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  • “Hail favored one! The Lord is with you.”- Painting by Dino Carbetta<br />
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“In the sixth month, the angel Gabriel was sent from God to a town of Galilee called Nazareth, to a virgin betrothed to a man named Joseph, of the house of David, and the virgin’s name was Mary. And coming to her, he said, “Hail, favored one! The Lord is with you.” But she was greatly troubled at what was said and pondered what sort of greeting this might be. Then the angel said to her, “Do not be afraid, Mary, for you have found favor with God. Behold, you will conceive in your womb and bear a son, and you shall name him Jesus. He will be great and will be called Son of the Most High, and the Lord God will give him the throne of David his father, and he will rule over the house of Jacob forever, and of his kingdom, there will be no end.” But Mary said to the angel, “How can this be, since I have no relations with a man?” And the angel said to her in reply, “The Holy Spirit will come upon you, and the power of the Most High will overshadow you. Therefore the child to be born will be called holy, the Son of God. And behold, Elizabeth, your relative, has also conceived* a son in her old age, and this is the sixth month for her who was called barren; for nothing will be impossible for God.” Mary said, “Behold, I am the handmaid of the Lord. May it be done to me according to your word.” Then the angel departed from her. (Lk 1:26-38) An Extraordinary Event: the child was to be conceived by the Holy Spirit and would be called the Son of God. Mary makes an astonishing response: “Behold, I am the handmaid of the Lord. May it be done to me according to your word.” Mary had remarkable faith! This was the moment that our God became flesh and was conceived in the womb of the Virgin Mary. Thus, the realization and magnificence of divine grace, the blessing of God’s freely given love.
    “Hail favored one! The Lord is with ..etta
  • “Ascension of the Lord - Painting by Dino Carbetta”…<br />
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Luke 24:46-53 narrates "The Ascension of the Lord." Jesus reveals his resurrection to his disciples after three days of suffering and stresses the significance of spreading the message of repentance and forgiveness of sins in his name to all nations, starting from Jerusalem. He reminds his followers that they are witnesses to these events and assures them that he will send his Father's promise upon them. However, he instructs them to stay in the city until they receive power from above. After blessing them, Jesus ascends to heaven. The disciples enthusiastically return to Jerusalem, continuously praising God in the temple. The Ascension signifies that although Jesus may not be present in a specific location, he is always among us. We have an Advocate who defends and guides us through life and a community that lives out their faith with us in our daily lives. Together, we reveal the lordship of God's love to the world through the Risen Jesus Christ, who ascended to heaven and advocates for us. "And when I am lifted from the earth, I will draw all people to myself." The lifting up of Jesus on the cross signifies and announces his ascent into heaven, which begins it. Jesus Christ, the only priest of the new and everlasting Covenant, "entered not into a sanctuary made by human hands... but into heaven itself, now to appear in the presence of God on our behalf." He is the center and principal actor of the liturgy that honors the Father in heaven. Christ is seated at the right hand of the Father, signifying the inauguration of his kingdom and the fulfillment of the prophet Daniel's vision regarding the Son of man. "To him was given dominion and glory and kingdom, that all peoples, nations, and languages should serve him; his dominion is an everlasting dominion, which shall not pass away, and his kingdom one that shall not be destroyed." The apostles became witnesses to the "kingdom will have no end."
    Ascensione del Signore – Dipinto di ..etta
  • “The Ascension of the Lord - Painting by Dino Carbetta”…<br />
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Captures a pivotal moment in Christian faith depicted in Luke 24:46-53. This passage narrates the profound significance of Jesus' resurrection and ascension. Jesus, having conquered death, imparts to his disciples the imperative of spreading the message of repentance and forgiveness throughout the world. Beginning in Jerusalem, they are to witness these transformative events, awaiting the promised power from above. As Jesus ascends, he blesses his disciples, leaving them with a tangible sense of his presence despite his physical departure. Their return to Jerusalem is marked by overflowing joy and continuous praise in the temple. This joyous occasion signifies that though Jesus may no longer walk the earth, his spirit remains present, advocating for and guiding believers. In the painting, the lifting up of Jesus on the cross symbolizes the commencement of his ascension into heaven. He, the sole mediator of the new Covenant, transcends earthly confines to intercede on behalf of humanity before God. Christ, seated at the Father's right hand, fulfils ancient prophecies and establishes his dominion over all peoples. The apostles, now witnesses to this eternal reign, embody the enduring nature of Christ's kingdom. Their proclamation resonates through the ages, heralding the everlasting dominion of the Risen Lord. Through the Ascension, we are reminded of our profound connection to the divine, guided by an ever-present Advocate and united in faith with a community that proclaims God's boundless love to the world. After this narrative, this painting beautifully encapsulates the essence of the Ascension, serving as a visual testament to the enduring significance of this pivotal event in the Christian faith.
    L'Ascensione del Signore - Dipinto d..etta
  • “Presentation of the Lord – Painting by Dino Carbetta” … <br />
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“When the days were completed for their purification according to the law of Moses, Mary and Joseph took Jesus up to Jerusalem to present him to the Lord, just as it is written in the law of the Lord, “Every male that opens the womb shall be consecrated to the Lord,” and to offer the sacrifice of “a pair of turtledoves or two young pigeons,” by the dictate in the law of the Lord.” ~Luke 2:22–24. In this poignant portrayal, we witness Mary and Joseph's pilgrimage to the Temple in Jerusalem, a faithful observance of the Law of Moses that mandates the presentation of the infant Jesus to the Lord. This image conveys the solemnity of this moment, portraying the couple's commitment to obeying tradition. Illustrating Jesus alongside turtledove offerings signifies obedience, creating a profound link between biblical narratives and modern rituals. Delving into the significance of the forty days following Jesus' birth, the painting underscores Mary's purification, emphasizing the enduring importance of obedience in the divine context. The associated feast, known by various names such as the "Presentation in the Temple" and "Candlemass," involves the use of lighted candles, symbolizing Jesus as a "light for revelation to the Gentiles." At the heart of the celebration is the encounter of Simeon and Anna with the Christ Child in the Temple. Simeon's prophetic words foreshadow the sacrificial sorrow that will pierce Mary's Immaculate Heart, highlighting the depth of sacrifice for our salvation. Mary's consent becomes a conduit for God's grace and Joseph's presentation of Jesus embodies our offering to the Father and the aspiration that others may witness the divine presence within us. This inspirational painting's artistic expression captures the essence of the Presentation of the Lord, inviting us to participate actively in its profound and timeless significance.
    Presentation of the Lord – Painting ..etta
  • “Saint Thomas - “My Lord and my God!”- Painting by Dino Carbetta” …<br />
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In the timeless story in the Gospel of John 20:24–29, we encounter the profound tale of Saint Thomas, one of the Twelve disciples. Thomas earned the label "Doubting Thomas" due to his inherent doubt, as he sought empirical evidence of Jesus' resurrection. He desired to witness the scars left by the nails, place his hand into the wound on Jesus' side, and see the indelible marks of crucifixion. Thomas's insistence on tangible proof mirrors our natural inclination to seek assurance. A week later, the disciples gathered again, and Jesus invited Thomas to touch the wounds that bore the weight of humanity's redemption. Overwhelmed with realization, Thomas uttered the profound declaration: "My Lord and my God!" Though labelled as "Doubting Thomas," it is essential to recognize his courage and loyalty. Thomas displayed unwavering commitment when faced with Jesus' proposal for a perilous journey to Bethany after Lazarus's death. His willingness to follow Jesus, even in the face of imminent danger and potential death, speaks to a courage often overshadowed by his momentary doubt. In embracing doubt, we echo Thomas's quest for certainty. Jesus met him with compassion and an invitation to healing, offering solace to those grappling with doubt. This reassures us that fear can be a conduit for God's mercy and a pathway to deepen our faith. Navigating our doubts, may we find inspiration in Thomas's journey, which ultimately led him to a profound affirmation of faith: "My Lord and my God!" Just as Jesus embraced Thomas, so too can we trust in His unwavering compassion amid our moments of uncertainty. The Lotus Flower and Cross are potent symbols in Saint Thomas's journey, reminding us of the profound beauty that can emerge from the interplay of doubt and faith.
    Saint Thomas - “My Lord and my God!”..etta
  • “Annunciation of the Lord - Marian Shrine Basilica of the Holy House in Loreto, Italy – Painting by Dino Carbetta” …<br />
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Gospel Lk 1:26-38  “The angel Gabriel was sent from God to a town of Galilee called Nazareth, to a virgin betrothed to a man named Joseph, of the house of David, and the virgin's name was Mary. And coming to her, he said, "Hail, full of grace! The Lord is with you." But she was greatly troubled at what was said and pondered what sort of greeting this might be. Then the angel said to her, "Do not be afraid, Mary, for you have found favor with God. Behold, you will conceive in your womb and bear a son, and you shall name him Jesus.<br />
He will be great and will be called Son of the Most High, and the Lord God will give him the throne of David his father, and he will rule over the house of Jacob forever, and of his Kingdom there will be no end." But Mary said to the angel, "How can this be, since I have no relations with a man?" And the angel said to her in reply, "The Holy Spirit will come upon you, and the power of the Most High will overshadow you. Therefore the child to be born<br />
will be called holy, the Son of God. And behold, Elizabeth, your relative, has also conceived a son in her old age, and this is the sixth month for her who was called barren; for nothing will be impossible for God." Mary said, "Behold, I am the handmaid of the Lord. May it be done to me according to your word." Then the angel departed from her.”
    Annunciazione del Signore - Santuari..etta
  • “Madonna with Franciscan Saints - Basilica of Santa Maria Gloriosa dei Frari – Venice”…<br />
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Lk 2:22-32: “When the days were completed for their purification according to the law of Moses, Mary and Joseph took Jesus up to Jerusalem to present him to the Lord,<br />
just as it is written in the law of the Lord, ‘Every male that opens the womb shall be consecrated to the Lord, and to offer the sacrifice of a pair of turtledoves or two young pigeons,’ in accordance with the dictate in the law of the Lord. Now there was a man in Jerusalem whose name was Simeon. This man was righteous and devout, awaiting the consolation of Israel,<br />
and the Holy Spirit was upon him. It had been revealed to him by the Holy Spirit that he should not see death before he had seen the Christ of the Lord. He came in the Spirit into the temple; and when the parents brought in the child Jesus to perform the custom of the law in regard to him, he took him into his arms and blessed God, saying: ‘Now, Master, you may let your servant go in peace, according to your word, for my eyes have seen your salvation, which you prepared in the sight of all the peoples: a light for revelation to the Gentiles, and glory for your people Israel.” In the Santi Francescani's Chapel, I photographed this masterpiece by Bernardino Licinio painted in 1535 of the seated Virgin and Child. On the left are St. Francis, St. Mark, St. Bonaventura, and St. Clare. On the right are St. Anthony, St. Andrew, St. Louis, St. John the Baptist, and the face of St. Elizabeth of Hungary. Licinio's portrayal was ‘not for the nobility of expression, but the splendor of the color and sense of motion.’ The aggregate of the artwork involved in Santa Maria Gloriosa is a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. The Basilica di Frari is one of my favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur.
    Madonna con Santi Francescani - Basi..ezia
  • “The Annunciation of the Lord – Painting by Dino Carbetta”...<br />
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Captures the profound moment described in the Gospel of Luke 1:26-38. In this sacred scene, the angel Gabriel, a messenger of God, appears to Mary in the humble town of Nazareth. The painting imbued with reverence and spiritual depth, portrays the angel's words to Mary: "Hail, full of grace! The Lord is with you." Mary's initial perplexity and trepidation, depicted with delicate brushstrokes, reflect the gravity of the divine message she receives. As Gabriel reassures her, Mary's acceptance of God's will becomes pivotal in salvation history. Through the artful use of color and light, the painting conveys the ethereal presence of the Holy Spirit, symbolized by the radiant glow enveloping Mary. This art captures the essence of Mary's surrender and trust in God's plan with profound insight. Mary's response, "Behold, I am the handmaid of the Lord. May it be done to me according to your word," is depicted with humility and reverence, inspiring viewers to contemplate the depth of her faith and obedience. The scripture remains the foundation for this artistic interpretation. The painting expressively communicates the timeless message of God's unfathomable love and the transformative power of faith. Viewers are invited to ponder the mystery of the Incarnation and Mary's extraordinary role in God's divine plan as they gaze upon this magnum opus. Through "The Annunciation of the Lord," The artist invites us to encounter the sacred through art, offering a profound visual meditation on the words of Scripture. In a world often filled with noise and distractions, this painting serves as a beacon of spiritual contemplation, guiding us to embrace God's will with the same courage and trust exemplified by the Blessed Virgin Mary. “Then the angel said to her, “Do not be afraid, Mary, for you have found favor with God. Behold, you will conceive in your womb and bear a son, and you shall name him Jesus.”
    L’Annunciazione del Signore – Dipint..etta
  • "Emmanuel, “God is with us” – Painting by Dino Carbetta"...<br />
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Matthew 1:18-25, Now this is how the birth of Jesus Christ came about. When his mother Mary was betrothed to Joseph, but before they lived together, she was found with child through the Holy Spirit. Joseph her husband, since he was a righteous man, yet unwilling to expose her to shame, decided to divorce her quietly. Such was his intention when behold, the angel of the Lord appeared to him in a dream and said, “Joseph, son of David, do not be afraid to take Mary your wife into your home. For it is through the holy Spirit that this child has been conceived in her. She will bear a son and you are to name him Jesus because he will save his people from their sins.” All this took place to fulfill what the Lord had said through the prophet: “Behold, the virgin shall be with child and bear a son, and they shall name him Emmanuel,” which means “God is with us. “When Joseph awoke, he did as the angel of the Lord had commanded him and took his wife into his home. He had no relations with her until she bore a son, and he named him Jesus. Matthew 2:19-23: 19, When Herod had died, behold, the angel of the Lord appeared in a dream to Joseph in Egypt and said, “Rise, take the child and his mother and go to the land of Israel, for those who sought the child’s life are dead.” He rose, took the child and his mother, and went to the land of Israel. But when he heard that Archelaus was ruling over Judea in place of his father Herod, he was afraid to go back there. And because he had been warned in a dream, he departed for the region of Galilee. He went and dwelt in a town called Nazareth, so that what had been spoken through the prophets might be fulfilled, “He shall be called a Nazorean.”<br />
The Reverend Dr. Patrick Devine, International Chairperson, Shalom-SCCRR … asked me to paint a picture for his world mission.  He described an image, and hopefully, I was able to match his thought process. God Bless you, Father Devine.
    Emmanuele, “Dio è Con Noi” – Dipinto..etta
  • 🌹The Resurrection of the Lord - Painting by Dino Carbetta<br />
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🌹(Gospel Jn 20:1-9)  “On the first day of the week, Mary of Magdala came to the tomb early in the morning, while it was still dark, and saw the stone removed from the tomb. So she ran and went to Simon Peter and to the other disciple whom Jesus loved, and told them, “They have taken the Lord from the tomb, and we don’t know where they put him.” So Peter and the other disciple went out and came to the tomb. They both ran, but the other disciple ran faster than Peter and arrived at the tomb first; he bent down and saw the burial cloths there, but did not go in. When Simon Peter arrived after him, he went into the tomb and saw the burial cloths there, and the cloth that had covered his head, not with the burial cloths but rolled up in a separate place. Then the other disciple also went in, the one who had arrived at the tomb first, and he saw and believed. For they did not yet understand the Scripture that he had to rise from the dead.” (Mark 16:19-20) “So then the Lord Jesus, after he spoke to them, was taken up into heaven and took his seat at the right hand of God. But they went forth and preached everywhere, while the Lord worked with them and confirmed the word through accompanying signs.)
