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  • “Faith, Hope, and Love – Painting by Dino Carbetta”…<br />
<br />
Psalm 46: 2-8 “God is our refuge and our strength, an ever-present help in distress. Thus we do not fear, though earth be shaken and mountains quake to the depths of the sea, though its waters rage and foam and mountains totter at its surging. Streams of the river gladden the city of God, the holy dwelling of the Most High. God is in its midst; it shall not be shaken; God will help it at break of day. Though nations rage and kingdoms totter, he utters his voice and the earth melts. The LORD of hosts is with us; our stronghold is the God of Jacob.” <br />
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2 Corinthians 4:8-10 “We are afflicted in every way, but not constrained; perplexed, but not driven to despair; persecuted, but not abandoned; struck down, but not destroyed; always carrying about in the body the dying of Jesus, so that the life of Jesus may also be manifested in our body.”<br />
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Romans 5:1-5 “Therefore, since we have been justified by faith, we have peace with God through our Lord Jesus Christ, through whom we have gained access [by faith] to this grace in which we stand, and we boast in hope of the glory of God. Not only that, but we even boast of our afflictions, knowing that affliction produces endurance, and endurance, proven character, and proven character, hope, and hope does not disappoint, because the love of God has been poured out into our hearts through the Holy Spirit that has been given to us.”
    Fede, Speranza e Amore - Dipinto di ..etta
  • “The Luminescent Eye of Christ Gazes Upon Saint Lucia - Painting by Dino Carbetta”…<br />
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Santa Lucia is a virgin and martyr of Syracuse in Sicily, whose feast is celebrated on December 13th. According to tradition, Saint Lucy was born to rich and noble parents in the year 283. Like early martyrs, Lucy had consecrated her virginity to God, and she hoped to devote all her worldly goods to the service of the poor. An arranged marriage for three years was postponed. Lucy prayed at the tomb of Saint Agatha to change her mother’s mind about her faith. As a result, her mother's long hemorrhagic illness was cured, and she consented to Lucy's desire to live for God. Saint Lucy’s rejected bridegroom, Paschasius, denounced Lucy as a Christian. The governor tried to force her into prostitution, but the guards could not move her, even hitching her to a team of oxen. The governor ordered her to be killed instead. After gruesome torture, including having her eyes torn out, she was surrounded by wood and set afire, but the fire quickly died out. She prophesied against her persecutors and was then executed by being stabbed to death. Lucy had warned Paschasius he would be punished. When the governor heard, he ordered the guards to gouge out her eyes; however, it was Lucy who removed her eyes in an attempt to discourage her persistent suitor who greatly admired them. When her body was being prepared for burial, they discovered her eyes had been restored. This and the meaning of her name "light," led to her patronage with eyes; the blind, and eye ailments. Her relics are now located in Venice in the church of San Geremia. Lucy knew of the heroism of earlier virgin martyrs. She remained faithful to their example and to the example of the carpenter, whom she knew to be the Son of God. She is the patroness of eyesight. “To God’s servants, the right words will not be wanting, for the Holy Spirit speaks in us. . . All who live piously and chastely are temples of the Holy Spirit.” – St. Lucy
    L'occhio luminescente di Cristo guar..etta
  • “Apse Mosaic Triumphal Arch of Christ flanked by the Apostles - Basilica of San Paolo outside the walls of Rome”…<br />
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Saint Peter and Saint Paul are celebrated together, the two saints are the founders of the See of Rome, through their preaching, ministry, and martyrdom there. Erected during the fourth century AD, the Basilica of St. Paul Outside the Walls is one of the four major basilicas of Rome, and the second largest after St. Peter's Basilica. It was founded on the burial ground of St. Paul. Saint Paul is well-known for his epistle to the Ephesians, where he famously describes the “armor of God.” He uses the armor that was commonly worn by a Roman Solider to describe a spiritual armor that prepares a Christian to “stand against the wiles of the devil. For we are not contending against flesh and blood, but against the principalities, against the powers, against the world rulers of this present darkness, against the spiritual hosts of wickedness in the heavenly places” Ephesians 6:11-12. Peter makes his great confession of faith: “You are the Messiah” Mark 8:29. It was one of the many glorious moments in Peter’s life, beginning with the day he was called from his nets along the Sea of Galilee to become a fisher of men for Jesus. The New Testament clearly shows Peter as the leader of the apostles, chosen by Jesus to have a special relationship with him. With James and John, he was privileged to witness the Transfiguration, the raising of a dead child to life, and the agony in Gethsemane. In 395 A.D., St. Augustine said of Saints Peter and Paul: “Both apostles share the same feast day, for these two were one; and even though they suffered on different days, they were as one. Peter went first, and Paul followed. And so we celebrate this day made holy for us by the apostles' blood. Let us embrace what they believed, their life, their labors, their sufferings, their preaching, and their confession of faith.”
    Abside Mosaico Arco di trionfo di Cr..Roma
  • “The Blessed Virgin Mary - Painting by Dino Carbetta”… <br />
<br />
Upon completion of a new and original painting of the teenage Virgin Mary, I sit and stare into her eyes trying to imagine the complexity of the overwhelming magnitude of the future Mother of Christ. Her sincere and loving gaze, illuminating with the glow of the Holy Spirit within her very soul emanates outwardly representing all Mothers. I envision my wonderful Mother as I struggled to bring this two-dimensional representation to life. Again, my humble skills, yet meticulous manner combined to exhaust one complete month of trial and error. Irrevocably, a courageous young teenage Jewish girl is blessed beyond comprehension… “The Virgin Mother is constantly present on this journey of faith of the People of God towards the light. This is shown especially by the canticle of the "Magnificat," which, having welled up from the depths of Mary's faith at the Visitation, ceaselessly re-echoes in the heart of the Church down the centuries. This is proved by its daily recitation in the liturgy of Vespers and at many other moments of both personal and communal devotion.” (Saint John Paul II) "My soul magnifies the Lord, and my spirit rejoices in God my Savior, for he has looked on his servant in her lowliness. For behold, henceforth all generations will call me blessed; for he who is mighty has done great things for me, and holy is his name: and his mercy is from age to age on those who fear him. He has shown strength with his arm, he has scattered the proud-hearted, he has cast down the mighty from their thrones, and lifted up the lowly; he has filled the hungry with good things, sent the rich away empty. He has helped his servant Israel, remembering his mercy, as he spoke to our fathers, to Abraham and to his posterity forever." (Lk.1:46-55)
    La Beata Vergine Maria - Dipinto di ..etta
  • “The Holy Trinity - Painting by Dino Carbetta” …<br />
<br />
Trinity Sunday, officially called “The Solemnity of the Most Holy Trinity,” is one of the few celebrations of the Christian Year that commemorates a reality and doctrine rather than an event or person. Holy Trinity Sunday is celebrated on the first Sunday following Pentecost in most of the liturgical churches in Western Christianity. It is a solemn celebration of the belief in the revelation of one God, yet three divine persons. The Nicene Creed, written at the Council of Nicea in 325 and revised at the Council of Constantinople in 381, was the result of the Church’s continued thinking about the Trinity. Catholics typically say the Nicene Creed at every Sunday Mass even over 1600 years later because the Trinity is so essential to the Christian faith. The Church invites us more deeply to the Solemnity of the Most Holy Trinity. Yet this truth is also the very gift that we are invited to share with all whom God entrusts to us in our daily lives: “Love one another as I have loved you” (John 15:12). Every human heart longs for its eternal home. Today, we invite the Trinity to be more at home in our hearts to make them a more welcoming home for others. The Father entrusts us to experience the Love that is our eternal home. Faith in the Trinity, therefore, is not merely a doctrine but a dogma that shows us who God is and who we are as creatures made in his image.
    La Santissima Trinità - Dipinto di D..etta
  • “The Blessed Virgin Mary - Painting by Dino Carbetta – Luminescent”…<br />
<br />
Upon completion of a new and original painting of the teenage Virgin Mary, I sit and stare into her eyes trying to imagine the complexity of the overwhelming magnitude of the future Mother of Christ. Her sincere and loving gaze, illuminating with the glow of the Holy Spirit within her very soul emanates outwardly representing all Mothers. I envision my wonderful Mother as I struggled to bring this two-dimensional representation to life. Again, my humble skills, yet meticulous manner combined to exhaust one complete month of trial and error. Irrevocably, a courageous young teenage Jewish girl is blessed beyond comprehension… “The Virgin Mother is constantly present on this journey of faith of the People of God towards the light. This is shown especially by the canticle of the "Magnificat," which, having welled up from the depths of Mary's faith at the Visitation, ceaselessly re-echoes in the heart of the Church down the centuries. This is proved by its daily recitation in the liturgy of Vespers and at many other moments of both personal and communal devotion.” (Saint John Paul II) "My soul magnifies the Lord, and my spirit rejoices in God my Savior, for he has looked on his servant in her lowliness. For behold, henceforth all generations will call me blessed; for he who is mighty has done great things for me, and holy is his name: and his mercy is from age to age on those who fear him. He has shown strength with his arm, he has scattered the proud-hearted, he has cast down the mighty from their thrones, and lifted up the lowly; he has filled the hungry with good things, sent the rich away empty. He has helped his servant Israel, remembering his mercy, as he spoke to our fathers, to Abraham and to his posterity forever." (Lk.1:46-55)
    La Beata Vergine Maria - Dipinto di ..ente
  • “The Basilica of Santa Maria della Salute Venice radiates in the distance on the Grand Canal- Ultramarine blue”…<br />
<br />
Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God." The Basilica di Santa Maria della Salute, commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a conspicuous position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite reverently quaint interiorly.
    La Basilica di Santa Maria della Sal..mare
  • “The boat of San Pietro slumbers in the evening sun - Marina Grande Sorrento”…<br />
<br />
Duomo di Sorrento is one of my favorite hidden treasures of Italy. Our last day on the bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. Hallelujah, it was our first free day of the 2019 Pilgrimage and most were heading to Capri. I convinced my fellow Pilgrim Patrick that Marina Grande was the preferred location to commemorate this rain threatened day. Sunday afternoon in this tiny hallowed port on the Mediterranean was bustling, not with tourist, but with energetic and unassuming locals. The misty skies were vulnerable all day with the threat of rain, but the reluctant sun penetrated the clouds for a few fortuitous moments. God painted the skies for brief moments with luminous pastel elements of abstract color. A lonely white boat gleamed in the late evening sun resting upon the wet sand. Saint Matthew’s account of Peter trying to walk on water came to mind: “Peter said to him in reply, ‘Lord, if it is you, command me to come to you on the water.” He said, “Come.” Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how [strong] the wind was he became frightened; and, beginning to sink, he cried out, “Lord, save me!” Immediately Jesus stretched out his hand and caught him, and said to him, “O you of little faith,* why did you doubt?” After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, “Truly, you are the Son of God.” (Matt: 14: 28-33) We left after lunch only to humbly return again capturing the evening seascape a few hours before our reservation with the entire Pilgrimage group for a perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare.
    La barca di San Pietro sonnecchia di..ento
  • "Jesus of Nazareth - Sorrentino Fishing Boat - Marina Grande Sorrento"... <br />
<br />
Duomo di Sorrento is one of my favorite hidden treasures in Italy. Our last day on the Bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. Hallelujah, it was our first free day of the 2019 Pilgrimage and most were heading to Capri. I convinced my fellow Pilgrim Patrick that Marina Grande was the preferred location to commemorate this rain threatened day. Sunday afternoon in this tiny hallowed port on the Mediterranean was bustling, not with tourists, but with energetic and unassuming locals. The misty skies were vulnerable all day with the threat of rain, but the reluctant sun penetrated the clouds for a few fortuitous moments. God painted the skies for brief moments with luminous pastel elements of abstract color. A lone boat rocked and gleamed adjacent to the mouth of the piccolo marina and the agitated sea. The vessel’s name on the back was: “Gesù di Nazareth.” How ironic! Reminiscent of Saint Matthew’s account of Jesus’ calming of the winds and the seas: "As Jesus got into a boat, his disciples followed him. Suddenly a violent storm came upon the sea so that the boat was being swamped by waves, but he was asleep. They came and woke him, saying, "Lord, save us! We are perishing!” He said to them, "Why are you terrified, O you of little faith?" Then he got up, rebuked the winds and the sea, and there was a great calm. The men were amazed and said, "What sort of man is this, whom even the winds and the sea obey?" (Matt. 8:23- 27) We left after lunch only to humbly return capturing the evening seascape a few hours before our reservation with the entire Pilgrimage group for a perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare.
    Gesù di Nazareth - Peschereccio Sorr..ento
  • “Luminance of Christ - Sorrento Cathedral - Painting by Dino Carbetta”… <br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site but as a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became. Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ. This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey. I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey. I have painted this image many times, striving for perfection. However, I have ultimately realized perfection is only found in the one who is crucified. Gal. 2:20 “yet I live, no longer I, but Christ lives in me; insofar as I now live in the flesh, I live by faith in the Son of God who has loved me and given himself up for me.”
    Luminanza di Cristo - Cattedrale di ..etta
  • “The Basilica of Santa Maria della Salute Venice radiates in the distance on the Grand Canal”…<br />
 <br />
Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God." The Basilica di Santa Maria della Salute, commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a conspicuous position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite reverently quaint interiorly.
    La Basilica di Santa Maria della Sal..ande
  • “Hail favored one! The Lord is with you.”- Painting by Dino Carbetta<br />
<br />
“In the sixth month, the angel Gabriel was sent from God to a town of Galilee called Nazareth, to a virgin betrothed to a man named Joseph, of the house of David, and the virgin’s name was Mary. And coming to her, he said, “Hail, favored one! The Lord is with you.” But she was greatly troubled at what was said and pondered what sort of greeting this might be. Then the angel said to her, “Do not be afraid, Mary, for you have found favor with God. Behold, you will conceive in your womb and bear a son, and you shall name him Jesus. He will be great and will be called Son of the Most High, and the Lord God will give him the throne of David his father, and he will rule over the house of Jacob forever, and of his kingdom, there will be no end.” But Mary said to the angel, “How can this be, since I have no relations with a man?” And the angel said to her in reply, “The Holy Spirit will come upon you, and the power of the Most High will overshadow you. Therefore the child to be born will be called holy, the Son of God. And behold, Elizabeth, your relative, has also conceived* a son in her old age, and this is the sixth month for her who was called barren; for nothing will be impossible for God.” Mary said, “Behold, I am the handmaid of the Lord. May it be done to me according to your word.” Then the angel departed from her. (Lk 1:26-38) An Extraordinary Event: the child was to be conceived by the Holy Spirit and would be called the Son of God. Mary makes an astonishing response: “Behold, I am the handmaid of the Lord. May it be done to me according to your word.” Mary had remarkable faith! This was the moment that our God became flesh and was conceived in the womb of the Virgin Mary. Thus, the realization and magnificence of divine grace, the blessing of God’s freely given love.
    “Hail favored one! The Lord is with ..etta
  • “Madonna at the Eucharistic Miracle of Siena - Basilica of San Francesco Siena”…<br />
<br />
Siena is home to the Eucharistic Miracle which is one of the longest on-going miracles in the world. On August 14, 1730, thieves broke into the Church of St. Francis and stole a ciborium containing consecrated hosts. However, since 1730, the hosts have remained fresh and sweet-smelling. The wall mechanically spun around and revealed the Eucharistic Miracle to us. After prayer, I moved to the back and abidingly captured this mystical, spiritual, and reverent manifestation. The Madonna of Fatima stood majestically guarding the precious Hosts. Luke 1:46-48 And Mary said: “My soul proclaims the greatness of the Lord; my spirit rejoices in God my savior. For he has looked upon his handmaid’s lowliness; behold, from now on will all ages call me blessed “O Mary, you shine continuously on our journey as a sign of salvation and hope. We entrust ourselves to you, Health of the Sick. At the foot of the Cross, you participated in Jesus’ pain, with steadfast faith. You, Salvation of the Faithful Peoples, know what we need. We are certain that you will provide, so that, as you did at Cana of Galilee, joy and feasting might return after this moment of trial. Help us, Mother of Divine Love, to conform ourselves to the Father’s will and to do what Jesus tells us: He who took our sufferings upon Himself, and bore our sorrows to bring us, through the Cross, to the joy of the Resurrection. Amen. We seek refuge under your protection, O Holy Mother of God. Do not despise our pleas – we who are put to the test – and deliver us from every danger, O glorious and blessed Virgin.” Pope Francis.
