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  • “Chapel of St. Maximilian Kolbe - Santa Maria Gloriosa dei Frari - Venice Italy”…<br />
<br />
As they were being marched away to the starvation bunkers, Number 16670 dared to step from the line. “I would like to take that man’s place. He has a wife and children.” “Who are you?”  “A priest.” No name, no mention of fame. Silence. The commandant, dumbfounded, perhaps with a fleeting thought of history, kicked Sergeant Francis Gajowniczek out of line and ordered Fr. Kolbe to go with the nine. In the “block of death,” they were ordered to strip naked, and their slow starvation began in darkness. But there was no screaming—the prisoners sang. By the eve of the Assumption, four were left alive. The jailer came to finish Kolbe off as he sat in a corner praying. He lifted his fleshless arm to receive the bite from the deadly hypodermic needle. They burned his body with all the others. Fr. Kolbe was beatified in 1971 and canonized in 1982. Saint Maximilian Kolbe, was a Polish Catholic priest and Conventual Franciscan friar who volunteered to die in place of a stranger in the German death camp of Auschwitz, located in German-occupied Poland during World War II. He had been active in promoting the veneration of the Immaculate Virgin Mary, founding and supervising the monastery near Warsaw, operating an amateur radio station, and founding or running several other organizations and publications. Kolbe composed the Immaculata prayer as a prayer of consecration to the Immaculata. The Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination journeys with a fascinating impression of great history, aesthetic brilliance, and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” This Chapel of St. Maximilian Kolbe is a familiar theme of all the dramatic chapels around Frari reconciling the devotion and sanctity of the faithful.
    Cappella di San Massimiliano Kolbe -..alia
  • “Unique View through Medieval Arches of the Cathedral of Sorrento”…<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. I discovered areas where the old Duomo met the new, and it seemed that some images were quite accidental. I noticed that peering through a small and out of the way opening, I could see back to a lighted statue of a patron Bishop. The juxtaposition of the descending and uniquely colored archways gave a great appearance of depth and perspective.
    Vista Unica Attraverso Archi Medieva..ento
  • “Illuminated crucifix in Cathedral of Saints Philip and James – Sorrento”… <br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ.  This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Illuminato crocifisso in Cattedrale ..ento
  • "High altar crucifix from the back of the Papal Basilica of St. Anthony of Padua"... <br />
<br />
I consider this magnificent rear view of the High Altar in St. Anthony’s Basilica looking toward Donatello’s very famous “Crucifix in Padua” one of my few forbidden and miraculous images of my 2019 Pilgrimage to Italy. I was unaware of the mere size and ancient grandeur of the basilica begun in 1233 but found myself mystified by the aura surrounding it and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. As with most prestigious Basilica’s, no photos are allowed, which mostly rendered this photographer reverent, but sad. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. Deceptively, I found myself directly behind the elevated “High Altar,” and as I curiously climbed the steps toward the locked Iron Gate, Donatello’s celestial bronze crucifix began to appear. My surreptitious movement kept me from being noticed by the security guards and our Italian guide. I covertly rested my lens through the iron bars, and quietly depressed the shutter on my camera. Often called “Il Santo” by the locals of Padua, one cannot escape feeling overwhelmed by its majesty, and emanation of spirituality and reverence. The Basilica is austere, mysterious, and solemn, yet capacious, monumental, and impossible to notice every grand detail. However, be emboldened that this Pilgrimage Church is one of the eight international shrines recognized by the Holy See. It is a symbol of faith and hope for all Christian believers. I believe Saint Anthony would be honored and proud to offer Mass here.
    Crocifisso altare maggiore dalla par..dova
  • “Christ in front of Paradise - the Basilica of Santa Maria Gloriosa dei Frari Venezia – Painting by Dino Carbetta”…<br />
<br />
A view toward the Altar and Titian’s great painting, peering toward an extraordinary bestowment of artistic reverent beauty of Heaven. The complexity and aggregate of all the artwork involved in this presentation are a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. However, the Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance, and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and is necessitated by a very large church. The wood crucifix from 1468, hangs over the entrance of the choir. Traditionally, a Calvary was hanging above the choir and beside the Crucifix, there are the sculptures of the Madonna and Saint John the Evangelist. It is very likely that – thanks to His beauty and relevance – this crucifix was taken as a pattern for many others in Venezia and the Veneto region. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    Cristo di fronte il Paradiso - la Ba..etta
  • “Monument of Madonna embracing the Cross in the Basilica of Santa Maria Maggiore in Rome”…<br />
<br />
The first major stop on my first visit to Rome was The Patriarchal Basilica of Saint Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, Saint Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. I found Saint Mary in a spectacular monument to Cardinal Agostino Favoriti, 1685, by Filippo Carcani. The famous 17th-century cardinal is shown seated at a desk behind large allegorical figures of Fortitude (with the lion) and Saint Mary representing religion. Of the very large monument, Mother Mary stood out to me, as one cannot help feeling blessed by her compassionate presence, and the luminescent glow of light gently descending upon her face, revealing her abiding love for her precious son. Pope Benedict XVI, speaking about Pope John Paul II of suffering and his love of the Holy Mother; “in that last Easter Sunday of his life, the Holy Father, marked by suffering, came once more to the window of the Apostolic Palace and one last time gave his blessing Urbi et Orbi (‘to the city and the world’). “We can be sure that our beloved pope is standing today at the window of the Father’s house, that sees us and blesses us. Yes, bless us, Holy Father. We entrust your dear soul to the Mother of God, your Mother, who guided you each day and who will guide you now to the glory of her Son, our Lord Jesus Christ. Amen.”
    Monumento di Madonna abbracciando La..Roma
  • "St. Jerome in front of the Miracle of St. Joseph of Cupertino - Santa Maria Gloriosa dei Frari Venezia”...<br />
<br />
Alessandro Vittoria sculpted the statue of St Jerome in 1564 and resembles the famous statues by Michelangelo in the sacristy of St. Lorenzo in Florence. St. Jerome was defined as “one of the most famous works of the 1500s,” imitating Michelangelo’s style. The expression, the realistic likeness to the human form, the strength, and finesse demonstrate the introspective talent of the artist. The Miracle of St. Joseph of Cupertino is by Giuseppe Nogari in the 18th century. Joseph of Cupertino is most famous for levitating at prayer. He painted mainly half-body portraits, either real or of historical and religious figures. They are striking for their emotional content, subdued decoration, and coloration, and often display aged individuals in somewhat homely or shabby attire with a dark background. The Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, artistic brilliance, and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” “Frari,” is a very large Gothic church of the early 15th-century, initially built of brick (like many Franciscan churches designed for preaching to large crowds, but now filled with elaborate paintings and tombs.) The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    San Girolamo di fronte al Miracolo d..ezia
  • “Crucifixion beyond the entrance to the Abbey of Santa Giustina – Padua”…<br />
<br />
Our Pilgrimage finally arrived in Padua and after lunch, we discovered the Abbey of Santa Giustina attached to the Basilica built in the 6th century. It contains the relics of multiple saints (including those of St. Luke the Evangelist). Shaped in the form of a Latin cross, the prodigious Basilica of St. Giustina is one of the most colossal in all of Christianity. The grandeur of the building is enhanced by the Prato della Valle which it overlooks. There are 3 main chapels: the presbytery and 2 chapels for Saints Luke and Matthew that form the transepts and each aisle has six small chapels. The Abbey and the Basilica of St. Anthony were two of my foremost surprises and a must-see on a Pilgrimage to Italy. Unfortunately, pictures were allowed only in St. Giustina, but not in the latter. Initially, I was a bit overwhelmed at the imposing wide open space of the Basilica. The high altar seemed an eternity away. It is difficult to give one a perspective of just how spacious and immense many of these basilicas can be, not only in pictures but in words. The colorful geometric marble floor leads one to the main altar, but only adds to the great depth, size, and dimension of the Basilica. A curiously placed Crucifix standing about 6’ tall is located just inside the colossal nave and appears diminutive below the 26 pillars supporting the 8 cupolas. As most basilicas are traditionally dark depending on the sunlight, the Crucifix was almost a complete faint silhouette only lit by the dome windows above the altar. Standing as close as possible with a telephoto perspective, I was able to reverse the impression of size and portray the grandiosity Christ deserves, as well as the original artist. The distant window light bled over the body and illuminated the darkness. The glow of the original beauty has become radiant. Framed by the brilliant distant archways, the Crucifixion becomes transformed.
    Crocifissione oltre l'ingresso dell'..dova
  • “The crucified Christ in the Cathedral of Saints Philip and James – Sorrento”…<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ.  This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Il Cristo crocifisso nella Cattedral..ento
  • “Luminance of Christ - Sorrento Cathedral - Painting by Dino Carbetta”… <br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site but as a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became. Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ. This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey. I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey. I have painted this image many times, striving for perfection. However, I have ultimately realized perfection is only found in the one who is crucified. Gal. 2:20 “yet I live, no longer I, but Christ lives in me; insofar as I now live in the flesh, I live by faith in the Son of God who has loved me and given himself up for me.”
    Luminanza di Cristo - Cattedrale di ..etta
  • “Crucified Face of Christ - Painting by Dino Carbetta”…<br />
<br />
Hanging above the Altar of the Duomo di Sorrento was a lifelike Crucifix. My portfolio contains many different images of this mesmerizing crucifixion. It has become a primary focus of my artistic study of light and His sacred image. This “living” singular portrayal of Christ has become a major influence in my pursuit of religious art. Hopefully, the viewer will be moved by His spiritual and painful unveiling. Touching the very heart of those who empathize with this immediate closeness of the Passion of Christ and this evolving artistic impressionistic painting. The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.
    Volto Crocifisso di Cristo - Pittura..etta
  • “Cathedral of Saints Philip and James in Sorrento - Nave to the Crucifixion”…<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became. Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ. This image looking down the nave with the sunlight shining through the windows is one of the most meaningful and favorite images from my Italian journey.
    Cattedrale dei Santi Filippo e Giaco..ione
  • “Heavenly lights illuminate the crucifix - Sorrento Cathedral - Painting by Dino Carbetta”…<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ.  This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Celesti di luce rischiara il crocifi..etta
  • "Light from Heaven - Sistine Chapel - Basilica of Santa Maria Maggiore Rome"... <br />
<br />
After Mass in the Crucifix Chapel on the second morning of the inaugural Pilgrimage I organized, we were joined by our Roman tour guide for the day. As we listened and ventured around the glorious Basilica, my eyes and camera began to wander. I became stupefied by the grand chapel to the right of the main altar with the rising sun peering through the window just below the cupola. I discreetly wandered in and out in hopes it would shine upon the Holy Crib. On my 4th attempt, my judicious endeavor was rewarded. A young woman in a splendid white dress walked directly into the heavenly light. Her luminescence and celestial reverence gave the appearance of a wondrous and radiant angel in admiration of the sacred relic. The right transept is called the Sistine Chapel, containing the elaborate tomb of Pope Sixtus V (1521-90) and decorated with frescoes and reliefs of events from his reign. The chapel centers on a reliquary containing part of the Holy Crib, and the burial place of Saint Jerome, the 4th-century Doctor of the Church. The Patriarchal Basilica of St. Mary Major reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God.
    La luce dal Paradiso - Cappella Sist..Roma
  • “Hail, Queen of Peace - Basilica of Santa Maria Maggiore”… <br />
<br />
The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, Santa Maria Maggiore has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. The numerous treasures contained in the museum render Santa Maria Maggiore a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of a man inspired by God. The transcendent and inspiring Regina Pacis and the Christ child is a 20th-century statue of the ‘Queen of Peace’ commissioned by Pope Benedict XV in commemoration of the end of the First World War. “Hail Mary full of Grace, the Lord is with thee. Blessed are thou among women and blessed is the fruit of thy womb Jesus. Holy Mary Mother of God, pray for us sinners now and at the hour of our death Amen.”
