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  • “Radiant Crucifix at the Convent of Cells Founded by St. Francis - Cortona”…<br />
<br />
Gospel Jn 17:11-19 “Lifting up his eyes to heaven, Jesus prayed, saying: ‘Holy Father, keep them in your name that you have given me, so that they may be one just as we are one. When I was with them, I protected them in your name that you gave me, and I guarded them, and none of them was lost except the son of destruction, in order that the Scripture might be fulfilled.<br />
But now I am coming to you. I speak this in the world so that they may share my joy completely. I gave them your word, and the world hated them, because they do not belong to the world any more than I belong to the world. I do not ask that you take them out of the world but that you keep them from the Evil One. They do not belong to the world<br />
any more than I belong to the world. Consecrate them in the truth. Your word is truth. As you sent me into the world, so I sent them into the world. And I consecrate myself for them, so that they also may be consecrated in truth.” Sometimes a planned mistake turns out to be a great photo and, in this case, it is the flair of the sun. Peering under a canopy of trees then kneeling and placing the sun behind the Cross...God's hand illuminates one's soul and imagination.
    Radioso Crocifisso presso del Conven..tona
  • “Crucifix - Sant'Andrea Cathedral of Amalfi - Painting by Dino Carbetta” …<br />
<br />
On the last of three glorious days in Positano, I arose early to catch the sunrise over the village. However, at about 10:00 am …the cold rains came down dampening the glorious sun. I caught the rain-soaked ferry down the coast to the seaside town of Amalfi. The Cattedrale di Sant'Andrea/Duomo di Amalfi is usually packed with tourists bused and ferried from hundreds of miles away, but with the dreary weather, many chose to stay away. There has been a church on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Stairs near the east end descend into the Crypt of St. Andrew, where the saint's relics are kept at the central altar. The crypt is decorated with beautiful Baroque murals from 1660. Upon leaving the crypt, I turned to ascend the stairs, and with little window light because of the rain, a single light illuminated the crucifix stopping me in my tracks. Others behind me also paused as I quickly took out my camera to capture this dramatic image. Tourists gathered behind me as I slowly moved up the steps taking more photos; perhaps for the first time, others took notice of this divine and transcendent vision. I finally determinedly painted this close-up of the crucifix in a somewhat abstract manner but revealing as much emotion as this stark beatific vision deserves.
    Crocifisso - Cattedrale di Sant'Andr..etta
  • "Most Holy Crucifix inside the Cathedral of San Rufino Assisi"...<br />
<br />
The first time I visited the Cathedral, I was laboriously working my way up the Assisi mountain top, of which the Cathedral of San Rufino is the last church. Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous. Although every building in Assisi celebrates Saint Francis, the city’s cathedral is dedicated to San Rufino. It's named for Assisi's patron saint, a former 3rd-century bishop, and martyr. After converting Assisi to Christianity, he was killed by drowning in a nearby river. The cathedral has been a very important aspect in the history of the Franciscan order. It was here that Saint Francis, Saint Clare, and many of their original disciples were baptized. Hearing Francis preaching in this church in 1209, Saint Clare became deeply touched by his message and realized her calling. In 1228, here for the canonization of Saint Francis, Pope Gregory IX consecrated the high altar. A humorous story of the relics of Saint Rufino remaining in this ancient church before it was consecrated as a Cathedral is part of history. The townspeople fought for the saint’s body with the current Bishop Ugone, who wanted to move it to the Cathedral of Santa Maria Maggiore. The citizens took a position against the move and started a real “tug of war” with the saint's coffin. The sixty Bishops’ men were beaten by only seven Assisi citizens. The victory was seen as miraculous, even by Ugone, who then decided to renovate the small Basilica, which eventually became the Cathedral for Assisi. I was struck by the elegant beauty of the “Holy Crucifix” inside the chapel. The apparent artist was Don Doni in 1561. It is carried in the annual procession in Assisi each Good Friday. The face of Christ reveals His suffering, however, it also exudes His beatification and contentment of the fulfillment of Holy Prophesy.
    Santissimo Crocifisso all'interno de..sisi
  • “Three-dimensional artistic impression of the Crucifix in the Abbey of Santa Giustina – Padua”…<br />
<br />
Our Pilgrimage finally arrived in Padua and after lunch, we discovered the Abbey of Santa Giustina attached to the Basilica built in the 6th century. It contains the relics of multiple saints (including those of St. Luke the Evangelist). Shaped in the form of a Latin cross, the prodigious Basilica of St. Giustina is one of the most colossal in all of Christianity. The grandeur of the building is enhanced by the Prato della Valle which it overlooks. There are 3 main chapels: the presbytery and 2 chapels for Saints Luke and Matthew that form the transepts and each aisle has six small chapels. The Abbey and the Basilica of St. Anthony were two of my foremost surprises and a must-see on a Pilgrimage to Italy. Unfortunately, pictures were allowed only in St. Giustina, but not in the latter. Initially, I was a bit overwhelmed at the imposing wide open space of the Basilica. The high altar seemed an eternity away. The colorful geometric marble floor leads one to the main altar, but only adds to the great depth, size, and dimension of the Basilica. A curiously placed Crucifix standing about 6’ tall is located just inside the colossal nave and appears diminutive below the 26 pillars supporting the 8 cupolas. As most basilicas are traditionally dark depending on the sunlight, the Crucifix was almost a complete faint silhouette only lit by the dome windows above the altar. I wanted to create an impression of depth in the crucifix itself transposed against the massive Basilica and distance of the architecture. It took several days and many failures, however, I was finally able to find the three dimensions of Christ I was searching for. The glow of the original beauty has become radiant. Framed by the brilliant distant archways, the Crucifixion becomes transformed.
    Impressione artistica tridimensional..dova
  • “Crucifix next to the Confessional - Santa Maria della Salute Venice - Painting by Dino Carbetta”…<br />
<br />
The Basilica di Santa Maria della Salute (Basilica of St. Mary of Health), commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a prominent position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite small interiorly. I am not sure if it was ever an active parish but more of a shrine with little room for seating. The steps wrapping around the front and sides make a perfect destination for relaxation during warm Venetian days. Interior windows open to the sky which allows for a great deal of sunlight, and as I meandered around I noticed a beautiful crucifix near the confessional. The strong rays of sunshine illuminated the face of Christ just enough to encourage one to examine their conscience one last time before entering into Sacrament of Confession.
    Crocifisso accanto al Confessionale ..etta
  • “Crucifixion beyond the entrance to the Abbey of Santa Giustina – Padua”…<br />
<br />
Our Pilgrimage finally arrived in Padua and after lunch, we discovered the Abbey of Santa Giustina attached to the Basilica built in the 6th century. It contains the relics of multiple saints (including those of St. Luke the Evangelist). Shaped in the form of a Latin cross, the prodigious Basilica of St. Giustina is one of the most colossal in all of Christianity. The grandeur of the building is enhanced by the Prato della Valle which it overlooks. There are 3 main chapels: the presbytery and 2 chapels for Saints Luke and Matthew that form the transepts and each aisle has six small chapels. The Abbey and the Basilica of St. Anthony were two of my foremost surprises and a must-see on a Pilgrimage to Italy. Unfortunately, pictures were allowed only in St. Giustina, but not in the latter. Initially, I was a bit overwhelmed at the imposing wide open space of the Basilica. The high altar seemed an eternity away. It is difficult to give one a perspective of just how spacious and immense many of these basilicas can be, not only in pictures but in words. The colorful geometric marble floor leads one to the main altar, but only adds to the great depth, size, and dimension of the Basilica. A curiously placed Crucifix standing about 6’ tall is located just inside the colossal nave and appears diminutive below the 26 pillars supporting the 8 cupolas. As most basilicas are traditionally dark depending on the sunlight, the Crucifix was almost a complete faint silhouette only lit by the dome windows above the altar. Standing as close as possible with a telephoto perspective, I was able to reverse the impression of size and portray the grandiosity Christ deserves, as well as the original artist. The distant window light bled over the body and illuminated the darkness. The glow of the original beauty has become radiant. Framed by the brilliant distant archways, the Crucifixion becomes transformed.
    Crocifissione oltre l'ingresso dell'..dova
  • “Cathedral of Saints Philip and James in Sorrento - Nave to the Crucifixion”…<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became. Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ. This image looking down the nave with the sunlight shining through the windows is one of the most meaningful and favorite images from my Italian journey.
    Cattedrale dei Santi Filippo e Giaco..ione
  • "Light from Heaven - Sistine Chapel - Basilica of Santa Maria Maggiore Rome"... <br />
<br />
After Mass in the Crucifix Chapel on the second morning of the inaugural Pilgrimage I organized, we were joined by our Roman tour guide for the day. As we listened and ventured around the glorious Basilica, my eyes and camera began to wander. I became stupefied by the grand chapel to the right of the main altar with the rising sun peering through the window just below the cupola. I discreetly wandered in and out in hopes it would shine upon the Holy Crib. On my 4th attempt, my judicious endeavor was rewarded. A young woman in a splendid white dress walked directly into the heavenly light. Her luminescence and celestial reverence gave the appearance of a wondrous and radiant angel in admiration of the sacred relic. The right transept is called the Sistine Chapel, containing the elaborate tomb of Pope Sixtus V (1521-90) and decorated with frescoes and reliefs of events from his reign. The chapel centers on a reliquary containing part of the Holy Crib, and the burial place of Saint Jerome, the 4th-century Doctor of the Church. The Patriarchal Basilica of St. Mary Major reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God.
    La luce dal Paradiso - Cappella Sist..Roma
  • “Father Peek Celebrates the Lamb's Supper - Amalfi Cathedral”…<br />
<br />
A church has resided on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Newer walls have been taken down to expose parts of the ancient original church, and one can ponder history by this glimpse back in time. Andrew, Saint Peter’s brother and one of Christ’s closest disciples was also the disciple of John the Baptist. Saint Andrew was called with Peter: “As [Jesus] was walking by the Sea of Galilee, he saw two brothers, Simon who is now called Peter, and his brother Andrew, casting a net into the sea; they were fishermen. He said to them, ‘Come after me, and I will make you fishers of men.’ At once they left their nets and followed him” (Matthew 4:18-20). Stairs near the east end of the Duomo descend into the Crypt of St. Andrew, where his relics are kept in the central altar. The crypt is decorated with magnificent Baroque murals from 1660. As I knelt and prayed at the glorious crypt befitting this great disciple who was martyred on an X shaped crucifix, my mind wandered off the true nature of this chosen man who became a Saint. I stirred around to the back of the altar and found myself facing his eternal light and relics. I knelt again in prayer feeling the great essence and presence of this selfless apostle. As in many other locations and churches in Italy, where Saints seem to be from every town, I was overcome with deep emotion and an abundance of heartfelt spiritual joy! Our Pilgrimage of 2019 found us celebrating Mass in the chapel just to the left of the High Altar below the image of the “Last Supper.” A reverent and poignant remembrance of cherished time on the Amalfi Coast.
    Padre Peek Celebra la Cena dell'agne..alfi
  • “Sant'Andrea Imagining the Crucifixion of Christ - Amalfi Cathedral”…<br />
<br />
I caught the rain-soaked ferry down the coast to the seaside town of Amalfi. The Duomo di Amalfi is usually packed with tourists bused and ferried from 100’s of miles away, but with the dreary weather, many stayed away. A church has resided on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Newer walls have been taken down to expose parts of the ancient original church, and one can ponder history by this glimpse back in time. Andrew, Saint Peter’s brother and one of Christ’s closest disciples was also the disciple of John the Baptist. Saint Andrew was called with Peter: “As [Jesus] was walking by the Sea of Galilee, he saw two brothers, Simon who is now called Peter, and his brother Andrew, casting a net into the sea; they were fishermen. He said to them, ‘Come after me, and I will make you fishers of men.’ At once they left their nets and followed him” (Matthew 4:18-20). Stairs near the east end of the Duomo descend into the Crypt of St. Andrew, where his relics are kept in the central altar. The crypt is decorated with magnificent Baroque murals from 1660. As I knelt and prayed at the glorious crypt befitting this great disciple who was martyred on an X-shaped crucifix, my mind wandered to the true nature of this chosen man who became a Disciple and Saint. I stirred around to the back of the altar and found myself facing his eternal light and relics. I knelt again in prayer feeling the great essence and presence of this selfless apostle. As in many other locations and churches in Italy, where Saints seem to be from every town, I was overcome with deep emotion and an abundance of heartfelt spiritual joy!
