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  • “The Vatican Museums double helix spiral staircase”…<br />
<br />
This modern double helix staircase is located in the Vatican Museum, and commonly referred to as the "Bramante Staircase" after the original architect who built the first staircase in 1505.<br />
It is unlikely that the Vatican realized, when it commissioned Giuseppe Momo to build a staircase in 1932, that it would become one of the most photographed pieces in a museum that boasts 9 miles of art. The Spiral Staircase, also called the Momo Staircase or the Snail Staircase, is made up of two wrought iron stairways – one going up, one going down – that curve in a double helix. Ironically, it was created in a time before the double helix became a symbol for science, DNA, and subsequently, all human life.  While the staircase was once walked by every visitor to the Vatican Museum on their way in, it is no longer on the route and closed to the public. Fortunately, my Roman tour guide, once again speaking with the guards, allowed me under the ropes to take a rare image without visitors present.
    I Musei Vaticani doppia elica scala ..iola
  • “St Mark rises magnificently with the strength of a lion on top of St Mark's Basilica in Venice - Painting by Dino Carbetta”… <br />
<br />
The most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco and adjoins the Doge's Palace. St. Mark’s Square and the Basilica are the central tourist focal points and the most populous in Venice. The relics of the Biblical Gospel author, Saint Mark, have resided in the Basilica since 828 AD. There are more than 85,000 square feet of luminous mosaics in St. Mark’s Basilica. The mosaics were accomplished over 8 centuries, mostly in gold, and the result is astonishing. It's especially resplendent just before sunset when the sun's dying rays set the golden mosaics ablaze. As I headed for the exit, I noticed a very steep staircase and followed it upward. I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica. In the museum, I did take a few veiled photos of the very famous original four horses dating from Classical Antiquity which are duplicated in front of the Basilica. They are very much worth viewing, and if you stare for a moment…they come to life. Meandering outside on the rooftop, I became mesmerized by the multitude of historic artwork residing on high. This image is a close-up captured of St Mark standing majestically atop his Basilica. Embedded within the orange sunset skies behind the Statue of San Marco, a Lion appeared briefly in my camera lens. Mysteriously and mystically, he only appeared again as I began to paint this image. Venetian tradition states that when Mark was traveling through Europe, he arrived at a lagoon in Venice, whereby an angel appeared to him and said, "Pax tibi Marce, evangelista meus. Hic requiescet corpus tuum." ("Peace be with thee, O Mark, my evangelist. Here thy body will rest.")
    San Marco sorge magnificamente con l..etta
  • "Archangel Gabriel - Doge's Palace San Marcò Venice"... <br />
<br />
In the Old Testament, Gabriel prevented Abraham from slaying his son Isaac and encouraged Noah to stow animals into the Ark. In the New Testament, Gabriel declared to Mary (and Joseph) that she was pregnant by the Holy Spirit, which is why this Gabriel is holding an Annunciation lily. In the book of Revelation, Gabriel blows his horn to announce Judgement Day. St Mark’s Basilica is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco and adjoins the Doge's Palace. St. Mark’s Square and the Basilica are the central tourist focal points and the most populous in Venice. The relics of the Biblical Gospel author, Saint Mark, have resided in the Basilica since 828 AD. There are more than 85,000 square feet of luminous mosaics in St. Mark’s Basilica. The mosaics were accomplished over 8 centuries, mostly in gold, and the result is astonishing. It's especially resplendent just before sunset when the sun's dying rays set the golden mosaics ablaze. As I headed for the exit, I noticed a very steep staircase and followed it upward. I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica. In the museum, I did take a few veiled photos of the very famous original four horses dating from Classical Antiquity which are duplicated in front of the Basilica. Meandering outside on the rooftop, I became mesmerized by the multitude of historic artwork residing on high. This knowledgeable and finally crafted saintly angel, Gabriel stood atop the nearest column adjacent to the rooftop, a close-up view not often seen.
    Arcangelo Gabriele - Palazzo Ducale ..ezia
  • “Adoration of the Shepherds - Vatican Museums - Gallery of the Tapestries”…<br />
<br />
Flemish tapestries, realized in Brussels by Pieter van Aelst’s School from drawings by Raphael’s pupils, during the pontificate of Clement VII hang on the walls. They were first shown in the Sistine Chapel in 1531 and arranged for the exhibition in the Gallery in 1838. The Tapestries were woven with silk, wool, and gold after Raffaello’s death. They are known as Della Scuola Nuova (New School's) as opposed to the Scuola Vecchia (Old School's) now in the Pinacoteca Vaticana. Of the original twelve tapestries, eleven remain of which nine are on display since 1838. “Adoration of the Shepherds” is one of many I photographed with great amazement. Each angle of view changes the perspective of each Tapestry. The artistic creativity throughout history shrouds one with pure awe and the understanding of God’s divine grace upon the shoulders of these great artists. One can find a plethora of more than five miles of great artistic inspiration on the Vatican Museum walls.
    Adorazione dei Pastori - Musei Vatic..azzi
  • "St. Jerome in front of the Miracle of St. Joseph of Cupertino - Santa Maria Gloriosa dei Frari Venezia”...<br />
<br />
Alessandro Vittoria sculpted the statue of St Jerome in 1564 and resembles the famous statues by Michelangelo in the sacristy of St. Lorenzo in Florence. St. Jerome was defined as “one of the most famous works of the 1500s,” imitating Michelangelo’s style. The expression, the realistic likeness to the human form, the strength, and finesse demonstrate the introspective talent of the artist. The Miracle of St. Joseph of Cupertino is by Giuseppe Nogari in the 18th century. Joseph of Cupertino is most famous for levitating at prayer. He painted mainly half-body portraits, either real or of historical and religious figures. They are striking for their emotional content, subdued decoration, and coloration, and often display aged individuals in somewhat homely or shabby attire with a dark background. The Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, artistic brilliance, and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” “Frari,” is a very large Gothic church of the early 15th-century, initially built of brick (like many Franciscan churches designed for preaching to large crowds, but now filled with elaborate paintings and tombs.) The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    San Girolamo di fronte al Miracolo d..ezia
  • “Mosaic facade of the Basilica of San Marco Venice”… <br />
<br />
St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace. St. Mark’s Square and the Basilica are the central tourist focal points and most crowded of Venice. The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD. After a long wait in line to enter the Basilica (with no photos allowed), the interior was unique. As I headed for the exit, I noticed a very steep staircase and followed it upward. I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica. At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica. They are very much worth viewing, and if you stare for a moment…they come to life. This image is a close up captured of the very large mosaic over the front entrance to the Basilica. Mk 16:15-20: Jesus appeared to the Eleven and said to them: “Go into the whole world and proclaim the Gospel to every creature. Whoever believes and is baptized will be saved; whoever does not believe will be condemned. These signs will accompany those who believe: in my name they will drive out demons, they will speak new languages. They will pick up serpents with their hands, and if they drink any deadly thing, it will not harm them. They will lay hands on the sick, and they will recover.” Then the Lord Jesus, after he spoke to them, was taken up into heaven and took his seat at the right hand of God. But they went forth and preached everywhere, while the Lord worked with them and confirmed the word through accompanying signs.
    Mosaico facciata Basilica di San Mar..ezia
  • “Christ in front of Paradise - the Basilica of Santa Maria Gloriosa dei Frari Venezia – Painting by Dino Carbetta”…<br />
<br />
A view toward the Altar and Titian’s great painting, peering toward an extraordinary bestowment of artistic reverent beauty of Heaven. The complexity and aggregate of all the artwork involved in this presentation are a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. However, the Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance, and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and is necessitated by a very large church. The wood crucifix from 1468, hangs over the entrance of the choir. Traditionally, a Calvary was hanging above the choir and beside the Crucifix, there are the sculptures of the Madonna and Saint John the Evangelist. It is very likely that – thanks to His beauty and relevance – this crucifix was taken as a pattern for many others in Venezia and the Veneto region. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    Cristo di fronte il Paradiso - la Ba..etta
  • “Hail, Queen of Peace - Basilica of Santa Maria Maggiore”… <br />
<br />
The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, Santa Maria Maggiore has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. The numerous treasures contained in the museum render Santa Maria Maggiore a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of a man inspired by God. The transcendent and inspiring Regina Pacis and the Christ child is a 20th-century statue of the ‘Queen of Peace’ commissioned by Pope Benedict XV in commemoration of the end of the First World War. “Hail Mary full of Grace, the Lord is with thee. Blessed are thou among women and blessed is the fruit of thy womb Jesus. Holy Mary Mother of God, pray for us sinners now and at the hour of our death Amen.”
    Ave Regina Pacis - Basilica di Santa..iore
  • “Titian - Assumption of the Virgin under the Crucifix in the Basilica of Santa Maria Gloriosa of the Frari Venice”…<br />
<br />
This image is perhaps one of the most difficult to actualize in my young vocation in Fine/Sacred Art. The complexity and aggregate of all the artwork involved in this presentation is a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. However, the Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, artistic brilliance, and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed to sneak a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a very large Gothic church of the early 15th-century, initially built of brick (like many Franciscan churches designed for preaching to large crowds, but now filled with elaborate paintings and tombs.) The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting in oils by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and is necessitated by the large church, having a considerable distance between the altar and the congregation. It marked a new direction in Titian's style that reflected his awareness of the developments in High Renaissance painting further south, in Florence and Rome by artists including Raphael and Michelangelo.  Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    Tiziano - Assunzione della Vergine s..ezia
  • "The high altar of the Papal Basilica of Santa Maria Maggiore in Rome"...<br />
<br />
The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. Behind the triumphal arch is the central apse, whose mosaic, dating to the late 13th century, is incredible. Mary and Jesus sit together at the center of the half-dome enthroned. Below the mosaic is four-pointed windows, which are the earliest examples of gothic architecture in Rome. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of a man inspired by God. The apse mosaic, depicting the Coronation of the Virgin, is from the late 13th century, by the Franciscan friar, Jacopo Torriti.
    L'altare maggiore della Basilica Pap..Roma
  • "Light from Heaven - Sistine Chapel - Basilica of Santa Maria Maggiore Rome"... <br />
<br />
After Mass in the Crucifix Chapel on the second morning of the inaugural Pilgrimage I organized, we were joined by our Roman tour guide for the day. As we listened and ventured around the glorious Basilica, my eyes and camera began to wander. I became stupefied by the grand chapel to the right of the main altar with the rising sun peering through the window just below the cupola. I discreetly wandered in and out in hopes it would shine upon the Holy Crib. On my 4th attempt, my judicious endeavor was rewarded. A young woman in a splendid white dress walked directly into the heavenly light. Her luminescence and celestial reverence gave the appearance of a wondrous and radiant angel in admiration of the sacred relic. The right transept is called the Sistine Chapel, containing the elaborate tomb of Pope Sixtus V (1521-90) and decorated with frescoes and reliefs of events from his reign. The chapel centers on a reliquary containing part of the Holy Crib, and the burial place of Saint Jerome, the 4th-century Doctor of the Church. The Patriarchal Basilica of St. Mary Major reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God.
    La luce dal Paradiso - Cappella Sist..Roma
  • “Angels watch over the lake at Villa Borghese in Rome”…<br />
<br />
Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus.  Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, the Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and gives time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Angeli vigilare lago presso Villa Bo..Roma
  • “The Vatican Museums double helix spiral staircase II”…<br />
<br />
This modern double helix staircase is located in the Vatican Museum, and commonly referred to as the "Bramante Staircase" after the original architect who built the first staircase in 1505.<br />
It is unlikely that the Vatican realized, when it commissioned Giuseppe Momo to build a staircase in 1932, that it would become one of the most photographed pieces in a museum that boasts 9 miles of art. The Spiral Staircase, also called the Momo Staircase or the Snail Staircase, is made up of two wrought iron stairways – one going up, one going down – that curve in a double helix. Ironically, it was created in a time before the double helix became a symbol for science, DNA, and subsequently, all human life.  While the staircase was once walked by every visitor to the Vatican Museum on their way in, it is no longer on the route and closed to the public. Fortunately, my Roman tour guide, once again speaking with the guards, allowed me under the ropes to take a rare image without visitors present.