    Ave Regina Pacis - Basilica di Santa..iore
  • “The Luminance of Christ - Sorrento Cathedral”… <br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became. Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ. This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey. I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    La Luminanza di Cristo - Cattedrale ..ento
  • "The Crucifixion - Cathedral of Sorrento"...<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix.  It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light illuminating Christ in a mystical way.  The two images with the sunlight shining through the windows are my most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Il Crocifissione - Cattedrale di Sor..ento
  • “The evening sun illuminates the Angels guarding the Papal Archbasilica of San Giovanni in Laterano – Rome”…<br />
<br />
A familiar grandeur and ambiance welcomed us to Roma on the first evening Mass of our 2019 Pilgrimage. As the evening sun descended through the windows above the grand hallways where Priest of many languages offered Confession during the daytime, I took advantage of the opportunity with an Italian Priest speaking in his native language...a great blessing! Dedicated to St. John the Baptist and St. John the Evangelist, the Basilica of St. John Lateran is the first among the four major basilicas of Rome. It is also the Cathedral of the Bishop of Rome, the Pope, and is thus known as the "Cathedral of Rome and of the World." Built by Constantine the Great in the 4th century, San Giovanni in Laterano was the first Christian/Catholic church erected in Rome. The present structure of the Basilica resembles Saint Peter's Basilica, and the ancient church was residence of the Papacy until the (1377) return from exile in Avignon and permanent relocation to the Vatican. Many Popes were responsible for repair and additions to the Basilica’s overall splendor and importance throughout the last 1700 years. This image was inspired upon noticing dozens of tiny cherub angels holding up the archways of a long and narrow hallway leading to a sacred and Holy Door of the Archbasilica. Each angel is unique and has a different face and expression. One cannot help being overcome with humility observing the veneration of the Basilica’s Piccoli Angeli protecting all the wondrous souls within.
    Il sole della sera illumina gli Ange..Roma
  • “Three-dimensional artistic impression of the Crucifix in the Abbey of Santa Giustina – Padua”…<br />
<br />
Our Pilgrimage finally arrived in Padua and after lunch, we discovered the Abbey of Santa Giustina attached to the Basilica built in the 6th century. It contains the relics of multiple saints (including those of St. Luke the Evangelist). Shaped in the form of a Latin cross, the prodigious Basilica of St. Giustina is one of the most colossal in all of Christianity. The grandeur of the building is enhanced by the Prato della Valle which it overlooks. There are 3 main chapels: the presbytery and 2 chapels for Saints Luke and Matthew that form the transepts and each aisle has six small chapels. The Abbey and the Basilica of St. Anthony were two of my foremost surprises and a must-see on a Pilgrimage to Italy. Unfortunately, pictures were allowed only in St. Giustina, but not in the latter. Initially, I was a bit overwhelmed at the imposing wide open space of the Basilica. The high altar seemed an eternity away. The colorful geometric marble floor leads one to the main altar, but only adds to the great depth, size, and dimension of the Basilica. A curiously placed Crucifix standing about 6’ tall is located just inside the colossal nave and appears diminutive below the 26 pillars supporting the 8 cupolas. As most basilicas are traditionally dark depending on the sunlight, the Crucifix was almost a complete faint silhouette only lit by the dome windows above the altar. I wanted to create an impression of depth in the crucifix itself transposed against the massive Basilica and distance of the architecture. It took several days and many failures, however, I was finally able to find the three dimensions of Christ I was searching for. The glow of the original beauty has become radiant. Framed by the brilliant distant archways, the Crucifixion becomes transformed.
    Impressione artistica tridimensional..dova
  • “Golden Hour Crucifixion – Painting by Dino Carbetta”…<br />
<br />
I consider this magnificent rear view of the High Altar in St. Anthony’s Basilica looking toward Donatello’s very famous “Crucifix in Padua” one of my few forbidden and miraculous images of my 2019 Pilgrimage to Italy. I was unaware of the mere size and ancient grandeur of the basilica begun in 1233 but found myself mystified by the aura surrounding it and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis, and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. Deceptively, I found myself directly behind the elevated “High Altar,” and as I curiously climbed the steps toward the locked Iron Gate, Donatello’s celestial bronze crucifix began to appear. This is the story of my experience with the "High altar crucifix from the back of the Papal Basilica of St. Anthony of Padua"... The crucifix was centered at the bottom of the image and small. I decided to paint the crucifix using the original silhouette and front illumination. I added a magnificent sunset or “Golden Hour” to highlight the Crucifix. “yet I live, no longer I, but Christ lives in me; insofar as I now live in the flesh, I live by faith in the Son of God who has loved me and given himself up for me.” [Galatians 2:20]
    Ora D'oro Crocifissione - Dipinto di..etta
  • “Titian - Assumption of the Virgin under the Crucifix in the Basilica of Santa Maria Gloriosa of the Frari Venice”…<br />
<br />
This image is perhaps one of the most difficult to actualize in my young vocation in Fine/Sacred Art. The complexity and aggregate of all the artwork involved in this presentation is a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. However, the Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, artistic brilliance, and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed to sneak a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a very large Gothic church of the early 15th-century, initially built of brick (like many Franciscan churches designed for preaching to large crowds, but now filled with elaborate paintings and tombs.) The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting in oils by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and is necessitated by the large church, having a considerable distance between the altar and the congregation. It marked a new direction in Titian's style that reflected his awareness of the developments in High Renaissance painting further south, in Florence and Rome by artists including Raphael and Michelangelo.  Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    Tiziano - Assunzione della Vergine s..ezia
  • "The high altar of the Papal Basilica of Santa Maria Maggiore in Rome"...<br />
<br />
The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. Behind the triumphal arch is the central apse, whose mosaic, dating to the late 13th century, is incredible. Mary and Jesus sit together at the center of the half-dome enthroned. Below the mosaic is four-pointed windows, which are the earliest examples of gothic architecture in Rome. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of a man inspired by God. The apse mosaic, depicting the Coronation of the Virgin, is from the late 13th century, by the Franciscan friar, Jacopo Torriti.
    L'altare maggiore della Basilica Pap..Roma
  • “Heavenly rays of light illuminate the crucifix - Cathedral of Sorrento”…<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ.  This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Raggi Celesti di luce rischiarare il..ento
  • “Angels Guard the Main Altar of the Sistine Chapel - Basilica of Santa Maria Maggiore Rome”…<br />
<br />
After Mass in the Crucifix Chapel on the second morning of the inaugural Pilgrimage I organized, we were joined by our Roman tour guide for the day. As we listened and ventured around the glorious Basilica, my eyes and camera began to wander. I became stupefied by the grand chapel to the right of the main altar with the rising sun peering through the window just below the cupola. I discreetly wandered in and out in hopes it would shine upon the Holy Crib. The right transept is called the Sistine Chapel, containing the elaborate tomb of Pope Sixtus V (1521-90) and decorated with frescoes and reliefs of events from his reign. The chapel centers on a reliquary containing part of the Holy Crib, and the burial place of Saint Jerome, the 4th-century Doctor of the Church. The architect Domenico Fontana designed the chapel, which also contains the tomb of Pope Pius V. The main altar in the chapel has four gilded bronze angels by Sebastiano Torregiani, holding up the ciborium, which is a model of the chapel itself. The Patriarchal Basilica of St. Mary Major reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God.
    Angeli Custodiscono L'altare Princip..Roma
  • “Christ in Paradise - the Basilica of Santa Maria Gloriosa of the Frari Venice”…<br />
<br />
A view from the Altar in front of Titian’s great painting, peering toward an extraordinary bestowment of artistic reverent beauty of Heaven. The complexity and aggregate of all the artwork involved in this presentation are a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. However, the Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed to sneak a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a very large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and necessitated by the very large church. The wood crucifix from 1468, hangs over the entrance of the choir. Traditionally, there was a Calvary hanging above the choir and beside the Crucifix, there are the sculptures of the Madonna and Saint John the Evangelist. It is very likely that – thanks to His beauty and relevance – this crucifix was taken as a pattern for many others in Venezia and the Veneto region. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    Cristo in Paradiso - la Basilica di ..ezia
  • "The nave of the Basilica of Santa Maria Maggiore - Rome"...<br />
<br />
The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica.
    La navata della Basilica di Santa Ma..Roma
  • “Celestial light illuminates the crucifix - Cathedral of Sorrento”…<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ.  This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Celesti di luce rischiara il crocifi..ento
  • "Stained Glass of Christ Blessing St James at the Cathedral of Saints Philip and James"...<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. James and Philip human men who became foundation stones of the Church, as we are reminded that holiness and its consequent apostolate are entirely the gifts of God. LUKE 24:49 “And [behold] I am sending the promise of my Father upon you, but stay in the city until you are clothed with power from on high.” Their first commission had been to expel unclean spirits, heal diseases, and announce the kingdom. They learned, gradually, that these externals were sacraments of an even greater miracle inside their persons…the divine power to love like God.
    Vetrata di Cristo Benedizione St Jam..como
  • **Campanile della Cattedrale dei Santi Filippo e Giacomo – Sorrento<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became. Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light illuminating Christ in a mystical way. This image with the sunlight shining through the window is one of my most meaningful and favorite images from my Italian journey. I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Campanile della Cattedrale dei Santi..ento
  • "Pope Pius IX prays before the altar of Santa Maria Maggiore in Rome"...<br />
<br />
The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica.
    Papa Pio IX prega davanti all'altare..Roma
  • “Madonna with Franciscan Saints - Basilica of Santa Maria Gloriosa dei Frari – Venice”…<br />
<br />
Lk 2:22-32: “When the days were completed for their purification according to the law of Moses, Mary and Joseph took Jesus up to Jerusalem to present him to the Lord,<br />
just as it is written in the law of the Lord, ‘Every male that opens the womb shall be consecrated to the Lord, and to offer the sacrifice of a pair of turtledoves or two young pigeons,’ in accordance with the dictate in the law of the Lord. Now there was a man in Jerusalem whose name was Simeon. This man was righteous and devout, awaiting the consolation of Israel,<br />
and the Holy Spirit was upon him. It had been revealed to him by the Holy Spirit that he should not see death before he had seen the Christ of the Lord. He came in the Spirit into the temple; and when the parents brought in the child Jesus to perform the custom of the law in regard to him, he took him into his arms and blessed God, saying: ‘Now, Master, you may let your servant go in peace, according to your word, for my eyes have seen your salvation, which you prepared in the sight of all the peoples: a light for revelation to the Gentiles, and glory for your people Israel.” In the Santi Francescani's Chapel, I photographed this masterpiece by Bernardino Licinio painted in 1535 of the seated Virgin and Child. On the left are St. Francis, St. Mark, St. Bonaventura, and St. Clare. On the right are St. Anthony, St. Andrew, St. Louis, St. John the Baptist, and the face of St. Elizabeth of Hungary. Licinio's portrayal was ‘not for the nobility of expression, but the splendor of the color and sense of motion.’ The aggregate of the artwork involved in Santa Maria Gloriosa is a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. The Basilica di Frari is one of my favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur.
    Madonna con Santi Francescani - Basi..ezia
  • “Coronation of the Virgin above the Altar - Santa Maria Maggiore”…<br />
<br />
The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. Behind the triumphal arch is the central apse, whose mosaic, dating to the 1200s, is an incredible euphoric vision. Mary and Jesus sit together at the center of the half-dome enthroned. Below the mosaic is four-pointed windows, which are the earliest examples of gothic architecture in Rome. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God. The apse mosaic, depicting the Coronation of the Virgin, is from the late 13th century, by the Franciscan friar, Jacopo Torriti.
