dino carbetta

  • Portfolio
  • About
  • Galleries & Pricing
    • All Galleries
    • Search
    • Cart
    • Lightbox
    • Client Area
  • Art Services & Information
  • Contact
  • Facebook
  • Twitter
x

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
Next
841 images found
twitterlinkedinfacebook

Loading ()...

  • “By Kissing the Holy Cross One Acquires a Year and 40 Days of Indulgence” …<br />
<br />
The title of this image is the inscription on each cross placed at every entrance to the Colosseum. It still maintains close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch-lit "Way of the Cross" procession that starts in the area around the Colosseum. Christ believers throughout history have generally regarded the Colosseum as a site of the martyrdom of large numbers of believers during the great persecution of Christians in the Roman Empire, as evidenced by Church history and tradition. A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheater, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck. It is as grand in person as it appears in the media, and it seems to hold a very mystical aura. Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past but the forgiveness and sacrifice of its present stature.
    Baciando la Santa Croce si Acquisisc..enza
  • "Saint Helena holding the cross - Santa Croce in Gerusalemme, Rome"...<br />
<br />
The Basilica of the Holy Cross in Jerusalem is located in Rome, in the Esquilino quarter, close to the Aurelian Walls and the Castrense Amphitheatre, between the Basilica of St. John Lateran and Porta Maggiore. The Basilica of the Holy Cross is part of the route of the “Seven Churches” that ancient pilgrims used to visit on foot. Several sources, including an inscription in the church, verify that the Sessorian Palace was owned by the empress St. Helen (c.255-330), Constantine's mother. From the end of the 4th century, it was said that St. Helen had made a pilgrimage to the Holy Land, during which she discovered the True Cross on which Christ was crucified and many other relics. It was also said that she wished to set up a shrine in Rome for pilgrims who could not travel to Jerusalem. The first room of the chapel has a Roman-era statue of St. Helen holding the cross. Beneath the statue is a floor believed to contain soil from the Holy Land. Under the protective glass covering the soil are many paper prayers from the faithful. Fragments of the cross were circulating in the West by 348 AD. The earliest historical record of the church, dated to 501 AD, refers to it as "Hierusalem basilica Sessoriani palatii." Architecturally, it is notable that the 4th-century Chapel of St. Helen is quite similar in design to a martyrium that was erected by Constantine in Jerusalem to house a fragment of the True Cross. In 1492, a dramatic discovery was made in the course of repairs to a mosaic: a brick inscribed with the words TITULUS CRUCIS (Title of the Cross). Sealed behind the brick was a fragment of an inscription in wood, with the word "Nazarene" written in Hebrew, Latin, and Greek. The Title is mentioned in all four Gospel accounts. This was our first stop on our Pilgrimage of 2019 in Italy. A very propitious, historical, and spiritual beginning to a monumental journey in The Eternal City.
    Sant'Elena con in mano la croce - Sa..Roma
  • “The Holy Cross Blessing the Christian Martyrs of the Roman Colosseum – BW” …<br />
<br />
While in Rome, I witnessed a powerful scene and captured this photograph of The Holy Cross standing tall amidst the ancient ruins in the evening, symbolizing the enduring faith of early Christian martyrs. The Colosseum, deeply connected to the Roman Catholic Church, is the site of the torchlit "Way of the Cross" procession led by the Pope on Good Friday. For Christians, the Colosseum is sacred, a place where many believers lost their lives during the Roman Empire's persecution of Christians. Now, a Cross stands in the center, with a plaque stating, "The amphitheatre, once dedicated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions." The grandeur and mystical aura of the Colosseum struck me deeply. Climbing its ancient steps, the weight of its past suffering and the forgiveness and sacrifice that led to its present stature was undeniable. My photograph captures the Holy Cross emanating a radiant light, blessing the martyrs who faced unimaginable trials. The monochromatic palette emphasizes the stark contrast between the darkness of persecution and the light of divine grace. Standing before the Colosseum, I felt a deep connection to the martyrs who had walked this path before me. Their courage and unwavering faith in the face of persecution filled me with awe. The Holy Cross, a symbol of their sacrifice, inspires and uplifts. The Colosseum stands as a silent witness to its enduring legacy, evoking contemplation of faith, sacrifice, and redemption. Through the lens of history, we see the enduring power of the Holy Cross, a testament to the unbreakable spirit of the Christian martyrs. May their legacy continue to inspire us to live with courage and conviction, ever faithful to the path of righteousness.
    Il Santa Croce Benedice i Martiri Cr..- BW
  • “Peering out of the main entrance of Santa Croce in Gerusalemme, Rome”…<br />
<br />
The Basilica of the Holy Cross in Jerusalem is located in Rome, in the Esquilino quarter, close to the Aurelian Walls and the Castrense Amphitheatre, between the Basilica of St. John Lateran and Porta Maggiore. The Basilica of the Holy Cross is part of the route of the “Seven Churches” that ancient pilgrims used to visit on foot. Several sources, including an inscription in the church, verify that the Sessorian Palace was owned by the empress St. Helen (c.255-330), Constantine's mother. From the end of the 4th century, it was said that St. Helen had made a pilgrimage to the Holy Land, during which she discovered the True Cross on which Christ was crucified and many other relics. It was also said that she wished to set up a shrine in Rome for pilgrims who could not travel to Jerusalem. The first room of the chapel has a Roman-era statue of St. Helen holding the cross. Beneath the statue is a floor believed to contain soil from the Holy Land. Under the protective glass covering the soil are many paper prayers from the faithful. Fragments of the cross were circulating in the West by 348 AD. The earliest historical record of the church, dated to 501 AD, refers to it as "Hierusalem basilica Sessoriani palatii." Architecturally, it is notable that the 4th-century Chapel of St. Helen is quite similar in design to a martyrium that was erected by Constantine in Jerusalem to house a fragment of the True Cross. In 1492, a dramatic discovery was made in the course of repairs to a mosaic: a brick inscribed with the words TITULUS CRUCIS (Title of the Cross). Sealed behind the brick was a fragment of an inscription in wood, with the word "Nazarene" written in Hebrew, Latin, and Greek. The Title is mentioned in all four Gospel accounts. This was our first stop on our Pilgrimage of 2019 in Italy. A very propitious, historical, and spiritual beginning to a monumental journey in The Eternal City.