    Madonna al Miracolo Eucaristico di S..iena
  • “Father Peek Consecration Prayer - Private Mass in the Basilica of Sant'Antonio da Padova”…<br />
<br />
One wonderful element of our Pilgrimage of 2019 was our Mass schedule in the most distinguished Basilica’s, Cathedrals, and churches in Italy and in fact the world. Often we found ourselves at the Main Altars, Sacristies, or prestigious chapels. The reverent and holy auspicious with unseen views containing profound and historic approbation was at times overwhelming. Contemplating those divine and holy who came before, left us with the feeling of wonderment. The Basilica of Saint Anthony dated back to the early year of 1233. I found myself mystified by the mere size and aura surrounding it, and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis, and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. As with most prestigious Basilica’s, no photos are allowed, which mostly rendered this photographer reverent, but sad. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. The Basilica is austere, mysterious, and solemn, yet capacious, monumental, and impossible to notice every grand detail. However, be emboldened that this Pilgrimage Church is one of the eight international shrines recognized by the Holy See. It is a symbol of faith and hope for all Christian believers. I believe Saint Anthony would be honored and proud to offer Mass here.
    Padre Peek Preghiera della Consacraz..dova
  • "The return of Francis, a penitent man, contemplating his future in the Church"...<br />
<br />
Francis of Assisi was a poor little man who astounded and inspired the Church by taking the gospel literally—not in a narrow fundamentalist sense, but by actually following all that Jesus said and did, joyfully, without limit, and without a sense of self-importance. The first change Francis experienced was his discovery of the value of the human person, irrespective of wealth, or social standing. He began to feel a deep inner kinship with the whole of humanity, but especially with the poor and the outcast. This new understanding of the human person is fundamentally identical to that found in the Gospels. So in the spring of 1205, he enlisted in Walter's army and set forth for Puglia, in southern Italy. But God had other plans, and Francis did not travel far. As soon as he reached the nearby city of Spoleto, Francis had a very strange dream. God appeared to him and ordered him to return home. Amid the bewilderment of his friends, Francis left all and made his way back to Assisi. This image of Francis on his horse in front of his eventual Basilica represents the contemplation of his growing faith. His search for conversion led him to the ancient church at San Damiano. While he was praying there, he heard Christ on the crucifix speak to him, "Francis, repair my church." Francis assumed this meant the crumbling building he was in. He later realized it was his call to rebuild the entire Church.  He read the command to the rich young man to sell all his good and give to the poor, the order to the apostles to take nothing on their journey, and the demand to take up the cross daily. "Here is our rule," Francis said -- as simple, and as seemingly impossible, as that. He was going to do what no one thought possible anymore -- live by the Gospel.
    Il ritorno di Francesco uomo peniten..iesa
  • “Adoration of the Shepherds - Chapel of the Blessed Sacrament Duomo of Siena”...<br />
<br />
Located at the corner between the right transept and the presbytery, in a position corresponding to the Chapel of Sant'Ansano, the Chapel of the Blessed Sacrament occupies this span. The altarpiece is a canvas depicting the Adoration of the Shepherds by Alessandro Casolani beginning in 1594. The Duomo in Siena lies in a piazza above the Piazza del Campo, a great Gothic building filled with treasures by Pisano, Donatello, Bernini, and Michelangelo as well as frescoes by Pinturicchio. Originally completed in 1263, the 14th century inspired an ambitious attempt to transform the cathedral into the largest temple in all of Christendom, which would dwarf even St. Peter's in Rome. The already-large Duomo would form just the transept of this huge cathedral. In 1348, the Black Death swept through the city and killed 4/5 of Siena's population. The giant cathedral was never completed, and the half-finished walls of the New Cathedral survive as a monument to Siena's ambition and one-time wealth. The magnificent complex of the Cathedral of Siena houses a series of some of the most important monuments of the European artistic panorama. If I was asked to choose only one place that represented the great history of art, architecture, culture, and faith in all of Italy…one would be hard-pressed to find a more complete portfolio than the Cathedral of Siena. I found myself awe-inspired just walking up and facing the elegant façade, striped walls and pillars, and massive size. Upon entering the nave, one is overwhelmed with a plethora of artistic expression and great beauty placed in every available space. From its dome, stained glass, frescos, sculptures, and to what is said to be the most magnificent marble floor in history…it is worth every minute.
    Adorazione dei Pastori - Cappella de..iena
  • “Fishing boat resting in front of the Sant'Anna Sorrento Restaurant - Painting by Dino Carbetta”…<br />
<br />
Duomo di Sorrento is one of my favorite hidden treasures in Italy. On our last day on the Bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. Hallelujah, it was our first free day of the 2019 Pilgrimage and most were heading to Capri. I convinced my fellow Pilgrim Patrick that Marina Grande was the preferred location to commemorate this rain-threatened day. Sunday afternoon in this tiny hallowed port on the Mediterranean was bustling, not with tourists, but with energetic and unassuming locals. The misty skies were vulnerable all day with the threat of rain, but the reluctant sun penetrated the clouds for a few fortuitous moments. God painted the skies for brief moments with luminous pastel elements of abstract color. A lonely boat gleamed in the late evening sun resting upon the wet sand. Saint Matthew’s account of Peter trying to walk on water came to mind: “Peter said to him in reply, ‘Lord, if it is you, command me to come to you on the water.” He said, “Come.” Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how [strong] the wind was he became frightened; and, beginning to sink, he cried out, “Lord, save me!” Immediately Jesus stretched out his hand and caught him, and said to him, “O you of little faith,* why did you doubt?” After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, “Truly, you are the Son of God.” (Matt: 14: 28-33) We left after lunch only to humbly return capturing the evening seascape a few hours before our reservation with the entire Pilgrimage group for a perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare.
    Peschereccio in appoggio davanti al ..etta
  • “A Million Faces of Jesus by Dino Carbetta – Resplendent”…<br />
<br />
“God of every nation and people, from the very beginning of creation you have made manifest your love: when our need for a Savior was great you sent your Son to be born of the Virgin Mary. To our lives, he brings joy and peace, justice, mercy, and love.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. Battle against Evil: Finally, draw your strength from the Lord and from his mighty power. Put on the armor of God so that you may be able to stand firm against the tactics of the devil. For our struggle is not with flesh and blood but with the principalities, with the powers, with the world rulers of this present darkness, with the evil spirits in the heavens. Therefore, put on the armor of God, that you may be able to resist on an evil day and, having done everything, to hold your ground. So stand fast with your loins girded in truth, clothed with righteousness as a breastplate, and your feet shod in readiness for the gospel of peace. In all circumstances, hold faith as a shield, to quench all [the] flaming arrows of the evil one. And take the helmet of salvation and the sword of the Spirit, which is the word of God.  EPHESIANS, 6:10-17
    Un Milione di volti di Gesù di Dino ..ente
  • “The Bronze Dome of San Geremia - Casa di Santa Lucia rises above the Grand Canal - Painting by Dino Carbetta”…<br />
<br />
I never knew quite where I was going in Venice, but just followed the canal, or became trapped by the canals with no way of crossing and had to backtrack.  Probably not the best way to traverse the Venice Lagoon.  My last evening in Venice, I accidentally stumbled on Ponte dei Scalzi, "bridge of the barefoot [monks]," one of only four bridges in Venice to span the Grand Canal. The bridge connects the Sestieri of Santa Croce and Cannaregio. I set up my camera facing east in view of the dome and campanile of Chiesa di San Geremia, which contains the relics of Saint Lucy.  Santa Lucia - virgin and martyr who was one of the earliest Christian saints to achieve popularity, having a widespread following before the 5th century. She is the patron saint of the city of Syracuse (Sicily). Because of various traditions associating her name with light, she came to be thought of as the patron of sight. Saint Lucy is one of my favorite saints, not only for her great faith but her very name and remembrance is the very essence and luminance of my images. The original church was founded in the 11th century with the present version dating to 1760.  After the sunset, I found my way back to my favorite restaurant, Hosteria Al Vecio Bragosso, for another amazing dinner.
    La Bronzo Cupola di San Geremia - Ca..etta
  • “Chapel of the Blessed Sacrament - Adoration of the Shepherds Duomo di Siena”... <br />
<br />
Located at the corner between the right transept and the presbytery, in a position corresponding to the Chapel of Sant'Ansano, the Chapel of the Blessed Sacrament occupies this span. The altarpiece is a canvas depicting the Adoration of the Shepherds by Alessandro Casolani beginning in 1594. The Duomo in Siena lies in a piazza above the Piazza del Campo, a great Gothic building filled with treasures by Pisano, Donatello, Bernini, and Michelangelo as well as frescoes by Pinturicchio. Originally completed in 1263, the 14th century inspired an ambitious attempt to transform the cathedral into the largest temple in all of Christendom, which would dwarf even St. Peter's in Rome. The already-large Duomo would form just the transept of this huge cathedral. In 1348, the Black Death swept through the city and killed 4/5 of Siena's population. The giant cathedral was never completed, and the half-finished walls of the New Cathedral survive as a monument to Siena's ambition and one-time wealth. The magnificent complex of the Cathedral of Siena houses a series of some of the most important monuments of the European artistic panorama. If I was asked to choose only one place that represented the great history of art, architecture, culture, and faith in all of Italy…one would be hard-pressed to find a more complete portfolio than the Cathedral of Siena. I found myself awe-inspired just walking up and facing the elegant façade, striped walls and pillars, and massive size. Upon entering the nave, one is overwhelmed with a plethora of artistic expression and great beauty placed in every available space. From its dome, stained glass, frescos, sculptures, and to what is said to be the most magnificent marble floor in history…it is worth every minute.
    Cappella del Santissimo Sacramento -..iena
  • "High altar crucifix from the back of the Papal Basilica of St. Anthony of Padua"... <br />
<br />
I consider this magnificent rear view of the High Altar in St. Anthony’s Basilica looking toward Donatello’s very famous “Crucifix in Padua” one of my few forbidden and miraculous images of my 2019 Pilgrimage to Italy. I was unaware of the mere size and ancient grandeur of the basilica begun in 1233 but found myself mystified by the aura surrounding it and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. As with most prestigious Basilica’s, no photos are allowed, which mostly rendered this photographer reverent, but sad. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. Deceptively, I found myself directly behind the elevated “High Altar,” and as I curiously climbed the steps toward the locked Iron Gate, Donatello’s celestial bronze crucifix began to appear. My surreptitious movement kept me from being noticed by the security guards and our Italian guide. I covertly rested my lens through the iron bars, and quietly depressed the shutter on my camera. Often called “Il Santo” by the locals of Padua, one cannot escape feeling overwhelmed by its majesty, and emanation of spirituality and reverence. The Basilica is austere, mysterious, and solemn, yet capacious, monumental, and impossible to notice every grand detail. However, be emboldened that this Pilgrimage Church is one of the eight international shrines recognized by the Holy See. It is a symbol of faith and hope for all Christian believers. I believe Saint Anthony would be honored and proud to offer Mass here.
    Crocifisso altare maggiore dalla par..dova
  • “The Celestial Boat of Jesus rests in Marina Grande Sorrento”…<br />
<br />
This sunset image of the lone antique fishing boat is the most iconic of the seaside views from Sorrento. The lone boat represents many perceptions and creative thoughts and portrays imagery of stillness and beauty among the restless seas. It reminds me of Saint Matthew’s account of Jesus’ calming of the winds and the seas: "As Jesus got into a boat, his disciples followed him. Suddenly a violent storm came upon the sea so that the boat was being swamped by waves, but he was asleep. They came and woke him, saying, "Lord, save us! We are perishing!” He said to them, "Why are you terrified, O you of little faith?" Then he got up, rebuked the winds and the sea, and there was a great calm. The men were amazed and said, "What sort of man is this, whom even the winds and the sea obey?" (Matt. 8:23- 27)
    La Barca Celeste di Gesù riposa in M..ento
  • St. Nicholas and Children in the Snow - Painting by Dino Carbetta<br />
<br />
Children all over the world know him and love him. In Germany, he’s Kriss Kringle. In France, he’s Pere Noel. British children call him Father Christmas. Of course, you know him as Santa Claus. Nicholas was loved for one reason. He loved. He loved God and God’s people so much that he would do anything for them. The true story of Santa Claus begins with Nicholas, who was born during the third century in modern-day Turkey. His wealthy parents, who raised him to be a devout Christian, died in an epidemic while Nicholas was still young. Obeying Jesus’ words to “sell what you own and give the money to the poor,” Nicholas used his whole inheritance to assist the needy, the sick, and the suffering. He dedicated his life to serving God and was made Bishop of Myra while still a young man. Bishop Nicholas very soon became known throughout the land for his generosity to those in need, his dedication to protecting children, and his concern for sailors and ships. Under the Roman Emperor Diocletian, who ruthlessly persecuted Christians, Bishop Nicholas suffered for his faith, was exiled and imprisoned. The prisons were so full of bishops, priests, and deacons, there was no room for the real criminals – murderers, thieves, and robbers. After his release, Nicholas attended the Council of Nicaea in AD 325, where he heroically defended the Church against heresy. Through the centuries many stories and legends have been told of St. Nicholas’ life and deeds. These accounts help us understand his extraordinary character and why he is so beloved and revered as protector and helper of those in need – and why he is the inspiration behind Santa Claus. In 1823, a popular poem called “A Visit from St. Nicholas”, which we now know as “The Night Before Christmas,” first described St. Nicholas as bringing toys and sweets to children on Christmas Eve. The legend of Santa Claus was born.
    San Nicola e Bambini nella Neve - Di..etta
  • ”Radiant Saint Teresa of Lisieux - the ‘Little Flower’ - Painting by Dino Carbetta”… <br />
<br />
Her sense of commitment led her to a profound experience of the love of God and neighbor. She never had an easy life, but she did live with a great sense of peace and joy. “I prefer the monotony of obscure sacrifice to all ecstasies. To pick up a pin for love can convert a soul.”   Saint Therese had a simple yet powerful message that still resonates in the hearts of millions today. She died at the age of 24, believing that her life was just beginning for God, promising to spend her heaven doing good on earth. Her promised “Shower of Roses” began and has become a torrent in the Church ever since. These are the words of Thérèse of Lisieux, a Carmelite nun called the “Little Flower,” who lived a cloistered life of obscurity in the convent of Lisieux, France. And her preference for hidden sacrifice did indeed convert souls. Few saints of God are more popular than this young nun. Her autobiography, The Story of a Soul, is read and loved throughout the world. Life in a Carmelite convent is indeed uneventful and consists mainly of prayer and hard domestic work. She saw in quiet suffering redemptive suffering, suffering that was indeed her apostolate. Thérèse said she came to the Carmel convent “to save souls and pray for priests.” Pope Pius X called her "the greatest saint of modern times.” Thérèse was canonized in 1925. In 1997, Pope John Paul II proclaimed her a Doctor of the Church, the third woman to be so recognized in light of her holiness and the influence of her teaching on spirituality in the Church. Her parents were also canonized in 2015. Pope John Paul II stated: Therese of the Child Jesus and the Holy Face is the youngest of all the “Doctors of the Church”, but her ardent spiritual journey shows such maturity, and the insights of faith expressed in her writings are so vast and profound that they deserve a place among the great spiritual masters.
