four rivers of the Garden of Eden, which also symbolize the four Gospels. Two deer (Ps 42:1) and six sheep drink from these, which run into the River Jordan, a symbol of Baptism. Heavenly Jerusalem, guarded by St Michael the Archangel and ruled over by SS Peter and Paul. In the city, the phoenix, a symbol of immortality, is perched on the Tree of Life. To the left of the central motif, and venerating it, stand the Blessed Virgin, St Francis of Assisi, and the Apostles Peter and Paul. To the right are SS John the Baptist, Anthony of Padua, John the Evangelist, and Andrew the Apostle. The pope kneeling close to the Blessed Virgin is the Franciscan Nicholas IV, who was praised for his work at the Lateran by Dante in Paradiso. The Virgin places her hand on his head, as a sign of her protection. St. John Lateran is the parish church of all Catholics because it is the pope’s cathedral. This church is the spiritual home of the people who are the Church.
    L'Arch Basilica Papale di San Giovan..Roma
  • “The Basilica of Santa Maria della Salute Venice radiates in the distance on the Grand Canal- Ultramarine blue”…<br />
<br />
Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God." The Basilica di Santa Maria della Salute, commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a conspicuous position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite reverently quaint interiorly.
    La Basilica di Santa Maria della Sal..mare
  • “View from the Grand Canal of the church of San Giorgio Maggiore in Venice”…<br />
<br />
The first church on the island was built about 790, and in 982 the island was given to the Benedictine order by the Doge Tribuno Memmo. The Benedictines founded a monastery there, but in 1223 all the buildings on the island were destroyed by an earthquake. Andrea Palladio, an Italian Renaissance architect active in the Venetian Republic was commissioned for the rebuild. Palladio, influenced by Roman and Greek architecture, is widely considered to be one of the most influential individuals in the history of architecture, began the rebuild in 1560 and made dramatic improvements. The campanile was rebuilt in neo-classic style and completed in 1791. It was ascended by ramps and now an elevator to the top for panoramic views of Venice. The facade is brilliantly white and represents Palladio's solution to the difficulty of adapting a classical temple facade to the form of the Catholic Basilica. Two very large paintings by Tintoretto relate to the institution of the Eucharist and are located on either side of the presbytery, where they can be seen from the altar rail. “The Last Supper” and “The Jews in the Desert” (collecting and eating the manna, a gift of God to the Israelites in the Desert after they escaped Egypt, which foretells the gift of the Eucharist). Claude Monet painted a series of paintings of the island Monastery of San Giorgio Maggiore in 1908 during the artist's only visit to the city. One of the best known is “San Giorgio Maggiore at Dusk”, which exists in two versions. Monet completed his paintings of Venice at home in France and in 1912 showed them in Paris. Buyers included the Welsh collector Gwendoline Davies, who bought three paintings. This vision of the Church of San Giorgio is iconic and famous worldwide. My image capture while upon an evening boat excursion appears theatrical as if the majestic church is posing for yet another Venetian canvas.
    Vista dal Canal Grande della chiesa ..ezia
  • “Mosaic facade of the Basilica of San Marco Venice”… <br />
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St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace. St. Mark’s Square and the Basilica are the central tourist focal points and most crowded of Venice. The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD. After a long wait in line to enter the Basilica (with no photos allowed), the interior was unique. As I headed for the exit, I noticed a very steep staircase and followed it upward. I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica. At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica. They are very much worth viewing, and if you stare for a moment…they come to life. This image is a close up captured of the very large mosaic over the front entrance to the Basilica. Mk 16:15-20: Jesus appeared to the Eleven and said to them: “Go into the whole world and proclaim the Gospel to every creature. Whoever believes and is baptized will be saved; whoever does not believe will be condemned. These signs will accompany those who believe: in my name they will drive out demons, they will speak new languages. They will pick up serpents with their hands, and if they drink any deadly thing, it will not harm them. They will lay hands on the sick, and they will recover.” Then the Lord Jesus, after he spoke to them, was taken up into heaven and took his seat at the right hand of God. But they went forth and preached everywhere, while the Lord worked with them and confirmed the word through accompanying signs.
    Mosaico facciata Basilica di San Mar..ezia
  • “Agony in the Garden – Painting by Dino Carbetta” …<br />
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The agony in the Garden of Gethsemane encompasses Holy Week in the life of Jesus. Occurring after the Last Supper, before his betrayal and arrest, all part of the Passion of Jesus leading to his crucifixion and death. This episode is described in the three Synoptic Gospels in the New Testament. According to these accounts, Jesus, accompanied by Peter, John, and James, enters the garden of Gethsemane on the Mount of Olives where he experiences great anguish and prays to be delivered from his impending suffering, while also accepting God's will. Immediately after the Last Supper, Jesus retreated to a garden to pray. Jesus was accompanied by three Apostles: Peter, John, and James, whom he asked to stay awake and pray. He moved "a stone's throw away" from them, where he felt overwhelming sadness and anguish, and said "My Father if it is possible, let this cup pass me by. Nevertheless, let it be as You, not I, would have it." Then, a little while later, he said, "If this cup cannot pass by, but I must drink it, Your will be done!" He said this prayer thrice, checking on the three apostles after each prayer and finding them asleep. He commented: "The spirit is willing, but the flesh is weak". An angel came from heaven to strengthen him. During his agony as he prayed, "His sweat was, as it were, great drops of blood falling upon the ground" (Luke 22:44). In Roman Catholic tradition, the Agony in the Garden is the first Sorrowful Mystery of the Rosary and the First Station of the Scriptural Way of The Cross Catholic tradition includes specific prayers and devotions as acts of reparation for the sufferings of Jesus during His Agony and Passion.
