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Madonna e Bambino accanto a chiesa N..etta
Madonna e Bambino accanto a chiesa N..sisi
Basilica di San Pietro - Madonna del..pola
Madonna illumina l'altare di Santa M..sisi
Madonna Addolorata Radiante Azzurre ..etta
Monumento di Madonna abbracciando La..Roma
Madonna degli Angeli - La Basilica d..etta
Madonna e Gesù Bambino a La Cattedra..drea
Impressione artistica tridimensional..sisi
Trittico Madonna col Bambino di Giov..ezia
Luminous Madonna - Santa Maria Maggi..etta
Madonna Addolorata Radiante Azzurre ..sisi
Madonna Illumina l'altare maggiore d..sisi
Madonna di Fatima al Miracolo Eucari..etta
Madonna col Bambino e santi - Cappel..ezia
Luminous Madonna - Santa Maria Maggi..sisi
Madonna di Fatima al Miracolo Eucari..etta
Il bagliore della Madonna nella Chie..real
Beata Madonna all'interno della Catt..etta
Madonna Abbraccia la Croce in Santa ..Roma
Madonna Addolorata Azzurre - Duomo d..sisi
Gloriosa Madonna Addolorata - Duomo..dore
Beata Madonna all'interno della Catt..sisi
Sacra Unione - Madonna col Bambino -..etta
Madonna con Santi Francescani - Basi..ezia
Madonna Addolorata Azzurre - Duomo d..anza
Legame Divino Madonna e Gesù Bambino..etta
Sacro Vincolo della Madonna col Bamb..etta
Madonna nella Basilica di Santa Mari..Roma
Madonna col Bambino - Basilica di Sa..iena
Gloriosa Madonna Addolorata - Duomo..rire
Madonna delle Grazie - Dipinto di Di..etta
Madonna della Vittoria e del Rosario..etta
Santuario di Madonna e bambino lungo..ezia
Madonna delle Lacrime - Dipinto di D..etta
Madonna Addolorata Azzurre - Duomo d..vina
Madonna Addolorata - Duomo di San Ru..sisi
Madonna di Fatima al Miracolo Eucari..affè
Madonna di Fatima al Miracolo Eucari..- BW
Madonna e Cristo Bambino - Duomo di ..alfi
Madonna e Cristo bambino scoperto su..alfi
Madonna al Miracolo Eucaristico di S..iena
Madonna degli Angeli - La Basilica d..sisi
Gloriosa Madonna Addolorata - Duomo..sisi
Madonna e Cristo Bambino sopra Chies..apri
Madonna Che Abbraccia Il Rosario - S..etta
Madonna Addolorata Azzurre - Duomo d..sisi
Il bagliore della Madonna in il Chie..sisi
Madre Maria sotto la Croce - del Con..tona
Sole croce illumina attraverso Porte..tona
Il sera sole si irradia sopra la col..tona
Crocifisso altare maggiore dalla par..dova
Positano's Chiesa di Santa Maria Ass..sera
Sole splende sul Convento di celle -..tona
La chiesa di Santa Maria Assunta cus..tano
Altare del Crocifisso - Basilica di ..ezia
Cristo in Paradiso - la Basilica di ..ezia
La prima luce dell'alba su Positano
Il bel piccione si gode l'antica Fon..iena
Nebbia di sera rotolare giù per la c..olio
Ora D'oro Crocifissione - Dipinto di..etta
L'Altare della Chiesa di San Domenic..tona
La Sera Neve copre la Chiesa di Sant..tona
Il precoce sole si sveglia Positano
Croce e Cupola Santa Maria Assunta a..tano
Il Cupola di Santa Maria Assunta a P..sera
Santa Maria delle Grazie di Cortona ..rama
Cristo Crocifisso che inizia l'ascen..etta
Notre Dame de Bétharram Nostra Signo..etta
Cristo di fronte il Paradiso - la Ba..etta
Nostra Signora di Lourdes - Santa Ma..etta
Alba sopra Positano
Our Lady of Lourdes - Santa Maria de..Rome
Nebbia di Sera le le coperte Chiesa ..tona
Cristo illuminato da Paradiso - la B..ezia
Trittico sopra l'Altare della Chiesa..tona
Il sole splende sulla Croce delle In..tona
Sera al di sopra di Santa Maria dell..tona
Agriturismo Podere della Chiesa - Sa..tona
Scendendo sole illumina il Convento ..tona
Sera scende sulla croce e Cupola di ..tano
Nebbia di sera rotolare giù per la c..tona
Chiesa di Santa Maria Nuova - Corton..- BW
La chiesa di Santa Maria delle Grazi..tona
Padre Peek Preghiera della Consacraz..dova
Chiesa di Santa Maria Nuova - Cortona
La Madonna di Fatima abbraccia la Ve..etta
Madonna Addolorata - Dipinto di Dino..etta
Madonna di Fatima - Miracolo del Sol..etta
La Compassione Della Madonna Del Ven..etta
Notre-Dame de Lourdes - Peinture de ..etta
San Charbel Patrono della Sofferenza..etta
San Bonaventura il “Dottore Serafico..etta
L'Assunzione della Beata Vergine Mar..etta
Ascensione del Signore – Dipinto di ..etta
Agonia Nell'Orto – Dipinto di Dino C..etta
Faro Della Speranza - Dipinto di Din..etta
Terza Domenica di Avvento - Dipinto ..etta