    Incoronazione della Vergine sopra l'..iore
  • “Madonna Embraces the Cross in Santa Maria Maggiore Rome”…<br />
<br />
On our Pilgrimage of 2019, the second morning in Roma began with Mass at the Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. This was my second visit to this perfect Bellissimo Basilica where I found a familiar face and comfort in this exquisite statue and expression of true Love. The spiritual treasures found here are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. I found Saint Mary in a spectacular monument to Cardinal Agostino Favoriti, 1685, by Filippo Carcani. Mother Mary stood out to me, as one cannot help feeling blessed by her compassionate presence, and the luminescent glow of light gently descending upon her face, revealing her abiding love and ultimate suffering remembering her precious son. Pope Benedict XVI, speaking about Pope John Paul II of suffering and his love of the Holy Mother; “in that last Easter Sunday of his life, the Holy Father, marked by suffering, came once more to the window of the Apostolic Palace and one last time gave his blessing Urbi et Orbi (‘to the city and to the world’). “We can be sure that our beloved pope is standing today at the window of the Father’s house, that sees us and blesses us. Yes, bless us, Holy Father. We entrust your dear soul to the Mother of God, your Mother, who guided you each day and who will guide you now to the glory of her Son, our Lord Jesus Christ. Amen.”
    Madonna Abbraccia la Croce in Santa ..Roma
  • "Luminance of Christ - Cathedral of Sorrento - Contrasting color"...<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ.  This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Luminanza di Cristo - Cattedrale di ..asto
  • “Baldachin Golden Angel Candelabra - Santa Maria Maggiore in Rome”…<br />
<br />
On our Pilgrimage of 2019, the second morning in Roma began with Mass at the Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. This was my second visit to this perfect Bellissimo Basilica where I found familiar faces and comfort in this exquisite sanctuary. The spiritual treasures found here are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. I could not find the artist who sculpted this lifelike larger than life gold angel, but his expression welcomes all to the blessings of God and His Church. Pope Benedict XVI, speaking about Pope John Paul II of suffering and his love of the Holy Mother; “in that last Easter Sunday of his life, the Holy Father, marked by suffering, came once more to the window of the Apostolic Palace and one last time gave his blessing Urbi et Orbi (‘to the city and to the world’). “We can be sure that our beloved pope is standing today at the window of the Father’s house, that sees us and blesses us. Yes, bless us, Holy Father. We entrust your dear soul to the Mother of God, your Mother, who guided you each day and who will guide you now to the glory of her Son, our Lord Jesus Christ. Amen.”
    Baldacchino oro Angelo Candelabra - ..Roma
  • "Madonna and Child with Saints - Chapel of the Franciscan Saints - Basilica dei Frari Venice"...<br />
<br />
The altarpiece is depicting the Madonna and Child enthroned. To His right are St. Clare, St. Bonaventure, St. Francis and St. Mark; behind the head of the client: father Antonietto da Venezia; to the left: St. John the Baptist, St. Anthony, St. Louis d'Anjou (Bishop of Toulouse) and Saint Andrew. The artist is Bernardino Licinio and completed in the year 1524. The Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed to sneak a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a very large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and necessitated by the very large church. This masterpiece of Madonna and Child is a central theme of all the dramatic chapels around Frari to the delight of the faithful. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook such as the Basilica of Santa Maria Gloriosa dei Frari.
    Madonna col Bambino e santi - Cappel..ezia
  • "Ancient Crucifix on the wall of the Basilica of Santa Maria Gloriosa dei Frari - Venice"...<br />
<br />
The complexity and aggregate of all the artwork involved in this presentation are a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. However, the Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed to sneak a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a very large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and necessitated by the very large church. This ancient crucifix with “Golden Jesus” is suspended starkly on one of the rearmost antique walls facing a multitude of Chapels. The juxtaposition of the gold contrasts with the furrowed surface, however displaying a perfect synergy for the reverent display. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook such as the Basilica of Santa Maria Gloriosa dei Frari.
    Antico Crocifisso sul muro della Bas..ezia
  • “Crucifix beyond the vestibule of the Abbey of Santa Giustina – Padua”… <br />
<br />
Our Pilgrimage finally arrived in Padua and after lunch, we discovered the Abbey of Santa Giustina attached to the Basilica built in the 6th century. It contains the relics of multiple saints (including those of St. Luke the Evangelist). Shaped in the form of a Latin cross, the prodigious Basilica of St. Giustina is one of the most colossal in all of Christianity. The grandeur of the building is enhanced by the Prato della Valle which it overlooks. There are 3 main chapels: the presbytery and 2 chapels for Saints Luke and Matthew that form the transepts and each aisle has six small chapels. The Abbey and the Basilica of St. Anthony were two of my foremost surprises and a must-see on a Pilgrimage to Italy. Unfortunately, pictures were allowed only in St. Giustina, but not in the latter. Initially, I was a bit overwhelmed at the imposing wide open space of the Basilica. The high altar seemed an eternity away. It is difficult to give one a perspective of just how spacious and immense many of these basilicas can be, not only in pictures but in words. The colorful geometric marble floor leads one to the main altar, but only adds to the great depth, size, and dimension of the Basilica. A curiously placed Crucifix standing about 6’ tall is located just inside the colossal nave and appears diminutive below the 26 pillars supporting the 8 cupolas. As most basilicas are traditionally dark depending on the sunlight, the Crucifix was almost a complete faint silhouette only lit by the dome windows above the altar. Standing as close as possible with a telephoto perspective, I was able to reverse the impression of size and portray the grandiosity Christ deserves, as well as the original artist. The distant window light bled over the body and illuminated the darkness. The glow of the original beauty has become radiant. Framed by the brilliant distant archways, the Crucifixion becomes transformed.
    Crocifisso al di là di vestibolo del..dova
  • “Christ illuminated by Paradise - the Basilica of Santa Maria Gloriosa dei Frari Venezia”…<br />
<br />
A window illumination view of the Crucifixion, peering toward an extraordinary bestowment of artistic reverent beauty of Heaven. The complexity and aggregate of all the artwork involved in this presentation are a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. However, the Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed to sneak a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a very large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and necessitated by the very large church. The wood crucifix from 1468, hangs over the entrance of the choir. Traditionally, there was a Calvary hanging above the choir and beside the Crucifix, there are the sculptures of the Madonna and Saint John the Evangelist. It is very likely that – thanks to His beauty and relevance – this crucifix was taken as a pattern for many others in Venezia and the Veneto region. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    Cristo illuminato da Paradiso - la B..ezia
  • “Crucifixion Altar of Santa Maria Maggiore in Rome”…<br />
<br />
The Cappella delle Reliquie (Chapel of the Relics) by Ferdinando Fuga, 1750 has 10 red porphyry columns and this late 14th-early 15th century wooden crucifix which used to be at the entrance to the church where the tomb of Pope Clement IX is located. The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God.
    Crocifissione Altare di Santa Maria ..Roma
  • "Sun rays from the dome of the Cesi chapel - Basilica of Santa Maria Maggiore"...<br />
<br />
The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value, and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the basilica. As I wondered around this beautiful Basilica, I found a very quaint, but majestic place called the Cesi Chapel.  I was taken by not only the serenity, but the sunlight shining brightly through an oculus in the center of the ceiling. Above the altar is an extravagant fresco which like many of the others in the chapel describes the martyrdom of Saint Catherine of Alexandria. Saint Catherine was a martyr who was said to be one of the saints who appeared to counsel St. Joan of Arc who converted hundreds of people to Christianity.
    Raggi di Sun dalla cupola della capp..iore
  • “Altar of the Crucifix - Basilica of Santa Maria Gloriosa of the Frari Venice”…<br />
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The altar, designed by Baldassare Longhena and executed by the Flemish Giusto Le Court, was built in 1672 by Father Agostino Maffei. On the tympanum, angels hold up the image of Veronica's burial cloth. Between the two marble columns, there are angels holding the tools to the Passion of Christ and two other kneeling at the foot of the crucifix. The complexity and aggregate of all the artwork involved in this presentation are a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. However, the Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” “Frari,” is a very large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. “The Assumption” is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and necessitated by the very large church. The wood crucifix from 1468, hangs over the entrance of the choir. Traditionally, there was a Calvary hanging above the choir and beside the Crucifix, there are the sculptures of the Madonna and Saint John the Evangelist. It is very likely that – thanks to His beauty and relevance – this crucifix was taken as a pattern for many others in Venezia and the Veneto region. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    Altare del Crocifisso - Basilica di ..ezia
  • “Father Peek 'raises the consecrated host for adoration - Sorrento Cathedral - Painting by Dino Carbetta”… <br />
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The reflection of Father Peek in “The Elevation of the Host” is after genuflection in adoration. The priest raises the Host so that the Faithful may also adore Jesus Christ, true God and true Man present on the altar. Look at the sacred Body of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things. “Duomo di Sorrento is one of my favorite hidden treasures in Italy. On our last day on the Bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. I am not an expert in, nor born in Marina Grande or Sorrento, but the Gulf of Naples is where my Grandfather and his family are from. It seems that every time I have set foot in this tiny village, the skies explode with color and welcome its former lineage home. Shortly after the last picture was captured, it was meal time with the entire Pilgrimage group. A perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare, was enjoyed by all!
    Padre Peek 'eleva Consacrata l'ostia..etta
  • "Ethereal Ave Regina Pacis - Basilica of Santa Maria Maggiore"...<br />
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Our second day in Rome on our 2019 Pilgrimage was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, Santa Maria Maggiore has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. The numerous treasures contained in the museum render Santa Maria Maggiore a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of a man inspired by God. The transcendent and inspiring Regina Pacis and the Christ child is a 20th-century statue of the ‘Queen of Peace’ commissioned by Pope Benedict XV in commemoration of the end of the First World War. “Hail Mary full of Grace, the Lord is with thee. Blessed are thou among women and blessed is the fruit of thy womb Jesus. Holy Mary Mother of God, pray for us sinners now and at the hour of our death Amen.”
    Eterea Ave Regina Pacis - Basilica d..- BW
  • "God illuminates the crucifix - Cathedral of Sorrento"...<br />
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The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light illuminating Christ in a mystical way.  This image with the sunlight shining through the window is one of my most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Dio illumina il crocifisso - Cattedr..ento
  • “Alba sulla Veranda a Positano”…<br />
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After a solemn sunrise morning where I essentially had Positano all to myself, I began my strenuous journey down and back up the mountainside. I noticed a perfectly beautiful view on the veranda of one of Positano’s villas; however, a large gate was padlocked and prevented my sly entrance. Descending to my knees and extending the barrel of the lens through an opening in the fence, I was able to capture a single image. Sometimes it pays to break a few rules to capture a perfect vision. There was only one occasion that I was able to pre-plan taking photos at sunrise and that was during the last day of three in Positano. It takes much planning, logistics, and familiarity to figure the best locations and the proper angles and positions of the sun. My third morning was ideal and fortuitous as it began raining about 10:00 am which gave me perfect clouds for sunrise, finally ending with a very cold wind just in time for sunset. This image is one of the rare photos of a slumbering Positano in the dewing morning around 6:50 am at the end of May….the beginning of peak tourist season. By 8:00 am, this tiny seaside village is bustling with tourists and shop owners, and restaurateurs trying to satisfy every need. All in all, Positano was by far the plushest of all the locations I visited in Italy, and I was blessed to witness everything in full bloom. “Notice how the flowers grow. They do not toil or spin. But I tell you, not even Solomon in all his splendor was dressed like one of them.” LUKE 12:27.