    Agonia Nell'Orto – Dipinto di Dino C..etta
  • “Third Sunday of Advent - Painting by Dino Carbetta” …<br />
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(The Four Advent Candles): As a Christian tradition, the wreath holds the four Advent candles. The candles represent Jesus coming as the light in the darkness. One candle is lit each Sunday until all four candles are lit. Each candle brings a slightly greater light into the darkness as Christmas draws nearer. Sometimes a white candle is lit on Christmas Eve or Christmas Day to symbolize that Jesus is with us. This can be referred to as the "Christ candle." Each of the candles lit before Christmas represents an aspect of preparation during the season of Advent. Third Advent Candle/Sunday: Joy –“Gaudete Sunday” “But the angel said to them, ‘Do not be afraid; for see — I am bringing you good news of great joy for all the people: to you is born this day in the city of David a Savior, who is the Messiah, the Lord. This will be a sign for you: you will find a child wrapped in bands of cloth and lying in a manger.’” (Luke 2:10-12) The third candle of Advent symbolizes Joy. As we continue to approach Christmas Day, our joy grows increasingly. The third candle takes us back to the joyful anticipation of the shepherds who journeyed to see Jesus in Bethlehem, even before the wise men. On this third Sunday of Advent, which the Church calls “Gaudete Sunday,” meaning rejoice or praise, we light the third candle and rejoice like the shepherds. For this reason, the third candle of Advent is called the “Shepherd’s Candle,” and its color is pink, the liturgical color for joy. This Advent, light the third candle on Sunday, December 11, 2022. I repainted this image from one of my photographs of, “Adoration of the Shepherds - Vatican Museums - Gallery of the Tapestries.”
    Terza Domenica di Avvento - Dipinto ..etta
  • “The Hand of God Shines on the Cross in the Snow - Convent of the Cells of Cortona - Painting by Dino Carbetta<br />
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Gospel Jn 17:11-19 “Lifting up his eyes to heaven, Jesus prayed, saying: ‘Holy Father, keep them in your name that you have given me, so that they may be one just as we are one. When I was with them I protected them in your name that you gave me, and I guarded them, and none of them was lost except the son of destruction, in order that the Scripture might be fulfilled. But now I am coming to you. I speak this in the world so that they may share my joy completely. I gave them your word, and the world hated them, because they do not belong to the world any more than I belong to the world. I do not ask that you take them out of the world but that you keep them from the Evil One. They do not belong to the world any more than I belong to the world. Consecrate them in the truth. Your word is truth. As you sent me into the world, so I sent them into the world. And I consecrate myself for them, so that they also may be consecrated in truth.” Sometimes a planned mistake turns out to be a great photo and, in this case, it's the flair of the sun. Peering through the window under a snowy canopy of trees and finding the light behind the Cross...God's hand illuminates one's soul and his imagination.
    La Mano di Dio Risplende sulla Croce..etta
  • ”Radiant Saint Teresa of Lisieux - the ‘Little Flower’ - Painting by Dino Carbetta”… <br />
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Her sense of commitment led her to a profound experience of the love of God and neighbor. She never had an easy life, but she did live with a great sense of peace and joy. “I prefer the monotony of obscure sacrifice to all ecstasies. To pick up a pin for love can convert a soul.”   Saint Therese had a simple yet powerful message that still resonates in the hearts of millions today. She died at the age of 24, believing that her life was just beginning for God, promising to spend her heaven doing good on earth. Her promised “Shower of Roses” began and has become a torrent in the Church ever since. These are the words of Thérèse of Lisieux, a Carmelite nun called the “Little Flower,” who lived a cloistered life of obscurity in the convent of Lisieux, France. And her preference for hidden sacrifice did indeed convert souls. Few saints of God are more popular than this young nun. Her autobiography, The Story of a Soul, is read and loved throughout the world. Life in a Carmelite convent is indeed uneventful and consists mainly of prayer and hard domestic work. She saw in quiet suffering redemptive suffering, suffering that was indeed her apostolate. Thérèse said she came to the Carmel convent “to save souls and pray for priests.” Pope Pius X called her "the greatest saint of modern times.” Thérèse was canonized in 1925. In 1997, Pope John Paul II proclaimed her a Doctor of the Church, the third woman to be so recognized in light of her holiness and the influence of her teaching on spirituality in the Church. Her parents were also canonized in 2015. Pope John Paul II stated: Therese of the Child Jesus and the Holy Face is the youngest of all the “Doctors of the Church”, but her ardent spiritual journey shows such maturity, and the insights of faith expressed in her writings are so vast and profound that they deserve a place among the great spiritual masters.
    Radiosa Santa Teresa di Lisieux - il..etta
  • “A Million Faces of Jesus by Dino Carbetta – Resplendent”…<br />
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“God of every nation and people, from the very beginning of creation you have made manifest your love: when our need for a Savior was great you sent your Son to be born of the Virgin Mary. To our lives, he brings joy and peace, justice, mercy, and love.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. Battle against Evil: Finally, draw your strength from the Lord and from his mighty power. Put on the armor of God so that you may be able to stand firm against the tactics of the devil. For our struggle is not with flesh and blood but with the principalities, with the powers, with the world rulers of this present darkness, with the evil spirits in the heavens. Therefore, put on the armor of God, that you may be able to resist on an evil day and, having done everything, to hold your ground. So stand fast with your loins girded in truth, clothed with righteousness as a breastplate, and your feet shod in readiness for the gospel of peace. In all circumstances, hold faith as a shield, to quench all [the] flaming arrows of the evil one. And take the helmet of salvation and the sword of the Spirit, which is the word of God.  EPHESIANS, 6:10-17
    Un Milione di volti di Gesù di Dino ..ente
  • "Madonna in the Basilica of Santa Maria del Popolo Rome"... <br />
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After a spiritual Mass at St. Peters Basilica and an intense tour of the Vatican, lunchtime with my friend and pilgrim, Patrick, proved inspirational. Forgoing the Coliseum, we aimed for Piazza del Popolo. Encompassed within its sacred walls is a variety of artwork unequaled in the world. Our eyes were on the famous Caravaggio paintings located in the Basilica of Santa Maria del Popolo. The “Crucifixion of Peter” and the “Conversion of Saint Paul” were found to be elusive on my previous visit. The security guard blocked the doorway and turned off the lights to the small chapel inside the Basilica every time I came near. We found the Basilica under reconstruction, waiting for an opening, then rushed inside to find darkness and disarray everywhere. Finally, finding the dark chapel, our eyes could not focus enough to discover the paintings. Suddenly, the light arose and the Caravaggio’s were an arm’s length away. We expeditiously actuated our cameras and euphorically clicked away. Just as hastily, a mysterious guard clicked off the lights. As we calmed down and gathered benevolent thoughts, we aimed our startled eyes toward the exit. The fragmented sunlight streaming into the dark basilica from the vestibule and front doors appeared like a dream. As I vacillated forward, a dark, but luminous statue absorbed by sunlight appeared to gaze upon me with precocious compassion. Her motherly expression offered a perception of love and gratitude. Upon exit, the Eternal City awaited our next impassioned venture.
