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Cristo di fronte il Paradiso - la Ba..etta
Christus Patiens sopra l'Altare Magg..sisi
Crocifisso altare maggiore dalla par..dova
Il Crocifisso - La Basilica di Santa..etta
Ora D'oro Crocifissione - Dipinto di..etta
Impressione artistica tridimensional..dova
Crocifissione oltre l'ingresso dell'..dova
Illuminato crocifisso in Cattedrale ..ento
Celesti di luce rischiara il crocifi..etta
Crocifisso accanto al Confessionale ..etta
Cristo Crocifisso - Santa Maria dell..- BW
Santissimo Crocifisso all'interno de..etta
Raggi Celesti di luce rischiarare il..ento
La Chiesa di Santa Maddalena e’ circ..etta
Padre Peek Celebra la Cena dell'agne..alfi
Luminanza di Cristo - Cattedrale di ..etta
Volto Crocifisso di Cristo - Pittura..etta
Il Cristo crocifisso nella Cattedral..ento
Il ritorno di Francesco uomo peniten..iesa
Salire di Cristo - Sant'Andrea Duomo..alfi
Cattedrale dei Santi Filippo e Giaco..ione
La luce dal Paradiso - Cappella Sist..Roma
Radioso Crocifisso presso del Conven..tona
La Luminanza di Cristo - Cattedrale ..ento
Il Crocifissione - Cattedrale di Sor..ento
Altare maggiore della Chiesa di Nost..tano
Cremisi Crocifissione nella cappella..tano
Cristo nella Cappella del Crocifisso..etta
Sant'Andrea Immaginare il Crocifissi..alfi
Tiziano - Assunzione della Vergine s..ezia
Altare del Crocifisso - Basilica di ..ezia
Cristo in Paradiso - la Basilica di ..ezia
Cristo illuminato da Paradiso - la B..ezia
Crocifisso al di là di vestibolo del..dova
Antico Crocifisso sul muro della Bas..ezia
Crocifisso Sagrestia della Basilica ..ezia
Celesti di luce rischiara il crocifi..ento
Cappella del Santissimo Crocifisso a..sisi
Santissimo Crocifisso all'interno de..sisi
Del Crocifisso accanto confessionale..ezia
Dio illumina il crocifisso - Cattedr..ento
Luminanza di Cristo - Cattedrale di ..asto
Angeli Custodiscono L'altare Princip..Roma
Altare di Sant'Andrea immagina la cr..alfi
Il tramonto illumina il campanile di..sisi
La luce del sole illumina il Crocifi..ento
Porta Santa della Chiesa di Sant'Agn..iano
Antica facciata ad arco vicino a San..sisi
Altare Alto Privilegiato - Chiesa di..tano
Vicino a Cristo - Sant'Andrea Duomo ..alfi
Campanile della Cattedrale dei Santi..ento
La luce di Dio cade sul campanile di..sisi
Altare Privilegiato - Il Chiesa di N..tano
Il campanile di Santa Chiara ad Assi..ielo
Altare Privilegiato - Chiesa di Nost..tano
Crocifissione nella cappella di Chie..tano
La Chiesa Nuova Campanile patria di ..sisi
Cristo Crocifisso - Santa Maria dell..ezia
Il ritorno di Francesco uomo peniten..isto
Porta Santa della Chiesa di Sant'Agn..- BW
Reliquia stanza della Cattedrale di ..alfi
Crocifissione Altare di Santa Maria ..Roma
Salire di Cristo - Sant'Andrea Duomo..- BW
La luce del sole illumina la Crocifi..sisi
Dare seme a Colui che semina, Neve -..etta
La Chiesa Nuova luogo di nascita di ..sisi
Positano's Chiesa di Santa Maria Ass..sera
Alba sulla Veranda a Positano
Pentecoste - Dipinto di Dino Carbetta
L'occhio luminescente di Cristo guar..etta
La nebbia mattutina svanisce sul Sac..sisi
Crocifissione sopra l'altare della C..sisi
Adorazione dei Pastori - Cappella de..iena
Mezzanotte passeggiata lungo Via Fon..sisi
Ho visto lo Spirito scendere come un..etta
San Giuseppe e il giovane Gesù nella..etta
Tramonto trascendente di Marina Gran..ento
Il sole splende sopra la Basilica Pa..etta
Un Milione di volti di Gesù di Dino ..ente
Il Santo Redentore e Sacro Cuore di ..etta
Cappella di San Massimiliano Kolbe -..alia
Iridescente Veneziano Tramonto
Foglie incorniciano Positano nel sol..ggio
Madonna illumina l'altare di Santa M..sisi
Agnus Dei - Dipinto di Dino Carbetta
Cappella del Santissimo Sacramento -..iena
Mattoni rossi piombo alla Basilica P..sisi
Flusso d'acqua dal Convento Di celle..tona
Natività di San Francesco con la Sac..useo
Nel tardo pomeriggio il sole penetra..ezia
Angelo con la Croce - Ponte Sant'Ang..etta
Monumento di Madonna abbracciando La..Roma
La luce dell'agnello - Dipinto di Di..etta
“Hail favored one! The Lord is with ..etta
Canale Riello de Santa Sofia - Ca 'D..ezia
Madonna Addolorata Radiante Azzurre ..etta
Il Sacro Cuore di Gesù - Minore Basi..etta
Peschereccio in appoggio davanti al ..etta
Il canale di Venezia riflette il pic..etta