    La Resurrezione del Signore - Dipint..etta
  • “Madonna and Child next to Chiesa Nuova - Birthplace of Saint Francis of Assisi – Snow – Painting by Dino Carbetta”…<br />
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Luke 2: 7-20, “and she gave birth to her firstborn son. She wrapped him in swaddling clothes and laid him in a manger, because there was no room for them in the inn. Now there were shepherds in that region living in the fields and keeping the night watch over their flock. The angel of the Lord appeared to them and the glory of the Lord shone around them, and they were struck with great fear. The angel said to them, “Do not be afraid; for behold, I proclaim to you good news of great joy that will be for all the people. For today in the city of David a savior has been born for you who is Messiah and Lord. And this will be a sign for you: you will find an infant wrapped in swaddling clothes and lying in a manger.’ And suddenly there was a multitude of the heavenly host with the angel, praising God and saying: “Glory to God in the highest and on earth peace to those on whom his favor rests.’ When the angels went away from them to heaven, the shepherds said to one another, “Let us go, then, to Bethlehem to see this thing that has taken place, which the Lord has made known to us.’ So they went in haste and found Mary and Joseph, and the infant lying in the manger. When they saw this, they made known the message that had been told them about this child. All who heard it were amazed by what had been told them by the shepherds. And Mary kept all these things, reflecting on them in her heart. Then the shepherds returned, glorifying and praising God for all they had heard and seen, just as it had been told to them.” “Three things are too wonderful for me, yes, four I cannot understand.” Proverbs 30:18 Going back during the winter, cold and snow overcame Assisi. However, the Madonna and Child Jesus became a Beacon of pervading luminescence.
    Madonna e Bambino accanto a chiesa N..etta
  • “St. Francis with the Stigmata - The Basilica of Santa Maria degli Angeli Museum”… <br />
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Portiuncula is a town and parish located approximately three-quarters of a mile away from Assisi. This town's roots are intertwined with the Basilica of Our Lady of the Angels. It was within this modest church, relocated within the Basilica, that St. Francis profoundly realized his calling in the year 1208. Throughout his life, St. Francis spent most of his time in this sacred place. The Benedictines entrusted him with the small chapel of St. Mary of the Angels, also known as the Portiuncula, which translates to a "little portion" of land. Nearby, the first Franciscan convent took shape. It was here that St. Francis also received the vows of St. Clare. St. Francis passed away within these hallowed walls on October 3, 1226. On his deathbed, he earnestly entrusted the chapel to his fellow brothers' faithful protection and care. At age 42 and a year after constructing the first crib in honor of Our Lord, he embarked on a solitary journey to Mt, Alvernia, and dedicated forty days to fasting and prayer, preparing himself for the feast of Saint Michael. On the feast day of the Exaltation of the Holy Cross, Saint Francis received the Sacred Wounds in his hands, feet, and side, directly from Our Lord's body. Saint Francis is renowned for the deep and beautiful love he shared with Our Lord. The wounds of  Jesus remained on his hands, feet, and side, continuously bleeding for two more years until his passing in 1226. The Basilica Museum houses a poignant depiction of St. Francis with the Stigmata in his hands, among many other historical relics from his remarkable life. Our Pilgrimage was blessed to tour this profoundly reverent Basilica, which stands as one of the most significant pilgrimage destinations in Italy. This striking image unveils Saint Francis with the Stigmata, showcasing the unwavering determination etched upon his face as he followed the path of the Lord.
    San Francesco con le Stimmate - La B..useo
  • “Visitation of the Blessed Virgin Mary - Painting by Dino Carbetta” … <br />
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The painting illustrates the biblical account of Mary's visit to Elizabeth as narrated in Lk 1:39-45. The Feast of the Visitation, established in the 14th century, calls for unity within the Church. The text is strategically placed between the Annunciation of the Lord and the Nativity of Saint John the Baptist, highlighting its significance in the story of salvation. Mary and Elizabeth take the lead in this sacred story, but the presence of Jesus and John the Baptist, even in their mothers' wombs, is subtly profound. As Mary greets Elizabeth, Jesus imparts the joy of messianic salvation to John, causing him to leap with joy within Elizabeth. This reaction is a testament to Jesus's divine presence and the moment's sanctity. Elizabeth, filled with the Holy Spirit, exclaims in awe, "Blessed are you among women, and blessed is the fruit of your womb! And why is this granted to me that the mother of my Lord should come to me?" Lk 1:42-43. Her words reflect the early Church's devotion to Mary, praising God for His work through her. Mary's response, the Magnificat Lk 1:46-55, is a hymn of humble gratitude, magnifying the Lord for His mercy and might. "My soul magnifies the Lord, and my spirit rejoices in God my Savior," she proclaims, attributing her greatness to God's grace. This mirrors the Church's attitude of reverence, where Mary is honored for her role in God's plan, yet all glory is directed to God. One of the revered titles of Mary is the "Ark of the Covenant." Just as the Ark of the Covenant in the Old Testament symbolized God's presence among the Israelites and was a unifying force for the twelve tribes, Mary, as the new Ark, carries Jesus, God's presence, into the world. True devotion to Mary leads to Jesus, fostering unity and love within the Church. The painting encourages reflection on the Visitation's theological depths and Mary's vital role in this divine mystery.
    Visitazione della Beata Vergine Mari..etta
  • “Beacon of Hope – Painting by Dino Carbetta” …<br />
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Hope is faith acting and trusting in the promises of God. “Hope” moves us to abide in the word of God, and hope gives meaning to our trials. Hope destines us to live with Christ and it gives us the ability to continue on the path of apostles in freedom and trust. We experience difficulties at different points in our lives. But no circumstance, no pain, and no suffering can ever negate the hope we have in Christ, and God’s promises in Scripture. Both the Old and New Testaments are filled with hundreds of passages on hope. From these passages, we see how important it is to live out our Christian lives as disciples in hope. <br />
(2 Corinthians 4:16-18) "So we do not lose heart. Though our outer nature is wasting away, our inner nature is being renewed every day. For this slight momentary affliction is preparing for us an eternal weight of glory beyond all comparison, because we look not to the things that are seen but to the things that are unseen; for the things that are seen are transient, but the things that are unseen are eternal."<br />
(Philippians 4:4-7) "Rejoice in the Lord always; again I will say, Rejoice. Let all men know your forbearance. The Lord is at hand. Have no anxiety about anything, but in everything by prayer and supplication with thanksgiving let your requests be made known to God. And the peace of God, which passes all understanding, will keep your hearts and your minds in Christ Jesus."<br />
(1 Peter 1:3-5)  “Blessed be the God and Father of our Lord Jesus Christ, who in his great mercy gave us a new birth to a living hope through the resurrection of Jesus Christ from the dead, to an inheritance that is imperishable, undefiled, and unfading, kept in heaven for you who by the power of God are safeguarded through faith, to a salvation that is ready to be revealed in the final time.”
    Faro Della Speranza - Dipinto di Din..etta
  • "Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi"...<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..sisi
  • "Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi - Luminance"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..anza
  • "Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi - Olivina"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..vina
  • “Transcendent Sacrifice - Saint Stephen's Martyrdom – Painting by Dino Carbetta” …<br />
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He said: “Nailed to the cross, Jesus said, “Father, forgive them; for they know not what they do” Lk 23:34. Likewise, Stephen “knelt down and cried with a loud voice, 'Lord, do not hold this sin against them'” Acts 7:60. Stephen is therefore a martyr, which means witness, because he does as Jesus did. Within the sacred narrative of the Feast of Saint Stephen, we are immersed in a profound account of a man filled with grace and power, confronting fierce opposition from the Synagogue of Freedmen. Undeterred, Stephen engages in a spirited debate, showcasing wisdom and a spirit that his opponents cannot withstand. As the intense scene unfolds, Stephen, fortified by the Holy Spirit, beholds the glory of God and Jesus, declaring, "Behold, I see the heavens opened and the Son of Man standing at the right hand of God." This powerful proclamation ignites rage among dissenters, ultimately leading to his brutal stoning and expulsion from the city. Amidst the assault, Stephen displays unwavering faith, echoing Christ's words on the cross, pleading for forgiveness with the poignant cry, "Lord Jesus, receive my spirit." In a compassionate plea reminiscent of Jesus, he adds, "Lord, do not hold this sin against them." Acts of the Apostles paints Stephen as a chosen figure to address grievances within the disciple community, his eloquence and wisdom testifying to his deep faith and alignment with the Holy Spirit. His subsequent martyrdom accentuates the challenges faced by those committed to God. In Stephen's life and sacrifice, we encounter a vivid portrayal of faith, resilience, and forgiveness. As we reflect on this narrative, may we draw inspiration from Stephen's unwavering devotion, courage to speak the truth, and compassionate plea for forgiveness in the face of adversity. Let his example inspire us on our journeys of faith and commitment to the profound teachings that guide our lives.
    Transcendent Sacrifice - Saint Step..etta
  • "Glory to God in the Highest and Peace on Earth to Those On Whom His Favor Rests – Painting by Dino Carbetta”...<br />
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The Birth of Jesus: In those days, a decree went out from Caesar Augustus that the whole world should be enrolled. This was the first enrollment when Quirinius was governor of Syria. So all went to be enrolled, each to his own town. And Joseph too went up from Galilee from the town of Nazareth to Judea, to the city of David that is called Bethlehem, because he was of the house and family of David, to be enrolled with Mary, his betrothed, who was with child. While they were there, the time came for her to have her child, and she gave birth to her firstborn son. She wrapped him in swaddling clothes and laid him in a manger because there was no room for them in the inn. Now there were shepherds in that region living in the fields and keeping the night watch over their flock. The angel of the Lord appeared to them, and the glory of the Lord shone around them, and they were struck with great fear. The angel said to them, “Do not be afraid; for behold, I proclaim to you good news of great joy that will be for all the people. For today in the city of David, a savior has been born for you who is Messiah and Lord. And this will be a sign for you: you will find an infant wrapped in swaddling clothes and lying in a manger.” And suddenly there was a multitude of the heavenly host with the angel, praising God and saying: “Glory to God in the highest and on earth peace to those on whom his favor rests.” [Luke 2:1-14]
    Gloria a Dio nell'Altissimo e Pace i..etta
  • “The Star of Bethlehem Over Assisi – Painting by Dino Carbetta”<br />
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In this expressive image, The Star of Bethlehem shines luminously above the Papal Basilica of St. Francis of Assisi, casting its sacred light over the church below. The scene evokes both the historical and spiritual essence of Christmas, blending the enduring beauty of Assisi's architecture with the heavenly symbolism of Christ's birth. The star, long a sign of divine guidance, calls to mind the journey of the Magi and the humble shepherds who were the first to witness the miracle of the Incarnation. The artist captures the ethereal stillness of the night, yet imbues the painting with a profound sense of awe and movement, as if the viewer can almost hear the angelic chorus proclaiming the good news. The glow of the star reflects the radiance of the angel's announcement in Luke 2: "Now there were shepherds in that region living in the fields and keeping the night watch over their flock. The angel of the Lord appeared to them and the glory of the Lord shone around them, and they were struck with great fear. The angel said to them, ‘Do not be afraid; for behold, I proclaim to you good news of great joy that will be for all the people. For today in the city of David, a savior has been born for you who is Messiah and Lord. And this will be a sign for you: you will find an infant wrapped in swaddling clothes and lying in a manger.’ And suddenly there was a multitude of the heavenly host with the angel, praising God and saying: ‘Glory to God in the highest and on earth peace to those on whom His favor rests.’” Carbetta’s work invites viewers into a meditative space where art meets faith, reminding us that the same star shining over Bethlehem continues to guide us today, leading us to Christ, the Light of the World. Through his painting, he offers a vivid portrayal of the Nativity’s timeless message: that hope, peace, and love enter the world anew with every Christmas, illuminating even the darkest nights.
    La Stella Di Betlemme Su Assisi – Di..etta
  • Light of the Five Advent Candles on Christmas - Painting by Dino Carbetta<br />
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The five Advent candles symbolize Jesus coming as the light in the darkness. One candle is lit each Sunday during Advent, progressively illuminating the path toward Christmas as all four candles are eventually lit. Each flame represents the increasing light of Christ dispelling the shadows of the world. On Christmas Eve or Christmas Day, a white candle, often called the "Christ candle," is lit to signify that Jesus is with us. Each candle before Christmas reflects a particular aspect of preparation during Advent. The four candles symbolize the four Sundays of Advent, representing hope, peace, joy, and love. The fifth candle, lit on Christmas, celebrates the birth of Christ—the Light of the World. Together, we can rejoice in the grace to endure each day, each year, and the journey of life, finding hope that restores our spirit with peace, joy, and love. A heartfelt prayer for this sacred time: “Lord Jesus, Master of both light and darkness, send Your Holy Spirit upon our preparation for Christmas. We, who have so much to do, seek quiet spaces to hear Your voice each day. We, who are anxious about many things, long for Your presence among us. We, who are abundantly blessed, yearn for the fullness of joy in Your Kingdom. We, whose hearts are heavy, seek the consolation of Your presence. We are Your people, walking in darkness yet seeking Your light. To You, we cry, ‘Come, Lord Jesus!’” As the angel proclaimed: “Do not be afraid; for behold, I proclaim to you good news of great joy that will be for all the people. For today, in the city of David, a savior has been born for you who is Messiah and Lord. And this will be a sign for you: you will find an infant wrapped in swaddling clothes and lying in a manger.” Suddenly, a multitude of the heavenly host appeared with the angel, praising God and saying: “Glory to God in the highest, and on earth peace to those on whom His favor rests.”Luke 2:10–14
    Luce delle Cinque Candele dell'Avven..etta
  • "The eyes of the deer imitate the eyes of Christ - Painting by Dino Carbetta"...<br />
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The Bible uses the deer in several verses of scripture, including Solomon’s Songs, to demonstrate God's beauty, grace, and provision. Only through God, who establishes us and gives us guidance on how we are to scale mountains. This past winter, I found peace and soles, with the Lord’s help in creating peaceful winter scenes including deer, mostly in the background. I have posted many, however, this new image portrays fortitude and reconciliation, bringing the buck to the foreground. I wanted to reveal the grace of previous images and the strength and determination through his eyes, and most importantly, the eyes of Christ. Although I painted this image before my illness, seeing it again renews my body, spirit, and soul. May you also acquire the strength and gracefulness of God’s multitude of blessings. (Psalms 42:2) “As the deer longs for streams of water, so my soul longs for you, O God.” (Isaiah 35:6) “Then the lame shall leap like a stag, and the mute tongue sing for joy. For waters will burst forth in the wilderness, and streams in the Arabah.” (Psalm 29:9) “The voice of the LORD makes the deer dance and strips the forests bare. All in his Temple say, “Glory!” (Habakkuk 3:19) “GOD, my Lord, is my strength; he makes my feet swift as those of deer and enables me to tread upon the heights. For the leader; with stringed instruments.” (2 Samuel 22:34) “Who made my feet swift as a deer’s, set me safe on the heights,”
    Gli occhi del cervo imitano gli occh..etta
  • “Madonna with Child - Basilica of San Francesco Siena”…<br />
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Luke Chapter 2:8-14 “Now there were shepherds in that region living in the fields and keeping the night watch over their flock. The angel of the Lord appeared to them and the glory of the Lord shone around them, and they were struck with great fear. The angel said to them, “Do not be afraid; for behold, I proclaim to you good news of great joy that will be for all the people. For today in the city of David a savior has been born for you who is Messiah and Lord. And this will be a sign for you: you will find an infant wrapped in swaddling clothes and lying in a manger.” And suddenly there was a multitude of the heavenly host with the angel, praising God and saying: “Glory to God in the highest and on earth peace to those on whom his favor rests.”<br />
Artist - Ambito di Andrea Vanni, Madonna col Bambino,1398.
    Madonna col Bambino - Basilica di Sa..iena
  • "Glorious Madonna of Sorrows - Cathedral of San Rufino, Assisi"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Gloriosa Madonna Addolorata - Duomo..sisi
  • "Glorious Madonna of Sorrows - Cathedral of San Rufino, Assisi - Splendor"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Gloriosa Madonna Addolorata - Duomo..dore
  • “A deer appearing in the window as the star of Bethlehem shines above the Basilica of San Francesco in Assisi... Painting by Dino Carbetta”…<br />
<br />
On Christmas Eve, St. Francis invited the people of the region into a cave that he had filled with straw and animals. He wanted them to feel the heat generated by the animals in the stable and to smell the damp hay crammed into the cave’s close quarters. He prepared a crib that was originally intended for the animals’ food as a resting place for the infant Christ. A tradition tells us that during the liturgy, while Francis was preaching with deep feeling about God’s love, the child Jesus appeared and rested in Francis’ arms. For St. Francis, Christmas reveals the good news about God that we could never come upon by ourselves. Unprompted by us, God chose to become a human person by entering the universe through Mary’s womb. This wonderfully good news saves us from inadequate images of God. The message of God choosing to live among us is the reason for such a great celebration by humans. Luke 2:8-14 “Now there were shepherds in that region living in the fields and keeping the night watch over their flock. The angel of the Lord appeared to them and the glory of the Lord shone around them, and they were struck with great fear. The angel said to them, “Do not be afraid; for behold, I proclaim to you good news of great joy that will be for all the people. For today in the city of David, a savior has been born for you who is Messiah and Lord. And this will be a sign for you: you will find an infant wrapped in swaddling clothes and lying in a manger.” And suddenly there was a multitude of the heavenly host with the angel, praising God and saying: “Glory to God in the highest and on earth peace to those on whom his favor rests.”