    Madonna nella Basilica di Santa Mari..Roma
  • “Father Peek Consecration Prayer - Private Mass in the Basilica of Sant'Antonio da Padova”…<br />
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One wonderful element of our Pilgrimage of 2019 was our Mass schedule in the most distinguished Basilica’s, Cathedrals, and churches in Italy and in fact the world. Often we found ourselves at the Main Altars, Sacristies, or prestigious chapels. The reverent and holy auspicious with unseen views containing profound and historic approbation was at times overwhelming. Contemplating those divine and holy who came before, left us with the feeling of wonderment. The Basilica of Saint Anthony dated back to the early year of 1233. I found myself mystified by the mere size and aura surrounding it, and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis, and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. As with most prestigious Basilica’s, no photos are allowed, which mostly rendered this photographer reverent, but sad. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. The Basilica is austere, mysterious, and solemn, yet capacious, monumental, and impossible to notice every grand detail. However, be emboldened that this Pilgrimage Church is one of the eight international shrines recognized by the Holy See. It is a symbol of faith and hope for all Christian believers. I believe Saint Anthony would be honored and proud to offer Mass here.
    Padre Peek Preghiera della Consacraz..dova
  • "Waiting along the canal near the parish of Santa Maria Gloriosa Dei Frari Venice"...<br />
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 The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Aspettando lungo il canale vicino a ..ezia
  • “The Basilica of Santa Maria della Salute Venice Radiates in the Distance on the Grand Canal”… <br />
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Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God." The Basilica di Santa Maria della Salute, or La Salute, is Venice's iconic church, nestled at the junction of the Grand Canal and Bacino di San Marco. In 1630, ravaged by the Bubonic Plague, Venice vowed to build this church to honor the Virgin Mary if they were spared. Its exterior is grand, reflecting Venice's history, while inside, it's serene and simple. La Salute stands as a symbol of faith and resilience, a testament to humanity's ability to find hope even in the darkest times."
    La Basilica di Santa Maria Della Sal..ande
  • “Cybo Chapel - Basilica of Santa Maria del Popolo Rome”…<br />
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The Basilica of Santa Maria del Popolo, encompassed within its sacred walls is a variety of artwork unequaled in the world. The Basilica is comprised of great works by many of the preeminent artists, such as Raphael, Gian Lorenzo Bernini, Caravaggio, Alessandro Algardi, Pinturicchio, Andrea Bregno, Guillaume de Marcillat, and Donato Bramante. “Cappella Cybo” is the second side chapel in the right-hand aisle of the Basilica, which is famous for the beauty of its paintings, the preciousness of marble revetments covering its Bellissimo walls, and the renowned importance of the artists involved in its construction. The chapel is regarded as one of the most significant sacral monuments erected in Rome in the last quarter of the 17th century. The huge altarpiece, painted with oil on the wall, is one of the most important works of Carlo Maratta, finished in 1686. It depicts the Disputation over the Immaculate Conception with the Four Doctors of the Church, St Augustine, John Chrysostom, John the Evangelist, and Gregory the Great celebrating the purity of the Virgin. I knew in advance of the great Caravaggio paintings, especially the “Crucifixion of Peter;” however, I was not prepared for the security guard blocking the doorway and turning off the light to the small chapel inside the Basilica every time I came near. The guard courageously kept a watchful eye on everyone with a camera to protect the integrity of the incredibly famous artwork. I edged to the back, peered around the corner with a telephoto lens, and prevailed with a few pictures from a distance of the famous paintings just for my viewing pleasure. However, as I returned home and upon making a close inspection of the pictures, it was not the Caravaggios I had coveted, but an imposter. The guard blocked the shallow entrance and within a few steps inside, to the right and left ...the Caravaggios hid from view as if to tell me to try yet another day.
    Cybo Cappella - Basilica di Santa Ma..Roma
  • “Jesus Weeps over Fractured America – Painting by Dino Carbetta”…<br />
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“Know this, my dear brothers: everyone should be quick to hear, slow to speak, slow to wrath, for the wrath of a man does not accomplish the righteousness of God.” James 1:19-20 “Rejoice in the Lord always. I shall say it again: rejoice! Your kindness should be known to all. The Lord is near Have no anxiety at all, but in everything, by prayer and petition, with thanksgiving, make your requests known to God. Then the peace of God that surpasses all understanding will guard your hearts and minds in Christ Jesus. Finally, brothers, whatever is true, whatever is honorable, whatever is just, whatever is pure, whatever is lovely, whatever is gracious, if there is any excellence and if there is anything worthy of praise, think about these things. Keep on doing what you have learned and received and heard and seen in me. Then the God of peace will be with you.” Philippians 4:4-9
    Gesù Piange sull'America Fratturata ..etta
  • 🌹“The Light of Life - Convent of Cells Cortona - Painting by Dino Carbetta”… <br />
🌹Ascending from a tiny cell within Le Celle, I noticed the radiant sunlight illuminating the ancient stone stairway. Considering the location, its 1000 years of age, and its Saintly founding fathers, one could not help feeling spiritually exalted as the bright light immersed my ascension to the top. I didn’t quite reach Heaven at the height of the mystic climb, but perhaps the illumination rendered a touch of hope to a weary and petitioning photo artist. “(Gospel - Lk 24:1-12) At daybreak on the first day of the week the women who had come from Galilee with Jesus took the spices they had prepared and went to the tomb. They found the stone rolled away from the tomb; but when they entered, they did not find the body of the Lord Jesus. While they were puzzling over this, behold, two men in dazzling garments appeared to them. They were terrified and bowed their faces to the ground. They said to them, “Why do you seek the living One among the dead? He is not here, but he has been raised. Remember what he said to you while he was still in Galilee, that the Son of Man must be handed over to sinners and be crucified, and rise on the third day.” And they remembered his words. Then they returned from the tomb and announced all these things to the eleven and to all the others. The women were Mary Magdalene, Joanna, and Mary the mother of James; the others who accompanied them also told this to the apostles, but their story seemed like nonsense and they did not believe them. But Peter got up and ran to the tomb, bent down, and saw the burial cloths alone; then he went home amazed at what had happened.”