    Sant'Andrea Immaginare il Crocifissi..alfi
  • “Golden Hour Crucifixion – Painting by Dino Carbetta”…<br />
<br />
I consider this magnificent rear view of the High Altar in St. Anthony’s Basilica looking toward Donatello’s very famous “Crucifix in Padua” one of my few forbidden and miraculous images of my 2019 Pilgrimage to Italy. I was unaware of the mere size and ancient grandeur of the basilica begun in 1233 but found myself mystified by the aura surrounding it and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis, and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. Deceptively, I found myself directly behind the elevated “High Altar,” and as I curiously climbed the steps toward the locked Iron Gate, Donatello’s celestial bronze crucifix began to appear. This is the story of my experience with the "High altar crucifix from the back of the Papal Basilica of St. Anthony of Padua"... The crucifix was centered at the bottom of the image and small. I decided to paint the crucifix using the original silhouette and front illumination. I added a magnificent sunset or “Golden Hour” to highlight the Crucifix. “yet I live, no longer I, but Christ lives in me; insofar as I now live in the flesh, I live by faith in the Son of God who has loved me and given himself up for me.” [Galatians 2:20]
    Ora D'oro Crocifissione - Dipinto di..etta
  • “Altar of the Crucifix - Basilica of Santa Maria Gloriosa of the Frari Venice”…<br />
<br />
The altar, designed by Baldassare Longhena and executed by the Flemish Giusto Le Court, was built in 1672 by Father Agostino Maffei. On the tympanum, angels hold up the image of Veronica's burial cloth. Between the two marble columns, there are angels holding the tools to the Passion of Christ and two other kneeling at the foot of the crucifix. The complexity and aggregate of all the artwork involved in this presentation are a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. However, the Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” “Frari,” is a very large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. “The Assumption” is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and necessitated by the very large church. The wood crucifix from 1468, hangs over the entrance of the choir. Traditionally, there was a Calvary hanging above the choir and beside the Crucifix, there are the sculptures of the Madonna and Saint John the Evangelist. It is very likely that – thanks to His beauty and relevance – this crucifix was taken as a pattern for many others in Venezia and the Veneto region. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    Altare del Crocifisso - Basilica di ..ezia
  • "High altar crucifix from the back of the Papal Basilica of St. Anthony of Padua"... <br />
<br />
I consider this magnificent rear view of the High Altar in St. Anthony’s Basilica looking toward Donatello’s very famous “Crucifix in Padua” one of my few forbidden and miraculous images of my 2019 Pilgrimage to Italy. I was unaware of the mere size and ancient grandeur of the basilica begun in 1233 but found myself mystified by the aura surrounding it and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. As with most prestigious Basilica’s, no photos are allowed, which mostly rendered this photographer reverent, but sad. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. Deceptively, I found myself directly behind the elevated “High Altar,” and as I curiously climbed the steps toward the locked Iron Gate, Donatello’s celestial bronze crucifix began to appear. My surreptitious movement kept me from being noticed by the security guards and our Italian guide. I covertly rested my lens through the iron bars, and quietly depressed the shutter on my camera. Often called “Il Santo” by the locals of Padua, one cannot escape feeling overwhelmed by its majesty, and emanation of spirituality and reverence. The Basilica is austere, mysterious, and solemn, yet capacious, monumental, and impossible to notice every grand detail. However, be emboldened that this Pilgrimage Church is one of the eight international shrines recognized by the Holy See. It is a symbol of faith and hope for all Christian believers. I believe Saint Anthony would be honored and proud to offer Mass here.
    Crocifisso altare maggiore dalla par..dova
  • "The Crucifix - The Basilica of Santa Maria degli Angeli Assisi Museum - Painting by Dino Carbetta"...<br />
<br />
Portiuncula is a town and a parish situated about three-quarters of a mile from Assisi. The town has grown up around the Basilica of Our Lady of the Angels. It was of this little church moved within the Basilica that St. Francis recognized his vocation in the year 1208, and it was where St. Francis spent most of his life. In 1211, the Benedictines gave him the little chapel of St. Mary of the Angels or the Portiuncula, which is a “little portion” of land. The first Franciscan convent was also formed nearby. The Portiuncula was also where St. Francis received the vows of St. Clare. St. Francis died here on October 3, 1226, and on his deathbed, he recommended the chapel to the faithful protection and care of his brothers. The Museo della Basilica is in another section of the convent. Among the most important works kept here are the "Crucifix “painted on wood by Giunta Pisano (1236-40). The return of Francis, a penitent man, contemplating his future in the Church... But God had other plans, and Francis did not travel far. His search for conversion led him to the ancient church at San Damiano. While he was praying there, he heard Christ on the crucifix speak to him, "Francis, repair my church." Francis assumed this meant the crumbling building he was in. He later realized it was his call to rebuild the entire Church. He read the command to the rich young man to sell all his good and give to the poor, the order to the apostles to take nothing on their journey, and the demand to take up the cross daily. "Here is our rule," Francis said -- as simple, and as seemingly impossible, as that. He was going to do what no one thought possible any more -- live by the Gospel.
    Il Crocifisso - La Basilica di Santa..etta
  • “Christus Patiens above the High Altar of the Franciscan Basilica of Santa Chiara d'Assisi”…<br />
<br />
Around sunset, the clouds shifted and the descending sun illuminated the Assisi mountaintop as a slight mist of rain mystified the landscape. The ascent was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. As I approached the last two Churches after 7:00 pm; the Basilica of Saint Clare, and the Cathedral of Saint Rufino...I noticed the security guard locking Santa Chiara’s front door. I rushed forward anxiously and begged to just look quickly inside the Vestibule. He only spoke Italian and frustrated with me, said I had one minute inside. Aiming my camera and telephoto lens directly toward the High Altar which seemed a mile away, I clicked one picture as the guard hastily gestured me outside. Ironically, I found that no pictures are allowed in this Basilica. And, on my Pilgrimage of 2019, was frustrated during my tour of the historic and reverent church, still, no pictures were allowed. I always try to respect the rules and venerate every location, however, I did take two very surreptitious images in the Oratorio del Crocifisso (Oratory of the Crucifix), a peaceful chapel that preserves the venerable 12th-century crucifix that spoke to St. Francis at San Damiano. This abrupt photo of the painted crucifix still hangs above the high altar of Santa Chiara and was probably the first painting that was commissioned for the new church. The image was conceived shortly before Saint Clare’s death in 1260 and is attributed to the Maestro di Santa Chiara. The iconography of Christus Patiens (the dying Christ on the Cross) was widely used in early Franciscan churches. In this example, the Virgin and St John the Evangelist flank the Cross, with another figure of the Virgin (praying and flanked by angels) and Christ Pantocrator above.
    Christus Patiens sopra l'Altare Magg..sisi
  • “Christ in Paradise - the Basilica of Santa Maria Gloriosa of the Frari Venice”…<br />
<br />
A view from the Altar in front of Titian’s great painting, peering toward an extraordinary bestowment of artistic reverent beauty of Heaven. The complexity and aggregate of all the artwork involved in this presentation are a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. However, the Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed to sneak a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a very large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and necessitated by the very large church. The wood crucifix from 1468, hangs over the entrance of the choir. Traditionally, there was a Calvary hanging above the choir and beside the Crucifix, there are the sculptures of the Madonna and Saint John the Evangelist. It is very likely that – thanks to His beauty and relevance – this crucifix was taken as a pattern for many others in Venezia and the Veneto region. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    Cristo in Paradiso - la Basilica di ..ezia
  • "Crucified Christ who begins the ascension to Paradise - Painting by Dino Carbetta" ...<br />
<br />
A painting of this very high view peering toward the Altar of the Crucifixion and Titian’s great Altarpiece of the Assumption of Mary. As I arched my back and looked straight above, Jesus appeared to lift skyward. The Basilica di Frari is one of my favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination is bursting with a fascinating impression of great history, aesthetic brilliance, and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a large Gothic church of the early 15th century now filled with elaborate paintings and tombs. The interior is light and spacious, and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and is necessitated by a very large church. The wood crucifix from 1468, hangs over the entrance of the choir. Traditionally, a Calvary was hanging above the choir and beside the Crucifix, there are the sculptures of the Madonna and Saint John the Evangelist. It is very likely that – thanks to His beauty and relevance – this crucifix was taken as a pattern for many others in Venezia and the Veneto region. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    Cristo Crocifisso che inizia l'ascen..etta
  • “Crucifix beyond the vestibule of the Abbey of Santa Giustina – Padua”… <br />
<br />
Our Pilgrimage finally arrived in Padua and after lunch, we discovered the Abbey of Santa Giustina attached to the Basilica built in the 6th century. It contains the relics of multiple saints (including those of St. Luke the Evangelist). Shaped in the form of a Latin cross, the prodigious Basilica of St. Giustina is one of the most colossal in all of Christianity. The grandeur of the building is enhanced by the Prato della Valle which it overlooks. There are 3 main chapels: the presbytery and 2 chapels for Saints Luke and Matthew that form the transepts and each aisle has six small chapels. The Abbey and the Basilica of St. Anthony were two of my foremost surprises and a must-see on a Pilgrimage to Italy. Unfortunately, pictures were allowed only in St. Giustina, but not in the latter. Initially, I was a bit overwhelmed at the imposing wide open space of the Basilica. The high altar seemed an eternity away. It is difficult to give one a perspective of just how spacious and immense many of these basilicas can be, not only in pictures but in words. The colorful geometric marble floor leads one to the main altar, but only adds to the great depth, size, and dimension of the Basilica. A curiously placed Crucifix standing about 6’ tall is located just inside the colossal nave and appears diminutive below the 26 pillars supporting the 8 cupolas. As most basilicas are traditionally dark depending on the sunlight, the Crucifix was almost a complete faint silhouette only lit by the dome windows above the altar. Standing as close as possible with a telephoto perspective, I was able to reverse the impression of size and portray the grandiosity Christ deserves, as well as the original artist. The distant window light bled over the body and illuminated the darkness. The glow of the original beauty has become radiant. Framed by the brilliant distant archways, the Crucifixion becomes transformed.
    Crocifisso al di là di vestibolo del..dova
  • “Christ illuminated by Paradise - the Basilica of Santa Maria Gloriosa dei Frari Venezia”…<br />
<br />
A window illumination view of the Crucifixion, peering toward an extraordinary bestowment of artistic reverent beauty of Heaven. The complexity and aggregate of all the artwork involved in this presentation are a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. However, the Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed to sneak a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a very large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and necessitated by the very large church. The wood crucifix from 1468, hangs over the entrance of the choir. Traditionally, there was a Calvary hanging above the choir and beside the Crucifix, there are the sculptures of the Madonna and Saint John the Evangelist. It is very likely that – thanks to His beauty and relevance – this crucifix was taken as a pattern for many others in Venezia and the Veneto region. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    Cristo illuminato da Paradiso - la B..ezia
  • “Heavenly Rays Of Light Illuminate The Crucifix - Cathedral of Sorrento”… <br />
<br />
Sorrento, a charming coastal village rather than a conventional pilgrimage site, harbors a hidden treasure within its heart - the Duomo of San Filippo and San Giacomo. This sacred 11th-century sanctuary splendidly reimagined in the 15th century with Romanesque elegance, stands in stark contrast to its unassuming exterior. Despite the simplicity of its façade, the Duomo's interior is an awe-inspiring testament to faith. Three naves, separated by robust pillars, guide you toward an intricate ceiling that whispers tales of centuries gone by. A medieval bell tower perches gracefully upon an arch supported by four columns, bearing witness to the relentless passage of time. As I ventured inside the cathedral, I found myself in the presence of several elderly women, their voices reverberating with devotion as they harmonically recited a novena in hushed Italian tones. Out of respect for their profound reverence, I silently explored the hallowed confines of the cathedral and was deeply moved by the serene ambiance that enveloped me. Above the altar, a lifelike Crucifix hung in solemn majesty. The Crucifixion possessed an imposing grandeur, and the closer I approached, the more captivated I became by its presence. With the utmost reverence and care, I discerned that from various angles, the radiant window light bestowed a mystical illumination upon Christ. It was at this precise moment that I captured an image, now one of the most cherished mementos of my journey through Italy. I extend an invitation to you, dear audience, to contemplate this image for a brief minute or two. In doing so, you may discover yourself embarking on a profound and extraordinary journey, guided by the heavenly rays of light gracing the Crucifix within the Cathedral of Sorrento. This image, immortalized through my introspective lens, holds the promise of a profound connection with the divine for those who seek it.
    Raggi Celesti di luce rischiarare il..ento
  • “Christ in front of Paradise - the Basilica of Santa Maria Gloriosa dei Frari Venezia – Painting by Dino Carbetta”…<br />
<br />
A view toward the Altar and Titian’s great painting, peering toward an extraordinary bestowment of artistic reverent beauty of Heaven. The complexity and aggregate of all the artwork involved in this presentation are a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. However, the Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance, and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and is necessitated by a very large church. The wood crucifix from 1468, hangs over the entrance of the choir. Traditionally, a Calvary was hanging above the choir and beside the Crucifix, there are the sculptures of the Madonna and Saint John the Evangelist. It is very likely that – thanks to His beauty and relevance – this crucifix was taken as a pattern for many others in Venezia and the Veneto region. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    Cristo di fronte il Paradiso - la Ba..etta
  • “Illuminated crucifix in Cathedral of Saints Philip and James – Sorrento”… <br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ.  This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Illuminato crocifisso in Cattedrale ..ento
  • "Ancient Crucifix on the wall of the Basilica of Santa Maria Gloriosa dei Frari - Venice"...<br />
<br />
The complexity and aggregate of all the artwork involved in this presentation are a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. However, the Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed to sneak a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a very large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and necessitated by the very large church. This ancient crucifix with “Golden Jesus” is suspended starkly on one of the rearmost antique walls facing a multitude of Chapels. The juxtaposition of the gold contrasts with the furrowed surface, however displaying a perfect synergy for the reverent display. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook such as the Basilica of Santa Maria Gloriosa dei Frari.