    Un cervo che appare alla finestra me..etta
  • “Our Lady of Sorrows Radiant Blue - Cathedral of San Rufino, Assisi”…<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Radiante Azzurre ..sisi
  • "Three-dimensional artistic impression of Glorious Our Lady of Sorrows - Cathedral of San Rufino, Assisi"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Impressione artistica tridimensional..sisi
  • “Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi”…<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..sisi
  • "Glorious Madonna of Sorrows - Cathedral of San Rufino, Assisi - Brightening"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Gloriosa Madonna Addolorata - Duomo..rire
  • “Crucifixion of the Triumphal Sacrifice - Holy Mass in the Cathedral of Sorrento”…<br />
<br />
Our 2019 Italy Pilgrimage with Spiritual Director: Fr. Kevin Peek offering Mass. “The Nicene Creed: I believe in one God, the Father almighty, maker of heaven and earth, of all things visible and invisible. I believe in one Lord Jesus Christ, the Only Begotten Son of God, born of the Father before all ages. God from God, Light from Light, true God from true God, begotten, not made, consubstantial with the Father; through him all things were made. For us men and for our salvation he came down from heaven, and by the Holy Spirit was incarnate of the Virgin Mary, and became man. For our sake he was crucified under Pontius Pilate, he suffered death and was buried, and rose again on the third day in accordance with the Scriptures. He ascended into heaven and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead and his kingdom will have no end. I believe in the Holy Spirit, the Lord, the giver of life, who proceeds from the Father and the Son, who with the Father and the Son is adored and glorified, who has spoken through the prophets. I believe in one, holy, catholic and apostolic Church. I confess one Baptism for the forgiveness of sins and I look forward to the resurrection of the dead and the life of the world to come. Amen”
    Crocifissione del Sacrificio Trionfa..ento
  • "Sunlight illuminates the Crucifix - Sorrento Cathedral"…<br />
<br />
The Nicene Creed:<br />
I believe in one God, the Father almighty, maker of heaven and earth, of all things visible and invisible. I believe in one Lord Jesus Christ, the Only Begotten Son of God, born of the Father before all ages. God from God, Light from Light, true God from true God, begotten, not made, consubstantial with the Father; through him all things were made. For us men and for our salvation he came down from heaven, and by the Holy Spirit was incarnate of the Virgin Mary,<br />
and became man. For our sake he was crucified under Pontius Pilate, he suffered death and was buried, and rose again on the third day in accordance with the Scriptures. He ascended into heaven and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead and his kingdom will have no end. I believe in the Holy Spirit, the Lord, the giver of life, who proceeds from the Father and the Son, who with the Father and the Son is adored and glorified, who has spoken through the prophets. I believe in one, holy, catholic and apostolic Church. I confess one Baptism for the forgiveness of sins and I look forward to the resurrection of the dead and the life of the world to come. Amen
    La luce del sole illumina il Crocifi..ento
  • “Saint Cecilia - Roman Virgin and Martyr - Painting by Dino Carbetta” …<br />
<br />
Saint Cecilia, a revered Roman virgin martyr, holds a special place in the heart of the Catholic Church. She is recognized as the patroness of music and musicians. It is recounted that during her wedding, as musicians played, Cecilia "sang in her heart to the Lord." Her significance is marked by musical compositions dedicated to her, and on the 22nd of November, her feast becomes the inspiration for concerts and musical festivals. Also known as Cecilia of Rome, she is among the virgin martyrs commemorated by name in the Canon of the Mass in the Latin Church. The church of Santa Cecilia in Trastevere, established in the 3rd century by Pope Urban I, is believed to stand on the site where she once lived and ultimately met her fate. She was forced into marriage to a pagan nobleman named Valerian, despite her vow of virginity. During the wedding ceremony, Cecilia sat apart, singing to God in her heart, earning her the title of the patron saint of musicians. In a remarkable turn of events, Cecilia, true to her vow, informed Valerian that an angel of the Lord was watching over her. This angel, she proclaimed, would punish him for violating her purity but would bestow love upon him if he respected her commitment. To witness this angel, Valerian was directed to the third milestone on the Via Appia, where he underwent baptism by Pope Urban I. He beheld the angel standing beside her, adorning her with a crown of roses and lilies. Cecilia's martyrdom unfolds after that of her husband Valerian and his brother. Legend has it that, struck three times on the neck with a sword, Cecilia miraculously lived for three more days. In her final request to the pope, she asked for her home to be converted into a church. Saint Cecilia found her resting place in the Catacomb of Callixtus, later transferred to the Church of Santa Cecilia in Trastevere in 1599, her body incorrupt and appearing as if in peaceful slumber.
    Santa Cecilia - Vergine Romana e Mar..etta
  • “Our Lady of Sorrows Radiant Blue - Cathedral of San Rufino, Assisi - Painting by Dino Carbetta”…<br />
<br />
The title "Our Lady of Sorrows" bestowed upon our Blessed Mother beckons our attention to her profound suffering and grief, most notably during the passion and death of our Lord. It encompasses the seven sorrows of Mary, as foretold by the Priest Simeon. "This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed, and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare" Lk 2:34-35. These seven sorrows of our Blessed Mother weave a poignant narrative: the flight of the Holy Family into Egypt, the loss and finding of the child Jesus in the Temple, Mary's encounter with Jesus on His way to Calvary, her presence at the foot of the cross during our Lord's crucifixion, cradling Jesus as He was taken down from the cross, and His burial. In the prophecy of Simeon, a sword would pierce our Blessed Mother's heart, and find its fulfillment. Mary is depicted with her heart exposed and seven swords piercing it, symbolizing her profound sorrows. Her unwavering courage, love, and trust with which Mary embraced each trial, echoing her initial fiat: "Let it be done unto me according to thy word," first spoken at the Annunciation. This unwavering faith is beautifully depicted in the Adoration of the Madonna as a participant in the Passion of Christ, as captured in the iconographic tradition in 1672. Luke 2:34-35 serves as the foundation of this profound portrayal: "He blessed them and said to Mary his mother: 'Behold, this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; and thy own soul a sword shall pierce, that out of many hearts, thoughts may be revealed.'" In "Our Lady of Sorrows," we witness not only the depths of Mary's sorrow but also the enduring strength of her faith, an inspiration for all who encounter this ethereal work of art.
    Madonna Addolorata Radiante Azzurre ..etta
  • “The Spirit of God descends like a Dove - Painting by Dino Carbetta – Azure”…<br />
<br />
Gospel Jn 20:19-23 “On the evening of that first day of the week, when the doors were locked, where the disciples were, for fear of the Jews, Jesus came and stood in their midst and said to them, “Peace be with you.” When he had said this, he showed them his hands and his side. The disciples rejoiced when they saw the Lord. Jesus said to them again, “Peace be with you. As the Father has sent me, so I send you.” And when he had said this, he breathed on them and said to them, “Receive the Holy Spirit. Whose sins you forgive are forgiven them, and whose sins you retain are retained.”<br />
2 Corinthians 1:3-7 “Blessed be the God and Father of our Lord Jesus Christ, the Father of compassion and God of all encouragement, who encourages us in our every affliction, so that we may be able to encourage those who are in any affliction with the encouragement with which we ourselves are encouraged by God. For as Christ’s sufferings overflow to us, so through Christ* does our encouragement also overflow. If we are afflicted, it is for your encouragement and salvation; if we are encouraged, it is for your encouragement, which enables you to endure the same sufferings that we suffer. Our hope for you is firm, for we know that as you share in the sufferings, you also share in the encouragement.”
    Lo Spirito di Dio scende come una Co..urro
  • "The brave little boat faces threatening skies during a dramatic sunset over Marina Grande Sorrento - Painting"...<br />
<br />
Our last day on the bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. Hallelujah, it was our first free day of the 2019 Pilgrimage and most were heading to Capri. I convinced my fellow Pilgrim Patrick that Marina Grande was the preferred location to commemorate this rain threatened day. Sunday afternoon in this tiny hallowed port on the Mediterranean was bustling, not with tourist, but with energetic and unassuming locals. The misty skies were vulnerable all day with the threat of rain, but the reluctant sun penetrated the clouds for a few fortuitous moments. God painted the skies for brief moments with luminous pastel elements of abstract color. A lonely boat gleamed in the late evening sun resting upon the silent waves. Saint Matthew’s account of Peter trying to walk on water came to mind: “Peter said to him in reply, ‘Lord, if it is you, command me to come to you on the water.” He said, “Come.” Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how [strong] the wind was he became frightened; and, beginning to sink, he cried out, “Lord, save me!” Immediately Jesus stretched out his hand and caught him, and said to him, “O you of little faith,* why did you doubt?” After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, “Truly, you are the Son of God.” (Matt: 14: 28-33) We left after lunch only to humbly return again capturing the evening seascape a few hours before our reservation with the entire Pilgrimage group for a perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare.
    La coraggiosa barchetta affronta min..tura
  • “The Crucifixion of the Triumphal Sacrifice - Holy Mass in the Cathedral of Sorrento”…<br />
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Our 2019 Italy Pilgrimage with Spiritual Director: Fr. Kevin Peek offering Mass. “The Nicene Creed: I believe in one God, the Father almighty, maker of heaven and earth, of all things visible and invisible. I believe in one Lord Jesus Christ, the Only Begotten Son of God, born of the Father before all ages. God from God, Light from Light, true God from true God, begotten, not made, consubstantial with the Father; through him all things were made. For us men and for our salvation he came down from heaven, and by the Holy Spirit was incarnate of the Virgin Mary, and became man. For our sake he was crucified under Pontius Pilate, he suffered death and was buried, and rose again on the third day in accordance with the Scriptures. He ascended into heaven and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead and his kingdom will have no end. I believe in the Holy Spirit, the Lord, the giver of life, who proceeds from the Father and the Son, who with the Father and the Son is adored and glorified, who has spoken through the prophets. I believe in one, holy, catholic and apostolic Church. I confess one Baptism for the forgiveness of sins and I look forward to the resurrection of the dead and the life of the world to come. Amen”
    La Crocifissione del Sacrificio Trio..ento
  • “Our Lord Jesus Christ, King of the Universe - Painting by Dino Carbetta” …<br />
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Colossians 1, 12-20: “Giving thanks to the Father, who has made you fit to share in the inheritance of the holy ones in light. He delivered us from the power of darkness and transferred us to the kingdom of his beloved Son, In whom we have redemption, the forgiveness of sins. He is the image of the invisible God, the firstborn of all creation. For in him were created all things in heaven and on earth, the visible and the invisible, whether thrones or dominions or principalities or powers; all things were created through him and for him. He is before all things, and in him all things hold together. He is the head of the body, the church. He is the beginning, the firstborn from the dead, that in all things he himself might be preeminent. For in him all the fullness was pleased to dwell, and through him to reconcile all things for him, making peace by the blood of his cross [through him], whether those on earth or those in heaven.” We once declared that the manifold troubles afflicting our world stem from the widespread exclusion of Jesus Christ and His sacred law from the lives of many. We observed that these values were marginalized, both in personal matters and in the realm of politics. Moreover, we asserted that as long as individuals and nations resisted the governance of our Savior, the prospect of enduring peace among nations remained dim. We encouraged men to seek the peace of Christ within the Kingdom of Christ, a commitment we pledged to uphold to the best of our ability. We believed that in the Kingdom of Christ, a profound and lasting peace could be best reestablished and firmly grounded through the revival of our Lord's Empire.
    Nostro Signore Gesù Cristo, Re dell'..etta
  • “Ave Maria - Pointillism Painting by Dino Carbetta”…<br />
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Ave Maria, gratia plena,<br />
Maria, gratia plena,<br />
Maria, gratia plena,<br />
Ave, Ave, Dominus,<br />
Dominus tecum.<br />
Benedicta tu in mulieribus, et benedictus,<br />
Et benedictus fructus ventris (tui),<br />
Ventris tui, Jesus.<br />
Ave Maria!<br />
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Sancta Maria, Mater Dei,<br />
Ora pro nobis peccatoribus,<br />
Ora, ora pro nobis;<br />
Ora, ora pro nobis peccatoribus,<br />
Nunc et in hora mortis,<br />
In hora mortis nostrae.<br />
In hora, hora mortis nostrae,<br />
In hora mortis nostrae.<br />
Ave Maria! <br />
Hail Mary, full of grace,<br />
Mary, full of grace,<br />
Mary, full of grace,<br />
Hail, Hail, the Lord<br />
The Lord is with thee.<br />
Blessed art thou among women, and blessed,<br />
Blessed is the fruit of thy womb,<br />
Thy womb, Jesus.<br />
Hail Mary!<br />
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Holy Mary, Mother of God,<br />
Pray for us sinners,<br />
Pray, pray for us;<br />
Pray for us sinners,<br />
Now, and at the hour of our death,<br />
The hour of our death.<br />
The hour, the hour of our death,<br />
The hour of our death.<br />
Hail Mary! <br />
Luciano Pavarotti - Ave Maria (Schubert) -https://www.youtube.com/watch?v=XpYGgtrMTYs
    Ave Maria - Puntinismo Pittura di Di..etta
  • “The Glory of His Return – Painting by Dino Carbetta” ...<br />
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"Behold, He is coming with the clouds, and every eye will see Him." – Revelation 1:7                In "The Glory of His Return," Christ stands in radiant majesty, descending from the heavens as the King of Kings. The sky above Him is alive with celestial brilliance, and at the center of this moment, the Holy Spirit, in the form of a great white dove, descends, symbolizing the fulfillment of God’s promise. The heavens open wide, and all creation bears witness to the return of the Son of Man. Before Him stands a vast multitude, robed in luminous white, their hands raised in praise, drawn into His divine light. They now stand in the presence of their Redeemer, free from time and waiting. Every eye beholds Him, and the long-awaited promise is fulfilled. This painting captures the essence of that final triumph—the heavens ablaze, the earth in awe, and the faithful gathered as one. The brilliance of Christ’s presence bathes them in light, transforming not just their forms but their very souls. Christ, once veiled in mystery, is now revealed in His full glory. He is the Alpha and the Omega, the Lamb upon the Throne, the answer to every cry of the human heart. His return is an unavoidable reality for all believers. As Christians, we are united by the Nicene Creed, affirming one Lord, faith, and baptism. His return will mark the moment of judgment for all, with the dead's judgment already complete. Those living at the time of the Second Coming will be judged according to their works. Our Lord will judge us accordingly. Rejecting Him leads to mortal sin without remorse, ultimately resulting in eternal separation from God. "By rejecting grace in this life, one already judges oneself." The righteous will attain glory, while others will be purified. Let this painting be a reminder: He is coming, not as a distant hope, but as the victorious King. May this inspire us to prepare our hearts for His return.
    The Glory of His Return – Painting b..etta
  • “I saw the Spirit descend like a Dove - Painting by Dino Carbetta”…<br />
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1 IS 42:1-7 Here is my servant whom I uphold, my chosen one with whom I am pleased, Upon whom I have put my Spirit; he shall bring forth justice to the nations, Not crying out, not shouting, not making his voice heard in the street. A bruised reed he shall not break, and a smoldering wick he shall not quench, Until he establishes justice on the earth; the coastlands will wait for his teaching. Thus says God, the LORD, who created the heavens and stretched them out, who spreads out the earth with its crops, Who gives breath to its people and spirit to those who walk on it: I, the LORD, have called you for the victory of justice, I have grasped you by the hand; I formed you, and set you as a covenant of the people, a light for the nations, To open the eyes of the blind, to bring out prisoners from confinement, and from the dungeon, those who live in darkness.<br />
JOHN 1:29 “The next day he saw Jesus coming toward him and said, “Behold, the Lamb of God,* who takes away the sin of the world. He is the one of whom I said, ‘A man is coming after me who ranks ahead of me because he existed before me.’ I did not know him, but the reason why I came baptizing with water was that he might be made known to Israel.” John testified further, saying, “I saw the Spirit come down like a dove from the sky and remain upon him. I did not know him, but the one who sent me to baptize with water told me, ‘On whomever you see the Spirit come down and remain, he is the one who will baptize with the Holy Spirit.’ Now I have seen and testified that he is the Son of God.”