    La Luce della Vita - Convento di Cel..etta
  • “The Pontifical Swiss Guard protects the bronze door of the Vatican – Rome”…<br />
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My Roman tour guide at the Vatican, who knew all who worked there, made sure he presented every opportunity for me knowing I was a photographer/artist. For this and several other images, he talked with security allowing me to enter areas off-limits to photograph through doorways and windows. This huge bronze door has been the official entrance to the Apostolic Palace since 1663 and is permanently watched by three Swiss guards. The Pontifical Swiss Guard was founded in 1506 and in the 18th-century several Swiss soldiers were recruited from various European courts to form the close-quarter guards of the kings. Michelangelo designed the official--highly colorful--uniform, and guards also wear a long sword and a traditional halberd. The bronze door opens to a long corridor leading to the famous steps of the Scala Regia, which was designed by Bernini to appear longer and wider than in actuality. Unfortunately, this architectural wonder is closed to visitors, as is the rest of the Apostolic Palace where the Pope lives; only official visitors are admitted inside.
    La Pontificia Guardia Svizzera prote..Roma
  • “Spring Mystical Reflections of Villa Borghese – Rome”…<br />
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Villa Borghese in Roma is a famous Garden and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus. Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and give time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Primavera Riflessioni Mistiche di Vi..Roma
  • "Christ Crucified - Santa Maria della Salute Venice - BW"... <br />
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The Basilica di Santa Maria della Salute (Basilica of St. Mary of Health), commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a prominent position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite small interiorly. I am not sure if it was ever an active parish but more of a shrine with little room for seating. The steps wrapping around the front and sides make a perfect destination for relaxation during warm Venetian days. Interior windows open to the sky which allows for a great deal of sunlight, and as I meandered around I noticed a beautiful crucifix near the confessional. The strong rays of sunshine illuminated the face of Christ just enough to encourage one to examine their conscience one last time before entering into Sacrament of Confession.
    Cristo Crocifisso - Santa Maria dell..- BW
  • “Water flow from the Convent of Cells - Founded by San Francesco - Cortona”…<br />
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St. Francis came to Cortona to preach in 1211, and here at the foot of Mount Sant’Egidio found the solitude he was looking for. A young nobleman who went on to become the Blessed Guido, one of his first followers, offered him the place as a prayer retreat. From that moment St. Francis and his followers stayed in this isolated spot on the way to and from Assisi and other places where they were preaching. There was no hermitage in St. Francis’s time, however, and the saint slept on the bare rock. After he died in 1226, the first stone “cells” were built and a small oratory. What we see today is the result of the XVI century construction work. Le Celle stood abandoned until 1537 when it was granted by the Bishop of Cortona to the recently founded Third Order of Franciscans, known as the Capuchins. The hermitage was considerably enlarged by the Capuchins, who in 1634 erected a new chapel to take the place of a more ancient one. This new chapel was consecrated to St Anthony of Padua and reflects the Capuchins simple, unpretentious architectural and decorative style. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. Imagine the spiritual solitude as Saint Francis would take hermitage here for days of ecstatic meditation with only a loaf of bread, listening to his beloved waterfall beneath a small window.
    Flusso d'acqua dal Convento Di celle..tona
  • "A million faces of Jesus by Dino Carbetta - Spatola di metallo"...<br />
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Daniel 10: 5-6 “As I looked up, I saw a man dressed in linen with a belt of fine gold around his waist. His body was like chrysolite, his face shone like lightning, his eyes were like fiery torches, his arms and feet looked like burnished bronze, and the sound of his voice was like the roar of a multitude.” Genesis 1:27 “God created mankind in his image; in the image of God he created them; male and female he created them.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. The blessed see God, not merely according to the measure of His likeness imperfectly reflected in creation, but they see Him as He is, after the manner of His own Being. 1 Corinthians 13:12 “At present, we are looking at a confused reflection in a mirror; then, we shall see face to face; now, I have only glimpses of knowledge; then, I shall recognize God as he has recognized me.”
    Un milione di volti di Gesù di Dino ..allo
  • “The Church of Santa Maddalena is surrounded by Roe Deer, both enjoying the sunset over the Dolomites in South Tyrol, Italy - Painting by Dino Carbetta”…<br />
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The Church of St. Magdalene resides in a small village located in the Dolomites of Italy. Both, the village and the church, are symbols of the Val di Funes. This tiny picturesque village of just 377 people is located in the Trentino-Alto Adige region of Northern Italy. Historically, the church was built where the miraculous image of Santa Maddalena was washed up by the Fopal River. Saint Mary Magdalene church is mentioned beginning in 1394. The current form of the nave with a sloping base and a slightly grooved roof cornice, with pear and round bar on the pointed arch portal with a red chalk inscription, was complete in 1492. The mural exterior is the Crucifix on the gable in a niche with a donkey's back, weather-beaten, early XVI century. St. Christopher is lively and virtuoso in movement with a fluttering, wrinkled robe. Interiorly, the keystones on the vault, are bust portraits of Mary with the Christ Child and saints. The valley, as you can see, Val di Funes is stunningly beautiful. Summer, it’s very green and dotted with colorful flowers. Winter, it’s covered with snow, and the ragged Dolomite peaks, pierce the sky toward the heavens. Mary Magdalene is the first among the women following Jesus to proclaim Him as having overcome death. She is the first to announce the joyful message of Easter. But she also proved she was among those who loved Him most when she stood at the foot of the Cross on Mount Calvary together with Mary, His Mother, and the disciple, St. John. She did not deny him or run away in fear as the other disciples did, but remained close to Him every moment, up to and including the tomb. The Italian Roe Deer rejoice in the beauty of God’s creation.
    La Chiesa di Santa Maddalena e’ circ..etta
  • "High altar panorama of the Basilica of Santa Maria del Fiore Florence"...<br />
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Santa Maria del Fiore (also known simply as the Duomo) is the cathedral of Florence known for its distinctive Renaissance dome. Its name ("Saint Mary of the Flower") refers to the lily, the symbol of Florence. The impressive Gothic cathedral complex includes the Duomo, the famous baptistery and a campanile. Built in 1294 to be the largest Roman Catholic Church in the world, it is still the largest masonry dome in the world. Walking down the strada, and turning the corner to view the massive Duomo painted against the sky was captivating. I stopped in my tracks and began taking photos; however, the huge Florence crowds prevented most images from ground level. This was one of the first images I photographed noticing the ancient architecture of the Duomo competing across the narrow strada with the more modern buildings of Firenze.
