dino carbetta

  • Portfolio
  • About
  • Galleries & Pricing
    • All Galleries
    • Search
    • Cart
    • Lightbox
    • Client Area
  • Art Services & Information
  • Contact
  • Facebook
  • Twitter
x

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
Next
309 images found
twitterlinkedinfacebook

Loading ()...

  • “The Evening Sun Highlights the Gondolas Under the Rialto Bridge in Venice” …<br />
<br />
The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The rowing oar, which is not fastened to the hull, is used in a sculling manner, also acting as the rudder. For centuries, the gondola was the chief means of transportation and the most common watercraft within Venice. A gondolier propels it. In modern times the iconic boats still have a role in public transportation in the city, serving as traghetti (ferries) over the Grand Canal. There are just over four hundred gondolas in active service today, virtually all of them used for hire by tourists. To become a professional gondolier you need to obtain a license from the guild. Two hundred years ago, there were 10,000 gondolas in Venice. Although the aristocracy preferred horses to boats through the early Middle Ages, beginning in the 14th century when horses were outlawed from the streets of Venice, the noble class embraced gondolas as a respectable form of transportation. They say if you are happy with the price of your gondola, you need to ask again as you probably did not understand him correctly. The Ponte di Rialto (Rialto Bridge) is the sincere heart of Venice. The iconic structure was completed in 1591 as a permanent replacement for various bridges that spanned the Grand Canal since the 12th Century.
    Il Sole della Sera Mette in Evidenza..ezia
  • “Iron Head symbolizes Venice Gondola - BW”…<br />
<br />
The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The rowing oar, which is not fastened to the hull, is used in a sculling manner, also acting as the rudder.  For centuries the gondola was the chief means of transportation and most common watercraft within Venice. It is propelled by a gondolier. In modern times the iconic boats still have a role in public transportation in the city, serving as traghetti (ferries) over the Grand Canal.  There are just over four hundred gondolas in active service today, virtually all of them used for hire by tourists. In order to become a professional gondolier you need to obtain a license from the guild. Two hundred years ago, there were 10,000 gondolas in Venice. Although the aristocracy preferred horses to boats through the early Middle-Ages, beginning in the 14th century when horses were outlawed from the streets of Venice, the noble class embraced gondolas as a respectable form of transportation.  They say if you are happy with the price of your gondola then you need to ask again as you probably didn’t understand him correctly.
    Ferro Gondola Testa Simboleggia Vene..- BW
  • “Iron Head symbolizes Venice Gondola”…<br />
<br />
The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The rowing oar, which is not fastened to the hull, is used in a sculling manner, also acting as the rudder.  For centuries the gondola was the chief means of transportation and most common watercraft within Venice. It is propelled by a gondolier. In modern times the iconic boats still have a role in public transportation in the city, serving as traghetti (ferries) over the Grand Canal.  There are just over four hundred gondolas in active service today, virtually all of them used for hire by tourists. In order to become a professional gondolier you need to obtain a license from the guild. Two hundred years ago, there were 10,000 gondolas in Venice. Although the aristocracy preferred horses to boats through the early Middle-Ages, beginning in the 14th century when horses were outlawed from the streets of Venice, the noble class embraced gondolas as a respectable form of transportation.  They say if you are happy with the price of your gondola then you need to ask again as you probably didn’t understand him correctly.
    Ferro Gondola Testa Simboleggia Venezia
  • ”Gondola escaping from the morning fog towards the sunlight of San Moisè, Venice”…<br />
<br />
Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass in the sacristy. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Gondola in fuga dalla nebbia mattuti..ezia
  • “Gondolas resting on the Grand Canal”…<br />
<br />
The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The rowing oar, which is not fastened to the hull, is used in a sculling manner, also acting as the rudder.  For centuries the gondola was the chief means of transportation and most common watercraft within Venice. It is propelled by a gondolier. In modern times the iconic boats still have a role in public transportation in the city, serving as traghetti (ferries) over the Grand Canal.  There are just over four hundred gondolas in active service today, virtually all of them used for hire by tourists. In order to become a professional gondolier you need to obtain a license from the guild. Two hundred years ago, there were 10,000 gondolas in Venice. Although the aristocracy preferred horses to boats through the early Middle-Ages, beginning in the 14th century when horses were outlawed from the streets of Venice, the noble class embraced gondolas as a respectable form of transportation.  They say if you are happy with the price of your gondola then you need to ask again as you probably didn’t understand him correctly.
    Gondole che poggiano sul Canal Grande
  • “Silhouette of Gondoliers against the late sun on the Grand Canal near the Church of Santa Maria del Giglio”…<br />
<br />
“Venice” - Henry Wadsworth Longfellow: <br />
WHITE swan of cities, slumbering in thy nest	<br />
So wonderfully built among the reeds	<br />
Of the lagoon, that fences thee and feeds,	<br />
As sayeth thy old historian and thy guest!	<br />
White water-lily, cradled and caressed	<br />
By ocean streams, and from the silt and weeds	<br />
Lifting thy golden pistils with their seeds,	<br />
Thy sun-illumined spires, thy crown and crest!	<br />
White phantom city, whose untrodden streets	<br />
Are rivers, and whose pavements are the shifting	<br />
Shadows of palaces and strips of sky;	<br />
I wait to see thee vanish like the fleets	<br />
Seen in mirage, or towers of cloud uplifting	<br />
In air their unsubstantial masonry.<br />
	<br />
The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The rowing oar, which is not fastened to the hull, is used in a sculling manner, also acting as the rudder. For centuries the gondola was the chief means of transportation and most common watercraft within Venice. It is propelled by a gondolier. In modern times the iconic boats still have a role in public transportation in the city, serving as traghetti (ferries) over the Grand Canal. There are just over four hundred gondolas in active service today, virtually all of them used for hire by tourists. In order to become a professional gondolier, you need to obtain a license from the guild. Two hundred years ago, there were 10,000 gondolas in Venice. Although the aristocracy preferred horses to boats through the early Middle-Ages, beginning in the 14th century when horses were outlawed from the streets of Venice, the noble class embraced gondolas as a respectable form of transportation.
    Silhouette di gondolieri contro il t..glio
  • “Silhouette of Gondoliers against the late sun on the Grand Canal near the Church of Santa Maria del Giglio - Red”…<br />
<br />
“Venice” - Henry Wadsworth Longfellow: <br />
WHITE swan of cities, slumbering in thy nest	<br />
So wonderfully built among the reeds	<br />
Of the lagoon, that fences thee and feeds,	<br />
As sayeth thy old historian and thy guest!	<br />
White water-lily, cradled and caressed	<br />
By ocean streams, and from the silt and weeds	<br />
Lifting thy golden pistils with their seeds,	<br />
Thy sun-illumined spires, thy crown and crest!	<br />
White phantom city, whose untrodden streets	<br />
Are rivers, and whose pavements are the shifting	<br />
Shadows of palaces and strips of sky;	<br />
I wait to see thee vanish like the fleets	<br />
Seen in mirage, or towers of cloud uplifting	<br />
In air their unsubstantial masonry.<br />
	<br />
The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The rowing oar, which is not fastened to the hull, is used in a sculling manner, also acting as the rudder. For centuries the gondola was the chief means of transportation and most common watercraft within Venice. It is propelled by a gondolier. In modern times the iconic boats still have a role in public transportation in the city, serving as traghetti (ferries) over the Grand Canal. There are just over four hundred gondolas in active service today, virtually all of them used for hire by tourists. In order to become a professional gondolier, you need to obtain a license from the guild. Two hundred years ago, there were 10,000 gondolas in Venice. Although the aristocracy preferred horses to boats through the early Middle-Ages, beginning in the 14th century when horses were outlawed from the streets of Venice, the noble class embraced gondolas as a respectable form of transportation.
    Silhouette di gondolieri contro il t..osso
  • “Silhouette of Gondoliers against the late sun on the Grand Canal near the Church of Santa Maria del Giglio - Green Water”…<br />
“Venice” - Henry Wadsworth Longfellow: <br />
WHITE swan of cities, slumbering in thy nest	<br />
So wonderfully built among the reeds	<br />
Of the lagoon, that fences thee and feeds,	<br />
As sayeth thy old historian and thy guest!	<br />
White water-lily, cradled and caressed	<br />
By ocean streams, and from the silt and weeds	<br />
Lifting thy golden pistils with their seeds,	<br />
Thy sun-illumined spires, thy crown and crest!	<br />
White phantom city, whose untrodden streets	<br />
Are rivers, and whose pavements are the shifting	<br />
Shadows of palaces and strips of sky;	<br />
I wait to see thee vanish like the fleets	<br />
Seen in mirage, or towers of cloud uplifting	<br />
In air their unsubstantial masonry.<br />
	<br />
The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The rowing oar, which is not fastened to the hull, is used in a sculling manner, also acting as the rudder. For centuries the gondola was the chief means of transportation and most common watercraft within Venice. It is propelled by a gondolier. In modern times the iconic boats still have a role in public transportation in the city, serving as traghetti (ferries) over the Grand Canal. There are just over four hundred gondolas in active service today, virtually all of them used for hire by tourists. In order to become a professional gondolier, you need to obtain a license from the guild. Two hundred years ago, there were 10,000 gondolas in Venice. Although the aristocracy preferred horses to boats through the early Middle-Ages, beginning in the 14th century when horses were outlawed from the streets of Venice, the noble class embraced gondolas as a respectable form of transportation.