    Alba sulla Veranda a Positano
  • “Pentecost - Painting by Dino Carbetta”...<br />
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As I neared completion of this painting called “Pentecost,” I became overwhelmed and replete with emotion. It was not the composition or finality of another symbolic artwork, but the actual memory of my extraordinary Pentecost when I received the blessings and Sacrament of Catholic Confirmation. Archbishop Donoghue anointed my forehead with oil on the Altar of the Cathedral of Christ the King in Atlanta in front of an overflowing church, and my Catholic Brother and childhood friend Bob Casey’s hand on my shoulder. The first example of Confirmation can be found in Acts 8:14-17. Confirmation sponsors “bring the candidates to receive the sacrament, present them to the minister for anointing, and will later help them fulfill their baptismal promises faithfully under the influence of the Holy Spirit whom they have received.” I was overwhelmed then, and feel the same as now. Confirmation is a Sacrament in the Catholic Church in which the one who is confirmed receives the gifts of the Holy Spirit through the imposition of hand and anointing with oils by the bishop. It’s considered a sacrament of initiation which means that it brings you deeper into communion with the Church. “Bishops are the successors of the apostles. They have received the fullness of the sacrament of Holy Orders. The administration of this sacrament demonstrates clearly that its effects are to unite those who receive it more closely to the Church, her apostolic origins, and her mission of bearing witness to Christ.” It is the full outpouring of the Holy Spirit as once granted to the apostles on the day of Pentecost. Confirmation brings Catholics a deepening of baptismal grace and unites us more firmly to Christ. It increases the gifts of the Holy Spirit and leaves an indelible mark on the soul just like baptism. Come Holy Spirit, fill the hearts of your faithful and kindle in them the fire of your love.
    Pentecoste - Dipinto di Dino Carbetta
  • “Giving seed to the One who sows, Snow - Painting by Dino Carbetta”…<br />
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[Isaiah 55:10-13] Yet just as from the heavens the rain and snow come down And do not return there till they have watered the earth, making it fertile and fruitful, Giving seed to the one who sows and bread to the one who eats, So shall my word be that goes forth from My mouth; It shall not return to me empty, but shall do what pleases me, achieving the end for which I sent it. Yes, in joy you shall go forth, in peace you shall be brought home; Mountains and hills shall break out in song before you, all trees of the field shall clap their hands. In place of the thornbush, the cypress shall grow, instead of nettles, the myrtle. This shall be to the LORD’s renown, as an everlasting sign that shall not fail.
    Dare seme a Colui che semina, Neve -..etta
  • “The Luminescent Eye of Christ Gazes Upon Saint Lucia - Painting by Dino Carbetta”…<br />
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Santa Lucia is a virgin and martyr of Syracuse in Sicily, whose feast is celebrated on December 13th. According to tradition, Saint Lucy was born to rich and noble parents in the year 283. Like early martyrs, Lucy had consecrated her virginity to God, and she hoped to devote all her worldly goods to the service of the poor. An arranged marriage for three years was postponed. Lucy prayed at the tomb of Saint Agatha to change her mother’s mind about her faith. As a result, her mother's long hemorrhagic illness was cured, and she consented to Lucy's desire to live for God. Saint Lucy’s rejected bridegroom, Paschasius, denounced Lucy as a Christian. The governor tried to force her into prostitution, but the guards could not move her, even hitching her to a team of oxen. The governor ordered her to be killed instead. After gruesome torture, including having her eyes torn out, she was surrounded by wood and set afire, but the fire quickly died out. She prophesied against her persecutors and was then executed by being stabbed to death. Lucy had warned Paschasius he would be punished. When the governor heard, he ordered the guards to gouge out her eyes; however, it was Lucy who removed her eyes in an attempt to discourage her persistent suitor who greatly admired them. When her body was being prepared for burial, they discovered her eyes had been restored. This and the meaning of her name "light," led to her patronage with eyes; the blind, and eye ailments. Her relics are now located in Venice in the church of San Geremia. Lucy knew of the heroism of earlier virgin martyrs. She remained faithful to their example and to the example of the carpenter, whom she knew to be the Son of God. She is the patroness of eyesight. “To God’s servants, the right words will not be wanting, for the Holy Spirit speaks in us. . . All who live piously and chastely are temples of the Holy Spirit.” – St. Lucy
    L'occhio luminescente di Cristo guar..etta
  • “The New Church birthplace of St. Francis of Assisi”…<br />
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This photograph was created while approaching Chiesa Nuova (New Church) at the same time an elderly Italian man was entering for worship and prayer. As I entered the beautiful small church, a Franciscan Monk working inside saw me and without reluctance, rose from his desk and graced me with a half-hour tour speaking entirely in Italian. He never hesitated and he never assumed that I was not fluent in Italian; yet, he continued to entrust me with every detail of what looked like a mini Basilica. As we ventured around, he explained every nuance, even the crypt where Saint Francis’ parents reside. Upon completion of the tour, he shook my hand, gave me a gentle embrace, and bestowed a blessing in Italian. While not understanding the language, I left with gratitude and amazement …yet, somehow, I understood his every word.
    La Chiesa Nuova luogo di nascita di ..sisi
  • “The morning fog disappears over the Sacred Convent and the Basilica of San Francesco d'Assisi”…<br />
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The Sacro Convento is a Franciscan friary in Assisi, Italy. The friary is connected as part of three buildings to the upper and lower church of the Basilica of San Francesco d'Assisi, where the friar's custody with great reverence the body of Saint Francis. St. Francis wanted to be buried at this location outside of Assisi's city walls, called Hill of Hell (Collo d'Inferno - here were the gallows where criminals were put to death) because his master Jesus of Nazareth also was killed like a criminal outside of the city of Jerusalem. The Conventual Franciscans consider Assisi as the mother town and the monastery as the spiritual center of their order, while the operations center is located in Rome. Pope Gregory IX laid the cornerstone for the Basilica of San Francesco d'Assisi and the friary on 17 July 1228, the day after the canonization of Saint Francis. In 1230, after two years the lower church was ready to uptake the bones of Saint Francis, who had died at Portiuncula in 1226 and had been transferred to the church San Gregorio, which later became the Basilica di Santa Chiara, after Santa Chiara's death. The original part of the Sacro Convento consisted of a refectory, dormitory, chapter hall, papal hall, and a scriptorium-library. For the first 200 years of its existence, the library rivaled the Sorbonne and Avignon with a comparable number of manuscripts. The façade of the upper basilica is perhaps the most photographed church in the world. It appears smallish and antiquated from the outside. However, the deceptive upper basilica is quite large but gives way to the grand lower basilica. One has no idea of the massive structure below supporting the Basilica of Saint Francis unless realizing the Sacred Convent is the monumental base. This image confirms the magnitude of the entirety of the Convent and the Basilica.
    La nebbia mattutina svanisce sul Sac..sisi
  • "Crucifixion above the altar of the Church of Santa Maria Maggiore in Assisi"...<br />
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The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built on this site close to the Roman city walls in the 4th century.  The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. The interior has a basilica plan with three naves, separated by pillars. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal their age and status throughout history.
    Crocifissione sopra l'altare della C..sisi
  • “Positano's Church of Santa Maria Assunta illuminated by the evening light”…<br />
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Taking an evening stroll along the Strada of Positano, the highlight was the majestic evening view of the church of Santa Maria Assunta overlooking the hillside. The colorful dome is made of majolica tiles which are very prominent on the Amalfi Coast, and the church contains a thirteenth-century Byzantine icon of the legendary Black Madonna. All indications seemed to verify that late May in Positano presented a spectacular pallet of every color under God’s rainbow. This quaint seaside village stimulated one’s senses, aggrandizing its chest and boasting specular perfection. I cannot imagine a more benevolent time of year than during late spring to visit the Bellissimo Amalfi coast. This image was one of my last of the evening before a long hike up to the terrace of Hotel Montemare's famous restaurant. Finally, time to relax and unwind while admiring yet another truly breathtaking sea view of Positano Bay.
    Positano's Chiesa di Santa Maria Ass..sera
  • “This is the Lamb of God, who takes away the sins of the world - Painting by Dino”…<br />
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“Questo è l'Agnello di Dio, che toglie i peccati del mondo - Dipinto di Dino Carbetta”…<br />
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John the Baptist’s Testimony to Jesus. Jn 1:29-34 “The next day he saw Jesus coming toward him and said, ‘Behold, the Lamb of God, who takes away the sin of the world. He is the one of whom I said, A man is coming after me who ranks ahead of me because he existed before me. I did not know him, but the reason why I came baptizing with water was that he might be made known to Israel.’ John testified further, saying, “I saw the Spirit come down like a dove from the sky and remain upon him. I did not know him, but the one who sent me to baptize with water told me, ‘On whomever you see the Spirit come down and remain, he is the one who will baptize with the Holy Spirit. Now I have seen and testified that he is the Son of God.” Artistic credit to Alonso Cano.
    Ecce Agnus Dei, ecce qui tollit pecc..etta
  • "Sun hiding behind the Macuteo Obelisk - Roman Pantheon"...<br />
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Eventually, one discovers that God finds a way where there is none. A very crowded Pantheon at 3:00 PM in the bright afternoon made creative photography impossible. However, getting on my knees and placing the sun behind the cross of the Obelisk created a phenomenal appeal. All are original, including the landing dove/pigeon and sun flare. The Obelisk was originally built by one of the most famous Egyptian Pharaohs about 1300 years before Christ by Pharaoh Ramses II for the Temple of Ra in Heliopolis and brought to Rome in ancient times. It was rediscovered in 1374 underneath the apse of the nearby Basilica of Santa Maria Sopra Minerva. In the mid-15th century, the obelisk had been erected in the small Piazza di San Macuto some 200 meters east of the Pantheon, where it remained until its 1711 move to the Piazza della Rotonda. It is still called the Obelisco Macutèo after its previous location. Fontana del Pantheon was constructed by Giacomo Della Porta under Pope Gregory XIII in 1575, and the obelisk was added under Pope Clement XI. The city of Rome harbors the most obelisks in the world. There are eight ancient Egyptian and five ancient Roman obelisks. The Romans used special heavy cargo carriers called obelisk ships to transport the monuments down the Nile to Alexandria and from there across the Mediterranean Sea to Rome. On-site, large Roman cranes were employed to erect the monoliths. The obelisk is crowned by a bronze cross, the symbol of Jesus Christ. One idea that can be drawn from this is that Christianity—the cross of Jesus Christ—conquers paganism.  Another idea is that the obelisk represents the human desire for God which is only fulfilled in the Cross of Christ.
    Domenica di nascondersi dietro il Ma..heon
  • “The Basilica of Santa Maria della Salute Venice radiates in the distance on the Grand Canal- Ultramarine blue”…<br />
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Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God." The Basilica di Santa Maria della Salute, commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a conspicuous position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite reverently quaint interiorly.
    La Basilica di Santa Maria della Sal..mare
  • “View from the Grand Canal of the church of San Giorgio Maggiore in Venice”…<br />
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The first church on the island was built about 790, and in 982 the island was given to the Benedictine order by the Doge Tribuno Memmo. The Benedictines founded a monastery there, but in 1223 all the buildings on the island were destroyed by an earthquake. Andrea Palladio, an Italian Renaissance architect active in the Venetian Republic was commissioned for the rebuild. Palladio, influenced by Roman and Greek architecture, is widely considered to be one of the most influential individuals in the history of architecture, began the rebuild in 1560 and made dramatic improvements. The campanile was rebuilt in neo-classic style and completed in 1791. It was ascended by ramps and now an elevator to the top for panoramic views of Venice. The facade is brilliantly white and represents Palladio's solution to the difficulty of adapting a classical temple facade to the form of the Catholic Basilica. Two very large paintings by Tintoretto relate to the institution of the Eucharist and are located on either side of the presbytery, where they can be seen from the altar rail. “The Last Supper” and “The Jews in the Desert” (collecting and eating the manna, a gift of God to the Israelites in the Desert after they escaped Egypt, which foretells the gift of the Eucharist). Claude Monet painted a series of paintings of the island Monastery of San Giorgio Maggiore in 1908 during the artist's only visit to the city. One of the best known is “San Giorgio Maggiore at Dusk”, which exists in two versions. Monet completed his paintings of Venice at home in France and in 1912 showed them in Paris. Buyers included the Welsh collector Gwendoline Davies, who bought three paintings. This vision of the Church of San Giorgio is iconic and famous worldwide. My image capture while upon an evening boat excursion appears theatrical as if the majestic church is posing for yet another Venetian canvas.