    Radiosa Santa Teresa di Lisieux - il..etta
  • “God Bless the United States and All Its Glory - Painting by Dino Carbetta”…<br />
<br />
Evangelium vitae, translated in English to "The Gospel of Life", is a papal encyclical promulgated on 25 March 1995 by Pope John Paul II. Among all the crimes which can be committed against life, procured abortion has characteristics making it particularly serious and deplorable. The Second Vatican Council defines abortion, together with infanticide, as an "unspeakable crime." The texts of Sacred Scripture never address the question of deliberate abortion and so do not directly and specifically condemn it. But they show such great respect for the human being in the mother's womb that they require as a logical consequence that God's commandment "You shall not kill" be extended to the unborn child as well. ... Christian Tradition – as the Declaration issued by the Congregation for the Doctrine of the Faith points out so well – is clear and unanimous, from the beginning up to our own day, in describing abortion as a particularly grave moral disorder. ... Given such unanimity in the doctrinal and disciplinary tradition of the Church, Paul VI was able to declare that this tradition [regarding abortion] is unchanged and unchangeable. Therefore, by the authority which Christ conferred upon Peter and his Successors, in communion with the Bishops – who on various occasions have condemned abortion and who in the aforementioned consultation, albeit dispersed throughout the world, have shown unanimous agreement concerning this doctrine – I declare that direct abortion, that is, abortion willed as an end or as a means, always constitutes a grave moral disorder, since it is the deliberate killing of an innocent human being. This doctrine is based upon the natural law and upon the written Word of God, is transmitted by the Church's Tradition and taught by the ordinary and universal Magisterium.
    Dio Benedica gli Stati Uniti e tutta..etta
  • “The Ascension of the Lord - Painting by Dino Carbetta”…<br />
<br />
Gospel - Lk 24:46-53: “Jesus said to his disciples: “Thus it is written that the Christ would suffer and rise from the dead on the third day and that repentance, for the forgiveness of sins,<br />
would be preached in his name to all the nations, beginning from Jerusalem. You are witnesses of these things. And behold I am sending the promise of my Father upon you; but stay in the city until you are clothed with power from on high.” Then he led them out as far as Bethany, raised his hands, and blessed them. As he blessed them he parted from them and was taken up to heaven. They did him homage and then returned to Jerusalem with great joy, and they were continually in the temple praising God.” “The Ascension does not point to Jesus’ absence but tells us that He is alive in our midst in a new way. He is no longer in a specific place in the world as He was before the Ascension. He is now in the lordship of God, present in every space and time, close to each one of us. In our life we are never alone: we have this Advocate who awaits us, who defends us. We are never alone: the Crucified and Risen Lord guides us. We have with us a multitude of brothers and sisters who, in silence and concealment, in their family life and at work, in their problems and hardships, in their joys and hopes, live faith daily and together with us bring the world the lordship of God’s love, in the Risen Jesus Christ, ascended into Heaven, our Advocate who pleads for us.”
    L'Ascensione del Signore - Dipinto d..etta
  • “Golden Hour Crucifixion – Painting by Dino Carbetta”…<br />
<br />
I consider this magnificent rear view of the High Altar in St. Anthony’s Basilica looking toward Donatello’s very famous “Crucifix in Padua” one of my few forbidden and miraculous images of my 2019 Pilgrimage to Italy. I was unaware of the mere size and ancient grandeur of the basilica begun in 1233 but found myself mystified by the aura surrounding it and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis, and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. Deceptively, I found myself directly behind the elevated “High Altar,” and as I curiously climbed the steps toward the locked Iron Gate, Donatello’s celestial bronze crucifix began to appear. This is the story of my experience with the "High altar crucifix from the back of the Papal Basilica of St. Anthony of Padua"... The crucifix was centered at the bottom of the image and small. I decided to paint the crucifix using the original silhouette and front illumination. I added a magnificent sunset or “Golden Hour” to highlight the Crucifix. “yet I live, no longer I, but Christ lives in me; insofar as I now live in the flesh, I live by faith in the Son of God who has loved me and given himself up for me.” [Galatians 2:20]
    Ora D'oro Crocifissione - Dipinto di..etta
  • In God Is Our Trust ... Painting by Dino Carbetta<br />
<br />
“O thus be it ever when freemen shall stand Between their lov'd home and the war's desolation! Blest with vict'ry and peace may the heav'n rescued land Praise the power that hath made and preserv'd us a nation! Then conquer we must, when our cause it is just, And this be our motto - "In God is our trust," And the star-spangled banner in triumph shall wave O'er the land of the free and the home of the brave.” (The Star-Spangled Banner)<br />
<br />
“While they were eating, Jesus took bread, said the blessing, broke it, and giving it to his disciples said, "Take and eat; this is my body." Then he took a cup, gave thanks, and gave it to them, saying, "Drink from it, all of you, for this is my blood of the covenant, which will be shed on behalf of many for the forgiveness of sins." (Mt 26:26-28)<br />
<br />
This image represents many things… In only 244 years, the United States of America has risen from untapped wilderness to unequivocal leadership of the world. The Red, White, and Blue or  Star-Spangled Banner, has stood tall in victory and defeat. The blood of our people shed for freedom; “the land of the free and the home of the brave.” “Praise the power that hath made and preserv'd us a nation! The color Red represents our very blood, and faith in the “Blood of Christ.” And this be our motto - "In God is our trust."  Dino Carbetta
    In God Is Our Trust ... Painting by ..etta
  • La Beata Vergine Maria - Dipinto di Dino Carbetta - Rosa <br />
<br />
“The Blessed Virgin Mary - Painting by Dino Carbetta - Rose”… Upon completion of a new and original painting of the teenage Virgin Mary, I sit and stare into her eyes trying to imagine the complexity of the overwhelming magnitude of the future Mother of Christ. Her sincere and loving gaze, illuminating with the glow of the Holy Spirit within her very soul emanates outwardly representing all Mothers. I envision my wonderful Mother as I struggled to bring this two-dimensional representation to life. Again, my humble skills, yet meticulous manner combined to exhaust one complete month of trial and error. Irrevocably, a courageous young teenage Jewish girl is blessed beyond comprehension… <br />
“The Virgin Mother is constantly present on this journey of faith of the People of God towards the light. This is shown especially by the canticle of the "Magnificat," which, having welled up from the depths of Mary's faith at the Visitation, ceaselessly re-echoes in the heart of the Church down the centuries. This is proved by its daily recitation in the liturgy of Vespers and at many other moments of both personal and communal devotion.” (Saint John Paul II) <br />
"My soul magnifies the Lord, <br />
and my spirit rejoices in God my Savior, <br />
for he has looked on his servant in her lowliness. <br />
For behold, henceforth all generations <br />
will call me blessed; <br />
for he who is mighty has done great things for me,<br />
and holy is his name: <br />
and his mercy is from age to age <br />
on those who fear him. <br />
He has shown strength with his arm,<br />
he has scattered the proud-hearted,<br />
he has cast down the mighty from their thrones, <br />
and lifted up the lowly; <br />
he has filled the hungry with good things, <br />
sent the rich away empty. <br />
He has helped his servant Israel, <br />
remembering his mercy, <br />
as he spoke to our fathers, <br />
to Abraham and to his posterity forever." (Lk.1:46-55)
    La Beata Vergine Maria - Dipinto di ..Rosa
  • “St. Jerome - Siena Cathedral Chigi Chapel”…<br />
<br />
The Duomo in Siena lies in a piazza above the Piazza del Campo, a great Gothic building filled with treasures by Pisano, Donatello, Bernini, and Michelangelo as well as frescoes by Pinturicchio. Originally completed in 1263, the 14th century inspired an ambitious attempt to transform the cathedral into the largest in all of Christendom, which would dwarf even St. Peter's in Rome. In 1348, the Black Death swept through the city and killed 4/5 of Siena's population. The giant cathedral was never completed, and the half-finished walls of the New Cathedral survive as a monument to Siena's one-time wealth. The magnificent complex of the Cathedral of Siena houses a series of some of the most important monuments of the European artistic panorama. One will travel along a memorable itinerary to the discovery of self and the truth of faith through culture and art. Asked to choose only one place that represented the great history of art, architecture, culture, and faith in all of Italy…one would be hard-pressed to find a more complete portfolio than the Cathedral of Siena. I found myself awe-inspired just walking up and facing the elegant façade, striped walls and pillars, and massive size. Upon entering into the nave, one is overwhelmed with a plethora of artistic expression and great beauty placed in every available space. From its dome, stained glass, frescos, sculptures, and to what is said to be the most magnificent marble floor in history. Saints Jerome and Mary Magdalen are sculptures by the great Italian artist Gianlorenzo Bernini. St Jerome was above all a Scripture scholar, translating most of the Old Testament from the Hebrew. Jerome also wrote commentaries which are a great source of scriptural inspiration for us today. He was an avid student, a thorough scholar, a prodigious letter-writer, and a consultant to monk, bishop, and pope. Saint Augustine said of him, “What Jerome is ignorant of, no mortal has ever known.”
    San Girolamo - Duomo di Siena Chigi ..ella
  • La Beata Vergine Maria - Dipinto di Dino Carbetta – Rose Rosa <br />
<br />
“The Blessed Virgin Mary - Painting by Dino Carbetta”… Upon completion of a new and original painting of the teenage Virgin Mary, I sit and stare into her eyes trying to imagine the complexity of the overwhelming magnitude of the future Mother of Christ. Her sincere and loving gaze, illuminating with the glow of the Holy Spirit within her very soul emanates outwardly representing all Mothers. I envision my wonderful Mother as I struggled to bring this two-dimensional representation to life. Again, my humble skills, yet meticulous manner combined to exhaust one complete month of trial and error. Irrevocably, a courageous young teenage Jewish girl is blessed beyond comprehension… <br />
“The Virgin Mother is constantly present on this journey of faith of the People of God towards the light. This is shown especially by the canticle of the "Magnificat," which, having welled up from the depths of Mary's faith at the Visitation, ceaselessly re-echoes in the heart of the Church down the centuries. This is proved by its daily recitation in the liturgy of Vespers and at many other moments of both personal and communal devotion.” (Saint John Paul II) <br />
"My soul magnifies the Lord, <br />
and my spirit rejoices in God my Savior, <br />
for he has looked on his servant in her lowliness. <br />
For behold, henceforth all generations <br />
will call me blessed; <br />
for he who is mighty has done great things for me,<br />
and holy is his name: <br />
and his mercy is from age to age <br />
on those who fear him. <br />
He has shown strength with his arm,<br />
he has scattered the proud-hearted,<br />
he has cast down the mighty from their thrones, <br />
and lifted up the lowly; <br />
he has filled the hungry with good things, <br />
sent the rich away empty. <br />
He has helped his servant Israel, <br />
remembering his mercy, <br />
as he spoke to our fathers, <br />
to Abraham and to his posterity forever." (Lk.1:46-55)
    La Beata Vergine Maria - Dipinto di ..Rosa
  • “The glow of the Madonna in the New Church of San Francesco di Assisi – Ethereal”…<br />
<br />
Psalm 46:9-11 “Come and see the works of the LORD, who has done fearsome deeds on earth; Who stops wars to the ends of the earth, breaks the bow, splinters the spear, and burns the shields with fire; Be still and know that I am God! I am exalted among the nations, exalted on the earth.”<br />
<br />
Romans 5:1-5 “Therefore, since we have been justified by faith, we have peace* with God through our Lord Jesus Christ, through whom we have gained access [by faith] to this grace in which we stand, and we boast in hope of the glory of God. Not only that, but we even boast of our afflictions, knowing that affliction produces endurance, and endurance, proven character, and proven character, hope, and hope does not disappoint, because the love of God has been poured out into our hearts through the holy Spirit that has been given to us.
    Il bagliore della Madonna nella Chie..real
  • “Saint Mary Magdalene - Chigi Chapel of Siena Cathedral”…<br />
<br />
The Duomo in Siena lies in a piazza above the Piazza del Campo, a great Gothic building filled with treasures by Pisano, Donatello, Bernini, and Michelangelo as well as frescoes by Pinturicchio. Originally completed in 1263, the 14th century inspired an ambitious attempt to transform the cathedral into the largest temple in all of Christendom, which would dwarf even St. Peter's in Rome. The already-large Duomo would form just the transept of this huge cathedral. In 1348, the Black Death swept through the city and killed 4/5 of Siena's population. The giant cathedral was never completed, and the half-finished walls of the New Cathedral survive as a monument to Siena's ambition and one-time wealth. The magnificent complex of the Cathedral of Siena houses a series of some of the most important monuments of the European artistic panorama. One will travel along a memorable itinerary to the discovery of self and the truth of faith through culture and art, the result of more than a millennium of Western history. If I was asked to choose only one place that represented the great history of art, architecture, culture, and faith in all of Italy…one would be hard-pressed to find a more complete portfolio than the Cathedral of Siena. I found myself awe-inspired just walking up and facing the elegant façade, striped walls and pillars, and massive size. Upon entering the nave, one is overwhelmed with a plethora of artistic expression and great beauty placed in every available space. From its dome, stained glass, frescos, sculptures, and to what is said to be the most magnificent marble floor in history…it is worth every minute. Saints Jerome and Mary Magdalene are sculptures by the great Italian artist Gianlorenzo Bernini. Work began on the sculptures in 1661 and now reside in the Chigi Chapel of the Siena Cathedral.
    Santa Maria Maddalena - Cappella Chi..iena
  • "Siena Cathedral magnificent architecture"...<br />
<br />
The Duomo in Siena lies in a piazza above the Piazza del Campo, a great Gothic building filled with treasures by Pisano, Donatello, Bernini, and Michelangelo as well as frescoes by Pinturicchio. Originally completed in 1263, the 14th century inspired an ambitious attempt to transform the cathedral into the largest temple in all of Christendom, which would dwarf even St. Peter's in Rome. The already-large Duomo would form just the transept of this huge cathedral.  In 1348, the Black Death swept through the city and killed 4/5 of Siena's population. The giant cathedral was never completed, and the half-finished walls of the New Cathedral survive as a monument to Siena's ambition and one-time wealth.  The magnificent complex of the Cathedral of Siena houses a series of some of the most important monuments of the European artistic panorama. One will travel along a memorable itinerary to the discovery of self and the truth of faith through culture and art, the result of more than a millennium of Western history.  If I was asked to choose only one place that represented the great history of art, architecture, culture, and faith in all of Italy…one would be hard pressed to find a more complete portfolio than the Cathedral of Siena.  I found myself awe-inspired just walking up and facing the elegant façade, striped walls and pillars, and massive size.  Upon entering into the nave, one is overwhelmed with a plethora of artistic expression and great beauty placed in every available space.  From its dome, stained glass, frescos, sculptures, and to what is said to be the most magnificent marble floor in history…it is worth every minute.
    Duomo di Siena magnifica architettura
  • “Angel Candelabra illuminates the way to the altar - Siena Cathedral”…<br />
<br />
The Duomo in Siena lies in a piazza above the Piazza del Campo, a great Gothic building filled with treasures by Pisano, Donatello, Bernini, and Michelangelo as well as frescoes by Pinturicchio. Originally completed in 1263, the 14th century inspired an ambitious attempt to transform the cathedral into the largest temple in all of Christendom, which would dwarf even St. Peter's in Rome. The already-large Duomo would form just the transept of this huge cathedral.  In 1348, the Black Death swept through the city and killed 4/5 of Siena's population. The giant cathedral was never completed, and the half-finished walls of the New Cathedral survive as a monument to Siena's ambition and one-time wealth.  The magnificent complex of the Cathedral of Siena houses a series of some of the most important monuments of the European artistic panorama. One will travel along a memorable itinerary to the discovery of self and the truth of faith through culture and art, the result of more than a millennium of Western history.  If I was asked to choose only one place that represented the great history of art, architecture, culture, and faith in all of Italy…one would be hard pressed to find a more complete portfolio than the Cathedral of Siena.  I found myself awe-inspired just walking up and facing the elegant façade, striped walls and pillars, and massive size.  Upon entering into the nave, one is overwhelmed with a plethora of artistic expression and great beauty placed in every available space.  From its dome, stained glass, frescos, sculptures, and to what is said to be the most magnificent marble floor in history…it is worth every minute.  This image is one of Domenico Beccafumi’s eight Angels on the pillars near the high altar- just one of the small and elegant details of this great Duomo.