    Silhouette di gondolieri contro il t..cqua
  • “The Gondoliers illuminated by the afternoon light along Rio De La Toletta Venice - Painting by Dino Carbetta” …<br />
<br />
Our itinerary included Basilica, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. In the maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission in Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated from the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Le Gondoliera illuminate dalla luce ..etta
  • "San Maurizio Canal Venice"...<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass in the sacristy. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Canale di San Maurizio Venezia
  • "Late afternoon sun along the Rio Dei Tolentini in Venice"...<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Sole del tardo pomeriggio lungo il R..ezia
  • "Hidden villa along the Cannaregio Canal in Tolentino Venice"...<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Nascosta villa lungo il Canale Canna..ezia
  • "The Gondoliera illuminated by the afternoon light along Rio De La Toletta Venezia"...<br />
<br />
Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Le Gondoliera illuminate dalla luce ..ezia
  • “Church of Santa Fosca bell tower above the canal of Santa Fosca Venice - Painting by Dino Carbetta”…<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. My fellow Pilgrim Patrick and I took off out of the starting gate with the notion of capturing the entirety of Venice in half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. In the maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission to Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated from the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Chiesa di Santa Fosca campanile sopr..etta
  • “The Gondoliera illuminated by the afternoon light along Rio De La Toletta Venice – Vintage”…<br />
<br />
Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Le Gondoliera illuminate dalla luce ..nata
  • "Canale de Santa Fosca - Venice"...<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass in the sacristy. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Canale de Santa Fosca - Venezia
  • “The Evening Venetian Sun Illuminates the Winding Waterway - Painting by Dino Carbetta”…<br />
<br />
Venice is not merely a place—it is a living breath of heaven on earth, a sacred mirage carved by time, water, and wonder. In the fading light of evening, it becomes something more: a sanctified dream, where every ripple upon the water and every worn stone whispers the memory of saints and centuries. The Evening Venetian Sun Illuminates the Winding Waterway captures a holy moment—when the sun, like divine fire, bends low over the lagoon and anoints the city with gold. On this particular evening, the day’s trials seemed to dissolve as the light grew tender. The waterway, winding gently through the ancient heart of Venice, became a mirror of eternity, reflecting not only the facades of history but the radiant presence of something greater—something eternal. The churches stood in silent reverence, their spires reaching toward heaven as if echoing the prayers of pilgrims past. The air was still, save for the soft lapping of water and the hush of awe, as if even the city knew it was being bathed in a sacramental light. And yet, there was life in abundance—light dancing across windows, shadows lengthening with grace, gondolas drifting like sacred relics upon the tide. It was in this hour that Venice revealed her truest self: not merely a marvel of human ingenuity, but a divine canvas, renewed each day by the Artist of all creation. This painting does not merely depict a place—it invites the soul to rest, to see with contemplative eyes, and to remember that beauty, even when veiled, is never gone. Like grace, it returns—unexpectedly, powerfully, and always with purpose. In this winding canal, under the glow of the evening sun, Venice breathes the peace of heaven, reminding us that even in the world’s complexity, God's beauty still flows like water—endlessly, luminously, forever. “For with You is the fountain of life; in Your light, we see light.” — Psalm 36:9
    The Evening Venetian Sun Illuminates..etta
  • "Riello Canal of Santa Sofia - Ca 'D'Oro, Venice"...<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass in the sacristy. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Canale Riello de Santa Sofia - Ca 'D..ezia
  • “The Basilica of Santa Maria della Salute Venice emerges in the distance on the Grand Canal - Painting by Dino Carbetta”…<br />
<br />
Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras were permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    La Basilica di Santa Maria della Sal..etta
  • “Cannaregio Canal Tolentino Venice”…<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating.  We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Cannaregio Canal Tolentino Venezia
  • "Waiting along the canal near the parish of Santa Maria Gloriosa Dei Frari Venice"...<br />
<br />
 The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Aspettando lungo il canale vicino a ..ezia
  • "The sun sets on boats that rest along the Canale di Santa Fosca Venice - Painting by Dino Carbetta"...<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Il sole tramonta su barche che ripos..etta
  • “Rio de le Romite, in the Dorsoduro District of Venice - Painting by Dino Carbetta” ...<br />
<br />
My fellow Pilgrim Patrick and I embarked on an ambitious quest to traverse the entirety of Venice on foot within half a day. With adrenaline coursing through our veins, we covered 8.3 miles, though we felt capable of doubling that distance into the night. Our itinerary was brimming with Venetian wonders: basilicas, canals, bridges, gondolas, and every essence of the city's culture, including a necessary stop for lunch. Our journey began with the majestic Basilica dei Frari and led us to the Chiesa di San Geremia to pay homage to St. Lucy. Navigating Venice's labyrinthine streets, GPS was often unreliable, adding to the city's mystique. Our cameras were perpetually engaged, capturing the fleeting moments of beauty and history, mindful of our 7:00 pm reservation at a waterside restaurant. The inspiration for this painting stems from the rich history of the Rio delle Romite. 1693 the Romite Hermits erected a small church dedicated to Jesus, Joseph, and Mary, alongside a convent. Later, Father Cavanis established a 'female school of charity,' which, in 1863, was entrusted to the Canossian nuns, who remain there to this day. This area, long a haven for artists, retains its timeless and evocative atmosphere. As dusk settled, we arrived at Ristorante Pizzeria Da Alvise, our chosen restaurant by the water. The venue's authenticity and the cuisine's excellence, particularly the finest shrimp I had ever tasted, made for an unforgettable dining experience. Grateful toasts filled the intimate space, creating an ambiance of melancholic satisfaction. In our final moments in Italy, we reflected on the incredible friendships and experiences that marked this pilgrimage. Venice has left an indelible mark on our hearts with its unparalleled beauty and historical significance. This painting pays homage to the Rio delle Romite, capturing the spirit of our journey and the enduring charm of Venice.
    Rio de le Romite, nel Sestiere di Do..etta
  • “Ca 'Rezzonico Civic Museums Foundation of Venice and in the distance the watchful bell tower of the Church of San Samuele”…<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating.  We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Ca' Rezzonico Fondazione Musei Civic..uele
  • “Sunset on the canal in Ca 'd'Oro – Venice”…<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating.  We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Tramonto sul canale in Ca 'd'Oro - V..ezia
  • "Canal near the Accademia Bridge in Venice"...<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass in the sacristy. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Canale vicino al Ponte dell'Accademi..ezia
  • “Sun rising along the canal near the Accademia Bridge – Venice”<br />
<br />
Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook. “For I will slake the thirst of the faint; the appetite of all the weary I will satisfy.”  Jeremiah 31:25
    Sole che sorge lungo il Canale vicin..ezia
  • "Church of Santa Fosca bell tower above the Santa Fosca canal - Venice"...<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Chiesa di Santa Fosca campanile sopr..ezia
  • "Canal on the way to the excellent Pizzería Da Alvise Restaurant - Venice"...<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Canale sulla strada per l'eccellente..ezia
  • “Madonna with Franciscan Saints - Basilica of Santa Maria Gloriosa dei Frari – Venice”…<br />
<br />
Lk 2:22-32: “When the days were completed for their purification according to the law of Moses, Mary and Joseph took Jesus up to Jerusalem to present him to the Lord,<br />
just as it is written in the law of the Lord, ‘Every male that opens the womb shall be consecrated to the Lord, and to offer the sacrifice of a pair of turtledoves or two young pigeons,’ in accordance with the dictate in the law of the Lord. Now there was a man in Jerusalem whose name was Simeon. This man was righteous and devout, awaiting the consolation of Israel,<br />
and the Holy Spirit was upon him. It had been revealed to him by the Holy Spirit that he should not see death before he had seen the Christ of the Lord. He came in the Spirit into the temple; and when the parents brought in the child Jesus to perform the custom of the law in regard to him, he took him into his arms and blessed God, saying: ‘Now, Master, you may let your servant go in peace, according to your word, for my eyes have seen your salvation, which you prepared in the sight of all the peoples: a light for revelation to the Gentiles, and glory for your people Israel.” In the Santi Francescani's Chapel, I photographed this masterpiece by Bernardino Licinio painted in 1535 of the seated Virgin and Child. On the left are St. Francis, St. Mark, St. Bonaventura, and St. Clare. On the right are St. Anthony, St. Andrew, St. Louis, St. John the Baptist, and the face of St. Elizabeth of Hungary. Licinio's portrayal was ‘not for the nobility of expression, but the splendor of the color and sense of motion.’ The aggregate of the artwork involved in Santa Maria Gloriosa is a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. The Basilica di Frari is one of my favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur.
    Madonna con Santi Francescani - Basi..ezia
  • “Faith, Hope, and Love – Painting by Dino Carbetta”…<br />
<br />
Psalm 46: 2-8 “God is our refuge and our strength, an ever-present help in distress. Thus we do not fear, though earth be shaken and mountains quake to the depths of the sea, though its waters rage and foam and mountains totter at its surging. Streams of the river gladden the city of God, the holy dwelling of the Most High. God is in its midst; it shall not be shaken; God will help it at break of day. Though nations rage and kingdoms totter, he utters his voice and the earth melts. The LORD of hosts is with us; our stronghold is the God of Jacob.” <br />
<br />
2 Corinthians 4:8-10 “We are afflicted in every way, but not constrained; perplexed, but not driven to despair; persecuted, but not abandoned; struck down, but not destroyed; always carrying about in the body the dying of Jesus, so that the life of Jesus may also be manifested in our body.”<br />
<br />
Romans 5:1-5 “Therefore, since we have been justified by faith, we have peace with God through our Lord Jesus Christ, through whom we have gained access [by faith] to this grace in which we stand, and we boast in hope of the glory of God. Not only that, but we even boast of our afflictions, knowing that affliction produces endurance, and endurance, proven character, and proven character, hope, and hope does not disappoint, because the love of God has been poured out into our hearts through the Holy Spirit that has been given to us.”
    Fede, Speranza e Amore - Dipinto di ..etta
  • "Crucified Christ who begins the ascension to Paradise - Painting by Dino Carbetta" ...<br />
<br />
A painting of this very high view peering toward the Altar of the Crucifixion and Titian’s great Altarpiece of the Assumption of Mary. As I arched my back and looked straight above, Jesus appeared to lift skyward. The Basilica di Frari is one of my favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination is bursting with a fascinating impression of great history, aesthetic brilliance, and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a large Gothic church of the early 15th century now filled with elaborate paintings and tombs. The interior is light and spacious, and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and is necessitated by a very large church. The wood crucifix from 1468, hangs over the entrance of the choir. Traditionally, a Calvary was hanging above the choir and beside the Crucifix, there are the sculptures of the Madonna and Saint John the Evangelist. It is very likely that – thanks to His beauty and relevance – this crucifix was taken as a pattern for many others in Venezia and the Veneto region. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    Cristo Crocifisso che inizia l'ascen..etta
  • “Iridescent Venetian Sunset”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three glorious days in Venice.
    Iridescente Veneziano Tramonto
  • “The Bronze Dome of San Geremia - Casa di Santa Lucia rises above the Grand Canal - Painting by Dino Carbetta”…<br />
<br />
I never knew quite where I was going in Venice, but just followed the canal, or became trapped by the canals with no way of crossing and had to backtrack.  Probably not the best way to traverse the Venice Lagoon.  My last evening in Venice, I accidentally stumbled on Ponte dei Scalzi, "bridge of the barefoot [monks]," one of only four bridges in Venice to span the Grand Canal. The bridge connects the Sestieri of Santa Croce and Cannaregio. I set up my camera facing east in view of the dome and campanile of Chiesa di San Geremia, which contains the relics of Saint Lucy.  Santa Lucia - virgin and martyr who was one of the earliest Christian saints to achieve popularity, having a widespread following before the 5th century. She is the patron saint of the city of Syracuse (Sicily). Because of various traditions associating her name with light, she came to be thought of as the patron of sight. Saint Lucy is one of my favorite saints, not only for her great faith but her very name and remembrance is the very essence and luminance of my images. The original church was founded in the 11th century with the present version dating to 1760.  After the sunset, I found my way back to my favorite restaurant, Hosteria Al Vecio Bragosso, for another amazing dinner.
    La Bronzo Cupola di San Geremia - Ca..etta
  • “Three-dimensional artistic impression of the Crucifix in the Abbey of Santa Giustina – Padua”…<br />
<br />
Our Pilgrimage finally arrived in Padua and after lunch, we discovered the Abbey of Santa Giustina attached to the Basilica built in the 6th century. It contains the relics of multiple saints (including those of St. Luke the Evangelist). Shaped in the form of a Latin cross, the prodigious Basilica of St. Giustina is one of the most colossal in all of Christianity. The grandeur of the building is enhanced by the Prato della Valle which it overlooks. There are 3 main chapels: the presbytery and 2 chapels for Saints Luke and Matthew that form the transepts and each aisle has six small chapels. The Abbey and the Basilica of St. Anthony were two of my foremost surprises and a must-see on a Pilgrimage to Italy. Unfortunately, pictures were allowed only in St. Giustina, but not in the latter. Initially, I was a bit overwhelmed at the imposing wide open space of the Basilica. The high altar seemed an eternity away. The colorful geometric marble floor leads one to the main altar, but only adds to the great depth, size, and dimension of the Basilica. A curiously placed Crucifix standing about 6’ tall is located just inside the colossal nave and appears diminutive below the 26 pillars supporting the 8 cupolas. As most basilicas are traditionally dark depending on the sunlight, the Crucifix was almost a complete faint silhouette only lit by the dome windows above the altar. I wanted to create an impression of depth in the crucifix itself transposed against the massive Basilica and distance of the architecture. It took several days and many failures, however, I was finally able to find the three dimensions of Christ I was searching for. The glow of the original beauty has become radiant. Framed by the brilliant distant archways, the Crucifixion becomes transformed.
    Impressione artistica tridimensional..dova
  • “The Church of Santa Maddalena is surrounded by Roe Deer, both enjoying the sunset over the Dolomites in South Tyrol, Italy - Painting by Dino Carbetta”…<br />
<br />
The Church of St. Magdalene resides in a small village located in the Dolomites of Italy. Both, the village and the church, are symbols of the Val di Funes. This tiny picturesque village of just 377 people is located in the Trentino-Alto Adige region of Northern Italy. Historically, the church was built where the miraculous image of Santa Maddalena was washed up by the Fopal River. Saint Mary Magdalene church is mentioned beginning in 1394. The current form of the nave with a sloping base and a slightly grooved roof cornice, with pear and round bar on the pointed arch portal with a red chalk inscription, was complete in 1492. The mural exterior is the Crucifix on the gable in a niche with a donkey's back, weather-beaten, early XVI century. St. Christopher is lively and virtuoso in movement with a fluttering, wrinkled robe. Interiorly, the keystones on the vault, are bust portraits of Mary with the Christ Child and saints. The valley, as you can see, Val di Funes is stunningly beautiful. Summer, it’s very green and dotted with colorful flowers. Winter, it’s covered with snow, and the ragged Dolomite peaks, pierce the sky toward the heavens. Mary Magdalene is the first among the women following Jesus to proclaim Him as having overcome death. She is the first to announce the joyful message of Easter. But she also proved she was among those who loved Him most when she stood at the foot of the Cross on Mount Calvary together with Mary, His Mother, and the disciple, St. John. She did not deny him or run away in fear as the other disciples did, but remained close to Him every moment, up to and including the tomb. The Italian Roe Deer rejoice in the beauty of God’s creation.