    Vista dal Canal Grande della chiesa ..ezia
  • "San Maurizio Canal Venice"...<br />
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The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass in the sacristy. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Canale di San Maurizio Venezia
  • “A Million Faces of Jesus by Dino Carbetta – Resplendent”…<br />
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“God of every nation and people, from the very beginning of creation you have made manifest your love: when our need for a Savior was great you sent your Son to be born of the Virgin Mary. To our lives, he brings joy and peace, justice, mercy, and love.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. Battle against Evil: Finally, draw your strength from the Lord and from his mighty power. Put on the armor of God so that you may be able to stand firm against the tactics of the devil. For our struggle is not with flesh and blood but with the principalities, with the powers, with the world rulers of this present darkness, with the evil spirits in the heavens. Therefore, put on the armor of God, that you may be able to resist on an evil day and, having done everything, to hold your ground. So stand fast with your loins girded in truth, clothed with righteousness as a breastplate, and your feet shod in readiness for the gospel of peace. In all circumstances, hold faith as a shield, to quench all [the] flaming arrows of the evil one. And take the helmet of salvation and the sword of the Spirit, which is the word of God.  EPHESIANS, 6:10-17
    Un Milione di volti di Gesù di Dino ..ente
  • “Iridescent Venetian Sunset”…<br />
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I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three glorious days in Venice.
    Iridescente Veneziano Tramonto
  • “Leaves frame Positano in the late afternoon sun”…<br />
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After an exhilarating drive along the high cliffs of the Amalfi Coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. Circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot-late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large number of tourists and the bright sun did not allow for ideal conditions. As I made my way along the beach and shoreline, rays from the late afternoon sunlight reflecting off the azure blue Mediterranean Sea, was intense and blinding but illuminated the famous church with contrasting rumination. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town tucked between the descending mountains dripping with multicolored dwellings, and the transcendent blue sea, the church’s brilliant majolica tiled cupola is one of the town’s iconic symbols. The ancient church was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this iconic beautiful seaside village.
    Foglie incorniciano Positano nel sol..ggio
  • “Chapel of the Blessed Sacrament - Adoration of the Shepherds Duomo di Siena”... <br />
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Located at the corner between the right transept and the presbytery, in a position corresponding to the Chapel of Sant'Ansano, the Chapel of the Blessed Sacrament occupies this span. The altarpiece is a canvas depicting the Adoration of the Shepherds by Alessandro Casolani beginning in 1594. The Duomo in Siena lies in a piazza above the Piazza del Campo, a great Gothic building filled with treasures by Pisano, Donatello, Bernini, and Michelangelo as well as frescoes by Pinturicchio. Originally completed in 1263, the 14th century inspired an ambitious attempt to transform the cathedral into the largest temple in all of Christendom, which would dwarf even St. Peter's in Rome. The already-large Duomo would form just the transept of this huge cathedral. In 1348, the Black Death swept through the city and killed 4/5 of Siena's population. The giant cathedral was never completed, and the half-finished walls of the New Cathedral survive as a monument to Siena's ambition and one-time wealth. The magnificent complex of the Cathedral of Siena houses a series of some of the most important monuments of the European artistic panorama. If I was asked to choose only one place that represented the great history of art, architecture, culture, and faith in all of Italy…one would be hard-pressed to find a more complete portfolio than the Cathedral of Siena. I found myself awe-inspired just walking up and facing the elegant façade, striped walls and pillars, and massive size. Upon entering the nave, one is overwhelmed with a plethora of artistic expression and great beauty placed in every available space. From its dome, stained glass, frescos, sculptures, and to what is said to be the most magnificent marble floor in history…it is worth every minute.
    Cappella del Santissimo Sacramento -..iena
  • “The sun shines over the Papal Basilica of San Francesco d'Assisi – Painting by Dino Carbetta”…<br />
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On the seventh morning of our Pilgrimage, we sorrowfully said goodbye to the splendid Sorrento and set out to find the spiritual mecca of Assisi. The excitement of Saint Francis' tiny mountaintop village perked our eyes toward the windows and Hotel Giotto welcomed all!  An evening Mass with celebrant Fr. Peek in the PAX Chapel, a small underground sanctuary in Saint Francis Basilica hosted our celebration. Mass was also in honor of the wedding anniversary of Bill and Bardeen from Atlanta, GA. I cannot say enough about the wonderful quality of people and Catholics I had the honor to accompany on our Pilgrimage. A small group of only 12, but mighty, affectionate, spiritually, and compassionate. Bill and Bardeen epitomized this nature and shared their love will all our Pilgrims and those who witness our gatherings. We were also blessed by a humble, yet charismatic Priest, Father Kevin Peek. He seemed to know every other person in Italy, and subsequently, we all found new friends at dinner time. I cannot honestly conclude a more perfect Pilgrimage Priest than Father, and he was the embodiment of a Spiritual guide. He not only celebrated Mass each morning in the most beautiful and prestigious Basilica in the world, but he also led nighttime rosary walks through the Italian Strada, offered confession anytime, interjected stories of the Saints, discussed all Italian epicurean delights with great delight, and spread the word and love of God to anyone who would listen. After Mass, the sun once again glowed as it set behind Saint Francis Basilica. There is probably not a more exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be here but to all those who witness its image created by God and the fortunate artist of expression.
    Il sole splende sopra la Basilica Pa..etta
  • “Agnus Dei - Dipinto di Dino Carbetta”…<br />
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“The next day John was there again with two of his disciples, and as he watched Jesus walk by, he said, ‘Behold, the Lamb of God.” The two disciples heard what he said and followed Jesus.” JN 1:35-37<br />
“So Jesus said to them, ‘Amen, amen, I say to you, it was not Moses who gave the bread from heaven; my Father gives you the true bread from heaven. For the bread of God is that which comes down from heaven and gives life to the world.” So they said to him, ‘Sir, give us this bread always.” Jesus said to them, “I am the bread of life; whoever comes to me will never hunger, and whoever believes in me will never thirst.  JN 6:32-35
    Agnus Dei - Dipinto di Dino Carbetta
  • “Nativity of St. Francis with the Holy Family - The Basilica of Santa Maria degli Angeli Museum”…<br />
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“After visiting Bethlehem, St. Francis wanted to imitate the humble setting of Christ’s birth. In 1221, St. Francis had a novel idea. To celebrate the birth of Jesus, Francis wanted to recreate the experience of the first Christmas. He didn’t want statues inside a church, but with animals in a humble hilltop grove. St. Francis’ inspiration came after traveling to the Holy Land and seeing the exact site of Christ’s birth. The poverty of it all deeply impacted Francis and was a particular element that he wanted to celebrate at Christmas. ‘About 15 days before the Nativity of the Lord, he said to a friend in Greccio, For I would make memorial of that Child who was born in Bethlehem, and in some sort behold with bodily eyes His infant hardships; how He lay in a manger on the hay, with the ox and the ass standing by.’ There Simplicity was honored, Poverty exalted, Humility commended, and of Greccio there was made as it were a new Bethlehem. The night was lit up as the day and was delightful to men and beasts… St. Francis stood before the manger, full of sighs, overcome with tenderness and filled with wondrous joy. The solemnities of Mass were celebrated over the manger, and the priest enjoyed a new consolation. According to St. Bonaventure, a miracle also occurred on that night and someone noticed St. Francis holding the Christ Child. A certain valiant and veracious soldier… affirmed that he beheld an Infant marvelously beautiful, sleeping in the manger, whom the blessed Father Francis embraced with both his arms as if he would awake Him from sleep. The idea caught on quickly and in 1291 the first Franciscan pope (Nicholas IV) commissioned statues to create the first permanent Nativity scene in the Roman Basilica of St. Mary Major. Nativity scenes in all shapes and sizes have been created throughout the world and they are one of the most popular Christmas traditions.”
    Natività di San Francesco con la Sac..useo
  • "In the late afternoon the sun penetrates through ancient abandoned buildings along the Santa Fosca Canal in Venice"...<br />
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The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass in the sacristy. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Nel tardo pomeriggio il sole penetra..ezia
  • “Angel with the Cross - Ponte Sant'Angelo - Celebration - Painting by Dino Carbetta”…<br />
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“O thus be it ever when freemen shall stand Between their lov'd home and the war's desolation! Blest with vict'ry and peace may the heav'n rescued land Praise the power that hath made and preserv'd us a nation! Then conquer we must, when our cause it is just, And this be our motto - "In God is our trust," And the star-spangled banner in triumph shall wave O'er the land of the free and the home of the brave.” “The Star-Spangled Banner – Final Verse.”<br />
The Bridge of Angels (in Italian, Ponte Sant'Angelo) spans the Tiber River in Rome. Only a few steps away from St. Peter's Basilica, the bridge reflects the psychological shift from secular to sacred that occurs when pilgrims crossed from the busy streets of Rome over to the churches of the Vatican. Gian Lorenzo Bernini, the famed Italian sculptor, originally designed the bridge's angel sculptures in the seventeenth century. Though few of the angels standing today were done by his hand, Bernini's vision for the bridge lives on. Five angel sculptures flank each side of the bridge, with statues of Saint Peter and Saint Paul on the eastern bank. At the base of each sculpture is a line from the Bible in Latin. Angel with the Cross - Inscription: "Cuius principatus super humerum eius" Translation: Dominion rests on his shoulders (Isaiah 9:6)
    Angelo con la Croce - Ponte Sant'Ang..etta
  • “The Church of Santa Maddalena is surrounded by Roe Deer, both enjoying the sunset over the Dolomites in South Tyrol, Italy - Painting by Dino Carbetta”…<br />
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The Church of St. Magdalene resides in a small village located in the Dolomites of Italy. Both, the village and the church, are symbols of the Val di Funes. This tiny picturesque village of just 377 people is located in the Trentino-Alto Adige region of Northern Italy. Historically, the church was built where the miraculous image of Santa Maddalena was washed up by the Fopal River. Saint Mary Magdalene church is mentioned beginning in 1394. The current form of the nave with a sloping base and a slightly grooved roof cornice, with pear and round bar on the pointed arch portal with a red chalk inscription, was complete in 1492. The mural exterior is the Crucifix on the gable in a niche with a donkey's back, weather-beaten, early XVI century. St. Christopher is lively and virtuoso in movement with a fluttering, wrinkled robe. Interiorly, the keystones on the vault, are bust portraits of Mary with the Christ Child and saints. The valley, as you can see, Val di Funes is stunningly beautiful. Summer, it’s very green and dotted with colorful flowers. Winter, it’s covered with snow, and the ragged Dolomite peaks, pierce the sky toward the heavens. Mary Magdalene is the first among the women following Jesus to proclaim Him as having overcome death. She is the first to announce the joyful message of Easter. But she also proved she was among those who loved Him most when she stood at the foot of the Cross on Mount Calvary together with Mary, His Mother, and the disciple, St. John. She did not deny him or run away in fear as the other disciples did, but remained close to Him every moment, up to and including the tomb. The Italian Roe Deer rejoice in the beauty of God’s creation.