Illuminando bagliore del Canal Grand..ezia
Next
![“Golden Hour Crucifixion – Painting by Dino Carbetta”…<br />
<br />
I consider this magnificent rear view of the High Altar in St. Anthony’s Basilica looking toward Donatello’s very famous “Crucifix in Padua” one of my few forbidden and miraculous images of my 2019 Pilgrimage to Italy. I was unaware of the mere size and ancient grandeur of the basilica begun in 1233 but found myself mystified by the aura surrounding it and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis, and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. Deceptively, I found myself directly behind the elevated “High Altar,” and as I curiously climbed the steps toward the locked Iron Gate, Donatello’s celestial bronze crucifix began to appear. This is the story of my experience with the "High altar crucifix from the back of the Papal Basilica of St. Anthony of Padua"... The crucifix was centered at the bottom of the image and small. I decided to paint the crucifix using the original silhouette and front illumination. I added a magnificent sunset or “Golden Hour” to highlight the Crucifix. “yet I live, no longer I, but Christ lives in me; insofar as I now live in the flesh, I live by faith in the Son of God who has loved me and given himself up for me.” [Galatians 2:20]](https://www.dinocarbetta.com/img-get2/I0000JF5qhMiAUvM/fill=/fit=200x200/I0000JF5qhMiAUvM.jpg)
![“Father Peek Celebrates the Lamb's Supper - Amalfi Cathedral”…<br />
<br />
A church has resided on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Newer walls have been taken down to expose parts of the ancient original church, and one can ponder history by this glimpse back in time. Andrew, Saint Peter’s brother and one of Christ’s closest disciples was also the disciple of John the Baptist. Saint Andrew was called with Peter: “As [Jesus] was walking by the Sea of Galilee, he saw two brothers, Simon who is now called Peter, and his brother Andrew, casting a net into the sea; they were fishermen. He said to them, ‘Come after me, and I will make you fishers of men.’ At once they left their nets and followed him” (Matthew 4:18-20). Stairs near the east end of the Duomo descend into the Crypt of St. Andrew, where his relics are kept in the central altar. The crypt is decorated with magnificent Baroque murals from 1660. As I knelt and prayed at the glorious crypt befitting this great disciple who was martyred on an X shaped crucifix, my mind wandered off the true nature of this chosen man who became a Saint. I stirred around to the back of the altar and found myself facing his eternal light and relics. I knelt again in prayer feeling the great essence and presence of this selfless apostle. As in many other locations and churches in Italy, where Saints seem to be from every town, I was overcome with deep emotion and an abundance of heartfelt spiritual joy! Our Pilgrimage of 2019 found us celebrating Mass in the chapel just to the left of the High Altar below the image of the “Last Supper.” A reverent and poignant remembrance of cherished time on the Amalfi Coast.](https://www.dinocarbetta.com/img-get2/I0000z5mCVYrdLwc/fill=/fit=200x200/I0000z5mCVYrdLwc.jpg)
![“Sant'Andrea Imagining the Crucifixion of Christ - Amalfi Cathedral”…<br />
<br />
I caught the rain-soaked ferry down the coast to the seaside town of Amalfi. The Duomo di Amalfi is usually packed with tourists bused and ferried from 100’s of miles away, but with the dreary weather, many stayed away. A church has resided on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Newer walls have been taken down to expose parts of the ancient original church, and one can ponder history by this glimpse back in time. Andrew, Saint Peter’s brother and one of Christ’s closest disciples was also the disciple of John the Baptist. Saint Andrew was called with Peter: “As [Jesus] was walking by the Sea of Galilee, he saw two brothers, Simon who is now called Peter, and his brother Andrew, casting a net into the sea; they were fishermen. He said to them, ‘Come after me, and I will make you fishers of men.’ At once they left their nets and followed him” (Matthew 4:18-20). Stairs near the east end of the Duomo descend into the Crypt of St. Andrew, where his relics are kept in the central altar. The crypt is decorated with magnificent Baroque murals from 1660. As I knelt and prayed at the glorious crypt befitting this great disciple who was martyred on an X-shaped crucifix, my mind wandered to the true nature of this chosen man who became a Disciple and Saint. I stirred around to the back of the altar and found myself facing his eternal light and relics. I knelt again in prayer feeling the great essence and presence of this selfless apostle. As in many other locations and churches in Italy, where Saints seem to be from every town, I was overcome with deep emotion and an abundance of heartfelt spiritual joy!](https://www.dinocarbetta.com/img-get2/I0000_QOj8XJTNqc/fill=/fit=200x200/I0000_QOj8XJTNqc.jpg)
!["Altar of Sant'Andrea imagines the crucifixion of Christ - Cathedral of Amalfi"...<br />
<br />
I caught the rain soaked ferry down the coast to the seaside town of Amalfi. The Duomo di Amalfi is usually packed with tourists bused and ferried from 100’s of miles away, but with the dreary weather many stayed away. A church has resided on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Newer walls have been taken down to expose parts of the ancient original church, and one can ponder history by this glimpse back in time. Andrew, Saint Peter’s brother and one of Christ’s closest disciples was also the disciple of John the Baptist. Saint Andrew was called with Peter: “As [Jesus] was walking by the Sea of Galilee, he saw two brothers, Simon who is now called Peter, and his brother Andrew, casting a net into the sea; they were fishermen. He said to them, ‘Come after me, and I will make you fishers of men.’ At once they left their nets and followed him” (Matthew 4:18-20). Stairs near the east end of the Duomo descend into the Crypt of St. Andrew, where his relics are kept in the central altar. The crypt is decorated with magnificent Baroque murals from 1660. As I knelt and prayed at the glorious crypt befitting this great disciple who was martyred on an X shaped crucifix, my mind wondered of the true nature of this chosen man who became a Saint. I stirred around to the back of the altar and found myself facing his eternal light and relics. I knelt again in prayer feeling the great essence and presence of this selfless apostle. As in many other locations and churches in Italy, where Saints seem to be from every town, I was overcome with deep emotion and an abundance of heartfelt spiritual joy!](https://www.dinocarbetta.com/img-get2/I0000TCRIdbxl0Bw/fill=/fit=200x200/I0000TCRIdbxl0Bw.jpg)
!["Relic room of the Cathedral of Sant'Andrea - Amalfi"...<br />
<br />
I caught the rain soaked ferry down the coast to the seaside town of Amalfi. The Duomo di Amalfi is usually packed with tourists bused and ferried from 100’s of miles away, but with the dreary weather many stayed away. A church has resided on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Newer walls have been taken down to expose parts of the ancient original church, and one can ponder history by this glimpse back in time. Andrew, Saint Peter’s brother and one of Christ’s closest disciples was also the disciple of John the Baptist. Saint Andrew was called with Peter: “As [Jesus] was walking by the Sea of Galilee, he saw two brothers, Simon who is now called Peter, and his brother Andrew, casting a net into the sea; they were fishermen. He said to them, ‘Come after me, and I will make you fishers of men.’ At once they left their nets and followed him” (Matthew 4:18-20). Stairs near the east end of the Duomo descend into the Crypt of St. Andrew, where his relics are kept in the central altar. The crypt is decorated with magnificent Baroque murals from 1660. As I knelt and prayed at the glorious crypt befitting this great disciple who was martyred on an X shaped crucifix, my mind wondered of the true nature of this chosen man who became a Saint. I stirred around to the back of the altar and found myself facing his eternal light and relics. I knelt again in prayer feeling the great essence and presence of this selfless apostle. As in many other locations and churches in Italy, where Saints seem to be from every town, I was overcome with deep emotion and an abundance of heartfelt spiritual joy!](https://www.dinocarbetta.com/img-get2/I00000J34hxwE5TU/fill=/fit=200x200/I00000J34hxwE5TU.jpg)