    Altare maggiore panorama della Basil..enze
  • "High altar crucifix from the back of the Papal Basilica of St. Anthony of Padua"... <br />
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I consider this magnificent rear view of the High Altar in St. Anthony’s Basilica looking toward Donatello’s very famous “Crucifix in Padua” one of my few forbidden and miraculous images of my 2019 Pilgrimage to Italy. I was unaware of the mere size and ancient grandeur of the basilica begun in 1233 but found myself mystified by the aura surrounding it and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. As with most prestigious Basilica’s, no photos are allowed, which mostly rendered this photographer reverent, but sad. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. Deceptively, I found myself directly behind the elevated “High Altar,” and as I curiously climbed the steps toward the locked Iron Gate, Donatello’s celestial bronze crucifix began to appear. My surreptitious movement kept me from being noticed by the security guards and our Italian guide. I covertly rested my lens through the iron bars, and quietly depressed the shutter on my camera. Often called “Il Santo” by the locals of Padua, one cannot escape feeling overwhelmed by its majesty, and emanation of spirituality and reverence. The Basilica is austere, mysterious, and solemn, yet capacious, monumental, and impossible to notice every grand detail. However, be emboldened that this Pilgrimage Church is one of the eight international shrines recognized by the Holy See. It is a symbol of faith and hope for all Christian believers. I believe Saint Anthony would be honored and proud to offer Mass here.
    Crocifisso altare maggiore dalla par..dova
  • “Sunset view of Manarola from the azure Tyrrhenian Sea” …<br />
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I began my daily journey at the northernmost town of Monterosso and took the train to the southernmost town of Riomaggiore. I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. This image was composed of standing on the rooftop of the antique 28-foot Angelina’s galley with my arms around the mast and my 25-pound camera bag strapped over my shoulder, creating a human tripod for support. I could not help noticing tourists in each village photographing our boat as we sailed up and down the coast; perhaps it was the image of a silly photographer hanging on for dear life as the waves wobbled the boat side to side in anticipation of a splashdown?! Leaving for my destination of Monterosso, the radiant sunset illuminated the sky and the azure sea of the Mediterranean. I was convinced to sail back to Riomaggiore with my gracious guides Claudio and Eddie of the "Cinque Terre dal Mare" sailing excursions. We arrived just in time for the perfect magic-hour glow of the setting sun. After a nice dinner...I caught the last train at midnight back home to Monterosso. There is a great appeal in each of the five Cinque Terre villages, each with a different history, people, elements, and culture. This illuminating sunset of Manarola was captured just before arriving back in Riomaggiore. Arrivederci, Manarola!
    Tramonto vista di Manarola fin da il..Mare
  • “Saint Agnes of Assisi In front of San Damiano ... Painting by Dino Carbetta” …<br />
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When St Clare received the veil in 1212, she left a young sister of fourteen named Agnes behind her at home. In answer to Clare's prayers and inspired by God, Agnes left for the same convent only 16 days later. Saint Francis gave Clare’s sister the name Agnes because she was gentle like a young lamb. St Francis then led the two maidens to St Damian's convent, where he also gave the holy habit to Agnes. She now endeavored to imitate her saintly sister in everything and devoted all her spare time to prayer and contemplation. She lived a very austere life, partaking only of bread and water, and wearing coarse clothing. St Francis soon recognized the rich treasure of virtue hidden in this privileged soul. When a new convent was to be founded in Florence, St Francis sent Agnes, despite her youth. Saint Agnes of Assisi was favored with many extraordinary graces by God. In the great fervor of her devotion, she often elevated above the earth. From Holy Thursday until Holy Saturday she was once so found in rapture in the contemplation of the sufferings of Christ that she was under the impression she had spent only an hour in this mystical state. Agnes matched her sister in devotion to prayer and in willingness to endure the strict penances that characterized the Poor Ladies’ lives at San Damiano. When a group of Benedictine nuns in Monticelli asked to become Poor Ladies, Clare sent Agnes to become abbess of the monastery. Agnes soon wrote a rather sad letter about how much she missed Clare and the other nuns at San Damiano. After establishing monasteries in northern Italy, Agnes was recalled to San Damiano in 1253, as Clare lay dying. In her last moments Clare addressed her sister in these words, "My beloved sister, it is the will of God that I go, but be comforted, you will soon come and rejoin me with our Lord." Three months later Agnes followed her sister to eternity on November 16, 1253.
    Sant'Agnese d'Assisi Di fronte a San..etta
  • “Radiant Crucifix at the Convent of Cells Founded by St. Francis - Cortona”…<br />
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Gospel Jn 17:11-19 “Lifting up his eyes to heaven, Jesus prayed, saying: ‘Holy Father, keep them in your name that you have given me, so that they may be one just as we are one. When I was with them, I protected them in your name that you gave me, and I guarded them, and none of them was lost except the son of destruction, in order that the Scripture might be fulfilled.<br />
But now I am coming to you. I speak this in the world so that they may share my joy completely. I gave them your word, and the world hated them, because they do not belong to the world any more than I belong to the world. I do not ask that you take them out of the world but that you keep them from the Evil One. They do not belong to the world<br />
any more than I belong to the world. Consecrate them in the truth. Your word is truth. As you sent me into the world, so I sent them into the world. And I consecrate myself for them, so that they also may be consecrated in truth.” Sometimes a planned mistake turns out to be a great photo and, in this case, it is the flair of the sun. Peering under a canopy of trees then kneeling and placing the sun behind the Cross...God's hand illuminates one's soul and imagination.