    Ho visto lo Spirito scendere come un..urro
  • “Mary Magdalene - Painting by Dino Carbetta” ...<br />
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Mary Magdalene washing the feet of Jesus on Holy Monday is a poignant moment in the Gospels, rich with symbolism and meaning. To understand the event's essence, differentiate between the various Bible accounts. In John's Gospel (12:1-11), the scene unfolds at the home of Lazarus in Bethany, where Mary, identified as Lazarus' contemplative sister, anoints Jesus' feet with costly perfume. This act symbolizes an expression of love and a prefiguration of Jesus' burial. In contrast, Mt (26:6-13) and Mk (14:3-9) recount a similar event at the house of Simon the Leper, where an unnamed woman anoints Jesus' head with oil, eliciting criticism from the disciples. Lk (7:36-50) presents a dinner at the home of Simon the Pharisee, featuring a repentant "sinner" woman who anoints Jesus' feet and receives forgiveness. Distinguishing these accounts is crucial, as they depict separate events involving distinct women. Over time, however, these narratives became intertwined, leading to misunderstandings and misrepresentations. Mary Magdalene's story resonates with many on their journeys of redemption and forgiveness. Contrary to popular misconceptions, there's no biblical evidence to support Mary being a prostitute. She experienced a profound conversion, becoming a devoted follower of Jesus. Her steadfast presence at the crucifixion and her pivotal role as the first witness to the Resurrection exemplify her unwavering faith and love for Jesus. The encounter at the empty tomb reflects her initial confusion and eventual recognition of Jesus, culminating in her commission to proclaim the Resurrection to the disciples. Through Mary Magdalene's eyes, we glimpse the awe and joy of encountering the risen Lord, inviting us to experience Easter's profound significance in our own lives. As we await that glorious day, let us echo her heartfelt response, eagerly seeking and proclaiming, "I have seen the Lord!"
    Maria Maddalena - Dipinto di Dino Ca..etta
  • “First Sunday of Advent - Painting by Dino Carbetta” … <br />
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"Lord our God, we lift our praises for your Son, Jesus Christ: Emmanuel, the hope of nations; Wisdom that enlightens and guides us; Savior of all people. Heavenly Father, let your blessings descend upon us as we kindle the flames on this wreath. May this wreath and its radiance signify Christ's pledge to bring us salvation swiftly. May His arrival be imminent. We implore this through Christ our Lord. Amen." (First Advent Candle/Sunday: Hope) "In our earthly realm, a stable housed something greater than our entire world." – C.S. Lewis.  It is befitting that the inaugural candle on the Advent wreath embodies Hope – the first Sunday of Advent not only leads us in anticipation of Christ's birth but also marks the commencement of a new liturgical season. The first candle, purple, the primary hue of Advent and a regal symbol, is sometimes known as the 'Prophecy Candle.' This candle echoes Isaiah's prophecy of Christ's birth, fulfilling the Old Testament promises. Light the first candle this Advent on Sunday, December 3, 2022. (The Four Advent Candles) Embedded in Christian tradition, the wreath cradles the four Advent candles, each representing Jesus as the light in the darkness. Every Sunday sees the illumination of a new candle until all four blaze brightly. As Christmas approaches, each candle dispels a bit more darkness. These four candles signify the four Sundays of Advent, symbolizing hope, peace, joy, and love. In some homes and parishes, a fifth candle is lit on Christmas Eve or Christmas Day, symbolizing Jesus' birth. This candle, typically white and grander than the others, takes center stage in the wreath, radiating the joy of the Savior's arrival."
    Prima Domenica di Avvento - Dipinto ..etta
  • “Zion, the Royal City of God - Painting by Dino Carbetta”…<br />
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[Isaiah 2:2] “In days to come, The Mountain of the LORD’s house shall be established as the highest mountain and raised above the hills. All nations shall stream toward it. <br />
In the Bleak Midwinter ~ Christina Rossetti “In the bleak midwinter Frosty wind made moan, Earth stood hard as iron, Water like a stone; Snow had fallen, snow on snow, Snow on snow, In the bleak midwinter Long ago. Our God, Heaven cannot hold Him, Nor earth sustain; Heaven and earth shall flee away When He comes to reign. In the bleak midwinter A stable place sufficed The Lord God Almighty, Jesus Christ.”
    Sion, la Città Reale di Dio - Dipint..etta
  • “Explosion of light above the Papal Basilica of San Francesco d'Assisi - Winter Pointillism - Painting by Dino Carbetta”…<br />
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Carol of the Bells: Hark how the bells, sweet silver bells, all seem to say, throw cares away Christmas is here, bringing good cheer, to young and old, meek and the bold. Ding dong ding dong that is their song with joyful ring all caroling. One seems to hear words of good cheer from everywhere filling the air. Oh how they pound, raising the sound, o'er hill and dale, telling their tale. Gaily they ring while people sing songs of good cheer, Christmas is here. Merry, Merry, Merry, Merry Christmas, Merry, Merry, Merry, Merry Christmas. On on they send, on without end, their joyful tone to every home. Ding dong ding... dong! “On that day, “Holy to the LORD” will be written on the horses’ bells. The pots in the house of the LORD will be as the basins before the altar.”~ Zechariah 14:20
    Esplosione di luce sopra la Basilica..etta
  • “Saint Pope John Paul II - Painting by Dino Carbetta” …<br />
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Saint John Paul II is one of the most well-known pontiffs in recent history and is most remembered for his charismatic nature, his love of youth and his world travels, along with his role in the fall of communism in Europe during his 27-year papacy. He established World Youth Day, which brought together millions of young people from around the globe. Karol Jósef Wojtyła was born in 1920 in Poland. He expressed exceptional apostolic zeal, particularly for families, young people, and the sick. Among the many fruits which he has left as a heritage to the Church are above all his rich body of teachings, the promulgation of the Catechism of the Catholic Church, and the Codes of Canon Law. In Rome on April 2, 2005, the eve of the Second Sunday of Easter (or of Divine Mercy), he died peacefully in the Lord. “Christ is the center of the universe and human history” was the opening line of John Paul II’s 1979 encyclical, Redeemer of the Human Race. In 1995, he described himself to the United Nations General Assembly as “a witness to hope.” In his 27 years of papal ministry, John Paul II wrote fourteen encyclicals and five books, canonized 482 saints, and beatified 1,338 people. In the last years of his life, he suffered from Parkinson’s disease, Pope Francis canonized him in 2014. Presiding at the funeral Mass, Pope Benedict XVI, concluded his homily by saying: “None of us can ever forget how, in that last Easter Sunday of his life, the Holy Father, marked by suffering, came once more to the window of the Apostolic Palace and one last time gave his blessing Urbi et orbi (‘to the city and the world). “We can be sure that our beloved pope is standing today at the window of the Father’s house, which sees us and blesses us. Yes, bless us, Holy Father. We entrust your dear soul to the Mother of God, your Mother, who guided you each day and will now guide you to the glory of her Son, our Lord Jesus Christ.
    San Papa Giovanni Paolo II - Dipinto..etta
  • ”St. Padre Pio of Pietrelcina - Painting by Dino Carbetta” … <br />
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Padre Pio hailed from a family of farmers in the southern heartland of Italy. His father journeyed to distant shores of New York, striving to sustain the family's livelihood. At age 15, Francesco embarked on a transformative path by joining the Capuchin order, adopting the name Pio. In 1910, he was ordained into the priesthood, but the tumultuous era of WW I saw him drafted into military service, but tuberculosis, led to his honorable discharge. In 1917, destiny guided him to the serene friary in San Giovanni Rotondo. Here, he received the sacred stigmata, mirroring the five wounds of our Lord's passion. The aura of Padre Pio drew countless souls to his confessional, and multitudes sought solace in his saintly counsel and spiritual wisdom. His sacred ministry within the confessional walls would span an astonishing 10 hours each day. Padre Pio possessed an uncanny knowledge of their lives, and many bore witness to miraculous healings they attributed to Padre Pio's intercession. Padre Pio held unwavering devotion, extended hours of prayer, and enduring austerity. His letters unveiled the profound depths of his suffering, both physical and spiritual, intertwined with a profound union with God and an ardent love for the Blessed Eucharist and Our Blessed Lady. During his canonization Mass in 2002, Saint John Paul II reflected, "The Gospel image of the 'yoke' evokes the many trials that the humble Capuchin of San Giovanni Rotondo endured. Today we contemplate in him how sweet is the 'yoke' of Christ and indeed how light the burdens are whenever someone carries these with faithful love. The life and mission of Padre Pio testify that difficulties and sorrows if accepted with love, transform themselves into a privileged journey of holiness, which opens the person toward a greater good, known only to the Lord."
    San Padre Pio da Pietrelcina - Dipin..etta
  • “Faith, Hope, and Love – Painting by Dino Carbetta”…<br />
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Psalm 46: 2-8 “God is our refuge and our strength, an ever-present help in distress. Thus we do not fear, though earth be shaken and mountains quake to the depths of the sea, though its waters rage and foam and mountains totter at its surging. Streams of the river gladden the city of God, the holy dwelling of the Most High. God is in its midst; it shall not be shaken; God will help it at break of day. Though nations rage and kingdoms totter, he utters his voice and the earth melts. The LORD of hosts is with us; our stronghold is the God of Jacob.” <br />
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2 Corinthians 4:8-10 “We are afflicted in every way, but not constrained; perplexed, but not driven to despair; persecuted, but not abandoned; struck down, but not destroyed; always carrying about in the body the dying of Jesus, so that the life of Jesus may also be manifested in our body.”<br />
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Romans 5:1-5 “Therefore, since we have been justified by faith, we have peace with God through our Lord Jesus Christ, through whom we have gained access [by faith] to this grace in which we stand, and we boast in hope of the glory of God. Not only that, but we even boast of our afflictions, knowing that affliction produces endurance, and endurance, proven character, and proven character, hope, and hope does not disappoint, because the love of God has been poured out into our hearts through the Holy Spirit that has been given to us.”
    Fede, Speranza e Amore - Dipinto di ..etta
  • “Jesus Weeps over Fractured America – Painting by Dino Carbetta”…<br />
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“Know this, my dear brothers: everyone should be quick to hear, slow to speak, slow to wrath, for the wrath of a man does not accomplish the righteousness of God.” James 1:19-20 “Rejoice in the Lord always. I shall say it again: rejoice! Your kindness should be known to all. The Lord is near Have no anxiety at all, but in everything, by prayer and petition, with thanksgiving, make your requests known to God. Then the peace of God that surpasses all understanding will guard your hearts and minds in Christ Jesus. Finally, brothers, whatever is true, whatever is honorable, whatever is just, whatever is pure, whatever is lovely, whatever is gracious, if there is any excellence and if there is anything worthy of praise, think about these things. Keep on doing what you have learned and received and heard and seen in me. Then the God of peace will be with you.” Philippians 4:4-9
    Gesù Piange sull'America Fratturata ..etta
  • “The glow of the Madonna in the New Church of San Francesco di Assisi – Ethereal”…<br />
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Psalm 46:9-11 “Come and see the works of the LORD, who has done fearsome deeds on earth; Who stops wars to the ends of the earth, breaks the bow, splinters the spear, and burns the shields with fire; Be still and know that I am God! I am exalted among the nations, exalted on the earth.”<br />
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Romans 5:1-5 “Therefore, since we have been justified by faith, we have peace* with God through our Lord Jesus Christ, through whom we have gained access [by faith] to this grace in which we stand, and we boast in hope of the glory of God. Not only that, but we even boast of our afflictions, knowing that affliction produces endurance, and endurance, proven character, and proven character, hope, and hope does not disappoint, because the love of God has been poured out into our hearts through the holy Spirit that has been given to us.
    Il bagliore della Madonna nella Chie..real
  • “The Basilica of Santa Maria della Salute Venice Radiates in the Distance on the Grand Canal”… <br />
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Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God." The Basilica di Santa Maria della Salute, or La Salute, is Venice's iconic church, nestled at the junction of the Grand Canal and Bacino di San Marco. In 1630, ravaged by the Bubonic Plague, Venice vowed to build this church to honor the Virgin Mary if they were spared. Its exterior is grand, reflecting Venice's history, while inside, it's serene and simple. La Salute stands as a symbol of faith and resilience, a testament to humanity's ability to find hope even in the darkest times."
    La Basilica di Santa Maria Della Sal..ande
  • “The Basilica of Santa Maria della Salute Venice radiates in the distance on the Grand Canal- Ultramarine blue”…<br />
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Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God." The Basilica di Santa Maria della Salute, commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a conspicuous position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite reverently quaint interiorly.
    La Basilica di Santa Maria della Sal..mare
  • “The Basilica of Santa Maria della Salute Venice radiates in the distance on the Grand Canal – Copious”… <br />
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Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God."<br />
The Basilica di Santa Maria della Salute, commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a prominent position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite reverently quaint interiorly.
    La Basilica di Santa Maria della Sal..iosa
  • “Mosaic facade of the Basilica of San Marco Venice”… <br />
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St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace. St. Mark’s Square and the Basilica are the central tourist focal points and most crowded of Venice. The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD. After a long wait in line to enter the Basilica (with no photos allowed), the interior was unique. As I headed for the exit, I noticed a very steep staircase and followed it upward. I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica. At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica. They are very much worth viewing, and if you stare for a moment…they come to life. This image is a close up captured of the very large mosaic over the front entrance to the Basilica. Mk 16:15-20: Jesus appeared to the Eleven and said to them: “Go into the whole world and proclaim the Gospel to every creature. Whoever believes and is baptized will be saved; whoever does not believe will be condemned. These signs will accompany those who believe: in my name they will drive out demons, they will speak new languages. They will pick up serpents with their hands, and if they drink any deadly thing, it will not harm them. They will lay hands on the sick, and they will recover.” Then the Lord Jesus, after he spoke to them, was taken up into heaven and took his seat at the right hand of God. But they went forth and preached everywhere, while the Lord worked with them and confirmed the word through accompanying signs.
    Mosaico facciata Basilica di San Mar..ezia
  • Palm Sunday of the Lord's Passion – Painting by Dino Carbetta<br />
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Gospel Mt 21:1–11: “When Jesus and the disciples drew near Jerusalem and came to Bethphage on the Mount of Olives, Jesus sent two disciples, saying to them, ‘Go into the village opposite you, and immediately you will find an ass tethered, and a colt with her. Untie them and bring them here to me. And if anyone should say anything to you, reply, "The Master has need of them." Then he will send them at once.’ This happened so that what had been spoken through the prophet might be fulfilled: Say to daughter Zion, ‘Behold, your King comes to you, meek and riding on an ass, and on a colt, the foal of a beast of burden.’ The disciples went and did as Jesus had ordered them. They brought the ass and the colt and laid their cloaks over them, and he sat upon them. A very large crowd spread their cloaks on the road, while others cut branches from the trees and strewed them along the way. The crowds preceding him and those following kept crying out: ‘Hosanna to the Son of David; blessed is he who comes in the name of the Lord; Hosanna in the highest!’ And when he entered Jerusalem, the whole city was shaken and asked, ‘Who is this?’ And the crowds replied, ‘This is Jesus the prophet, from Nazareth in Galilee.’”<br />
Christ’s triumphal entry into Jerusalem occurred days before the Last Supper, marking the beginning of His Passion—His sacred path of suffering, death, and resurrection, honored throughout Holy Week. As told in John 12:9–11, the crowds gathered in faith after He raised Lazarus from the dead. The next day, as pilgrims filled the holy city for the feast, they welcomed Jesus with cries of joy. Descending from the Mount of Olives, He enters Jerusalem amid praise. This holy procession is solemnly remembered today, Palm Sunday.