    I Musei Vaticani doppia elica scala ..a II
  • "The Triumphal Quadriga - Horses of Saint Mark's Basilica in Venice"...<br />
<br />
St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace.  St. Mark’s Square and the Basilica are the central tourist focal points, and most crowded of Venice.  The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD.  After a long wait in line to enter the Basilica (with no photos allowed), the interior was quite unique.  As I headed for the exit, I noticed a very steep staircase and followed it upward.  I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica.  At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica.  The horses date to Greece in the 4th century BC, and were eventually displayed at the Hippodrome in Constantinople until Venice sacked them in 1204 AD; also, Napoleon forcibly took them to Paris.  In 1815, the now almost 2500 year old horses made it safely back to Venice.  They are very much worth viewing, and if you stare for a moment…they come to life.  I eventually made my way for a prominent view atop the tiny rooftop terrace in the front of the Basilica, which mesmerized with commanding views of St. Mark’s Square and adjacent Doge’s Palace. I often view this image of the most famous and well-traveled horses in the world and ponder all they have witnessed over the last 2000 years.
    Il Trionfale Quadriga - Cavalli dell..ezia
  • "Basilica di San Marco - Venice"...<br />
<br />
St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace.  St. Mark’s Square and the Basilica are the central tourist focal points and most crowded of Venice.  The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD.  After a long wait in line to enter the Basilica (with no photos allowed), the interior was quite unique.  As I headed for the exit, I noticed a very steep staircase and followed it upward.  I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica.  At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica.  The horses date to Greece in the 4th century BC, and were eventually displayed at the Hippodrome in Constantinople until Venice sacked them in 1204 AD; also, Napoleon forcibly took them to Paris.  In 1815, the now almost 2500 year old horses made it safely back to Venice.  They are very much worth viewing, and if you stare for a moment…they come to life.  I eventually made my way for a prominent view atop the tiny rooftop terrace in the front of the Basilica, which mesmerized with commanding views of St. Mark’s Square and adjacent Doge’s Palace.
    Basilica di San Marco - Venezia
  • “Guardian Angel - Patriarchal Cathedral Basilica of St. Mark Venice”…<br />
<br />
St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace.  St. Mark’s Square and the Basilica are the central tourist focal points, and most crowded of Venice.  The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD.  After a long wait in line to enter the Basilica (with no photos allowed), the interior was quite unique.  As I headed for the exit, I noticed a very steep staircase and followed it upward.  I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica.  At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica.  The horses date to Greece in the 4th century BC, and were eventually displayed at the Hippodrome in Constantinople until Venice sacked them in 1204 AD; also, Napoleon forcibly took them to Paris.  In 1815, the now almost 2500 year old horses made it safely back to Venice.  They are very much worth viewing, and if you stare for a moment…they come to life.  I eventually made my way for a prominent view atop the tiny rooftop terrace in the front of the Basilica, which mesmerized with commanding views of St. Mark’s Square and adjacent Doge’s Palace.  This knowledgeable and finally crafted saintly angel stood atop the nearest column adjacent to the rooftop, a close-up view not often seen.
    Angelo custode - Basilica Cattedrale..ezia
  • "Guardian Angel Expression - Basilica Patriarchal Cathedral of San Marcò"...<br />
<br />
St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace.  St. Mark’s Square and the Basilica are the central tourist focal points, and most crowded of Venice.  The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD.  After a long wait in line to enter the Basilica (with no photos allowed), the interior was quite unique.  As I headed for the exit, I noticed a very steep staircase and followed it upward.  I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica.  At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica.  The horses date to Greece in the 4th century BC, and were eventually displayed at the Hippodrome in Constantinople until Venice sacked them in 1204 AD; also, Napoleon forcibly took them to Paris.  In 1815, the now almost 2500 year old horses made it safely back to Venice.  They are very much worth viewing, and if you stare for a moment…they come to life.  I eventually made my way for a prominent view atop the tiny rooftop terrace in the front of the Basilica, which mesmerized with commanding views of St. Mark’s Square and adjacent Doge’s Palace.  This knowledgeable and finally crafted saintly angel stood atop the nearest column adjacent to the rooftop, a close-up view not often seen.
    Angelo Custode espressione - Basilic..arcò
  • “Guardian Angel - Patriarchal Cathedral Basilica of St. Mark”…<br />
<br />
St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace.  St. Mark’s Square and the Basilica are the central tourist focal points and most crowded of Venice.  The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD.  After a long wait in line to enter the Basilica (with no photos allowed), the interior was quite unique.  As I headed for the exit, I noticed a very steep staircase and followed it upward.  I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica.  At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica.  The horses date to Greece in the 4th century BC, and were eventually displayed at the Hippodrome in Constantinople until Venice sacked them in 1204 AD; also, Napoleon forcibly took them to Paris.  In 1815, the now almost 2500 year old horses made it safely back to Venice.  They are very much worth viewing, and if you stare for a moment…they come to life.  I eventually made my way for a prominent view atop the tiny rooftop terrace in the front of the Basilica, which mesmerized with commanding views of St. Mark’s Square and adjacent Doge’s Palace.  This knowledgeable and finally crafted saintly angel stood atop the nearest column adjacent to the rooftop, a close-up view not often seen.
    Angelo Custode - Basilica Cattedral..arcò
  • “Angels Guard the Main Altar of the Sistine Chapel - Basilica of Santa Maria Maggiore Rome”…<br />
<br />
After Mass in the Crucifix Chapel on the second morning of the inaugural Pilgrimage I organized, we were joined by our Roman tour guide for the day. As we listened and ventured around the glorious Basilica, my eyes and camera began to wander. I became stupefied by the grand chapel to the right of the main altar with the rising sun peering through the window just below the cupola. I discreetly wandered in and out in hopes it would shine upon the Holy Crib. The right transept is called the Sistine Chapel, containing the elaborate tomb of Pope Sixtus V (1521-90) and decorated with frescoes and reliefs of events from his reign. The chapel centers on a reliquary containing part of the Holy Crib, and the burial place of Saint Jerome, the 4th-century Doctor of the Church. The architect Domenico Fontana designed the chapel, which also contains the tomb of Pope Pius V. The main altar in the chapel has four gilded bronze angels by Sebastiano Torregiani, holding up the ciborium, which is a model of the chapel itself. The Patriarchal Basilica of St. Mary Major reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God.
    Angeli Custodiscono L'altare Princip..Roma
  • “Mystic Reflections of Villa Borghese – Rome”…<br />
<br />
Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus.  Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, the Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and gives time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Riflessioni Mistiche di Villa Borghe..Roma
  • “The evening reflections at Villa Borghese – Rome”…<br />
<br />
I stumbled into photography just before graduation at the U of TN while volunteering at a local hospital where I was influenced to attend Brooks Institute.  The instructors preached the technical aspects of photography, and upon graduation…we could implement our own artistic vision.  As a commercial photographer since graduation, I have had little time to express my artistic vision…until I went to Italy for the first time, where I discovered my true love and passion!  I consider myself a “contemplative” photographer, and as such, I have a three-part process to achieve my final presentation for each image: the discovery, how I perceive the image creation, and how I hope others will perceive the image.  This artistic pursuit, I imagine, is similar to Michelangelo viewing a piece of marble for the first time.  Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake.  Surrounding this small lake is a three-foot iron fence, which I now affectionately call “Il lago di dolore”, or Lake Pain!  I tried to cross this iron fence with camera in hand and a 20lb bag on my shoulder…needless to say, it did not go well!  Despite the intense pain, I continued to take 60 images around the lake, and upon return home, I stubbornly refused to look at them until recently.  My disdain for Lake Pain kept me from discovering the true artistic vision I first saw when I began creating these images. I finally gave into the contempt I had for the Lake and began working on several images.  Perhaps, the viewer will perceive the great pain it took to finally engender a feeling of solace and peace in the true vision, and find that suffering eventually brought forth eminent beauty.  As for this photographer, Il lago di dolore will be a constant reminder that the creation of great art sometimes endures great pain!
    Le riflessioni della sera a Villa Bo..Roma
  • "Ancient Crucifix on the wall of the Basilica of Santa Maria Gloriosa dei Frari - Venice"...<br />
<br />
The complexity and aggregate of all the artwork involved in this presentation are a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. However, the Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed to sneak a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a very large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and necessitated by the very large church. This ancient crucifix with “Golden Jesus” is suspended starkly on one of the rearmost antique walls facing a multitude of Chapels. The juxtaposition of the gold contrasts with the furrowed surface, however displaying a perfect synergy for the reverent display. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook such as the Basilica of Santa Maria Gloriosa dei Frari.
    Antico Crocifisso sul muro della Bas..ezia
  • “Christ in Paradise - the Basilica of Santa Maria Gloriosa of the Frari Venice”…<br />
<br />
A view from the Altar in front of Titian’s great painting, peering toward an extraordinary bestowment of artistic reverent beauty of Heaven. The complexity and aggregate of all the artwork involved in this presentation are a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. However, the Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed to sneak a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a very large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and necessitated by the very large church. The wood crucifix from 1468, hangs over the entrance of the choir. Traditionally, there was a Calvary hanging above the choir and beside the Crucifix, there are the sculptures of the Madonna and Saint John the Evangelist. It is very likely that – thanks to His beauty and relevance – this crucifix was taken as a pattern for many others in Venezia and the Veneto region. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    Cristo in Paradiso - la Basilica di ..ezia
  • “Panoramic sunset reflections of Villa Borghese – Rome”…<br />
<br />
Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus.  Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, the Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and gives time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Panoramico riflessioni di tramonto d..Roma
  • "The sun goes down on the Arch at the gardens of Villa Borghese Roma"...<br />
<br />
I stumbled into photography just before graduation at the U of TN while volunteering at a local hospital where I was influenced to attend Brooks Institute. The instructors preached the technical aspects of photography, and upon graduation…we could implement our own artistic vision. As a commercial photographer since graduation, I have had little time to express my artistic vision…until I went to Italy for the first time, where I discovered my true love and passion! I consider myself a “contemplative” photographer, and as such, I have a three-part process to achieve my final presentation for each image: the discovery, how I perceive the image creation, and how I hope others will perceive the image. This artistic pursuit, I imagine, is similar to Michelangelo viewing a piece of marble for the first time. Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. This image captured the last highlights of the descending sun while gazing through the archway into the mystical dusk drenched gardens.
    Il sole scende sull'Arco ai giardini..Roma
  • "Dome of the Basilica of St. Peter seen from the window of the Vatican Museum"...
    Cupola della Basilica di San Pietro ..cano
  • “Altar of the Crucifix - Basilica of Santa Maria Gloriosa of the Frari Venice”…<br />
<br />
The altar, designed by Baldassare Longhena and executed by the Flemish Giusto Le Court, was built in 1672 by Father Agostino Maffei. On the tympanum, angels hold up the image of Veronica's burial cloth. Between the two marble columns, there are angels holding the tools to the Passion of Christ and two other kneeling at the foot of the crucifix. The complexity and aggregate of all the artwork involved in this presentation are a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. However, the Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” “Frari,” is a very large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. “The Assumption” is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and necessitated by the very large church. The wood crucifix from 1468, hangs over the entrance of the choir. Traditionally, there was a Calvary hanging above the choir and beside the Crucifix, there are the sculptures of the Madonna and Saint John the Evangelist. It is very likely that – thanks to His beauty and relevance – this crucifix was taken as a pattern for many others in Venezia and the Veneto region. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    Altare del Crocifisso - Basilica di ..ezia
  • “Coronation of the Virgin above the Altar - Santa Maria Maggiore”…<br />
<br />
The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. Behind the triumphal arch is the central apse, whose mosaic, dating to the 1200s, is an incredible euphoric vision. Mary and Jesus sit together at the center of the half-dome enthroned. Below the mosaic is four-pointed windows, which are the earliest examples of gothic architecture in Rome. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God. The apse mosaic, depicting the Coronation of the Virgin, is from the late 13th century, by the Franciscan friar, Jacopo Torriti.