    Angelo Candelabra illumina strada pe..iena
  • “Blessed Madonna inside the Cathedral of San Rufino in Assisi - Painting by Dino Carbetta”…<br />
<br />
Luke 1:46-48 And Mary said: “My soul proclaims the greatness of the Lord; my spirit rejoices in God my savior. For he has looked upon his handmaid’s lowliness; behold, from now on will all ages call me blessed." Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain was highlighted by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. Rising slowly up the Assisi hillside after a slow ascent to the highest peak, around the final corner awaited the Romanesque Duomo of Saint Rufino completed in the 12th century. In this church, Saint Francis of Assisi, Saint Clare, and many of their original disciples were baptized among the many spiritual and historical missions of the Duomo. “O Mary, you shine continuously on our journey as a sign of salvation and hope. We entrust ourselves to you, Health of the Sick. At the foot of the Cross, you participated in Jesus’ pain, with steadfast faith. You, Salvation of the Faithful Peoples, know what we need. We are certain that you will provide, so that, as you did at Cana of Galilee, joy and feasting might return after this moment of trial. Help us, Mother of Divine Love, to conform ourselves to the Father’s will and to do what Jesus tells us: He who took our sufferings upon Himself, and bore our sorrows to bring us, through the Cross, to the joy of the Resurrection. Amen. We seek refuge under your protection, O Holy Mother of God. Do not despise our pleas – we who are put to the test – and deliver us from every danger, O glorious and blessed Virgin.” Pope Francis.
    Beata Madonna all'interno della Catt..etta
  • "Blessed Madonna inside the Cathedral of San Rufino di Assisi"...<br />
<br />
Luke 1:46-48 And Mary said: “My soul proclaims the greatness of the Lord; my spirit rejoices in God my savior. For he has looked upon his handmaid’s lowliness; behold, from now on will all ages call me blessed." Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the Fortress was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. Rising slowly up the Assisi hillside after a slow ascent to the highest peak, around the final corner awaited the Romanesque Duomo of Saint Rufino completed in the 12th century. In this church, Saint Francis of Assisi, Saint Clare, and many of their original disciples were baptized among the many spiritual and historical missions of the Duomo. “O Mary, you shine continuously on our journey as a sign of salvation and hope. We entrust ourselves to you, Health of the Sick. At the foot of the Cross, you participated in Jesus’ pain, with steadfast faith. You, Salvation of the Faithful Peoples, know what we need. We are certain that you will provide, so that, as you did at Cana of Galilee, joy and feasting might return after this moment of trial. Help us, Mother of Divine Love, to conform ourselves to the Father’s will and to do what Jesus tells us: He who took our sufferings upon Himself, and bore our sorrows to bring us, through the Cross, to the joy of the Resurrection. Amen. We seek refuge under your protection, O Holy Mother of God. Do not despise our pleas – we who are put to the test – and deliver us from every danger, O glorious and blessed Virgin.” Pope Francis
    Beata Madonna all'interno della Catt..sisi
  • “St. John the Baptist by Donatello - Duomo di Siena”…<br />
<br />
The Chapel of Saint John the Baptist is situated in the left transept. At the back of this chapel, amidst the rich renaissance decorations, is the bronze statue of St. John the Baptist by Donatello. Donatello was an Italian sculptor of the Renaissance, whose sculptures are both considered supreme expressions of the spirit of this era in architecture and sculpture, and they exercised a potent influence upon the artists of the age. The famous Donatello even during his lifetime, made his sculptures much treasured throughout Italy during the early 15th century. By far the most ambitious of his Sienese work is this bronze statue delivered to the grateful city in which he remained.  The very beautiful Cathedral of Siena retains much of his finest expression of Sacred Art. Donatello himself has become one of the historically iconic artist in history, especially of the Italian Renaissance. If I was asked to choose only one place that represented the great history of art, architecture, culture, and faith in all of Italy…one would be hard pressed to find a more complete portfolio than the Cathedral of Siena.
    San Giovanni Battista di Donatello -..iena
  • "Mystically, St. John Bosco offered Mass for the Pilgrims in the Sorrento Cathedral - Painting by Dino Carbetta"...<br />
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St. John Bosco (1815 – 1888), was a man of God, who besides his many miracles and ordinary life of holiness, received visions of Mary and numerous prophetic dreams. St. Bosco also worked countless miracles. He had the gift of multiplication of the loaves, and St. John even raised a boy from the dead to give him the chance of a good confession. The boy confessed his sins and died, but this time he went straight to Heaven. St. John Bosco was ordained a priest in 1841, and he worked tirelessly with young boys in his neighborhood. His goal was to make saints out of them, and at least one of his boys became a saint, St. Dominic Savio. St. John founded the Oratory of St. Francis de Sales and was the chaplain there. He opened up workshops for tailoring and shoe-making to help the boys not only grow spiritually but have enough money to live. St. John lived daily for Jesus Christ. He would rise early, hear Confessions, and write letters to those in need for hours into the night. He wrote over 130 works defending the faith, and for that, he was hated by the enemies of the Church. There were numerous plots to kill him though none succeeded. Father Peek, stood in this day for Saint John Bosco and offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. I am sure Saint John Bosco would have been proud of the lessons taught and learned during our scholarly and spiritual pursuit.
    Misticamente, San Giovanni Bosco off..etta
  • "The brave little boat faces threatening skies during a dramatic sunset over Marina Grande Sorrento - Painting"...<br />
<br />
Our last day on the bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. Hallelujah, it was our first free day of the 2019 Pilgrimage and most were heading to Capri. I convinced my fellow Pilgrim Patrick that Marina Grande was the preferred location to commemorate this rain threatened day. Sunday afternoon in this tiny hallowed port on the Mediterranean was bustling, not with tourist, but with energetic and unassuming locals. The misty skies were vulnerable all day with the threat of rain, but the reluctant sun penetrated the clouds for a few fortuitous moments. God painted the skies for brief moments with luminous pastel elements of abstract color. A lonely boat gleamed in the late evening sun resting upon the silent waves. Saint Matthew’s account of Peter trying to walk on water came to mind: “Peter said to him in reply, ‘Lord, if it is you, command me to come to you on the water.” He said, “Come.” Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how [strong] the wind was he became frightened; and, beginning to sink, he cried out, “Lord, save me!” Immediately Jesus stretched out his hand and caught him, and said to him, “O you of little faith,* why did you doubt?” After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, “Truly, you are the Son of God.” (Matt: 14: 28-33) We left after lunch only to humbly return again capturing the evening seascape a few hours before our reservation with the entire Pilgrimage group for a perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare.
    La coraggiosa barchetta affronta min..tura
  • “The Church of Sant'Anna in Marina Grande of Sorrento”…<br />
<br />
The church of Sant’ Anna at Marina Grande was consecrated as a civil parish in 1945. The church, originally dedicated to San Giacomo della Marche and a new church was created at the behest of the fishermen of the Confraternita di San Giovanni in Fontibus and dedicated to the Souls in Purgatory in 1680. The church was restored in 1800 and reconsecrated to Sant’Anna whose following in the west became popular in the 16th century when it was preached that her faith had laid the foundation of courage that allowed her daughter to stand by the Cross as her Son was crucified and still believe. The squat bell tower has a distinctive green and yellow majolica tiled cupola. Sant’ Anna’s bells are an important link between the village and its fishermen out at sea. Like many bells along the Amalfi Coast, Sant’ Anna’s bells not only call the congregation to church but chime the hours and the quarter hours. During the restoration the gilded stucco decoration was added to the cool white nave where there are statues of San Giaocchino holding two turtle doves (his other attributes are a shovel and a lamb); St Joseph; the Holy Heart of Jesus and St. Paul with his martyr’s sword. My first visit to Marina Grande, I found the church after hours to be closed, but upon my Spring Pilgrimage of 2019…the doors were open just before Mass. I captured only 2 images of the altar and the Crucified Jesus which I found alive and fascinating. Combining the two images of the small, but an elegant church with a peak of sunlight from upper windows shining upon the altar gives the reverent, spiritual, and mystical appeal the Church of Sant’ Anna in Marina Grande deserves. I hope to visit here again in the near future and spend more time getting to know this fisherman’s parish.
    La Chiesa di Sant'Anna a Marina Gran..ento
  • “The Celestial Boat of Jesus rests in Marina Grande Sorrento - BW”…<br />
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This sunset image of the lone antique fishing boat is the most iconic of the seaside views from Sorrento. The lone boat represents many perceptions and creative thoughts and portrays imagery of stillness and beauty among the restless seas. It reminds me of Saint Matthew’s account of Jesus’ calming of the winds and the seas: "As Jesus got into a boat, his disciples followed him. Suddenly a violent storm came upon the sea so that the boat was being swamped by waves, but he was asleep. They came and woke him, saying, "Lord, save us! We are perishing!” He said to them, "Why are you terrified, O you of little faith?" Then he got up, rebuked the winds and the sea, and there was a great calm. The men were amazed and said, "What sort of man is this, whom even the winds and the sea obey?" (Matt. 8:23- 27)
    La Barca Celeste di Gesù riposa in M..- BW
  • “The prophet Isaiah at the base of the Column of the Immaculate Conception – Rome”…<br />
<br />
The column is situated next to the Piazza di Spagna in the adjacent Piazza Mignanelli in front of the Spanish Embassy in Rome near the Palace of the Propagation of the Faith. It was realized by the architect Luigi Poletti and inaugurated in 1857 on the 8th December thanks to the work of 220 firemen. The work is dedicated to the dogma of the Immaculate Conception that was proclaimed by Pope Pius IX, in 1854, with the Apostolic Constitution Ineffabilis Deus. This dogma states that Mary is the only human being who was born without original sin. The statues are the work of Giuseppi Obici. On the base of the column are 4 bronze statues of Moses, David, the prophet Ezekiel and Isaiah. Below each statue is a verse from the Sacred Scriptures that refers to the dogma of the Immaculate Conception. Below this statue of Isaiah, we find the verse: “Therefore the Lord himself will give you this sign: the virgin shall be with child, and bear a son, and shall name him Immanuel.” (Is 7:14)  Each year, on the 8th of December the Church celebrates the solemnity of the Immaculate Conception. In the afternoon the Holy Father visits the Piazza di Spagna to place roses as an act of homage to Our Lady, at the statue of the Virgin. These roses indicate the love and devotion of the Pope, the Church and the people of the city of Rome for the Virgin Mary. With these roses, the desire is to depose each of anxiety and place hope at the foot of the celestial Mother of the Redeemer. The late afternoon sun was shining directly on the Prophet Isaiah’s pen in anticipation of his divinatory words.
    Il profeta Isaia alla base della Col..Roma
  • “Resting fishing boat in front of the Sant'Anna restaurant – Sorrento”… <br />
<br />
Duomo di Sorrento is one of my favorite hidden treasures in Italy. On our last day on the Bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. Hallelujah, it was our first free day of the 2019 Pilgrimage and most were heading to Capri. I convinced my fellow Pilgrim Patrick that Marina Grande was the preferred location to commemorate this rain-threatened day. Sunday afternoon in this tiny hallowed port on the Mediterranean was bustling, not with tourists, but with energetic and unassuming locals. The misty skies were vulnerable all day with the threat of rain, but the reluctant sun penetrated the clouds for a few fortuitous moments. God painted the skies for brief moments with luminous pastel elements of abstract color. A lonely boat gleamed in the late evening sun resting upon the wet sand. Saint Matthew’s account of Peter trying to walk on water came to mind: “Peter said to him in reply, ‘Lord, if it is you, command me to come to you on the water.” He said, “Come.” Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how [strong] the wind was he became frightened; and, beginning to sink, he cried out, “Lord, save me!” Immediately Jesus stretched out his hand and caught him, and said to him, “O you of little faith,* why did you doubt?” After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, “Truly, you are the Son of God.” (Matt: 14: 28-33) We left after lunch only to humbly return capturing the evening seascape a few hours before our reservation with the entire Pilgrimage group for a perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare.
    Riposo peschereccio di fronte al ris..ento
  • “The Basilica of Santa Maria della Salute Venice radiates in the distance on the Grand Canal –   Vignette”… <br />
<br />
Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God."<br />
The Basilica di Santa Maria della Salute, commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a prominent position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite reverently quaint interiorly.
    La Basilica di Santa Maria della Sal..ette
  • "San Sebastiano al Palatino through the Colosseum"...<br />
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The Chiesa di San Sebastiano al Palatino was founded in the 10th century. The church was named in honor of the martyr St Sabastian, a Christian imperial officer who was killed near the Hippodrome for his faith. A Benedictine monastery has presided over the church since 1060. The physical status of the building as a result of a reconstruction in 1630 advised by Pope Urban VIII. The new interior caused destruction of the 10th-century paintings, except those in the apse. The façade is simple and elegant, decorated with Barberini family bees, the famous symbols of the very wealthy family from which Urban VIII rose to the throne of Pope. The interior has a single nave with a small apse decorated with frescoes. Beneath the church, gardens of Adonis were discovered along with an ancient Temple of the Sun. As I admired the view through one of the many archways of the Roman Coliseum, picturesque dusk descended and backlit this beautiful silhouette of the ancient church.
    Chiesa di San Sebastiano al Palatino..sseo
  • “A Million Faces of Jesus by Dino Carbetta – Mist”…<br />
<br />
Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. Battle against Evil: Finally, draw your strength from the Lord and from his mighty power. Put on the armor of God so that you may be able to stand firm against the tactics of the devil. For our struggle is not with flesh and blood but with the principalities, with the powers, with the world rulers of this present darkness, with the evil spirits in the heavens. Therefore, put on the armor of God, that you may be able to resist on the evil day and, having done everything, to hold your ground. So stand fast with your loins girded in truth, clothed with righteousness as a breastplate, and your feet shod in readiness for the gospel of peace. In all circumstances, hold faith as a shield, to quench all [the] flaming arrows of the evil one. And take the helmet of salvation and the sword of the Spirit, which is the word of God.  EPHESIANS, 6:10-17   Thank you for your prayers!
    Un Milione di volti di Gesù di Dino ..chia
  • “The Basilica of Santa Maria della Salute Venice radiates in the distance on the Grand Canal – Copious”… <br />
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Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God."<br />
The Basilica di Santa Maria della Salute, commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a prominent position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite reverently quaint interiorly.
    La Basilica di Santa Maria della Sal..iosa
  • “The Return of Francis penitent man, contemplating his future in Christ”… <br />
<br />
Francis of Assisi was a poor little man who astounded and inspired the Church by taking the gospel literally—not in a narrow fundamentalist sense, but by actually following all that Jesus said and did, joyfully, without limit, and without a sense of self-importance. The first change Francis experienced was his discovery of the value of the human person, irrespective of wealth or social standing. He began to feel a deep inner kinship with the whole of humanity, but especially with the poor and the outcast. This new understanding of the human person is fundamentally identical to that found in the Gospels. So in the spring of 1205, he enlisted in Walter's army and set forth for Puglia, in southern Italy. But God had other plans, and Francis did not travel far. As soon as he reached the nearby city of Spoleto, Francis had a very strange dream. God appeared to him and ordered him to return home. Amid the bewilderment of his friends, Francis left all and made his way back to Assisi. This image of Francis on his horse in front of his eventual Basilica represents the contemplation of his growing faith. His search for conversion led him to the ancient church at San Damiano. While he was praying there, he heard Christ on the crucifix speak to him, "Francis, repair my church." Francis assumed this meant the crumbling building he was in. He later realized it was his call to rebuild the entire Church. He read the command to the rich young man to sell all his good and give to the poor, the order to the apostles to take nothing on their journey, and the demand to take up the cross daily. "Here is our rule," Francis said -- as simple, and as seemingly impossible, as that. He was going to do what no one thought possible any more -- live by the Gospel.