    Antico Crocifisso sul muro della Bas..ezia
  • "Crucifix of the Basilica Sacristy inside the Patriarchal Cathedral of San Marco Venice"... <br />
<br />
“God of hope and mercy, we lift up to you all victims of natural disasters and those responding with assistance and aid. Protect all who are in any form of danger; provide practical help to those in need; strengthen the weary, console the grieving, heal the suffering; and bless those engaged in disaster relief efforts with safety and courage. Help all people of good will respond with compassion and generous hearts. Amen.”<br />
The last day of our Pilgrimage of 2019 was spent in Venice. Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass offered by our Father Peek. Our last Mass of 2 weeks of travel throughout Italy could not have ended in a more appropriate location. My first visit to Venice was in 2012 like all tourists, I waited in line at St. Marks Basilica and was rushed through with limitations. The crowds and speed in which they pushed us through was quite underwhelming. Our Pilgrimage of 2019 reserved a special appointment for Mass in the Basilica’s main Sacristy. I photographed each Mass, but I made sure when arriving in the area of this picture, which is the final prayer and preparation for each Priest offering Mass anywhere in the Basilica. The main focus is the Crucifix in front of a kneeler, and various last minute preparation for Divine Liturgy. I was not allowed further images on the rest of the tour of St. Marks, but the intensive back-room maze we were lead to and from our destination gave me the spiritual, historical, and reverent image in my heart and soul that I so desired from this magnificent structure and its contents. I was quite overwhelmed with the ancient beauty, and the fact St. Mark watches over his earthly home with a Fatherly Spirit. To me, Venice is intoxicating and a place of passion, and it all begins at the Cathedral of St. Marks.
    Crocifisso Sagrestia della Basilica ..ezia
  • “Chapel of the Holy Crucifix inside the Cathedral of San Rufino Assisi”…<br />
<br />
The first time I visited the Cathedral, I was laboriously working my way up the Assisi mountain top, of which the Cathedral of San Rufino is the last church. Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous. Although every building in Assisi celebrates Saint Francis, the city’s cathedral is dedicated to San Rufino. It's named for Assisi's patron saint, a former 3rd-century bishop, and martyr. After converting Assisi to Christianity, he was killed by drowning in a nearby river. The cathedral has been a very important aspect in the history of the Franciscan order. It was here that Saint Francis, Saint Clare, and many of their original disciples were baptized. Hearing Francis preaching in this church in 1209, Saint Clare became deeply touched by his message and realized her calling. In 1228, here for the canonization of Saint Francis, Pope Gregory IX consecrated the high altar. A humorous story of the relics of Saint Rufino remaining in this ancient church before it was consecrated as a Cathedral is part of history. The townspeople fought for the saint’s body with the current Bishop Ugone, who wanted to move it to the Cathedral of Santa Maria Maggiore. The citizens took a position against the move and started a real “tug of war” with the saint's coffin. The sixty Bishops’ men were beaten by only seven Assisi citizens. The victory was seen as miraculous, even by Ugone, who then decided to renovate the small Basilica, which eventually became the Cathedral for Assisi.  I was struck by the elegant beauty of the “Holy Crucifix” inside the chapel. The apparent artist was Don Doni in 1561. It is carried in the annual procession in Assisi each Good Friday. The face of Christ reveals His suffering, however, it also exudes His beatification and contentment of the fulfillment of Holy Prophesy.
    Cappella del Santissimo Crocifisso a..sisi
  • “Holy Crucifix inside the Cathedral of San Rufino Assisi - Painting by Dino Carbetta”…<br />
<br />
The first time I visited the Cathedral, I was laboriously working my way up the Assisi mountain top, of which the Cathedral of San Rufino is the last church. Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous. Although every building in Assisi celebrates Saint Francis, the city’s cathedral is dedicated to San Rufino. It's named for Assisi's patron saint, a former 3rd-century bishop, and martyr. After converting Assisi to Christianity, he was killed by drowning in a nearby river. The cathedral has been a very important aspect in the history of the Franciscan order. It was here that Saint Francis, Saint Clare, and many of their original disciples were baptized. Hearing Francis preaching in this church in 1209, Saint Clare became deeply touched by his message and realized her calling. In 1228, here for the canonization of Saint Francis, Pope Gregory IX consecrated the high altar. A humorous story of the relics of Saint Rufino remaining in this ancient church before it was consecrated as a Cathedral is part of history. The townspeople fought for the saint’s body with the current Bishop Ugone, who wanted to move it to the Cathedral of Santa Maria Maggiore. The citizens took a position against the move and started a real “tug of war” with the saint's coffin. The sixty Bishops’ men were beaten by only seven Assisi citizens. The victory was seen as miraculous, even by Ugone, who then decided to renovate the small Basilica, which eventually became the Cathedral for Assisi. I was struck by the elegant beauty of the “Holy Crucifix” inside the chapel. The apparent artist was Don Doni in 1561. It is carried in the annual procession in Assisi each Good Friday. The face of Christ reveals His suffering, however, it also exudes His beatification and contentment of the fulfillment of Holy Prophesy.
    Santissimo Crocifisso all'interno de..etta
  • “Heavenly lights illuminate the crucifix - Sorrento Cathedral - Painting by Dino Carbetta”…<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ.  This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Celesti di luce rischiara il crocifi..etta
  • “The crucifix beside the confessional - Santa Maria della Salute Venice”…<br />
<br />
The Basilica di Santa Maria della Salute (Basilica of St. Mary of Health), commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a prominent position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite small interiorly. I am not sure if it was ever an active parish but more of a shrine with little room for seating. The steps wrapping around the front and sides make a perfect destination for relaxation during warm Venetian days. Interior windows open to the sky which allows for a great deal of sunlight, and as I meandered around I noticed a beautiful crucifix near the confessional. The strong rays of sunshine illuminated the face of Christ just enough to encourage one to examine their conscience one last time before entering into Sacrament of Confession.
    Del Crocifisso accanto confessionale..ezia
  • “Celestial light illuminates the crucifix - Cathedral of Sorrento”…<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ.  This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Celesti di luce rischiara il crocifi..ento
  • "God illuminates the crucifix - Cathedral of Sorrento"...<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light illuminating Christ in a mystical way.  This image with the sunlight shining through the window is one of my most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Dio illumina il crocifisso - Cattedr..ento
  • “The Church of Santa Maddalena is surrounded by Roe Deer, both enjoying the sunset over the Dolomites in South Tyrol, Italy - Painting by Dino Carbetta”…<br />
<br />
The Church of St. Magdalene resides in a small village located in the Dolomites of Italy. Both, the village and the church, are symbols of the Val di Funes. This tiny picturesque village of just 377 people is located in the Trentino-Alto Adige region of Northern Italy. Historically, the church was built where the miraculous image of Santa Maddalena was washed up by the Fopal River. Saint Mary Magdalene church is mentioned beginning in 1394. The current form of the nave with a sloping base and a slightly grooved roof cornice, with pear and round bar on the pointed arch portal with a red chalk inscription, was complete in 1492. The mural exterior is the Crucifix on the gable in a niche with a donkey's back, weather-beaten, early XVI century. St. Christopher is lively and virtuoso in movement with a fluttering, wrinkled robe. Interiorly, the keystones on the vault, are bust portraits of Mary with the Christ Child and saints. The valley, as you can see, Val di Funes is stunningly beautiful. Summer, it’s very green and dotted with colorful flowers. Winter, it’s covered with snow, and the ragged Dolomite peaks, pierce the sky toward the heavens. Mary Magdalene is the first among the women following Jesus to proclaim Him as having overcome death. She is the first to announce the joyful message of Easter. But she also proved she was among those who loved Him most when she stood at the foot of the Cross on Mount Calvary together with Mary, His Mother, and the disciple, St. John. She did not deny him or run away in fear as the other disciples did, but remained close to Him every moment, up to and including the tomb. The Italian Roe Deer rejoice in the beauty of God’s creation.
    La Chiesa di Santa Maddalena e’ circ..etta
  • “Angels Guard the Main Altar of the Sistine Chapel - Basilica of Santa Maria Maggiore Rome”…<br />
<br />
After Mass in the Crucifix Chapel on the second morning of the inaugural Pilgrimage I organized, we were joined by our Roman tour guide for the day. As we listened and ventured around the glorious Basilica, my eyes and camera began to wander. I became stupefied by the grand chapel to the right of the main altar with the rising sun peering through the window just below the cupola. I discreetly wandered in and out in hopes it would shine upon the Holy Crib. The right transept is called the Sistine Chapel, containing the elaborate tomb of Pope Sixtus V (1521-90) and decorated with frescoes and reliefs of events from his reign. The chapel centers on a reliquary containing part of the Holy Crib, and the burial place of Saint Jerome, the 4th-century Doctor of the Church. The architect Domenico Fontana designed the chapel, which also contains the tomb of Pope Pius V. The main altar in the chapel has four gilded bronze angels by Sebastiano Torregiani, holding up the ciborium, which is a model of the chapel itself. The Patriarchal Basilica of St. Mary Major reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God.
    Angeli Custodiscono L'altare Princip..Roma
  • “Luminance of Christ - Sorrento Cathedral - Painting by Dino Carbetta”… <br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site but as a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the magnificent Duomo's reverent beauty and peaceful aura. Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became. Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ. This image of sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey. If you gaze for a minute or two, I believe you will also be transported on a remarkable journey. I have painted this image many times, striving for perfection. However, I have ultimately realized perfection is only found in the crucified one. Gal. 2:20 “Yet I live, no longer I, but Christ lives in me; insofar as I now live in the flesh, I live by faith in the Son of God who has loved me and given himself up for me.”
    Luminanza di Cristo - Cattedrale di ..etta
  • “Crucified Face of Christ - Painting by Dino Carbetta”…<br />
<br />
Hanging above the Altar of the Duomo di Sorrento was a lifelike Crucifix. My portfolio contains many different images of this mesmerizing crucifixion. It has become a primary focus of my artistic study of light and His sacred image. This “living” singular portrayal of Christ has become a major influence in my pursuit of religious art. Hopefully, the viewer will be moved by His spiritual and painful unveiling. Touching the very heart of those who empathize with this immediate closeness of the Passion of Christ and this evolving artistic impressionistic painting. The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site but as a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. This detailed statue of Jesus has continued to captivate my thoughts and memories. I finally relinquished my apprehension and painted this close view of the suffering face of Jesus.
    Volto Crocifisso di Cristo - Pittura..etta
  • “The sunset illuminates the bell tower of Santa Maria Maggiore - Assisi”…<br />
<br />
After a progressive but slow ascent up to the mountaintop of Assisi, I took time to pause, look over my shoulder, and truly appreciate all I had seen. God always seemed to illuminate my forward path; however, He also left a glow of remembrance from where the journey began. This evening view is from the Basilica di Santa Chiara (Basilica of St. Clare), a 13th-century church that houses the relics of St. Clare, friend and protégé of St. Francis of Assisi, and the 12th-century crucifix that spoke to St. Francis at San Damiano. The view is a rear view of the church and campanile of Santa Maria Maggiore, the first cathedral of Assisi which was built near the Roman city walls of the 4th century. The crypt under the apse of the present church is the oldest surviving part of the structure and dates to the 9th or 10th century. Santa Maria Maggiore remained the cathedral of Assisi until 1035 when San Rufino assumed this function.
    Il tramonto illumina il campanile di..sisi
  • "Sunlight illuminates the Crucifix - Sorrento Cathedral"…<br />
<br />
The Nicene Creed:<br />
I believe in one God, the Father almighty, maker of heaven and earth, of all things visible and invisible. I believe in one Lord Jesus Christ, the Only Begotten Son of God, born of the Father before all ages. God from God, Light from Light, true God from true God, begotten, not made, consubstantial with the Father; through him all things were made. For us men and for our salvation he came down from heaven, and by the Holy Spirit was incarnate of the Virgin Mary,<br />
and became man. For our sake he was crucified under Pontius Pilate, he suffered death and was buried, and rose again on the third day in accordance with the Scriptures. He ascended into heaven and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead and his kingdom will have no end. I believe in the Holy Spirit, the Lord, the giver of life, who proceeds from the Father and the Son, who with the Father and the Son is adored and glorified, who has spoken through the prophets. I believe in one, holy, catholic and apostolic Church. I confess one Baptism for the forgiveness of sins and I look forward to the resurrection of the dead and the life of the world to come. Amen
    La luce del sole illumina il Crocifi..ento
  • "Ancient arched facade near Santa Chiara in Assisi" ...<br />
<br />
After a progressive but slow assent up to the mountaintop of Assisi, I took time to pause, look over my shoulder, and truly appreciate all I had seen. God always seemed to illuminate my forward path; however, He also left a glow of remembrance from where the journey began. This evening view is from the Basilica di Santa Chiara (Basilica of St. Clare), a 13th-century church that houses the relics of St. Clare, friend and protégé of St. Francis of Assisi, and the 12th-century crucifix that spoke to St. Francis at San Damiano. The ancient archway still standing over 2000 years...gives a peak of the valley below.