    Incoronazione della Vergine sopra l'..iore
  • "Madonna of the Angels - The Basilica of Saint Mary of the Angels – Assisi"...<br />
<br />
Portiuncula is a town and a parish situated about three-quarters of a mile from Assisi. The town has grown up around the Basilica of Our Lady of the Angels. It was of this little church moved within the Basilica that St. Francis recognized his vocation in the year 1208, and it was where St. Francis spent most of his life. In 1211, the Benedictines gave him the little chapel of St. Mary of the Angels or the Portiuncula, which is a “little portion” of land. The first Franciscan convent was also formed nearby. The Portiuncula was also where St. Francis received the vows of St. Clare. St. Francis died here on October 3, 1226, and on his death-bed, he recommended the chapel to the faithful protection and care of his brothers. Two years before Saint Francis of Assisi died, and when he was 42 years old — one year after he had built the first crib in honor of Our Lord — he went off to a lonely mountain called Mount Alvernia, to prepare himself by forty days of fasting and prayer for the feast of Saint Michael, the greatest of God’s angels. On the feast of the Exaltation of the Holy Cross on September 14, Saint Francis received in his hands, feet and side the Sacred Wounds from Our Lord’s own body. Never was a saint more beautifully loved than Saint Francis of Assisi. The wounds Jesus gave him stayed in his hands, feet, and side, and continually bled for two more years, until he died in 1226. This realistic image of St. Francis with the Stigmata on his hands was captured in the Basilica Museum, along with many other historical treasures from his life. Our 2019 Pilgrimage was fortunate to tour this very reverent and spiritual Basilica. The gold-plated statue of the Madonna degli Angeli by the sculptor Colasanti and cast by Ferdinando Marinelli Artistic Foundry was put on top of the façade in 1930.
    Madonna degli Angeli - La Basilica d..sisi
  • "Madonna and Child with Saints - Chapel of the Franciscan Saints - Basilica dei Frari Venice"...<br />
<br />
The altarpiece is depicting the Madonna and Child enthroned. To His right are St. Clare, St. Bonaventure, St. Francis and St. Mark; behind the head of the client: father Antonietto da Venezia; to the left: St. John the Baptist, St. Anthony, St. Louis d'Anjou (Bishop of Toulouse) and Saint Andrew. The artist is Bernardino Licinio and completed in the year 1524. The Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed to sneak a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a very large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and necessitated by the very large church. This masterpiece of Madonna and Child is a central theme of all the dramatic chapels around Frari to the delight of the faithful. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook such as the Basilica of Santa Maria Gloriosa dei Frari.
    Madonna col Bambino e santi - Cappel..ezia
  • “Christ illuminated by Paradise - the Basilica of Santa Maria Gloriosa dei Frari Venezia”…<br />
<br />
A window illumination view of the Crucifixion, peering toward an extraordinary bestowment of artistic reverent beauty of Heaven. The complexity and aggregate of all the artwork involved in this presentation are a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. However, the Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed to sneak a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a very large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and necessitated by the very large church. The wood crucifix from 1468, hangs over the entrance of the choir. Traditionally, there was a Calvary hanging above the choir and beside the Crucifix, there are the sculptures of the Madonna and Saint John the Evangelist. It is very likely that – thanks to His beauty and relevance – this crucifix was taken as a pattern for many others in Venezia and the Veneto region. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    Cristo illuminato da Paradiso - la B..ezia
  • “Crucifixion Altar of Santa Maria Maggiore in Rome”…<br />
<br />
The Cappella delle Reliquie (Chapel of the Relics) by Ferdinando Fuga, 1750 has 10 red porphyry columns and this late 14th-early 15th century wooden crucifix which used to be at the entrance to the church where the tomb of Pope Clement IX is located. The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God.
    Crocifissione Altare di Santa Maria ..Roma
  • “Reflections of the sun on Villa Borghese – Rome”…<br />
<br />
Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus.  Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, the Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and gives time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Riflessioni sole della su Villa Borg..Roma
  • “Ancient Roman garden replica of Hercules from Pompey”…<br />
<br />
This statue among ancient ruins is probably a 15th or 16th century stone replica I accidently stumbled upon in a Roman garden of the very famous bronze statue of Heracles with club, lion skin and golden apples. The original statue was found neatly buried under tiles with the inscription “FCS” (“fulgor conditum summanium”), indicating that it was struck by lightning then buried on the spot. The priceless statue is Gilt bronze Roman artwork of the 2nd century AD, and located in the Vatican museum.  This image is probably the most unusual of my Italian journey and every bit an accidental surprise.  Upon leaving the Basilica of Santa Maria Maggiore, I decided to walk just over a mile to the Basilica di San Giovanni in Laterano.  The street Via Merulana was lined with attractive 5-6 story apartment homes.  Not sure if I was heading in the right direction, I walked into a bottom floor parking garage seeking help, and found an elderly Italian woman sitting in a garden opposite the street. As I walked through the garage to the other side, shockingly I noticed the garden had ancient ruins around the edges with replicas of famous statues as center pieces.  It was as if I’d been transported back to ancient times, and the juxtaposition of the 100 year old newer building seemed aberrant, yet I remembered I was in the Eternal City where civilizations were stacked atop each other for almost 3000 years.  The elderly Italian woman assured me I was heading in the right direction and allowed me a few minutes to photograph the ancient ruins.  She smiled and waved as I left and exclaimed, “Buon Viaggio!” as I walked away.  Her wish for me was “Have a nice trip!” in Italian.
    Antico giardino romano replica di Er..mpeo
  • “Ca 'Rezzonico Civic Museums Foundation of Venice and in the distance the watchful bell tower of the Church of San Samuele”…<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating.  We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Ca' Rezzonico Fondazione Musei Civic..uele
  • “Chapel of St. Maximilian Kolbe - Santa Maria Gloriosa dei Frari - Venice Italy”…<br />
<br />
As they were being marched away to the starvation bunkers, Number 16670 dared to step from the line. “I would like to take that man’s place. He has a wife and children.” “Who are you?”  “A priest.” No name, no mention of fame. Silence. The commandant, dumbfounded, perhaps with a fleeting thought of history, kicked Sergeant Francis Gajowniczek out of line and ordered Fr. Kolbe to go with the nine. In the “block of death,” they were ordered to strip naked, and their slow starvation began in darkness. But there was no screaming—the prisoners sang. By the eve of the Assumption, four were left alive. The jailer came to finish Kolbe off as he sat in a corner praying. He lifted his fleshless arm to receive the bite from the deadly hypodermic needle. They burned his body with all the others. Fr. Kolbe was beatified in 1971 and canonized in 1982. Saint Maximilian Kolbe, was a Polish Catholic priest and Conventual Franciscan friar who volunteered to die in place of a stranger in the German death camp of Auschwitz, located in German-occupied Poland during World War II. He had been active in promoting the veneration of the Immaculate Virgin Mary, founding and supervising the monastery near Warsaw, operating an amateur radio station, and founding or running several other organizations and publications. Kolbe composed the Immaculata prayer as a prayer of consecration to the Immaculata. The Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination journeys with a fascinating impression of great history, aesthetic brilliance, and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” This Chapel of St. Maximilian Kolbe is a familiar theme of all the dramatic chapels around Frari reconciling the devotion and sanctity of the faithful.
    Cappella di San Massimiliano Kolbe -..alia
  • "In the late afternoon the sun penetrates through ancient abandoned buildings along the Santa Fosca Canal in Venice"...<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass in the sacristy. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Nel tardo pomeriggio il sole penetra..ezia
  • “A Million Faces of Jesus by Dino Carbetta – Resplendent”…<br />
<br />
“God of every nation and people, from the very beginning of creation you have made manifest your love: when our need for a Savior was great you sent your Son to be born of the Virgin Mary. To our lives, he brings joy and peace, justice, mercy, and love.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. Battle against Evil: Finally, draw your strength from the Lord and from his mighty power. Put on the armor of God so that you may be able to stand firm against the tactics of the devil. For our struggle is not with flesh and blood but with the principalities, with the powers, with the world rulers of this present darkness, with the evil spirits in the heavens. Therefore, put on the armor of God, that you may be able to resist on an evil day and, having done everything, to hold your ground. So stand fast with your loins girded in truth, clothed with righteousness as a breastplate, and your feet shod in readiness for the gospel of peace. In all circumstances, hold faith as a shield, to quench all [the] flaming arrows of the evil one. And take the helmet of salvation and the sword of the Spirit, which is the word of God.  EPHESIANS, 6:10-17
    Un Milione di volti di Gesù di Dino ..ente
  • “Iridescent Venetian Sunset”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three glorious days in Venice.
    Iridescente Veneziano Tramonto
  • "Christ Crucified - Santa Maria della Salute Venice - BW"... <br />
<br />
The Basilica di Santa Maria della Salute (Basilica of St. Mary of Health), commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a prominent position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite small interiorly. I am not sure if it was ever an active parish but more of a shrine with little room for seating. The steps wrapping around the front and sides make a perfect destination for relaxation during warm Venetian days. Interior windows open to the sky which allows for a great deal of sunlight, and as I meandered around I noticed a beautiful crucifix near the confessional. The strong rays of sunshine illuminated the face of Christ just enough to encourage one to examine their conscience one last time before entering into Sacrament of Confession.
    Cristo Crocifisso - Santa Maria dell..- BW
  • “Monument of Madonna embracing the Cross in the Basilica of Santa Maria Maggiore in Rome”…<br />
<br />
The first major stop on my first visit to Rome was The Patriarchal Basilica of Saint Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, Saint Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. I found Saint Mary in a spectacular monument to Cardinal Agostino Favoriti, 1685, by Filippo Carcani. The famous 17th-century cardinal is shown seated at a desk behind large allegorical figures of Fortitude (with the lion) and Saint Mary representing religion. Of the very large monument, Mother Mary stood out to me, as one cannot help feeling blessed by her compassionate presence, and the luminescent glow of light gently descending upon her face, revealing her abiding love for her precious son. Pope Benedict XVI, speaking about Pope John Paul II of suffering and his love of the Holy Mother; “in that last Easter Sunday of his life, the Holy Father, marked by suffering, came once more to the window of the Apostolic Palace and one last time gave his blessing Urbi et Orbi (‘to the city and the world’). “We can be sure that our beloved pope is standing today at the window of the Father’s house, that sees us and blesses us. Yes, bless us, Holy Father. We entrust your dear soul to the Mother of God, your Mother, who guided you each day and who will guide you now to the glory of her Son, our Lord Jesus Christ. Amen.”
    Monumento di Madonna abbracciando La..Roma
  • “Our Lady of Sorrows Radiant Blue - Cathedral of San Rufino, Assisi - Painting by Dino Carbetta”…<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Radiante Azzurre ..etta
  • "Saint Helena holding the cross - Santa Croce in Gerusalemme, Rome"...<br />
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The Basilica of the Holy Cross in Jerusalem is located in Rome, in the Esquilino quarter, close to the Aurelian Walls and the Castrense Amphitheatre, between the Basilica of St. John Lateran and Porta Maggiore. The Basilica of the Holy Cross is part of the route of the “Seven Churches” that ancient pilgrims used to visit on foot. Several sources, including an inscription in the church, verify that the Sessorian Palace was owned by the empress St. Helen (c.255-330), Constantine's mother. From the end of the 4th century, it was said that St. Helen had made a pilgrimage to the Holy Land, during which she discovered the True Cross on which Christ was crucified and many other relics. It was also said that she wished to set up a shrine in Rome for pilgrims who could not travel to Jerusalem. The first room of the chapel has a Roman-era statue of St. Helen holding the cross. Beneath the statue is a floor believed to contain soil from the Holy Land. Under the protective glass covering the soil are many paper prayers from the faithful. Fragments of the cross were circulating in the West by 348 AD. The earliest historical record of the church, dated to 501 AD, refers to it as "Hierusalem basilica Sessoriani palatii." Architecturally, it is notable that the 4th-century Chapel of St. Helen is quite similar in design to a martyrium that was erected by Constantine in Jerusalem to house a fragment of the True Cross. In 1492, a dramatic discovery was made in the course of repairs to a mosaic: a brick inscribed with the words TITULUS CRUCIS (Title of the Cross). Sealed behind the brick was a fragment of an inscription in wood, with the word "Nazarene" written in Hebrew, Latin, and Greek. The Title is mentioned in all four Gospel accounts. This was our first stop on our Pilgrimage of 2019 in Italy. A very propitious, historical, and spiritual beginning to a monumental journey in The Eternal City.