    La Chiesa di Santa Maddalena e’ circ..etta
  • "Dusk falls over the harbor of Riomaggiore"... <br />
<br />
I began my daily journey at the northern most town of Monterosso and took the train to the southernmost town of Riomaggiore. Upon arriving in this picturesque seaside village and moving down to the water’s edge, I noticed proprietor Francesco in front of a tiny boat rental sign. After arranging an evening sail up the coast, I was able to focus on the colorful persona of Riomaggiore. That evening I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. Upon arriving back home in Monterosso, soft light illuminated the sky and azure sea of the Mediterranean convincing me to sail all the way back to Riomaggiore with my gracious guides Claudio and Eddie of "Cinque Terre dal Mare" sailing excursions. We arrived just in time for a perfect sunset and a perfect evening for creating bellissimo new images. After a nice dinner...I caught the last train at midnight back home to Monterosso. A very long day, but worth every minute!
    Crepuscolo cade sul porto di Riomaggiore
  • “Angels Guard the Main Altar of the Sistine Chapel - Basilica of Santa Maria Maggiore Rome”…<br />
<br />
After Mass in the Crucifix Chapel on the second morning of the inaugural Pilgrimage I organized, we were joined by our Roman tour guide for the day. As we listened and ventured around the glorious Basilica, my eyes and camera began to wander. I became stupefied by the grand chapel to the right of the main altar with the rising sun peering through the window just below the cupola. I discreetly wandered in and out in hopes it would shine upon the Holy Crib. The right transept is called the Sistine Chapel, containing the elaborate tomb of Pope Sixtus V (1521-90) and decorated with frescoes and reliefs of events from his reign. The chapel centers on a reliquary containing part of the Holy Crib, and the burial place of Saint Jerome, the 4th-century Doctor of the Church. The architect Domenico Fontana designed the chapel, which also contains the tomb of Pope Pius V. The main altar in the chapel has four gilded bronze angels by Sebastiano Torregiani, holding up the ciborium, which is a model of the chapel itself. The Patriarchal Basilica of St. Mary Major reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God.
    Angeli Custodiscono L'altare Princip..Roma
  • "Sanctuary of Madonna and child along Calle Dose da Ponte Venice"... <br />
<br />
“O Most Amiable Child Jesus, You who said: "Ask and you shall receive," graciously hear my petition and grant me the favor I ask of You if it be for Your Greater Honor and Glory and for the good of my soul. Amen.” <br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice.
    Santuario di Madonna e bambino lungo..ezia
  • "High altar crucifix from the back of the Papal Basilica of St. Anthony of Padua"... <br />
<br />
I consider this magnificent rear view of the High Altar in St. Anthony’s Basilica looking toward Donatello’s very famous “Crucifix in Padua” one of my few forbidden and miraculous images of my 2019 Pilgrimage to Italy. I was unaware of the mere size and ancient grandeur of the basilica begun in 1233 but found myself mystified by the aura surrounding it and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. As with most prestigious Basilica’s, no photos are allowed, which mostly rendered this photographer reverent, but sad. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. Deceptively, I found myself directly behind the elevated “High Altar,” and as I curiously climbed the steps toward the locked Iron Gate, Donatello’s celestial bronze crucifix began to appear. My surreptitious movement kept me from being noticed by the security guards and our Italian guide. I covertly rested my lens through the iron bars, and quietly depressed the shutter on my camera. Often called “Il Santo” by the locals of Padua, one cannot escape feeling overwhelmed by its majesty, and emanation of spirituality and reverence. The Basilica is austere, mysterious, and solemn, yet capacious, monumental, and impossible to notice every grand detail. However, be emboldened that this Pilgrimage Church is one of the eight international shrines recognized by the Holy See. It is a symbol of faith and hope for all Christian believers. I believe Saint Anthony would be honored and proud to offer Mass here.
    Crocifisso altare maggiore dalla par..dova
  • “The Beautiful Full Moon Illuminates and Inspires Emotion in the Bay of the Ligurian Coast - Painting by Dino Carbetta” ...<br />
<br />
Nestled in the Liguria region, the Italian Riviera is a breathtaking coastal stretch where nature, history, and culture harmoniously intertwine. Spanning from Ventimiglia, near the French Riviera, to the enchanting Gulf of Poets north of Tuscany, this region is a treasure trove of stunning landscapes and architectural marvels. You'll discover captivating seaside villages and luxurious resort towns along the coast, such as Sanremo, Portofino, and the renowned Cinque Terre. These destinations offer stunning scenery and a seamless blend of history and modernity. Italy's coastal towns, adorned with a Catholic church, are dotted along the peninsula, serving as beacons of faith, hope, and comfort. The church, strategically located atop each town, stands as a lighthouse and a maternal figure, protecting all who seek its embrace. The painting captures this essence, portraying an ancient church and bell tower standing resilient against the timeless waves of the Mediterranean Sea. The church symbolizes the enduring spirit of the Ligurian people, with the “stained glass Jesus” blessing those along the bay, deeply intertwined with the sea for centuries. As dusk falls, the painting shows a priest enjoying the serene bay, his faithful dog frolicking at the water's edge. The soft glow of the blue Mediterranean moon casts a mesmerizing light on the church's façade, while lush green hills and the sparkling sea frame the scene. The painting invites viewers to step into a world where time slows down, allowing the whispers of history to resonate. The Italian Riviera is not just a destination; it is a place of pilgrimage, an abundant source of inspiration, and a testament to the enduring connection between humanity and the divine. This artwork captures the physical beauty and spiritual essence of the Ligurian Riviera, offering a profound glimpse into its soul.
    La Bellissima Luna Piena Illumina ed..etta
  • “Van Gogh Style of Café Terrace at Night in Rome Italy - Painting by Dino Carbetta”…<br />
<br />
Paying homage to the genius of Vincent van Gogh while seamlessly blending it with the captivating allure of Rome. In this winsome rendition, I endeavor to channel van Gogh's distinctive style, characterized by bold brushwork, vibrant colors, and expressive forms, to evoke the dynamic atmosphere of Rome's bustling energy. With each brushstroke, trying to transport viewers to the heart of Rome, the soft glow of streetlights and the moon illuminate the scene, casting a spell of warmth and intimacy. The Café Terrace, a focal point of van Gogh's original masterpiece, invites viewers to imagine themselves amidst the lively conversations and laughter of patrons enjoying their evening in the Eternal City. Through meticulous mindfulness, capturing the essence of van Gogh's vision, infusing it with the unique charm and vitality of Rome. The result is a captivating tableau that not only celebrates van Gogh's artistic legacy but also offers a fresh perspective on the timeless charisma of Rome. This imitation of van Gogh’s use of color and form is on full display, "The artistic recreation captures the vibrant energy of the Roman skyline, while also showcasing its rich religious history." Each brush stroke is imbued with a sense of awe and vitality, breathing life into the canvas and inviting viewers to immerse themselves in the rich history of Roman life. From the cobblestone streets to the bustling café terrace, rendered with precision and care, creating a sense of depth and immersion uniquely van Gogh. Gazing upon this artistic interpretation, one is transported on a journey through time and space, where the artistic genius of van Gogh converges with the eternal beauty of Rome. Let's appreciate the enchanting beauty of art and its connection to life. Café Terrace at Night in Rome, Italy reminds us of art's power to unite us in a shared experience of beauty and wonder.
    Stile Van Gogh Della Terrazza Di Un ..etta
  • “Jesus Christ Sacred Heart - Painting by Dino Carbetta” …<br />
<br />
The Solemnity of the Sacred Heart of Jesus, a significant observance in the Catholic faith, takes place on the nineteenth day after Pentecost. This day acknowledges the immense love and sacrifice that Jesus made for humanity. The heart is a powerful symbol in this devotion, representing a person's core, the center of all spiritual activity, and the seat of all emotion, particularly love. This symbolism is firmly rooted in Judaism, where the heart was recognized as the principal life organ, embodying the essence of a person. The painting of Christ's Face in the Sacred Heart of Jesus is an evocative piece that seeks to capture and convey the profound love and sacrifice embodied in this devotion. The heart of Jesus, often depicted aflame with love and pierced, symbolizes His unending love and the pain He endured for the salvation of humanity. This imagery is designed to inspire deep personal reflection and a heartfelt response to Christ’s love. The intricate details of the painting, from the gentle contours of Christ's face to the radiant glow of His heart, invite viewers to a contemplative experience. The flames encircling the Sacred Heart represent the divine love that burns eternally for all souls, a love that transcends time and space. The thorns that pierce His heart remind him of the suffering He willingly accepted out of love for mankind. This dual imagery of love and suffering is central to understanding the depth of Christ’s compassion and the call to emulate His love in our lives. The emotive power of the painting invites viewers to deepen their understanding and forge a profound connection with the Sacred Heart. "The Sacred Heart brings comfort, protection, and grace for living a holy life." As an artist, I hope this artwork brings divine blessings, inspiring devotion, gratitude, and love.
    Gesù Cristo Sacro Cuore - Dipinto di..etta
  • “Our Lady of Grace - Painting by Dino Carbetta” …<br />
<br />
Among the many miraculous images of the Mother of God through which she deigns to grant her favors, there is one in the monastery church of the Carmelites in Vienna, entitled, Our Lady of Grace. In 1610 a Carmelite, Dominic of Jesus-Mary, found among the votaries of an old altar in the monastery church of Maria della Scala in Rome, an oil painting of the Mother of God, dust-covered and somewhat torn, which grieved him. Taking it into his hands, he shook the dust off it and kneeling venerated it with great devotion. “O pure and holiest Virgin, nothing in the whole world is worthy of touching your holy face, but since I have nothing but this coarse handkerchief, deign to accept my goodwill.” To his great surprise, then the face of the Mother of God appeared to take on life, and smiling sweetly at him, she bowed her head, which thereafter remained inclined. Fearing he was under an illusion, Dominic became troubled, but Mary assured him that his requests would be heard, and he could ask of her with full confidence any favor he might desire. He fell upon his knees and offered himself entirely to the service of Jesus and Mary and asked for the deliverance of one of his benefactor’s souls in purgatory. Mary told him to offer several Masses and other good works; a short time after when he was again praying before the image, Mary appeared to him bearing the soul of his benefactor to Heaven. Dominic begged that all who venerated Mary in this image of Our Lady of Grace might obtain all they requested. In reply, the Virgin gave him this assurance: “All those who devoutly venerate me in this picture and take refuge to me will have their request granted and I will obtain for them many graces; but especially will I hear their prayers for the relief and deliverance of the souls in purgatory.” Dominic soon after placed the image into Maria Della Scala's church so that more Mary devotees may venerate her.