    Antica facciata ad arco vicino a San..sisi
  • "High Privileged Altar - Church of Our Lady of the Assumption Positano"...<br />
<br />
The history of the Church of Our Lady of the Assumption is closely linked to the Benedictine monastery of St. Mary, which, according to tradition, was built when a Byzantine icon of the Virgin was brought to Positano and venerated thereafter. The Icon belonged to a cargo ship from the East, and offshore of Positano the ship was stopped by a dead calm sea. After unsuccessful attempts to continue sailing, the sailors heard a voice saying “Posa Posa”, meaning, “Put me down, put me down!” (Origin of the name “Positano”). The captain thought this miracle meant that the Virgin wanted to stop there and decided to head for shore. At that point…the ship began to sail again. The sailors disembarked the icon and gave it to the inhabitants of Positano, who chose the Virgin as their patron and built a church in her honor. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious and architectural landscape. Strategically located in the center of town with the backdrop of the azzurro Mediterranean Sea, the church’s colorful majolica tiled cupola is one of the town’s iconic symbols. I found this Crucifix inside a small chapel of the ancient church which was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this beautiful seaside village.
    Altare Alto Privilegiato - Chiesa di..tano
  • “Close to Christ - Sant'Andrea Cathedral of Amalfi”…<br />
<br />
On the last of three glorious days in Positano, I arose early to catch sunrise over the village.  However, at about 10:00 am …the cold rains came down dampening the glorious sun.  I caught the rain soaked ferry down the coast to the seaside town of Amalfi.  The Cattedrale di Sant'Andrea/Duomo di Amalfi is usually packed with tourists bused and ferried from hundreds of miles away, but with the dreary weather many chose to stay away.  There has been a church on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral.  Stairs near the east end descend into the Crypt of St. Andrew, where the saint's relics are kept in the central altar. The crypt is decorated with beautiful Baroque murals from 1660.  Upon leaving the crypt, I turned to ascend the stairs and with no window light because of the rain, a single light illuminated the crucifix stopping me in my tracks.  Others behind me also stopped as I quickly took out my camera to capture this dramatic image.  Tourists actually gathered behind me as I slowly moved up the steps taking more photos; perhaps for the first time others took notice of this appreciable view.
    Vicino a Cristo - Sant'Andrea Duomo ..alfi
  • "The return of Francis, a penitent man, contemplating his future in the Church"...<br />
<br />
Francis of Assisi was a poor little man who astounded and inspired the Church by taking the gospel literally—not in a narrow fundamentalist sense, but by actually following all that Jesus said and did, joyfully, without limit, and without a sense of self-importance. The first change Francis experienced was his discovery of the value of the human person, irrespective of wealth, or social standing. He began to feel a deep inner kinship with the whole of humanity, but especially with the poor and the outcast. This new understanding of the human person is fundamentally identical to that found in the Gospels. So in the spring of 1205, he enlisted in Walter's army and set forth for Puglia, in southern Italy. But God had other plans, and Francis did not travel far. As soon as he reached the nearby city of Spoleto, Francis had a very strange dream. God appeared to him and ordered him to return home. Amid the bewilderment of his friends, Francis left all and made his way back to Assisi. This image of Francis on his horse in front of his eventual Basilica represents the contemplation of his growing faith. His search for conversion led him to the ancient church at San Damiano. While he was praying there, he heard Christ on the crucifix speak to him, "Francis, repair my church." Francis assumed this meant the crumbling building he was in. He later realized it was his call to rebuild the entire Church.  He read the command to the rich young man to sell all his good and give to the poor, the order to the apostles to take nothing on their journey, and the demand to take up the cross daily. "Here is our rule," Francis said -- as simple, and as seemingly impossible, as that. He was going to do what no one thought possible anymore -- live by the Gospel.
    Il ritorno di Francesco uomo peniten..iesa
  • "Luminance of Christ - Cathedral of Sorrento - Contrasting color"...<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ.  This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Luminanza di Cristo - Cattedrale di ..asto
  • “Holy Door of the Church of Saint Agnes of Montepulciano"... <br />
<br />
St. Agnes of Montepulciano was born in 13th-century Tuscany. At the age of six, Agnes began trying to convince her parents to allow her to join a convent. She was finally admitted to the Dominican convent at Montepulciano at age nine. Agnes' reputation for holiness attracted other sisters, and she became an abbess at the unheard of age of 15. She insisted on greater austerities in the abbey. She lived on bread and water for 15 years, slept on the ground and used a stone for a pillow. It was said that she had visions of the Virgin Mary and that in her visions angels gave her Communion. Agnes also had a vision in which she was holding the infant Jesus. When she awoke from her trance, she was holding the small gold crucifix the infant Jesus was wearing. She died in 1317. Miracles have been reported at her tomb. When her body was moved to a church years after her death, it was found incorrupt. She was canonized in 1726. The saint’s shrine is located facing the 16th century ramparts of the Porta al Prato of Montepulciano. It opens into the lower part of the historical center and completed in 1306. The hill was chosen by the saint to build her church following visions of a stairway to heaven, it was originally occupied by brothels. Agnes purchased the land herself for 1,200 lire. The hill was transformed from a sinful location to a holy and reverent community. The church, monumental cloister, and its convent are now totally transformed and host the incorrupt body of Saint Agnes.
    Porta Santa della Chiesa di Sant'Agn..iano
  • "Altar of Sant'Andrea imagines the crucifixion of Christ - Cathedral of Amalfi"...<br />
<br />
I caught the rain soaked ferry down the coast to the seaside town of Amalfi. The Duomo di Amalfi is usually packed with tourists bused and ferried from 100’s of miles away, but with the dreary weather many stayed away. A church has resided on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Newer walls have been taken down to expose parts of the ancient original church, and one can ponder history by this glimpse back in time.  Andrew, Saint Peter’s brother and one of Christ’s closest disciples was also the disciple of John the Baptist. Saint Andrew was called with Peter: “As [Jesus] was walking by the Sea of Galilee, he saw two brothers, Simon who is now called Peter, and his brother Andrew, casting a net into the sea; they were fishermen. He said to them, ‘Come after me, and I will make you fishers of men.’ At once they left their nets and followed him” (Matthew 4:18-20). Stairs near the east end of the Duomo descend into the Crypt of St. Andrew, where his relics are kept in the central altar. The crypt is decorated with magnificent Baroque murals from 1660. As I knelt and prayed at the glorious crypt befitting this great disciple who was martyred on an X shaped crucifix, my mind wondered of the true nature of this chosen man who became a Saint. I stirred around to the back of the altar and found myself facing his eternal light and relics. I knelt again in prayer feeling the great essence and presence of this selfless apostle. As in many other locations and churches in Italy, where Saints seem to be from every town, I was overcome with deep emotion and an abundance of heartfelt spiritual joy!
    Altare di Sant'Andrea immagina la cr..alfi
  • “Apostolo, Sant'Andrea Davanti al suo Duomo di Sant'Andrea - Dipinto di Dino Carbetta” …<br />
<br />
I caught the rain-soaked ferry down the coast to the seaside town of Amalfi. The Duomo di Amalfi is usually packed with tourists bused and ferried from 100’s of miles away, but with the dreary weather, many stayed away. A church has resided on this site in Amalfi since 596 AD and the one built in the ninth century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Newer walls have been taken down to expose parts of the ancient original church, and one can ponder history with this glimpse back in time. Andrew, Saint Peter’s brother and one of Christ’s closest disciples was also the disciple of John the Baptist. Saint Andrew was called with Peter: “As [Jesus] was walking by the Sea of Galilee, he saw two brothers, Simon who is now called Peter, and his brother Andrew, casting a net into the sea; they were fishermen. He said to them, ‘Come after me, and I will make you fishers of men.’ At once they left their nets and followed him” (Matthew 4:18-20). Stairs near the east end of the Duomo descend into the Crypt of St. Andrew, where his relics are kept at the central altar. The crypt is decorated with magnificent Baroque murals from 1660. As I knelt and prayed at the glorious crypt befitting this great disciple who was martyred on an X-shaped crucifix, my mind wandered to the true nature of this chosen man who became a Disciple and Saint. I stirred around to the back of the altar and found myself facing his eternal light and relics. I knelt again in prayer feeling the great essence and presence of this selfless apostle. As in many other locations and churches in Italy, where Saints are from every town, I was overcome with deep emotion and an abundance of heartfelt spiritual joy!
    Apostolo, Sant'Andrea Davanti al suo..etta
  • “Christ in the Chapel of the Crucifix - Church of the Jesus Rome - Painting by Dino Carbetta”<br />
<br />
In 1540, Saint Ignatius of Loyola needed a church to serve as the center of his newly founded Society of Jesus (the Jesuits), which Pope Paul III formally recognized that year. Saint Ignatius, finding the church too small, began fund-raising to construct a church worthy of the "Name of Jesus." Ignatius was a true mystic. He centered his spiritual life on the essential foundations of Christianity—the Trinity, Christ, the Eucharist. His spirituality is expressed in the Jesuit motto, Ad majorem Dei gloriam—“for the greater glory of God.” In his concept, obedience was to be the prominent virtue, to assure the effectiveness and mobility of his men. All activity was to be guided by a true love of the Church and unconditional obedience to the Holy Father, for which reason all professed members took a fourth vow to go wherever the pope should send them for the salvation of souls. The Chiesa Il Gesù, a 16th-century late Renaissance church in Rome, is the mother church of the Society of Jesus. Originally very austere, Il Gesù's interior was opulently decorated starting in the 17th century. Now its frescoes, sculptures, and shrines make it one of the foremost examples of Roman Baroque art. The church also plays a pivotal role in the Counter-Reformation, which was the Catholic Church's response to the Protestant Reformation of Martin Luther. The Counter-Reformation's goals worked out during the Council of Trent (1545-1563), were designed to reassert the power of the church, standardize the training of local priests, stimulate pious devotion, and wipe out the corruption in the church, which had fueled Luther's movement.
    Cristo nella Cappella del Crocifisso..etta
  • “The Crucified Christ in the Cathedral of Saints Philip and James - Sorrento”… <br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site but as a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the magnificent Duomo's reverent beauty and peaceful aura. Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became. Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ. This image with the sunlight shining through the window is one of my most meaningful and favorite images from my Italian journey. If you gaze for a minute or two, I believe you will also be transported on a remarkable crusade.
    Il Cristo Crocifisso nella Cattedral..ento
  • "High altar of the Church of Our Lady of the Assumption - Positano"...<br />
 <br />
The history of the Church of Our Lady of the Assumption is closely linked to the Benedictine monastery of St. Mary, which, according to tradition, was built when a Byzantine icon of the Virgin was brought to Positano and venerated thereafter. The Icon belonged to a cargo ship from the East, and offshore of Positano the ship was stopped by a dead calm sea. After unsuccessful attempts to continue sailing, the sailors heard a voice saying “Posa Posa”, meaning, “Put me down, put me down!” (Origin of the name “Positano”). The captain thought this miracle meant that the Virgin wanted to stop there and decided to head for shore. At that point…the ship began to sail again. The sailors disembarked the icon and gave it to the inhabitants of Positano, who chose the Virgin as their patron and built a church in her honor. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town with the backdrop of the Azzurro Mediterranean Sea, the church’s colorful majolica tiled cupola is one of the town’s iconic symbols. I found this Crucifix inside a small chapel of the ancient church which was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this beautiful seaside village.
    Altare maggiore della Chiesa di Nost..tano
  • “Titian - Assumption of the Virgin under the Crucifix in the Basilica of Santa Maria Gloriosa of the Frari Venice”…<br />
<br />
This image is perhaps one of the most difficult to actualize in my young vocation in Fine/Sacred Art. The complexity and aggregate of all the artwork involved in this presentation is a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. However, the Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, artistic brilliance, and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed to sneak a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a very large Gothic church of the early 15th-century, initially built of brick (like many Franciscan churches designed for preaching to large crowds, but now filled with elaborate paintings and tombs.) The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting in oils by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and is necessitated by the large church, having a considerable distance between the altar and the congregation. It marked a new direction in Titian's style that reflected his awareness of the developments in High Renaissance painting further south, in Florence and Rome by artists including Raphael and Michelangelo.  Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    Tiziano - Assunzione della Vergine s..ezia
  • "Christ Crucified - Santa Maria della Salute Venice - BW"... <br />
<br />
The Basilica di Santa Maria della Salute (Basilica of St. Mary of Health), commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a prominent position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite small interiorly. I am not sure if it was ever an active parish but more of a shrine with little room for seating. The steps wrapping around the front and sides make a perfect destination for relaxation during warm Venetian days. Interior windows open to the sky which allows for a great deal of sunlight, and as I meandered around I noticed a beautiful crucifix near the confessional. The strong rays of sunshine illuminated the face of Christ just enough to encourage one to examine their conscience one last time before entering into Sacrament of Confession.
    Cristo Crocifisso - Santa Maria dell..- BW
  • “Crimson Crucifixion in the chapel of Church of Santa Maria Assunta in Positano”…<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi Coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. After circling the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large number of tourists and the bright sun did not allow for ideal conditions. As I made my way along the beach and shoreline, rays from the late afternoon sunlight coming over the mountain top blinded me as they illuminated the famous church. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town with the backdrop of the Azzurro Mediterranean Sea, the church’s colorful majolica tiled cupola is one of the town’s iconic symbols. I found this Crucifix inside a small chapel of the ancient church which was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this beautiful seaside village.