    Il ritorno di Francesco uomo peniten..isto
  • "Jesus of Nazareth Panorama - Sorrentino Fishing Boat - Marina Grande Sorrento"... <br />
<br />
Duomo di Sorrento is one of my favorite hidden treasures in Italy. Our last day on the Bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. Hallelujah, it was our first free day of the 2019 Pilgrimage and most were heading to Capri. I convinced my fellow Pilgrim Patrick that Marina Grande was the preferred location to commemorate this rain threatened day. Sunday afternoon in this tiny hallowed port on the Mediterranean was bustling, not with tourists, but with energetic and unassuming locals. The misty skies were vulnerable all day with the threat of rain, but the reluctant sun penetrated the clouds for a few fortuitous moments. God painted the skies for brief moments with luminous pastel elements of abstract color. A lone boat rocked and gleamed adjacent to the mouth of the piccolo marina and the agitated sea. The vessel’s name on the back was: “Gesù di Nazareth.” How ironic! Reminiscent of Saint Matthew’s account of Jesus’ calming of the winds and the seas: "As Jesus got into a boat, his disciples followed him. Suddenly a violent storm came upon the sea so that the boat was being swamped by waves, but he was asleep. They came and woke him, saying, "Lord, save us! We are perishing!” He said to them, "Why are you terrified, O you of little faith?" Then he got up, rebuked the winds and the sea, and there was a great calm. The men were amazed and said, "What sort of man is this, whom even the winds and the sea obey?" (Matt. 8:23- 27) We left after lunch only to humbly return again capturing the evening seascape a few hours before our reservation with the entire Pilgrimage group for a perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare.
    Gesù di Nazareth Panorama - Peschere..ento
  • “Pentecost - Painting by Dino Carbetta”...<br />
<br />
As I neared completion of this painting called “Pentecost,” I became overwhelmed and replete with emotion. It was not the composition or finality of another symbolic artwork, but the actual memory of my extraordinary Pentecost when I received the blessings and Sacrament of Catholic Confirmation. Archbishop Donoghue anointed my forehead with oil on the Altar of the Cathedral of Christ the King in Atlanta in front of an overflowing church, and my Catholic Brother and childhood friend Bob Casey’s hand on my shoulder. The first example of Confirmation can be found in Acts 8:14-17. Confirmation sponsors “bring the candidates to receive the sacrament, present them to the minister for anointing, and will later help them fulfill their baptismal promises faithfully under the influence of the Holy Spirit whom they have received.” I was overwhelmed then, and feel the same as now. Confirmation is a Sacrament in the Catholic Church in which the one who is confirmed receives the gifts of the Holy Spirit through the imposition of hand and anointing with oils by the bishop. It’s considered a sacrament of initiation which means that it brings you deeper into communion with the Church. “Bishops are the successors of the apostles. They have received the fullness of the sacrament of Holy Orders. The administration of this sacrament demonstrates clearly that its effects are to unite those who receive it more closely to the Church, her apostolic origins, and her mission of bearing witness to Christ.” It is the full outpouring of the Holy Spirit as once granted to the apostles on the day of Pentecost. Confirmation brings Catholics a deepening of baptismal grace and unites us more firmly to Christ. It increases the gifts of the Holy Spirit and leaves an indelible mark on the soul just like baptism. Come Holy Spirit, fill the hearts of your faithful and kindle in them the fire of your love.
    Pentecoste - Dipinto di Dino Carbetta
  • “The Hand of God Shines on the Cross - Convent of the Cells of Cortona”<br />
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The Prayer Come Holy Spirit: Come Holy Spirit, fill the hearts of your faithful and kindle in them the fire of your love. Send forth your Spirit and they shall be created. And You shall renew the face of the earth. O, God, who by the light of the Holy Spirit, did instruct the hearts of the faithful, grant that by the same Holy Spirit we may be truly wise and ever enjoy His consolations, Through Christ Our Lord. Amen.<br />
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Sometimes a planned mistake turns out to be a great photo and, in this case, it's the flair of the sun. Peering under a canopy of trees then kneeling and placing the sun behind the Cross...God's hand illuminates one's soul and his imagination.
    La mano di Dio risplende sulla croce..tona
  • “Father Peek raises the Chalice for Adoration – The New Church of San Francesco in Assisi”… <br />
<br />
The reflection of Father Peek in “The Elevation of the Host and Chalice” is after genuflection in adoration. The priest raises them both so that the Faithful may also adore Jesus Christ, true God, and true Man present on the altar. Look at the sacred Body and Blood of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things." A more ancient elevation of Host and Chalice occurs in the Mass of the Roman Rite while the priest speaks the concluding doxology of the Eucharistic Prayer: Per ipsum et cum ipso et in ipso est tibi Deo Patri omnipotenti in unitate Spiritus Sancti omnis honor et gloria per omnia saecula saeculorum (Through him, and with him, and in him, O God, almighty Father, in the unity of the Holy Spirit, all glory and honour is yours, forever and ever). The presence in the Roman Rite of this elevation can be traced back at least to the ninth century. The Chiesa Nuova is a church in Assisi, Italy, built in 1615 on the site of the presumed birthplace of St. Francis, the house of Pietro di Bernardone. It was then called Chiesa Nuova because it was the last church to be built in Assisi at that time. This Church appears as a small basilica, and on our first morning in Assisi of my Pilgrimage of 2019, Father Peek offered a venerable Mass. Two of our Pilgrimage couples renewed their vows during the celebration and an abundance of blessings were bestowed upon the faithful. The specular window light from high above the altar once again illuminates the Body and Blood of Christ as the Holy Spirit descends.
    Padre Peek solleva il Calice per L'a..sisi
  • “Chapel of St. Maximilian Kolbe - Santa Maria Gloriosa dei Frari - Venice Italy”…<br />
<br />
As they were being marched away to the starvation bunkers, Number 16670 dared to step from the line. “I would like to take that man’s place. He has a wife and children.” “Who are you?”  “A priest.” No name, no mention of fame. Silence. The commandant, dumbfounded, perhaps with a fleeting thought of history, kicked Sergeant Francis Gajowniczek out of line and ordered Fr. Kolbe to go with the nine. In the “block of death,” they were ordered to strip naked, and their slow starvation began in darkness. But there was no screaming—the prisoners sang. By the eve of the Assumption, four were left alive. The jailer came to finish Kolbe off as he sat in a corner praying. He lifted his fleshless arm to receive the bite from the deadly hypodermic needle. They burned his body with all the others. Fr. Kolbe was beatified in 1971 and canonized in 1982. Saint Maximilian Kolbe, was a Polish Catholic priest and Conventual Franciscan friar who volunteered to die in place of a stranger in the German death camp of Auschwitz, located in German-occupied Poland during World War II. He had been active in promoting the veneration of the Immaculate Virgin Mary, founding and supervising the monastery near Warsaw, operating an amateur radio station, and founding or running several other organizations and publications. Kolbe composed the Immaculata prayer as a prayer of consecration to the Immaculata. The Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination journeys with a fascinating impression of great history, aesthetic brilliance, and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” This Chapel of St. Maximilian Kolbe is a familiar theme of all the dramatic chapels around Frari reconciling the devotion and sanctity of the faithful.
    Cappella di San Massimiliano Kolbe -..alia
  • “The Holy Redeemer and Sacred Heart of Jesus - Painting by Dino Carbetta”…<br />
<br />
Devotion to the wounded heart of Jesus has its origins in the eleventh century when pious Christians meditated on the Five Wounds of Christ. There grew up among the faithful prayers to the Sacred Heart, prayers to the Shoulder Wound of Christ—private devotions which helped Christians to focus on the passion and death of Christ, and thus to grow in love for our Savior who had suffered and died for us. In Christian theology, Jesus is sometimes referred to by the title Redeemer. This refers to the salvation he is believed to have accomplished, and is based on the metaphor of redemption, or "buying back". In the New Testament, redemption is used to refer both to deliverance from sin and to freedom from captivity. Saint Paul uses the concept of redemption primarily to speak of the saving significance of the death of Christ. The New Testament speaks of Christ as the one Saviour for all people. The First Epistle of John says that Jesus is "the propitiation for our sins and not for ours only but also for the sins of the world" (1 John 2:2). Adherents of unlimited atonement interpret this to mean that Jesus' redemptive role is for all people without exception, while adherents of limited atonement interpret it as being for all people without distinction—for Gentiles as well as Jews. Jesus' universal role means that through him the deadly forces of evil are overcome, sin is forgiven, their contamination purified, and the new existence as God's beloved adopted children has been made available. The Feast of the Most Holy Redeemer was a Catholic liturgical feast. It is celebrated in Venice as the Festa del Redentore. In 1576 a plague broke out in Venice which in a few days carried off thousands of victims.
    Il Santo Redentore e Sacro Cuore di ..etta
  • "The Crucifix - The Basilica of Santa Maria degli Angeli Assisi Museum - Painting by Dino Carbetta"...<br />
<br />
Portiuncula is a town and a parish situated about three-quarters of a mile from Assisi. The town has grown up around the Basilica of Our Lady of the Angels. It was of this little church moved within the Basilica that St. Francis recognized his vocation in the year 1208, and it was where St. Francis spent most of his life. In 1211, the Benedictines gave him the little chapel of St. Mary of the Angels or the Portiuncula, which is a “little portion” of land. The first Franciscan convent was also formed nearby. The Portiuncula was also where St. Francis received the vows of St. Clare. St. Francis died here on October 3, 1226, and on his deathbed, he recommended the chapel to the faithful protection and care of his brothers. The Museo della Basilica is in another section of the convent. Among the most important works kept here are the "Crucifix “painted on wood by Giunta Pisano (1236-40). The return of Francis, a penitent man, contemplating his future in the Church... But God had other plans, and Francis did not travel far. His search for conversion led him to the ancient church at San Damiano. While he was praying there, he heard Christ on the crucifix speak to him, "Francis, repair my church." Francis assumed this meant the crumbling building he was in. He later realized it was his call to rebuild the entire Church. He read the command to the rich young man to sell all his good and give to the poor, the order to the apostles to take nothing on their journey, and the demand to take up the cross daily. "Here is our rule," Francis said -- as simple, and as seemingly impossible, as that. He was going to do what no one thought possible any more -- live by the Gospel.
    Il Crocifisso - La Basilica di Santa..etta
  • “Central bronze doors of Saint Paul Outside the Walls with inlaid silver Cross and Stations of Saints Peter and Paul”…<br />
<br />
There are three main doors. At the center, is the monumental door in green bronze made by Antonio Maraini, which was placed here in 1931; to its right is the new Holy Door, made of golden bronze, created by the sculptor Enrico Manfrini and erected for the Jubilee of the year 2000. The central door shows episodes relating to the lives and preaching’s of Saints Peter and Paul. A large cross with inlaid silver and embellished with stones of lapis lazuli overlays the door from side to side. The cross on the drawing represents a cross motif in curlicued silver, and this has on its plaques in lapis lazuli. Four on the horizontal bar show the symbols of the Evangelists, and on the vertical bar are the symbols of the Apostles. The reliefs (left to right) on the door show scenes from the lives, apostolates, and martyrdoms of Saints Peter and Paul, according to the wishes of the abbot of the monastery. Apart from the two central scenes, all of the events depicted took place in Rome. The reliefs depict: <br />
1)	Coat of arms of the Church <br />
2)	Coat of arms of Rome <br />
3)	The Crucifixion of St Peter <br />
4)	"Domine, Quo Vadis?" <br />
5)	Christ Giving the Keys to St Peter <br />
6)	Foundation of the Papal See <br />
7)	St Peter Baptizing in the Catacombs <br />
8)	The Beheading of St Paul <br />
9)	The Conversion of the Centurion <br />
10)	St Paul's Conversion <br />
11)	St Paul Teaching in Rome <br />
12)	St Paul Reaches Rome and is Welcomed by the Faithful
    Porte centrali in bronzo di San Paol..aolo
  • “Madonna degli Angeli - The Basilica of Santa Maria degli Angeli Assisi - Painting by Dino Carbetta”…<br />
<br />
Portiuncula is a town and a parish situated about three-quarters of a mile from Assisi. The town has grown up around the Basilica of Our Lady of the Angels. It was of this little church moved within the Basilica that St. Francis recognized his vocation in the year 1208, and it was where St. Francis spent most of his life. In 1211, the Benedictines gave him the little chapel of St. Mary of the Angels or the Portiuncula, which is a “little portion” of land. The first Franciscan convent was also formed nearby. The Portiuncula was also where St. Francis received the vows of St. Clare. St. Francis died here on October 3, 1226, and on his death-bed, he recommended the chapel to the faithful protection and care of his brothers. Two years before Saint Francis passed, and when he was 42 years old — one year after he had built the first crib in honor of Our Lord — he went off to a lonely mountain called Mount Alvernia, to prepare himself by forty days of fasting and prayer for the feast of Saint Michael, the greatest of God’s angels. On the feast of the Exaltation of the Holy Cross on September 14, Saint Francis received in his hands, feet, and side the Sacred Wounds from Our Lord’s own body. Never was a saint more beautifully loved than Saint Francis of Assisi. The wounds Jesus gave him stayed in his hands, feet, and side, and continually bled for two more years, until he died in 1226. The gold-plated statue of the Madonna degli Angeli by the sculptor Colasanti and cast by Marinelli Artistic Foundry was put on top of the façade in 1930. Our 2019 Pilgrimage was fortunate to tour this very reverent and spiritual Basilica. When the sun reflects the golden exterior of Mother Mary, it makes her almost translucent. I tried to emulate this mystical effect with the same harmonic, and glorious radiance.
    Madonna degli Angeli - La Basilica d..etta
  • “Santa Teresa d'Avila - Painting by Dino Carbetta”…<br />
<br />
Teresa of Ávila (born March 1515), also called Saint Teresa of Jesus, was a Spanish noblewoman who felt called to convent life in the Catholic Church. Teresa lived in an age of exploration as well as political, social, and religious upheaval. It was the 16th century, a time of turmoil and reform. She was born before the Protestant Reformation and died almost 20 years after the closing of the Council of Trent. A Carmelite nun, a prominent Spanish mystic, religious reformer, author, theologian of the contemplative life and mental prayer, she earned the rare distinction of being declared a Doctor of the Church, but not until over four centuries after her death. Active during the Catholic Reformation, she reformed the Carmelite Orders of both women and men. The movement she initiated was later joined by the younger Spanish Carmelite friar and mystic John of the Cross. It led eventually to the establishment of the Discalced Carmelites. A formal papal decree adopting the split from the old order was issued in 1580. Teresa was a woman “for God,” a woman of prayer, discipline, and compassion. Her heart belonged to God. Her ongoing conversion was an arduous lifelong struggle, involving ongoing purification and suffering. She was misunderstood, misjudged, and opposed in her efforts at reform. Yet she struggled on, courageous and faithful; she struggled with her mediocrity, her illness, her opposition. And in the midst of all this, she clung to God in life and prayer. Her writings on prayer and contemplation are drawn from her experience: powerful, practical, and graceful. She founded many new monasteries, traveled, wrote, fought—always to renew, to reform. In herself, in her prayer, in her life, in her efforts to reform, in all the people she touched, she was a woman for others, a woman who inspired and gave life. Her writings, especially the Way of Perfection and The Interior Castle, have helped generations of believers.
    Santa Teresa d'Avila - Dipinto di Di..etta
  • "Madonna embracing the Rosary - Santa Maria dei Miracoli Rome - Painting by Dino Carbetta"...<br />
<br />
The feast of Our Lady of the Rosary was instituted to honor Mary for the Christian victory over the Turks at Lepanto on October 7, 1571. Pope St. Pius V and all Christians had prayed the Rosary for victory. The Rosary, or the Psalter of the Blessed Virgin Mary, is one of the best prayers to Mary, the Mother of God. Lepanto, perhaps the most complete victory ever gained over the Ottoman Empire, on October 7, 1571, is commemorated by the invocation "Help of Christians," inserted in the Litany of Loretto. At Belgrade, the Turks were defeated on the Feast of Our Lady ad Nives in 1716.   A second victory gained that year on the Octave of the Assumption determined Pope Clement XI to command the Feast of the Rosary to be celebrated by the universal Church. Leo XIII added the invocation "Queen of the Most Holy Rosary, pray for us," to the Litany of Loretto. The Feast is in reality a great festival of thanksgiving for the signal and countless benefits bestowed on Christendom through the Rosary of our blessed Queen. In modern times successive popes have urged the faithful to pray the Rosary. It is a form of contemplative prayer, mental and vocal prayer, which brings down God’s blessing on the Church. It is a biblically inspired prayer which is centered on meditation on the salvific mysteries of Christ in union with Mary, who was so closely associated with her Son in his redeeming activity.