![“Giving seed to the One who sows, Snow - Painting by Dino Carbetta”…<br />
<br />
[Isaiah 55:10-13] Yet just as from the heavens the rain and snow come down And do not return there till they have watered the earth, making it fertile and fruitful, Giving seed to the one who sows and bread to the one who eats, So shall my word be that goes forth from My mouth; It shall not return to me empty, but shall do what pleases me, achieving the end for which I sent it. Yes, in joy you shall go forth, in peace you shall be brought home; Mountains and hills shall break out in song before you, all trees of the field shall clap their hands. In place of the thornbush, the cypress shall grow, instead of nettles, the myrtle. This shall be to the LORD’s renown, as an everlasting sign that shall not fail.](https://www.dinocarbetta.com/img-get2/I0000y7sGUf0wTnY/fill=/fit=200x200/I0000y7sGUf0wTnY.jpg)
![“A Million Faces of Jesus by Dino Carbetta – Resplendent”…<br />
<br />
“God of every nation and people, from the very beginning of creation you have made manifest your love: when our need for a Savior was great you sent your Son to be born of the Virgin Mary. To our lives, he brings joy and peace, justice, mercy, and love.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. Battle against Evil: Finally, draw your strength from the Lord and from his mighty power. Put on the armor of God so that you may be able to stand firm against the tactics of the devil. For our struggle is not with flesh and blood but with the principalities, with the powers, with the world rulers of this present darkness, with the evil spirits in the heavens. Therefore, put on the armor of God, that you may be able to resist on an evil day and, having done everything, to hold your ground. So stand fast with your loins girded in truth, clothed with righteousness as a breastplate, and your feet shod in readiness for the gospel of peace. In all circumstances, hold faith as a shield, to quench all [the] flaming arrows of the evil one. And take the helmet of salvation and the sword of the Spirit, which is the word of God. EPHESIANS, 6:10-17](https://www.dinocarbetta.com/img-get2/I0000LMU7ONqpoDE/fill=/fit=200x200/I0000LMU7ONqpoDE.jpg)
![“Our Lady of Sorrows Radiant Blue - Cathedral of San Rufino, Assisi - Painting by Dino Carbetta”…<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."](https://www.dinocarbetta.com/img-get2/I0000TEOwMlL4oA8/fill=/fit=200x200/I0000TEOwMlL4oA8.jpg)
![“Fishing boat resting in front of the Sant'Anna Sorrento Restaurant - Painting by Dino Carbetta”…<br />
<br />
Duomo di Sorrento is one of my favorite hidden treasures in Italy. On our last day on the Bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. Hallelujah, it was our first free day of the 2019 Pilgrimage and most were heading to Capri. I convinced my fellow Pilgrim Patrick that Marina Grande was the preferred location to commemorate this rain-threatened day. Sunday afternoon in this tiny hallowed port on the Mediterranean was bustling, not with tourists, but with energetic and unassuming locals. The misty skies were vulnerable all day with the threat of rain, but the reluctant sun penetrated the clouds for a few fortuitous moments. God painted the skies for brief moments with luminous pastel elements of abstract color. A lonely boat gleamed in the late evening sun resting upon the wet sand. Saint Matthew’s account of Peter trying to walk on water came to mind: “Peter said to him in reply, ‘Lord, if it is you, command me to come to you on the water.” He said, “Come.” Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how [strong] the wind was he became frightened; and, beginning to sink, he cried out, “Lord, save me!” Immediately Jesus stretched out his hand and caught him, and said to him, “O you of little faith,* why did you doubt?” After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, “Truly, you are the Son of God.” (Matt: 14: 28-33) We left after lunch only to humbly return capturing the evening seascape a few hours before our reservation with the entire Pilgrimage group for a perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare.](https://www.dinocarbetta.com/img-get2/I0000DNktF818OyQ/fill=/fit=200x200/I0000DNktF818OyQ.jpg)