    Cremisi Crocifissione nella cappella..tano
  • “Climb to Christ - St. Andrew Cathedral of Amalfi”… <br />
<br />
On the last of three glorious days in Positano, I arose early to catch sunrise over the village. However, at about 10:00 am …the cold rains came down dampening the glorious sun. I caught the rain soaked ferry down the coast to the seaside town of Amalfi. The Cattedrale di Sant'Andrea/Duomo di Amalfi is usually packed with tourists bused and ferried from hundreds of miles away, but with the dreary weather, many chose to stay away. There has been a church on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Stairs near the east end descend into the Crypt of St. Andrew, where the saint's relics are kept in the central altar. The crypt is decorated with beautiful Baroque murals from 1660. Upon leaving the crypt, I turned to ascend the stairs and with little window light because of the rain, a single light illuminated the crucifix stopping me in my tracks. Others behind me also paused as I quickly took out my camera to capture this dramatic image. Tourists actually gathered behind me as I slowly moved up the steps taking more photos; perhaps for the first time, others took notice of this divinatory and transcendent vision.
    Salire di Cristo - Sant'Andrea Duomo..alfi
  • “The light of God falls on the bell tower of Santa Maria Maggiore – Assisi”…<br />
<br />
After a progressive but slow ascent up to the mountaintop of Assisi, I took time to pause, look over my shoulder, and truly appreciate all I had seen. God always seemed to illuminate my forward path; however, He also left a glow of remembrance from where the journey began. This evening view is from the Basilica di Santa Chiara (Basilica of St. Clare), a 13th-century church that houses the relics of St. Clare, friend and protégé of St. Francis of Assisi, and the 12th-century crucifix that spoke to St. Francis at San Damiano. The view is a rear view of the church and campanile of Santa Maria Maggiore, the first cathedral of Assisi which was built near the Roman city walls of the 4th century. The crypt under the apse of the present church is the oldest surviving part of the structure and dates to the 9th or 10th century. Santa Maria Maggiore remained the cathedral of Assisi until 1035 when San Rufino assumed this function.
    La luce di Dio cade sul campanile di..sisi
  • "Christ Crucified - Santa Maria della Salute Venice"...<br />
<br />
The Basilica di Santa Maria della Salute (Basilica of St. Mary of Health), commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice.  It stands in a prominent position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon.  In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary.  The Basilica is an ornate, massive structure in its exterior; however, it is quite small interiorly.  I am not sure if it was ever an active parish but more of a shrine with little room for seating.  The steps wrapping around the front and sides make a perfect destination for relaxation during warm Venetian days.  Interior windows open to the sky which allows for a great deal of sunlight, and as I meandered around I noticed a beautiful crucifix near the confessional.  The strong rays of sunshine illuminated the face of Christ just enough to encourage one to examine their conscience one last time before entering into Sacrament of Confession.
    Cristo Crocifisso - Santa Maria dell..ezia
  • “The Return of Francis penitent man, contemplating his future in Christ”… <br />
<br />
Francis of Assisi was a poor little man who astounded and inspired the Church by taking the gospel literally—not in a narrow fundamentalist sense, but by actually following all that Jesus said and did, joyfully, without limit, and without a sense of self-importance. The first change Francis experienced was his discovery of the value of the human person, irrespective of wealth or social standing. He began to feel a deep inner kinship with the whole of humanity, but especially with the poor and the outcast. This new understanding of the human person is fundamentally identical to that found in the Gospels. So in the spring of 1205, he enlisted in Walter's army and set forth for Puglia, in southern Italy. But God had other plans, and Francis did not travel far. As soon as he reached the nearby city of Spoleto, Francis had a very strange dream. God appeared to him and ordered him to return home. Amid the bewilderment of his friends, Francis left all and made his way back to Assisi. This image of Francis on his horse in front of his eventual Basilica represents the contemplation of his growing faith. His search for conversion led him to the ancient church at San Damiano. While he was praying there, he heard Christ on the crucifix speak to him, "Francis, repair my church." Francis assumed this meant the crumbling building he was in. He later realized it was his call to rebuild the entire Church. He read the command to the rich young man to sell all his good and give to the poor, the order to the apostles to take nothing on their journey, and the demand to take up the cross daily. "Here is our rule," Francis said -- as simple, and as seemingly impossible, as that. He was going to do what no one thought possible any more -- live by the Gospel.
    Il ritorno di Francesco uomo peniten..isto
  • "Privileged Altar - The Church of Our Lady of the Assumption Positano"...<br />
<br />
The history of the Church of Our Lady of the Assumption is closely linked to the Benedictine monastery of St. Mary, which, according to tradition, was built when a Byzantine icon of the Virgin was brought to Positano and venerated thereafter. The Icon belonged to a cargo ship from the East, and offshore of Positano the ship was stopped by a dead calm sea. After unsuccessful attempts to continue sailing, the sailors heard a voice saying “Posa Posa”, meaning, “Put me down, put me down!” (Origin of the name “Positano”). The captain thought this miracle meant that the Virgin wanted to stop there and decided to head for shore. At that point…the ship began to sail again. The sailors disembarked the icon and gave it to the inhabitants of Positano, who chose the Virgin as their patron and built a church in her honor. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious and architectural landscape. Strategically located in the center of town with the backdrop of the azzurro Mediterranean Sea, the church’s colorful majolica tiled cupola is one of the town’s iconic symbols. I found this Crucifix inside a small chapel of the ancient church which was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this beautiful seaside village.
    Altare Privilegiato - Il Chiesa di N..tano
  • “The bell tower of Santa Chiara in Assisi rises high in the sky”…<br />
<br />
After a progressive but slow assent up to the mountaintop of Assisi, I took time to pause, look over my shoulder, and truly appreciate all I had seen.  God always seemed to illuminate my forward path; however, He also left a glow of remembrance from where the journey began. This evening view is of the campanile from the Basilica di Santa Chiara. This 13th-century church houses the relics of St. Clare, friend and protégé of St. Francis of Assisi, and the 12th-century crucifix that spoke to St. Francis at San Damiano. The churches, Basilicas, Duomos, and all the spiritual history of this tiny hilltop village, force one to realize the blessings of the Saints who traversed the same footsteps as we walk today.  It is remarkable to imagine that seven Saints originated from Assisi over a 15 century period.  What a great percentage of the blessed from such a small town!  Assisi is perhaps one of the most visited pilgrimage areas in the world, and people from all races and religions come here to experience and find the peace which has blessed so many.  They say that one can almost hear all the prayers lifted up from the walls of this most spiritual of places.
    Il campanile di Santa Chiara ad Assi..ielo
  • "Privileged Altar - Church of Our Lady of the Assumption Positano"... <br />
<br />
The history of the Church of Our Lady of the Assumption is closely linked to the Benedictine monastery of St. Mary, which, according to tradition, was built when a Byzantine icon of the Virgin was brought to Positano and venerated thereafter. The Icon belonged to a cargo ship from the East, and offshore of Positano the ship was stopped by a dead calm sea. After unsuccessful attempts to continue sailing, the sailors heard a voice saying “Posa Posa”, meaning, “Put me down, put me down!” (Origin of the name “Positano”). The captain thought this miracle meant that the Virgin wanted to stop there and decided to head for shore. At that point…the ship began to sail again. The sailors disembarked the icon and gave it to the inhabitants of Positano, who chose the Virgin as their patron and built a church in her honor. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town with the backdrop of the Azzurro Mediterranean Sea, the church’s colorful majolica tiled cupola is one of the town’s iconic symbols. I found this Crucifix inside a small chapel of the ancient church which was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this beautiful seaside village.
    Altare Privilegiato - Chiesa di Nost..tano
  • "Crucifixion in the Church of Santa Maria Assunta chapel in Positano"... <br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions. As I made my way along the beach and shoreline, rays from the late afternoon sunlight coming over the mountain top blinded me as they illuminated the famous church. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious and architectural landscape. Strategically located in the center of town with the backdrop of the azzurro Mediterranean Sea, the church’s colorful majolica tiled cupola is one of the town’s iconic symbols. I found this Crucifix inside a small chapel of the ancient church which was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this beautiful seaside village.
    Crocifissione nella cappella di Chie..tano
  • “The New Church Bell Tower, home of St. Francis of Assisi”…<br />
<br />
After a progressive but slow assent up to the mountaintop of Assisi, I took time to pause, look over my shoulder, and truly appreciate all I had seen. God always seemed to illuminate my forward path; however, He also left a glow of remembrance from where the journey began. This evening view is from the Basilica di Santa Chiara (Basilica of St. Clare), a 13th-century church that houses the relics of St. Clare, friend and protégé of St. Francis of Assisi, and the 12th-century crucifix that spoke to St. Francis at San Damiano. This image is a rear view of the church and campanile of The Chiesa Nuova, built in 1615 on the site of the birthplace of St. Francis. The church was aptly named Chiesa Nuova because it was the last church to be built in Assisi at that time. The "New Church" can be defined not so much as the Shrine of St. Francis, but the Sanctuary of St. Francis where he developed his roots of holiness.
    La Chiesa Nuova Campanile patria di ..sisi
  • **Campanile della Cattedrale dei Santi Filippo e Giacomo – Sorrento<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became. Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light illuminating Christ in a mystical way. This image with the sunlight shining through the window is one of my most meaningful and favorite images from my Italian journey. I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Campanile della Cattedrale dei Santi..ento
  • “Holy Door of the Church of Saint Agnes of Montepulciano – BW”…<br />
<br />
St. Agnes of Montepulciano was born in 13th-century Tuscany. At the age of six, Agnes began trying to convince her parents to allow her to join a convent. She was finally admitted to the Dominican convent at Montepulciano at age nine.<br />
Agnes' reputation for holiness attracted other sisters, and she became an abbess at the unheard of age of 15. She insisted on greater austerities in the abbey. She lived on bread and water for 15 years, slept on the ground and used a stone for a pillow. It was said that she had visions of the Virgin Mary and that in her visions angels gave her Communion. She also had a vision in which she was holding the infant Jesus. When she awoke from her trance, she she was holding the small gold crucifix the infant Jesus was wearing. She died in 1317. Miracles have been reported at her tomb. When her body was moved to a church years after her death, it was found incorrupt. She was canonized in 1726. The saint’s shrine is located facing the 16th century ramparts of the Porta al Prato of Montepulciano. It opens into the lower part of the historical center and completed in 1306. The hill was chosen by the saint to build her church following visions of a stairway to heaven, it was originally occupied by brothels. Agnes purchased the land herself for 1,200 lire. The hill was transformed from a sinful location to a holy and reverent community. The church, monumental cloister, and its convent are now totally transformed and host the incorrupt body of Saint Agnes.
    Porta Santa della Chiesa di Sant'Agn..- BW
  • "Relic room of the Cathedral of Sant'Andrea - Amalfi"...<br />
<br />
I caught the rain soaked ferry down the coast to the seaside town of Amalfi. The Duomo di Amalfi is usually packed with tourists bused and ferried from 100’s of miles away, but with the dreary weather many stayed away. A church has resided on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Newer walls have been taken down to expose parts of the ancient original church, and one can ponder history by this glimpse back in time. Andrew, Saint Peter’s brother and one of Christ’s closest disciples was also the disciple of John the Baptist. Saint Andrew was called with Peter: “As [Jesus] was walking by the Sea of Galilee, he saw two brothers, Simon who is now called Peter, and his brother Andrew, casting a net into the sea; they were fishermen. He said to them, ‘Come after me, and I will make you fishers of men.’ At once they left their nets and followed him” (Matthew 4:18-20). Stairs near the east end of the Duomo descend into the Crypt of St. Andrew, where his relics are kept in the central altar. The crypt is decorated with magnificent Baroque murals from 1660. As I knelt and prayed at the glorious crypt befitting this great disciple who was martyred on an X shaped crucifix, my mind wondered of the true nature of this chosen man who became a Saint. I stirred around to the back of the altar and found myself facing his eternal light and relics. I knelt again in prayer feeling the great essence and presence of this selfless apostle. As in many other locations and churches in Italy, where Saints seem to be from every town, I was overcome with deep emotion and an abundance of heartfelt spiritual joy!
    Reliquia stanza della Cattedrale di ..alfi
  • “The Luminance of Christ - Sorrento Cathedral”… <br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became. Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ. This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey. I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    La Luminanza di Cristo - Cattedrale ..ento
  • “Sunlight illuminates the Crucifixion of the main altar of the Cathedral of San Rufino in Assisi”…<br />
<br />
The first time I visited the Cathedral, I was laboriously working my way up the Assisi mountain top, of which the Cathedral of San Rufino is the last church. Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous. Although every building in Assisi celebrates Saint Francis, the city’s cathedral is dedicated to San Rufino. It's named for Assisi's patron saint, a former 3rd-century bishop, and martyr. After converting Assisi to Christianity, he was killed by drowning in a nearby river. The cathedral has been a very important aspect in the history of the Franciscan order. It was here that Saint Francis, Saint Clare, and many of their original disciples were baptized. Hearing Francis preaching in this church in 1209, Saint Clare became deeply touched by his message and realized her calling. In 1228, here for the canonization of Saint Francis, Pope Gregory IX consecrated the high altar. A humorous story of the relics of Saint Rufino remaining in this ancient church before it was consecrated as a Cathedral is part of history. The townspeople fought for the saint’s body with the current Bishop Ugone, who wanted to move it to the Cathedral of Santa Maria Maggiore. The citizens took a position against the move and started a real “tug of war” with the saint's coffin. The sixty Bishops’ men were beaten by only seven Assisi citizens. The victory was seen as miraculous, even by Ugone, who then decided to renovate the small Basilica, which eventually became the Cathedral for Assisi.  The relics of St Rufino were removed from the crypt and translated to a new sarcophagus under the High Altar and newly-completed nave in 1586. The luminous window light on the side of the Crucifix surrounding Christ with Heaven’s brilliancy captured my abiding heart and unwavering soul.