    Madonna che abbraccia il Rosario - S..etta
  • "Saint Helena holding the cross - Santa Croce in Gerusalemme, Rome"...<br />
<br />
The Basilica of the Holy Cross in Jerusalem is located in Rome, in the Esquilino quarter, close to the Aurelian Walls and the Castrense Amphitheatre, between the Basilica of St. John Lateran and Porta Maggiore. The Basilica of the Holy Cross is part of the route of the “Seven Churches” that ancient pilgrims used to visit on foot. Several sources, including an inscription in the church, verify that the Sessorian Palace was owned by the empress St. Helen (c.255-330), Constantine's mother. From the end of the 4th century, it was said that St. Helen had made a pilgrimage to the Holy Land, during which she discovered the True Cross on which Christ was crucified and many other relics. It was also said that she wished to set up a shrine in Rome for pilgrims who could not travel to Jerusalem. The first room of the chapel has a Roman-era statue of St. Helen holding the cross. Beneath the statue is a floor believed to contain soil from the Holy Land. Under the protective glass covering the soil are many paper prayers from the faithful. Fragments of the cross were circulating in the West by 348 AD. The earliest historical record of the church, dated to 501 AD, refers to it as "Hierusalem basilica Sessoriani palatii." Architecturally, it is notable that the 4th-century Chapel of St. Helen is quite similar in design to a martyrium that was erected by Constantine in Jerusalem to house a fragment of the True Cross. In 1492, a dramatic discovery was made in the course of repairs to a mosaic: a brick inscribed with the words TITULUS CRUCIS (Title of the Cross). Sealed behind the brick was a fragment of an inscription in wood, with the word "Nazarene" written in Hebrew, Latin, and Greek. The Title is mentioned in all four Gospel accounts. This was our first stop on our Pilgrimage of 2019 in Italy. A very propitious, historical, and spiritual beginning to a monumental journey in The Eternal City.
    Sant'Elena con in mano la croce - Sa..Roma
  • "Father Peek elevates the Host for Adoration - The Church of Santo Spirito in Sassia"...<br />
<br />
For me personally, this image is one of my favorites and most poignant of our 2019 Pilgrimage. Our 4th gentile morning in Roma before leaving for Sorrento, we walked from our hotel to the Bellissimo Santo Spirito for Mass. Located just steps from St. Peter’s Basilica, the church is the center of the Divine Mercy established by St. John Paul II. Each day at 3 p.m. the congregants assemble to pray the Divine Mercy Chaplet in this reverent sanctuary containing relics of both St. Faustina Kowalska and St. John Paul II. The church is distinguished for its beautiful and pious artistic and aesthetic adornment, yet, also has a long history of bringing mercy to the human spirit and body. In the eighth century, there was a church in this place called Santa Maria in Sassia dedicated to the Virgin Mary. The name of the church comes from “the Saxon school,” where pilgrims from Northern Europe and Saxon nations received their first spiritual and material assistance. In 1198, at the request of Pope Innocent III, the first “Holy Spirit Hospital” in Europe was built adjacent to the church. The chapel on the right side is dedicated to The Divine Mercy and to Saint Faustina where the statue of “The Apostle of The Divine Mercy” resides with her reliquary donated by the Holy Father John Paul II. The reflection of Father Peek in “The Elevation of the Host” is after genuflection in adoration. The priest raises the Host so that the Faithful may also adore Jesus Christ, true God and true Man present on the altar. Look at the sacred Body of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things."
    Padre Peek Eleva Consacrata l'ostia ..ssia
  • “Heaven Reigns of Glorious Snow on the Church of San Sebastiano in the Bavarian Alps - Painting by Dino Carbetta "...<br />
<br />
Psalms 42:2-6 – “As the deer longs for streams of water, so my soul longs for you, O God. My soul thirsts for God, the living God. When can I enter and see the face of God? My tears have been my bread day and night, as they ask me every day, “Where is your God?” Those times I recall as I pour out my soul, When I would cross over to the shrine of the Mighty One, to the house of God, Amid loud cries of thanksgiving, with the multitude keeping festival. Why are you downcast, my soul; why do you groan within me? Wait for God, for I shall again praise him, my savior and my God.” The beautiful Bavarian church was built in 1512 under Prince Provost Gregor Rainer is consecrated to Saints Sebastian and Fabian and lies only 161 miles from Bolzano, Italy. In the late gothic built style, the 16th-century church has been extended several times and provided with a stone tower in 1611. It was finally redesigned in baroque style together with the tower built in 1700 and covered with an onion dome and wooden shingles. To the east of the church is the historic cemetery, which is adjacent to the war memorial in memory of the Ramsau people who died in World War II. In 1960 US President Eisenhower painted the church by hand based on a color photo. His work was reproduced as a Christmas present for the White House staff and published in the European edition of Stars and Stripes, the daily newspaper of the US armed forces. I found the beautiful snowy church and mountains to be a perfect backdrop in a faithful description of this Psalms bible passage.
    Il Paradiso Regna del Neve Gloriosa ..etta
  • “Santa Maria Faustina - The Church of Santo Spirito in Sassia Rome - Painting by Dino Carbetta”…<br />
<br />
“Saint Faustina’s name is forever linked to the annual feast of the Divine Mercy, the Divine Mercy chaplet, and the Divine Mercy prayer recited each day at 3 p.m. by many people. Born in what is now west-central Poland, Helena Kowalska was the third of 10 children. She worked as a housekeeper in three cities before joining the Congregation of the Sisters of Our Lady of Mercy in 1925. She worked as a cook, gardener, and porter in three of their houses. In addition to carrying out her work faithfully, generously serving the needs of the sisters and the local people, Sister Faustina also had a deep interior life. This included receiving revelations from the Lord Jesus, messages that she recorded in her diary at the request of Christ, and her confessors. At a time when some Catholics had an image of God as such a strict judge that they might be tempted to despair about the possibility of being forgiven, Jesus chose to emphasize his mercy and forgiveness for sins acknowledged and confessed. “I do not want to punish aching mankind,” he once told Saint Faustina, “but I desire to heal it, pressing it to my merciful heart.” The two rays emanating from Christ’s heart, she said, represent the blood and water poured out after Jesus’ death. Because Sister Maria Faustina knew that the revelations she had already received did not constitute holiness itself, she wrote in her diary: “Neither graces, nor revelations, nor raptures, nor gifts granted to a soul make it perfect, but rather the intimate union of the soul with God. These gifts are merely ornaments of the soul but constitute neither its essence nor its perfection. My sanctity and perfection consist in the close union of my will with the will of God.” by Franciscan Media.
    Santa Maria Faustina - La Chiesa di ..etta
  • “St. Francis with the Stigmata - The Basilica of Santa Maria degli Angeli Museum”… <br />
<br />
Portiuncula is a town and a parish situated about three-quarters of a mile from Assisi. The town has grown up around the Basilica of Our Lady of the Angels. It was of this little church moved within the Basilica that St. Francis recognized his vocation in the year 1208, and it was where St. Francis spent most of his life. In 1211, the Benedictines gave him the little chapel of St. Mary of the Angels or the Portiuncula, which is a “little portion” of land. The first Franciscan convent was also formed nearby. The Portiuncula was also where St. Francis received the vows of St. Clare. St. Francis died here on October 3, 1226, and on his death-bed, he recommended the chapel to the faithful protection and care of his brothers. Two years before Saint Francis of Assisi died, and when he was 42 years old — one year after he had built the first crib in honor of Our Lord — he went off to a lonely mountain called Mount Alvernia, to prepare himself by forty days of fasting and prayer for the feast of Saint Michael, the greatest of God’s angels. On the feast of the Exaltation of the Holy Cross on September 14, Saint Francis received in his hands, feet, and side the Sacred Wounds from Our Lord’s own body. Never was a saint more beautifully loved than Saint Francis of Assisi. The wounds Jesus gave him stayed in his hands, feet, and side, and continually bled for two more years, until he died in 1226. This realistic image of St. Francis with the Stigmata on his hands was captured in the Basilica Museum, along with many other historical treasures from his life. Our 2019 Pilgrimage was fortunate to tour this very reverent and spiritual Basilica. It is one of the primary Pilgrimage locations in all of Italy and there seems to be a steady stream of visitors daily.
    San Francesco con le Stimmate - La B..useo
  • St. Padre Pio of Pietrelcina -  Painting by Dino Carbetta<br />
<br />
Born Francesco Forgione, Padre Pio grew up in a family of farmers in southern Italy. Twice his father worked in Jamaica, New York, to provide the family income. At the age of 15, Francesco joined the Capuchins and took the name of Pio. He was ordained in 1910 and was drafted during WWI. After he was discovered to have tuberculosis, he was discharged. In 1917, he was assigned to the friary in San Giovanni Rotondo, 75 miles from the city of Bari on the Adriatic. On September 20, 1918, the five wounds of our Lord’s passion appeared on his body, making him the first stigmatized priest in the history of the Catholic Church. Countless persons were attracted to his confessional and many more received his saintly counsel and spiritual guidance, and in time his confessional ministry would take 10 hours a day. Many of them have said that Padre Pio knew details of their lives that they had never mentioned. Bountiful peoples have reported cures they believe were received through the intercession of Padre Pio. His life was marked by long hours of prayer and continual austerity. His letters to his spiritual directors reveal the ineffable suffering, physical and spiritual, which accompanied him all through his life. They also reveal his deep union with God, his burning love for the Blessed Eucharist and Our Blessed Lady. At Padre Pio’s canonization Mass in 2002, Saint John Paul II said: “The Gospel image of ‘yoke’ evokes the many trials that the humble Capuchin of San Giovanni Rotondo endured. Mt 11:25-30 Today we contemplate in him how sweet is the ‘yoke’ of Christ and indeed how light the burdens are whenever someone carries these with faithful love. The life and mission of Padre Pio testify that difficulties and sorrows if accepted with love, transform themselves into a privileged journey of holiness, which opens the person toward a greater good, known only to the Lord.” Original wooden statue by Ferdinand Stuflesser.
    San Padre Pio da Pietrelcina - Dipin..etta
  • “Father Peek raises the chalice for adoration - The New Church of San Francesco in Assisi – Luminescense”…<br />
<br />
The reflection of Father Peek in “The Elevation of the Host and Chalice” is after genuflection in adoration. The priest raises them both so that the Faithful may also adore Jesus Christ, true God, and true Man present on the altar. Look at the sacred Body and Blood of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things." A more ancient elevation of Host and Chalice occurs in the Mass of the Roman Rite while the priest speaks the concluding doxology of the Eucharistic Prayer: Per ipsum et cum ipso et in ipso est tibi Deo Patri omnipotenti in unitate Spiritus Sancti omnis honor et gloria per omnia saecula saeculorum (Through him, and with him, and in him, O God, almighty Father, in the unity of the Holy Spirit, all glory and honour is yours, forever and ever). The presence in the Roman Rite of this elevation can be traced back at least to the ninth century. The Chiesa Nuova is a church in Assisi, Italy, built in 1615 on the site of the presumed birthplace of St. Francis, the house of Pietro di Bernardone. It was then called Chiesa Nuova because it was the last church to be built in Assisi at that time. This Church appears as a small basilica, and on our first morning in Assisi of my Pilgrimage of 2019, Father Peek offered a venerable Mass. Two of our Pilgrimage couples renewed their vows during the celebration and an abundance of blessings were bestowed upon the faithful. The specular window light from high above the altar once again illuminates the Body and Blood of Christ as the Holy Spirit descends.
    Padre Peek solleva il Calice per L'a..anco
  • “Father Peek raises the chalice for adoration - The New Church of San Francesco in Assisi – Luminescense”…<br />
<br />
The reflection of Father Peek in “The Elevation of the Host and Chalice” is after genuflection in adoration. The priest raises them both so that the Faithful may also adore Jesus Christ, true God, and true Man present on the altar. Look at the sacred Body and Blood of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things." A more ancient elevation of Host and Chalice occurs in the Mass of the Roman Rite while the priest speaks the concluding doxology of the Eucharistic Prayer: Per ipsum et cum ipso et in ipso est tibi Deo Patri omnipotenti in unitate Spiritus Sancti omnis honor et gloria per omnia saecula saeculorum (Through him, and with him, and in him, O God, almighty Father, in the unity of the Holy Spirit, all glory and honour is yours, forever and ever). The presence in the Roman Rite of this elevation can be traced back at least to the ninth century. The Chiesa Nuova is a church in Assisi, Italy, built in 1615 on the site of the presumed birthplace of St. Francis, the house of Pietro di Bernardone. It was then called Chiesa Nuova because it was the last church to be built in Assisi at that time. This Church appears as a small basilica, and on our first morning in Assisi of my Pilgrimage of 2019, Father Peek offered a venerable Mass. Two of our Pilgrimage couples renewed their vows during the celebration and an abundance of blessings were bestowed upon the faithful. The specular window light from high above the altar once again illuminates the Body and Blood of Christ as the Holy Spirit descends.
    Padre Peek solleva il Calice per L'a..ense
  • “The Hand of God Shines on the Cross - Convent of the Cells of Cortona – BW” <br />
<br />
The Prayer Come Holy Spirit: Come Holy Spirit, fill the hearts of your faithful, and kindle in them the fire of your love. Send forth your Spirit and they shall be created. And You shall renew the face of the earth. O, God, who by the light of the Holy Spirit, did instruct the hearts of the faithful, grant that by the same Holy Spirit we may be truly wise and ever enjoy His consolations, Through Christ Our Lord. Amen. Sometimes a planned mistake turns out to be a great photo and, in this case, it's the flair of the sun. Peering under a canopy of trees then kneeling and placing the sun behind the Cross...God's hand illuminates one's soul and his imagination.
    La Mano di Dio Risplende sulla Croce..- BW
  • "The oculus of the 2000 year-old Pantheon of Santa Maria"...<br />
<br />
The ancient Pantheon is still the world's largest unreinforced concrete dome.  Both the height and the diameter of the dome is exactly 142 feet.  The Romans were so far ahead of their time...just imagine the possibilities if the empire had survived. The Pantheon is now an active Catholic church known as Santa Maria Rotonda.  The ancient tradition of dropping rose petals from the open oculus happens at noon every Pentecostal Sunday during Mass.  The rose petals symbolize the descent of the Holy Spirit falling on the apostles and the faithful, and it dates back as early as 600 years after the birth of Christ.  Vigili del Fuoco (firefighters) of Rome, climb on top of the Pantheon’s dome, and drop thousands of rose petals as the choir chants the sequence of Veni Sancte Spiritus.
    L'oculo del Pantheon di 2000 anni di..aria
  • “Peering out of the main entrance of Santa Croce in Gerusalemme, Rome”…<br />
<br />
The Basilica of the Holy Cross in Jerusalem is located in Rome, in the Esquilino quarter, close to the Aurelian Walls and the Castrense Amphitheatre, between the Basilica of St. John Lateran and Porta Maggiore. The Basilica of the Holy Cross is part of the route of the “Seven Churches” that ancient pilgrims used to visit on foot. Several sources, including an inscription in the church, verify that the Sessorian Palace was owned by the empress St. Helen (c.255-330), Constantine's mother. From the end of the 4th century, it was said that St. Helen had made a pilgrimage to the Holy Land, during which she discovered the True Cross on which Christ was crucified and many other relics. It was also said that she wished to set up a shrine in Rome for pilgrims who could not travel to Jerusalem. The first room of the chapel has a Roman-era statue of St. Helen holding the cross. Beneath the statue is a floor believed to contain soil from the Holy Land. Under the protective glass covering the soil are many paper prayers from the faithful. Fragments of the cross were circulating in the West by 348 AD. The earliest historical record of the church, dated to 501 AD, refers to it as "Hierusalem basilica Sessoriani palatii." Architecturally, it is notable that the 4th-century Chapel of St. Helen is quite similar in design to a martyrium that was erected by Constantine in Jerusalem to house a fragment of the True Cross. In 1492, a dramatic discovery was made in the course of repairs to a mosaic: a brick inscribed with the words TITULUS CRUCIS (Title of the Cross). Sealed behind the brick was a fragment of an inscription in wood, with the word "Nazarene" written in Hebrew, Latin, and Greek. The Title is mentioned in all four Gospel accounts. This was our first stop on our Pilgrimage of 2019 in Italy. A very propitious, historical, and spiritual beginning to a monumental journey in The Eternal City.