    Madonna delle Grazie - Dipinto di Di..etta
  • “Excitement Abounds As Warm Summer Evening Descends Over Positano” …<br />
After a thrilling descent along the winding cliffs from Sorrento, the first glimpse of Positano stole the breath and stirred the soul. Clinging to the mountainside in cascading tiers of color and light, this legendary village appears more dream than dwelling — a vision conjured from sea mist and sun. Navigating the town’s lone serpentine road three full times, I finally discovered the hidden parking tucked near my hotel, perched high above the scene now immortalized in this photograph. The descent was a pilgrimage — narrow alleys, stone staircases, and the intense heat of late May pressed against every step. But upon reaching the beach and the marina, the weight lifted. The Mediterranean, ablaze with afternoon light, shimmered in hues of sapphire and flame. It was as though heaven itself poured its radiance into the sea. And rising amidst it all stood the Church of Santa Maria Assunta — quiet and eternal, her brilliant majolica dome shimmering like a celestial crown. Since 1159, she has watched over Positano with maternal grace, her gaze cast upon the faithful below and the infinite blue beyond. Nestled between cliff and sea, she stands as both anchor and blessing — a house of prayer and a symbol of divine beauty. Later, crossing the warm sands toward a seaside hotel terrace, I found stillness. Facing north, with the village spread before me like a living fresco, I watched as the sun retreated behind the mountains, casting golden rays across Positano’s vibrant facade. In those final moments of light, camera in hand, I captured the mystical union of nature, architecture, and the sacred — a fleeting hour when time itself stands still. Through this photograph, the soul of Positano is revealed — not just in its beauty, but in its quiet invitation to wonder, to rest, and to believe.
    Eccitazione Abbonda Come la Calda Se..tano
  • “Saint Jude the Apostle – Painting by Dino Carbetta” …<br />
<br />
Saint Jude, the Patron Saint of Hope and impossible causes is important in Christian history. As one of Jesus’ original twelve Apostles, he preached the Gospel with unwavering devotion, often in difficult and dangerous circumstances. Through the power of the Holy Spirit, St. Jude brought God's Word to many, inspiring hope in those who needed it most. The Gospel of Matthew identifies St. Jude as the brother of St. James the Less, another Apostle of Jesus. They are considered cousins of Jesus, known as His "brethren." St. Jude is often confused with Judas Iscariot, the Apostle who betrayed Jesus, but his life exemplified loyalty and faithfulness to Christ. In Dino Carbetta’s painting, St. Jude is portrayed as pointing to the image of Christ, a reference to a miracle attributed to him. King Abgar of Edessa, suffering from leprosy, sought the likeness of Jesus for healing. Jesus, moved by the king's faith, pressed His face onto a cloth, leaving His image imprinted on it. He gave this cloth to St. Jude, who delivered it to King Abgar, and through it, the king was miraculously healed. This story highlights St. Jude as a vessel of Christ’s grace, bringing hope and healing. After Jesus' resurrection, he and St. Simon traveled through Mesopotamia, Libya, and Persia, spreading the Gospel and building the early Church. His missionary work led to his martyrdom for his steadfast faith, and his relics now rest in a crypt beneath St. Peter’s Basilica in Rome. For centuries, people have turned to St. Jude in their darkest moments. Saint Bridget of Sweden had a vision where Christ urged her to pray to Him with deep faith, a practice that brings hope in hopeless situations. His name continues to be invoked by those facing impossible challenges, seeking his intercession in times of sickness, crisis, and despair. Dino Carbetta’s painting of St. Jude highlights the Saint as a symbol of Christ’s healing grace and hope.
    San Giuda Apostolo - Dipinto di Dino..etta
  • "Saint Helena holding the cross - Santa Croce in Gerusalemme, Rome"...<br />
<br />
The Basilica of the Holy Cross in Jerusalem is located in Rome, in the Esquilino quarter, close to the Aurelian Walls and the Castrense Amphitheatre, between the Basilica of St. John Lateran and Porta Maggiore. The Basilica of the Holy Cross is part of the route of the “Seven Churches” that ancient pilgrims used to visit on foot. Several sources, including an inscription in the church, verify that the Sessorian Palace was owned by the empress St. Helen (c.255-330), Constantine's mother. From the end of the 4th century, it was said that St. Helen had made a pilgrimage to the Holy Land, during which she discovered the True Cross on which Christ was crucified and many other relics. It was also said that she wished to set up a shrine in Rome for pilgrims who could not travel to Jerusalem. The first room of the chapel has a Roman-era statue of St. Helen holding the cross. Beneath the statue is a floor believed to contain soil from the Holy Land. Under the protective glass covering the soil are many paper prayers from the faithful. Fragments of the cross were circulating in the West by 348 AD. The earliest historical record of the church, dated to 501 AD, refers to it as "Hierusalem basilica Sessoriani palatii." Architecturally, it is notable that the 4th-century Chapel of St. Helen is quite similar in design to a martyrium that was erected by Constantine in Jerusalem to house a fragment of the True Cross. In 1492, a dramatic discovery was made in the course of repairs to a mosaic: a brick inscribed with the words TITULUS CRUCIS (Title of the Cross). Sealed behind the brick was a fragment of an inscription in wood, with the word "Nazarene" written in Hebrew, Latin, and Greek. The Title is mentioned in all four Gospel accounts. This was our first stop on our Pilgrimage of 2019 in Italy. A very propitious, historical, and spiritual beginning to a monumental journey in The Eternal City.
    Sant'Elena con in mano la croce - Sa..Roma
  • “Crucifixion beyond the entrance to the Abbey of Santa Giustina – Padua”…<br />
<br />
Our Pilgrimage finally arrived in Padua and after lunch, we discovered the Abbey of Santa Giustina attached to the Basilica built in the 6th century. It contains the relics of multiple saints (including those of St. Luke the Evangelist). Shaped in the form of a Latin cross, the prodigious Basilica of St. Giustina is one of the most colossal in all of Christianity. The grandeur of the building is enhanced by the Prato della Valle which it overlooks. There are 3 main chapels: the presbytery and 2 chapels for Saints Luke and Matthew that form the transepts and each aisle has six small chapels. The Abbey and the Basilica of St. Anthony were two of my foremost surprises and a must-see on a Pilgrimage to Italy. Unfortunately, pictures were allowed only in St. Giustina, but not in the latter. Initially, I was a bit overwhelmed at the imposing wide open space of the Basilica. The high altar seemed an eternity away. It is difficult to give one a perspective of just how spacious and immense many of these basilicas can be, not only in pictures but in words. The colorful geometric marble floor leads one to the main altar, but only adds to the great depth, size, and dimension of the Basilica. A curiously placed Crucifix standing about 6’ tall is located just inside the colossal nave and appears diminutive below the 26 pillars supporting the 8 cupolas. As most basilicas are traditionally dark depending on the sunlight, the Crucifix was almost a complete faint silhouette only lit by the dome windows above the altar. Standing as close as possible with a telephoto perspective, I was able to reverse the impression of size and portray the grandiosity Christ deserves, as well as the original artist. The distant window light bled over the body and illuminated the darkness. The glow of the original beauty has become radiant. Framed by the brilliant distant archways, the Crucifixion becomes transformed.
    Crocifissione oltre l'ingresso dell'..dova
  • “Resting Under the Arches of the Doge's Palace – Venice”…<br />
<br />
The Palace is the most representative symbol of Venice's culture, which, together with the Basilica of San Marco at the back and the Piazzetta in the forefront, forms of the most famous sceneries in the world. Peering through the Doge’s arches, one can view the famous and ancient Church of San Giorgio Maggiore across the Grand Canal. For centuries the Doge's Palace had three fundamental roles: the Doge residence, the seat of government, and the palace of justice. This was where some of the most important decisions for Venice's, and even Europe's destiny were taken in this splendid example of Venetian gothic architecture. Most medieval palaces all over Italy, the Doge's Palace was built oppositely with the loggias down below and full walls above, whereas buildings like this normally had a huge base to make them easier to defend. Venetians considered their government as legitimate not by imposition or divine right, like in other Italian medieval cities, but as an expression of the Venetians' will. The thirty-six stone capitals on their arches are a marvelous example of medieval sculpture and give us a rich repertoire of symbolic figures: vice and virtue, saints, martyrs, knights, trades, birds, and signs of the zodiac. As on the outside, the facades indicate the double motive of the portico on the lower floors and of the walls with wide windows on the higher part. The architecture, which matches the marble loggia to the bricks of the masonry, manages to create a language that is both simple and ornate, the perfect expression of the spirit of the Republic. Majestic, mystical, and ornately reverent, indicate the one and only Doge’s Palace of Veneto.
    Riposando Sotto Gli Archi del Palazz..ezia
  • Organic Venice - Perpetual Evolution of Splendor, Harmony, and Color ...<br />
Venice, in its essence, is an “organic” masterpiece—shaped by the eternal dance of light, tide, and time. Venice is a city that seems to understand time's passage, gently unveiling its beauty in new ways with each moment. It captures the heart, reminding us that there's always something lovely waiting to be discovered. Upon my arrival from the USA, Venice welcomed me with heavy rain, veiling its grandeur in mist and melancholy. Yet, as the storm began to recede, the clouds parted, and a soft golden light flooded the city, transforming it before my eyes. What had been weary under the storm’s weight now shimmered with a radiant, almost sacred vitality. The sunlight caressed the ancient facades, and the canals seemed to hum with newfound life. Venice bloomed again—its colors rich and deep, the water reflecting the golden embrace of heaven itself. The city, which had rested in silence, now sang with a divine brilliance, as though a celestial painter had brushed its streets with light and hope. I captured this fleeting moment along the shimmering, tranquil canal that flows gracefully in front of the magnificent Santa Maria Gloriosa dei Frari, where the soft glow of sunlight dances on the water's surface, creating an enchanting scene filled with timeless beauty. And then, a serendipitous moment—the travel guru Rick Steves appeared, just 20 feet away, filming his PBS show. Taking advantage of the moment, I called out, “Hey, Rick!” and snapped a photo as he turned, his smile as warm as the golden light illuminating Venice. We shared a brief greeting, and he imparted a few words of wisdom before resuming his filming. As I walked away, the clouds parted, and Venice glowed in a final burst of golden light—a blessing from above, a gift of grace. This photograph is one of my favorites, showcasing Venice's ever-changing beauty—a city continually renewed by the divine touch adorning its canals and streets.
    Venezia organica - evoluzione perpet..lore
  • “Father Peek Celebrates the Lamb's Supper - Amalfi Cathedral”…<br />
<br />
A church has resided on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Newer walls have been taken down to expose parts of the ancient original church, and one can ponder history by this glimpse back in time. Andrew, Saint Peter’s brother and one of Christ’s closest disciples was also the disciple of John the Baptist. Saint Andrew was called with Peter: “As [Jesus] was walking by the Sea of Galilee, he saw two brothers, Simon who is now called Peter, and his brother Andrew, casting a net into the sea; they were fishermen. He said to them, ‘Come after me, and I will make you fishers of men.’ At once they left their nets and followed him” (Matthew 4:18-20). Stairs near the east end of the Duomo descend into the Crypt of St. Andrew, where his relics are kept in the central altar. The crypt is decorated with magnificent Baroque murals from 1660. As I knelt and prayed at the glorious crypt befitting this great disciple who was martyred on an X shaped crucifix, my mind wandered off the true nature of this chosen man who became a Saint. I stirred around to the back of the altar and found myself facing his eternal light and relics. I knelt again in prayer feeling the great essence and presence of this selfless apostle. As in many other locations and churches in Italy, where Saints seem to be from every town, I was overcome with deep emotion and an abundance of heartfelt spiritual joy! Our Pilgrimage of 2019 found us celebrating Mass in the chapel just to the left of the High Altar below the image of the “Last Supper.” A reverent and poignant remembrance of cherished time on the Amalfi Coast.