    La Chiesa di Santa Maddalena e’ circ..etta
  • “Hail favored one! The Lord is with you.”- Painting by Dino Carbetta<br />
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“In the sixth month, the angel Gabriel was sent from God to a town of Galilee called Nazareth, to a virgin betrothed to a man named Joseph, of the house of David, and the virgin’s name was Mary. And coming to her, he said, “Hail, favored one! The Lord is with you.” But she was greatly troubled at what was said and pondered what sort of greeting this might be. Then the angel said to her, “Do not be afraid, Mary, for you have found favor with God. Behold, you will conceive in your womb and bear a son, and you shall name him Jesus. He will be great and will be called Son of the Most High, and the Lord God will give him the throne of David his father, and he will rule over the house of Jacob forever, and of his kingdom, there will be no end.” But Mary said to the angel, “How can this be, since I have no relations with a man?” And the angel said to her in reply, “The Holy Spirit will come upon you, and the power of the Most High will overshadow you. Therefore the child to be born will be called holy, the Son of God. And behold, Elizabeth, your relative, has also conceived* a son in her old age, and this is the sixth month for her who was called barren; for nothing will be impossible for God.” Mary said, “Behold, I am the handmaid of the Lord. May it be done to me according to your word.” Then the angel departed from her. (Lk 1:26-38) An Extraordinary Event: the child was to be conceived by the Holy Spirit and would be called the Son of God. Mary makes an astonishing response: “Behold, I am the handmaid of the Lord. May it be done to me according to your word.” Mary had remarkable faith! This was the moment that our God became flesh and was conceived in the womb of the Virgin Mary. Thus, the realization and magnificence of divine grace, the blessing of God’s freely given love.
    “Hail favored one! The Lord is with ..etta
  • “Assisi front door with a lot of Character”…<br />
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Italy is famous for its display of fresh and beautiful flowers and foliage outside the windows and doors throughout the countryside, and Assisi was no different except for the perfection of their presentation. I am sure the Chamber of Commerce in Assisi is quite busy maintaining the continuity and beauty of Assisi, but perhaps there is no need as the residents all seem perfectly happy to respect and display all its beauty. The streets, walkways, and general environment were the most immaculate of any town I witnessed in Italy and the most religious of any place on my journey. The town became a mystic and peaceful shrine in the early darkness of night after all the tourists departed, and all the prayers offered that day reflected and echoed off the ancient walls. Even the vending machines contained Rosaries, and its residents strolled about dressed in their religious attire with permanent smiles upon their faces. I am sure there are many remarkable religious destinations in the world but this photographer’s opinion…Assisi has no spiritual equal on this earth.
    Assisi porta di casa con un molto di..tere
  • “An evening stroll on the ancient cobbled streets of Orvieto”… <br />
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Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a big chunk of volcanic stone called tufa and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this clifftop village over 2000 years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliffside views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. The blue evening skies reflect on the shiny-worn cobblestone Strada below as the last bit of sun illuminates the way for a delightful promenade. “As sorrowful yet always rejoicing; as poor yet enriching many; as having nothing and yet possessing all things.”  <br />
2 Corinthians 6:10
    Una passeggiata serale sulle antiche..ieto
  • “The Venice canal reflects the small bridge in the early evening light - Painting by Dino Carbetta”…<br />
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I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define its dynamic persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever-changing light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three days in Venice.
    Il canale di Venezia riflette il pic..etta
  • "Madonna in the Basilica of Santa Maria del Popolo Rome"... <br />
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After a spiritual Mass at St. Peters Basilica and an intense tour of the Vatican, lunchtime with my friend and pilgrim, Patrick, proved inspirational. Forgoing the Coliseum, we aimed for Piazza del Popolo. Encompassed within its sacred walls is a variety of artwork unequaled in the world. Our eyes were on the famous Caravaggio paintings located in the Basilica of Santa Maria del Popolo. The “Crucifixion of Peter” and the “Conversion of Saint Paul” were found to be elusive on my previous visit. The security guard blocked the doorway and turned off the lights to the small chapel inside the Basilica every time I came near. We found the Basilica under reconstruction, waiting for an opening, then rushed inside to find darkness and disarray everywhere. Finally, finding the dark chapel, our eyes could not focus enough to discover the paintings. Suddenly, the light arose and the Caravaggio’s were an arm’s length away. We expeditiously actuated our cameras and euphorically clicked away. Just as hastily, a mysterious guard clicked off the lights. As we calmed down and gathered benevolent thoughts, we aimed our startled eyes toward the exit. The fragmented sunlight streaming into the dark basilica from the vestibule and front doors appeared like a dream. As I vacillated forward, a dark, but luminous statue absorbed by sunlight appeared to gaze upon me with precocious compassion. Her motherly expression offered a perception of love and gratitude. Upon exit, the Eternal City awaited our next impassioned venture.
    Madonna nella Basilica di Santa Mari..Roma
  • “Father Peek Consecration Prayer - Private Mass in the Basilica of Sant'Antonio da Padova”…<br />
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One wonderful element of our Pilgrimage of 2019 was our Mass schedule in the most distinguished Basilica’s, Cathedrals, and churches in Italy and in fact the world. Often we found ourselves at the Main Altars, Sacristies, or prestigious chapels. The reverent and holy auspicious with unseen views containing profound and historic approbation was at times overwhelming. Contemplating those divine and holy who came before, left us with the feeling of wonderment. The Basilica of Saint Anthony dated back to the early year of 1233. I found myself mystified by the mere size and aura surrounding it, and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis, and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. As with most prestigious Basilica’s, no photos are allowed, which mostly rendered this photographer reverent, but sad. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. The Basilica is austere, mysterious, and solemn, yet capacious, monumental, and impossible to notice every grand detail. However, be emboldened that this Pilgrimage Church is one of the eight international shrines recognized by the Holy See. It is a symbol of faith and hope for all Christian believers. I believe Saint Anthony would be honored and proud to offer Mass here.
    Padre Peek Preghiera della Consacraz..dova
  • "High altar panorama of the Basilica of Santa Maria del Fiore Florence"...<br />
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Santa Maria del Fiore (also known simply as the Duomo) is the cathedral of Florence known for its distinctive Renaissance dome. Its name ("Saint Mary of the Flower") refers to the lily, the symbol of Florence. The impressive Gothic cathedral complex includes the Duomo, the famous baptistery and a campanile. Built in 1294 to be the largest Roman Catholic Church in the world, it is still the largest masonry dome in the world. Walking down the strada, and turning the corner to view the massive Duomo painted against the sky was captivating. I stopped in my tracks and began taking photos; however, the huge Florence crowds prevented most images from ground level. This was one of the first images I photographed noticing the ancient architecture of the Duomo competing across the narrow strada with the more modern buildings of Firenze.
    Altare maggiore panorama della Basil..enze
  • “The Light of The Lamb - Painting by Dino Carbetta”…<br />
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Throughout history, we have looked to the sun and moon to light the day and the night. Whether illuminating our path or providing the life-giving radiance for fruitful crops and the nutrients our bodies need, the sun and moon are part of God’s marvelous provision of light. Genesis tells us that God gave “God made the two great lights, the greater one to govern the day, and the lesser one to govern the night, and the stars.” (Gen. 1:16). But someday God will provide a different kind of illumination. Of the eternal heavenly city, John writes: “the city had no need of sun or moon to shine on it, for the glory of God gave it light, and its lamp was the Lamb.” (Rev. 21:23). The word translated “light” here is more accurately rendered as “lamp.” Christ in His glorified state will be the spiritual lamp that lights up that joyous new world. The next day he saw Jesus coming toward him and said, “Behold, the Lamb of God, who takes away the sin of the world.” (John 1:29). He is also the source of spiritual illumination that makes those who follow Him “You are the light of the world. A city set on a mountain cannot be hidden.” (Matt. 5:14). The city did not need of sun or moon to shine on it, for the glory of God gave it light, and its lamp was the Lamb (Rev. 21:23). Prayerfully, we will all live in the “Light of the Lamb.”
    La luce dell'agnello - Dipinto di Di..etta
  • "Riello Canal of Santa Sofia - Ca 'D'Oro, Venice"...<br />
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The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass in the sacristy. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Canale Riello de Santa Sofia - Ca 'D..ezia
  • “The Holy Redeemer and Sacred Heart of Jesus - Painting by Dino Carbetta”…<br />
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Devotion to the wounded heart of Jesus has its origins in the eleventh century when pious Christians meditated on the Five Wounds of Christ. There grew up among the faithful prayers to the Sacred Heart, prayers to the Shoulder Wound of Christ—private devotions which helped Christians to focus on the passion and death of Christ, and thus to grow in love for our Savior who had suffered and died for us. In Christian theology, Jesus is sometimes referred to by the title Redeemer. This refers to the salvation he is believed to have accomplished, and is based on the metaphor of redemption, or "buying back". In the New Testament, redemption is used to refer both to deliverance from sin and to freedom from captivity. Saint Paul uses the concept of redemption primarily to speak of the saving significance of the death of Christ. The New Testament speaks of Christ as the one Saviour for all people. The First Epistle of John says that Jesus is "the propitiation for our sins and not for ours only but also for the sins of the world" (1 John 2:2). Adherents of unlimited atonement interpret this to mean that Jesus' redemptive role is for all people without exception, while adherents of limited atonement interpret it as being for all people without distinction—for Gentiles as well as Jews. Jesus' universal role means that through him the deadly forces of evil are overcome, sin is forgiven, their contamination purified, and the new existence as God's beloved adopted children has been made available. The Feast of the Most Holy Redeemer was a Catholic liturgical feast. It is celebrated in Venice as the Festa del Redentore. In 1576 a plague broke out in Venice which in a few days carried off thousands of victims.
    Il Santo Redentore e Sacro Cuore di ..etta
  • “Our Lady of Sorrows Radiant Blue - Cathedral of San Rufino, Assisi - Painting by Dino Carbetta”…<br />
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The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Radiante Azzurre ..etta
  • “The Sacred Heart of Jesus - Basilica of San Lorenzo in Lucina Rome - Painting by Dino Carbetta”…<br />
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19 days after Pentecost, Catholics celebrate the Solemnity of the Sacred Heart of Jesus. The Catechism, quoting Pope Pius XII’s beautiful encyclical on the devotion to the Sacred Heart of Jesus, states, “Jesus has loved us all with a human heart. For this reason, the Sacred Heart of Jesus, pierced by our sins and for our salvation, ‘is quite rightly considered the chief sign and symbol of that… love with which the divine Redeemer continually loves the eternal Father and all human beings without exception. To appreciate this rich symbolism of the heart, we must remember in Judaism that the word heart represented the core of the person. While recognized as the principal life organ, the heart was also considered the center of all spiritual activity. Here was the seat of all emotion, especially love. As the psalms express, God speaks to a person in his heart and there probes him. This notion of the heart is clear in Deuteronomy 6:5-6: “Therefore, you shall love the Lord, your God, with all your heart, and with all your soul, and with all your strength. Take to heart these words which I enjoin on you today.” In 1675, Margaret Mary received the vision which came to be known as the “great apparition.” Jesus asked that the modern Feast of the Sacred Heart be celebrated each year on the Friday following Corpus Christi, in reparation for the ingratitude of men for the sacrifice which Christ had made for them. “O most holy heart of Jesus, the fountain of every blessing, I adore you, I love you, and with lively sorrow for my sins I offer you this poor heart of mine. Make me humble, patient, pure, and wholly obedient to your will. Grant, Good Jesus that I may live in you and for you. Protect me in the midst of danger. Comfort me in my afflictions. Give me health of body, assistance in my temporal needs, your blessing on all that I do, and the grace of a holy death. Amen.”
    Il Sacro Cuore di Gesù - Minore Basi..etta
  • “Fishing boat resting in front of the Sant'Anna Sorrento Restaurant - Painting by Dino Carbetta”…<br />
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Duomo di Sorrento is one of my favorite hidden treasures in Italy. On our last day on the Bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. Hallelujah, it was our first free day of the 2019 Pilgrimage and most were heading to Capri. I convinced my fellow Pilgrim Patrick that Marina Grande was the preferred location to commemorate this rain-threatened day. Sunday afternoon in this tiny hallowed port on the Mediterranean was bustling, not with tourists, but with energetic and unassuming locals. The misty skies were vulnerable all day with the threat of rain, but the reluctant sun penetrated the clouds for a few fortuitous moments. God painted the skies for brief moments with luminous pastel elements of abstract color. A lonely boat gleamed in the late evening sun resting upon the wet sand. Saint Matthew’s account of Peter trying to walk on water came to mind: “Peter said to him in reply, ‘Lord, if it is you, command me to come to you on the water.” He said, “Come.” Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how [strong] the wind was he became frightened; and, beginning to sink, he cried out, “Lord, save me!” Immediately Jesus stretched out his hand and caught him, and said to him, “O you of little faith,* why did you doubt?” After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, “Truly, you are the Son of God.” (Matt: 14: 28-33) We left after lunch only to humbly return capturing the evening seascape a few hours before our reservation with the entire Pilgrimage group for a perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare.