    Sbirciando fuori dall'ingresso princ..Roma
  • “Macuteo Roman Obelisk in the Pantheon - Painting by Dino Carbetta”…<br />
<br />
Originally one of a pair at the Temple of Ra in Heliopolis, the other being the now much shorter Matteiano Obelisk. Moved to the Temple of Isis near Santa Maria Sopra Minerva. Found in 1373 near San Macuto. Moved to the front of the Pantheon by Pope Clement XI in 1711 over a fountain by Filippo Barigioni. The Aqua Virgo, one of the eleven aqueducts that supplied ancient Rome with drinking water, served the area of the Campus Martius, but had fallen into disrepair and disuse by the late Middle Ages. It was reconstructed under Pope Nicholas V and consecrated in 1453 as the Acqua Vergine. In 1570, Giacomo della Porta was commissioned under Pope Gregory XIII to oversee a major project to extend the distribution of water from the Vergine to eighteen new public fountains. The Obelisk was originally built by one of the most famous Egyptian Pharaohs about 1300 years before Christ, Ramses II. The cross of Jesus, through his death and resurrection, has conquered all evil and fulfilled the desires of every human person expressed through the diversity of religions that have existed throughout history. The ancient obelisk pointed upward toward the sun when built-in Heliopolis, but now it directs the attention of every pilgrim who views this and other Obelisk’s in Rome to the victorious cross of Christ, protecting them and dispersing any evil that approaches. The Feast of the Exaltation of the Cross on Sept. 14 is a reminder for us to place the cross of Christ over everything that we are and do. Christ wants to claim each one of us entirely and invites us to surrender completely to him. The victory of Jesus on the cross informs everything in our lives and allows us to exclaim, “We adore you, O Christ, and we bless you because by your Cross you have redeemed the world.”
    Macuteo Obelisco Romana al Pantheon ..etta
  • “The Holy Cross blesses the Christian martyrs of the Roman Colosseum – II”…<br />
<br />
This is one of the most poignant and meaningful images of my entire Italian journey. The Holy Cross stands very majestic as evening descends on the ancient ruins.  The Colosseum has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque, stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  Viewing the iconic Colosseum for the first time…I was in awe.  It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.
    Il Santa Croce benedice i martiri cr..- II
  • “Angel with the Cross on Ponte Sant'Angelo Rome - Photo by Dino Carbetta”<br />
<br />
Captured just after sundown, this image reveals a tranquil scene as the sky deepens into a majestic blue, highlighting the golden light on the angelic figures that line the bridge. The Ponte Sant'Angelo (Bridge of Angels) spans the Tiber River, only a short walk from St. Peter’s Basilica. For centuries, it has symbolized the transition from the busy streets of Rome to the sacred space of Vatican City, offering a contemplative pause for pilgrims crossing into the spiritual heart of the city. The bridge’s ten angel sculptures were designed by Gian Lorenzo Bernini, though few were carved by his own hand. His vision, however, lives on in these figures, which stand as silent sentinels, each holding symbols of Christ’s Passion. The bridge is anchored by statues of Saints Peter and Paul, marking the gateway to the spiritual realm. With their imposing presence, they frame the passageway, guiding travelers to reflect on their journey of faith. One of the most striking figures is the "Angel with the Cross." Its serene expression and reverent pose underscore the deep symbolism of the cross it holds. Beneath the statue, a Latin inscription from Isaiah 9:6 reads, "Cuius principatus super humerum eius" — "Dominion rests on his shoulders." This prophetic message of Christ’s kingship resonates deeply with the scene, reminding all who pass of the weight of Christ's authority and sacrifice. In Dino Carbetta's photograph, the interplay of light and shadow creates a sense of the eternal. The angel seems illuminated from within, standing out against the fading Roman sky. Through his lens, Carbetta captures more than just a moment—he preserves the spiritual legacy of the bridge, inviting viewers to reflect on the enduring message of faith, sacrifice, and redemption that permeates this historic path. The image speaks to the timeless intersection of art, faith, and history in one of Rome's most iconic locations.
    Angelo con la Croce sul Ponte Sant'A..etta
  • “The Holy Cross Blesses the Christian Martyrs in the Snow-Covered Roman Colosseum”…<br />
<br />
Standing as a poignant testament within the heart of my profound Italian journey. As evening descends upon the ancient ruins, the majestic Holy Cross presides over the Colosseum, a site with deep connections to the Roman Catholic Church. Each Good Friday, the Pope leads a torchlit "Way of the Cross" procession in the vicinity, emphasizing the Colosseum's significance in Christian history. The Colosseum, often seen by Christians as a symbol of martyrdom during the Roman Empire's persecution, is marked by a triumphant Cross at its center, accompanied by a plaque declaring its transformation from a venue of pagan festivities to a place consecrated to the purified sufferings of martyrs. Witnessing this iconic structure for the first time left me in awe, its grandeur tangible and accompanied by a mystical aura. Ascending the ancient steps within, one is enveloped in the echoes of its past suffering and the redemptive sacrifice embodied in its present stature. The Colosseum becomes a tangible testament to forgiveness and sacrifice. The narrative extends beyond the physical structure, intertwining with the Feast of the Holy Innocents – a solemn remembrance of King Herod's massacre of young children in Bethlehem in an attempt to extinguish the infant Jesus. These innocent lives, regarded as the first martyrs by the early church, turn Rome's observance of this day into a period of fasting and mourning. In capturing this scene through my inspired lens, I aim to convey the profound connection between history, faith, and sacrifice. May this portrayal inspire contemplation on the enduring spirit of martyrdom and the transformative power of forgiveness, as symbolized by the Holy Cross in the heart of the revered Colosseum.