    La luce del sole illumina la Crocifi..sisi
  • “Crucifixion Altar of Santa Maria Maggiore in Rome”…<br />
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The Cappella delle Reliquie (Chapel of the Relics) by Ferdinando Fuga, 1750 has 10 red porphyry columns and this late 14th-early 15th century wooden crucifix which used to be at the entrance to the church where the tomb of Pope Clement IX is located. The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God.
    Crocifissione Altare di Santa Maria ..Roma
  • "The Crucifixion - Cathedral of Sorrento"...<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix.  It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light illuminating Christ in a mystical way.  The two images with the sunlight shining through the windows are my most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Il Crocifissione - Cattedrale di Sor..ento
  • “Climb to Christ - St. Andrew Cathedral of Amalfi - BW”…<br />
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On the last of three glorious days in Positano, I arose early to catch sunrise over the village.  However, at about 10:00 am …the cold rains came down dampening the glorious sun.  I caught the rain soaked ferry down the coast to the seaside town of Amalfi.  The Cattedrale di Sant'Andrea/Duomo di Amalfi is usually packed with tourists bused and ferried from hundreds of miles away, but with the dreary weather many chose to stay away.  There has been a church on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral.  Stairs near the east end descend into the Crypt of St. Andrew, where the saint's relics are kept in the central altar. The crypt is decorated with beautiful Baroque murals from 1660.  Upon leaving the crypt, I turned to ascend the stairs and with no window light because of the rain, a single light illuminated the crucifix stopping me in my tracks.  Others behind me also stopped as I quickly took out my camera to capture this dramatic image.  Tourists actually gathered behind me as I slowly moved up the steps taking more photos; perhaps for the first time others took notice of this appreciable view.
    Salire di Cristo - Sant'Andrea Duomo..- BW
  • ”Radiant Saint Teresa of Lisieux - the ‘Little Flower’ - Painting by Dino Carbetta”… <br />
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Saint Therese of Lisieux was a woman who discovered a deep source of God's love and an endless love for others. Despite facing many difficulties throughout her life, she remained calm and joyful. She once said, "I prefer the quiet sacrifices of everyday life to the most ecstatic experiences. Even picking up a pin out of love can change someone's life." Her simple message still resonates with millions of people today. Though she only lived for 24 years, Therese believed that her journey was just beginning in serving God, promising to bring goodness to the world from heaven. This promise, known as her "Shower of Roses," continues to flow through the Church. Therese, also known as the "Little Flower," was a Carmelite nun who lived a hidden life in the convent of Lisieux, France. Despite her seemingly uneventful life, she found redemption in quiet endurance and made suffering her mission. She entered the Carmel convent to "save souls and pray for priests," as she said. Pope Pius X called her "the greatest saint of modern times," and she was canonized in 1925. In 1997, Pope John Paul II named her a Doctor of the Church, making her the third woman to receive this honor. Even her parents were canonized in 2015. Though she was known as Therese of the Child Jesus and the Holy Face, she had a profound depth of spiritual maturity that earned her a place among the great spiritual leaders. Her autobiography, "The Story of a Soul," is cherished by many worldwide. As you gaze upon this radiant portrayal, you can't help but be drawn into the world of Saint Thérèse. Her gentle and humble spirit, symbolized by the 'Little Flower,' is radiantly captured in every brushstroke. The delicate colors and intricate details in the painting bring to life the warmth and devotion that characterized her life. Thank you for allowing me to share this poignant piece of art with you.
    Radiosa Santa Teresa di Lisieux - il..etta
  • “Mother Mary and Baby Jesus in the Basilica of Sant'Antonino Sorrento”…<br />
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“Now we are about to receive the Savior, Emmanuel, God with us. God's only-begotten Son, born of the Father before all time, God of God, light of light, true God of true God, one being with the Father, is about to be born in time. For the salvation of men, He has come down upon earth and is conceived by the Holy Ghost in a virgin. He shall be called God with us, and yet He will be one in nature with us. He is to be like to us in all things except sin. He wills to share our poverty and to pray and suffer with us; He assumes our guilt. He is God with us in every phase of our life; He even takes our place on the cross, He remains with us in Holy Communion, in our daily Mass, and in our tabernacles. At some time in the future, He will still be God with us in His beautiful heaven. All this He has done for us even though we have repeatedly turned our back on Him.” One of my great memories, as I meandered about the rather large crypt in the silent church, looking through the altar to the front doors, opening…an elderly Italian man entered slowly toward the crypt. He nodded his head toward me and moved in front of the eternal candle and relics of San Antonino. He silently put his hand upon them and bowed his head in prayer as if he had done this every day of his life. Moved by his devotion and reverence, as he nodded in his exit…I imitated his every movement and prayed to this patron saint of Sorrento. This was one of my first stops on the Amalfi coast, and after two visits to the Bellissimo Sorrentino coast, I always feel like I am comfortable and spiritually at home.
    Madre Maria e Gesù Bambino nella Bas..ento
  • "The Seven Sorrows - BW"...<br />
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1. The prophecy of Simeon. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and for the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed." 2. The flight into Egypt. Matthew 2:13-14 "Behold an angel of the Lord appeared in sleep to Joseph, saying: Arise and take the child and His mother and fly into Egypt: and be there until I shall tell thee. For it will come to pass that Herod will seek the child to destroy Him. With His mother by night, and retired into Egypt: and He was there until the death of Herod." 3. The loss of the Child Jesus in the temple. Luke 2:43-45 "And having fulfilled the days, when they returned, the Child Jesus remained in Jerusalem; and His parents knew it not. And thinking that he was in the company, they came a day's journey and sought him among their kinsfolk and acquaintance. And not finding Him, they returned into Jerusalem, seeking Him." 4. Meeting of Jesus and Mary on the Way of the Cross: "And there followed Him a great multitude of people, and of women, who bewailed and lamented Him." Luke XXIII, 27. 5. The Crucifixion: "They crucified Him. Now there stood by the cross of Jesus, His Mother. When Jesus, therefore, had seen His Mother and the disciple standing whom he loved, He saith to His Mother: Woman: behold thy son. After that he saith to the disciple: Behold thy Mother." John XIX, l8-25-27. 6. The taking down of the Body of Jesus from the Cross: "Joseph of Arimathea, a noble counselor, came and went in boldly to Pilate, and begged the body of Jesus. And Joseph buying fine linen, and taking Him down, wrapped Him up in the fine linen." Mark XV, 43-46. 7. The burial of Jesus: "Now there was in the place where He was crucified, a garden; and in the garden a new sepulcher, wherein no man yet had been laid." John XIX, 41-42.
    II Sette Dolori - BW
  • “Eucharistic Miracle of Siena - Basilica of San Francesco Siena”…<br />
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Siena is home to the Eucharistic Miracle which is one of the longest on-going miracles in the world. On August 14, 1730, thieves broke into the Church of St. Francis and stole a ciborium containing consecrated hosts. The theft was discovered the next day by Franciscan priests, and the town’s festivities celebrating the Feast of the Assumption were immediately halted. The bishop asked for prayers and reparations as civil authorities searched for the missing ciborium. On August 17th a parishioner in the Church of St. Mary noticed a bright light coming from a collection box. When the box was opened a large number of hosts were discovered covered by dirt and cobwebs. Counted and examined, these were determined to be the same hosts that were stolen. Normally the priest would have consumed these hosts but since they were covered with dirt and cobwebs it was decided to let them decompose naturally, something that should have taken a few weeks. However, since 1730, the hosts have remained fresh and sweet-smelling. Over the years various tests have been performed that authenticate this miracle.  They are preserved here in Siena in the Basilica of Saint Francis. The hosts are displayed publicly on the 17th of each month, which was the day of the month that they were discovered by the parishioner. Also, on the Feast of Corpus Christi, the hosts are paraded in procession through town. On our Pilgrimage of 2019, Father Peek & Javier our tour guide, arranged with the Franciscan Convent who is in charge of the Basilica to reveal The Miracle to our group in private at the chapel. As we knelt in the medium size chapel, the Priest lit the candles and turned his key in the wall next to the enduring display. The wall mechanically spun around and revealed the Eucharistic Miracle to us. After prayer, I moved to the back and abidingly captured this mystical, spiritual, and reverent manifestation.
    Miracolo Eucaristico di Siena - Basi..iena
  • "House of Hospitality - Maria Immacolata Franciscan Missionary Sisters of Assisi - Of the Lily"... <br />
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Italy is famous for its display of fresh and beautiful flowers and foliage outside the windows and doors throughout the countryside, and Assisi again was no different with the exception of the perfection of their presentation. I am sure the Chamber of Commerce in Assisi is quite busy maintaining the continuity and beauty of Assisi, but perhaps there is no need as the residents all seem perfectly happy to respect and display all its beauty. The streets, walkways, and general environment were the most immaculate of any town I witnessed in Italy and the most religious of any place on my journey. The town became a mystic and peaceful shrine in the early darkness of night after all the tourists departed, and all the prayers offered that day reflected and echoed off the ancient walls. Even the vending machines contained Rosaries, and its residents strolled about dressed in their religious attire with permanent smiles upon their faces. I am sure there are many remarkable religious destinations in the world but in this photographer’s opinion…Assisi has no spiritual equal on this earth.
    Casa dell'Ospitalità - Maria Immacol..glio
  • “Saint Joan of Arc - Painting by Dino Carbetta”…<br />
<br />
Today, we celebrate the feast of St. Joan of Arc, the patron saint of France. Joan was born to a humble family in Champagne, France during the early 15th century. She began hearing the voices of St. Michael, St. Catherine, and St. Margaret at a young age. In 1428, she received a vision instructing her to aid the King of France in reclaiming his kingdom from the English and Burgundian invaders. Despite facing opposition, Joan convinced members of the court and Church to grant her a small army. She entered battle carrying a banner emblazoned with the names "Jesus" and "Mary", as well as a symbol of the Holy Spirit. Through her leadership and unwavering faith in God, she was able to lift the siege of Orleans in 1429 and win a series of battles. Joan and her army ultimately helped the king regain his crown and were victorious. However, Joan was later captured by Burgundian forces in May of 1430 and sold to the English. Despite pleas for assistance from her king and army, she was imprisoned and put on trial. Bishop Peter Cauchon of Beauvais presided over her trial, hoping that harsh treatment of Joan would aid his quest to become archbishop. Tragically, Joan was condemned to death on charges of heresy, witchcraft, and adultery. On May 30, 1431, she was burned at the stake in Rouen, France. She was only 19 years old. Thirty years after her death, Joan's case was retried and she was exonerated. In 1920, Pope Benedict XV canonized her. Joan is now recognized as the patron saint of France, captives, soldiers, and those ridiculed for their piety. The equestrian statue of Jeanne d'Arc, which inspired the painting by Dino Carbetta, can be seen at the Place des Pyramides in Paris.
    Santa Giovanna d'Arco - Dipinto di D..etta
  • “A Million Faces of Jesus by Dino Carbetta – Resplendent”…<br />
<br />
“God of every nation and people, from the very beginning of creation you have made manifest your love: when our need for a Savior was great you sent your Son to be born of the Virgin Mary. To our lives, he brings joy and peace, justice, mercy, and love.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. Battle against Evil: Finally, draw your strength from the Lord and from his mighty power. Put on the armor of God so that you may be able to stand firm against the tactics of the devil. For our struggle is not with flesh and blood but with the principalities, with the powers, with the world rulers of this present darkness, with the evil spirits in the heavens. Therefore, put on the armor of God, that you may be able to resist on an evil day and, having done everything, to hold your ground. So stand fast with your loins girded in truth, clothed with righteousness as a breastplate, and your feet shod in readiness for the gospel of peace. In all circumstances, hold faith as a shield, to quench all [the] flaming arrows of the evil one. And take the helmet of salvation and the sword of the Spirit, which is the word of God.  EPHESIANS, 6:10-17
    Un Milione di volti di Gesù di Dino ..ente
  • “Iridescent Venetian Sunset”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three glorious days in Venice.
    Iridescente Veneziano Tramonto
  • “Coronation of the Virgin above the Altar - Santa Maria Maggiore”…<br />
<br />
The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. Behind the triumphal arch is the central apse, whose mosaic, dating to the 1200s, is an incredible euphoric vision. Mary and Jesus sit together at the center of the half-dome enthroned. Below the mosaic is four-pointed windows, which are the earliest examples of gothic architecture in Rome. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God. The apse mosaic, depicting the Coronation of the Virgin, is from the late 13th century, by the Franciscan friar, Jacopo Torriti.