    Domenica delle Palme della Passione ..etta
  • "Radiant Crucifix at the Convent of Cells Founded by St. Francis - Cortona"... <br />
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Beneath the ancient sky of Cortona, where the sacred whispers of Saint Francis still breathe through stone and cypress, a single moment unfolds in silence and glory. In this original photograph, the crucifix stands not in shadow but in luminous triumph—its silhouette bathed in the brilliance of a sun piercing the heavens. Illuminated by sunlight filtering through the canopy, the cross reflects the sacred simplicity of the Convent of Cells, founded by the Poverello of Assisi. The radiant sun behind the cross mirrors Christ’s high priestly prayer in John’s Gospel: “Consecrate them in the truth. Your word is truth.” This natural glow is no mere light—it symbolizes divine presence, transforming the ordinary into the sacred. The photograph becomes a quiet miracle, echoing Christ’s desire that we be not of the world, but sanctified within it. The light that crowns the crucifix is a heavenly reply to that prayer—a visual sanctification. It speaks of unity, protection, and the quiet joy promised to those who walk in His name. The scene suggests that when we align ourselves with the divine, we too are bathed in light and truth, much like the unexpected beauty of the sun illuminating the cross. More than a captured image, this work is a testament: a stillness where earth and heaven meet, where the eternal word becomes visible through creation. It invites the soul to lift its gaze and remember that light always prevails in the sacred silence of faith. And on a day marked by sorrow, do not dwell in sadness—but rejoice in the Lord, for He died for our sins, and in His radiant love, we are made new. “Rejoice in the Lord always. I shall say it again: rejoice!” (Philippians 4:4)
    Radioso Crocifisso presso del Conven..tona
  • "Madonna of the Angels - The Basilica of Saint Mary of the Angels – Assisi"...<br />
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Portiuncula is a town and a parish situated about three-quarters of a mile from Assisi. The town has grown up around the Basilica of Our Lady of the Angels. It was of this little church moved within the Basilica that St. Francis recognized his vocation in the year 1208, and it was where St. Francis spent most of his life. In 1211, the Benedictines gave him the little chapel of St. Mary of the Angels or the Portiuncula, which is a “little portion” of land. The first Franciscan convent was also formed nearby. The Portiuncula was also where St. Francis received the vows of St. Clare. St. Francis died here on October 3, 1226, and on his death-bed, he recommended the chapel to the faithful protection and care of his brothers. Two years before Saint Francis of Assisi died, and when he was 42 years old — one year after he had built the first crib in honor of Our Lord — he went off to a lonely mountain called Mount Alvernia, to prepare himself by forty days of fasting and prayer for the feast of Saint Michael, the greatest of God’s angels. On the feast of the Exaltation of the Holy Cross on September 14, Saint Francis received in his hands, feet and side the Sacred Wounds from Our Lord’s own body. Never was a saint more beautifully loved than Saint Francis of Assisi. The wounds Jesus gave him stayed in his hands, feet, and side, and continually bled for two more years, until he died in 1226. This realistic image of St. Francis with the Stigmata on his hands was captured in the Basilica Museum, along with many other historical treasures from his life. Our 2019 Pilgrimage was fortunate to tour this very reverent and spiritual Basilica. The gold-plated statue of the Madonna degli Angeli by the sculptor Colasanti and cast by Ferdinando Marinelli Artistic Foundry was put on top of the façade in 1930.
    Madonna degli Angeli - La Basilica d..sisi
  • “The boat of San Pietro slumbers in the evening sun - Marina Grande Sorrento” … <br />
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Duomo di Sorrento is one of my favorite hidden treasures in Italy. On our last day on the Bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. Hallelujah, it was our first free day of the 2019 Pilgrimage, and most were heading to Capri. I convinced my fellow Pilgrim Patrick that Marina Grande was the preferred location to commemorate this rain threatened day. Sunday afternoon in this tiny, hallowed port on the Mediterranean was bustling, not with tourists, but with energetic and unassuming locals. The misty skies were vulnerable all day to the threat of rain, but the reluctant sun penetrated the clouds for a few fortuitous moments. God painted the skies for brief moments with luminous pastel elements of abstract color. A lonely white boat gleamed in the late evening sun resting upon the wet sand. Saint Matthew’s account of Peter trying to walk on water came to mind: “Peter said to him in reply, ‘Lord, if it is you, command me to come to you on the water.” He said, “Come.” Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how [strong] the wind was he became frightened; and, beginning to sink, he cried out, “Lord, save me!” Immediately Jesus stretched out his hand and caught him, and said to him, “O you of little faith, why did you doubt?” After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, “Truly, you are the Son of God.” (Matt: 14: 28-33) We left after lunch only to humbly return capturing the evening seascape a few hours before our reservation with the entire Pilgrimage group for a perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare.
    La barca di San Pietro sonnecchia di..ento
  • “The Basilica of Santa Maria della Salute Venice radiates in the distance on the Grand Canal –   Vignette”… <br />
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Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God."<br />
The Basilica di Santa Maria della Salute, commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a prominent position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite reverently quaint interiorly.
    La Basilica di Santa Maria della Sal..ette
  • La Beata Vergine Maria - Dipinto di Dino Carbetta - Rosa <br />
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“The Blessed Virgin Mary - Painting by Dino Carbetta - Rose”… Upon completion of a new and original painting of the teenage Virgin Mary, I sit and stare into her eyes trying to imagine the complexity of the overwhelming magnitude of the future Mother of Christ. Her sincere and loving gaze, illuminating with the glow of the Holy Spirit within her very soul emanates outwardly representing all Mothers. I envision my wonderful Mother as I struggled to bring this two-dimensional representation to life. Again, my humble skills, yet meticulous manner combined to exhaust one complete month of trial and error. Irrevocably, a courageous young teenage Jewish girl is blessed beyond comprehension… <br />
“The Virgin Mother is constantly present on this journey of faith of the People of God towards the light. This is shown especially by the canticle of the "Magnificat," which, having welled up from the depths of Mary's faith at the Visitation, ceaselessly re-echoes in the heart of the Church down the centuries. This is proved by its daily recitation in the liturgy of Vespers and at many other moments of both personal and communal devotion.” (Saint John Paul II) <br />
"My soul magnifies the Lord, <br />
and my spirit rejoices in God my Savior, <br />
for he has looked on his servant in her lowliness. <br />
For behold, henceforth all generations <br />
will call me blessed; <br />
for he who is mighty has done great things for me,<br />
and holy is his name: <br />
and his mercy is from age to age <br />
on those who fear him. <br />
He has shown strength with his arm,<br />
he has scattered the proud-hearted,<br />
he has cast down the mighty from their thrones, <br />
and lifted up the lowly; <br />
he has filled the hungry with good things, <br />
sent the rich away empty. <br />
He has helped his servant Israel, <br />
remembering his mercy, <br />
as he spoke to our fathers, <br />
to Abraham and to his posterity forever." (Lk.1:46-55)
    La Beata Vergine Maria - Dipinto di ..Rosa
  • “The Holy Family: Divine Grace – Painting by Dino Carbetta” ...<br />
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Amid the tranquil account of Luke 2:8-14, shepherds keep watch over their flock beneath the quiet canopy of night. Suddenly, the angel of the Lord appears, illuminated by divine brilliance, casting awe and reverence upon the humble scene. Amid the shepherds' fear, the angel's voice rings out: "Fear not," proclaiming joyful news for all people. The city of David becomes the stage for a momentous announcement—a Savior, the Messiah, is born. A sign is given: a child wrapped in swaddling clothes and lying in a manger, an image of humility that heralds the profound accessibility of salvation to all, regardless of status or station.  Heavenly hosts then join the angel in a celestial symphony of praise, their proclamation resounding: "Glory to God in the highest, and on earth peace to those on whom his favor rests." This chorus transcends time and space, enveloping not only the shepherds but all creation, affirming the boundless reach of divine grace. This painting encapsulates the sacred essence of that moment, centering on the Holy Family. The tender image of the infant Jesus, swaddled and resting in a manger, conveys the profound humility of the Savior's birth. The artwork's intricate details and symbols invite viewers to reflect on salvation as a universal message of hope and peace that transcends human division. Far more than a depiction of a historical event, the painting serves as a visual homily, drawing observers into a contemplative space where the sacred narrative becomes personal and eternal. Each meticulous brushstroke breathes life into the scene, transforming the stable into a symbol of profound truths. Within its simplicity lies an eternal message: the birth of Christ signifies hope, peace, and redemption for all humanity. May this artwork inspire and uplift all who gaze upon it. May its beauty echo goodwill and peace, guiding hearts to embrace divine grace and love.
    The Holy Family Divine Grace – Paint..etta
  • “Saint Catherine of Siena Bearing the Sacred Stigmata - Painting by Dino Carbetta” ...<br />
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Captures the essence of a remarkable life devoted to Christ. Born on March 25, 1347, Catherine Benincasa embraced a profound commitment: surrendering to her Lord. From her early years as the 23rd child of Jacopo and Lapa Benincasa, Catherine displayed remarkable intelligence, cheerfulness, and intense religious devotion. Rejecting societal pressures, Catherine boldly cut her hair in protest against superficial expectations to attract a husband, earning her room for solitary prayer and reflection. At 18, she entered the Dominican Third Order, dedicating three years to seclusion, prayer, and austerity. Yet, her contemplative life attracted followers from diverse backgrounds, drawn to her unwavering faith and spiritual insight. Despite opposition and slander, Catherine fearlessly engaged with the world, advocating for spiritual growth and addressing public affairs through her letters. Her influence grew, marked by her holiness, Dominican affiliation, and profound impact on Pope Gregory XI. In tumultuous times marked by the Great Schism, Catherine remained steadfast, advocating for unity within the Church and tirelessly promoting peace. Her final years were spent in Rome, fervently praying for Pope Urban VI and the Church's unity. Declared co-patron of Italy in 1461, Catherine's spiritual legacy endures alongside Francis of Assisi. Named a Doctor of the Church in 1970, her teachings, encapsulated in "The Dialogue," transcend time, inviting us to pursue holiness as a lifelong endeavor. Catherine's unwavering pursuit of holiness resonates despite the stark differences between her era and ours. Her mystical experiences and ascetic practices may seem distant, yet her recognition of holiness as a lifelong journey remains relevant in our rapidly changing world. Catherine's devotion to Christ compels us to seek the divine presence in our lives as we journey through Christianity.
    Santa Caterina da Siena Recante le S..etta
  • “Virgin Mary and Newborn Jesus in Bethlehem - Painting by Dino Carbetta”…<br />
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In the Gospel of Luke (1:46-55), Mary praises the Lord and rejoices in the birth of her son. These words have resonated throughout history, reminding us of Mary's humility, faith, and grace that God has bestowed upon her. This painting captures the tender bond between mother and child and tells the story of Mary's acknowledgement of her humility, she exudes quiet strength and grace and God's enduring mercy through generations. The imagery conveys the power of God's arm, the humbling of the proud, and the exaltation of the lowly. The painting then transitions to a reflection on the imminent arrival of the Savior and the mystery of the Incarnation. The narration delves into the theological significance, emphasizing the divine condescension as God's only begotten Son descends upon Earth. This sacred union with humanity, conceived by the Holy Ghost in a virgin, is described eloquently, emphasizing Christ's dual nature—God with us, yet sharing in our humanity without sin. And Christ’s willingness to share in our human experiences—poverty, prayer, suffering, and guilt. The narrative unfolds, outlining Christ's continuous presence throughout various phases of life, from the cross to Holy Communion, daily Mass, and tabernacles, culminating in the promise of His eternal presence in heaven. The profound journey through the artwork concludes with a powerful call to prayer for the sanctity of life, inspired by Pope Saint John Paul II's Evangelium Vitae. The urgency for a global prayer resonates as an impassioned plea to God, the Creator and lover of life, urging communities, groups, families, and believers to unite in fervent prayer. This expansive portrayal transcends its visual realm, becoming a vessel for profound reflections on faith, the Incarnation, the sanctity of life, and a collective call to prayer—a testament to the enduring power of art to inspire and elevate the human spirit.
    Vergine Maria e Gesù Neonato a Betle..etta
  • "Sacred Harmony - The Holy Family Nativity – Painting by Dino Carbetta” …<br />
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In the serene narrative of Luke 2:8-14, we find shepherds tending to their flock in the quietude of the night. Suddenly, the angel of the Lord emerges, bathed in divine radiance, evoking awe in the shepherds. Amidst their trepidation, the angel utters, "Fear not," heralding joyful tidings for all. The city of David becomes the stage for the announcement of a Savior, the Messiah, born to the world. A sign unfolds—an infant in swaddling clothes, lying in a manger. This humble scene marks a profound inception, emphasizing salvation's inclusive accessibility to all, irrespective of societal standing.  A celestial spectacle ensues as heavenly hosts join the angel in a harmonious symphony of praise. Their proclamation resounds, "Glory to God in the highest, and on earth peace to those on whom his favor rests." Beyond the shepherds, this celestial chorus envelops all creation, showcasing the universality of divine grace. This painting encapsulates the sacred moment, with the Holy Family at its centre, radiating profound symbolism that delves into the essence of human existence. The tender depiction of the infant in swaddling clothes, nestled in a manger, signifies a humble genesis for the Savior, emphasizing the universal accessibility of salvation that transcends societal divisions. Beyond a visual representation, The artwork transforms into a visual sermon, guiding observers into a contemplative space where the sacred narrative unfolds. Through meticulous brushstrokes and thoughtful composition, the painting invites us to witness not just a historical event but an eternal truth—within the simplicity of a stable, profound and universal message of hope and peace is born. May this artwork inspire and resonate with those who explore its depths. In its quiet distinction, let it echo the timeless proclamation of peace and goodwill to all who encounter its transformative narrative.
    Sacred Harmony - The Holy Family Nat..etta
  • “Blessed Carlo Acutis - Painting by Dino Carbetta” …<br />
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Born in London and raised in Milan, had a remarkable spiritual journey that serves as an inspiration to many. Carlo's deep faith blossomed early, marked by his first communion at age seven. He became a devoted communicant, praying before the Tabernacle before and after Mass. Carlo looked up to saints like Francis of Assisi, Bernadette Soubirous, Jacinta and Francisco Marto, and Dominic Savio, drawing inspiration from their lives. He displayed compassion at school, comforting friends in times of parental divorce and defending disabled students from bullies. Beyond his studies, Carlo volunteered to help the homeless, embracing the call to serve those in need. He enjoyed simple pleasures like films, comics, soccer, and video games. He combined his love for technology with faith, dedicating four years to creating a website cataloguing Eucharistic miracles worldwide. Carlo's life took a challenging turn with a Leukemia diagnosis, but he offered his suffering to God for the intentions of Pope Benedict XVI and the Church. Sadly, his dream of visiting Eucharistic miracle sites was cut short by his illness. Carlo passed away in 2006 and was beatified in 2020, with his final resting place in Assisi. Carlo's beatification in Assisi's Basilica of St. Francis was attended by many of his childhood friends, highlighting his ability to use technology to spread the Gospel and foster friendship with the Lord. Carlo Acutis did not seek fame; instead, he sought to cooperate generously with God's grace. His journey, though brief, was marked by an unwavering desire to serve God and others selflessly. The artist's portrayal of Carlo in front of the Basilica of Saint Francis of Assisi captures the essence of this remarkable young man, whose life continues to inspire and guide us on our spiritual journeys. His liturgical feast is celebrated on October 12th, reminding us of the profound impact of a life lived in faith and service.
    Beato Carlo Acutis - Dipinto di Dino..etta
  • “The Assumption of the Blessed Virgin Mary - Painting by Dino Carbetta” …<br />
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The Assumption of Mary is a profound belief cherished by the Catholic Church, one of the four Marian dogmas. In his apostolic constitution "Munificentissimus Deus," Pope Pius XII officially defined this dogma on 1 November 1950. It proclaims and reveals that the immaculate Mother of God, Mary ever virgin, at the end of her earthly life, was taken up, body and soul, into the heavenly glory by God Himself. This momentous declaration finds its roots in the 1854 dogma of the Immaculate Conception, affirming that Mary was conceived free from original sin, and both doctrines are grounded in the understanding of Mary as the Mother of God. "The Assumption of the Blessed Virgin Mary - Painting by Dino Carbetta," gracefully captures the essence of this belief, depicting Mary in "the light" of her glory. She exalts the greatness of the Lord and finds joy in God, her savior. Her life reflects the wonders God has bestowed upon her, and she humbly leads others to acknowledge God's holiness. Mary is portrayed as a lowly handmaid who deeply reverences her God, yet she has been exalted to the highest heights. From this position of strength and grace, she becomes a beacon of hope and compassion, assisting the lowly and the poor in finding justice on earth. At the same time, she challenges the rich and powerful to reconsider their attachment to wealth and power as sources of true happiness. Through the Assumption of Mary, we are reminded of the immense love and divine grace that God bestows upon His faithful followers. Mary's life journey is an inspiring example of faith, humility, and dedication, guiding us toward a deeper connection with God and a more compassionate outlook on the world around us. As we contemplate this dogma, let us embrace the awe and wonder it evokes and seek to emulate Mary's virtues in our lives.