    Sant'Elena con in mano la croce - Sa..Roma
  • “Illuminating glow of the Grand Canal in Venice”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic,” however, there has never been a more perfect description to define Venice’s ever changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight.  The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Venturing about the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number one of 6500 images. Not until I began writing these descriptions did I realize that many of these captures were taken the day I arrived in Venice…it was sensory overload.  Canal sunsets became the norm of my three days in Venice. This has always been one of my favorite images taken from a little alley behind the famous Rialto Bridge peering down the Grand Canal. One cannot help notice the towering Campanile of The Chiesa dei Santi Apostoli di Cristo (Church of the Holy Apostles of Christ). It is a 7th-century Roman Catholic Church, and one of the oldest churches in the city. Not imposing from the exterior, but sacred-elegant and austere interiorly, very much worthy of Mass or just a visit.
    Illuminando bagliore del Canal Grand..ezia
  • “Crucifixion beyond the entrance to the Abbey of Santa Giustina – Padua”…<br />
<br />
Our Pilgrimage finally arrived in Padua and after lunch, we discovered the Abbey of Santa Giustina attached to the Basilica built in the 6th century. It contains the relics of multiple saints (including those of St. Luke the Evangelist). Shaped in the form of a Latin cross, the prodigious Basilica of St. Giustina is one of the most colossal in all of Christianity. The grandeur of the building is enhanced by the Prato della Valle which it overlooks. There are 3 main chapels: the presbytery and 2 chapels for Saints Luke and Matthew that form the transepts and each aisle has six small chapels. The Abbey and the Basilica of St. Anthony were two of my foremost surprises and a must-see on a Pilgrimage to Italy. Unfortunately, pictures were allowed only in St. Giustina, but not in the latter. Initially, I was a bit overwhelmed at the imposing wide open space of the Basilica. The high altar seemed an eternity away. It is difficult to give one a perspective of just how spacious and immense many of these basilicas can be, not only in pictures but in words. The colorful geometric marble floor leads one to the main altar, but only adds to the great depth, size, and dimension of the Basilica. A curiously placed Crucifix standing about 6’ tall is located just inside the colossal nave and appears diminutive below the 26 pillars supporting the 8 cupolas. As most basilicas are traditionally dark depending on the sunlight, the Crucifix was almost a complete faint silhouette only lit by the dome windows above the altar. Standing as close as possible with a telephoto perspective, I was able to reverse the impression of size and portray the grandiosity Christ deserves, as well as the original artist. The distant window light bled over the body and illuminated the darkness. The glow of the original beauty has become radiant. Framed by the brilliant distant archways, the Crucifixion becomes transformed.
    Crocifissione oltre l'ingresso dell'..dova
  • “Organic Venice - Perpetual Evolution of Splendor, Harmony, and Color” …<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. This image was captured along a small canal in front of The Santa Maria Gloriosa dei Frari (St. Mary of the Friars), known locally as Frari, one of the great churches of Venice. Ironically, before my Italian journey, I read Rick Steve’s travel book on Italy and watched all of his shows made in Italy. It seemed every American tourist had his book in their hands following closely every piece of advice he offered. As I pondered my impending images, I looked up and there was Rick about 20 feet in front of me. Sometimes one has moments of brilliance, and mine was to yell…"Hey, Rick” and snap a photo when he looked. He smiled as I walked up and shook his hand, and dumbfoundedly I shared how much he contributed to my tour. He was very gracious as we spoke for about five minutes and then he continued producing his next PBS show on the Venice Lagoon including his favorite church, The Frari. As I walked away shocked by my accidental meeting, the clouds parted and the light transformed a perfect ambiance along this tiny, yet majestic canal.
    Venezia organica - evoluzione perpet..lore
  • "Father Peek elevates the Host for Adoration - The Church of Santo Spirito in Sassia"...<br />
<br />
For me personally, this image is one of my favorites and most poignant of our 2019 Pilgrimage. Our 4th gentile morning in Roma before leaving for Sorrento, we walked from our hotel to the Bellissimo Santo Spirito for Mass. Located just steps from St. Peter’s Basilica, the church is the center of the Divine Mercy established by St. John Paul II. Each day at 3 p.m. the congregants assemble to pray the Divine Mercy Chaplet in this reverent sanctuary containing relics of both St. Faustina Kowalska and St. John Paul II. The church is distinguished for its beautiful and pious artistic and aesthetic adornment, yet, also has a long history of bringing mercy to the human spirit and body. In the eighth century, there was a church in this place called Santa Maria in Sassia dedicated to the Virgin Mary. The name of the church comes from “the Saxon school,” where pilgrims from Northern Europe and Saxon nations received their first spiritual and material assistance. In 1198, at the request of Pope Innocent III, the first “Holy Spirit Hospital” in Europe was built adjacent to the church. The chapel on the right side is dedicated to The Divine Mercy and to Saint Faustina where the statue of “The Apostle of The Divine Mercy” resides with her reliquary donated by the Holy Father John Paul II. The reflection of Father Peek in “The Elevation of the Host” is after genuflection in adoration. The priest raises the Host so that the Faithful may also adore Jesus Christ, true God and true Man present on the altar. Look at the sacred Body of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things."
    Padre Peek Eleva Consacrata l'ostia ..ssia
  • "Riello Canal of Santa Sofia - Ca 'D'Oro, Venice"...<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass in the sacristy. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Canale Riello de Santa Sofia - Ca 'D..ezia
  • “The Raven of Venice by Pietro Piccione - Painting and Verse by Dino Carbetta”…<br />
<br />
I sit and I stare, surrounded by l'acqua everywhere, waiting patiently for my bountiful, yet fair share. I own this place, every space, dark ambiguous feathers grant me this grace. It may be just supposition, the Father above has chosen my instinctive position. My most serene Venice, ancient and grey, bustling with humans most every day. No need to scuttle, my multi-colored brethren gather scraps with the repetitive climax of a Venetian Play. Steely eyes, a distant glare, diligent Pigeons begging, but I sit and I stare. Humans throw the foolish gull food, amused by the feathery brood. The shadow veil, a mysterious epicurean tale. I, no scurry or covet, I sit and I stare. Venezia, the island city, tourist dream in prose and verse of past glories masquerading, yet perverse. Surrounded by the luminous spectacle; ornate marble and frescoed palace, my world of bell towers, domes, azure waters under the Adriatic air, I sit and I stare. For I am the king of this basin, the Raven, mysterious violet ebony, no one questions my grace in. I am the romance and protector of my tiny canal, yet high enough above, my reflection dances in the water below, offering a Bellissimo prayer. I sit and I stare. The time is near, as I transport to bygone years, for I am the romantic Doge of this tiny island abode. I take what I desire, as the sunlight sets ablaze the waters with sparkling fire. Alas, for I am only the illusory purple Pigeon baptized Peter, yet I will forever dream as I sit and I stare.
    Il Corvo di Venezia di Pietro Piccio..etta
  • “The Sacred Heart of Jesus - Basilica of San Lorenzo in Lucina Rome - Painting by Dino Carbetta”…<br />
<br />
19 days after Pentecost, Catholics celebrate the Solemnity of the Sacred Heart of Jesus. The Catechism, quoting Pope Pius XII’s beautiful encyclical on the devotion to the Sacred Heart of Jesus, states, “Jesus has loved us all with a human heart. For this reason, the Sacred Heart of Jesus, pierced by our sins and for our salvation, ‘is quite rightly considered the chief sign and symbol of that… love with which the divine Redeemer continually loves the eternal Father and all human beings without exception. To appreciate this rich symbolism of the heart, we must remember in Judaism that the word heart represented the core of the person. While recognized as the principal life organ, the heart was also considered the center of all spiritual activity. Here was the seat of all emotion, especially love. As the psalms express, God speaks to a person in his heart and there probes him. This notion of the heart is clear in Deuteronomy 6:5-6: “Therefore, you shall love the Lord, your God, with all your heart, and with all your soul, and with all your strength. Take to heart these words which I enjoin on you today.” In 1675, Margaret Mary received the vision which came to be known as the “great apparition.” Jesus asked that the modern Feast of the Sacred Heart be celebrated each year on the Friday following Corpus Christi, in reparation for the ingratitude of men for the sacrifice which Christ had made for them. “O most holy heart of Jesus, the fountain of every blessing, I adore you, I love you, and with lively sorrow for my sins I offer you this poor heart of mine. Make me humble, patient, pure, and wholly obedient to your will. Grant, Good Jesus that I may live in you and for you. Protect me in the midst of danger. Comfort me in my afflictions. Give me health of body, assistance in my temporal needs, your blessing on all that I do, and the grace of a holy death. Amen.”
    Il Sacro Cuore di Gesù - Minore Basi..etta
  • “The Supreme Sacrifice remembered during Lent – Painting by Dino Carbetta”…<br />
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Ashes Signify: “When God drove our first parents from the Garden, he reminded Adam, “you are dust, and to dust, you shall return” (Gn 3:19). We hear these words each year on Ash Wednesday, when the priest places ashes on our foreheads, a reminder of our mortality and the seriousness of the Lenten pilgrimage we are about to begin. Throughout the Old Testament ashes signify sorrow and repentance. Jeremiah commands Israel to mourn its impending doom when he says, “dress in on sackcloth, roll in ashes” (Jer 6:26). When Job emerges from his harrowing face-to-face encounter with God, he says, “I have spoken but did not understand.… Therefore I … repent in dust and ashes” (Jb 42:3-6). Jesus employs similar imagery when he criticizes his listeners’ hardness of heart: “Woe to you … if the mighty deeds done in your midst had been done in Tyre and Sidon, they would long ago have repented in sackcloth and ashes” (Mt 11:21). Ashes and dust amount to the same thing. Neither is particularly pleasant, and both remind us God used some pretty unattractive material when he created us. Lent reminds us how much Christ took on through the Incarnation and what he offered up to us on the cross.” Father Reginald Martin
    Il Supremo Sacrificio ricordato dura..etta
  • “Angel with the Cross - Ponte Sant'Angelo – Rome”… <br />
<br />
This image was actualized just after sundown when the sky developed a beautiful blue hue, accenting the golden lighting of the Angels on the Bridge. The Bridge of Angels (in Italian, Ponte Sant'Angelo) spans the Tiber River in Rome. Only a few steps away from St. Peter's Basilica, the bridge reflects the psychological shift from secular to sacred that occurs when pilgrims crossed from the busy streets of Rome over to the churches of the Vatican. Gian Lorenzo Bernini, the famed Italian sculptor, originally designed the bridge's angel sculptures in the seventeenth century. Though few of the angels standing today were done by his hand, Bernini's vision for the bridge lives on. Five angel sculptures flank each side of the bridge, with statues of Saint Peter and Saint Paul on the eastern bank. At the base of each sculpture is a line from the Bible in Latin. Angel with the Cross - Inscription: "Cuius principatus super humerum eius" Translation: Dominion rests on his shoulders (Isaiah 9:6)
    Angelo con la Croce sul Ponte Sant'A..Roma
  • “The Venetian evening sun illuminates the winding waterway - Painting by Dino Carbetta”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three glorious days in Venice.
    Il sole della sera Veneziano illumin..etta
  • “Michael the Archangel of Castel Sant'Angelo Rome - Painting by Dino Carbetta”…<br />
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In 1224, two years before his death, Saint Francis of Assisi felt drawn to Mount La Verna and set out with a few of his closest brothers to spend a period of prayer and fasting on the mountain. Saint Bonaventure records in his biography; “when according to unto his won't he began to keep a Lent there, fasting, in honor of St. Michael Archangel, he was filled unto overflowing, and as never before, with the sweetness of heavenly contemplation.” Saint Francis to his brothers; “My sons, we are drawing nigh to our forty days’ fast of St. Michael the Archangel; and I firmly believe that it is the will of God that we keep this fast in the mountain of Alvernia, the which by Divine dispensation hath been made ready for us, to the end that we may, through penance, merit from Christ the consolation of consecrating that blessed mountain to the honor and glory of God and His glorious Mother, the Virgin Mary, and of the holy angels.” It was during this fast that St. Francis received the stigmata, the holy wounds of Jesus Christ. Francis’ experience reminds us of the importance of fasting and spending time alone with God. These practices shouldn’t be reserved for the 40 days of Lent before Easter, but are applicable throughout the calendar year. We are always invited to draw closer to God, and St. Michael the Archangel is a powerful intercessor who stands ready to defeat our spiritual enemies so that we can embrace the freedom that is found in Jesus Christ.