    Incoronazione della Vergine sopra l'..iore
  • “Leaves frame Positano in the late afternoon sun”…<br />
<br />
After an exhilarating drive along the high cliffs of the Amalfi Coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. Circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot-late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large number of tourists and the bright sun did not allow for ideal conditions. As I made my way along the beach and shoreline, rays from the late afternoon sunlight reflecting off the azure blue Mediterranean Sea, was intense and blinding but illuminated the famous church with contrasting rumination. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town tucked between the descending mountains dripping with multicolored dwellings, and the transcendent blue sea, the church’s brilliant majolica tiled cupola is one of the town’s iconic symbols. The ancient church was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this iconic beautiful seaside village.
    Foglie incorniciano Positano nel sol..ggio
  • “Chapel of the Blessed Sacrament - Adoration of the Shepherds Duomo di Siena”... <br />
<br />
Located at the corner between the right transept and the presbytery, in a position corresponding to the Chapel of Sant'Ansano, the Chapel of the Blessed Sacrament occupies this span. The altarpiece is a canvas depicting the Adoration of the Shepherds by Alessandro Casolani beginning in 1594. The Duomo in Siena lies in a piazza above the Piazza del Campo, a great Gothic building filled with treasures by Pisano, Donatello, Bernini, and Michelangelo as well as frescoes by Pinturicchio. Originally completed in 1263, the 14th century inspired an ambitious attempt to transform the cathedral into the largest temple in all of Christendom, which would dwarf even St. Peter's in Rome. The already-large Duomo would form just the transept of this huge cathedral. In 1348, the Black Death swept through the city and killed 4/5 of Siena's population. The giant cathedral was never completed, and the half-finished walls of the New Cathedral survive as a monument to Siena's ambition and one-time wealth. The magnificent complex of the Cathedral of Siena houses a series of some of the most important monuments of the European artistic panorama. If I was asked to choose only one place that represented the great history of art, architecture, culture, and faith in all of Italy…one would be hard-pressed to find a more complete portfolio than the Cathedral of Siena. I found myself awe-inspired just walking up and facing the elegant façade, striped walls and pillars, and massive size. Upon entering the nave, one is overwhelmed with a plethora of artistic expression and great beauty placed in every available space. From its dome, stained glass, frescos, sculptures, and to what is said to be the most magnificent marble floor in history…it is worth every minute.
    Cappella del Santissimo Sacramento -..iena
  • “A Million Faces of Jesus by Dino Carbetta – Mist”…<br />
<br />
Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. Battle against Evil: Finally, draw your strength from the Lord and from his mighty power. Put on the armor of God so that you may be able to stand firm against the tactics of the devil. For our struggle is not with flesh and blood but with the principalities, with the powers, with the world rulers of this present darkness, with the evil spirits in the heavens. Therefore, put on the armor of God, that you may be able to resist on the evil day and, having done everything, to hold your ground. So stand fast with your loins girded in truth, clothed with righteousness as a breastplate, and your feet shod in readiness for the gospel of peace. In all circumstances, hold faith as a shield, to quench all [the] flaming arrows of the evil one. And take the helmet of salvation and the sword of the Spirit, which is the word of God.  EPHESIANS, 6:10-17   Thank you for your prayers!
    Un Milione di volti di Gesù di Dino ..chia
  • “I saw the Spirit descend like a Dove - Painting by Dino Carbetta – Azure”…<br />
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Acts 2:1-4 “When the time for Pentecost was fulfilled, they were all in one place together. And suddenly there came from the sky a noise like a strong driving wind, and it filled the entire house in which they were. Then there appeared to them tongues as of fire, which parted and came to rest on each one of them. And they were all filled with the Holy Spirit and began to speak in different tongues, as the Spirit enabled them to proclaim. Jn 20:19-23 “On the evening of that first day of the week, when the doors were locked, where the disciples were, for fear of the Jews, Jesus came and stood in their midst and said to them, “Peace be with you.” When he had said this, he showed them his hands and his side. The disciples rejoiced when they saw the Lord. Jesus said to them again, “Peace be with you. As the Father has sent me, so I send you.” And when he had said this, he breathed on them and said to them, “Receive the Holy Spirit. Whose sins you forgive are forgiven them, and whose sins you retain are retained.”
    Ho visto lo Spirito scendere come un..urro
  • “Father Peek raises the chalice for adoration - The New Church of San Francesco in Assisi – Luminescense”…<br />
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The reflection of Father Peek in “The Elevation of the Host and Chalice” is after genuflection in adoration. The priest raises them both so that the Faithful may also adore Jesus Christ, true God, and true Man present on the altar. Look at the sacred Body and Blood of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things." A more ancient elevation of Host and Chalice occurs in the Mass of the Roman Rite while the priest speaks the concluding doxology of the Eucharistic Prayer: Per ipsum et cum ipso et in ipso est tibi Deo Patri omnipotenti in unitate Spiritus Sancti omnis honor et gloria per omnia saecula saeculorum (Through him, and with him, and in him, O God, almighty Father, in the unity of the Holy Spirit, all glory and honour is yours, forever and ever). The presence in the Roman Rite of this elevation can be traced back at least to the ninth century. The Chiesa Nuova is a church in Assisi, Italy, built in 1615 on the site of the presumed birthplace of St. Francis, the house of Pietro di Bernardone. It was then called Chiesa Nuova because it was the last church to be built in Assisi at that time. This Church appears as a small basilica, and on our first morning in Assisi of my Pilgrimage of 2019, Father Peek offered a venerable Mass. Two of our Pilgrimage couples renewed their vows during the celebration and an abundance of blessings were bestowed upon the faithful. The specular window light from high above the altar once again illuminates the Body and Blood of Christ as the Holy Spirit descends.
    Padre Peek solleva il Calice per L'a..ense
  • “Luminous Madonna - Santa Maria Maggiore in Assisi - Painting by Dino Carbetta”…<br />
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The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built on this site close to the Roman city walls in the 4th century. The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. The interior has a basilica plan with three naves, separated by pillars. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal their age and status throughout history. Hail Mary, full of grace, the Lord is with you. Blessed are you among women, and blessed is the fruit of your womb, Jesus. Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death. Amen.
    Luminous Madonna - Santa Maria Maggi..etta
  • “This is the Lamb of God, who takes away the sins of the world - Painting by Dino”…<br />
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(Matthew Chapter 27:45-50) “From noon onward, darkness came over the whole land until three in the afternoon. And about three o’clock Jesus cried out in a loud voice, “Eli, Eli, lema sabachthani?” which means, “My God, my God, why have you forsaken me?” Some of the bystanders who heard it said, “This one is calling for Elijah.” Immediately one of them ran to get a sponge; he soaked it in wine, and putting it on a reed, gave it to him to drink. But the rest said, “Wait, let us see if Elijah comes to save him.” But Jesus cried out again in a loud voice, and gave up his spirit.<br />
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John the Baptist’s Testimony to Jesus. Jn 1:29-34 “The next day he saw Jesus coming toward him and said, ‘Behold, the Lamb of God, who takes away the sin of the world. He is the one of whom I said, A man is coming after me who ranks ahead of me because he existed before me. I did not know him, but the reason why I came baptizing with water was that he might be made known to Israel.’ John testified further, saying, “I saw the Spirit come down like a dove from the sky and remain upon him. I did not know him, but the one who sent me to baptize with water told me, ‘On whomever you see the Spirit come down and remain, he is the one who will baptize with the Holy Spirit. Now I have seen and testified that he is the Son of God.”
    Ecce Agnus Dei, ecce qui tollit pecc..etta
  • "Sun hiding behind the Macuteo Obelisk - Roman Pantheon"...<br />
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Eventually, one discovers that God finds a way where there is none. A very crowded Pantheon at 3:00 PM in the bright afternoon made creative photography impossible. However, getting on my knees and placing the sun behind the cross of the Obelisk created a phenomenal appeal. All are original, including the landing dove/pigeon and sun flare. The Obelisk was originally built by one of the most famous Egyptian Pharaohs about 1300 years before Christ by Pharaoh Ramses II for the Temple of Ra in Heliopolis and brought to Rome in ancient times. It was rediscovered in 1374 underneath the apse of the nearby Basilica of Santa Maria Sopra Minerva. In the mid-15th century, the obelisk had been erected in the small Piazza di San Macuto some 200 meters east of the Pantheon, where it remained until its 1711 move to the Piazza della Rotonda. It is still called the Obelisco Macutèo after its previous location. Fontana del Pantheon was constructed by Giacomo Della Porta under Pope Gregory XIII in 1575, and the obelisk was added under Pope Clement XI. The city of Rome harbors the most obelisks in the world. There are eight ancient Egyptian and five ancient Roman obelisks. The Romans used special heavy cargo carriers called obelisk ships to transport the monuments down the Nile to Alexandria and from there across the Mediterranean Sea to Rome. On-site, large Roman cranes were employed to erect the monoliths. The obelisk is crowned by a bronze cross, the symbol of Jesus Christ. One idea that can be drawn from this is that Christianity—the cross of Jesus Christ—conquers paganism.  Another idea is that the obelisk represents the human desire for God which is only fulfilled in the Cross of Christ.
    Domenica di nascondersi dietro il Ma..heon
  • “Baldachin Golden Angel Candelabra - Santa Maria Maggiore in Rome”…<br />
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On our Pilgrimage of 2019, the second morning in Roma began with Mass at the Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. This was my second visit to this perfect Bellissimo Basilica where I found familiar faces and comfort in this exquisite sanctuary. The spiritual treasures found here are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. I could not find the artist who sculpted this lifelike larger than life gold angel, but his expression welcomes all to the blessings of God and His Church. Pope Benedict XVI, speaking about Pope John Paul II of suffering and his love of the Holy Mother; “in that last Easter Sunday of his life, the Holy Father, marked by suffering, came once more to the window of the Apostolic Palace and one last time gave his blessing Urbi et Orbi (‘to the city and to the world’). “We can be sure that our beloved pope is standing today at the window of the Father’s house, that sees us and blesses us. Yes, bless us, Holy Father. We entrust your dear soul to the Mother of God, your Mother, who guided you each day and who will guide you now to the glory of her Son, our Lord Jesus Christ. Amen.”
    Baldacchino oro Angelo Candelabra - ..Roma
  • “The Basilica of Santa Maria della Salute Venice radiates in the distance on the Grand Canal- Ultramarine blue”…<br />
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Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God." The Basilica di Santa Maria della Salute, commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a conspicuous position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite reverently quaint interiorly.
    La Basilica di Santa Maria della Sal..mare
  • “View from the Grand Canal of the church of San Giorgio Maggiore in Venice”…<br />
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The first church on the island was built about 790, and in 982 the island was given to the Benedictine order by the Doge Tribuno Memmo. The Benedictines founded a monastery there, but in 1223 all the buildings on the island were destroyed by an earthquake. Andrea Palladio, an Italian Renaissance architect active in the Venetian Republic was commissioned for the rebuild. Palladio, influenced by Roman and Greek architecture, is widely considered to be one of the most influential individuals in the history of architecture, began the rebuild in 1560 and made dramatic improvements. The campanile was rebuilt in neo-classic style and completed in 1791. It was ascended by ramps and now an elevator to the top for panoramic views of Venice. The facade is brilliantly white and represents Palladio's solution to the difficulty of adapting a classical temple facade to the form of the Catholic Basilica. Two very large paintings by Tintoretto relate to the institution of the Eucharist and are located on either side of the presbytery, where they can be seen from the altar rail. “The Last Supper” and “The Jews in the Desert” (collecting and eating the manna, a gift of God to the Israelites in the Desert after they escaped Egypt, which foretells the gift of the Eucharist). Claude Monet painted a series of paintings of the island Monastery of San Giorgio Maggiore in 1908 during the artist's only visit to the city. One of the best known is “San Giorgio Maggiore at Dusk”, which exists in two versions. Monet completed his paintings of Venice at home in France and in 1912 showed them in Paris. Buyers included the Welsh collector Gwendoline Davies, who bought three paintings. This vision of the Church of San Giorgio is iconic and famous worldwide. My image capture while upon an evening boat excursion appears theatrical as if the majestic church is posing for yet another Venetian canvas.
    Vista dal Canal Grande della chiesa ..ezia
  • "San Maurizio Canal Venice"...<br />
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The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass in the sacristy. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Canale di San Maurizio Venezia
  • “The Descent of the Holy Spirit upon the Apostles – Painting by Dino Carbetta” …<br />
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Pentecost is a significant celebration in the Christian tradition. It commemorates the Holy Spirit's arrival upon the Apostles, Mary, and the first followers of Jesus, who gathered in the Upper Room. A powerful wind filled the room, and tongues of fire rested on their heads, enabling them to communicate in different languages. Although some assumed the Christians were intoxicated, Peter clarified that the Holy Spirit was responsible for this unusual occurrence. The Holy Spirit also granted the Apostles the necessary gifts and fruits to fulfill the great commission- to preach the Gospel to all nations. This fulfilled Christ's promise to the Apostles that they would be "clothed with power" before being sent forth to spread the Gospel (Luke 24:46-49) and is equivalent to the full outpouring of the Holy Spirit on the day of Pentecost. Confirmation, a sacrament in the Catholic Church, deepens an individual's relationship with the Church by imparting the Holy Spirit's gifts through the bishop's imposition of hands and anointing with oils. The sacrament is administered by bishops who have received the fullness of the sacrament of Holy Orders, uniting the recipient more closely to the Church's apostolic origins and its mission of bearing witness to Christ. Confirmation is also considered a sacrament of initiation that brings individuals closer to the Church, deepening the grace of baptism and leaving an indelible mark on the soul. Let us pray: "Come Holy Spirit, fill the hearts of your faithful and kindle in them the fire of your love."