    La Santa Croce Benedice i Martiri Cr..vato
  • “Saint Teresa Benedicta of the Cross – Painting by Dino Carbetta”<br />
<br />
Is also known as Saint Edith Stein, was born on October 12, 1891, in Breslau, Germany, to a Jewish family. A brilliant philosopher and author, her spiritual journey led her to Catholicism and ultimately to martyrdom. Initially an atheist, Edith's encounter with Christianity began while studying under Max Scheler at the University of Göttingen. Despite a strong calling to religious life, she delayed entering the convent due to external circumstances, including the rise of anti-Jewish laws in Germany. Edith Stein earned her doctorate in philosophy under Edmund Husserl at the University of Freiburg and worked at the university until 1921. Her academic career was cut short by the Nazis, and she entered the Carmel of Cologne in 1933, adopting the name Teresa Benedicta of the Cross. As Nazi persecution intensified, she was moved to the Carmel in Echt, Netherlands, in 1938. The Dutch bishops’ denunciation of Nazi policies led to the arrest of all Dutch Jews who had converted to Christianity. On August 2, 1942, Edith and her sister Rosa, also a convert, were arrested. They were transported first to Amersfoort, then to Westerbork, and finally to Auschwitz. In 1942, they were executed in the gas chambers. Pope John Paul II beatified Teresa Benedicta of the Cross on May 1, 1987, and canonized her on October 11, 1998. On October 2, 1999, he proclaimed her a co-patron of Europe. Edith Stein's legacy is profound, not only for her philosophical contributions but also for her spiritual journey and ultimate sacrifice. Her writings, filling 17 volumes, reflect her unwavering pursuit of truth and her deep respect for her Jewish heritage even after her conversion. The painting "Saint Teresa Benedicta of the Cross" by Dino Carbetta captures her essence—her intellect, her spirituality, and her martyrdom. Through this art, we remember her profound faith and courage and are inspired to seek truth and live with integrity.
    Santa Teresa Benedetta della Croce –..etta
  • "Sun hiding behind the Macuteo Obelisk - Roman Pantheon"...<br />
<br />
Eventually, one discovers that God finds a way where there is none. A very crowded Pantheon at 3:00 PM in the bright afternoon made creative photography impossible. However, getting on my knees and placing the sun behind the cross of the Obelisk created a phenomenal appeal. All are original, including the landing dove/pigeon and sun flare. The Obelisk was originally built by one of the most famous Egyptian Pharaohs about 1300 years before Christ by Pharaoh Ramses II for the Temple of Ra in Heliopolis and brought to Rome in ancient times. It was rediscovered in 1374 underneath the apse of the nearby Basilica of Santa Maria Sopra Minerva. In the mid-15th century, the obelisk had been erected in the small Piazza di San Macuto some 200 meters east of the Pantheon, where it remained until its 1711 move to the Piazza della Rotonda. It is still called the Obelisco Macutèo after its previous location. Fontana del Pantheon was constructed by Giacomo Della Porta under Pope Gregory XIII in 1575, and the obelisk was added under Pope Clement XI. The city of Rome harbors the most obelisks in the world. There are eight ancient Egyptian and five ancient Roman obelisks. The Romans used special heavy cargo carriers called obelisk ships to transport the monuments down the Nile to Alexandria and from there across the Mediterranean Sea to Rome. On-site, large Roman cranes were employed to erect the monoliths. The obelisk is crowned by a bronze cross, the symbol of Jesus Christ. One idea that can be drawn from this is that Christianity—the cross of Jesus Christ—conquers paganism.  Another idea is that the obelisk represents the human desire for God which is only fulfilled in the Cross of Christ.
    Domenica di nascondersi dietro il Ma..heon
  • “Central bronze doors of Saint Paul Outside the Walls with inlaid silver Cross and Stations of Saints Peter and Paul”…<br />
<br />
There are three main doors. At the center, is the monumental door in green bronze made by Antonio Maraini, which was placed here in 1931; to its right is the new Holy Door, made of golden bronze, created by the sculptor Enrico Manfrini and erected for the Jubilee of the year 2000. The central door shows episodes relating to the lives and preaching’s of Saints Peter and Paul. A large cross with inlaid silver and embellished with stones of lapis lazuli overlays the door from side to side. The cross on the drawing represents a cross motif in curlicued silver, and this has on its plaques in lapis lazuli. Four on the horizontal bar show the symbols of the Evangelists, and on the vertical bar are the symbols of the Apostles. The reliefs (left to right) on the door show scenes from the lives, apostolates, and martyrdoms of Saints Peter and Paul, according to the wishes of the abbot of the monastery. Apart from the two central scenes, all of the events depicted took place in Rome. The reliefs depict: <br />
1)	Coat of arms of the Church <br />
2)	Coat of arms of Rome <br />
3)	The Crucifixion of St Peter <br />
4)	"Domine, Quo Vadis?" <br />
5)	Christ Giving the Keys to St Peter <br />
6)	Foundation of the Papal See <br />
7)	St Peter Baptizing in the Catacombs <br />
8)	The Beheading of St Paul <br />
9)	The Conversion of the Centurion <br />
10)	St Paul's Conversion <br />
11)	St Paul Teaching in Rome <br />
12)	St Paul Reaches Rome and is Welcomed by the Faithful
    Porte centrali in bronzo di San Paol..aolo
  • "The Cross of the Colosseum illuminated in the evening"...<br />
<br />
The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum. The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition. A Cross stands exultant in the Colosseum center with a plaque stating: “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.” In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck. It is as grand in person as it appears in the media, and it seems to hold a very mystical aura. Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature. As evening descended on the ancient Colosseum, the sun illuminated the cross. I was determined to capture this amazing image as the security guards circled to kick me out...
    La Croce del Colosseo illuminato in ..rata
  • “The Holy Cross blesses the Christian martyrs of the Roman Coliseum”…<br />
<br />
This is one of the most poignant and meaningful images of my entire Italian journey. The Holy Cross stands very majestic as evening descends on the ancient ruins.  The Colosseum has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque, stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  Viewing the iconic Colosseum for the first time…I was in awe.  It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.
    Il Santa Croce benedice i martiri cr..mano
  • “The Holy Cross blesses the Christian martyrs of the Roman Coliseum - BW”…<br />
<br />
This is one of the most poignant and meaningful images of my entire Italian journey. The Holy Cross stands very majestic as evening descends on the ancient ruins.  The Colosseum has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque, stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  Viewing the iconic Colosseum for the first time…I was in awe.  It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.