    Michele Arcangelo di Castel Sant'Ang..etta
  • “Macuteo Roman Obelisk in the Pantheon - Painting by Dino Carbetta”…<br />
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Originally one of a pair at the Temple of Ra in Heliopolis, the other being the now much shorter Matteiano Obelisk. Moved to the Temple of Isis near Santa Maria Sopra Minerva. Found in 1373 near San Macuto. Moved to the front of the Pantheon by Pope Clement XI in 1711 over a fountain by Filippo Barigioni. The Aqua Virgo, one of the eleven aqueducts that supplied ancient Rome with drinking water, served the area of the Campus Martius, but had fallen into disrepair and disuse by the late Middle Ages. It was reconstructed under Pope Nicholas V and consecrated in 1453 as the Acqua Vergine. In 1570, Giacomo della Porta was commissioned under Pope Gregory XIII to oversee a major project to extend the distribution of water from the Vergine to eighteen new public fountains. The Obelisk was originally built by one of the most famous Egyptian Pharaohs about 1300 years before Christ, Ramses II. The cross of Jesus, through his death and resurrection, has conquered all evil and fulfilled the desires of every human person expressed through the diversity of religions that have existed throughout history. The ancient obelisk pointed upward toward the sun when built-in Heliopolis, but now it directs the attention of every pilgrim who views this and other Obelisk’s in Rome to the victorious cross of Christ, protecting them and dispersing any evil that approaches. The Feast of the Exaltation of the Cross on Sept. 14 is a reminder for us to place the cross of Christ over everything that we are and do. Christ wants to claim each one of us entirely and invites us to surrender completely to him. The victory of Jesus on the cross informs everything in our lives and allows us to exclaim, “We adore you, O Christ, and we bless you because by your Cross you have redeemed the world.”
    Macuteo Obelisco Romana al Pantheon ..etta
  • “The Bronze Dome of San Geremia - Casa di Santa Lucia rises above the Grand Canal - Painting by Dino Carbetta”…<br />
<br />
I never knew quite where I was going in Venice, but just followed the canal, or became trapped by the canals with no way of crossing and had to backtrack.  Probably not the best way to traverse the Venice Lagoon.  My last evening in Venice, I accidentally stumbled on Ponte dei Scalzi, "bridge of the barefoot [monks]," one of only four bridges in Venice to span the Grand Canal. The bridge connects the Sestieri of Santa Croce and Cannaregio. I set up my camera facing east in view of the dome and campanile of Chiesa di San Geremia, which contains the relics of Saint Lucy.  Santa Lucia - virgin and martyr who was one of the earliest Christian saints to achieve popularity, having a widespread following before the 5th century. She is the patron saint of the city of Syracuse (Sicily). Because of various traditions associating her name with light, she came to be thought of as the patron of sight. Saint Lucy is one of my favorite saints, not only for her great faith but her very name and remembrance is the very essence and luminance of my images. The original church was founded in the 11th century with the present version dating to 1760.  After the sunset, I found my way back to my favorite restaurant, Hosteria Al Vecio Bragosso, for another amazing dinner.
    La Bronzo Cupola di San Geremia - Ca..etta
  • “Jesus Weeps over Fractured America – Painting by Dino Carbetta”…<br />
<br />
“Know this, my dear brothers: everyone should be quick to hear, slow to speak, slow to wrath, for the wrath of a man does not accomplish the righteousness of God.” James 1:19-20 “Rejoice in the Lord always. I shall say it again: rejoice! Your kindness should be known to all. The Lord is near Have no anxiety at all, but in everything, by prayer and petition, with thanksgiving, make your requests known to God. Then the peace of God that surpasses all understanding will guard your hearts and minds in Christ Jesus. Finally, brothers, whatever is true, whatever is honorable, whatever is just, whatever is pure, whatever is lovely, whatever is gracious, if there is any excellence and if there is anything worthy of praise, think about these things. Keep on doing what you have learned and received and heard and seen in me. Then the God of peace will be with you.” Philippians 4:4-9
    Gesù Piange sull'America Fratturata ..etta
  • “Sun rising along the canal near the Accademia Bridge – Venice”<br />
<br />
Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook. “For I will slake the thirst of the faint; the appetite of all the weary I will satisfy.”  Jeremiah 31:25
    Sole che sorge lungo il Canale vicin..ezia
  • "Guardian angel helps to illuminate the altar of the Minor Basilica of San Lorenzo in Lucina - Rome"... <br />
<br />
Artistic, meaningful, and profound, this is a personal favorite from my 2019 Pilgrimage to Italy. After a spiritual Mass at St. Peters Basilica and an intense tour of the Vatican, lunchtime with my friend and pilgrim, Patrick, proved inspirational. Forgoing the Coliseum, we aimed for Piazza del Popolo. Our eyes were on the famous Caravaggio paintings located in the Basilica of Santa Maria del Popolo. The “Crucifixion of Peter” and the “Conversion of Saint Paul” were found to be elusive on my previous visit. The security guard blocked the doorway and turned off the lights to the small chapel inside the Basilica every time I came near. We found the Basilica under reconstruction, waiting for an opening, then rushed inside to find darkness and disarray everywhere. Finally, finding the dark chapel, our eyes could not focus enough to discover the paintings. Suddenly, the light arose and the Caravaggio’s were an arm’s length away. We expeditiously actuated our cameras and euphorically clicked away. Just as hastily, a mysterious guard clicked off the lights. Waltzing out in an adrenalin rush having stood so close to the priceless paintings… we decided to take on the bustling Roma. We stumbled into a Bellissimo neighborhood called Lucina and settled at a bistro for an aperitivo. The ancient Basilica of St. Lawrence built in 366 AD, was adjacent to our table and required a visit. As I walked in, I was startled by the brilliant sunlight coming through the window directly upon the majestic angel. The vision reminded me of our precious life and how disappointment sometimes leads to great respite and understanding. The Angel was reaching out touching the hand of Christ becoming illuminated. I know the same happened on this very day for a couple of wide-eyed exploring Pilgrims who metaphorically reached out and were blessed by an uncharacteristic joy and an unexpected grace.
    Angelo custode aiuta a illuminare l'..Roma
  • “The Pontifical Swiss Guard protects the bronze door of the Vatican – Rome”…<br />
<br />
My Roman tour guide at the Vatican, who knew all who worked there, made sure he presented every opportunity for me knowing I was a photographer/artist. For this and several other images, he talked with security allowing me to enter areas off-limits to photograph through doorways and windows. This huge bronze door has been the official entrance to the Apostolic Palace since 1663 and is permanently watched by three Swiss guards. The Pontifical Swiss Guard was founded in 1506 and in the 18th-century several Swiss soldiers were recruited from various European courts to form the close-quarter guards of the kings. Michelangelo designed the official--highly colorful--uniform, and guards also wear a long sword and a traditional halberd. The bronze door opens to a long corridor leading to the famous steps of the Scala Regia, which was designed by Bernini to appear longer and wider than in actuality. Unfortunately, this architectural wonder is closed to visitors, as is the rest of the Apostolic Palace where the Pope lives; only official visitors are admitted inside.
    La Pontificia Guardia Svizzera prote..Roma
  • “Rio de le Romite, in the Dorsoduro district of Venice”… <br />
<br />
As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. In the maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. The description of this image begins in 1693 when the Romite Hermits erected a small church dedicated to Jesus, Joseph, and Mary, with an adjacent convent. Father Cavanis later installed a ‘female school of charity,’ entrusted in 1863 to the Canossian nuns who are still present on the spot. Always the destination of painters and artists, the Rio delle Romite preserves its original and evocative atmosphere which remains unchanged. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Rio de le Romite, nel Sestiere di Do..ezia
  • “A million faces of Jesus by Dino Carbetta – Ethereal”…<br />
<br />
Daniel 10: 5-6 “As I looked up, I saw a man dressed in linen with a belt of fine gold around his waist. His body was like chrysolite, his face shone like lightning, his eyes were like fiery torches, his arms and feet looked like burnished bronze, and the sound of his voice was like the roar of a multitude.” Genesis 1:27 “God created mankind in his image; in the image of God he created them; male and female he created them.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. The blessed see God, not merely according to the measure of His likeness imperfectly reflected in creation, but they see Him as He is, after the manner of His Being. 1 Corinthians 13:12 “At present, we are looking at a confused reflection in a mirror; then, we shall see face to face; now, I have only glimpses of knowledge; then, I shall recognize God as he has recognized me.”
    Un milione di volti di Gesù di Dino ..ereo
  • “Monument to St. Francis of Assisi in Rome - Snow - Painting by Dino Carbetta”…<br />
<br />
In 1209 Saint Francis composed a simple rule for his friars, the "Primitive Rule," which came from verses in the Bible. The rule was "To follow the teachings of our Lord Jesus Christ and to walk in his footsteps.” This large monument of Italy’s Patron Saint (St. Francis of Assisi) is visually recognizable between the Basilicas of Santa Croce in Gerusalemme where we began our pilgrimage and San Giovanni in Laterano where we later enjoyed Mass. It was inaugurated in 1927 to commemorate the seventh centenary of his death. The statue portrays the visit of St Francis to Rome, leading his first eleven followers to seek permission from Pope Innocent III to found a new religious Order. A number of the Pope's counselors considered the mode of life proposed by Francis as unsafe and impractical. However, the Pope dreamt he saw Francis holding up the Basilica of St. John Lateran (the cathedral of Rome, thus the 'home church' of all Christendom) and decided to endorse Francis' Order. This occurred, according to tradition, on April 16, 1210, and constituted the official founding of the Franciscan Order. The bronze monument was sculpted by artist Giuseppe Tonnini. An inscription is taken from the eleventh canto, of Paradise of the Divine Comedy, can be seen at the base, in which Dante makes references to Saint Francis: “Between Topino's stream and that which flows down from the hill the blessed Ubaldo chose, from a high peak there hangs a fertile slope; from there Perugia feels both heat and cold at Porta Sole, while behind it sorrow Nocera and Gualdo under their hard yoke. From this hillside, where it abates its rise, a sun was born into the world, much like this sun when it is climbing from the Ganges. Therefore let him who names this site not say, Assisi, which would be to say too little, but Orient, if he would name it rightly.”
    Monumento a San Francesco d'assisi a..etta
  • “The Swiss Pontifical Guard protects the corridor inside the Vatican Bronze Doors”…<br />
<br />
My Roman tour guide at the Vatican, who knew all who worked there, made sure he presented every opportunity for me knowing I was a photographer. For this and several other images, he talked with security allowing me to enter areas off-limits to photograph through doorways and windows. This huge bronze door has been the official entrance to the apostolic palace since 1663 and is permanently watched by three Swiss guards. The Pontifical Swiss Guard was founded in 1506 and in the 18th century several Swiss soldiers were recruited from various European courts to form the close-quarter guards of the kings. Michelangelo designed the official--highly colorful--uniform, and guards also wear a long sword and a traditional halberd. The bronze door opens to a long corridor leading to the famous steps of the Scala Regia, which was designed by Bernini to appear longer and wider than in actuality. Unfortunately, this architectural wonder is closed to visitors, as is the rest of the apostolic palace where the pope lives; only official visitors are admitted inside. As I followed my exceptional tour guide who knew all shortcuts around the Vatican, I found myself behind the steps of the Scala Regia for one more historically amazing view.
