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![“Apostle, Saint Andrew In front of his Duomo of Sant'Andrea - Painting by Dino Carbetta” …<br />
<br />
Embarking on a rain-soaked ferry journey along the picturesque coast, I made my way to the enchanting seaside town of Amalfi. Normally bustling with tourists transported from everywhere, the Duomo di Amalfi found itself relatively serene on this dreary day. A sacred haven has graced this Amalfi site since the year 596 AD; the ninth-century structure still stands resolute. In the early 13th century, a new cathedral emerged beside the ancient one, providing a dignified resting place for St. Andrew the Apostle. Modern interventions have exposed fragments of the original church, inviting contemplation of bygone eras. St. Andrew, the brother of Saint Peter and a cherished disciple of Christ was also a follower of John the Baptist. Their calling unfolded on the shores of the Sea of Galilee: “As [Jesus] was walking by, he saw two brothers, Simon (Peter), and his brother Andrew, casting a net into the sea; they were fishermen. He said to them, ‘Come after me, and I will make you fishers of men.’ At once they left their nets and followed him” (Matthew 4:18-20). Descending near the east end of the Duomo, a staircase leads to the Crypt of St. Andrew, where his revered relics rest upon the central altar. Adorned with magnificent Baroque murals dating back to 1660, the crypt provides a sacred space for reflection. Kneeling in prayer within this splendid crypt, befitting the memory of the apostle martyred on an X-shaped crucifix, my thoughts meandered into the profound nature of this chosen man turned Disciple and Saint. As I circled to the rear of the altar, I found myself bathed in the eternal light and relics of Saint Andrew. With each prayer, I sensed the essence and presence of this selfless apostle. Much like other sanctuaries and churches across Italy, where saints hail from every corner, I was overwhelmed by deep emotion and an abundance of heartfelt spiritual joy!"](https://www.dinocarbetta.com/img-get2/I00001pdSDmwiFP4/fill=/fit=200x200/I00001pdSDmwiFP4.jpg)
!["Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi"...<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."](https://www.dinocarbetta.com/img-get2/I0000Pf36JaMJDdk/fill=/fit=200x200/I0000Pf36JaMJDdk.jpg)
!["The brave little boat faces threatening skies during a dramatic sunset over Marina Grande Sorrento - Painting"...<br />
<br />
Our last day on the bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. Hallelujah, it was our first free day of the 2019 Pilgrimage and most were heading to Capri. I convinced my fellow Pilgrim Patrick that Marina Grande was the preferred location to commemorate this rain threatened day. Sunday afternoon in this tiny hallowed port on the Mediterranean was bustling, not with tourist, but with energetic and unassuming locals. The misty skies were vulnerable all day with the threat of rain, but the reluctant sun penetrated the clouds for a few fortuitous moments. God painted the skies for brief moments with luminous pastel elements of abstract color. A lonely boat gleamed in the late evening sun resting upon the silent waves. Saint Matthew’s account of Peter trying to walk on water came to mind: “Peter said to him in reply, ‘Lord, if it is you, command me to come to you on the water.” He said, “Come.” Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how [strong] the wind was he became frightened; and, beginning to sink, he cried out, “Lord, save me!” Immediately Jesus stretched out his hand and caught him, and said to him, “O you of little faith,* why did you doubt?” After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, “Truly, you are the Son of God.” (Matt: 14: 28-33) We left after lunch only to humbly return again capturing the evening seascape a few hours before our reservation with the entire Pilgrimage group for a perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare.](https://www.dinocarbetta.com/img-get2/I0000gVyj6XBjMa0/fill=/fit=200x200/I0000gVyj6XBjMa0.jpg)
![“Giving seed to the One who sows, Snow - Painting by Dino Carbetta”…<br />
<br />
[Isaiah 55:10-13] “Yet just as from the heavens the rain and snow come down And do not return there till they have watered the earth, making it fertile and fruitful, Giving seed to the one who sows and bread to the one who eats, So shall my word be that goes forth from My mouth; It shall not return to me empty but shall do what pleases me, achieving the end for which I sent it. Yes, in joy you shall go forth, in peace you shall be brought home; Mountains and hills shall break out in song before you, and all trees of the field shall clap their hands. In place of the thornbush, the cypress shall grow, instead of nettles, the myrtle. This shall be to the LORD’s renown, as an everlasting sign that shall not fail.”](https://www.dinocarbetta.com/img-get2/I0000y7sGUf0wTnY/fill=/fit=200x200/I0000y7sGUf0wTnY.jpg)
![“Our Lady of Sorrows Radiant Blue - Cathedral of San Rufino, Assisi - Painting by Dino Carbetta”…<br />
<br />
The title "Our Lady of Sorrows" bestowed upon our Blessed Mother beckons our attention to her profound suffering and grief, most notably during the passion and death of our Lord. It encompasses the seven sorrows of Mary, as foretold by the Priest Simeon. "This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed, and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare" Lk 2:34-35. These seven sorrows of our Blessed Mother weave a poignant narrative: the flight of the Holy Family into Egypt, the loss and finding of the child Jesus in the Temple, Mary's encounter with Jesus on His way to Calvary, her presence at the foot of the cross during our Lord's crucifixion, cradling Jesus as He was taken down from the cross, and His burial. In the prophecy of Simeon, a sword would pierce our Blessed Mother's heart, and find its fulfillment. Mary is depicted with her heart exposed and seven swords piercing it, symbolizing her profound sorrows. Her unwavering courage, love, and trust with which Mary embraced each trial, echoing her initial fiat: "Let it be done unto me according to thy word," first spoken at the Annunciation. This unwavering faith is beautifully depicted in the Adoration of the Madonna as a participant in the Passion of Christ, as captured in the iconographic tradition in 1672. Luke 2:34-35 serves as the foundation of this profound portrayal: "He blessed them and said to Mary his mother: 'Behold, this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; and thy own soul a sword shall pierce, that out of many hearts, thoughts may be revealed.'" In "Our Lady of Sorrows," we witness not only the depths of Mary's sorrow but also the enduring strength of her faith, an inspiration for all who encounter this ethereal work of art.](https://www.dinocarbetta.com/img-get2/I0000TEOwMlL4oA8/fill=/fit=200x200/I0000TEOwMlL4oA8.jpg)