    Il Santa Croce benedice i martiri cr..- BW
  • Mother Mary Under the Cross – The Convent of Le Celle, Cortona<br />
<br />
In the hush of the Tuscan hills, where stone sanctuaries breathe with centuries of devotion, stands a vision of divine sorrow and celestial hope. Here, at Le Celle—the sacred hermitage carved into Mount Sant’Egidio by the hands of Saint Francis himself—the Blessed Virgin Mary stands beneath the Cross, cloaked in quiet majesty. Time slows along the worn path where cypress trees rise like green flames, leading hearts not to spectacle, but to sacred encounter. Captured in a moment steeped in grace, this photograph transcends mere image. It becomes encounter. The Virgin does not demand attention—she draws it, gently, like a mother’s touch on a fevered brow. Her head is bowed, not in defeat, but in everlasting compassion. The Cross beside her is adorned with golden blooming roses, their petals fragile yet defiant—a crown of beauty pressed into suffering. These roses do not resist the thorns; they glorify them. The sky above seems to open in divine response, clouds parting like veils before revelation. The rosary in her hand is not just a symbol but an invitation. Pray. Hope. Endure. Love. Each bead echoes a tear, a promise, a memory—like the ones held by sons and daughters who, on days like Mother’s Day, long for one more embrace, one more whispered word. This tribute is born not only of art, but of memory—honoring the Creator's own mother and every earthly mother who has wept, believed, and loved through the sorrows of life. Mary beneath the Cross does not flee from pain; she sanctifies it. She remains. As she did then, she does now—watching, praying, sheltering all who come weary and wounded. “Behold your mother.” Her gaze says it still. Her roses bloom still. Her love never departs.
    Madre Maria sotto la Croce - del Con..tona
  • “The glow of the Holy Cross in the ruins of the Colosseum”…<br />
<br />
The Colosseum is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque, stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.  It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.
    Il bagliore della Santa Croce tra le..sseo
  • "Radiant Crucifix at the Convent of Cells Founded by St. Francis - Cortona"... <br />
           <br />
Beneath the ancient sky of Cortona, where the sacred whispers of Saint Francis still breathe through stone and cypress, a single moment unfolds in silence and glory. In this original photograph, the crucifix stands not in shadow but in luminous triumph—its silhouette bathed in the brilliance of a sun piercing the heavens. Illuminated by sunlight filtering through the canopy, the cross reflects the sacred simplicity of the Convent of Cells, founded by the Poverello of Assisi. The radiant sun behind the cross mirrors Christ’s high priestly prayer in John’s Gospel: “Consecrate them in the truth. Your word is truth.” This natural glow is no mere light—it symbolizes divine presence, transforming the ordinary into the sacred. The photograph becomes a quiet miracle, echoing Christ’s desire that we be not of the world, but sanctified within it. The light that crowns the crucifix is a heavenly reply to that prayer—a visual sanctification. It speaks of unity, protection, and the quiet joy promised to those who walk in His name. The scene suggests that when we align ourselves with the divine, we too are bathed in light and truth, much like the unexpected beauty of the sun illuminating the cross. More than a captured image, this work is a testament: a stillness where earth and heaven meet, where the eternal word becomes visible through creation. It invites the soul to lift its gaze and remember that light always prevails in the sacred silence of faith. And on a day marked by sorrow, do not dwell in sadness—but rejoice in the Lord, for He died for our sins, and in His radiant love, we are made new. “Rejoice in the Lord always. I shall say it again: rejoice!” (Philippians 4:4)
    Radioso Crocifisso presso del Conven..tona
  • "The Seven Sorrows - BW"...<br />
<br />
1. The prophecy of Simeon. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and for the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed." 2. The flight into Egypt. Matthew 2:13-14 "Behold an angel of the Lord appeared in sleep to Joseph, saying: Arise and take the child and His mother and fly into Egypt: and be there until I shall tell thee. For it will come to pass that Herod will seek the child to destroy Him. With His mother by night, and retired into Egypt: and He was there until the death of Herod." 3. The loss of the Child Jesus in the temple. Luke 2:43-45 "And having fulfilled the days, when they returned, the Child Jesus remained in Jerusalem; and His parents knew it not. And thinking that he was in the company, they came a day's journey and sought him among their kinsfolk and acquaintance. And not finding Him, they returned into Jerusalem, seeking Him." 4. Meeting of Jesus and Mary on the Way of the Cross: "And there followed Him a great multitude of people, and of women, who bewailed and lamented Him." Luke XXIII, 27. 5. The Crucifixion: "They crucified Him. Now there stood by the cross of Jesus, His Mother. When Jesus, therefore, had seen His Mother and the disciple standing whom he loved, He saith to His Mother: Woman: behold thy son. After that he saith to the disciple: Behold thy Mother." John XIX, l8-25-27. 6. The taking down of the Body of Jesus from the Cross: "Joseph of Arimathea, a noble counselor, came and went in boldly to Pilate, and begged the body of Jesus. And Joseph buying fine linen, and taking Him down, wrapped Him up in the fine linen." Mark XV, 43-46. 7. The burial of Jesus: "Now there was in the place where He was crucified, a garden; and in the garden a new sepulcher, wherein no man yet had been laid." John XIX, 41-42.
    II Sette Dolori - BW
  • “The glow of the Holy Cross in the ruins of the Colosseum - BW”…<br />
<br />
The Colosseum is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque, stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.  It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.
    Il bagliore della Santa Croce tra le..- BW
  • "Twilight falls on the Roman Coliseum illuminating the Holy Cross"...<br />
<br />
The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum. The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition. A Cross stands exultant in the Colosseum center with a plaque stating: “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.” In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck. It is as grand in person as it appears in the media, and it seems to hold a very mystical aura. Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature. As evening descended on the ancient Colosseum, the sun and the clouds performed a mystical light show to the delight of the weary travelers and one adrenalized photographer.