    Padre Peek Celebra la Cena dell'agne..alfi
  • “View from the Grand Canal of the church of San Giorgio Maggiore in Venice - Blue and Red”…<br />
<br />
The first church on the island was built about 790, and in 982 the island was given to the Benedictine order by the Doge Tribuno Memmo. The Benedictines founded a monastery there, but in 1223 all the buildings on the island were destroyed by an earthquake. Andrea Palladio, an Italian Renaissance architect active in the Venetian Republic was commissioned for the rebuild. Palladio, influenced by Roman and Greek architecture, is widely considered to be one of the most influential individuals in the history of architecture, began the rebuild in 1560 and made dramatic improvements. The campanile was rebuilt in neo-classic style and completed in 1791. It was ascended by ramps and now an elevator to the top for panoramic views of Venice. The facade is brilliantly white and represents Palladio's solution to the difficulty of adapting a classical temple facade to the form of the Catholic Basilica. Two very large paintings by Tintoretto relate to the institution of the Eucharist and are located on either side of the presbytery, where they can be seen from the altar rail. “The Last Supper” and “The Jews in the Desert” (collecting and eating the manna, a gift of God to the Israelites in the Desert after they escaped Egypt, which foretells the gift of the Eucharist). Claude Monet painted a series of paintings of the island Monastery of San Giorgio Maggiore in 1908 during the artist's only visit to the city. One of the best known is “San Giorgio Maggiore at Dusk”, which exists in two versions. Monet completed his paintings of Venice at home in France and in 1912 showed them in Paris. Buyers included the Welsh collector Gwendoline Davies, who bought three paintings. This vision of the Church of San Giorgio is iconic and famous worldwide. My image capture while upon an evening boat excursion appears theatrical as if the majestic church is posing for yet another Venetian canvas.
    Vista dal Canal Grande della chiesa ..ossa
  • "Father Peek Elevates the Host for Adoration - The Church of Santo Spirito in Sassia"... <br />
<br />
As the gentle morning light bathes the ancient streets of Rome, we embark on a pilgrimage of faith, drawn inexorably towards the magnificent Santo Spirito. Nestled in the shadows of the grandeur of St. Peter’s Basilica, this sacred sanctuary stands as a testament to Divine Mercy, a legacy meticulously nurtured by the revered St. John Paul II.  Each day, at the reverent hour of 3 p.m., congregants assemble to recite the Divine Mercy Chaplet, enveloping the sanctuary in an atmosphere of grace and tranquility. Yet, beneath its architectural splendor lies a narrative woven with threads of compassion and service, echoing through the annals of history. From its humble beginnings in the eighth century as the Santa Maria church in Sassia, devoted to the Virgin Mary, to the founding of Europe's inaugural "Holy Spirit Hospital" in response to the impassioned plea of Pope Innocent III in 1198, this sacred space has been a bastion of solace and healing for countless souls. Within the sanctified precincts of Santo Spirito, a chapel on the right stands as a testament to The Divine Mercy and to the venerable Saint Faustina. Here, the revered statue of the "Apostle of The Divine Mercy," accompanied by her reliquary gifted by the esteemed Holy Father John Paul II, beckons believers to contemplative prayer. Father Peek's dignified gesture elevating the Host for adoration in this captivating photograph touches our hearts. With reverent genuflection, the priest invites us to behold Jesus Christ, true God and true Man, present upon the altar. Let our gaze linger upon the sacred Body of Christ, and within the depths of our souls, may we echo the profound words of adoration: "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things."
    Padre Peek Eleva Consacrata l'ostia ..ssia
  • "A million faces of Jesus by Dino Carbetta - Spatola di metallo"...<br />
<br />
Daniel 10: 5-6 “As I looked up, I saw a man dressed in linen with a belt of fine gold around his waist. His body was like chrysolite, his face shone like lightning, his eyes were like fiery torches, his arms and feet looked like burnished bronze, and the sound of his voice was like the roar of a multitude.” Genesis 1:27 “God created mankind in his image; in the image of God he created them; male and female he created them.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. The blessed see God, not merely according to the measure of His likeness imperfectly reflected in creation, but they see Him as He is, after the manner of His own Being. 1 Corinthians 13:12 “At present, we are looking at a confused reflection in a mirror; then, we shall see face to face; now, I have only glimpses of knowledge; then, I shall recognize God as he has recognized me.”
    Un milione di volti di Gesù di Dino ..allo
  • "Pentecost - The Basilica di Santa Maria Gloriosa dei Frari Venice"...<br />
<br />
Gospel Jn 20:19-23: On the evening of that first day of the week, when the doors were locked, where the disciples were, for fear of the Jews, Jesus came and stood in their midst and said to them, "Peace be with you." When he had said this, he showed them his hands and his side. The disciples rejoiced when they saw the Lord. Jesus said to them again, "Peace be with you. As the Father has sent me, so I send you." And when he had said this, he breathed on them and said to them, "Receive the Holy Spirit. Whose sins you forgive are forgiven them, and whose sins you retain are retained."
    Pentecoste - La Basilica di Santa Ma..ezia
  • "A million faces of Jesus by Dino Carbetta - Blue & Brown"...<br />
<br />
Daniel 10: 5-6 “As I looked up, I saw a man dressed in linen with a belt of fine gold around his waist. His body was like chrysolite, his face shone like lightning, his eyes were like fiery torches, his arms and feet looked like burnished bronze, and the sound of his voice was like the roar of a multitude.” Genesis 1:27 “God created mankind in his image; in the image of God he created them; male and female he created them.” Since early childhood my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel and touch this beatific vision.  Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. The blessed see God, not merely according to the measure of His likeness imperfectly reflected in creation, but they see Him as He is, after the manner of His own Being. 1 Corinthians 13:12 “At present, we are looking at a confused reflection in a mirror; then, we shall see face to face; now, I have only glimpses of knowledge; then, I shall recognize God as he has recognized me.”
    Un milione di volti di Gesù di Dino ..rone
  • "The oculus of the 2000 year-old Pantheon of Santa Maria"...<br />
<br />
The ancient Pantheon is still the world's largest unreinforced concrete dome.  Both the height and the diameter of the dome is exactly 142 feet.  The Romans were so far ahead of their time...just imagine the possibilities if the empire had survived. The Pantheon is now an active Catholic church known as Santa Maria Rotonda.  The ancient tradition of dropping rose petals from the open oculus happens at noon every Pentecostal Sunday during Mass.  The rose petals symbolize the descent of the Holy Spirit falling on the apostles and the faithful, and it dates back as early as 600 years after the birth of Christ.  Vigili del Fuoco (firefighters) of Rome, climb on top of the Pantheon’s dome, and drop thousands of rose petals as the choir chants the sequence of Veni Sancte Spiritus.
    L'oculo del Pantheon di 2000 anni di..aria
  • “The evening reflections at Villa Borghese – Rome”…<br />
<br />
I stumbled into photography just before graduation at the U of TN while volunteering at a local hospital where I was influenced to attend Brooks Institute.  The instructors preached the technical aspects of photography, and upon graduation…we could implement our own artistic vision.  As a commercial photographer since graduation, I have had little time to express my artistic vision…until I went to Italy for the first time, where I discovered my true love and passion!  I consider myself a “contemplative” photographer, and as such, I have a three-part process to achieve my final presentation for each image: the discovery, how I perceive the image creation, and how I hope others will perceive the image.  This artistic pursuit, I imagine, is similar to Michelangelo viewing a piece of marble for the first time.  Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake.  Surrounding this small lake is a three-foot iron fence, which I now affectionately call “Il lago di dolore”, or Lake Pain!  I tried to cross this iron fence with camera in hand and a 20lb bag on my shoulder…needless to say, it did not go well!  Despite the intense pain, I continued to take 60 images around the lake, and upon return home, I stubbornly refused to look at them until recently.  My disdain for Lake Pain kept me from discovering the true artistic vision I first saw when I began creating these images. I finally gave into the contempt I had for the Lake and began working on several images.  Perhaps, the viewer will perceive the great pain it took to finally engender a feeling of solace and peace in the true vision, and find that suffering eventually brought forth eminent beauty.  As for this photographer, Il lago di dolore will be a constant reminder that the creation of great art sometimes endures great pain!
    Le riflessioni della sera a Villa Bo..Roma
  • "Pope Pius IX prays before the altar of Santa Maria Maggiore in Rome"...<br />
<br />
The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica.
    Papa Pio IX prega davanti all'altare..Roma
  • Il Battistero Nella Basilica di Sant..Roma
  • “The glow of the Holy Cross in the ruins of the Colosseum”…<br />
<br />
The Colosseum is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque, stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.  It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.
    Il bagliore della Santa Croce tra le..sseo
  • “A perfect evening overlooking the Colosseum”…<br />
<br />
A sunlit and pleasant view of the ancient and organic Colosseum.  The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  I created this image in the late evening as the guards ushered me out for closing time.
    Una serata perfetta che si affaccia ..sseo
  • "Late afternoon light illuminates the saturated colors of Venice"...<br />
<br />
I am not sure if I am the first to describe Venice as “organic”; however, there has never been a more perfect description to define Venice’s ever changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. This image was taken near a small canal in front of The Santa Maria Gloriosa dei Frari (St. Mary of the Friars), known locally as Frari, one of the great churches of Venice. The late afternoon sunlight stimulated the glowing, magical, and saturated Venetian colors.
    La luce del tardo pomeriggio illumin..ezia
  • “Boats patiently waiting to set sail in Riomaggiore”…<br />
<br />
I began my daily journey at the northern most town of Monterosso and took the train to the southernmost town of Riomaggiore. Upon arriving in this picturesque seaside village and moving down to the water’s edge, I noticed proprietor Francesco in front of a tiny boat rental sign.  After arranging an evening sail up the coast, I was able to focus on the colorful persona of Riomaggiore. That evening I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. Upon arriving back home in Monterosso, soft light illuminated the sky and azure sea of the Mediterranean convincing me to sail all the way back to Riomaggiore with my gracious guides Claudio and Eddie of "Cinque Terre dal Mare" sailing excursions. We arrived just in time for a perfect sunset. After a nice dinner...I caught the last train at midnight back home to Monterosso. A very long day, but worth every minute!
    Barche pazienza in attesa di salpare..iore
  • “The Colosseum asking peace from the heavens above”…<br />
<br />
The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. It is considered one of the greatest works of Roman architecture and Roman engineering in history.  Occupying a site just east of the Roman Forum, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  On my last evening in Italy, as the guards ushered me out at closing time…I photographed this dramatic cloud structure hovering mystically from the heavens above.
    Il Colosseo chiedendo pace dai cieli..opra
  • “Papà’s Embrace - A Painting by Dino Carbetta” ...<br />
<br />
In this intimate and profoundly moving portrait, Pope Francis is depicted embracing a young child, a moment of pure tenderness and compassion. The close-up composition captures the deep emotions reflected in their faces—the gentle warmth of a shepherd and the innocent trust of a child. As Papà Francesco, he is more than just the leader of the Church; he is a father to the faithful, especially to the poor, the marginalized, and the forgotten. His papacy has been defined by an unyielding commitment to those in need, reaching beyond borders, divisions, and prejudices to offer the healing embrace of Christ. His paternal care reflects God's boundless love, recognizing only the human soul in need of grace, regardless of status or wealth. Yet, this calling has not been without suffering. Like a shepherd in turbulent waters, Pope Francis has faced relentless challenges from an indifferent world and from within his flock. The Church, a vessel of salvation, is also a place of great human struggle, where pride, rigidity, and division sometimes overshadow the very message of Christ. Some believe they hold the fullness of truth, are unwilling to listen, quick to judge, and slow to love. And yet, through it all, Papà Francesco presses forward, undeterred in his mission, carrying the burdens of leadership with the heart of a servant. All he has ever sought is to bring the world closer to Christ. To remind the faithful that mercy triumphs over judgment, that love conquers discord, and that true wisdom is found not in self-righteous certainty, but in humble service. Papà’s Embrace is not just a moment of tenderness—it is a testament to a shepherd’s endurance, a father’s unwavering love, and a disciple’s relentless pursuit of the Gospel. In this embrace, we see the heart of a man who has given everything to guide souls home. May we, too, find the humility to embrace one another, as Christ embraces us all.