    Peschereccio in appoggio davanti al ..etta
  • “The Bronze Dome of San Geremia - Casa di Santa Lucia rises above the Grand Canal - Painting by Dino Carbetta”…<br />
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I never knew quite where I was going in Venice, but just followed the canal, or became trapped by the canals with no way of crossing and had to backtrack.  Probably not the best way to traverse the Venice Lagoon.  My last evening in Venice, I accidentally stumbled on Ponte dei Scalzi, "bridge of the barefoot [monks]," one of only four bridges in Venice to span the Grand Canal. The bridge connects the Sestieri of Santa Croce and Cannaregio. I set up my camera facing east in view of the dome and campanile of Chiesa di San Geremia, which contains the relics of Saint Lucy.  Santa Lucia - virgin and martyr who was one of the earliest Christian saints to achieve popularity, having a widespread following before the 5th century. She is the patron saint of the city of Syracuse (Sicily). Because of various traditions associating her name with light, she came to be thought of as the patron of sight. Saint Lucy is one of my favorite saints, not only for her great faith but her very name and remembrance is the very essence and luminance of my images. The original church was founded in the 11th century with the present version dating to 1760.  After the sunset, I found my way back to my favorite restaurant, Hosteria Al Vecio Bragosso, for another amazing dinner.
    La Bronzo Cupola di San Geremia - Ca..etta
  • “Madonna illuminates the altar of Santa Maria Sopra Minerva, Assisi”…<br />
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Santa Maria Sopra Minerva is the church dedicated to Mary which was built over a Roman temple to Minerva, the goddess of wisdom. Parts of the Roman temple which dates from the time of Augustus (63 BC-AD 14) remain. As Christianity became official in the Roman Empire, the Temple became abandoned. Benedictine monks restored the temple and eventually, the Italian Renaissance-inspired a newfound appreciation for classical art and architecture. In 1539, Pope Paolo III ordered the Temple of Minerva to be completely restored and dedicated to the Virgin Mary, queen of true wisdom. The temple then took the name of Santa Maria Sopra Minerva. The six imposing Corinthian columns and the entire Roman façade are still intact after 2,000 years along with the towering Campanile. As the center of ancient Assisi, and still prominent today… this former Temple and now sacred church seems to be at the heart of the existence of Assisi. Additionally, the famous artist Giotto painted frescos of the life of Saint Francis which adorn the walls of the Saint’s Basilica including images of Santa Maria Sopra Minerva. Ironically, Giotto’s placing of St. Francis in the local scenery was the first of its kind, thus the beginning of the Renaissance. In 1791 it was consecrated on the Solemnity of the Assumption of Our Lady. And, after the Apparition of Our Lady as the Immaculate Conception seen by St. Bernadette which took place in Lourdes, France…this statue of the Virgin Mary was erected in the hollowed earth behind the altar. As I hiked the steep grade upward to the top of Assisi, a respite seemed to arise from the ancient Roman era and took me back in time. The imposing columns gave way from the ancient exterior progressing inside discovering the serene and peaceful Virgin Mary, Queen of True Wisdom.
    Madonna illumina l'altare di Santa M..sisi
  • “Illuminating glow of the Grand Canal in Venice”…<br />
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I am not sure if I am the first to describe Venice as “organic,” however, there has never been a more perfect description to define Venice’s ever changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight.  The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Venturing about the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number one of 6500 images. Not until I began writing these descriptions did I realize that many of these captures were taken the day I arrived in Venice…it was sensory overload.  Canal sunsets became the norm of my three days in Venice. This has always been one of my favorite images taken from a little alley behind the famous Rialto Bridge peering down the Grand Canal. One cannot help notice the towering Campanile of The Chiesa dei Santi Apostoli di Cristo (Church of the Holy Apostles of Christ). It is a 7th-century Roman Catholic Church, and one of the oldest churches in the city. Not imposing from the exterior, but sacred-elegant and austere interiorly, very much worthy of Mass or just a visit.
    Illuminando bagliore del Canal Grand..ezia
  • “Beautiful flowers on the windowsill in Assisi”… <br />
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Italy is famous for its display of fresh and beautiful flowers outside the windows and doors throughout the countryside, and Assisi was no different except for the perfection of their presentation. I am sure the Chamber of Commerce in Assisi is quite busy maintaining the continuity and beauty of Assisi, but perhaps there is no need as the residents all seem perfectly happy to respect and display all its beauty. The streets, walkways, and general environment were the most immaculate of any town I witnessed in Italy and the most religious of any place on my journey. The town became a mystic and peaceful shrine in the early darkness of night after all the tourists departed, and all the prayers offered that day reflected and echoed off the ancient walls. Even the vending machines contained Rosaries, and its residents strolled about dressed in their religious attire with permanent smiles upon their faces. I am sure there are many remarkable religious destinations in the world but this photographer’s opinion…Assisi has no spiritual equal on this earth.
    Bellissimi fiori sul davanzale della..sisi
  • “The Blessed Virgin Mary - Painting by Dino Carbetta”… <br />
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Upon completion of a new and original painting of the teenage Virgin Mary, I sit and stare into her eyes trying to imagine the complexity of the overwhelming magnitude of the future Mother of Christ. Her sincere and loving gaze, illuminating with the glow of the Holy Spirit within her very soul emanates outwardly representing all Mothers. I envision my wonderful Mother as I struggled to bring this two-dimensional representation to life. Again, my humble skills, yet meticulous manner combined to exhaust one complete month of trial and error. Irrevocably, a courageous young teenage Jewish girl is blessed beyond comprehension… “The Virgin Mother is constantly present on this journey of faith of the People of God towards the light. This is shown especially by the canticle of the "Magnificat," which, having welled up from the depths of Mary's faith at the Visitation, ceaselessly re-echoes in the heart of the Church down the centuries. This is proved by its daily recitation in the liturgy of Vespers and at many other moments of both personal and communal devotion.” (Saint John Paul II) "My soul magnifies the Lord, and my spirit rejoices in God my Savior, for he has looked on his servant in her lowliness. For behold, henceforth all generations will call me blessed; for he who is mighty has done great things for me, and holy is his name: and his mercy is from age to age on those who fear him. He has shown strength with his arm, he has scattered the proud-hearted, he has cast down the mighty from their thrones, and lifted up the lowly; he has filled the hungry with good things, sent the rich away empty. He has helped his servant Israel, remembering his mercy, as he spoke to our fathers, to Abraham and to his posterity forever." (Lk.1:46-55)
    La Beata Vergine Maria - Dipinto di ..etta
  • “And this be our motto - "In God is our trust," And the star-spangled banner in triumph shall wave - Painting by Dino Carbetta”…<br />
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O thus be it ever when freemen shall stand Between their lov'd home and the war's desolation! Blest with vict'ry and peace may the heav'n rescued land Praise the power that hath made and preserv'd us a nation! Then conquer we must, when our cause it is just, And this be our motto - "In God is our trust," And the star-spangled banner in triumph shall wave O'er the land of the free and the home of the brave.
    And this be our motto - In God is ou..etta
  • "Christ Crucified - Santa Maria della Salute Venice - BW"... <br />
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The Basilica di Santa Maria della Salute (Basilica of St. Mary of Health), commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a prominent position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite small interiorly. I am not sure if it was ever an active parish but more of a shrine with little room for seating. The steps wrapping around the front and sides make a perfect destination for relaxation during warm Venetian days. Interior windows open to the sky which allows for a great deal of sunlight, and as I meandered around I noticed a beautiful crucifix near the confessional. The strong rays of sunshine illuminated the face of Christ just enough to encourage one to examine their conscience one last time before entering into Sacrament of Confession.
    Cristo Crocifisso - Santa Maria dell..- BW
  • “Sun rising along the canal near the Accademia Bridge – Venice”<br />
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Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook. “For I will slake the thirst of the faint; the appetite of all the weary I will satisfy.”  Jeremiah 31:25
    Sole che sorge lungo il Canale vicin..ezia
  • "Guardian angel helps to illuminate the altar of the Minor Basilica of San Lorenzo in Lucina - Rome"... <br />
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Artistic, meaningful, and profound, this is a personal favorite from my 2019 Pilgrimage to Italy. After a spiritual Mass at St. Peters Basilica and an intense tour of the Vatican, lunchtime with my friend and pilgrim, Patrick, proved inspirational. Forgoing the Coliseum, we aimed for Piazza del Popolo. Our eyes were on the famous Caravaggio paintings located in the Basilica of Santa Maria del Popolo. The “Crucifixion of Peter” and the “Conversion of Saint Paul” were found to be elusive on my previous visit. The security guard blocked the doorway and turned off the lights to the small chapel inside the Basilica every time I came near. We found the Basilica under reconstruction, waiting for an opening, then rushed inside to find darkness and disarray everywhere. Finally, finding the dark chapel, our eyes could not focus enough to discover the paintings. Suddenly, the light arose and the Caravaggio’s were an arm’s length away. We expeditiously actuated our cameras and euphorically clicked away. Just as hastily, a mysterious guard clicked off the lights. Waltzing out in an adrenalin rush having stood so close to the priceless paintings… we decided to take on the bustling Roma. We stumbled into a Bellissimo neighborhood called Lucina and settled at a bistro for an aperitivo. The ancient Basilica of St. Lawrence built in 366 AD, was adjacent to our table and required a visit. As I walked in, I was startled by the brilliant sunlight coming through the window directly upon the majestic angel. The vision reminded me of our precious life and how disappointment sometimes leads to great respite and understanding. The Angel was reaching out touching the hand of Christ becoming illuminated. I know the same happened on this very day for a couple of wide-eyed exploring Pilgrims who metaphorically reached out and were blessed by an uncharacteristic joy and an unexpected grace.
    Angelo custode aiuta a illuminare l'..Roma
  • “Madonna degli Angeli - The Basilica of Santa Maria degli Angeli Assisi - Painting by Dino Carbetta”…<br />
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Portiuncula is a town and a parish situated about three-quarters of a mile from Assisi. The town has grown up around the Basilica of Our Lady of the Angels. It was of this little church moved within the Basilica that St. Francis recognized his vocation in the year 1208, and it was where St. Francis spent most of his life. In 1211, the Benedictines gave him the little chapel of St. Mary of the Angels or the Portiuncula, which is a “little portion” of land. The first Franciscan convent was also formed nearby. The Portiuncula was also where St. Francis received the vows of St. Clare. St. Francis died here on October 3, 1226, and on his death-bed, he recommended the chapel to the faithful protection and care of his brothers. Two years before Saint Francis passed, and when he was 42 years old — one year after he had built the first crib in honor of Our Lord — he went off to a lonely mountain called Mount Alvernia, to prepare himself by forty days of fasting and prayer for the feast of Saint Michael, the greatest of God’s angels. On the feast of the Exaltation of the Holy Cross on September 14, Saint Francis received in his hands, feet, and side the Sacred Wounds from Our Lord’s own body. Never was a saint more beautifully loved than Saint Francis of Assisi. The wounds Jesus gave him stayed in his hands, feet, and side, and continually bled for two more years, until he died in 1226. The gold-plated statue of the Madonna degli Angeli by the sculptor Colasanti and cast by Marinelli Artistic Foundry was put on top of the façade in 1930. Our 2019 Pilgrimage was fortunate to tour this very reverent and spiritual Basilica. When the sun reflects the golden exterior of Mother Mary, it makes her almost translucent. I tried to emulate this mystical effect with the same harmonic, and glorious radiance.