    Radioso Crocifisso presso del Conven..tona
  • “St. Peter's Basilica - Madonna of the Column, Dome”…<br />
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Our Lady of the Column is a Byzantine Madonna and Child that was painted on a column of Porta Santa marble in the original Basilica of St. Peter (Constantine). There is no detailed information on the original painting available, but from the style, it appears to be 11th-12th century. When the new Basilica was built in the 16th century, the column and painting were preserved; and in 1581 it was placed in a marble frame created by Giacomo della Porta, who designed an altar of exquisite marble with alabaster columns. After the Second Vatican Council, Paul VI honored it with the title of "Mater Ecclesiae". In 1981 John Paul II had a mosaic reproduction of it set on the external wall of the palazzo facing St. Peter's Square, where it can also be seen illuminated at night. The chapel is covered by one of the basilica's minor cupolas which let in light that enhances the colors of the altar. On the vault of the dome are portraits of the Litany of Loreto in the spandrels: St. Bonaventure, St. Thomas Aquinas, St. Cyril of Alexandra, St. John Damascene. Inside the lunettes are the portraits of The Virgin Mother and Child, the Dream of St. Joseph, and the Kings, David and Solomon. This image is one of the multitudes of beautiful images in and around Saint Peter’s Basilica, the most resplendent church in the world.
    Basilica di San Pietro - Madonna del..pola
  • “Heaven Reigns of Glorious Snow on the Church of San Sebastiano in the Bavarian Alps - Painting by Dino Carbetta "...<br />
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Psalms 42:2-6 – “As the deer longs for streams of water, so my soul longs for you, O God. My soul thirsts for God, the living God. When can I enter and see the face of God? My tears have been my bread day and night, as they ask me every day, “Where is your God?” Those times I recall as I pour out my soul, When I would cross over to the shrine of the Mighty One, to the house of God, Amid loud cries of thanksgiving, with the multitude keeping festival. Why are you downcast, my soul; why do you groan within me? Wait for God, for I shall again praise him, my savior and my God.” The beautiful Bavarian church was built in 1512 under Prince Provost Gregor Rainer is consecrated to Saints Sebastian and Fabian and lies only 161 miles from Bolzano, Italy. In the late gothic built style, the 16th-century church has been extended several times and provided with a stone tower in 1611. It was finally redesigned in baroque style together with the tower built in 1700 and covered with an onion dome and wooden shingles. To the east of the church is the historic cemetery, which is adjacent to the war memorial in memory of the Ramsau people who died in World War II. In 1960 US President Eisenhower painted the church by hand based on a color photo. His work was reproduced as a Christmas present for the White House staff and published in the European edition of Stars and Stripes, the daily newspaper of the US armed forces. I found the beautiful snowy church and mountains to be a perfect backdrop in a faithful description of this Psalms bible passage.
    Il Paradiso Regna del Neve Gloriosa ..etta
  • “The Basilica of Santa Maria della Salute Venice emerges in the distance on the Grand Canal - Painting by Dino Carbetta”…<br />
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Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras were permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    La Basilica di Santa Maria della Sal..etta
  • “Rio de le Romite, in the Dorsoduro district of Venice”… <br />
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As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. In the maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. The description of this image begins in 1693 when the Romite Hermits erected a small church dedicated to Jesus, Joseph, and Mary, with an adjacent convent. Father Cavanis later installed a ‘female school of charity,’ entrusted in 1863 to the Canossian nuns who are still present on the spot. Always the destination of painters and artists, the Rio delle Romite preserves its original and evocative atmosphere which remains unchanged. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Rio de le Romite, nel Sestiere di Do..ezia
  • “Crucifix next to the Confessional - Santa Maria della Salute Venice - Painting by Dino Carbetta”…<br />
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The Basilica di Santa Maria della Salute (Basilica of St. Mary of Health), commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a prominent position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite small interiorly. I am not sure if it was ever an active parish but more of a shrine with little room for seating. The steps wrapping around the front and sides make a perfect destination for relaxation during warm Venetian days. Interior windows open to the sky which allows for a great deal of sunlight, and as I meandered around I noticed a beautiful crucifix near the confessional. The strong rays of sunshine illuminated the face of Christ just enough to encourage one to examine their conscience one last time before entering into Sacrament of Confession.
    Crocifisso accanto al Confessionale ..etta
  • “Saint James the Great in the Archbasilica of San Giovanni in Laterano Rome”…<br />
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The Basilica of St. John Lateran, dedicated to St. John the Baptist and St. John the Evangelist, is the first of Rome's four major basilicas. It is also the Cathedral of the Bishop of Rome, who is known as the Pope, and is referred to as the "Cathedral of Rome and of the World." San Giovanni in Laterano, the first Christian/Catholic church constructed in Rome, was built by Constantine the Great in the 4th century. The current structure of the Basilica is similar to Saint Peter's Basilica, and the ancient church was once the residence of the Papacy until their return from exile in Avignon in 1377 and their permanent relocation to the Vatican. In 1702, Pope Clement XI announced a grand plan for twelve sculptures of the Apostles to fill the niches in the nave of the Basilica. The commission was open to all the premier sculptors of late Baroque Rome, and Camillo Rusconi was the sculptor of brothers St. James and St. John. The larger-than-life statues of these great men impress visitors with their imposing presence as they bless the nave. James was one of the favored three who had the privilege of witnessing the Transfiguration, the raising to life of Jairus's daughter, and the agony in Gethsemani. Saint Matthew tells us that their mother came, while Mark says it was the brothers themselves, to ask for the seats of honor in the kingdom. “Jesus said in reply, ‘You do not know what you are asking. Can you drink the cup that I am going to drink?’ They said to him, ‘We can’” (Matthew 20:22). Jesus then told them they would, indeed, drink from the cup and share his baptism of pain and death, but that sitting at his right hand or left was not his to give. He said, "It is for those for whom it has been prepared by my Father" (Matthew 20:23b). It remained to be seen how long it would take for James and John to realize the implications of their confident “We can!”
    San Giacomo il Grande nell Arcibasil..Roma
  • "Twilight falls on the Roman Colosseum at closing time"...<br />
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A dramatic fading sunlit view of the ancient and organic Colosseum. The Colosseum, is an elliptical amphitheater in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still, has close connections with the Roman Catholic Church, as each Good Friday the Pope leads torchlit "Way of the Cross" procession that starts in the area around the Colosseum. The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition. A Cross stands exultant in the Colosseum center with a plaque stating: “The amphitheater, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.” In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck. It is as grand in person as it appears in the media, and it seems to hold a very mystical aura. Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past but the forgiveness and sacrifice of its present stature. I created this image in the late evening as the guards ushered me out for closing time.