    Sbirciando fuori dall'ingresso princ..Roma
  • “St. Francis with the Stigmata - The Basilica of Santa Maria degli Angeli Museum - Russet”…<br />
<br />
Portiuncula is a town and a parish situated about three-quarters of a mile from Assisi. The town has grown up around the Basilica of Our Lady of the Angels. It was of this little church moved within the Basilica that St. Francis recognized his vocation in the year 1208, and it was where St. Francis spent most of his life. In 1211, the Benedictines gave him the little chapel of St. Mary of the Angels or the Portiuncula, which is a “little portion” of land. The first Franciscan convent was also formed nearby. The Portiuncula was also where St. Francis received the vows of St. Clare. St. Francis died here on October 3, 1226, and on his death-bed, he recommended the chapel to the faithful protection and care of his brothers. Two years before Saint Francis of Assisi died, and when he was 42 years old — one year after he had built the first crib in honor of Our Lord — he went off to a lonely mountain called Mount Alvernia, to prepare himself by forty days of fasting and prayer for the feast of Saint Michael, the greatest of God’s angels. On the feast of the Exaltation of the Holy Cross on September 14, Saint Francis received in his hands, feet and side the Sacred Wounds from Our Lord’s own body. Never was a saint more beautifully loved than Saint Francis of Assisi. The wounds Jesus gave him stayed in his hands, feet, and side, and continually bled for two more years, until he died in 1226. This realistic image of St. Francis with the Stigmata on his hands was captured in the Basilica Museum, along with many other historical treasures from his life. Our 2019 Pilgrimage was fortunate to tour this very reverent and spiritual Basilica. It is one of the primary Pilgrimage locations in all of Italy and there seems to be a steady stream of visitors daily. I have also found this site for live daily Mass which you can enjoy day or night: https://www.facebook.com/fratiassisi/
    San Francesco con le stimmate - La B..gine
  • “Father Peek 'raises the consecrated host for adoration - Sorrento Cathedral - Painting by Dino Carbetta”… <br />
<br />
The reflection of Father Peek in “The Elevation of the Host” is after genuflection in adoration. The priest raises the Host so that the Faithful may also adore Jesus Christ, true God and true Man present on the altar. Look at the sacred Body of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things. “Duomo di Sorrento is one of my favorite hidden treasures in Italy. On our last day on the Bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. I am not an expert in, nor born in Marina Grande or Sorrento, but the Gulf of Naples is where my Grandfather and his family are from. It seems that every time I have set foot in this tiny village, the skies explode with color and welcome its former lineage home. Shortly after the last picture was captured, it was meal time with the entire Pilgrimage group. A perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare, was enjoyed by all!
    Padre Peek 'eleva Consacrata l'ostia..etta
  • "Madonna and Child with Saints - Chapel of the Franciscan Saints - Basilica dei Frari Venice"...<br />
<br />
The altarpiece is depicting the Madonna and Child enthroned. To His right are St. Clare, St. Bonaventure, St. Francis and St. Mark; behind the head of the client: father Antonietto da Venezia; to the left: St. John the Baptist, St. Anthony, St. Louis d'Anjou (Bishop of Toulouse) and Saint Andrew. The artist is Bernardino Licinio and completed in the year 1524. The Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed to sneak a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a very large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and necessitated by the very large church. This masterpiece of Madonna and Child is a central theme of all the dramatic chapels around Frari to the delight of the faithful. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook such as the Basilica of Santa Maria Gloriosa dei Frari.
    Madonna col Bambino e santi - Cappel..ezia
  • "2000 year old Pantheon eye of Santa Maria"...<br />
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The ancient Pantheon is still the world's largest unreinforced concrete dome.  Both the height and the diameter of the dome is exactly 142 feet.  The Romans were so far ahead of their time...just imagine the possibilities if the empire had survived. The Pantheon is now an active Catholic church known as Santa Maria Rotonda.  The ancient tradition of dropping rose petals from the open oculus happens at noon every Pentecostal Sunday during Mass.  The rose petals symbolize the descent of the Holy Spirit falling on the apostles and the faithful, and it dates back as early as 600 years after the birth of Christ.  Vigili del Fuoco (firefighters) of Rome, climb on top of the Pantheon’s dome, and drop thousands of rose petals as the choir chants the sequence of Veni Sancte Spiritus.
    Il 2000 anni vecchio Pantheon occhio..aria
  • "Madonna of the Angels - The Basilica of Saint Mary of the Angels – Assisi"...<br />
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Portiuncula is a town and a parish situated about three-quarters of a mile from Assisi. The town has grown up around the Basilica of Our Lady of the Angels. It was of this little church moved within the Basilica that St. Francis recognized his vocation in the year 1208, and it was where St. Francis spent most of his life. In 1211, the Benedictines gave him the little chapel of St. Mary of the Angels or the Portiuncula, which is a “little portion” of land. The first Franciscan convent was also formed nearby. The Portiuncula was also where St. Francis received the vows of St. Clare. St. Francis died here on October 3, 1226, and on his death-bed, he recommended the chapel to the faithful protection and care of his brothers. Two years before Saint Francis of Assisi died, and when he was 42 years old — one year after he had built the first crib in honor of Our Lord — he went off to a lonely mountain called Mount Alvernia, to prepare himself by forty days of fasting and prayer for the feast of Saint Michael, the greatest of God’s angels. On the feast of the Exaltation of the Holy Cross on September 14, Saint Francis received in his hands, feet and side the Sacred Wounds from Our Lord’s own body. Never was a saint more beautifully loved than Saint Francis of Assisi. The wounds Jesus gave him stayed in his hands, feet, and side, and continually bled for two more years, until he died in 1226. This realistic image of St. Francis with the Stigmata on his hands was captured in the Basilica Museum, along with many other historical treasures from his life. Our 2019 Pilgrimage was fortunate to tour this very reverent and spiritual Basilica. The gold-plated statue of the Madonna degli Angeli by the sculptor Colasanti and cast by Ferdinando Marinelli Artistic Foundry was put on top of the façade in 1930.
    Madonna degli Angeli - La Basilica d..sisi
  • “Alba sulla Veranda a Positano”…<br />
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After a solemn sunrise morning where I essentially had Positano all to myself, I began my strenuous journey down and back up the mountainside. I noticed a perfectly beautiful view on the veranda of one of Positano’s villas; however, a large gate was padlocked and prevented my sly entrance. Descending to my knees and extending the barrel of the lens through an opening in the fence, I was able to capture a single image. Sometimes it pays to break a few rules to capture a perfect vision. There was only one occasion that I was able to pre-plan taking photos at sunrise and that was during the last day of three in Positano. It takes much planning, logistics, and familiarity to figure the best locations and the proper angles and positions of the sun. My third morning was ideal and fortuitous as it began raining about 10:00 am which gave me perfect clouds for sunrise, finally ending with a very cold wind just in time for sunset. This image is one of the rare photos of a slumbering Positano in the dewing morning around 6:50 am at the end of May….the beginning of peak tourist season. By 8:00 am, this tiny seaside village is bustling with tourists and shop owners, and restaurateurs trying to satisfy every need. All in all, Positano was by far the plushest of all the locations I visited in Italy, and I was blessed to witness everything in full bloom. “Notice how the flowers grow. They do not toil or spin. But I tell you, not even Solomon in all his splendor was dressed like one of them.” LUKE 12:27.
    Alba sulla Veranda a Positano
  • “Giving seed to the One who sows, Snow - Painting by Dino Carbetta”…<br />
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[Isaiah 55:10-13] Yet just as from the heavens the rain and snow come down And do not return there till they have watered the earth, making it fertile and fruitful, Giving seed to the one who sows and bread to the one who eats, So shall my word be that goes forth from My mouth; It shall not return to me empty, but shall do what pleases me, achieving the end for which I sent it. Yes, in joy you shall go forth, in peace you shall be brought home; Mountains and hills shall break out in song before you, all trees of the field shall clap their hands. In place of the thornbush, the cypress shall grow, instead of nettles, the myrtle. This shall be to the LORD’s renown, as an everlasting sign that shall not fail.
    Dare seme a Colui che semina, Neve -..etta
  • “The New Church birthplace of St. Francis of Assisi”…<br />
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This photograph was created while approaching Chiesa Nuova (New Church) at the same time an elderly Italian man was entering for worship and prayer. As I entered the beautiful small church, a Franciscan Monk working inside saw me and without reluctance, rose from his desk and graced me with a half-hour tour speaking entirely in Italian. He never hesitated and he never assumed that I was not fluent in Italian; yet, he continued to entrust me with every detail of what looked like a mini Basilica. As we ventured around, he explained every nuance, even the crypt where Saint Francis’ parents reside. Upon completion of the tour, he shook my hand, gave me a gentle embrace, and bestowed a blessing in Italian. While not understanding the language, I left with gratitude and amazement …yet, somehow, I understood his every word.
    La Chiesa Nuova luogo di nascita di ..sisi
  • “Positano's Church of Santa Maria Assunta illuminated by the evening light”…<br />
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Taking an evening stroll along the Strada of Positano, the highlight was the majestic evening view of the church of Santa Maria Assunta overlooking the hillside. The colorful dome is made of majolica tiles which are very prominent on the Amalfi Coast, and the church contains a thirteenth-century Byzantine icon of the legendary Black Madonna. All indications seemed to verify that late May in Positano presented a spectacular pallet of every color under God’s rainbow. This quaint seaside village stimulated one’s senses, aggrandizing its chest and boasting specular perfection. I cannot imagine a more benevolent time of year than during late spring to visit the Bellissimo Amalfi coast. This image was one of my last of the evening before a long hike up to the terrace of Hotel Montemare's famous restaurant. Finally, time to relax and unwind while admiring yet another truly breathtaking sea view of Positano Bay.
    Positano's Chiesa di Santa Maria Ass..sera
  • “The sun shines over the Papal Basilica of San Francesco d'Assisi – Painting by Dino Carbetta”…<br />
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On the seventh morning of our Pilgrimage, we sorrowfully said goodbye to the splendid Sorrento and set out to find the spiritual mecca of Assisi. The excitement of Saint Francis' tiny mountaintop village perked our eyes toward the windows and Hotel Giotto welcomed all!  An evening Mass with celebrant Fr. Peek in the PAX Chapel, a small underground sanctuary in Saint Francis Basilica hosted our celebration. Mass was also in honor of the wedding anniversary of Bill and Bardeen from Atlanta, GA. I cannot say enough about the wonderful quality of people and Catholics I had the honor to accompany on our Pilgrimage. A small group of only 12, but mighty, affectionate, spiritually, and compassionate. Bill and Bardeen epitomized this nature and shared their love will all our Pilgrims and those who witness our gatherings. We were also blessed by a humble, yet charismatic Priest, Father Kevin Peek. He seemed to know every other person in Italy, and subsequently, we all found new friends at dinner time. I cannot honestly conclude a more perfect Pilgrimage Priest than Father, and he was the embodiment of a Spiritual guide. He not only celebrated Mass each morning in the most beautiful and prestigious Basilica in the world, but he also led nighttime rosary walks through the Italian Strada, offered confession anytime, interjected stories of the Saints, discussed all Italian epicurean delights with great delight, and spread the word and love of God to anyone who would listen. After Mass, the sun once again glowed as it set behind Saint Francis Basilica. There is probably not a more exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be here but to all those who witness its image created by God and the fortunate artist of expression.
    Il sole splende sopra la Basilica Pa..etta
  • “Agnus Dei - Dipinto di Dino Carbetta”…<br />
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“The next day John was there again with two of his disciples, and as he watched Jesus walk by, he said, ‘Behold, the Lamb of God.” The two disciples heard what he said and followed Jesus.” JN 1:35-37<br />
“So Jesus said to them, ‘Amen, amen, I say to you, it was not Moses who gave the bread from heaven; my Father gives you the true bread from heaven. For the bread of God is that which comes down from heaven and gives life to the world.” So they said to him, ‘Sir, give us this bread always.” Jesus said to them, “I am the bread of life; whoever comes to me will never hunger, and whoever believes in me will never thirst.  JN 6:32-35
    Agnus Dei - Dipinto di Dino Carbetta
  • “The morning fog disappears over the Sacred Convent and the Basilica of San Francesco d'Assisi”…<br />
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The Sacro Convento is a Franciscan friary in Assisi, Italy. The friary is connected as part of three buildings to the upper and lower church of the Basilica of San Francesco d'Assisi, where the friar's custody with great reverence the body of Saint Francis. St. Francis wanted to be buried at this location outside of Assisi's city walls, called Hill of Hell (Collo d'Inferno - here were the gallows where criminals were put to death) because his master Jesus of Nazareth also was killed like a criminal outside of the city of Jerusalem. The Conventual Franciscans consider Assisi as the mother town and the monastery as the spiritual center of their order, while the operations center is located in Rome. Pope Gregory IX laid the cornerstone for the Basilica of San Francesco d'Assisi and the friary on 17 July 1228, the day after the canonization of Saint Francis. In 1230, after two years the lower church was ready to uptake the bones of Saint Francis, who had died at Portiuncula in 1226 and had been transferred to the church San Gregorio, which later became the Basilica di Santa Chiara, after Santa Chiara's death. The original part of the Sacro Convento consisted of a refectory, dormitory, chapter hall, papal hall, and a scriptorium-library. For the first 200 years of its existence, the library rivaled the Sorbonne and Avignon with a comparable number of manuscripts. The façade of the upper basilica is perhaps the most photographed church in the world. It appears smallish and antiquated from the outside. However, the deceptive upper basilica is quite large but gives way to the grand lower basilica. One has no idea of the massive structure below supporting the Basilica of Saint Francis unless realizing the Sacred Convent is the monumental base. This image confirms the magnitude of the entirety of the Convent and the Basilica.
    La nebbia mattutina svanisce sul Sac..sisi
  • "Crucifixion above the altar of the Church of Santa Maria Maggiore in Assisi"...<br />
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The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built on this site close to the Roman city walls in the 4th century.  The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. The interior has a basilica plan with three naves, separated by pillars. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal their age and status throughout history.
    Crocifissione sopra l'altare della C..sisi
  • “Nativity of St. Francis with the Holy Family - The Basilica of Santa Maria degli Angeli Museum”…<br />
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“After visiting Bethlehem, St. Francis wanted to imitate the humble setting of Christ’s birth. In 1221, St. Francis had a novel idea. To celebrate the birth of Jesus, Francis wanted to recreate the experience of the first Christmas. He didn’t want statues inside a church, but with animals in a humble hilltop grove. St. Francis’ inspiration came after traveling to the Holy Land and seeing the exact site of Christ’s birth. The poverty of it all deeply impacted Francis and was a particular element that he wanted to celebrate at Christmas. ‘About 15 days before the Nativity of the Lord, he said to a friend in Greccio, For I would make memorial of that Child who was born in Bethlehem, and in some sort behold with bodily eyes His infant hardships; how He lay in a manger on the hay, with the ox and the ass standing by.’ There Simplicity was honored, Poverty exalted, Humility commended, and of Greccio there was made as it were a new Bethlehem. The night was lit up as the day and was delightful to men and beasts… St. Francis stood before the manger, full of sighs, overcome with tenderness and filled with wondrous joy. The solemnities of Mass were celebrated over the manger, and the priest enjoyed a new consolation. According to St. Bonaventure, a miracle also occurred on that night and someone noticed St. Francis holding the Christ Child. A certain valiant and veracious soldier… affirmed that he beheld an Infant marvelously beautiful, sleeping in the manger, whom the blessed Father Francis embraced with both his arms as if he would awake Him from sleep. The idea caught on quickly and in 1291 the first Franciscan pope (Nicholas IV) commissioned statues to create the first permanent Nativity scene in the Roman Basilica of St. Mary Major. Nativity scenes in all shapes and sizes have been created throughout the world and they are one of the most popular Christmas traditions.”