    La Discesa dello Spirito Santo sugli..etta
  • "Sailing Cinque Terre with the late evening sun on Corniglia"...<br />
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I began my daily journey at the northernmost town of Monterosso and took the train to the southernmost town of Riomaggiore. I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. Upon arriving back home in Monterosso, soft light illuminated the sky and azure sea of the Mediterranean convincing me to sail back to Riomaggiore with my gracious guides Claudio and Eddie of "Cinque Terre dal Mare" sailing excursions. We arrived just in time for a perfect sunset. After a nice dinner...I caught the last train at midnight back home to Monterosso. An exceptionally long day, but worth every minute! This panorama image of Corniglia, the only Cinque Terre town not directly on the sea…was taken on the journey back to Riomaggiore at dusk. The tiny village seems snuggled into the Cliffside soaking up the last bit of sunlight before nightfall. The ancient campanile of the church of Saint Peter, which was built in 1334, begins to peer over the cliff in the upper part of Corniglia. I caught the last train at midnight back home to Monterosso. There is a great appeal in each of the five Cinque Terre villages, each with a different history, people, elements, and culture. This illuminating sunset of Manarola was captured just before arriving back in Riomaggiore. Arrivederci, Manarola!
    Vela Cinque Terre con la sera tarda ..glia
  • “Madonna of Fatima at the Eucharistic Miracle of Siena - Basilica of San Francesco Siena - Painting by Dino Carbetta”… <br />
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Our Lady of Fatima’s confident declaration was: “My Immaculate Heart will triumph”. Pope Benedict XVI interpreted this utterance as follows: “The Heart open to God, purified by contemplation of God, is stronger than guns and weapons of every kind. The fiat of Mary, the word of her heart, has changed the history of the world, because it brought the Saviour into the world—because, thanks to her Yes, God could become man in our world and remains so for all time. The Evil One has power in this world, as we see and experience continually; he has power because our freedom continually lets itself be led away from God. But since God himself took a human heart and has thus steered human freedom towards what is good, the freedom to choose evil no longer has the last word. From that the word that prevails from that time forth in the world, you will have tribulation, but take heart; I have overcome the world” (Jn 16:33). The message of Fatima invites us to trust in this promise. Siena is home to the Eucharistic Miracle, one of the world's longest-ongoing miracles. On August 14, 1730, thieves broke into the Church of St. Francis and stole a ciborium containing consecrated hosts. However, since 1730, the hosts have remained fresh and sweet-smelling. The wall mechanically spun around and revealed the Eucharistic Miracle to us. After prayer, I moved to the back and abidingly captured this mystical, spiritual, and reverent manifestation. The Madonna of Fatima stood majestically guarding the precious Hosts.
    Madonna di Fatima al Miracolo Eucari..etta
  • “Ca 'Rezzonico Civic Museums Foundation of Venice and in the distance the watchful bell tower of the Church of San Samuele”…<br />
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The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating.  We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Ca' Rezzonico Fondazione Musei Civic..uele
  • “The boat of San Pietro slumbers in the evening sun - Marina Grande Sorrento” … <br />
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Duomo di Sorrento is one of my favorite hidden treasures in Italy. On our last day on the Bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. Hallelujah, it was our first free day of the 2019 Pilgrimage, and most were heading to Capri. I convinced my fellow Pilgrim Patrick that Marina Grande was the preferred location to commemorate this rain threatened day. Sunday afternoon in this tiny, hallowed port on the Mediterranean was bustling, not with tourists, but with energetic and unassuming locals. The misty skies were vulnerable all day to the threat of rain, but the reluctant sun penetrated the clouds for a few fortuitous moments. God painted the skies for brief moments with luminous pastel elements of abstract color. A lonely white boat gleamed in the late evening sun resting upon the wet sand. Saint Matthew’s account of Peter trying to walk on water came to mind: “Peter said to him in reply, ‘Lord, if it is you, command me to come to you on the water.” He said, “Come.” Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how [strong] the wind was he became frightened; and, beginning to sink, he cried out, “Lord, save me!” Immediately Jesus stretched out his hand and caught him, and said to him, “O you of little faith, why did you doubt?” After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, “Truly, you are the Son of God.” (Matt: 14: 28-33) We left after lunch only to humbly return capturing the evening seascape a few hours before our reservation with the entire Pilgrimage group for a perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare.
    La barca di San Pietro sonnecchia di..ento
  • “The Basilica of Santa Maria della Salute Venice radiates in the distance on the Grand Canal –   Vignette”… <br />
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Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God."<br />
The Basilica di Santa Maria della Salute, commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a prominent position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite reverently quaint interiorly.
    La Basilica di Santa Maria della Sal..ette
  • "Our Lady of Fatima - Miracle of the Sun – Painting by Dino Carbetta” …<br />
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The painting entitled "Our Lady of Fatima - Miracle of the Sun"  depicts an event that occurred on October 13, 1917. A large crowd had gathered near Fatima to witness the next apparition of Our Lady, as foretold by three shepherd children, Lúcia, Francisco, and Jacinta Marto. According to reports from journalists, lawyers, and scientists who were in attendance, the event that followed became known as the "Miracle of the Sun." Witnesses claimed to have seen extraordinary solar activity, such as the Sun appearing to "dance" or zig-zag in the sky, careen towards the Earth, or emitting multicolored light and radiant colors. The event lasted for ten minutes and was widely reported in newspapers. In November 1917, the local bishop conducted a canonical investigation of the event, reviewing witness accounts and assessing private revelations from Mary that were compatible with Catholic theology. The priests conducting the investigation were convinced by the concurring testimony of extraordinary solar phenomena from secular reporters, government officials, and other skeptics in attendance. Bishop José da Silva declared the miracle "worthy of belief" on October 13, 1930, permitting "Our Lady of Fatima" within the Catholic Church. Over the years, the miracle and related prophecies have impacted the devotional practices of many Catholics, and it continues to be a significant event in the history of the church. Despite the enduring interest in the miracle, Dr. Garrett, who was present at the event, affirmed that he was in his right mind and not suffering from a hallucination. He described everything as taking on the color of old yellow damask, with people looking unattractive and suffering from jaundice. He observed all the phenomena calmly and serenely, without any emotional disturbance, leaving it to others to interpret and explain them.
    Madonna di Fatima - Miracolo del Sol..etta
  • “Annunciation of the Lord - Marian Shrine Basilica of the Holy House in Loreto, Italy – Painting by Dino Carbetta” …<br />
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Gospel Lk 1:26-38  “The angel Gabriel was sent from God to a town of Galilee called Nazareth, to a virgin betrothed to a man named Joseph, of the house of David, and the virgin's name was Mary. And coming to her, he said, "Hail, full of grace! The Lord is with you." But she was greatly troubled at what was said and pondered what sort of greeting this might be. Then the angel said to her, "Do not be afraid, Mary, for you have found favor with God. Behold, you will conceive in your womb and bear a son, and you shall name him Jesus.<br />
He will be great and will be called Son of the Most High, and the Lord God will give him the throne of David his father, and he will rule over the house of Jacob forever, and of his Kingdom there will be no end." But Mary said to the angel, "How can this be, since I have no relations with a man?" And the angel said to her in reply, "The Holy Spirit will come upon you, and the power of the Most High will overshadow you. Therefore the child to be born<br />
will be called holy, the Son of God. And behold, Elizabeth, your relative, has also conceived a son in her old age, and this is the sixth month for her who was called barren; for nothing will be impossible for God." Mary said, "Behold, I am the handmaid of the Lord. May it be done to me according to your word." Then the angel departed from her.”
    Annunciazione del Signore - Santuari..etta
  • “Excitement abounds as the warm summer evening falls on Positano” …<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi Coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. Circling the entire village and its cliffside three times on Positano’s only street, I finally found the parking garage about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the substantial number of tourists and the bright sun did not allow for ideal conditions. Walking the length of the beach, I found a very, very steep staircase leading straight up to a large veranda at the Albergo California. Taking an exhaustive seat on a plush lounge chair with a perfect view to watch the sunset behind the Amalfi Cliffs, I was taken back by a pleasant Italian waiter from the hotel offering a towel, iced water, and drinks for the evening. I expressed that I was not staying at the hotel, but he did not seem to mind and proceeded to educate me on the culture of this historic resort village. The sunset was coy and did not appear to cooperate, but during opportune moments it mystified the cloud arrangement and contributed just enough light and color to satisfy a weary photographer. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town tucked between the descending mountains dripping with multicolored dwellings, and the transcendent blue sea, the church’s brilliant majolica tiled cupola is one of the town’s iconic symbols. The ancient church was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this iconic beautiful seaside village.
    Eccitazione abbonda come la calda se..tano
  • “Saint Jude the Apostle – Painting by Dino Carbetta” …<br />
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St. Jude is the Patron Saint of Hope and impossible causes and one of Jesus’ original twelve Apostles. He preached the Gospel with great passion, often in the most difficult circumstances. Through the power of the Holy Spirit, he made profound differences in people's lives as he offered them the Word of God. The Gospel tells us that St. Jude was a brother of St. James the Less, also one of the Apostles. They are described in the Gospel of Matthew as the "brethren" of Jesus, probably cousins. St. Jude is often confused with Judas Iscariot who betrayed Jesus. St. Jude is traditionally depicted carrying the image of Jesus in his hand. This recalls one of his miracles during his work spreading the Word of God. King Abgar of Edessa asked Jesus to cure him of leprosy and sent an artist to bring him a drawing of Jesus. Impressed with Abgar’s great faith, Jesus pressed His face on a cloth, leaving the image of His face on it. He gave the cloth to St. Jude, who took the image to Abgar and cured him. After the death and resurrection of Jesus, St. Jude traveled throughout Mesopotamia, Libya, and Persia with St. Simon preaching and building up the foundations of the early Church. St. Jude died a martyr death for his unwavering faith. His body was later brought to Rome and placed in a crypt under St. Peter's Basilica. Over the ages, many people in desperate need have turned to Saint Jude in prayer. Saint Bridget of Sweden said she was directed in a vision to pray with deep faith and confidence to Saint Jude. She stated that Christ told her, “Following his surname, Thaddeus, the amiable or loving, Saint Jude will show himself most willing to help.” Today, Saint Jude continues to be one of the most popular and beloved Saints, a trusted heavenly intercessor for all those seeking God’s assistance during times of family crisis, sickness, and trouble, especially when all hope seems lost.
    San Giuda Apostolo - Dipinto di Dino..etta
  • "Saint Helena holding the cross - Santa Croce in Gerusalemme, Rome"...<br />
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The Basilica of the Holy Cross in Jerusalem is located in Rome, in the Esquilino quarter, close to the Aurelian Walls and the Castrense Amphitheatre, between the Basilica of St. John Lateran and Porta Maggiore. The Basilica of the Holy Cross is part of the route of the “Seven Churches” that ancient pilgrims used to visit on foot. Several sources, including an inscription in the church, verify that the Sessorian Palace was owned by the empress St. Helen (c.255-330), Constantine's mother. From the end of the 4th century, it was said that St. Helen had made a pilgrimage to the Holy Land, during which she discovered the True Cross on which Christ was crucified and many other relics. It was also said that she wished to set up a shrine in Rome for pilgrims who could not travel to Jerusalem. The first room of the chapel has a Roman-era statue of St. Helen holding the cross. Beneath the statue is a floor believed to contain soil from the Holy Land. Under the protective glass covering the soil are many paper prayers from the faithful. Fragments of the cross were circulating in the West by 348 AD. The earliest historical record of the church, dated to 501 AD, refers to it as "Hierusalem basilica Sessoriani palatii." Architecturally, it is notable that the 4th-century Chapel of St. Helen is quite similar in design to a martyrium that was erected by Constantine in Jerusalem to house a fragment of the True Cross. In 1492, a dramatic discovery was made in the course of repairs to a mosaic: a brick inscribed with the words TITULUS CRUCIS (Title of the Cross). Sealed behind the brick was a fragment of an inscription in wood, with the word "Nazarene" written in Hebrew, Latin, and Greek. The Title is mentioned in all four Gospel accounts. This was our first stop on our Pilgrimage of 2019 in Italy. A very propitious, historical, and spiritual beginning to a monumental journey in The Eternal City.
    Sant'Elena con in mano la croce - Sa..Roma
  • “The Celestial Boat of Jesus rests in Marina Grande Sorrento”…<br />
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This sunset image of the lone antique fishing boat is the most iconic of the seaside views from Sorrento. The lone boat represents many perceptions and creative thoughts and portrays imagery of stillness and beauty among the restless seas. It reminds me of Saint Matthew’s account of Jesus’ calming of the winds and the seas: "As Jesus got into a boat, his disciples followed him. Suddenly a violent storm came upon the sea so that the boat was being swamped by waves, but he was asleep. They came and woke him, saying, "Lord, save us! We are perishing!” He said to them, "Why are you terrified, O you of little faith?" Then he got up, rebuked the winds and the sea, and there was a great calm. The men were amazed and said, "What sort of man is this, whom even the winds and the sea obey?" (Matt. 8:23- 27)
    La Barca Celeste di Gesù riposa in M..ento
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