La Chiesa di Santa Maddalena e’ circ..etta
Il Battesimo del Signore - Dipinto d..etta
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![“Our Lady of Sorrows Radiant Blue - Cathedral of San Rufino, Assisi - Painting by Dino Carbetta”…<br />
<br />
The title "Our Lady of Sorrows" bestowed upon our Blessed Mother beckons our attention to her profound suffering and grief, most notably during the passion and death of our Lord. It encompasses the seven sorrows of Mary, as foretold by the Priest Simeon. "This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed, and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare" Lk 2:34-35. These seven sorrows of our Blessed Mother weave a poignant narrative: the flight of the Holy Family into Egypt, the loss and finding of the child Jesus in the Temple, Mary's encounter with Jesus on His way to Calvary, her presence at the foot of the cross during our Lord's crucifixion, cradling Jesus as He was taken down from the cross, and His burial. In the prophecy of Simeon, a sword would pierce our Blessed Mother's heart, and find its fulfillment. Mary is depicted with her heart exposed and seven swords piercing it, symbolizing her profound sorrows. Her unwavering courage, love, and trust with which Mary embraced each trial, echoing her initial fiat: "Let it be done unto me according to thy word," first spoken at the Annunciation. This unwavering faith is beautifully depicted in the Adoration of the Madonna as a participant in the Passion of Christ, as captured in the iconographic tradition in 1672. Luke 2:34-35 serves as the foundation of this profound portrayal: "He blessed them and said to Mary his mother: 'Behold, this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; and thy own soul a sword shall pierce, that out of many hearts, thoughts may be revealed.'" In "Our Lady of Sorrows," we witness not only the depths of Mary's sorrow but also the enduring strength of her faith, an inspiration for all who encounter this ethereal work of art.](https://www.dinocarbetta.com/img-get2/I0000TEOwMlL4oA8/fill=/fit=200x200/I0000TEOwMlL4oA8.jpg)
!["Madonna and baby Jesus in the Cathedral of St. Andrew"... <br />
<br />
“Holy Family, we consecrate ourselves and our family to you. May we be completely united in a love that is lasting, faithful, and open to the gift of new life. Help us to grow in virtue, to forgive one another from our hearts, and to live in peace all our days. Keep us strong in faith, persevering in prayer, diligent in our work, and generous toward those in need. May our home, O Holy Family, truly become a domestic church where we reflect your example in our daily life. Amen. Jesus, Mary, and Joseph pray for us!” On the last of three glorious days in Positano, I arose early to catch the sunrise over the village. However, at about 10:00 am …the cold rains came down dampening the glorious sun. I caught the rain-soaked ferry down the coast to the seaside town of Amalfi. The Cattedrale di Sant'Andrea/Duomo di Amalfi is usually packed with tourists bused and ferried from hundreds of miles away, but with the dreary weather, many chose to stay away. There has been a church on this site in Amalfi since 596 AD and the one built in the ninth century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Pieces of the newer walls have been taken down to expose parts of the walls of the ancient original church, and one can ponder history with this glimpse back in time. I was enraptured by the sacred art devotional of the Madonna and Baby Jesus as I exited the magnificent Cathedral, a forever remembrance of my cherished rainy day in Amalfi. [Acts 14:17] “Yet, in bestowing his goodness, he did not leave himself without witness, for he gave you rains from heaven and fruitful seasons and filled you with nourishment and gladness for your hearts.”](https://www.dinocarbetta.com/img-get2/I0000eT47UbXX2p0/fill=/fit=200x200/I0000eT47UbXX2p0.jpg)
!["Three-dimensional artistic impression of Glorious Our Lady of Sorrows - Cathedral of San Rufino, Assisi"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."](https://www.dinocarbetta.com/img-get2/I0000TvIUFJ28yTo/fill=/fit=200x200/I0000TvIUFJ28yTo.jpg)