    Papà’s Embrace - A Painting by Dino ..etta
  • “Agony in the Garden – Painting by Dino Carbetta” …<br />
<br />
The agony in the Garden of Gethsemane encompasses Holy Week in the life of Jesus. Occurring after the Last Supper, before his betrayal and arrest, all part of the Passion of Jesus leading to his crucifixion and death. This episode is described in the three Synoptic Gospels in the New Testament. According to these accounts, Jesus, accompanied by Peter, John, and James, enters the garden of Gethsemane on the Mount of Olives where he experiences great anguish and prays to be delivered from his impending suffering, while also accepting God's will. Immediately after the Last Supper, Jesus retreated to a garden to pray. Jesus was accompanied by three Apostles: Peter, John, and James, whom he asked to stay awake and pray. He moved "a stone's throw away" from them, where he felt overwhelming sadness and anguish, and said "My Father if it is possible, let this cup pass me by. Nevertheless, let it be as You, not I, would have it." Then, a little while later, he said, "If this cup cannot pass by, but I must drink it, Your will be done!" He said this prayer thrice, checking on the three apostles after each prayer and finding them asleep. He commented: "The spirit is willing, but the flesh is weak". An angel came from heaven to strengthen him. During his agony as he prayed, "His sweat was, as it were, great drops of blood falling upon the ground" (Luke 22:44). In Roman Catholic tradition, the Agony in the Garden is the first Sorrowful Mystery of the Rosary and the First Station of the Scriptural Way of The Cross Catholic tradition includes specific prayers and devotions as acts of reparation for the sufferings of Jesus during His Agony and Passion.
    Agonia Nell'Orto – Dipinto di Dino C..etta
  • “Spring Mystical Reflections of Villa Borghese – Rome”…<br />
<br />
Villa Borghese in Roma is a famous Garden and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus. Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and give time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Primavera Riflessioni Mistiche di Vi..Roma
  • “Sunset view of Manarola from the azure Tyrrhenian Sea” …<br />
<br />
I began my daily journey at the northernmost town of Monterosso and took the train to the southernmost town of Riomaggiore. I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. This image was composed of standing on the rooftop of the antique 28-foot Angelina’s galley with my arms around the mast and my 25-pound camera bag strapped over my shoulder, creating a human tripod for support. I could not help noticing tourists in each village photographing our boat as we sailed up and down the coast; perhaps it was the image of a silly photographer hanging on for dear life as the waves wobbled the boat side to side in anticipation of a splashdown?! Leaving for my destination of Monterosso, the radiant sunset illuminated the sky and the azure sea of the Mediterranean. I was convinced to sail back to Riomaggiore with my gracious guides Claudio and Eddie of the "Cinque Terre dal Mare" sailing excursions. We arrived just in time for the perfect magic-hour glow of the setting sun. After a nice dinner...I caught the last train at midnight back home to Monterosso. There is a great appeal in each of the five Cinque Terre villages, each with a different history, people, elements, and culture. This illuminating sunset of Manarola was captured just before arriving back in Riomaggiore. Arrivederci, Manarola!
    Tramonto vista di Manarola fin da il..Mare
  • “Monument of Madonna embracing the Cross in the Basilica of Santa Maria Maggiore in Rome”…<br />
<br />
The first major stop on my first visit to Rome was The Patriarchal Basilica of Saint Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, Saint Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. I found Saint Mary in a spectacular monument to Cardinal Agostino Favoriti, 1685, by Filippo Carcani. The famous 17th-century cardinal is shown seated at a desk behind large allegorical figures of Fortitude (with the lion) and Saint Mary representing religion. Of the very large monument, Mother Mary stood out to me, as one cannot help feeling blessed by her compassionate presence, and the luminescent glow of light gently descending upon her face, revealing her abiding love for her precious son. Pope Benedict XVI, speaking about Pope John Paul II of suffering and his love of the Holy Mother; “in that last Easter Sunday of his life, the Holy Father, marked by suffering, came once more to the window of the Apostolic Palace and one last time gave his blessing Urbi et Orbi (‘to the city and the world’). “We can be sure that our beloved pope is standing today at the window of the Father’s house, that sees us and blesses us. Yes, bless us, Holy Father. We entrust your dear soul to the Mother of God, your Mother, who guided you each day and who will guide you now to the glory of her Son, our Lord Jesus Christ. Amen.”
    Monumento di Madonna abbracciando La..Roma
  • “Sunrise on the Veranda in Positano”…<br />
<br />
A hush blanketed Positano in the stillness of early morning, as if Heaven itself had breathed softly upon its pastel cliffs. It was my final day in this dreamlike haven, and by divine fortune, the dawn greeted me with golden silence and a sea of waking light. As I began the steep descent into the heart of the village, my eyes were drawn to a hidden veranda, perfectly perched with a view that seemed kissed by angels. A locked gate denied entry, but not inspiration. Kneeling in quiet resolve, I threaded my lens through a slender opening in the wrought iron, capturing a single frame of a moment never to return. Such beauty required foresight. This sunrise was the only one I had the grace to plan, requiring careful study of Positano’s winding geography, the play of morning light, and the unpredictable rhythms of the sea and sky. By 10:00 a.m., gentle rain began to fall, as if to seal the morning in sacred memory. By sunset, a biting wind swept in from the Azzurro Sea, closing the day with solemn grandeur. At 6:50 a.m., when this image was taken, the town still slept beneath its canopy of dew and prayer. No footsteps echoed, no voices stirred—only the quiet bloom of bougainvillea and the glint of sun upon majolica. By 8:00, life would return in full flourish: shopkeepers unlocking doors, the scent of espresso in the air, travelers arriving with wide eyes and eager hearts. Of all the sanctuaries I visited across Italy, Positano was the most lush, the most radiant—where even silence bloomed. And in that tranquil veranda at sunrise, Heaven whispered: “Consider how the flowers grow. They do not toil or spin. But I tell you, not even Solomon in all his splendor was arrayed like one of them.” —Luke 12:27
    Alba Sulla Veranda a Positano
  • ”Radiant Saint Teresa of Lisieux - the ‘Little Flower’ - Painting by Dino Carbetta”… <br />
<br />
Saint Therese of Lisieux was a woman who discovered a deep source of God's love and an endless love for others. Despite facing many difficulties throughout her life, she remained calm and joyful. She once said, "I prefer the quiet sacrifices of everyday life to the most ecstatic experiences. Even picking up a pin out of love can change someone's life." Her simple message still resonates with millions of people today. Though she only lived for 24 years, Therese believed that her journey was just beginning in serving God, promising to bring goodness to the world from heaven. This promise, known as her "Shower of Roses," continues to flow through the Church. Therese, also known as the "Little Flower," was a Carmelite nun who lived a hidden life in the convent of Lisieux, France. Despite her seemingly uneventful life, she found redemption in quiet endurance and made suffering her mission. She entered the Carmel convent to "save souls and pray for priests," as she said. Pope Pius X called her "the greatest saint of modern times," and she was canonized in 1925. In 1997, Pope John Paul II named her a Doctor of the Church, making her the third woman to receive this honor. Even her parents were canonized in 2015. Though she was known as Therese of the Child Jesus and the Holy Face, she had a profound depth of spiritual maturity that earned her a place among the great spiritual leaders. Her autobiography, "The Story of a Soul," is cherished by many worldwide. As you gaze upon this radiant portrayal, you can't help but be drawn into the world of Saint Thérèse. Her gentle and humble spirit, symbolized by the 'Little Flower,' is radiantly captured in every brushstroke. The delicate colors and intricate details in the painting bring to life the warmth and devotion that characterized her life. Thank you for allowing me to share this poignant piece of art with you.
    Radiosa Santa Teresa di Lisieux - il..etta
  • “Our Lady of Sorrows Radiant Blue - Cathedral of San Rufino, Assisi - Painting by Dino Carbetta”…<br />
<br />
The title "Our Lady of Sorrows" bestowed upon our Blessed Mother beckons our attention to her profound suffering and grief, most notably during the passion and death of our Lord. It encompasses the seven sorrows of Mary, as foretold by the Priest Simeon. "This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed, and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare" Lk 2:34-35. These seven sorrows of our Blessed Mother weave a poignant narrative: the flight of the Holy Family into Egypt, the loss and finding of the child Jesus in the Temple, Mary's encounter with Jesus on His way to Calvary, her presence at the foot of the cross during our Lord's crucifixion, cradling Jesus as He was taken down from the cross, and His burial. In the prophecy of Simeon, a sword would pierce our Blessed Mother's heart, and find its fulfillment. Mary is depicted with her heart exposed and seven swords piercing it, symbolizing her profound sorrows. Her unwavering courage, love, and trust with which Mary embraced each trial, echoing her initial fiat: "Let it be done unto me according to thy word," first spoken at the Annunciation. This unwavering faith is beautifully depicted in the Adoration of the Madonna as a participant in the Passion of Christ, as captured in the iconographic tradition in 1672. Luke 2:34-35 serves as the foundation of this profound portrayal: "He blessed them and said to Mary his mother: 'Behold, this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; and thy own soul a sword shall pierce, that out of many hearts, thoughts may be revealed.'" In "Our Lady of Sorrows," we witness not only the depths of Mary's sorrow but also the enduring strength of her faith, an inspiration for all who encounter this ethereal work of art.
    Madonna Addolorata Radiante Azzurre ..etta
  • “The Blessed Virgin Mary - Painting by Dino Carbetta”… <br />
<br />
Embarking on this artistic journey is a deep, reflective experience. The canvas graciously hosts the expression of my imaginative essence, enabling a tender exploration of the intricacies surrounding the imminent Mother of Christ with profound empathy and understanding. I find myself captivated by the authentic and tender expression emanating from the divine radiance of the Holy Spirit within her essence. Throughout the nuanced process of creation, my musings invariably gravitated toward my venerable Maternal figure, whose boundless love and nurturing served as an inspiring wellspring. Endowed with blessings of unfathomable magnitude, she embarked on a courageous odyssey, irrevocably altering the trajectory of humanity. Through her steadfast devotion and unwavering trust in the Divine, she emerges as an enduring beacon of optimism, guiding souls toward the transcendental path. Her unassuming heart acknowledges her divine role as a servant of the Divine, a reflection of boundless mercy extending through generations to those who revere the Supreme. It extols the divine strength fortifying the unpretentious and humbling the haughty, illustrating divine justice upholding the oppressed and showering the indigent with abundance. Mary's unwavering faith and the divine grace bestowed upon her elevate her to a timeless symbol—incarnating hope, love, and devotion across epochs. As observers engage with the painting, my profound aspiration is for them to discern the beauty and profound significance embodied by the Blessed Virgin Mary, to be stirred by her celestial presence, and to recognize the enduring impact she continues to exert on the spiritual odyssey of humanity. May this artistic creation stand as an elevated beacon, impelling all to embrace the profound realms of faith, love, and devotion, finding solace in the enduring legacy of the Virgin Mother.
    La Beata Vergine Maria - Dipinto di ..etta
  • “Mystic Reflections of Villa Borghese – Rome”…<br />
<br />
Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus.  Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, the Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and gives time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Riflessioni Mistiche di Villa Borghe..Roma
  • “Pieta - Church of Saint Moses Venice - BW”… <br />
<br />
Sixth Sorrow: The Crucifixion and Descent from the Cross: After this, Joseph of Arimathea, secretly a disciple of Jesus for fear of the Jews, asked Pilate if he could remove the body of Jesus. And Pilate permitted it. So he came and took his body” (Jn 19:38). Saying, “It is finished,” Jesus bows his head and dies. Mary remembers his words at the Passover meal: “This cup is the new covenant in my blood, which will be shed for you” (Lk 22:20). The dreaded time is now: the precious blood of her son is poured out for all humankind. The covenant is sealed. Jesus, her son, the Son of God, is dead. In her heart, Mary dies with him. Two broken hearts—one pierced with a spear, one pierced with sorrow—become one: Jesus and Mary, forever united for the whole human family. Mary’s sorrow is all the greater because of the greatness of her love. Jesus’ body is taken down from the cross and placed in her arms. Mary embraces her son with a love beyond words, beyond grief itself. For now, it is the grief of a consummate sorrow. She, who had given birth to divinity, now presses the bloodied and battered remains of his humanity close to her sorrowful and shattered heart. “Let it be done according to thy will, Lord,” she prays. Our first stop was Chiesa di San Moisè, built initially in the 8th century. It is dedicated to Moses, and like the Byzantines, the Venetians often considered Old Testament prophets as canonized saints. It also honors Moisè Venier, the aristocrat who funded the reconstruction during the 9th century. San Moisè is the parish church of one of the parishes in the Vicariate of San Marco-Castello. The elaborate Baroque facade, dating from 1668, is profusely decorated with sculpture. This Bellissimo Pietà is by Antonio Corradini, the famous Italian Rococo sculptor. We continued to the Basilica dei Frari which was foremost and Chiesa di San Geremia to visit St. Lucy.