    Crepuscolo cade su il Colosseo roman..roce
  • “Station of the Cross - Convent of Celle, founded by St. Francis Cortona”…<br />
<br />
Around the perimeter of the Convent one can find Stations of the Cross.  Here is a Station carved into the ancient stones with a simple rusted Cross for reflection and prayer. In the year 1211, St. Francis and a few of his followers built the first nine cells of the now Franciscan Hermitage, and it has been called Le Celle ever since. Originally, only a few small hermit’s cottages and peasant dwellings existed, including a small chapel built during the Lombard invasions and dedicated to the Archangel Michael.  This is believed to be the place where, in May 1226, four months before his death, St. Francis dictated his Will. Following the death of Saint Francis that same year, Brother Elias of Cortona who was among the first to join St. Francis of Assisi in his newly founded Order of Friars Minor, withdrew permanently to the Le Celle Hermitage.  In 1239, Elias carried out a number of improvements and restoration works which ensured the hermitage became a permanent Franciscan property. Brother Elias is in fact considered responsible for having broken up the stone of the caves and created a chapel that was formerly used as a dormitory by the monks, and the small cell where St. Francis lived. The walls built under leadership of Brother Elias are rough but solid; the hermitage contains eight small rooms large enough for a bed, table and a chair – the essential furnishings prescribed by St. Francis himself for a Franciscan hermitage, where the prime importance was to lead a life given over to contemplation.  Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis.  I found Le Celle to be one of the pleasant surprises in and around Cortona.  The tiny cells built into the side of the mountain with a stream descending along the structural edge, creates a surreal and picturesque vision of Saint Francis’ image of God and nature.
    Stazione della Croce - Convento di C..tona
  • “Holy Cross illuminating the Colosseum - BW”…<br />
<br />
The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. It is considered one of the greatest works of Roman architecture and Roman engineering in history.  Occupying a site just east of the Roman Forum, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.
    La Santa Croce che illumina il Colos..- BW
  • “Angel with the Cross - Ponte Sant'Angelo – Rome”… <br />
<br />
This image was also created just after sundown when the sky developed a beautiful blue hue, accenting the golden lighting of the Angels on the Bridge. The Bridge of Angels (in Italian, Ponte Sant'Angelo) spans the Tiber River in Rome. Only a few steps away from St. Peter's Basilica, the bridge reflects the psychological shift from secular to sacred that occurs when pilgrims crossed from the busy streets of Rome over to the churches of the Vatican. Gian Lorenzo Bernini, the famed Italian sculptor, originally designed the bridge's angel sculptures in the seventeenth century. Though few of the angels standing today were done by his hand, Bernini's vision for the bridge lives on. Five angel sculptures flank each side of the bridge, with statues of Saint Peter and Saint Paul on the eastern bank. At the base of each sculpture is a line from the Bible in Latin. Angel with the Cross - Inscription: "Cuius principatus super humerum eius" Translation: Dominion rests on his shoulders (Isaiah 9:6)
    Angelo con la Croce - Ponte Sant'Ang..Roma
  • “Angel with the Cross - Ponte Sant'Angelo - Celebration - Painting by Dino Carbetta”…<br />
<br />
“O thus be it ever when freemen shall stand Between their lov'd home and the war's desolation! Blest with vict'ry and peace may the heav'n rescued land Praise the power that hath made and preserv'd us a nation! Then conquer we must, when our cause it is just, And this be our motto - "In God is our trust," And the star-spangled banner in triumph shall wave O'er the land of the free and the home of the brave.” “The Star-Spangled Banner – Final Verse.”<br />
The Bridge of Angels (in Italian, Ponte Sant'Angelo) spans the Tiber River in Rome. Only a few steps away from St. Peter's Basilica, the bridge reflects the psychological shift from secular to sacred that occurs when pilgrims crossed from the busy streets of Rome over to the churches of the Vatican. Gian Lorenzo Bernini, the famed Italian sculptor, originally designed the bridge's angel sculptures in the seventeenth century. Though few of the angels standing today were done by his hand, Bernini's vision for the bridge lives on. Five angel sculptures flank each side of the bridge, with statues of Saint Peter and Saint Paul on the eastern bank. At the base of each sculpture is a line from the Bible in Latin. Angel with the Cross - Inscription: "Cuius principatus super humerum eius" Translation: Dominion rests on his shoulders (Isaiah 9:6)
    Angelo con la Croce - Ponte Sant'Ang..etta
  • “The Hand of God Shines on the Cross in the Snow - Convent of the Cells of Cortona - Painting by Dino Carbetta”…<br />
<br />
Gospel Jn 17:11-19 “Lifting up his eyes to heaven, Jesus prayed, saying: ‘Holy Father, keep them in your name that you have given me, so that they may be one just as we are one. When I was with them I protected them in your name that you gave me, and I guarded them, and none of them was lost except the son of destruction, in order that the Scripture might be fulfilled. But now I am coming to you. I speak this in the world so that they may share my joy completely. I gave them your word, and the world hated them, because they do not belong to the world any more than I belong to the world. I do not ask that you take them out of the world but that you keep them from the Evil One. They do not belong to the world any more than I belong to the world. Consecrate them in the truth. Your word is truth. As you sent me into the world, so I sent them into the world. And I consecrate myself for them, so that they also may be consecrated in truth.” In the realm of artistic serendipity, a premeditated error can unveil a spectacular image, as seen in the captivating interplay of sunlight. Casting its radiance through the window amidst a snowy tapestry of trees, the light graces the Cross with its presence. Here, it is not just the physical realm that is illuminated; it is the soul and the realm of imagination itself that basks in the divine glow. The Hand of God, subtly painted by the artist, breathes life into both canvas and spirit, transcending the boundaries of mere observation to illuminate the profound connection between art, spirituality, and the boundless landscapes of the human soul.