![“Our Lady of Sorrows Radiant Blue - Cathedral of San Rufino, Assisi”…<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."](https://www.dinocarbetta.com/img-get2/I00001PVHXqReI4I/fill=/fit=200x200/I00001PVHXqReI4I.jpg)
![“The glow of the Madonna in the New Church of San Francesco di Assisi – Ethereal”…<br />
<br />
Psalm 46:9-11 “Come and see the works of the LORD, who has done fearsome deeds on earth; Who stops wars to the ends of the earth, breaks the bow, splinters the spear, and burns the shields with fire; Be still and know that I am God! I am exalted among the nations, exalted on the earth.”<br />
<br />
Romans 5:1-5 “Therefore, since we have been justified by faith, we have peace* with God through our Lord Jesus Christ, through whom we have gained access [by faith] to this grace in which we stand, and we boast in hope of the glory of God. Not only that, but we even boast of our afflictions, knowing that affliction produces endurance, and endurance, proven character, and proven character, hope, and hope does not disappoint, because the love of God has been poured out into our hearts through the holy Spirit that has been given to us.](https://www.dinocarbetta.com/img-get2/I0000CGZ9bI9fIDw/fill=/fit=200x200/I0000CGZ9bI9fIDw.jpg)
!["Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi"...<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."](https://www.dinocarbetta.com/img-get2/I0000Pf36JaMJDdk/fill=/fit=200x200/I0000Pf36JaMJDdk.jpg)
!["Glorious Madonna of Sorrows - Cathedral of San Rufino, Assisi - Splendor"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."](https://www.dinocarbetta.com/img-get2/I00000gmkgWjP9m4/fill=/fit=200x200/I00000gmkgWjP9m4.jpg)
!["Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi - Luminance"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."](https://www.dinocarbetta.com/img-get2/I0000fPjHBbRRdvw/fill=/fit=200x200/I0000fPjHBbRRdvw.jpg)
!["Glorious Madonna of Sorrows - Cathedral of San Rufino, Assisi - Brightening"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."](https://www.dinocarbetta.com/img-get2/I0000RsgjgxG_2bc/fill=/fit=200x200/I0000RsgjgxG_2bc.jpg)
!["Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi - Olivina"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."](https://www.dinocarbetta.com/img-get2/I0000raej_1YdxkQ/fill=/fit=200x200/I0000raej_1YdxkQ.jpg)
!["Glorious Madonna of Sorrows - Cathedral of San Rufino, Assisi"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."](https://www.dinocarbetta.com/img-get2/I0000QgHTTqXjsZI/fill=/fit=200x200/I0000QgHTTqXjsZI.jpg)
![“Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi”…<br />
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The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."](https://www.dinocarbetta.com/img-get2/I0000TyBB5mduLSs/fill=/fit=200x200/I0000TyBB5mduLSs.jpg)
![“Golden Hour Crucifixion – Painting by Dino Carbetta”…<br />
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I consider this magnificent rear view of the High Altar in St. Anthony’s Basilica looking toward Donatello’s very famous “Crucifix in Padua” one of my few forbidden and miraculous images of my 2019 Pilgrimage to Italy. I was unaware of the mere size and ancient grandeur of the basilica begun in 1233 but found myself mystified by the aura surrounding it and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis, and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. Deceptively, I found myself directly behind the elevated “High Altar,” and as I curiously climbed the steps toward the locked Iron Gate, Donatello’s celestial bronze crucifix began to appear. This is the story of my experience with the "High altar crucifix from the back of the Papal Basilica of St. Anthony of Padua"... The crucifix was centered at the bottom of the image and small. I decided to paint the crucifix using the original silhouette and front illumination. I added a magnificent sunset or “Golden Hour” to highlight the Crucifix. “yet I live, no longer I, but Christ lives in me; insofar as I now live in the flesh, I live by faith in the Son of God who has loved me and given himself up for me.” [Galatians 2:20]](https://www.dinocarbetta.com/img-get2/I0000JF5qhMiAUvM/fill=/fit=200x200/I0000JF5qhMiAUvM.jpg)