    Natività di San Francesco con la Sac..useo
  • "In the late afternoon the sun penetrates through ancient abandoned buildings along the Santa Fosca Canal in Venice"...<br />
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The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass in the sacristy. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Nel tardo pomeriggio il sole penetra..ezia
  • “This is the Lamb of God, who takes away the sins of the world - Painting by Dino”…<br />
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“Questo è l'Agnello di Dio, che toglie i peccati del mondo - Dipinto di Dino Carbetta”…<br />
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John the Baptist’s Testimony to Jesus. Jn 1:29-34 “The next day he saw Jesus coming toward him and said, ‘Behold, the Lamb of God, who takes away the sin of the world. He is the one of whom I said, A man is coming after me who ranks ahead of me because he existed before me. I did not know him, but the reason why I came baptizing with water was that he might be made known to Israel.’ John testified further, saying, “I saw the Spirit come down like a dove from the sky and remain upon him. I did not know him, but the one who sent me to baptize with water told me, ‘On whomever you see the Spirit come down and remain, he is the one who will baptize with the Holy Spirit. Now I have seen and testified that he is the Son of God.” Artistic credit to Alonso Cano.
    Ecce Agnus Dei, ecce qui tollit pecc..etta
  • "Sun hiding behind the Macuteo Obelisk - Roman Pantheon"...<br />
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Eventually, one discovers that God finds a way where there is none. A very crowded Pantheon at 3:00 PM in the bright afternoon made creative photography impossible. However, getting on my knees and placing the sun behind the cross of the Obelisk created a phenomenal appeal. All are original, including the landing dove/pigeon and sun flare. The Obelisk was originally built by one of the most famous Egyptian Pharaohs about 1300 years before Christ by Pharaoh Ramses II for the Temple of Ra in Heliopolis and brought to Rome in ancient times. It was rediscovered in 1374 underneath the apse of the nearby Basilica of Santa Maria Sopra Minerva. In the mid-15th century, the obelisk had been erected in the small Piazza di San Macuto some 200 meters east of the Pantheon, where it remained until its 1711 move to the Piazza della Rotonda. It is still called the Obelisco Macutèo after its previous location. Fontana del Pantheon was constructed by Giacomo Della Porta under Pope Gregory XIII in 1575, and the obelisk was added under Pope Clement XI. The city of Rome harbors the most obelisks in the world. There are eight ancient Egyptian and five ancient Roman obelisks. The Romans used special heavy cargo carriers called obelisk ships to transport the monuments down the Nile to Alexandria and from there across the Mediterranean Sea to Rome. On-site, large Roman cranes were employed to erect the monoliths. The obelisk is crowned by a bronze cross, the symbol of Jesus Christ. One idea that can be drawn from this is that Christianity—the cross of Jesus Christ—conquers paganism.  Another idea is that the obelisk represents the human desire for God which is only fulfilled in the Cross of Christ.
    Domenica di nascondersi dietro il Ma..heon
  • “View from the Grand Canal of the church of San Giorgio Maggiore in Venice”…<br />
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The first church on the island was built about 790, and in 982 the island was given to the Benedictine order by the Doge Tribuno Memmo. The Benedictines founded a monastery there, but in 1223 all the buildings on the island were destroyed by an earthquake. Andrea Palladio, an Italian Renaissance architect active in the Venetian Republic was commissioned for the rebuild. Palladio, influenced by Roman and Greek architecture, is widely considered to be one of the most influential individuals in the history of architecture, began the rebuild in 1560 and made dramatic improvements. The campanile was rebuilt in neo-classic style and completed in 1791. It was ascended by ramps and now an elevator to the top for panoramic views of Venice. The facade is brilliantly white and represents Palladio's solution to the difficulty of adapting a classical temple facade to the form of the Catholic Basilica. Two very large paintings by Tintoretto relate to the institution of the Eucharist and are located on either side of the presbytery, where they can be seen from the altar rail. “The Last Supper” and “The Jews in the Desert” (collecting and eating the manna, a gift of God to the Israelites in the Desert after they escaped Egypt, which foretells the gift of the Eucharist). Claude Monet painted a series of paintings of the island Monastery of San Giorgio Maggiore in 1908 during the artist's only visit to the city. One of the best known is “San Giorgio Maggiore at Dusk”, which exists in two versions. Monet completed his paintings of Venice at home in France and in 1912 showed them in Paris. Buyers included the Welsh collector Gwendoline Davies, who bought three paintings. This vision of the Church of San Giorgio is iconic and famous worldwide. My image capture while upon an evening boat excursion appears theatrical as if the majestic church is posing for yet another Venetian canvas.
    Vista dal Canal Grande della chiesa ..ezia
  • "San Maurizio Canal Venice"...<br />
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The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass in the sacristy. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Canale di San Maurizio Venezia
  • “The Raven of Venice by Pietro Piccione - Painting and Verse by Dino Carbetta”…<br />
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I sit and I stare, surrounded by l'acqua everywhere, waiting patiently for my bountiful, yet fair share. I own this place, every space, dark ambiguous feathers grant me this grace. It may be just supposition, the Father above has chosen my instinctive position. My most serene Venice, ancient and grey, bustling with humans most every day. No need to scuttle, my multi-colored brethren gather scraps with the repetitive climax of a Venetian Play. Steely eyes, a distant glare, diligent Pigeons begging, but I sit and I stare. Humans throw the foolish gull food, amused by the feathery brood. The shadow veil, a mysterious epicurean tale. I, no scurry or covet, I sit and I stare. Venezia, the island city, tourist dream in prose and verse of past glories masquerading, yet perverse. Surrounded by the luminous spectacle; ornate marble and frescoed palace, my world of bell towers, domes, azure waters under the Adriatic air, I sit and I stare. For I am the king of this basin, the Raven, mysterious violet ebony, no one questions my grace in. I am the romance and protector of my tiny canal, yet high enough above, my reflection dances in the water below, offering a Bellissimo prayer. I sit and I stare. The time is near, as I transport to bygone years, for I am the romantic Doge of this tiny island abode. I take what I desire, as the sunlight sets ablaze the waters with sparkling fire. Alas, for I am only the illusory purple Pigeon baptized Peter, yet I will forever dream as I sit and I stare.
    Il Corvo di Venezia di Pietro Piccio..etta
  • “Saint Catherine extends the Cross and the Olive Branch as Patron of Italy in front of her Sanctuary-home in Siena - Painting by Dino Carbetta”…<br />
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The monumental statue of St. Catherine of Siena, created by Bruno Buracchini and donated to the Diocese of Siena, and stands in front of her home in Siena. Saint Catherine of Siena (1347-80) was a lay-affiliate of the Dominican Order famed for her intellect and mystical visions of Christ. She was the 23rd child of Jacopo and Lapa Benincasa and grew up as an intelligent, cheerful, and intensely religious person. What is most impressive about her is that she learns to view her surrender to her Lord as a goal to be reached through time. She entered the Dominican 3rd Order at 18 and spent the next three years in seclusion, prayer, and austerity. Her public influence reached great heights because of her evident holiness and the deep impression she made on the pope. She worked tirelessly for the crusade against the Turks and peace between Florence and the pope. In 1378, the Great Schism began, splitting the allegiance of Christendom between two, then three, popes and putting even saints on opposing sides. Catherine spent the last two years of her life in Rome, in prayer and pleading on behalf of the cause of Pope Urban VI and the unity of the Church. She offered herself as a victim for the Church in its agony. She died surrounded by her “children” and was canonized in 1461. Catherine ranks high among the mystics and spiritual writers of the Church. In 1939, she and Francis of Assisi were declared co-patrons of Italy. Pope Paul VI named her and Teresa of Avila doctors of the Church in 1970. The Shrine of Saint Catherine occupies the site of Catherine's family home, where she was born in 1347 and where she lived her austere early life as a Dominican affiliate. The house has been much adapted; it is now a series of chapels dedicated to the beloved saint. The monumental marble well in the courtyard dates to the 15th century.
    Santa Caterina si estende la Croce e..etta
  • “St Mark rises magnificently with the strength of a lion on top of St Mark's Basilica in Venice - Painting by Dino Carbetta”… <br />
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The most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco and adjoins the Doge's Palace. St. Mark’s Square and the Basilica are the central tourist focal points and the most populous in Venice. The relics of the Biblical Gospel author, Saint Mark, have resided in the Basilica since 828 AD. There are more than 85,000 square feet of luminous mosaics in St. Mark’s Basilica. The mosaics were accomplished over 8 centuries, mostly in gold, and the result is astonishing. It's especially resplendent just before sunset when the sun's dying rays set the golden mosaics ablaze. As I headed for the exit, I noticed a very steep staircase and followed it upward. I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica. In the museum, I did take a few veiled photos of the very famous original four horses dating from Classical Antiquity which are duplicated in front of the Basilica. They are very much worth viewing, and if you stare for a moment…they come to life. Meandering outside on the rooftop, I became mesmerized by the multitude of historic artwork residing on high. This image is a close-up captured of St Mark standing majestically atop his Basilica. Embedded within the orange sunset skies behind the Statue of San Marco, a Lion appeared briefly in my camera lens. Mysteriously and mystically, he only appeared again as I began to paint this image. Venetian tradition states that when Mark was traveling through Europe, he arrived at a lagoon in Venice, whereby an angel appeared to him and said, "Pax tibi Marce, evangelista meus. Hic requiescet corpus tuum." ("Peace be with thee, O Mark, my evangelist. Here thy body will rest.")
    San Marco sorge magnificamente con l..etta
  • “Madonna illuminates the altar of Santa Maria Sopra Minerva, Assisi”…<br />
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Santa Maria Sopra Minerva is the church dedicated to Mary which was built over a Roman temple to Minerva, the goddess of wisdom. Parts of the Roman temple which dates from the time of Augustus (63 BC-AD 14) remain. As Christianity became official in the Roman Empire, the Temple became abandoned. Benedictine monks restored the temple and eventually, the Italian Renaissance-inspired a newfound appreciation for classical art and architecture. In 1539, Pope Paolo III ordered the Temple of Minerva to be completely restored and dedicated to the Virgin Mary, queen of true wisdom. The temple then took the name of Santa Maria Sopra Minerva. The six imposing Corinthian columns and the entire Roman façade are still intact after 2,000 years along with the towering Campanile. As the center of ancient Assisi, and still prominent today… this former Temple and now sacred church seems to be at the heart of the existence of Assisi. Additionally, the famous artist Giotto painted frescos of the life of Saint Francis which adorn the walls of the Saint’s Basilica including images of Santa Maria Sopra Minerva. Ironically, Giotto’s placing of St. Francis in the local scenery was the first of its kind, thus the beginning of the Renaissance. In 1791 it was consecrated on the Solemnity of the Assumption of Our Lady. And, after the Apparition of Our Lady as the Immaculate Conception seen by St. Bernadette which took place in Lourdes, France…this statue of the Virgin Mary was erected in the hollowed earth behind the altar. As I hiked the steep grade upward to the top of Assisi, a respite seemed to arise from the ancient Roman era and took me back in time. The imposing columns gave way from the ancient exterior progressing inside discovering the serene and peaceful Virgin Mary, Queen of True Wisdom.
    Madonna illumina l'altare di Santa M..sisi
  • “The Supreme Sacrifice remembered during Lent – Painting by Dino Carbetta”…<br />
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Ashes Signify: “When God drove our first parents from the Garden, he reminded Adam, “you are dust, and to dust, you shall return” (Gn 3:19). We hear these words each year on Ash Wednesday, when the priest places ashes on our foreheads, a reminder of our mortality and the seriousness of the Lenten pilgrimage we are about to begin. Throughout the Old Testament ashes signify sorrow and repentance. Jeremiah commands Israel to mourn its impending doom when he says, “dress in on sackcloth, roll in ashes” (Jer 6:26). When Job emerges from his harrowing face-to-face encounter with God, he says, “I have spoken but did not understand.… Therefore I … repent in dust and ashes” (Jb 42:3-6). Jesus employs similar imagery when he criticizes his listeners’ hardness of heart: “Woe to you … if the mighty deeds done in your midst had been done in Tyre and Sidon, they would long ago have repented in sackcloth and ashes” (Mt 11:21). Ashes and dust amount to the same thing. Neither is particularly pleasant, and both remind us God used some pretty unattractive material when he created us. Lent reminds us how much Christ took on through the Incarnation and what he offered up to us on the cross.” Father Reginald Martin
    Il Supremo Sacrificio ricordato dura..etta
  • "Christ Crucified - Santa Maria della Salute Venice - BW"... <br />
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The Basilica di Santa Maria della Salute (Basilica of St. Mary of Health), commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a prominent position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite small interiorly. I am not sure if it was ever an active parish but more of a shrine with little room for seating. The steps wrapping around the front and sides make a perfect destination for relaxation during warm Venetian days. Interior windows open to the sky which allows for a great deal of sunlight, and as I meandered around I noticed a beautiful crucifix near the confessional. The strong rays of sunshine illuminated the face of Christ just enough to encourage one to examine their conscience one last time before entering into Sacrament of Confession.
    Cristo Crocifisso - Santa Maria dell..- BW
  • “Red bricks lead to the Papal Basilica of San Francesco d'Assisi”…<br />
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This late afternoon image was captured while standing upon remnants atop the mountainside of Assisi viewing down to the resting Basilica of Saint Francis. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Frances, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about 200 yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God. The Basilica, which was begun in 1228 honoring the life of Saint Francis, is probably the most exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate artist of capture.
    Mattoni rossi piombo alla Basilica P..sisi
  • “Water flow from the Convent of Cells - Founded by San Francesco - Cortona”…<br />
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St. Francis came to Cortona to preach in 1211, and here at the foot of Mount Sant’Egidio found the solitude he was looking for. A young nobleman who went on to become the Blessed Guido, one of his first followers, offered him the place as a prayer retreat. From that moment St. Francis and his followers stayed in this isolated spot on the way to and from Assisi and other places where they were preaching. There was no hermitage in St. Francis’s time, however, and the saint slept on the bare rock. After he died in 1226, the first stone “cells” were built and a small oratory. What we see today is the result of the XVI century construction work. Le Celle stood abandoned until 1537 when it was granted by the Bishop of Cortona to the recently founded Third Order of Franciscans, known as the Capuchins. The hermitage was considerably enlarged by the Capuchins, who in 1634 erected a new chapel to take the place of a more ancient one. This new chapel was consecrated to St Anthony of Padua and reflects the Capuchins simple, unpretentious architectural and decorative style. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. Imagine the spiritual solitude as Saint Francis would take hermitage here for days of ecstatic meditation with only a loaf of bread, listening to his beloved waterfall beneath a small window.
    Flusso d'acqua dal Convento Di celle..tona
  • “Twilight ascent to Rocca Maggiore Assisi”… <br />
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Gospel Mt 7:6, 12-14 Jesus said to his disciples: “Do not give what is holy to dogs, or throw your pearls before swine, lest they trample them underfoot, and turn and tear you to pieces. “Do to others whatever you would have them do to you. This is the Law and the Prophets. “Enter through the narrow gate; for the gate is wide and the road broad that leads to destruction, and those who enter through it are many. How narrow the gate and constricted the road that leads to life. And those who find it are few.” Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the reward was always greater than the physical agony endured. "My soul can find no staircase to Heaven unless it be through Earth's loveliness." - Michelangelo.
    Salita del crepuscolo fino a Rocca M..sisi
  • “The mystical evening sun's rays peeking over the hills of Assisi”…<br />
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This image was captured as the hazy sun began to set behind the mountains and a light rain began. The combination of the low, brightly veiled evening sun with the mist of the rain displayed a spectacular prism effect that dazzled the senses and displayed a glorious light show above Assisi. The magnificent display lasted until dark and was one of the many mystical and blessed experiences of my perfect 24 hours in Assisi. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about 200 yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God.
    Il mistico serata raggi del sole cap..sisi
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