    La Mano di Dio Risplende sulla Croce..etta
  • “Christus Patiens above the High Altar of the Franciscan Basilica of Santa Chiara d'Assisi”…<br />
<br />
Around sunset, the clouds shifted and the descending sun illuminated the Assisi mountaintop as a slight mist of rain mystified the landscape. The ascent was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. As I approached the last two Churches after 7:00 pm; the Basilica of Saint Clare, and the Cathedral of Saint Rufino...I noticed the security guard locking Santa Chiara’s front door. I rushed forward anxiously and begged to just look quickly inside the Vestibule. He only spoke Italian and frustrated with me, said I had one minute inside. Aiming my camera and telephoto lens directly toward the High Altar which seemed a mile away, I clicked one picture as the guard hastily gestured me outside. Ironically, I found that no pictures are allowed in this Basilica. And, on my Pilgrimage of 2019, was frustrated during my tour of the historic and reverent church, still, no pictures were allowed. I always try to respect the rules and venerate every location, however, I did take two very surreptitious images in the Oratorio del Crocifisso (Oratory of the Crucifix), a peaceful chapel that preserves the venerable 12th-century crucifix that spoke to St. Francis at San Damiano. This abrupt photo of the painted crucifix still hangs above the high altar of Santa Chiara and was probably the first painting that was commissioned for the new church. The image was conceived shortly before Saint Clare’s death in 1260 and is attributed to the Maestro di Santa Chiara. The iconography of Christus Patiens (the dying Christ on the Cross) was widely used in early Franciscan churches. In this example, the Virgin and St John the Evangelist flank the Cross, with another figure of the Virgin (praying and flanked by angels) and Christ Pantocrator above.
    Christus Patiens sopra l'Altare Magg..sisi
  • “Sun illuminates the cross through door of the Convent of cells Cortona”… <br />
<br />
Known as Le Celle, this Franciscan hermitage is just five miles from Cortona at the foot of Mount Sant’ Egidio. In 1211, St. Francis along with a few of his followers built the first nine cells of the hermitage, and it has taken the name of Le Celle ever since. Inside the tiny cell belonging to St. Francis is a tiny window, the bed on which he slept, his desk, and a painting of the Madonna and Child where he prayed. The Hermitage invokes a peaceful atmosphere of spirituality and solitude, yet it is vibrant with religious life. Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. The convent is able to offer lodgings to those contemplating a vocational life. Just inside one of the doors to Le Celle, I noticed the sunlight shining delicately through the transom window gently illuminating the old wooden door and cross. This image epitomizes all the simplicities in which Saint Francis preached and lived. It represents his spartan structure with the rough-textured concrete walls, antique faded wooden door, the green trees in nature which he loved, and the mystic evening sun softening the aging appearance, and revealing his simple life of prayer and personal austerity.
    Sole croce illumina attraverso Porte..tona
  • "Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi"...<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..sisi
  • “Pieta - Church of Saint Moses Venice - BW”… <br />
<br />
Sixth Sorrow: The Crucifixion and Descent from the Cross: After this, Joseph of Arimathea, secretly a disciple of Jesus for fear of the Jews, asked Pilate if he could remove the body of Jesus. And Pilate permitted it. So he came and took his body” (Jn 19:38). Saying, “It is finished,” Jesus bows his head and dies. Mary remembers his words at the Passover meal: “This cup is the new covenant in my blood, which will be shed for you” (Lk 22:20). The dreaded time is now: the precious blood of her son is poured out for all humankind. The covenant is sealed. Jesus, her son, the Son of God, is dead. In her heart, Mary dies with him. Two broken hearts—one pierced with a spear, one pierced with sorrow—become one: Jesus and Mary, forever united for the whole human family. Mary’s sorrow is all the greater because of the greatness of her love. Jesus’ body is taken down from the cross and placed in her arms. Mary embraces her son with a love beyond words, beyond grief itself. For now, it is the grief of a consummate sorrow. She, who had given birth to divinity, now presses the bloodied and battered remains of his humanity close to her sorrowful and shattered heart. “Let it be done according to thy will, Lord,” she prays. Our first stop was Chiesa di San Moisè, built initially in the 8th century. It is dedicated to Moses, and like the Byzantines, the Venetians often considered Old Testament prophets as canonized saints. It also honors Moisè Venier, the aristocrat who funded the reconstruction during the 9th century. San Moisè is the parish church of one of the parishes in the Vicariate of San Marco-Castello. The elaborate Baroque facade, dating from 1668, is profusely decorated with sculpture. This Bellissimo Pietà is by Antonio Corradini, the famous Italian Rococo sculptor. We continued to the Basilica dei Frari which was foremost and Chiesa di San Geremia to visit St. Lucy.
    Pieta - Chiesa di San Moisè Venezia - BW
  • "Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi - Luminance"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..anza
  • “A perfect evening overlooking the Colosseum”…<br />
<br />
A sunlit and pleasant view of the ancient and organic Colosseum.  The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  I created this image in the late evening as the guards ushered me out for closing time.
    Una serata perfetta che si affaccia ..sseo
  • “Ring side seat Colosseum”…<br />
<br />
A sunlit and pleasant view of the ancient and organic Colosseum.  The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  I created this image in the late evening as the guards ushered me out for closing time.
    Sedile laterale anello Colosseo
  • “Dusk falls on the Colosseum in Rome”…<br />
<br />
The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  As evening descended on the ancient Colosseum, the sun and the clouds performed a mystical light show to the delight of the weary travelers and one adrenalized photographer.
    Crepuscolo scende sul Colosseo di Roma
  • “Our Lady of Sorrows Radiant Blue - Cathedral of San Rufino, Assisi - Painting by Dino Carbetta”…<br />
<br />
The title "Our Lady of Sorrows" bestowed upon our Blessed Mother beckons our attention to her profound suffering and grief, most notably during the passion and death of our Lord. It encompasses the seven sorrows of Mary, as foretold by the Priest Simeon. "This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed, and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare" Lk 2:34-35. These seven sorrows of our Blessed Mother weave a poignant narrative: the flight of the Holy Family into Egypt, the loss and finding of the child Jesus in the Temple, Mary's encounter with Jesus on His way to Calvary, her presence at the foot of the cross during our Lord's crucifixion, cradling Jesus as He was taken down from the cross, and His burial. In the prophecy of Simeon, a sword would pierce our Blessed Mother's heart, and find its fulfillment. Mary is depicted with her heart exposed and seven swords piercing it, symbolizing her profound sorrows. Her unwavering courage, love, and trust with which Mary embraced each trial, echoing her initial fiat: "Let it be done unto me according to thy word," first spoken at the Annunciation. This unwavering faith is beautifully depicted in the Adoration of the Madonna as a participant in the Passion of Christ, as captured in the iconographic tradition in 1672. Luke 2:34-35 serves as the foundation of this profound portrayal: "He blessed them and said to Mary his mother: 'Behold, this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; and thy own soul a sword shall pierce, that out of many hearts, thoughts may be revealed.'" In "Our Lady of Sorrows," we witness not only the depths of Mary's sorrow but also the enduring strength of her faith, an inspiration for all who encounter this ethereal work of art.