    Pieta - Chiesa di San Moisè Venezia - BW
  • “Father Peek Elevates the Host for Adoration - The Patriarchal Cathedral Basilica of San Marco Venice”…<br />
<br />
On the final day of our pilgrimage, we arrived in Venice, a city that breathes history and faith. We began our journey with a bus ride from Padua to the Venetian Lagoon, where a private boat carried us to the Patriarchal Cathedral Basilica of San Marco. This architectural masterpiece and spiritual haven was the perfect culmination of our journey. My first visit to Venice left me longing for a deeper connection with this sacred place. This time, our pilgrimage granted us a special appointment for Mass in the Basilica’s main Sacristy. The space, normally hidden from public view, became the setting for a profound moment of worship led by our beloved Father Peek. As he elevated the Host for adoration, I captured a photograph that forever holds the essence of our journey—a sacred encounter with the divine. Father Peek, whose devotion to God and his flock is unwavering, is now the pastor of one of my childhood churches. His spirit reflects Christ’s love, and his leadership inspires all who know him. We also discussed another pilgrimage to Italy, an invitation for all who seek to deepen their faith and witness the beauty of our Church in the heart of Italy. While I could not take more photographs during our tour of St. Mark’s, the hidden corridors we walked left an indelible mark on my spirit. St. Mark’s Basilica endures as an iconic testament to the faith that has sustained it for centuries. St. Mark’s presence fills the air, his fatherly spirit guiding us through the mysteries of faith. Venice enchants with its canals and grandeur, but for me, its true heart beats within St. Mark’s. The Eucharist is the center of our faith, a profound encounter with Christ that transcends time and space. In the elevation of the Host, we are drawn into the very heart of God, a mystery that continues to unfold with each step of our journey.
    Padre Peek eleva I'Host per l'Adoraz..ezia
  • "Crucifix of the Basilica Sacristy inside the Patriarchal Cathedral of San Marco Venice"... <br />
<br />
“God of hope and mercy, we lift up to you all victims of natural disasters and those responding with assistance and aid. Protect all who are in any form of danger; provide practical help to those in need; strengthen the weary, console the grieving, heal the suffering; and bless those engaged in disaster relief efforts with safety and courage. Help all people of good will respond with compassion and generous hearts. Amen.”<br />
The last day of our Pilgrimage of 2019 was spent in Venice. Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass offered by our Father Peek. Our last Mass of 2 weeks of travel throughout Italy could not have ended in a more appropriate location. My first visit to Venice was in 2012 like all tourists, I waited in line at St. Marks Basilica and was rushed through with limitations. The crowds and speed in which they pushed us through was quite underwhelming. Our Pilgrimage of 2019 reserved a special appointment for Mass in the Basilica’s main Sacristy. I photographed each Mass, but I made sure when arriving in the area of this picture, which is the final prayer and preparation for each Priest offering Mass anywhere in the Basilica. The main focus is the Crucifix in front of a kneeler, and various last minute preparation for Divine Liturgy. I was not allowed further images on the rest of the tour of St. Marks, but the intensive back-room maze we were lead to and from our destination gave me the spiritual, historical, and reverent image in my heart and soul that I so desired from this magnificent structure and its contents. I was quite overwhelmed with the ancient beauty, and the fact St. Mark watches over his earthly home with a Fatherly Spirit. To me, Venice is intoxicating and a place of passion, and it all begins at the Cathedral of St. Marks.
    Crocifisso Sagrestia della Basilica ..ezia
  • “The prophet Isaiah at the base of the Column of the Immaculate Conception – Rome”…<br />
<br />
The column is situated next to the Piazza di Spagna in the adjacent Piazza Mignanelli in front of the Spanish Embassy in Rome near the Palace of the Propagation of the Faith. It was realized by the architect Luigi Poletti and inaugurated in 1857 on the 8th December thanks to the work of 220 firemen. The work is dedicated to the dogma of the Immaculate Conception that was proclaimed by Pope Pius IX, in 1854, with the Apostolic Constitution Ineffabilis Deus. This dogma states that Mary is the only human being who was born without original sin. The statues are the work of Giuseppi Obici. On the base of the column are 4 bronze statues of Moses, David, the prophet Ezekiel and Isaiah. Below each statue is a verse from the Sacred Scriptures that refers to the dogma of the Immaculate Conception. Below this statue of Isaiah, we find the verse: “Therefore the Lord himself will give you this sign: the virgin shall be with child, and bear a son, and shall name him Immanuel.” (Is 7:14)  Each year, on the 8th of December the Church celebrates the solemnity of the Immaculate Conception. In the afternoon the Holy Father visits the Piazza di Spagna to place roses as an act of homage to Our Lady, at the statue of the Virgin. These roses indicate the love and devotion of the Pope, the Church and the people of the city of Rome for the Virgin Mary. With these roses, the desire is to depose each of anxiety and place hope at the foot of the celestial Mother of the Redeemer. The late afternoon sun was shining directly on the Prophet Isaiah’s pen in anticipation of his divinatory words.
    Il profeta Isaia alla base della Col..Roma
  • “Christ in Paradise - the Basilica of Santa Maria Gloriosa of the Frari Venice”…<br />
<br />
A view from the Altar in front of Titian’s great painting, peering toward an extraordinary bestowment of artistic reverent beauty of Heaven. The complexity and aggregate of all the artwork involved in this presentation are a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. However, the Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed to sneak a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a very large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and necessitated by the very large church. The wood crucifix from 1468, hangs over the entrance of the choir. Traditionally, there was a Calvary hanging above the choir and beside the Crucifix, there are the sculptures of the Madonna and Saint John the Evangelist. It is very likely that – thanks to His beauty and relevance – this crucifix was taken as a pattern for many others in Venezia and the Veneto region. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    Cristo in Paradiso - la Basilica di ..ezia
  • "A million faces of Jesus by Dino Carbetta - Infinite"...<br />
<br />
Daniel 10: 5-6 “As I looked up, I saw a man dressed in linen with a belt of fine gold around his waist. His body was like chrysolite, his face shone like lightning, his eyes were like fiery torches, his arms and feet looked like burnished bronze, and the sound of his voice was like the roar of a multitude.” Genesis 1:27 “God created mankind in his image; in the image of God he created them; male and female he created them.” Since early childhood my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel and touch this beatific vision.  Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. The blessed see God, not merely according to the measure of His likeness imperfectly reflected in creation, but they see Him as He is, after the manner of His own Being. 1 Corinthians 13:12 “At present, we are looking at a confused reflection in a mirror; then, we shall see face to face; now, I have only glimpses of knowledge; then, I shall recognize God as he has recognized me.”
    Un milione di volti di Gesù di Dino ..nito
  • “Ring side seat Colosseum”…<br />
<br />
A sunlit and pleasant view of the ancient and organic Colosseum.  The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  I created this image in the late evening as the guards ushered me out for closing time.
    Sedile laterale anello Colosseo
  • "Twilight falls on the village of Riomaggiore"...<br />
<br />
I began my daily journey at the northern most town of Monterosso and took the train to the southernmost town of Riomaggiore. Upon arriving in this picturesque seaside village and moving down to the water’s edge, I noticed proprietor Francesco in front of a tiny boat rental sign.  After arranging an evening sail up the coast, I was able to focus on the colorful persona of Riomaggiore. That evening I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. Upon arriving back home in Monterosso, soft light illuminated the sky and azure sea of the Mediterranean convincing me to sail all the way back to Riomaggiore with my gracious guides Claudio and Eddie of "Cinque Terre dal Mare" sailing excursions. We arrived just in time for a perfect sunset and a perfect evening for creating bellissimo new images. After a nice dinner...I caught the last train at midnight back home to Monterosso. A very long day, but worth every minute!
    Crepuscolo cade sul villaggio di Rio..iore
  • “Venice Sun Evening Reflections”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic”; however, there has never been a more perfect description to define Venice’s ever changing persona.  Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out.  Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight.  The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope.  Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul.  My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images.  Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload.  Sometimes we get lucky, and sometimes blessed…taking the water taxi during a downpour from the airport to my hotel was a bit disconcerting.  However, when the sun finally came out, my little hotel became the key to the entire Venetian world!  The view from the tiny hotel dock as the sun breaks, and one of the first 75 images taken in Italy.
    Venezia Sole di Sera Riflessioni
  • "Altar of the basilica of the Arch of San Giovanni in Laterano"...<br />
<br />
Dedicated to St. John the Baptist and St. John the Evangelist, the Basilica of St. John Lateran is the first among the four major basilicas of Rome. It is also the Cathedral of the Bishop of Rome, the Pope, and is thus known as the "Cathedral of Rome and of the World." Built by Constantine the Great in the 4th century, San Giovanni in Laterano was the first Christian/Catholic church erected in Rome. The present structure of the Basilica resembles Saint Peter's Basilica, and the ancient church was residence of the Papacy until the (1377) return from exile in Avignon and permanent relocation to the Vatican. Many Popes were responsible for repair and additions to the Basilica’s overall splendor and importance throughout the last 1700 years.
    Altare della basilica dell'Archil di..rano
  • "The nave of the Basilica of Santa Maria Maggiore - Rome"...<br />
<br />
The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica.
    La navata della Basilica di Santa Ma..Roma
  • “Fountain of the goddess Roma in People's Square”…<br />
<br />
Staying in a hotel which was a converted Monastery, Residenza Di Ripetta is between Piazza del Popolo and the famous Spanish Steps, centers of activity in Roma.  Piazza del Popolo is a harmonious oval piazza situated near Borghese Park. Three churches border the square and located in the center is an ancient obelisk from Heliopolis, Egypt dating from 1300 BC.  Santa Maria del Popolo is the most celebrated of the churches, built in the year 1477 and containing sculptures from Bernini and paintings from one of my favorite artists, Caravaggio.  The fountain on the western end of the square is the Fontana del Nettuno and shows Neptune accompanied by Tritons. The fountain opposite the Neptune Fountain, at the foot of the Pincio Gardens, is known as the Fontana della dea di Roma. The central figure is the goddess Rome, flanked by allegorical figures representing the rivers Tiber and Aniene. Below the goddess is a statue of a she-wolf suckling Remus and Romulus, founders of Rome.  This is a very common and visited site in the Piazza, but I was fortunate to have perfect skies and stationary subjects for the creation of the image.
    Fontana della dea Roma in Piazza del..polo
  • "Basilica di San Marco - Venice"...<br />
<br />
St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace.  St. Mark’s Square and the Basilica are the central tourist focal points and most crowded of Venice.  The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD.  After a long wait in line to enter the Basilica (with no photos allowed), the interior was quite unique.  As I headed for the exit, I noticed a very steep staircase and followed it upward.  I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica.  At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica.  The horses date to Greece in the 4th century BC, and were eventually displayed at the Hippodrome in Constantinople until Venice sacked them in 1204 AD; also, Napoleon forcibly took them to Paris.  In 1815, the now almost 2500 year old horses made it safely back to Venice.  They are very much worth viewing, and if you stare for a moment…they come to life.  I eventually made my way for a prominent view atop the tiny rooftop terrace in the front of the Basilica, which mesmerized with commanding views of St. Mark’s Square and adjacent Doge’s Palace.
    Basilica di San Marco - Venezia
  • “Dusk falls on the Colosseum in Rome”…<br />
<br />
The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  As evening descended on the ancient Colosseum, the sun and the clouds performed a mystical light show to the delight of the weary travelers and one adrenalized photographer.
    Crepuscolo scende sul Colosseo di Roma
  • “The Holy Cross blesses the Christian martyrs of the Roman Colosseum – II”…<br />
<br />
This is one of the most poignant and meaningful images of my entire Italian journey. The Holy Cross stands very majestic as evening descends on the ancient ruins.  The Colosseum has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque, stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  Viewing the iconic Colosseum for the first time…I was in awe.  It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.