    L'Assunzione della Beata Vergine Mar..etta
  • “Monument of Madonna embracing the Cross in the Basilica of Santa Maria Maggiore in Rome”…<br />
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The first major stop on my first visit to Rome was The Patriarchal Basilica of Saint Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, Saint Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. I found Saint Mary in a spectacular monument to Cardinal Agostino Favoriti, 1685, by Filippo Carcani. The famous 17th-century cardinal is shown seated at a desk behind large allegorical figures of Fortitude (with the lion) and Saint Mary representing religion. Of the very large monument, Mother Mary stood out to me, as one cannot help feeling blessed by her compassionate presence, and the luminescent glow of light gently descending upon her face, revealing her abiding love for her precious son. Pope Benedict XVI, speaking about Pope John Paul II of suffering and his love of the Holy Mother; “in that last Easter Sunday of his life, the Holy Father, marked by suffering, came once more to the window of the Apostolic Palace and one last time gave his blessing Urbi et Orbi (‘to the city and the world’). “We can be sure that our beloved pope is standing today at the window of the Father’s house, that sees us and blesses us. Yes, bless us, Holy Father. We entrust your dear soul to the Mother of God, your Mother, who guided you each day and who will guide you now to the glory of her Son, our Lord Jesus Christ. Amen.”
    Monumento di Madonna abbracciando La..Roma
  • “The Baptism of the Lord - Painting by Dino Carbetta”…<br />
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Portrays a profound moment as Jesus descends into the River, sanctifying its waters and endowing them with the transformative power to birth sons of God. This event transcends a mere ritual, echoing a second creation with the active involvement of the entire Trinity. In the Eastern Church, it is known as Theophany, emphasizing the divine revelation as God manifests in three persons during Christ's baptism in the Jordan River. John the Baptist's baptism, a sacramental preparation for Christ, stirred repentance and confession of sins among people. However, Christ, sinless and impeccable, underwent John's baptism not out of necessity but to bestow upon water the true Baptism, capable of cleansing all worldly sins. His baptism mirrors the sacrament we undergo, symbolized by various events. During Christ's baptism, the Holy Spirit descended upon Him; in our Baptism, the Trinity establishes its dwelling within our souls. Christ declared the "Beloved Son" at His baptism, which parallels our Baptism where we, too, become adopted sons of God. The opening of the heavens at Christ's baptism signifies a similar opening for us during our Baptism. Luke 3:15-16, 21-22 narrates the anticipation among the people, speculating whether John might be the Christ. John humbly asserts his role in baptizing with water but foretells someone mightier, who will baptize with the Holy Spirit and fire. As Jesus prays after His baptism, heaven opens, the Holy Spirit descends like a dove, and a voice declares, “You are my beloved Son; with you, I am well pleased.” This sacred moment not only marks Christ's divine affirmation but foreshadows the grace and favor bestowed upon those baptized, inviting them into the loving embrace of the Heavenly Father.
    Il Battesimo del Signore - Dipinto d..etta
  • “Giving seed to the One who sows, Snow - Painting by Dino Carbetta”…<br />
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Isaiah 55:10-13, “Yet just as from the heavens the rain and snow come down And do not return there till they have watered the earth, making it fertile and fruitful, Giving seed to the one who sows and bread to the one who eats, So shall my word be that goes forth from My mouth; It shall not return to me empty but shall do what pleases me, achieving the end for which I sent it. Yes, in joy you shall go forth, in peace you shall be brought home; Mountains and hills shall break out in song before you, and all trees of the field shall clap their hands. In place of the thornbush, the cypress shall grow, instead of nettles, the myrtle. This shall be to the LORD’s renown, as an everlasting sign that shall not fail.” “Giving Seed to the One who Sows, Snow - is an artwork that draws inspiration from Isaiah. The rain and snow that fall from the heavens, water the earth and make it fertile and fruitful. God's Word invigorates our souls, guiding us towards spiritual growth and renewal. The painting captures this divine interaction through meticulous strokes and nuanced hues. The snow, symbolizing purity and renewal, blankets the earth, signifying the transformative power of God's Word. The mountains, hills, and trees celebrate this divine work, creating a celestial orchestra of joy and harmony. Deer are creatures of the natural world, and their presence could highlight the interconnectedness of all living things. The deer symbolizes the harmony between the created world and the spiritual realm. It's a testament to God's restorative power, where desolation gives way to abundance, and barrenness blossoms into beauty. In essence, "Giving Seed," is not just an inspired composition but a spiritual odyssey that invites us to reflect on the boundless grace, transformative power, and eternal promise encapsulated in God's Word.
    Dare seme a Colui che semina, Neve -..etta
  • The Majestic Statues of St. Peter’s Basilica<br />
Photograph and Reflection in the Days of the Conclave<br />
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Thirteen colossal statues crown the façade of St. Peter’s Basilica, rising like silent sentinels above the heart of Christendom. At the center stands Christ the Redeemer, arms open in sovereign peace. Beside Christ stand eleven apostles and St. John the Baptist—yet St. Peter is absent. But this is no omission; it is a sacred sign. Peter is not placed above, for he remains at the foundation—his mission too vital to overlook, his presence enshrined below the altar, and his legacy living in the very heart of the Church. Peter is not among the heights; he dwells at the foundation—his statue greeting pilgrims in the square, his tomb resting beneath the high altar. Now, as the Church enters a sacred pause—following the death of Pope Francis—a new conclave approaches. Within the ancient walls of the Vatican, beneath these very statues that gaze down like eternal witnesses, the cardinals now gather in sacred assembly. In prayer and silence, they seek not their own will, but the guidance of the Holy Spirit—to discern the one chosen to bear the keys of Peter and shepherd the Church through the trials of a new age. Here, in the shadow of the saints, they will invoke the Holy Spirit to anoint the next successor of Peter. Once captured under a serene Roman sky, this image now echoes with timeless urgency. The apostles above remind us that the Church is not built on passing leaders, but on an unbroken apostolic foundation. Christ remains at the center. The call of John the Baptist still resounds, preparing the way of the Lord. As the conclave begins, heaven and earth watch in prayer. Soon, one will emerge from among the crimson-clad cardinals—a new Pontiff stepping into Peter’s sandals, carrying the keys once given by Christ Himself. Until then, the statues remain, proclaiming with silent grandeur: Tu es Petrus, et super hanc petram ædificabo Ecclesiam meam.
    “The Majestic Statues of St. Peter’s.. ...
  • “Father Peek Raises the Chalice for Adoration – The New Church of San Francesco in Assisi”… <br />
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The photo captures Father Peek in a sacred moment after genuflection. This image portrays the priest raising the consecrated Chalice, inviting the Faithful to adore Jesus Christ, truly present on the altar. This action exemplifies the Catholic belief in the real presence of Christ, bringing the faithful together in deep reverence and worship. As we gaze upon the sacred Body and Blood of Jesus, we are moved to interiorly proclaim, "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things." This silent prayer resonates with the ancient traditions of the Church, connecting us to centuries of devotion. The practice of elevating the Host and Chalice during the Mass of the Roman Rite is an enduring tradition, steeped in history. The priest, as he concludes the Eucharistic Prayer with the doxology—"Per ipsum et cum ipso et in ipso est tibi Deo Patri omnipotenti in unitate Spiritus Sancti omnis honor et gloria per omnia saecula saeculorum" (Through him, and with him, and in him, O God, almighty Father, in the unity of the Holy Spirit, all glory and honor is yours, forever and ever) offers a moment of sublime adoration. This elevation, tracing back to at least the ninth century, symbolizes the Church's unwavering devotion to Christ. Within this sacred space, resembling a small basilica, Father Peek celebrated a venerable Mass on our first morning in Assisi during our Pilgrimage. Two pilgrimage couples renewed their vows in the presence of a community of believers. The faithful received numerous blessings, demonstrating the power of shared faith and devotion. The window light shone down on the altar, illuminating Christ and casting a divine glow. This radiant light symbolized the presence of the divine and God's enduring love and grace.
    Padre Peek solleva il Calice per L'a..sisi
  • “The Celestial Boat of Jesus rests in Marina Grande Sorrento”…<br />
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This sunset image of the lone antique fishing boat is the most iconic of the seaside views from Sorrento. The lone boat represents many perceptions and creative thoughts and portrays imagery of stillness and beauty among the restless seas. It reminds me of Saint Matthew’s account of Jesus’ calming of the winds and the seas: "As Jesus got into a boat, his disciples followed him. Suddenly a violent storm came upon the sea so that the boat was being swamped by waves, but he was asleep. They came and woke him, saying, "Lord, save us! We are perishing!” He said to them, "Why are you terrified, O you of little faith?" Then he got up, rebuked the winds and the sea, and there was a great calm. The men were amazed and said, "What sort of man is this, whom even the winds and the sea obey?" (Matt. 8:23-27). One of the highlights of my Italian journey was stumbling upon the tiny Marina Grande fishing village. It was as if I’d walked back in time and merged into this ageless world with its own pace and traditions. Life here seemingly has its rhythm—a strongly united community tenaciously anchored to its family principles, hard work, and religious traditions. They love the sea and live in symbiosis with it; time seems to move more slowly than anywhere in the world. My eyes were blessed with an extraordinarily beautiful canvas as a permanent smile measured my face, and my camera gazed upon this tiny bay nestled within the bygone fishing village. As night fell, the water reflections and resting fishing boats posed for a few more images as fish jumped for their dinner. It was time to enjoy the gifts of the day’s catch at Ristorante di “Zi'Ntonio Mare.” The epicurean delights, especially the calamari, olive bread, wine, and the main course of Il pesce San Pietro (The St. Peter's fish), were authentic perfection—just like this perfect piccola baia italiana della perfezione (Italian small bay of perfection).
    La Barca Celeste di Gesù riposa in M..ento
  • “Pieta - Church of Saint Moses Venice - BW”… <br />
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Sixth Sorrow: The Crucifixion and Descent from the Cross: After this, Joseph of Arimathea, secretly a disciple of Jesus for fear of the Jews, asked Pilate if he could remove the body of Jesus. And Pilate permitted it. So he came and took his body” (Jn 19:38). Saying, “It is finished,” Jesus bows his head and dies. Mary remembers his words at the Passover meal: “This cup is the new covenant in my blood, which will be shed for you” (Lk 22:20). The dreaded time is now: the precious blood of her son is poured out for all humankind. The covenant is sealed. Jesus, her son, the Son of God, is dead. In her heart, Mary dies with him. Two broken hearts—one pierced with a spear, one pierced with sorrow—become one: Jesus and Mary, forever united for the whole human family. Mary’s sorrow is all the greater because of the greatness of her love. Jesus’ body is taken down from the cross and placed in her arms. Mary embraces her son with a love beyond words, beyond grief itself. For now, it is the grief of a consummate sorrow. She, who had given birth to divinity, now presses the bloodied and battered remains of his humanity close to her sorrowful and shattered heart. “Let it be done according to thy will, Lord,” she prays. Our first stop was Chiesa di San Moisè, built initially in the 8th century. It is dedicated to Moses, and like the Byzantines, the Venetians often considered Old Testament prophets as canonized saints. It also honors Moisè Venier, the aristocrat who funded the reconstruction during the 9th century. San Moisè is the parish church of one of the parishes in the Vicariate of San Marco-Castello. The elaborate Baroque facade, dating from 1668, is profusely decorated with sculpture. This Bellissimo Pietà is by Antonio Corradini, the famous Italian Rococo sculptor. We continued to the Basilica dei Frari which was foremost and Chiesa di San Geremia to visit St. Lucy.
    Pieta - Chiesa di San Moisè Venezia - BW
  • “The Crucifixion above the altar of the Church of Santa Maria Maggiore in Assisi”…<br />
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My artistic interpretation here is of the Crucified Jesus as primary to the Image of The Divine Mercy. St. Faustina asked the Lord about the meaning of the rays in the image: The two rays denote Blood and Water. The pale ray stands for the Water which makes souls righteous. The red ray stands for the Blood which is the life of souls. These two rays issued forth from the depths of My tender mercy when My agonized Heart was opened by a lance on the Cross. Happy is the one who will dwell in their shelter, for the just hand of God shall not lay hold of him. The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built in this site close to the Roman city walls in the 4th century.  The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal its age and status throughout history.
    La Crocifissione sopra l'altare a Ch..sisi
  • "Father Peek Elevates the Host for Adoration - The Church of Santo Spirito in Sassia"... <br />
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As the gentle morning light bathes the ancient streets of Rome, we embark on a pilgrimage of faith, drawn inexorably towards the magnificent Santo Spirito. Nestled in the shadows of the grandeur of St. Peter’s Basilica, this sacred sanctuary stands as a testament to Divine Mercy, a legacy meticulously nurtured by the revered St. John Paul II.  Each day, at the reverent hour of 3 p.m., congregants assemble to recite the Divine Mercy Chaplet, enveloping the sanctuary in an atmosphere of grace and tranquility. Yet, beneath its architectural splendor lies a narrative woven with threads of compassion and service, echoing through the annals of history. From its humble beginnings in the eighth century as the Santa Maria church in Sassia, devoted to the Virgin Mary, to the founding of Europe's inaugural "Holy Spirit Hospital" in response to the impassioned plea of Pope Innocent III in 1198, this sacred space has been a bastion of solace and healing for countless souls. Within the sanctified precincts of Santo Spirito, a chapel on the right stands as a testament to The Divine Mercy and to the venerable Saint Faustina. Here, the revered statue of the "Apostle of The Divine Mercy," accompanied by her reliquary gifted by the esteemed Holy Father John Paul II, beckons believers to contemplative prayer. Father Peek's dignified gesture elevating the Host for adoration in this captivating photograph touches our hearts. With reverent genuflection, the priest invites us to behold Jesus Christ, true God and true Man, present upon the altar. Let our gaze linger upon the sacred Body of Christ, and within the depths of our souls, may we echo the profound words of adoration: "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things."
    Padre Peek Eleva Consacrata l'ostia ..ssia
  • “The prophet Isaiah at the base of the Column of the Immaculate Conception – Rome”…<br />
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The column is situated next to the Piazza di Spagna in the adjacent Piazza Mignanelli in front of the Spanish Embassy in Rome near the Palace of the Propagation of the Faith. It was realized by the architect Luigi Poletti and inaugurated in 1857 on the 8th December thanks to the work of 220 firemen. The work is dedicated to the dogma of the Immaculate Conception that was proclaimed by Pope Pius IX, in 1854, with the Apostolic Constitution Ineffabilis Deus. This dogma states that Mary is the only human being who was born without original sin. The statues are the work of Giuseppi Obici. On the base of the column are 4 bronze statues of Moses, David, the prophet Ezekiel and Isaiah. Below each statue is a verse from the Sacred Scriptures that refers to the dogma of the Immaculate Conception. Below this statue of Isaiah, we find the verse: “Therefore the Lord himself will give you this sign: the virgin shall be with child, and bear a son, and shall name him Immanuel.” (Is 7:14)  Each year, on the 8th of December the Church celebrates the solemnity of the Immaculate Conception. In the afternoon the Holy Father visits the Piazza di Spagna to place roses as an act of homage to Our Lady, at the statue of the Virgin. These roses indicate the love and devotion of the Pope, the Church and the people of the city of Rome for the Virgin Mary. With these roses, the desire is to depose each of anxiety and place hope at the foot of the celestial Mother of the Redeemer. The late afternoon sun was shining directly on the Prophet Isaiah’s pen in anticipation of his divinatory words.
    Il profeta Isaia alla base della Col..Roma
  • "Pentecost - The Basilica di Santa Maria Gloriosa dei Frari Venice"...<br />
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Gospel Jn 20:19-23: On the evening of that first day of the week, when the doors were locked, where the disciples were, for fear of the Jews, Jesus came and stood in their midst and said to them, "Peace be with you." When he had said this, he showed them his hands and his side. The disciples rejoiced when they saw the Lord. Jesus said to them again, "Peace be with you. As the Father has sent me, so I send you." And when he had said this, he breathed on them and said to them, "Receive the Holy Spirit. Whose sins you forgive are forgiven them, and whose sins you retain are retained."
    Pentecoste - La Basilica di Santa Ma..ezia
  • “Archidado Cortona games”…<br />
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Every year, a procession of 300 or more people wearing wonderful medieval costumes, as well as many riders on their horses, parade through Cortona's historic center. The competition known as the Giostra dell'Archidado commemorates the wedding of Francesco Casali, Lord of Cortona, and the noblewoman Antonia Salimbeni of Sienna, which took place in 1397. The crossbowmen from Cortona's five quarters, "Quintieri", compete for a golden arrow. The contest is held in Piazza Signorelli.  Flag throwing (or flag tossing) is often a major part of the historical costume festivals that are one of the great attractions of Tuscany and, indeed, of all Italy. The performers, known as Sbandieratori, usually young men but with an increasing number of young ladies taking part, dress in medieval costumes and are usually accompanied by drummers (Tamburi) and sometimes trumpeters (Trombettieri). Skills range from good to truly excellent. The younger participants engage in synchronized flag waving through tossing and catching their own flags, while the truly skilled carry out amazing and beautiful exercises involving simultaneously throwing two flags to two partners in their team.  I was fortunate to arrive in Cortona from Roma on Sunday, the last day of the festival.