    La Guardia Pontificia svizzera prote..cane
  • “Central bronze doors of Saint Paul Outside the Walls with inlaid silver Cross and Stations of Saints Peter and Paul”…<br />
<br />
There are three main doors. At the center, is the monumental door in green bronze made by Antonio Maraini, which was placed here in 1931; to its right is the new Holy Door, made of golden bronze, created by the sculptor Enrico Manfrini and erected for the Jubilee of the year 2000. The central door shows episodes relating to the lives and preaching’s of Saints Peter and Paul. A large cross with inlaid silver and embellished with stones of lapis lazuli overlays the door from side to side. The cross on the drawing represents a cross motif in curlicued silver, and this has on its plaques in lapis lazuli. Four on the horizontal bar show the symbols of the Evangelists, and on the vertical bar are the symbols of the Apostles. The reliefs (left to right) on the door show scenes from the lives, apostolates, and martyrdoms of Saints Peter and Paul, according to the wishes of the abbot of the monastery. Apart from the two central scenes, all of the events depicted took place in Rome. The reliefs depict: <br />
1)	Coat of arms of the Church <br />
2)	Coat of arms of Rome <br />
3)	The Crucifixion of St Peter <br />
4)	"Domine, Quo Vadis?" <br />
5)	Christ Giving the Keys to St Peter <br />
6)	Foundation of the Papal See <br />
7)	St Peter Baptizing in the Catacombs <br />
8)	The Beheading of St Paul <br />
9)	The Conversion of the Centurion <br />
10)	St Paul's Conversion <br />
11)	St Paul Teaching in Rome <br />
12)	St Paul Reaches Rome and is Welcomed by the Faithful
    Porte centrali in bronzo di San Paol..aolo
  • ”Radiant Saint Teresa of Lisieux - the ‘Little Flower’ - Painting by Dino Carbetta”… <br />
<br />
Her sense of commitment led her to a profound experience of the love of God and neighbor. She never had an easy life, but she did live with a great sense of peace and joy. “I prefer the monotony of obscure sacrifice to all ecstasies. To pick up a pin for love can convert a soul.”   Saint Therese had a simple yet powerful message that still resonates in the hearts of millions today. She died at the age of 24, believing that her life was just beginning for God, promising to spend her heaven doing good on earth. Her promised “Shower of Roses” began and has become a torrent in the Church ever since. These are the words of Thérèse of Lisieux, a Carmelite nun called the “Little Flower,” who lived a cloistered life of obscurity in the convent of Lisieux, France. And her preference for hidden sacrifice did indeed convert souls. Few saints of God are more popular than this young nun. Her autobiography, The Story of a Soul, is read and loved throughout the world. Life in a Carmelite convent is indeed uneventful and consists mainly of prayer and hard domestic work. She saw in quiet suffering redemptive suffering, suffering that was indeed her apostolate. Thérèse said she came to the Carmel convent “to save souls and pray for priests.” Pope Pius X called her "the greatest saint of modern times.” Thérèse was canonized in 1925. In 1997, Pope John Paul II proclaimed her a Doctor of the Church, the third woman to be so recognized in light of her holiness and the influence of her teaching on spirituality in the Church. Her parents were also canonized in 2015. Pope John Paul II stated: Therese of the Child Jesus and the Holy Face is the youngest of all the “Doctors of the Church”, but her ardent spiritual journey shows such maturity, and the insights of faith expressed in her writings are so vast and profound that they deserve a place among the great spiritual masters.
    Radiosa Santa Teresa di Lisieux - il..etta
  • “Evening sun highlights the Gondolas under the Rialto Bridge in Venice”…<br />
<br />
The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The rowing oar, which is not fastened to the hull, is used in a sculling manner, also acting as the rudder. For centuries the gondola was the chief means of transportation and most common watercraft within Venice. It is propelled by a gondolier. In modern times the iconic boats still have a role in public transportation in the city, serving as traghetti (ferries) over the Grand Canal. There are just over four hundred gondolas in active service today, virtually all of them used for hire by tourists. To become a professional gondolier you need to obtain a license from the guild. Two hundred years ago, there were 10,000 gondolas in Venice. Although the aristocracy preferred horses to boats through the early Middle-Ages, beginning in the 14th century when horses were outlawed from the streets of Venice, the noble class embraced gondolas as a respectable form of transportation. They say if you are happy with the price of your gondola then you need to ask again as you probably didn’t understand him correctly. The Ponte di Rialto (Rialto Bridge) is the true heart of Venice. The iconic structure was completed in 1591 as a permanent replacement for various bridges that spanned the Grand Canal since the 12th Century.
    Sole di sera evidenzia le Gondole so..ezia
  • “Church of Santa Fosca bell tower above the canal of Santa Fosca Venice - Painting by Dino Carbetta”…<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. My fellow Pilgrim Patrick and I took off out of the starting gate with the notion of capturing the entirety of Venice in half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. In the maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission to Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated from the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Chiesa di Santa Fosca campanile sopr..etta
  • "The eyes of the deer imitate the eyes of Christ - Painting by Dino Carbetta"...<br />
<br />
The Bible uses the deer in several verses of scripture, including Solomon’s Songs, to demonstrate God's beauty, grace, and provision. Only through God, who establishes us and gives us guidance on how we are to scale mountains. This past winter, I found peace and soles, with the Lord’s help in creating peaceful winter scenes including deer, mostly in the background. I have posted many, however, this new image portrays fortitude and reconciliation, bringing the buck to the foreground. I wanted to reveal the grace of previous images and the strength and determination through his eyes, and most importantly, the eyes of Christ. Although I painted this image before my illness, seeing it again renews my body, spirit, and soul. May you also acquire the strength and gracefulness of God’s multitude of blessings. (Psalms 42:2) “As the deer longs for streams of water, so my soul longs for you, O God.” (Isaiah 35:6) “Then the lame shall leap like a stag, and the mute tongue sing for joy. For waters will burst forth in the wilderness, and streams in the Arabah.” (Psalm 29:9) “The voice of the LORD makes the deer dance and strips the forests bare. All in his Temple say, “Glory!” (Habakkuk 3:19) “GOD, my Lord, is my strength; he makes my feet swift as those of deer and enables me to tread upon the heights. For the leader; with stringed instruments.” (2 Samuel 22:34) “Who made my feet swift as a deer’s, set me safe on the heights,”
    Gli occhi del cervo imitano gli occh..etta
  • "High altar of the Church of Our Lady of the Assumption - Positano"...<br />
 <br />
The history of the Church of Our Lady of the Assumption is closely linked to the Benedictine monastery of St. Mary, which, according to tradition, was built when a Byzantine icon of the Virgin was brought to Positano and venerated thereafter. The Icon belonged to a cargo ship from the East, and offshore of Positano the ship was stopped by a dead calm sea. After unsuccessful attempts to continue sailing, the sailors heard a voice saying “Posa Posa”, meaning, “Put me down, put me down!” (Origin of the name “Positano”). The captain thought this miracle meant that the Virgin wanted to stop there and decided to head for shore. At that point…the ship began to sail again. The sailors disembarked the icon and gave it to the inhabitants of Positano, who chose the Virgin as their patron and built a church in her honor. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town with the backdrop of the Azzurro Mediterranean Sea, the church’s colorful majolica tiled cupola is one of the town’s iconic symbols. I found this Crucifix inside a small chapel of the ancient church which was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this beautiful seaside village.
    Altare maggiore della Chiesa di Nost..tano
  • “The evening descends on the church of San Nicolò da Tolentino Venice - Painting by Dino Carbetta”…<br />
<br />
My second evening enjoying the mystical aura of the Veneziano light and color, I once again found myself meandering about without ever having a good idea of my destination. Leaving the hotel every morning, I always had a semblance of an idea of what I wanted to do, see, and photograph. However, Italy always seemed to change my plans turning the first corner of the day, only to fall in love once again with the cultural brilliance and colorful antiquity which personifies the Italian landscape. This was just the beginning of many mornings, days, and evenings of my Italian inauguration. As I stood gazing down the Tolentini Canal, the evening sun shone perfectly upon the campanile and tower of the Church of St. Nicholas of Tolentino. And once again, a flying seagull posed perfectly for the photo. This photograph is beautiful in its own right, but taking the time to finally capture the Venetian essence in a painting, added to the intoxicating appeal of the total allure of  Venice.
    La sera scende sulla chiesa di San N..etta
  • “A million faces of Jesus by Dino Carbetta”…<br />
<br />
Daniel 10: 5-6 “As I looked up, I saw a man dressed in linen with a belt of fine gold around his waist. His body was like chrysolite, his face shone like lightning, his eyes were like fiery torches, his arms and feet looked like burnished bronze, and the sound of his voice was like the roar of a multitude.” Genesis 1:27 “God created mankind in his image; in the image of God he created them; male and female he created them.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. The blessed see God, not merely according to the measure of His likeness imperfectly reflected in creation, but they see Him as He is, after the manner of His Being. 1 Corinthians 13:12 “At present, we are looking at a confused reflection in a mirror; then, we shall see face to face; now, I have only glimpses of knowledge; then, I shall recognize God as he has recognized me.”
    Un milione di volti di Gesù di Dino ..etta
  • "Guardian Angel Helps to Illuminate the Altar of the Minor Basilica of San Lorenzo in Lucina Rome - Painting by Dino Carbetta"... <br />
<br />
After a spiritual Mass at St. Peters Basilica and an intense tour of the Vatican, lunchtime with my friend and pilgrim, Patrick, proved inspirational. Forgoing the Coliseum, we aimed for Piazza del Popolo. Our eyes were on the famous Caravaggio paintings located in the Basilica of Santa Maria del Popolo. The “Crucifixion of Peter” and the “Conversion of Saint Paul” were found to be elusive on my previous visit. The security guard blocked the doorway and turned off the lights to the small chapel inside the Basilica every time I came near. We found the Basilica under reconstruction, waiting for an opening, then rushed inside to find darkness and disarray everywhere. Finally, finding the dark chapel, our eyes could not focus enough to discover the paintings. Suddenly, the light arose and the Caravaggio’s were an arm’s length away. We expeditiously actuated our cameras and euphorically clicked away. Just as hastily, a mysterious guard clicked off the lights. Waltzing out in an adrenalin rush having stood so close to the priceless paintings… we decided to take on the bustling Roma. We stumbled into a Bellissimo neighborhood called Lucina and settled at a bistro for an aperitivo. The ancient Basilica of St. Lawrence built in 366 AD, was adjacent to our table and required a visit. As I walked in, I was startled by the brilliant sunlight coming through the window directly upon the majestic angel. The vision reminded me of our precious life and how disappointment sometimes leads to great respite and understanding. The Angel was reaching out touching the hand of Christ becoming illuminated. I know the same happened on this very day for a couple of wide-eyed exploring Pilgrims who metaphorically reached out and were blessed by an uncharacteristic joy and an unexpected grace.
    Angelo custode aiuta a illuminare l'..etta
  • “Faith, Hope, and Love – Painting by Dino Carbetta”…<br />
<br />
Psalm 46: 2-8 “God is our refuge and our strength, an ever-present help in distress. Thus we do not fear, though earth be shaken and mountains quake to the depths of the sea, though its waters rage and foam and mountains totter at its surging. Streams of the river gladden the city of God, the holy dwelling of the Most High. God is in its midst; it shall not be shaken; God will help it at break of day. Though nations rage and kingdoms totter, he utters his voice and the earth melts. The LORD of hosts is with us; our stronghold is the God of Jacob.” <br />
<br />
2 Corinthians 4:8-10 “We are afflicted in every way, but not constrained; perplexed, but not driven to despair; persecuted, but not abandoned; struck down, but not destroyed; always carrying about in the body the dying of Jesus, so that the life of Jesus may also be manifested in our body.”<br />
<br />
Romans 5:1-5 “Therefore, since we have been justified by faith, we have peace with God through our Lord Jesus Christ, through whom we have gained access [by faith] to this grace in which we stand, and we boast in hope of the glory of God. Not only that, but we even boast of our afflictions, knowing that affliction produces endurance, and endurance, proven character, and proven character, hope, and hope does not disappoint, because the love of God has been poured out into our hearts through the Holy Spirit that has been given to us.”