    Madonna degli Angeli - La Basilica d..etta
  • “Angel with the Cross - Ponte Sant'Angelo – Rome”… <br />
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This image was actualized just after sundown when the sky developed a beautiful blue hue, accenting the golden lighting of the Angels on the Bridge. The Bridge of Angels (in Italian, Ponte Sant'Angelo) spans the Tiber River in Rome. Only a few steps away from St. Peter's Basilica, the bridge reflects the psychological shift from secular to sacred that occurs when pilgrims crossed from the busy streets of Rome over to the churches of the Vatican. Gian Lorenzo Bernini, the famed Italian sculptor, originally designed the bridge's angel sculptures in the seventeenth century. Though few of the angels standing today were done by his hand, Bernini's vision for the bridge lives on. Five angel sculptures flank each side of the bridge, with statues of Saint Peter and Saint Paul on the eastern bank. At the base of each sculpture is a line from the Bible in Latin. Angel with the Cross - Inscription: "Cuius principatus super humerum eius" Translation: Dominion rests on his shoulders (Isaiah 9:6)
    Angelo con la Croce sul Ponte Sant'A..Roma
  • “Red bricks lead to the Papal Basilica of San Francesco d'Assisi”…<br />
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This late afternoon image was captured while standing upon remnants atop the mountainside of Assisi viewing down to the resting Basilica of Saint Francis. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Frances, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about 200 yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God. The Basilica, which was begun in 1228 honoring the life of Saint Francis, is probably the most exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate artist of capture.
    Mattoni rossi piombo alla Basilica P..sisi
  • “Water flow from the Convent of Cells - Founded by San Francesco - Cortona”…<br />
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St. Francis came to Cortona to preach in 1211, and here at the foot of Mount Sant’Egidio found the solitude he was looking for. A young nobleman who went on to become the Blessed Guido, one of his first followers, offered him the place as a prayer retreat. From that moment St. Francis and his followers stayed in this isolated spot on the way to and from Assisi and other places where they were preaching. There was no hermitage in St. Francis’s time, however, and the saint slept on the bare rock. After he died in 1226, the first stone “cells” were built and a small oratory. What we see today is the result of the XVI century construction work. Le Celle stood abandoned until 1537 when it was granted by the Bishop of Cortona to the recently founded Third Order of Franciscans, known as the Capuchins. The hermitage was considerably enlarged by the Capuchins, who in 1634 erected a new chapel to take the place of a more ancient one. This new chapel was consecrated to St Anthony of Padua and reflects the Capuchins simple, unpretentious architectural and decorative style. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. Imagine the spiritual solitude as Saint Francis would take hermitage here for days of ecstatic meditation with only a loaf of bread, listening to his beloved waterfall beneath a small window.
    Flusso d'acqua dal Convento Di celle..tona
  • “Panorama Sunset from Sorrento over Sant'Agnello and the Gulf of Naples”…<br />
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Lucio Dalla wrote a famous song, also performed by the great Pavarotti about the great tenor Caruso who loved Sorrento. Caruso: “Here, where the sea glistens and the wind blows hard, on an old terrace in front of the Sorrento gulf a man embraces a girl after having cried then he clears his throat and restarts the song. I love you very much but so, so much, you know. It is a chain, by now that dissolves the blood inside the veins, you know. Saw the lights in the middle of the sea, thought of the nights there, in America, but they were only fishing lights in the whitewash of a propeller. Felt the pain in the music, stood himself up from the pianoforte but when he saw the moon come out of a cloud to him, even death seemed sweeter. Looked at the girl in the eyes, those eyes green like the sea, then, all of a sudden, a tear came out and he thought he was drowning. I love you very much but so, so much, you know. It is a chain, by now that dissolves the blood inside the veins, you know. Power of the opera where every drama is a falsehood, that, with a bit of makeup and with mimicry, you can become someone else. But, two eyes that are looking at you, so close and true, make you forget the lyrics, confuse the thoughts. So everything becomes small, even the nights there, in America, you turn and see your life as the wash of a propeller. But yes, it's life that is ending, but he didn't so much think about it, rather, he was already feeling happy and restarted his song. I love you very much but so, so much, you know. It is a chain, by now that dissolves the blood inside the veins, you know. I love you very much but so, so much, you know. It is a chain, by now that dissolves the blood inside the veins.” https://www.youtube.com/watch?v=uTD1Fub5wlo
    Panorama Tramonto da Sorrento sopra ..poli
  • “Father Peek raises the Chalice for Adoration – The New Church of San Francesco in Assisi”… <br />
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The reflection of Father Peek in “The Elevation of the Host and Chalice” is after genuflection in adoration. The priest raises them both so that the Faithful may also adore Jesus Christ, true God, and true Man present on the altar. Look at the sacred Body and Blood of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things." A more ancient elevation of Host and Chalice occurs in the Mass of the Roman Rite while the priest speaks the concluding doxology of the Eucharistic Prayer: Per ipsum et cum ipso et in ipso est tibi Deo Patri omnipotenti in unitate Spiritus Sancti omnis honor et gloria per omnia saecula saeculorum (Through him, and with him, and in him, O God, almighty Father, in the unity of the Holy Spirit, all glory and honour is yours, forever and ever). The presence in the Roman Rite of this elevation can be traced back at least to the ninth century. The Chiesa Nuova is a church in Assisi, Italy, built in 1615 on the site of the presumed birthplace of St. Francis, the house of Pietro di Bernardone. It was then called Chiesa Nuova because it was the last church to be built in Assisi at that time. This Church appears as a small basilica, and on our first morning in Assisi of my Pilgrimage of 2019, Father Peek offered a venerable Mass. Two of our Pilgrimage couples renewed their vows during the celebration and an abundance of blessings were bestowed upon the faithful. The specular window light from high above the altar once again illuminates the Body and Blood of Christ as the Holy Spirit descends.
    Padre Peek solleva il Calice per L'a..sisi
  • “Adoration of the Shepherds - Chapel of the Blessed Sacrament Duomo of Siena”...<br />
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Located at the corner between the right transept and the presbytery, in a position corresponding to the Chapel of Sant'Ansano, the Chapel of the Blessed Sacrament occupies this span. The altarpiece is a canvas depicting the Adoration of the Shepherds by Alessandro Casolani beginning in 1594. The Duomo in Siena lies in a piazza above the Piazza del Campo, a great Gothic building filled with treasures by Pisano, Donatello, Bernini, and Michelangelo as well as frescoes by Pinturicchio. Originally completed in 1263, the 14th century inspired an ambitious attempt to transform the cathedral into the largest temple in all of Christendom, which would dwarf even St. Peter's in Rome. The already-large Duomo would form just the transept of this huge cathedral. In 1348, the Black Death swept through the city and killed 4/5 of Siena's population. The giant cathedral was never completed, and the half-finished walls of the New Cathedral survive as a monument to Siena's ambition and one-time wealth. The magnificent complex of the Cathedral of Siena houses a series of some of the most important monuments of the European artistic panorama. If I was asked to choose only one place that represented the great history of art, architecture, culture, and faith in all of Italy…one would be hard-pressed to find a more complete portfolio than the Cathedral of Siena. I found myself awe-inspired just walking up and facing the elegant façade, striped walls and pillars, and massive size. Upon entering the nave, one is overwhelmed with a plethora of artistic expression and great beauty placed in every available space. From its dome, stained glass, frescos, sculptures, and to what is said to be the most magnificent marble floor in history…it is worth every minute.
    Adorazione dei Pastori - Cappella de..iena
  • "Midnight walk along Via Fontebella towards the Basilica of San Francesco d'Assisi"... <br />
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Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Frances, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Never stopping for lunch or dinner, I continued to photograph new images well past sundown. Traversing the narrow steps and Strada back down to the bottom of the mountaintop to my hotel, the walk seemed a bit less strenuous and I felt a sense of gratitude and completion of my day-long journey. However, the very quiet Assisi seemed to have fallen into a deep slumber in the early nighttime leaving all the restaurants closed for the night. Pleading with the hotel manager, she desperately arranged a late dinner at one of the most iconic restaurants in Assisi, La Locanda Del Cardinale, which was built over an ancient Roman settlement dating from the first century B.C., with glass floors to view the mosaics below. Walking back at midnight to the hotel, the peaceful Assisi continued to call out. At first glance of this reverent dwelling, I perceived it to be a religious structure. However, in the typical fashion of the Assisi surroundings, it was just a simple abode with a very mystical red brick sidewalk leading upward toward the light. Clichés abound as the warm light draws one near as if a moth to the flame. I didn’t follow the sidewalk but captured this image to ponder on a later date. Drifting forward the serene, quiet Basilica of Saint Francis stood majestically and glowed in the distant midnight skies. One could not help but to acquiesce to its spiritual yearning for just a few more memorable portraits in the cool dew of the early morning air.
    Mezzanotte passeggiata lungo Via Fon..sisi
  • “I saw the Spirit descend like a Dove - Painting by Dino Carbetta”…<br />
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Acts 2:1-4 “When the time for Pentecost was fulfilled, they were all in one place together. And suddenly there came from the sky a noise like a strong driving wind, and it filled the entire house in which they were. Then there appeared to them tongues as of fire, which parted and came to rest on each one of them. And they were all filled with the Holy Spirit and began to speak in different tongues, as the Spirit enabled them to proclaim. Jn 20:19-23 “On the evening of that first day of the week, when the doors were locked, where the disciples were, for fear of the Jews, Jesus came and stood in their midst and said to them, “Peace be with you.” When he had said this, he showed them his hands and his side. The disciples rejoiced when they saw the Lord. Jesus said to them again, “Peace be with you. As the Father has sent me, so I send you.” And when he had said this, he breathed on them and said to them, “Receive the Holy Spirit. Whose sins you forgive are forgiven them, and whose sins you retain are retained.”
    Ho visto lo Spirito scendere come un..etta
  • “Saint Joseph and the young Jesus in the Basilica of Sant'Antonino Sorrento - Painting by Dino Carbetta”… <br />
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Legend has it that in the sixth century, a boy was playing on the beaches of Sorrento when suddenly, a sea creature appeared through the waves, swallowing him whole. Horrified, his mother ran to the local monastery, where she begged the abbot to save her child’s life. Remarkably, the abbot was able to bring the child back from the shadow of death, virtually unharmed. This is one of the many miracles attributed to Sorrento’s patron saint, San Antonino. La Basilica di San Antonino is one of the oldest Catholic churches in Sorrento. Built during the Baroque period, its influence shines throughout the church. Different colors of marble create a colorful display around the frescoes depicting the miracles attributed to the Saint’s life. Perhaps the most breathtaking part of the church is the crypt, directly below the altar. With white as its primary color, an angelic essence feels palpable between the walls. Small sculptures of cherubs line the two halls leading to the crypt. San Antonino was buried between the walls. In the middle of the crypt is a statue of San Antonino, its craft making it seem as if the Saint is living. One of my great memories, as I meandered about the rather large crypt in the silent church, looking through the altar to the front doors, opened…an elderly Italian man entered slowly toward the crypt. He nodded his head toward me and moved in front of the eternal candle and relics of San Antonino. He silently put his hand upon them and bowed his head in prayer as if he had done this every day of his life. Moved by his devotion and reverence, as he nodded in his exit…I imitated his every movement and prayed to this patron saint of Sorrento. This was one of my first stops on the Amalfi coast, and after two visits to the Bellissimo Sorrentino coast, I always feel like I am comfortable and spiritual at home.
    San Giuseppe e il giovane Gesù nella..etta
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