    Giostra dell'Archidao Cortona partite
  • "Mystical Padre Pio – Painting by Dino Carbetta"...<br />
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Padre Pio emerged from humble beginnings, born into a farming family in the heart of southern Italy. His father journeyed to New York to provide for them. At 15, Francesco joined the Capuchin order, taking the name Pio. In 1910, he was ordained a priest, but his ministry was interrupted by World War I, during which he was drafted. Due to tuberculosis, he was honorably discharged, and in 1917, he found his spiritual home at the friary in San Giovanni Rotondo. In that place, he experienced receiving the sacred stigmata, which mirrored the wounds of Christ's Passion. This significant moment was immortalized in this painting of Padre Pio. The saint's reputation spread quickly, drawing multitudes to his confessional, where he spent up to 10 hours a day in spiritual counsel and absolution. Many testified to miraculous healings and spiritual transformations through his intercession, as Padre Pio seemed to possess an extraordinary ability to read souls. His life was one of deep prayer, intense devotion, and severe austerity. His letters reveal the profound spiritual and physical suffering he endured, all in communion with God and in deep love for the Blessed Eucharist and the Virgin Mary. During his canonization in 2002, Pope Saint John Paul II reflected, "The Gospel image of the 'yoke' evokes the many trials that the humble Capuchin endured. Today, we contemplate in him how sweet is the 'yoke' of Christ and how light the burdens become when carried with faithful love. Padre Pio’s life teaches us that when accepted with love, suffering transforms into a privileged path to holiness, leading to a greater good known only to the Lord." This spiritual depth, enduring sanctity, and the profound mystery of his stigmata are beautifully captured in this painting of the mystical Padre Pio, a tribute to the saint's life and legacy.
    Padre Pio Mistico – Dipinto di Dino ..etta
  • “Saint Margaret of Cortona's Divine Rapture – Painting by Dino Carbetta” ... <br />
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Saint Margaret of Cortona, portrayed in this evocative painting depicting her ecstasy with Christ, embodies a profound odyssey of redemption and devotion. Born into the serene landscapes of Laviano, Tuscany, Margaret's early life was marked by familial loss and discord. The passing of her mother at a tender age and the strained relationship with her stepmother set the stage for a tumultuous path ahead. In her youth, Margaret's spirited nature led her into a relationship with a young knight, ultimately resulting in her living as his mistress for nine years. Margaret's spiritual transformation was catalyzed by the tragic discovery of his lifeless body in the woods, a victim of foul play. With a heart heavy with remorse, Margaret embarked on a journey of penance and self-denial. Renouncing her former life, she sought solace and forgiveness, finding refuge with the Franciscan friars at Cortona. Margaret's deep and sincere devotion to Christ flourished amid the serene hills and age-old churches. Driven by her unwavering faith, Margaret dedicated herself to a life of prayer, penance, and service to the marginalized. Establishing a hospital and a congregation of tertiary sisters, she embodied the compassionate teachings of Saint Francis of Assisi, extending a loving hand to the sick and needy. Margaret's spiritual depth and humility drew countless souls seeking guidance and solace. Despite her struggles and past transgressions, she became a beacon of hope and forgiveness, inspiring others to seek redemption and embrace the transformative power of faith. Her legacy endured through the centuries, culminating in her canonization by Pope Benedict XIII in 1728. In this painting, Saint Margaret's ecstatic vision of our Lord encapsulates the essence of her profound journey, beckoning viewers to ponder the transformative power of grace and the enduring beauty of redemption.
    Divino Rapimento di Santa Margherita..etta
  • “Father Peek raises the chalice for adoration - The New Church of San Francesco in Assisi – Luminescense”…<br />
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The reflection of Father Peek in “The Elevation of the Host and Chalice” is after genuflection in adoration. The priest raises them both so that the Faithful may also adore Jesus Christ, true God, and true Man present on the altar. Look at the sacred Body and Blood of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things." A more ancient elevation of Host and Chalice occurs in the Mass of the Roman Rite while the priest speaks the concluding doxology of the Eucharistic Prayer: Per ipsum et cum ipso et in ipso est tibi Deo Patri omnipotenti in unitate Spiritus Sancti omnis honor et gloria per omnia saecula saeculorum (Through him, and with him, and in him, O God, almighty Father, in the unity of the Holy Spirit, all glory and honour is yours, forever and ever). The presence in the Roman Rite of this elevation can be traced back at least to the ninth century. The Chiesa Nuova is a church in Assisi, Italy, built in 1615 on the site of the presumed birthplace of St. Francis, the house of Pietro di Bernardone. It was then called Chiesa Nuova because it was the last church to be built in Assisi at that time. This Church appears as a small basilica, and on our first morning in Assisi of my Pilgrimage of 2019, Father Peek offered a venerable Mass. Two of our Pilgrimage couples renewed their vows during the celebration and an abundance of blessings were bestowed upon the faithful. The specular window light from high above the altar once again illuminates the Body and Blood of Christ as the Holy Spirit descends.
    Padre Peek solleva il Calice per L'a..anco
  • “The Sacred Heart of Jesus - Basilica of San Lorenzo in Lucina Rome - Painting by Dino Carbetta”…<br />
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19 days after Pentecost, Catholics celebrate the Solemnity of the Sacred Heart of Jesus. The Catechism, quoting Pope Pius XII’s beautiful encyclical on the devotion to the Sacred Heart of Jesus, states, “Jesus has loved us all with a human heart. For this reason, the Sacred Heart of Jesus, pierced by our sins and for our salvation, ‘is quite rightly considered the chief sign and symbol of that… love with which the divine Redeemer continually loves the eternal Father and all human beings without exception. To appreciate this rich symbolism of the heart, we must remember in Judaism that the word heart represented the core of the person. While recognized as the principal life organ, the heart was also considered the center of all spiritual activity. Here was the seat of all emotion, especially love. As the psalms express, God speaks to a person in his heart and there probes him. This notion of the heart is clear in Deuteronomy 6:5-6: “Therefore, you shall love the Lord, your God, with all your heart, and with all your soul, and with all your strength. Take to heart these words which I enjoin on you today.” In 1675, Margaret Mary received the vision which came to be known as the “great apparition.” Jesus asked that the modern Feast of the Sacred Heart be celebrated each year on the Friday following Corpus Christi, in reparation for the ingratitude of men for the sacrifice which Christ had made for them. “O most holy heart of Jesus, the fountain of every blessing, I adore you, I love you, and with lively sorrow for my sins I offer you this poor heart of mine. Make me humble, patient, pure, and wholly obedient to your will. Grant, Good Jesus that I may live in you and for you. Protect me in the midst of danger. Comfort me in my afflictions. Give me health of body, assistance in my temporal needs, your blessing on all that I do, and the grace of a holy death. Amen.”
    Il Sacro Cuore di Gesù - Minore Basi..etta
  • “Fishing Boat Resting in Front of the Sant'Anna Restaurant – Sorrento – Painting by Dino Carbetta”… <br />
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In the heart of Sorrento, a hidden gem stands proudly - the Duomo di Sorrento, a sanctuary that holds sacred memories for pilgrims seeking solace and connection. This revered place became the backdrop for a divine moment during our last pilgrimage along the enchanting Amalfi Coast. On the final day of our journey, Father Peek graced us with a morning Mass at the High Altar of Duomo di Sorrento. A sense of reverence enveloped our semi-exhausted group. I saw the opportunity to immortalize this rain-threatened day in Marina Grande. Sunday afternoon unfolded in this sacred port, not teeming with tourists but alive with locals' energy. The skies, laden with mist, were vulnerable to the imminent threat of rain. The reluctant sun pierced through the clouds, painting the heavens with luminous pastel hues. A solitary fishing boat, a symbol of quiet strength, rested on the wet sand, illuminated by the late evening sun. Amid this scene, the biblical tale of Peter walking on water resonated. Like Peter, we are called to step out of our comfort zones and navigate the uncertain waters of life with faith. The winds of doubt may buffet us, but in those moments, we must echo Peter's plea, "Lord, save me!" Miraculously, the sun's rays intensified, and a divine calm settled upon the seas. As we left for an afternoon respite, humility drew us back. Returning a few hours later, we captured the evening seascape, a prelude to a perfect dinner with the entire pilgrimage group at Ristorante di "Zi'Ntonio Mare," my cherished haven in Sorrento. This painting, a testament to the interplay of faith, nature, and human connection, immortalizes that sacred Sunday in Marina Grande. May its strokes inspire the viewer to embrace moments of vulnerability, trusting "Even amidst life's storms, divine intervention awaits." bringing forth moments of breathtaking beauty and profound tranquility.
    Peschereccio in appoggio davanti al ..etta
  • “Archidado Cortona game”…<br />
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Every year, a procession of 300 or more people wearing wonderful medieval costumes, as well as many riders on their horses, parade through Cortona's historic center. The competition known as the Giostra dell'Archidado commemorates the wedding of Francesco Casali, Lord of Cortona, and the noblewoman Antonia Salimbeni of Sienna, which took place in 1397. The crossbowmen from Cortona's five quarters, "Quintieri", compete for a golden arrow. The contest is held in Piazza Signorelli.  Flag throwing (or flag tossing) is often a major part of the historical costume festivals that are one of the great attractions of Tuscany and, indeed, of all Italy. The performers, known as Sbandieratori, usually young men but with an increasing number of young ladies taking part, dress in medieval costumes and are usually accompanied by drummers (Tamburi) and sometimes trumpeters (Trombettieri). Skills range from good to truly excellent. The younger participants engage in synchronized flag waving through tossing and catching their own flags, while the truly skilled carry out amazing and beautiful exercises involving simultaneously throwing two flags to two partners in their team.  I was fortunate to arrive in Cortona from Roma on Sunday, the last day of the festival.
    Giostra dell'Archidao Cortona partita
  • “Joust of the festival - Ancient Book Binder Cortona”…<br />
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Every year, a procession of 300 or more people wearing wonderful medieval costumes, as well as many riders on their horses, parade through Cortona's historic center. The competition known as the Giostra dell'Archidado commemorates the wedding of Francesco Casali, Lord of Cortona, and the noblewoman Antonia Salimbeni of Sienna, which took place in 1397. The crossbowmen from Cortona's five quarters, "Quintieri", compete for a golden arrow. The contest is held in Piazza Signorelli.  This image of the ancient Book Binder is the quintessential representation of the medieval Tuscan Cortona.
    Giostra del festival - Libro Antico ..tona
  • “Twilight Voyage to the Seaside Sanctuary – A Painting by Dino Carbetta”<br />
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Mary Victoria sails through the golden hush of twilight, her small vessel drifting across the calm Ligurian Sea like a hymn. The fading sun spills its last light over rippling waves, guiding her toward a sacred shore where an ancient church, carved from centuries of prayer, stands in silent welcome. Atop its weathered bell tower, the cross glows like a beacon—its silhouette etched in light against the sky, as a single white dove soars above, a symbol of peace and divine grace. On the dock below, her faithful companion Max waits—ears perked, tail gently wagging, eyes shining joyfully. His happy presence mirrors the warmth she carries wherever she goes, a loyal soul as gentle as the breeze that fills her sail. The moment captures not merely a return to beauty, but a deeper passage into serenity and light. Flowers cascade down stone walls, the perfume of rosemary and sea air mingle, and the hills above cradle the church like open hands in prayer. Here, between sea and sanctuary, Mary Victoria lives out her quiet vocation—not behind walls, but in the world, where she shepherds children with tenderness and shares her irrepressible joy with all who cross her path. Her laughter is a source of healing, and her words a soothing balm for the soul. She brings delight like morning sun through stained glass—unexpected, radiant, and real. This painting is no mere landscape—it is a living meditation. In it, the soul finds stillness. The church, steadfast and luminous, becomes a sacred threshold. Her voyage is not a return, but a testament: to a life infused with love, to a spirit that never wearies, to the grace of one who makes the world gentler by her presence. Twilight Voyage to the Seaside Sanctuary is a sacred embrace in color and light—a tribute to faith, joy, and the eternal welcome of the heart. "The Lord is my shepherd; I shall not want." – Psalm 23:1
    “Twilight Voyage to the Seaside Sanc..tta”
  • “Hosanna in the Highest – The Triumphal Entry”- A Painting by Dino Carbetta<br />
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On this sacred day, we remember not only the palm branches, the cloaks laid down, and the cries of “Hosanna!”—but the eternal King who entered the Holy City in divine humility. Riding not upon a chariot or steed, but upon a lowly donkey, Christ revealed the paradox of His kingship: a Prince of Peace whose crown would be of thorns, whose throne would be a cross. This painting, newly inspired and completed in contemplation of Holy Week, captures that breathtaking moment when heaven and earth seemed to hold their breath. Ancient columns stand as silent witnesses to the fulfillment of prophecy. A great archway—glowing as if touched by the light of eternity—beckons beyond the temporal, foreshadowing the passage from death into Resurrection. Above the adoring crowd, the Holy Spirit descends in the form of a white dove, alighting upon the Son of God with grace and power. The people cheer with joy, not yet knowing the sorrow to come—but their hearts, like the stones themselves, cry out in reverence. This is not merely the entry into Jerusalem, but the entry of salvation into the soul of mankind. Each face in the crowd is a soul that longs for healing, for truth, for the Messiah. And He comes, not to conquer by the sword, but to conquer sin and death by love. In this vision, the temporal and the eternal meet under the radiant sky of promise. The moment is both triumph and foreshadowing. The Lamb enters as King. As we journey into Holy Week, may this vision remind us that our Savior did not come to be served, but to serve—and to lay down His life for many. Let us prepare Him room, not only in the streets of memory, but in the sanctuary of our hearts. Blessed is He who comes in the Name of the Lord. Hosanna in the Highest.
    “Hosanna in the Highest – The Triump..etta
  • “Savior of the World - Painting by Dino Carbetta” ...<br />
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In contemplating the Incarnation, we encounter the renewing grace of Christ. "Christ is your Son before all ages, yet now he is born in time. He has come to lift all things to himself, to restore unity to creation, and to lead mankind from exile into your heavenly kingdom." The mystery of Christ, beginning in the Virgin Mary's womb and fully revealed on the Cross, permeates history and consecrates humanity. Jesus' Pasch in every Eucharist draws us into redemption. The Eucharist is the living presence of Christ, the same yesterday, today, and forever. "In the most blessed Eucharist is contained the whole spiritual good of the Church, namely Christ himself our Pasch and the living bread which gives life to men through His flesh—that flesh which is given life and gives life through the Holy Spirit." The ecclesiastical institution, in compliance with the imperative of Christ, "Do this in remembrance of me," observes the Eucharist as the ultimate pinnacle and primary origin of its existence. The sacramental signs of Christ's sacrifice, the consecrated bread and wine, invite us into communion with the Lord, transforming us into what we receive and enabling us to live fully in Him. The Eucharist is not solely a means of sustenance for the spirit, but rather an invitation to manifest Christ's love and selflessness in our daily existence. This artwork, "Salvator Mundi," encapsulates a profound verity, portraying the perpetual existence of Christ, the Redeemer of the Universe, who presents Himself as the sustenance for a regenerated existence. As we receive the Bread of Life, we are called to be instruments of God's mercy and compassion in the world, finding strength for our journey, a foretaste of the heavenly banquet, and a call to deeper communion with God and one another. "We are transformed through this encounter and sent to illuminate the world with Christ’s love."