    Fede, Speranza e Amore - Dipinto di ..etta
  • “Saint Joseph and Baby Jesus - Santa Maria Maggiore in Assisi and Venice - Painting by Dino Carbetta”…<br />
<br />
The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built in this site close to the Roman city walls in the 4th century. The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. The interior has a basilica plan with three naves, separated by pillars. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal its age and status throughout history. This image is a compilation painting of several images I combined from Assisi to Venice. Saint Joseph is the patron of the Universal Church. Here along with the young Christ, the painting reveals both Perfect and Sacred Hearts.
    San Giuseppe e Gesù Bambino - Santa ..etta
  • “Pastel Sunset of the Venetian Canal”…<br />
<br />
I never knew quite where I was going in Venice, but just followed the canal, or became trapped by the canals with no way of crossing and had to backtrack. Probably not the best way to traverse the Venice Lagoon. My last evening in Venice I accidentally stumbled on Ponte dei Scalzi, "bridge of the barefoot [monks],” one of only four bridges in Venice to span the Grand Canal. The bridge connects the Sestieri of Santa Croce and Cannaregio. I set up my camera facing east in view of the dome and campanile of Chiesa di San Geremia, which contains the relics of Saint Lucy, the patron saint of our eyes. After taking many images of the descending sun, I decided to follow the sun by way of the church of San Geremia taking a hard left northwest along the Cannaregioa Canal, and taking this photo of the setting sun from the bridge, Ponte delle Guglie. After the sunset, I found my way back to my favorite restaurant, Hosteria Al Vecio Bragosso. Che Dio Benedica l'Italia!
    Tramonto Pastello del Canale Veneziano
  • "The sun sets on boats that rest along the Canale di Santa Fosca Venice - Painting by Dino Carbetta"...<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Il sole tramonta su barche che ripos..etta
  • “The evening sun illuminates the Angels guarding the Papal Archbasilica of San Giovanni in Laterano – Rome”…<br />
<br />
A familiar grandeur and ambiance welcomed us to Roma on the first evening Mass of our 2019 Pilgrimage. As the evening sun descended through the windows above the grand hallways where Priest of many languages offered Confession during the daytime, I took advantage of the opportunity with an Italian Priest speaking in his native language...a great blessing! Dedicated to St. John the Baptist and St. John the Evangelist, the Basilica of St. John Lateran is the first among the four major basilicas of Rome. It is also the Cathedral of the Bishop of Rome, the Pope, and is thus known as the "Cathedral of Rome and of the World." Built by Constantine the Great in the 4th century, San Giovanni in Laterano was the first Christian/Catholic church erected in Rome. The present structure of the Basilica resembles Saint Peter's Basilica, and the ancient church was residence of the Papacy until the (1377) return from exile in Avignon and permanent relocation to the Vatican. Many Popes were responsible for repair and additions to the Basilica’s overall splendor and importance throughout the last 1700 years. This image was inspired upon noticing dozens of tiny cherub angels holding up the archways of a long and narrow hallway leading to a sacred and Holy Door of the Archbasilica. Each angel is unique and has a different face and expression. One cannot help being overcome with humility observing the veneration of the Basilica’s Piccoli Angeli protecting all the wondrous souls within.
    Il sole della sera illumina gli Ange..Roma
  • “Three-dimensional artistic impression of the Crucifix in the Abbey of Santa Giustina – Padua”…<br />
<br />
Our Pilgrimage finally arrived in Padua and after lunch, we discovered the Abbey of Santa Giustina attached to the Basilica built in the 6th century. It contains the relics of multiple saints (including those of St. Luke the Evangelist). Shaped in the form of a Latin cross, the prodigious Basilica of St. Giustina is one of the most colossal in all of Christianity. The grandeur of the building is enhanced by the Prato della Valle which it overlooks. There are 3 main chapels: the presbytery and 2 chapels for Saints Luke and Matthew that form the transepts and each aisle has six small chapels. The Abbey and the Basilica of St. Anthony were two of my foremost surprises and a must-see on a Pilgrimage to Italy. Unfortunately, pictures were allowed only in St. Giustina, but not in the latter. Initially, I was a bit overwhelmed at the imposing wide open space of the Basilica. The high altar seemed an eternity away. The colorful geometric marble floor leads one to the main altar, but only adds to the great depth, size, and dimension of the Basilica. A curiously placed Crucifix standing about 6’ tall is located just inside the colossal nave and appears diminutive below the 26 pillars supporting the 8 cupolas. As most basilicas are traditionally dark depending on the sunlight, the Crucifix was almost a complete faint silhouette only lit by the dome windows above the altar. I wanted to create an impression of depth in the crucifix itself transposed against the massive Basilica and distance of the architecture. It took several days and many failures, however, I was finally able to find the three dimensions of Christ I was searching for. The glow of the original beauty has become radiant. Framed by the brilliant distant archways, the Crucifixion becomes transformed.
    Impressione artistica tridimensional..dova
  • "Canal on the way to the excellent Pizzería Da Alvise Restaurant - Venice"...<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Canale sulla strada per l'eccellente..ezia
  • “Saint James the Great in the Archbasilica of San Giovanni in Laterano Rome”…<br />
<br />
Dedicated to St. John the Baptist and St. John the Evangelist, the Basilica of St. John Lateran is the first among the four major basilicas of Rome. It is also the Cathedral of the Bishop of Rome, the Pope, and is thus known as the "Cathedral of Rome and of the World." Built by Constantine the Great in the 4th century, San Giovanni in Laterano was the first Christian/Catholic church erected in Rome. The present structure of the Basilica resembles Saint Peter's Basilica, and the ancient church was the residence of the Papacy until the (1377) return from exile in Avignon and permanent relocation to the Vatican. In 1702, Pope Clement XI announced a grand scheme for twelve sculptures of the Apostles to fill the niches left in the nave of the Basilica. The commission was opened to all the premier sculptors of late Baroque Rome, Camillo Rusconi was the sculptor of brothers St. James and St. John. One cannot help being impressed by the larger-than-life statues of these great men blessing the nave with their imposing presence. James was one of the favored three who had the privilege of witnessing the Transfiguration, the raising to life of the daughter of Jairus, and the agony in Gethsemani. Saint Matthew tells that their mother came—Mark says it was the brothers themselves—to ask that they have the seats of honor in the kingdom. “Jesus said in reply, ‘You do not know what you are asking. Can you drink the cup that I am going to drink?’ They said to him, ‘We can’” (Matthew 20:22). Jesus then told them they would indeed drink the cup and share his baptism of pain and death, but that sitting at his right hand or left was not his to give—it “is for those for whom it has been prepared by my Father” (Matthew 20:23b). It remained to be seen how long it would take to realize the implications of their confident “We can!”
    San Giacomo il Grande nell Arcibasil..Roma
  • “A Million Faces of Jesus by Dino Carbetta – Impasto”…<br />
<br />
Daniel 10: 5-6 “As I looked up, I saw a man dressed in linen with a belt of fine gold around his waist. His body was like chrysolite, his face shone like lightning, his eyes were like fiery torches, his arms and feet looked like burnished bronze, and the sound of his voice was like the roar of a multitude.” Genesis 1:27 “God created mankind in his image; in the image of God he created them; male and female he created them.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. The blessed see God, not merely according to the measure of His likeness imperfectly reflected in creation, but they see Him as He is, after the manner of His own Being. 1 Corinthians 13:12 “At present, we are looking at a confused reflection in a mirror; then, we shall see face to face; now, I have only glimpses of knowledge; then, I shall recognize God as he has recognized me.”
    Un Milione di volti di Gesù di Dino ..asto
  • "Sun hiding behind the Macuteo Obelisk - Roman Pantheon"...<br />
<br />
Eventually, one discovers that God finds a way where there is none. A very crowded Pantheon at 3:00 PM in the bright afternoon made creative photography impossible. However, getting on my knees and placing the sun behind the cross of the Obelisk created a phenomenal appeal. All are original, including the landing dove/pigeon and sun flare. The Obelisk was originally built by one of the most famous Egyptian Pharaohs about 1300 years before Christ by Pharaoh Ramses II for the Temple of Ra in Heliopolis and brought to Rome in ancient times. It was rediscovered in 1374 underneath the apse of the nearby Basilica of Santa Maria Sopra Minerva. In the mid-15th century, the obelisk had been erected in the small Piazza di San Macuto some 200 meters east of the Pantheon, where it remained until its 1711 move to the Piazza della Rotonda. It is still called the Obelisco Macutèo after its previous location. Fontana del Pantheon was constructed by Giacomo Della Porta under Pope Gregory XIII in 1575, and the obelisk was added under Pope Clement XI. The city of Rome harbors the most obelisks in the world. There are eight ancient Egyptian and five ancient Roman obelisks. The Romans used special heavy cargo carriers called obelisk ships to transport the monuments down the Nile to Alexandria and from there across the Mediterranean Sea to Rome. On-site, large Roman cranes were employed to erect the monoliths. The obelisk is crowned by a bronze cross, the symbol of Jesus Christ. One idea that can be drawn from this is that Christianity—the cross of Jesus Christ—conquers paganism.  Another idea is that the obelisk represents the human desire for God which is only fulfilled in the Cross of Christ.
    Domenica di nascondersi dietro il Ma..heon
  • “Angel with the Cross - Ponte Sant'Angelo – Rome”… <br />
<br />
This image was also created just after sundown when the sky developed a beautiful blue hue, accenting the golden lighting of the Angels on the Bridge. The Bridge of Angels (in Italian, Ponte Sant'Angelo) spans the Tiber River in Rome. Only a few steps away from St. Peter's Basilica, the bridge reflects the psychological shift from secular to sacred that occurs when pilgrims crossed from the busy streets of Rome over to the churches of the Vatican. Gian Lorenzo Bernini, the famed Italian sculptor, originally designed the bridge's angel sculptures in the seventeenth century. Though few of the angels standing today were done by his hand, Bernini's vision for the bridge lives on. Five angel sculptures flank each side of the bridge, with statues of Saint Peter and Saint Paul on the eastern bank. At the base of each sculpture is a line from the Bible in Latin. Angel with the Cross - Inscription: "Cuius principatus super humerum eius" Translation: Dominion rests on his shoulders (Isaiah 9:6)
    Angelo con la Croce - Ponte Sant'Ang..Roma
  • “The Basilica of Santa Maria della Salute Venice radiates in the distance on the Grand Canal- Ultramarine blue”…<br />
<br />
Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God." The Basilica di Santa Maria della Salute, commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a conspicuous position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite reverently quaint interiorly.
    La Basilica di Santa Maria della Sal..mare
  • “View from the Grand Canal of the church of San Giorgio Maggiore in Venice”…<br />
<br />
The first church on the island was built about 790, and in 982 the island was given to the Benedictine order by the Doge Tribuno Memmo. The Benedictines founded a monastery there, but in 1223 all the buildings on the island were destroyed by an earthquake. Andrea Palladio, an Italian Renaissance architect active in the Venetian Republic was commissioned for the rebuild. Palladio, influenced by Roman and Greek architecture, is widely considered to be one of the most influential individuals in the history of architecture, began the rebuild in 1560 and made dramatic improvements. The campanile was rebuilt in neo-classic style and completed in 1791. It was ascended by ramps and now an elevator to the top for panoramic views of Venice. The facade is brilliantly white and represents Palladio's solution to the difficulty of adapting a classical temple facade to the form of the Catholic Basilica. Two very large paintings by Tintoretto relate to the institution of the Eucharist and are located on either side of the presbytery, where they can be seen from the altar rail. “The Last Supper” and “The Jews in the Desert” (collecting and eating the manna, a gift of God to the Israelites in the Desert after they escaped Egypt, which foretells the gift of the Eucharist). Claude Monet painted a series of paintings of the island Monastery of San Giorgio Maggiore in 1908 during the artist's only visit to the city. One of the best known is “San Giorgio Maggiore at Dusk”, which exists in two versions. Monet completed his paintings of Venice at home in France and in 1912 showed them in Paris. Buyers included the Welsh collector Gwendoline Davies, who bought three paintings. This vision of the Church of San Giorgio is iconic and famous worldwide. My image capture while upon an evening boat excursion appears theatrical as if the majestic church is posing for yet another Venetian canvas.