    Madonna Addolorata Radiante Azzurre ..etta
  • “Western entrance evening view of the Roman Colosseum - BW”…<br />
<br />
The Colosseum, is an elliptical amphitheater in the center of the city of Rome, the largest ever built during the Roman Empire. It is considered one of the greatest works of Roman architecture and Roman engineering in history.  Occupying a site just east of the Roman Forum, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still, has close connections with the Roman Catholic Church, as each Good Friday the Pope leads torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheater, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past but the forgiveness and sacrifice of its present stature.
    Occidentale ingresso vista sera del ..- BW
  • "Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi - Olivina"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..vina
  • “A perfect evening overlooking the Colosseum - BW”…<br />
<br />
A sunlit and pleasant view of the ancient and organic Colosseum.  The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  I created this image in the late evening as the guards ushered me out for closing time.
    Una serata perfetta che si affaccia ..- BW
  • “The Colosseum asking peace from the heavens above”…<br />
<br />
The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. It is considered one of the greatest works of Roman architecture and Roman engineering in history.  Occupying a site just east of the Roman Forum, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  On my last evening in Italy, as the guards ushered me out at closing time…I photographed this dramatic cloud structure hovering mystically from the heavens above.
    Il Colosseo chiedendo pace dai cieli..opra
  • “Twilight Voyage to the Seaside Sanctuary – A Painting by Dino Carbetta”<br />
<br />
Mary Victoria sails through the golden hush of twilight, her small vessel drifting across the calm Ligurian Sea like a hymn. The fading sun spills its last light over rippling waves, guiding her toward a sacred shore where an ancient church, carved from centuries of prayer, stands in silent welcome. Atop its weathered bell tower, the cross glows like a beacon—its silhouette etched in light against the sky, as a single white dove soars above, a symbol of peace and divine grace. On the dock below, her faithful companion Max waits—ears perked, tail gently wagging, eyes shining joyfully. His happy presence mirrors the warmth she carries wherever she goes, a loyal soul as gentle as the breeze that fills her sail. The moment captures not merely a return to beauty, but a deeper passage into serenity and light. Flowers cascade down stone walls, the perfume of rosemary and sea air mingle, and the hills above cradle the church like open hands in prayer. Here, between sea and sanctuary, Mary Victoria lives out her quiet vocation—not behind walls, but in the world, where she shepherds children with tenderness and shares her irrepressible joy with all who cross her path. Her laughter is a source of healing, and her words a soothing balm for the soul. She brings delight like morning sun through stained glass—unexpected, radiant, and real. This painting is no mere landscape—it is a living meditation. In it, the soul finds stillness. The church, steadfast and luminous, becomes a sacred threshold. Her voyage is not a return, but a testament: to a life infused with love, to a spirit that never wearies, to the grace of one who makes the world gentler by her presence. Twilight Voyage to the Seaside Sanctuary is a sacred embrace in color and light—a tribute to faith, joy, and the eternal welcome of the heart. "The Lord is my shepherd; I shall not want." – Psalm 23:1
    “Twilight Voyage to the Seaside Sanc..tta”
  • “Transcendent Sacrifice - Saint Stephen's Martyrdom – Painting by Dino Carbetta” …<br />
<br />
He said: “Nailed to the cross, Jesus said, “Father, forgive them; for they know not what they do” Lk 23:34. Likewise, Stephen “knelt down and cried with a loud voice, 'Lord, do not hold this sin against them'” Acts 7:60. Stephen is therefore a martyr, which means witness, because he does as Jesus did. Within the sacred narrative of the Feast of Saint Stephen, we are immersed in a profound account of a man filled with grace and power, confronting fierce opposition from the Synagogue of Freedmen. Undeterred, Stephen engages in a spirited debate, showcasing wisdom and a spirit that his opponents cannot withstand. As the intense scene unfolds, Stephen, fortified by the Holy Spirit, beholds the glory of God and Jesus, declaring, "Behold, I see the heavens opened and the Son of Man standing at the right hand of God." This powerful proclamation ignites rage among dissenters, ultimately leading to his brutal stoning and expulsion from the city. Amidst the assault, Stephen displays unwavering faith, echoing Christ's words on the cross, pleading for forgiveness with the poignant cry, "Lord Jesus, receive my spirit." In a compassionate plea reminiscent of Jesus, he adds, "Lord, do not hold this sin against them." Acts of the Apostles paints Stephen as a chosen figure to address grievances within the disciple community, his eloquence and wisdom testifying to his deep faith and alignment with the Holy Spirit. His subsequent martyrdom accentuates the challenges faced by those committed to God. In Stephen's life and sacrifice, we encounter a vivid portrayal of faith, resilience, and forgiveness. As we reflect on this narrative, may we draw inspiration from Stephen's unwavering devotion, courage to speak the truth, and compassionate plea for forgiveness in the face of adversity. Let his example inspire us on our journeys of faith and commitment to the profound teachings that guide our lives.
    Transcendent Sacrifice - Saint Step..etta
  • "Twilight falls on the Roman Colosseum at closing time"...<br />
<br />
A dramatic fading sunlit view of the ancient and organic Colosseum. The Colosseum, is an elliptical amphitheater in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still, has close connections with the Roman Catholic Church, as each Good Friday the Pope leads torchlit "Way of the Cross" procession that starts in the area around the Colosseum. The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition. A Cross stands exultant in the Colosseum center with a plaque stating: “The amphitheater, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.” In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck. It is as grand in person as it appears in the media, and it seems to hold a very mystical aura. Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past but the forgiveness and sacrifice of its present stature. I created this image in the late evening as the guards ushered me out for closing time.