    Salvator Mundi - Painting by Dino Ca..etta
  • “Jesus Calms the Storm in Marina Grande Sorrento – Painting by Dino Carbetta” ...<br />
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This stormy image of the lone antique fishing boat is one of the most iconic seaside views from Sorrento. In this painting, my imagination placed Jesus in the boat, a poignant symbol of faith amidst adversity. The lone boat represents various perceptions and creative thoughts, portraying stillness and beauty among the restless seas. This painting recalls Saint Matthew’s account of Jesus calming the winds and the sea: "As Jesus got into a boat, his disciples followed him. Suddenly a violent storm came upon the sea so that the boat was being swamped by waves, but he was asleep. They came and woke him, saying, 'Lord, save us! We are perishing!' He said to them, 'Why are you terrified, O you of little faith?' Then he got up, rebuked the winds and the sea, and there was a great calm. The men were amazed and said, 'What sort of man is this, whom even the winds and the sea obey?'" (Matt. 8:23-27). One of the highlights of my Italian journey was stumbling upon the tiny Marina Grande fishing village. It was as if I’d walked back in time and merged into this ageless world with its own pace and traditions. Life here has its rhythm—a closely-knit community anchored in family principles, hard work, and religious traditions. The people cherish the sea and live in symbiosis with it. Time seems to move more slowly here than anywhere else in the world. My eyes were blessed with an extraordinarily beautiful scene, as a permanent smile adorned my face, and my camera captured the essence of this tiny bay nestled within the bygone fishing village. As night fell, the water's reflections and resting fishing boats posed for a few more images, while fish jumped for their dinner. It was time to enjoy the day's catch at Ristorante di “Zi'Ntonio Mare.” The epicurean delights, especially the calamari, olive bread, wine, and the main course of Il pesce San Pietro (St. Peter's fish), were authentic perfection.
    Gesù Calma la Tempesta a Marina Gran..etta
  • The Majestic Duality: Jesus is the Lion and the Lamb – Painting by Dino Carbetta<br />
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God's omnipotence and paradoxical interplay reveal God's awe-inspiring duality as both the mighty Lion of the Tribe of Judah and the gentle Lamb. In Rev 5:5, Jesus is introduced as the conquering Lion: "The Lion of the tribe of Judah, the Root of David, has prevailed to open the scroll and to lose its seven seals." This imagery highlights the strength and triumph of Christ. In contrast, Jn 1:29 unveils the Lamb: "Behold! The Lamb of God who takes away the sin of the world!" This portrayal affirms the sacrificial nature of Christ, who was sent to lay down His life for humanity. Christ's earthly ministry exemplifies this dual nature. In Matt 20:28, He declares Himself a servant and asserts service over being served. Even in the face of mistreatment during His passion, Christ remains silent, akin to a lamb led to slaughter   (Is 53:7). His humility, not weakness, becomes evident as He fulfills His purpose. Rev 5:6 unveils a captivating scene of the Lamb standing as though slain, adorned with seven horns and seven eyes—the embodiment of Christ's sacrificial mission. The paradox deepens as the Lion who prevailed is now portrayed as the Lamb that was slain. This juxtaposition signifies the cross, where Christ, as the Lamb, was slain, and as the Lion, conquered. JL 3:16 echoes the powerful image of the LORD roaring from Zion, reminiscent of the Lion of the tribe of Judah. The Lion's roar symbolizes strength and protection for His people. This divine duality culminates in the realization that the Lion and the Lamb are not contradictory but complementary aspects of Jesus' nature. In contemplating this divine mystery, we recognize that the Lion and the Lamb represent two facets of Jesus' identity—the victorious Lion of the tribe of Judah and the Lamb of God who bore the sins of the world. This divine interplay showcases the complexity and depth of God's character, inspiring awe and reverence.
    La Maestosa Dualità Gesù è il Leone ..etta
  • “Father Peek Raises the Consecrated Host for Adoration - The Church of Santo Spirito in Sassia - Painting by Dino Carbetta” …<br />
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On our 4th gentile morning in Roma before leaving for Sorrento, we walked from our hotel to the Bellissimo Santo Spirito for Mass. Located just steps from St. Peter’s Basilica, the church is the center of the Divine Mercy established by St. John Paul II. Each day at 3 p.m. the congregants assemble to pray the Divine Mercy Chaplet in this reverent sanctuary containing St. Faustina Kowalska and St. John Paul II relics. The church is distinguished for its beautiful and pious artistic and aesthetic adornment, yet, also has a long history of bringing mercy to the human spirit and body. In the eighth century, there was a church in this place called Santa Maria in Sassia dedicated to the Virgin Mary. The name of the church comes from “the Saxon school,” where pilgrims from Northern Europe and Saxon nations received their first spiritual and material assistance. In 1198, at the request of Pope Innocent III, the first “Holy Spirit Hospital” in Europe was built adjacent to the church. The chapel on the right side is dedicated to The Divine Mercy and to Saint Faustina where the “The Apostle of The Divine Mercy” statue resides with her reliquary donated by the Holy Father John Paul II. The reflection of Father Peek in “The Elevation of the Host” is after genuflection in adoration. The priest raises the Host so that the Faithful may also adore Jesus Christ, true God, and true Man present on the altar. Look at the sacred Body of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things."
    Padre Peek Eleva Consacrata l'ostia ..etta
  • “Let Your Goodness Appear to Us - Painting by Dino Carbetta” …<br />
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“Let your goodness Lord, appear to us, that we, made in your image, may conform ourselves to it. In our own strength we cannot imagine your majesty, power, and wonder, nor is it fitting for us to even try. But your mercy reaches from the heavens, through the clouds, to the earth below. You have come to us as a small child, but you have brought us the greatest gift, the gift of your eternal love. Caress us with your tiny hands, embrace us with your tiny arms, and pierce our hearts with your soft, sweet cries. Amen.” – <br />
St. Bernard of Clairvaux <br />
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O Come, Redeemer Of The Earth: “O Come, Redeemer of the earth, and manifest thy virgin-birth. Let every age in wonder fall: such birth befits the God of all. Begotten of no human will but of the Spirit, Thou art still the Word of God in flesh arrayed, the promised fruit to man displayed. The Virgin’s womb that burden gained, its virgin honor still unstained. The banners there of virtue glow; God in his temple dwells below. Proceeding from His chamber free that royal home of purity a giant in twofold substance one, rejoicing now His course to run. O equal to the Father, Thou! gird on Thy fleshly mantle now; the weakness of our mortal state with deathless might invigorate. Thy cradle here shall glitter bright, and darkness breathe a newer light where endless faith shall shine serene and twilight never intervene. – St. Ambrose All praise, eternal Son, to Thee, whose advent sets Thy people free, whom, with the Father, we adore, and Holy Ghost, for evermore. Amen.” – St. Ambrose
    Lascia Che la Tua Bontà ci Appaia - ..etta
  • Saint Agnes of Assisi In front of San Damiano ... Painting by Dino Carbetta<br />
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When St. Clare received the veil in 1212, she left behind a young sister named Agnes, who was fourteen years old. In answer to Clare's prayers and inspired by God, Agnes left for the same convent only 16 days later. Saint Francis named Clare's sister Agnes because she was gentle like a young lamb. St Francis then led the two maidens to St Damian's convent, where he also gave the holy habit to Agnes. She now endeavored to imitate her saintly sister in everything and devoted all her spare time to prayer and contemplation. She lived a very austere life, partaking only of bread and water, and wearing coarse clothing. St. Francis quickly recognized the valuable virtue hidden within this remarkable soul. Recognizing her potential, St. Francis chose Agnes to establish a new convent in Florence, demonstrating remarkable faith in her abilities despite her youth. Saint Agnes of Assisi was favored with many extraordinary graces by God. In her deep devotion, she often felt elevated above the earth. From Holy Thursday until Holy Saturday, she was once so found in rapture in the contemplation of the sufferings of Christ that she was under the impression she had spent only an hour in this mystical state. Agnes shared her sister's devotion to prayer and the strict penances of the Poor Ladies at San Damiano. When a group of Benedictine nuns in Monticelli asked to become Poor Ladies, Clare sent Agnes to become abbess of the monastery. Agnes soon wrote a rather sad letter about how much she missed Clare and the other nuns at San Damiano. After establishing monasteries in northern Italy, Agnes was recalled to San Damiano in 1253, as Clare lay dying. In her last moments, Clare addressed her sister in these words, "My beloved sister, it is the will of God that I go, but be comforted, you will soon come and rejoin me with our Lord." Three months later Agnes followed her sister to eternity on November 16, 1253.
    Sant'Agnese d'Assisi Di fronte a San..etta
  • “Joust of the Archidao Cortona Flag Flyers” …<br />
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Every year, a procession of three hundred or more people wearing wonderful medieval costumes and many riders on their horse’s parade through Cortona's historic center. The competition known as the Giostra dell'Archidado commemorates the wedding of Francesco Casali, Lord of Cortona, and the noblewoman Antonia Salimbeni of Sienna, which took place in 1397. The crossbowmen from Cortona's five quarters, "Quintieri", compete for a golden arrow. The contest is held in Piazza Signorelli. Flag throwing (or flag tossing) is often a major part of the historical costume festivals that are one of the great attractions of Tuscany and, indeed, of all of Italy. The performers, known as Sbandieratori, usually young men but with an increasing number of young ladies taking part, dress in medieval costumes and are usually accompanied by drummers (Tamburi) and sometimes trumpeters (Trombettieri). Skills range from good to truly excellent. The younger participants engage in synchronized flags by tossing and catching their flags, while the truly skilled conduct amazing and beautiful exercises involving simultaneously throwing two flags to two partners in their team. I was fortunate to arrive in Cortona from Roma on Sunday festival’s last festival. Capturing the quick-moving Giostra, band members, and soaring flags was an adventure. I am positive that in the year 1397 it was quite dangerous, but I also found danger in such close quarters and so many moving, and colorful parts.
    Giostra dell'Archidao Cortona Bandie..tini
  • “Father Peek raises the chalice for adoration - The New Church of San Francesco in Assisi – Luminescense”…<br />
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The reflection of Father Peek in “The Elevation of the Host and Chalice” is after genuflection in adoration. The priest raises them both so that the Faithful may also adore Jesus Christ, true God, and true Man present on the altar. Look at the sacred Body and Blood of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things." A more ancient elevation of Host and Chalice occurs in the Mass of the Roman Rite while the priest speaks the concluding doxology of the Eucharistic Prayer: Per ipsum et cum ipso et in ipso est tibi Deo Patri omnipotenti in unitate Spiritus Sancti omnis honor et gloria per omnia saecula saeculorum (Through him, and with him, and in him, O God, almighty Father, in the unity of the Holy Spirit, all glory and honour is yours, forever and ever). The presence in the Roman Rite of this elevation can be traced back at least to the ninth century. The Chiesa Nuova is a church in Assisi, Italy, built in 1615 on the site of the presumed birthplace of St. Francis, the house of Pietro di Bernardone. It was then called Chiesa Nuova because it was the last church to be built in Assisi at that time. This Church appears as a small basilica, and on our first morning in Assisi of my Pilgrimage of 2019, Father Peek offered a venerable Mass. Two of our Pilgrimage couples renewed their vows during the celebration and an abundance of blessings were bestowed upon the faithful. The specular window light from high above the altar once again illuminates the Body and Blood of Christ as the Holy Spirit descends.
    Padre Peek solleva il Calice per L'a..ense
  • “A Million Faces of Jesus by Dino Carbetta – Resplendent”…<br />
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“God of every nation and people, from the very beginning of creation you have made manifest your love: when our need for a Savior was great you sent your Son to be born of the Virgin Mary. To our lives, he brings joy and peace, justice, mercy, and love.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. Battle against Evil: Finally, draw your strength from the Lord and from his mighty power. Put on the armor of God so that you may be able to stand firm against the tactics of the devil. For our struggle is not with flesh and blood but with the principalities, with the powers, with the world rulers of this present darkness, with the evil spirits in the heavens. Therefore, put on the armor of God, that you may be able to resist on an evil day and, having done everything, to hold your ground. So stand fast with your loins girded in truth, clothed with righteousness as a breastplate, and your feet shod in readiness for the gospel of peace. In all circumstances, hold faith as a shield, to quench all [the] flaming arrows of the evil one. And take the helmet of salvation and the sword of the Spirit, which is the word of God.  EPHESIANS, 6:10-17
    Un Milione di volti di Gesù di Dino ..ente
  • “To Give to the Light – The Holy Family – Painting by Dino Carbetta”…<br />
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Dare alla luce: Italian verb: To give birth. In Italian, the literal translation of “to give birth”— “Dare alla Luce”— is: “to give to the light.” An exquisite phrase to describe the beauty and wonder of childbirth. Advent comes from the Latin ad+venire, which means, essentially “To come to,” or “to come toward.” Ad+venire is the root of the Latin “Adventus” which means “arrival.” So Advent is the season of arrival: The arrival of Christ in our hearts, in the world, and into God’s extraordinary plan for our salvation. Beginning the Church's liturgical year, Advent is the season encompassing the four Sundays leading up to the celebration of Christmas. The people of Israel waited for generations for the promised Messiah to arrive. Their poetry, their songs and stories, and their religious worship focused on an awaited savior, whom God had promised, over and over, would come to them to set them free from captivity, and to lead them to the fulfillment of all that God had chosen for them. Israel longed for a Messiah, and John the Baptist, who came before Jesus, promised that the Messiah was coming, and could be found in Jesus Christ, God’s Son, the “Lamb of God who takes away the sins of the world.” Advent is a season in the Church’s life intended to renew the experience of waiting, and longing, for the Messiah. Though Christ has already come into the world, the Church invites us to renew our desire for the Lord more deeply into our lives and to renew our desire for Christ’s triumphant second coming into the world. Our Advent readings call us to be alert and ready, not weighted down and distracted by the cares of this world (Lk 21:34-36). Like Lent, the liturgical color for Advent is purple since both are seasons that prepare us for great feast days. Advent also includes an element of penance in the sense of preparing, quieting, and disciplining our hearts for the full joy of Christmas.
    Dare Alla Luce - La Sacra Famiglia -..etta
  • "Blessed Mother Mary inside the Cathedral of San Rufino in Assisi - Painting by Dino Carbetta"...<br />
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Luke 1:46-48 And Mary said: “My soul proclaims the greatness of the Lord; my spirit rejoices in God my savior. For he has looked upon his handmaid’s lowliness; behold, from now on will all ages call me blessed." Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. Rising slowly up the Assisi hillside after a slow ascent to the highest peak, around the final corner awaited the Romanesque Duomo of Saint Rufino completed in the 12th century. In this church, Saint Francis of Assisi, Saint Clare, and many of their original disciples were baptized among the many spiritual and historical missions of the Duomo.
    Beata Madre Maria all'interno della ..etta
  • “The Sacred Heart of Jesus - Basilica of San Lorenzo in Lucina Rome - Painting by Dino Carbetta - BW”…<br />
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19 days after Pentecost, Catholics celebrate the Solemnity of the Sacred Heart of Jesus. The Catechism, quoting Pope Pius XII’s beautiful encyclical on the devotion to the Sacred Heart of Jesus, states, “Jesus has loved us all with a human heart. For this reason, the Sacred Heart of Jesus, pierced by our sins and for our salvation, ‘is quite rightly considered the chief sign and symbol of that… love with which the divine Redeemer continually loves the eternal Father and all human beings without exception. To appreciate this rich symbolism of the heart, we must remember in Judaism that the word heart represented the core of the person. While recognized as the principal life organ, the heart was also considered the center of all spiritual activity. Here was the seat of all emotion, especially love. As the psalms express, God speaks to a person in his heart and there probes him. This notion of the heart is clear in Deuteronomy 6:5-6: “Therefore, you shall love the Lord, your God, with all your heart, and with all your soul, and with all your strength. Take to heart these words which I enjoin on you today.” In 1675, Margaret Mary received the vision which came to be known as the “great apparition.” Jesus asked that the modern Feast of the Sacred Heart be celebrated each year on the Friday following Corpus Christi, in reparation for the ingratitude of men for the sacrifice which Christ had made for them. “O most holy heart of Jesus, the fountain of every blessing, I adore you, I love you, and with lively sorrow for my sins I offer you this poor heart of mine. Make me humble, patient, pure, and wholly obedient to your will. Grant, Good Jesus that I may live in you and for you. Protect me in the midst of danger. Comfort me in my afflictions. Give me health of body, assistance in my temporal needs, your blessing on all that I do, and the grace of a holy death. Amen.”
    Il Sacro Cuore di Gesù - Minore Basi..- BW
  • “Luminous Madonna - Santa Maria Maggiore in Assisi - Painting by Dino Carbetta”…<br />
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The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built on this site close to the Roman city walls in the 4th century. The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. The interior has a basilica plan with three naves, separated by pillars. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal their age and status throughout history. Hail Mary, full of grace, the Lord is with you. Blessed are you among women, and blessed is the fruit of your womb, Jesus. Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death. Amen.
    Luminous Madonna - Santa Maria Maggi..etta
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