    Il Santa Croce benedice i martiri cr..- II
  • “Van Gogh Style of a Café Terrace at Night in Venice Italy - Painting by Dino Carbetta ...<br />
<br />
In this homage to Vincent van Gogh's brilliance, I seamlessly intertwine his masterful style with the mesmerizing allure of Venice. With bold brushwork and vibrant hues reminiscent of van Gogh's signature technique, I aim to capture the lively spirit of Venice's romantic ambiance. Each stroke aims to transport viewers to the island's heart, where the gentle glow of moonlit waters casts an enchanting spell of warmth and intimacy. The Café Terrace, central to van Gogh's original masterpiece, beckons viewers to envision themselves amidst the joyful chatter of patrons along the Venetian Canals. By meticulously channeling van Gogh's vision and infusing it with the vibrant vitality of Venice, I present a captivating tableau that not only honors his artistic legacy but also offers a fresh perspective on the timeless allure of Venice. This homage to van Gogh's use of color and form breathes life into the canvas, capturing the dynamic energy of Venetian architecture and canals while celebrating its rich religious history. Each brushstroke resonates with a sense of wonder and vitality, inviting viewers to delve into the rich tapestry of Venetian life. From the picturesque canals to the serene café terrace, meticulously rendered to evoke depth and immersion, this artwork embodies van Gogh's essence while embracing the eternal beauty of Venice. This artwork combines van Gogh's genius with Venice's charm. Let us cherish the enchanting beauty of art and its profound connection to life. "Café Terrace at Night in Venice, Italy" is a poignant reminder of art's ability to unite us in a shared experience of beauty and wonder, transcending boundaries and enriching our lives with its timeless allure. St Mark's Campanile is Venice's tallest structure and a city symbol, with a weathervane of Archangel Gabriel on top.
    Stile Van Gogh di una Terrazza di un..etta
  • "St. Jerome in front of the Miracle of St. Joseph of Cupertino - Santa Maria Gloriosa dei Frari Venezia”...<br />
<br />
Alessandro Vittoria's masterpiece, the statue of St. Jerome, unveiled in 1564, stands as a stunning testament to the artistic grandeur of the 16th century. Deeply influenced by Michelangelo’s renowned sculptures at the sacristy of St. Lorenzo in Florence, Vittoria’s work captures the essence of the human condition with an extraordinary command of form and emotion. His St. Jerome exudes a profound sense of contemplation, reflecting the timeless brilliance of Renaissance art. In the 18th century, Giuseppe Nogari immortalized "The Miracle of St. Joseph of Cupertino," the saint famed for his miraculous levitations during prayer. Nogari’s depiction transcends mere representation, evoking a sense of the divine through its emotional intensity, subdued elegance, and color palette rich with shadow and light, often setting aged figures against a darkened backdrop. Among the historic wonders of Italy, the Basilica di Santa Maria Gloriosa dei Frari holds a sacred place. From the outside, its brick façade may appear simple, in keeping with the Franciscan tradition of accommodating large congregations, but the moment you step inside, an overwhelming sense of ancient beauty and grandeur emerges. Built in the early 15th century, this Gothic marvel unfolds like a treasure trove of Venetian Renaissance art, a space that feels more like a museum than a church. And then, there’s the memory of gelato—a flavor, a sensation forever tied to Italy’s allure, awakening a universal longing. Yet Venice, with all its hidden spirituality and untold secrets, remains etched in the soul. Beyond the city’s surface charms lies a realm where the sacred and the everyday coexist, creating an eternal source of inspiration and wonder for those willing to seek it. Venice, with its enigmatic charm and profound spiritual undertones, continues to captivate the soul.
    San Girolamo di fronte al Miracolo d..ezia
  • “This Is the Lamb of God, Who Takes Away the Sins of the World – Painting by Dino Carbetta”...<br />
<br />
At the hour when darkness veiled the earth, the Son of God offered Himself upon the wood of the Cross. From noon until three, creation held its breath. Then came the cry: “Eli, Eli, lema sabachthani?”—“My God, my God, why have You forsaken Me?” It was not a cry of despair, but the voice of the Redeemer, bearing the weight of sin, drinking to the dregs the chalice of suffering. And in His final breath, He surrendered His spirit. In the painting, Christ is shown crucified—His body broken, His gaze lifted to the Father. Below Him stands the Lamb, unblemished, silent, looking upward. It is not merely a symbol; it is the fulfillment of prophecy. The Lamb beneath the Cross is not separate from the Man above it. They are one. The Victim. The Offering. The Salvation of the world. Long before Golgotha, John the Baptist beheld Him and proclaimed, “Behold, the Lamb of God, who takes away the sin of the world.” The Spirit descended like a dove and remained upon Him. The voice in the wilderness had recognized the eternal Son—the One who came before him, the One who would baptize not with water, but with fire and Spirit. This is the Lamb. Pure. Willing. Divine. Offered not in a temple made by hands, but upon the altar of the world. Good Friday is not defeat—it is glory hidden in suffering, love poured out in silence. Today, we do not turn away. We look. We weep. We adore. Behold the Lamb. He has taken upon Himself the sins of the world. May the sorrow of this day deepen our love, and may the Lamb of God, in His mercy, draw us ever closer to His Sacred Heart.
    Ecce Agnus Dei, Ecce Qui Tollit Pecc..etta
  • "Sun hiding behind the Macuteo Obelisk - Roman Pantheon"...<br />
<br />
Eventually, one discovers that God finds a way where there is none. A very crowded Pantheon at 3:00 PM in the bright afternoon made creative photography impossible. However, getting on my knees and placing the sun behind the cross of the Obelisk created a phenomenal appeal. All are original, including the landing dove/pigeon and sun flare. The Obelisk was originally built by one of the most famous Egyptian Pharaohs about 1300 years before Christ by Pharaoh Ramses II for the Temple of Ra in Heliopolis and brought to Rome in ancient times. It was rediscovered in 1374 underneath the apse of the nearby Basilica of Santa Maria Sopra Minerva. In the mid-15th century, the obelisk had been erected in the small Piazza di San Macuto some 200 meters east of the Pantheon, where it remained until its 1711 move to the Piazza della Rotonda. It is still called the Obelisco Macutèo after its previous location. Fontana del Pantheon was constructed by Giacomo Della Porta under Pope Gregory XIII in 1575, and the obelisk was added under Pope Clement XI. The city of Rome harbors the most obelisks in the world. There are eight ancient Egyptian and five ancient Roman obelisks. The Romans used special heavy cargo carriers called obelisk ships to transport the monuments down the Nile to Alexandria and from there across the Mediterranean Sea to Rome. On-site, large Roman cranes were employed to erect the monoliths. The obelisk is crowned by a bronze cross, the symbol of Jesus Christ. One idea that can be drawn from this is that Christianity—the cross of Jesus Christ—conquers paganism.  Another idea is that the obelisk represents the human desire for God which is only fulfilled in the Cross of Christ.
    Domenica di nascondersi dietro il Ma..heon
  • “St. Paul's in front of the Papal Basilica St. Paul Outside the Walls”…<br />
<br />
Erected during the fourth century AD, the Basilica of St. Paul Outside the Walls (Basilica di San Paolo Fuori le Mura) is one of the four major basilicas of Rome, and the second largest after St. Peter's Basilica. It was founded on the burial ground of St. Paul. St. Paul, armed and ready with a sword, is one of the most common statues or paintings seen in Catholic Churches around the world. He is frequently depicted with a sword for two primary reasons. The first reason is because St. Paul is well-known for his epistle to the Ephesians, where he famously describes the “armor of God.” He uses the armor that was commonly worn by a Roman Solider to describe a spiritual armor that prepares a Christian to “stand against the wiles of the devil. For we are not contending against flesh and blood, but against the principalities, against the powers, against the world rulers of this present darkness, against the spiritual hosts of wickedness in the heavenly places” (Ephesians 6:11-12). A few verses later St. Paul writes, “And take the … sword of the Spirit, which is the word of God” (Ephesians 6:17). The second reason why St. Paul often carries a sword is because of a long-standing tradition of depicting martyr saints with the instrument of their death. As St. Paul was a Roman citizen, he was not eligible to be crucified. Instead, St. Paul was decapitated with a sword outside of the walls of Rome. So while St. Paul may not have been a fierce warrior, he was a “soldier of God,” fighting valiantly to spread the Kingdom of God on earth.
    San Paolo di fronte alla Basilica Pa..Mura
  • “Baldachin Golden Angel Candelabra - Santa Maria Maggiore in Rome”…<br />
<br />
On our Pilgrimage of 2019, the second morning in Roma began with Mass at the Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. This was my second visit to this perfect Bellissimo Basilica where I found familiar faces and comfort in this exquisite sanctuary. The spiritual treasures found here are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. I could not find the artist who sculpted this lifelike larger than life gold angel, but his expression welcomes all to the blessings of God and His Church. Pope Benedict XVI, speaking about Pope John Paul II of suffering and his love of the Holy Mother; “in that last Easter Sunday of his life, the Holy Father, marked by suffering, came once more to the window of the Apostolic Palace and one last time gave his blessing Urbi et Orbi (‘to the city and to the world’). “We can be sure that our beloved pope is standing today at the window of the Father’s house, that sees us and blesses us. Yes, bless us, Holy Father. We entrust your dear soul to the Mother of God, your Mother, who guided you each day and who will guide you now to the glory of her Son, our Lord Jesus Christ. Amen.”
    Baldacchino oro Angelo Candelabra - ..Roma
  • “The Basilica of Santa Maria della Salute Venice radiates in the distance on the Grand Canal- Ultramarine blue”…<br />
<br />
Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God." The Basilica di Santa Maria della Salute, commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a conspicuous position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite reverently quaint interiorly.
    La Basilica di Santa Maria della Sal..mare
  • “View from the Grand Canal of the church of San Giorgio Maggiore in Venice”…<br />
<br />
The first church on the island was built about 790, and in 982 the island was given to the Benedictine order by the Doge Tribuno Memmo. The Benedictines founded a monastery there, but in 1223 all the buildings on the island were destroyed by an earthquake. Andrea Palladio, an Italian Renaissance architect active in the Venetian Republic was commissioned for the rebuild. Palladio, influenced by Roman and Greek architecture, is widely considered to be one of the most influential individuals in the history of architecture, began the rebuild in 1560 and made dramatic improvements. The campanile was rebuilt in neo-classic style and completed in 1791. It was ascended by ramps and now an elevator to the top for panoramic views of Venice. The facade is brilliantly white and represents Palladio's solution to the difficulty of adapting a classical temple facade to the form of the Catholic Basilica. Two very large paintings by Tintoretto relate to the institution of the Eucharist and are located on either side of the presbytery, where they can be seen from the altar rail. “The Last Supper” and “The Jews in the Desert” (collecting and eating the manna, a gift of God to the Israelites in the Desert after they escaped Egypt, which foretells the gift of the Eucharist). Claude Monet painted a series of paintings of the island Monastery of San Giorgio Maggiore in 1908 during the artist's only visit to the city. One of the best known is “San Giorgio Maggiore at Dusk”, which exists in two versions. Monet completed his paintings of Venice at home in France and in 1912 showed them in Paris. Buyers included the Welsh collector Gwendoline Davies, who bought three paintings. This vision of the Church of San Giorgio is iconic and famous worldwide. My image capture while upon an evening boat excursion appears theatrical as if the majestic church is posing for yet another Venetian canvas.
    Vista dal Canal Grande della chiesa ..ezia
  • “The Holy Cross blesses the Christian martyrs of the Roman Coliseum - BW”…<br />
<br />
This is one of the most poignant and meaningful images of my entire Italian journey. The Holy Cross stands very majestic as evening descends on the ancient ruins.  The Colosseum has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque, stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  Viewing the iconic Colosseum for the first time…I was in awe.  It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.
    Il Santa Croce benedice i martiri cr..- BW
  • “A perfect evening overlooking the Colosseum - BW”…<br />
<br />
A sunlit and pleasant view of the ancient and organic Colosseum.  The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  I created this image in the late evening as the guards ushered me out for closing time.
    Una serata perfetta che si affaccia ..- BW
Next