    Crepuscolo cade su il Colosseo roman..sura
  • “Ca 'Rezzonico Civic Museums Foundation of Venice and in the distance the watchful bell tower of the Church of San Samuele”…<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating.  We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Ca' Rezzonico Fondazione Musei Civic..uele
  • “Angels watch over the lake at Villa Borghese in Rome”…<br />
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Villa Borghese in Roma is a famous Garden and Museum that began in the early 17th century and was highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus.  It was neglected over the centuries and was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and give time and rumination to the historical and religious world capital which is the ever the Eternal City of Roma.
    Angeli vigilare lago presso Villa Bo..Roma
  • “The Moors ring the bell at the top of the Clock Tower in Piazza San Marco Venice”…<br />
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On Ascension Week and the Epiphany, carved figures of the four Magi join the Moors hourly, emerging from the clock face and bowing to the Virgin Mary above them. An angel raises a trumpet in recognition of them, and the Magi bow in return. The Clock Tower in Venice is an early Renaissance building on the north side of the Piazza San Marco, at the entrance to the Merceria. It comprises a tower, which contains the clock, and lower buildings on each side. It adjoins the eastern end of the Procuratie Vecchie. Both the tower and the clock date from the last decade of the 15th century, though the mechanism of the clock has subsequently been much altered. It was placed where the clock would be visible from the waters of the lagoon and give notice to every one of the wealth and glory of Venice. The clock tower is topped by two bronze figures who strike the bell hourly. Although they were originally designated as giants, their dark patina lent them the nickname “Moors.” A relief of the winged lion of St. Mark, patron saint, and symbol of Venice, stands on an open book below the Moors. A statue of the Virgin Mary stands one level down, above the massive clock face. The clock was intentionally designed to sit high enough in the square to be protected from Venice’s waters and to be visible from the canal. Meandering outside on the rooftop above St Mark's Basilica, I became mesmerized by Piazza San Marco below and the multitude of historic artwork residing on high. As the evening sun descended with a fire in the sky, the Moors were called once again to ring the bell reminding all of the romantic Venetian history, and a siren call of utopian futures here in La Serenissima, the ‘Most Serene,’ Veneto.
    I Mori suonano la campana in cima al..ezia
  • “Ancient Orvieto roses glow after the rain - Painting by Dino Carbetta”… <br />
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This painting by Dino Carbetta showcases the enchanting beauty of the Ancient Orvieto roses after a refreshing rainfall. Orvieto, a charming hill town in central Italy, is a must-visit destination that is less than 90 minutes away from Rome. Perched atop a massive volcanic rock called tufa, the town offers breathtaking views of Umbrian plains and vineyards dotted with cypress trees. A stroll through Orvieto is a peaceful journey back in time to the days of the Etruscans, who built this clifftop village over two thousand years ago for protection from their enemies. The colorful cliffside views of the ancient Etruscan wall, which still stands today, offer a glimpse of the town's rich history. The famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures are also protected by this wall. The 14th Century Duomo was built to house the "Corporal of Bolsena," a holy relic that dates back to 1263 when a traveling priest who doubted the transubstantiation found his Host bleeding so much that it stained the altar cloth. This cloth is now stored in the "Chapel of the Corporal" inside the cathedral. One cannot help but feel awed when they turn a corner and see the majestic Cathedral towering above them. The vibrant red roses in bloom provide a stark contrast to the town's ancient and charismatic backdrop, making for a truly magical experience.
    Antichi Orvieto rose bagliore dopo l..etta
  • “A Million Faces of Jesus by Dino Carbetta – Impasto”…<br />
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Daniel 10: 5-6 “As I looked up, I saw a man dressed in linen with a belt of fine gold around his waist. His body was like chrysolite, his face shone like lightning, his eyes were like fiery torches, his arms and feet looked like burnished bronze, and the sound of his voice was like the roar of a multitude.” Genesis 1:27 “God created mankind in his image; in the image of God he created them; male and female he created them.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. The blessed see God, not merely according to the measure of His likeness imperfectly reflected in creation, but they see Him as He is, after the manner of His own Being. 1 Corinthians 13:12 “At present, we are looking at a confused reflection in a mirror; then, we shall see face to face; now, I have only glimpses of knowledge; then, I shall recognize God as he has recognized me.”
    Un Milione di volti di Gesù di Dino ..asto
  • In God Is Our Trust ... Painting by Dino Carbetta<br />
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“O thus be it ever when freemen shall stand Between their lov'd home and the war's desolation! Blest with vict'ry and peace may the heav'n rescued land Praise the power that hath made and preserv'd us a nation! Then conquer we must, when our cause it is just, And this be our motto - "In God is our trust," And the star-spangled banner in triumph shall wave O'er the land of the free and the home of the brave.” (The Star-Spangled Banner)<br />
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“While they were eating, Jesus took bread, said the blessing, broke it, and giving it to his disciples said, "Take and eat; this is my body." Then he took a cup, gave thanks, and gave it to them, saying, "Drink from it, all of you, for this is my blood of the covenant, which will be shed on behalf of many for the forgiveness of sins." (Mt 26:26-28)<br />
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This image represents many things… In only 244 years, the United States of America has risen from untapped wilderness to unequivocal leadership of the world. The Red, White, and Blue or  Star-Spangled Banner, has stood tall in victory and defeat. The blood of our people shed for freedom; “the land of the free and the home of the brave.” “Praise the power that hath made and preserv'd us a nation! The color Red represents our very blood, and faith in the “Blood of Christ.” And this be our motto - "In God is our trust."  Dino Carbetta
    In God Is Our Trust ... Painting by ..etta
  • “Monument to St. Francis of Assisi in Rome - Snow - Painting by Dino Carbetta”…<br />
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In 1209 Saint Francis composed a simple rule for his friars, the "Primitive Rule," which came from verses in the Bible. The rule was "To follow our Lord Jesus Christ’s teachings and walk in his footsteps.” This large monument of Italy’s Patron Saint (St. Francis of Assisi) is visually recognizable between the Basilicas of Santa Croce in Gerusalemme where we began our pilgrimage and San Giovanni in Laterano where we later enjoyed Mass. It was inaugurated in 1927 to commemorate the seventh centenary of his death. The statue portrays the visit of St Francis to Rome, leading his first eleven followers to seek permission from Pope Innocent III to find a new religious Order. A number of the Pope's counselors considered the mode of life proposed by Francis as unsafe and impractical. However, the Pope dreamt he saw Francis holding up the Basilica of St. John Lateran (the cathedral of Rome, thus the 'home church' of all Christendom) and decided to endorse Francis' Order. This occurred, according to tradition, on April 16, 1210, and constituted the official founding of the Franciscan Order. Artist Giuseppe Tonnini sculpted the bronze monument. An inscription taken from the eleventh canto, of Paradise of the Divine Comedy, can be seen at the base, in which Dante makes references to Saint Francis: “Between Topino's stream and that which flows down from the hill the blessed Ubaldo chose, from a high peak there hangs a fertile slope; from there Perugia feels both heat and cold at Porta Sole, while behind it sorrow Nocera and Gualdo under their hard yoke. From this hillside, where it abates its rise, a sun was born into the world, much like this sun when it is climbing from the Ganges. Therefore let him who names this site not say, Assisi, which would be to say too little, but Orient, if he would name it rightly.”