    Vista dal Canal Grande della chiesa ..ezia
  • “Silhouette of Gondoliers against the late sun on the Grand Canal near the Church of Santa Maria del Giglio”…<br />
<br />
“Venice” - Henry Wadsworth Longfellow: <br />
WHITE swan of cities, slumbering in thy nest	<br />
So wonderfully built among the reeds	<br />
Of the lagoon, that fences thee and feeds,	<br />
As sayeth thy old historian and thy guest!	<br />
White water-lily, cradled and caressed	<br />
By ocean streams, and from the silt and weeds	<br />
Lifting thy golden pistils with their seeds,	<br />
Thy sun-illumined spires, thy crown and crest!	<br />
White phantom city, whose untrodden streets	<br />
Are rivers, and whose pavements are the shifting	<br />
Shadows of palaces and strips of sky;	<br />
I wait to see thee vanish like the fleets	<br />
Seen in mirage, or towers of cloud uplifting	<br />
In air their unsubstantial masonry.<br />
	<br />
The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The rowing oar, which is not fastened to the hull, is used in a sculling manner, also acting as the rudder. For centuries the gondola was the chief means of transportation and most common watercraft within Venice. It is propelled by a gondolier. In modern times the iconic boats still have a role in public transportation in the city, serving as traghetti (ferries) over the Grand Canal. There are just over four hundred gondolas in active service today, virtually all of them used for hire by tourists. In order to become a professional gondolier, you need to obtain a license from the guild. Two hundred years ago, there were 10,000 gondolas in Venice. Although the aristocracy preferred horses to boats through the early Middle-Ages, beginning in the 14th century when horses were outlawed from the streets of Venice, the noble class embraced gondolas as a respectable form of transportation.
    Silhouette di gondolieri contro il t..glio
  • "San Maurizio Canal Venice"...<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass in the sacristy. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Canale di San Maurizio Venezia
  • “Angel with the Cross - Ponte Sant'Angelo - Celebration - Painting by Dino Carbetta”…<br />
<br />
“O thus be it ever when freemen shall stand Between their lov'd home and the war's desolation! Blest with vict'ry and peace may the heav'n rescued land Praise the power that hath made and preserv'd us a nation! Then conquer we must, when our cause it is just, And this be our motto - "In God is our trust," And the star-spangled banner in triumph shall wave O'er the land of the free and the home of the brave.” “The Star-Spangled Banner – Final Verse.”<br />
The Bridge of Angels (in Italian, Ponte Sant'Angelo) spans the Tiber River in Rome. Only a few steps away from St. Peter's Basilica, the bridge reflects the psychological shift from secular to sacred that occurs when pilgrims crossed from the busy streets of Rome over to the churches of the Vatican. Gian Lorenzo Bernini, the famed Italian sculptor, originally designed the bridge's angel sculptures in the seventeenth century. Though few of the angels standing today were done by his hand, Bernini's vision for the bridge lives on. Five angel sculptures flank each side of the bridge, with statues of Saint Peter and Saint Paul on the eastern bank. At the base of each sculpture is a line from the Bible in Latin. Angel with the Cross - Inscription: "Cuius principatus super humerum eius" Translation: Dominion rests on his shoulders (Isaiah 9:6)
    Angelo con la Croce - Ponte Sant'Ang..etta
  • “The Church of Santa Maddalena is surrounded by Roe Deer, both enjoying the sunset over the Dolomites in South Tyrol, Italy - Painting by Dino Carbetta”…<br />
<br />
The Church of St. Magdalene resides in a small village located in the Dolomites of Italy. Both, the village and the church, are symbols of the Val di Funes. This tiny picturesque village of just 377 people is located in the Trentino-Alto Adige region of Northern Italy. Historically, the church was built where the miraculous image of Santa Maddalena was washed up by the Fopal River. Saint Mary Magdalene church is mentioned beginning in 1394. The current form of the nave with a sloping base and a slightly grooved roof cornice, with pear and round bar on the pointed arch portal with a red chalk inscription, was complete in 1492. The mural exterior is the Crucifix on the gable in a niche with a donkey's back, weather-beaten, early XVI century. St. Christopher is lively and virtuoso in movement with a fluttering, wrinkled robe. Interiorly, the keystones on the vault, are bust portraits of Mary with the Christ Child and saints. The valley, as you can see, Val di Funes is stunningly beautiful. Summer, it’s very green and dotted with colorful flowers. Winter, it’s covered with snow, and the ragged Dolomite peaks, pierce the sky toward the heavens. Mary Magdalene is the first among the women following Jesus to proclaim Him as having overcome death. She is the first to announce the joyful message of Easter. But she also proved she was among those who loved Him most when she stood at the foot of the Cross on Mount Calvary together with Mary, His Mother, and the disciple, St. John. She did not deny him or run away in fear as the other disciples did, but remained close to Him every moment, up to and including the tomb. The Italian Roe Deer rejoice in the beauty of God’s creation.
    La Chiesa di Santa Maddalena e’ circ..etta
  • "Waiting along the canal near the parish of Santa Maria Gloriosa Dei Frari Venice"...<br />
<br />
 The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Aspettando lungo il canale vicino a ..ezia
  • “The Venice canal reflects the small bridge in the early evening light - Painting by Dino Carbetta”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define its dynamic persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever-changing light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three days in Venice.
    Il canale di Venezia riflette il pic..etta
  • “The Basilica of Santa Maria della Salute Venice radiates in the distance on the Grand Canal”…<br />
 <br />
Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God." The Basilica di Santa Maria della Salute, commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a conspicuous position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite reverently quaint interiorly.
    La Basilica di Santa Maria della Sal..ande
  • "Madonna in the Basilica of Santa Maria del Popolo Rome"... <br />
<br />
After a spiritual Mass at St. Peters Basilica and an intense tour of the Vatican, lunchtime with my friend and pilgrim, Patrick, proved inspirational. Forgoing the Coliseum, we aimed for Piazza del Popolo. Encompassed within its sacred walls is a variety of artwork unequaled in the world. Our eyes were on the famous Caravaggio paintings located in the Basilica of Santa Maria del Popolo. The “Crucifixion of Peter” and the “Conversion of Saint Paul” were found to be elusive on my previous visit. The security guard blocked the doorway and turned off the lights to the small chapel inside the Basilica every time I came near. We found the Basilica under reconstruction, waiting for an opening, then rushed inside to find darkness and disarray everywhere. Finally, finding the dark chapel, our eyes could not focus enough to discover the paintings. Suddenly, the light arose and the Caravaggio’s were an arm’s length away. We expeditiously actuated our cameras and euphorically clicked away. Just as hastily, a mysterious guard clicked off the lights. As we calmed down and gathered benevolent thoughts, we aimed our startled eyes toward the exit. The fragmented sunlight streaming into the dark basilica from the vestibule and front doors appeared like a dream. As I vacillated forward, a dark, but luminous statue absorbed by sunlight appeared to gaze upon me with precocious compassion. Her motherly expression offered a perception of love and gratitude. Upon exit, the Eternal City awaited our next impassioned venture.
    Madonna nella Basilica di Santa Mari..Roma
  • “Father Peek Consecration Prayer - Private Mass in the Basilica of Sant'Antonio da Padova”…<br />
<br />
One wonderful element of our Pilgrimage of 2019 was our Mass schedule in the most distinguished Basilica’s, Cathedrals, and churches in Italy and in fact the world. Often we found ourselves at the Main Altars, Sacristies, or prestigious chapels. The reverent and holy auspicious with unseen views containing profound and historic approbation was at times overwhelming. Contemplating those divine and holy who came before, left us with the feeling of wonderment. The Basilica of Saint Anthony dated back to the early year of 1233. I found myself mystified by the mere size and aura surrounding it, and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis, and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. As with most prestigious Basilica’s, no photos are allowed, which mostly rendered this photographer reverent, but sad. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. The Basilica is austere, mysterious, and solemn, yet capacious, monumental, and impossible to notice every grand detail. However, be emboldened that this Pilgrimage Church is one of the eight international shrines recognized by the Holy See. It is a symbol of faith and hope for all Christian believers. I believe Saint Anthony would be honored and proud to offer Mass here.
    Padre Peek Preghiera della Consacraz..dova
  • "High altar crucifix from the back of the Papal Basilica of St. Anthony of Padua"... <br />
<br />
I consider this magnificent rear view of the High Altar in St. Anthony’s Basilica looking toward Donatello’s very famous “Crucifix in Padua” one of my few forbidden and miraculous images of my 2019 Pilgrimage to Italy. I was unaware of the mere size and ancient grandeur of the basilica begun in 1233 but found myself mystified by the aura surrounding it and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. As with most prestigious Basilica’s, no photos are allowed, which mostly rendered this photographer reverent, but sad. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. Deceptively, I found myself directly behind the elevated “High Altar,” and as I curiously climbed the steps toward the locked Iron Gate, Donatello’s celestial bronze crucifix began to appear. My surreptitious movement kept me from being noticed by the security guards and our Italian guide. I covertly rested my lens through the iron bars, and quietly depressed the shutter on my camera. Often called “Il Santo” by the locals of Padua, one cannot escape feeling overwhelmed by its majesty, and emanation of spirituality and reverence. The Basilica is austere, mysterious, and solemn, yet capacious, monumental, and impossible to notice every grand detail. However, be emboldened that this Pilgrimage Church is one of the eight international shrines recognized by the Holy See. It is a symbol of faith and hope for all Christian believers. I believe Saint Anthony would be honored and proud to offer Mass here.
    Crocifisso altare maggiore dalla par..dova
  • “Crucifix next to the Confessional - Santa Maria della Salute Venice - Painting by Dino Carbetta”…<br />
<br />
The Basilica di Santa Maria della Salute (Basilica of St. Mary of Health), commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a prominent position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite small interiorly. I am not sure if it was ever an active parish but more of a shrine with little room for seating. The steps wrapping around the front and sides make a perfect destination for relaxation during warm Venetian days. Interior windows open to the sky which allows for a great deal of sunlight, and as I meandered around I noticed a beautiful crucifix near the confessional. The strong rays of sunshine illuminated the face of Christ just enough to encourage one to examine their conscience one last time before entering into Sacrament of Confession.
    Crocifisso accanto al Confessionale ..etta
  • "A million faces of Jesus by Dino Carbetta - Spatola di metallo"...<br />
<br />
Daniel 10: 5-6 “As I looked up, I saw a man dressed in linen with a belt of fine gold around his waist. His body was like chrysolite, his face shone like lightning, his eyes were like fiery torches, his arms and feet looked like burnished bronze, and the sound of his voice was like the roar of a multitude.” Genesis 1:27 “God created mankind in his image; in the image of God he created them; male and female he created them.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. The blessed see God, not merely according to the measure of His likeness imperfectly reflected in creation, but they see Him as He is, after the manner of His own Being. 1 Corinthians 13:12 “At present, we are looking at a confused reflection in a mirror; then, we shall see face to face; now, I have only glimpses of knowledge; then, I shall recognize God as he has recognized me.”
    Un milione di volti di Gesù di Dino ..allo
  • “Golden Hour Crucifixion – Painting by Dino Carbetta”…<br />
<br />
I consider this magnificent rear view of the High Altar in St. Anthony’s Basilica looking toward Donatello’s very famous “Crucifix in Padua” one of my few forbidden and miraculous images of my 2019 Pilgrimage to Italy. I was unaware of the mere size and ancient grandeur of the basilica begun in 1233 but found myself mystified by the aura surrounding it and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis, and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. Deceptively, I found myself directly behind the elevated “High Altar,” and as I curiously climbed the steps toward the locked Iron Gate, Donatello’s celestial bronze crucifix began to appear. This is the story of my experience with the "High altar crucifix from the back of the Papal Basilica of St. Anthony of Padua"... The crucifix was centered at the bottom of the image and small. I decided to paint the crucifix using the original silhouette and front illumination. I added a magnificent sunset or “Golden Hour” to highlight the Crucifix. “yet I live, no longer I, but Christ lives in me; insofar as I now live in the flesh, I live by faith in the Son of God who has loved me and given himself up for me.” [Galatians 2:20]
    Ora D'oro Crocifissione - Dipinto di..etta
  • “Sunset on the canal in Ca 'd'Oro – Venice”…<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating.  We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Tramonto sul canale in Ca 'd'Oro - V..ezia
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