    Monumento a San Francesco d'assisi a..etta
  • “Angel with the Cross - Ponte Sant'Angelo – Rome”… <br />
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This image was also created just after sundown when the sky developed a beautiful blue hue, accenting the golden lighting of the Angels on the Bridge. The Bridge of Angels (in Italian, Ponte Sant'Angelo) spans the Tiber River in Rome. Only a few steps away from St. Peter's Basilica, the bridge reflects the psychological shift from secular to sacred that occurs when pilgrims crossed from the busy streets of Rome over to the churches of the Vatican. Gian Lorenzo Bernini, the famed Italian sculptor, originally designed the bridge's angel sculptures in the seventeenth century. Though few of the angels standing today were done by his hand, Bernini's vision for the bridge lives on. Five angel sculptures flank each side of the bridge, with statues of Saint Peter and Saint Paul on the eastern bank. At the base of each sculpture is a line from the Bible in Latin. Angel with the Cross - Inscription: "Cuius principatus super humerum eius" Translation: Dominion rests on his shoulders (Isaiah 9:6)
    Angelo con la Croce - Ponte Sant'Ang..Roma
  • “Central bronze doors of Saint Paul Outside the Walls with inlaid silver Cross and Stations of Saints Peter and Paul”…<br />
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There are three main doors. At the center, is the monumental door in green bronze made by Antonio Maraini, which was placed here in 1931; to its right is the new Holy Door, made of golden bronze, created by the sculptor Enrico Manfrini and erected for the Jubilee of the year 2000. The central door shows episodes relating to the lives and preaching’s of Saints Peter and Paul. A large cross with inlaid silver and embellished with stones of lapis lazuli overlays the door from side to side. The cross on the drawing represents a cross motif in curlicued silver, and this has on its plaques in lapis lazuli. Four on the horizontal bar show the symbols of the Evangelists, and on the vertical bar are the symbols of the Apostles. The reliefs (left to right) on the door show scenes from the lives, apostolates, and martyrdoms of Saints Peter and Paul, according to the wishes of the abbot of the monastery. Apart from the two central scenes, all of the events depicted took place in Rome. The reliefs depict: <br />
1)	Coat of arms of the Church <br />
2)	Coat of arms of Rome <br />
3)	The Crucifixion of St Peter <br />
4)	"Domine, Quo Vadis?" <br />
5)	Christ Giving the Keys to St Peter <br />
6)	Foundation of the Papal See <br />
7)	St Peter Baptizing in the Catacombs <br />
8)	The Beheading of St Paul <br />
9)	The Conversion of the Centurion <br />
10)	St Paul's Conversion <br />
11)	St Paul Teaching in Rome <br />
12)	St Paul Reaches Rome and is Welcomed by the Faithful
    Porte centrali in bronzo di San Paol..aolo
  • "Light from Heaven - Sistine Chapel - Basilica of Santa Maria Maggiore Rome"... <br />
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After Mass in the Crucifix Chapel on the second morning of the inaugural Pilgrimage I organized, we were joined by our Roman tour guide for the day. As we listened and ventured around the glorious Basilica, my eyes and camera began to wander. I became stupefied by the grand chapel to the right of the main altar with the rising sun peering through the window just below the cupola. I discreetly wandered in and out in hopes it would shine upon the Holy Crib. On my 4th attempt, my judicious endeavor was rewarded. A young woman in a splendid white dress walked directly into the heavenly light. Her luminescence and celestial reverence gave the appearance of a wondrous and radiant angel in admiration of the sacred relic. The right transept is called the Sistine Chapel, containing the elaborate tomb of Pope Sixtus V (1521-90) and decorated with frescoes and reliefs of events from his reign. The chapel centers on a reliquary containing part of the Holy Crib, and the burial place of Saint Jerome, the 4th-century Doctor of the Church. The Patriarchal Basilica of St. Mary Major reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God.
    La luce dal Paradiso - Cappella Sist..Roma
  • “The Vatican Museums Double Helix Spiral Staircase” …<br />
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This modern double helix staircase is located in the Vatican Museum and is commonly referred to as the "Bramante Staircase" after the original architect who built the first staircase in 1505. It is unlikely that the Vatican realized when it commissioned Giuseppe Momo to build a staircase in 1932, that it would become one of the most photographed pieces in a museum that boasts nine miles of art. The Spiral Staircase, also called the Momo Staircase or the Snail Staircase, is made up of two wrought iron stairways – one going up, one going down – that curve in a double helix. Ironically, it was created at a time before the double helix became a symbol for science, DNA, and subsequently, all human life. The architect’s design was not drawn from at this time, an unknown DNA design, but was made like this purely for convenience. As the staircase was created to link the Belvedere Palace to the streets of Rome. Allowing Pope Julius II to travel directly from his private residence by carriage without fuss, with the staircase a ramp to hold the carriages rather than stairs. The reason for the two separate spirals was so carriages could travel up and down without interruptions, with one spiral marked for travels up, and the other for travels down. This staircase is truly a stunning sight to see, however, due to its age and fragility, visitors seeing this landmark in person is nearly impossible. As only a few exclusive tour groups are allowed access each year! While the staircase was once walked by every visitor to the Vatican Museum on their way in, it is no longer on the route and is closed to the public. Fortunately, my Roman tour guide, once again speaking with the guards, allowed me under the ropes to take a rare image without visitors present.
    I Musei Vaticani Doppia Elica Scala ..iola
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