    Crepuscolo cade su il Colosseo roman..sura
  • "The Hand Of God Shines On The Cross - Convent Of Cells Cortona"... <br />
<br />
Gospel Jn 17:11-19 “Lifting up his eyes to heaven, Jesus prayed, saying: ‘Holy Father, keep them in your name that you have given me, so that they may be one just as we are one. When I was with them I protected them in your name that you gave me, and I guarded them, and none of them was lost except the son of destruction, in order that the Scripture might be fulfilled. But now I am coming to you. I speak this in the world so that they may share my joy completely. I gave them your word, and the world hated them because they do not belong to the world any more than I belong to the world. I do not ask that you take them out of the world but that you keep them from the Evil One. They do not belong to the world any more than I belong to the world. Consecrate them in the truth. Your word is truth. As you sent me into the world, so I sent them into the world. And I consecrate myself for them, so that they also may be consecrated in truth.” Sometimes a planned mistake turns out to be a great photo and, in this case, it's the flair of the sun. Peering under a canopy of trees then kneeling and placing the sun behind the Cross...God's hand illuminates one's soul and imagination.”
    Sulla Croce Splende La Mano Di Dio -..tona
  • “This Is the Lamb of God, Who Takes Away the Sins of the World – Painting by Dino Carbetta”...<br />
<br />
At the hour when darkness veiled the earth, the Son of God offered Himself upon the wood of the Cross. From noon until three, creation held its breath. Then came the cry: “Eli, Eli, lema sabachthani?”—“My God, my God, why have You forsaken Me?” It was not a cry of despair, but the voice of the Redeemer, bearing the weight of sin, drinking to the dregs the chalice of suffering. And in His final breath, He surrendered His spirit. In the painting, Christ is shown crucified—His body broken, His gaze lifted to the Father. Below Him stands the Lamb, unblemished, silent, looking upward. It is not merely a symbol; it is the fulfillment of prophecy. The Lamb beneath the Cross is not separate from the Man above it. They are one. The Victim. The Offering. The Salvation of the world. Long before Golgotha, John the Baptist beheld Him and proclaimed, “Behold, the Lamb of God, who takes away the sin of the world.” The Spirit descended like a dove and remained upon Him. The voice in the wilderness had recognized the eternal Son—the One who came before him, the One who would baptize not with water, but with fire and Spirit. This is the Lamb. Pure. Willing. Divine. Offered not in a temple made by hands, but upon the altar of the world. Good Friday is not defeat—it is glory hidden in suffering, love poured out in silence. Today, we do not turn away. We look. We weep. We adore. Behold the Lamb. He has taken upon Himself the sins of the world. May the sorrow of this day deepen our love, and may the Lamb of God, in His mercy, draw us ever closer to His Sacred Heart.
    Ecce Agnus Dei, Ecce Qui Tollit Pecc..etta
  • “The Immaculate Heart of Mary - Painting by Dino Carbetta”…<br />
<br />
The Immaculate Heart of Mary is a devotional name used to refer to the interior life of the Blessed Virgin Mary. Early Christians were first attracted by the love and virtues of the Heart of Mary. The Gospel itself invited this attention with exquisite discretion and delicacy. Compassion for the Virgin Mother was the first characteristic of this devotion and appeal. It was at the foot of the Cross that the Christian heart first made the association to the Heart of Mary. Simeon's prophecy paved the way and furnished the devotion with one of its favorite formulae and most popular representations: “the heart pierced with a sword.” But Mary was not merely passive at the foot of the Cross; "she cooperated through charity," as St. Augustine says, ‘in the work of our redemption." The veneration of the Heart of Mary is analogous to the worship of the Sacred Heart of Jesus. There are, however, differences in this analogy as devotion to the heart of Jesus is especially directed to the "divine heart" as overflowing with love for humanity. In the devotion to Mary, however, the attraction is the love of her heart for Jesus and God. The second difference is the nature of the devotion itself: in the devotion to the Sacred Heart of Jesus, the Roman Catholic venerates in a sense of love responding to love, in the devotion to the Heart of Mary, study and imitation hold as important a place as love. The devotion aims to unite humankind to God through Mary's heart, and this process involves the ideas of consecration and reparation. The idea for this painting was to include all the elements of Her perfect Heart, Christ, and His Holy Spirit.
    Il Cuore Immacolato di Maria - Dipin..etta
  • “Blessed Madonna inside the Cathedral of San Rufino in Assisi - Painting by Dino Carbetta”…<br />
<br />
Luke 1:46-48 And Mary said: “My soul proclaims the greatness of the Lord; my spirit rejoices in God my savior. For he has looked upon his handmaid’s lowliness; behold, from now on will all ages call me blessed." Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain was highlighted by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. Rising slowly up the Assisi hillside after a slow ascent to the highest peak, around the final corner awaited the Romanesque Duomo of Saint Rufino completed in the 12th century. In this church, Saint Francis of Assisi, Saint Clare, and many of their original disciples were baptized among the many spiritual and historical missions of the Duomo. “O Mary, you shine continuously on our journey as a sign of salvation and hope. We entrust ourselves to you, Health of the Sick. At the foot of the Cross, you participated in Jesus’ pain, with steadfast faith. You, Salvation of the Faithful Peoples, know what we need. We are certain that you will provide, so that, as you did at Cana of Galilee, joy and feasting might return after this moment of trial. Help us, Mother of Divine Love, to conform ourselves to the Father’s will and to do what Jesus tells us: He who took our sufferings upon Himself, and bore our sorrows to bring us, through the Cross, to the joy of the Resurrection. Amen. We seek refuge under your protection, O Holy Mother of God. Do not despise our pleas – we who are put to the test – and deliver us from every danger, O glorious and blessed Virgin.” Pope Francis.
    Beata Madonna all'interno della Catt..etta
  • “Madonna at the Eucharistic Miracle of Siena - Basilica of San Francesco Siena”…<br />
<br />
Siena is home to the Eucharistic Miracle which is one of the longest on-going miracles in the world. On August 14, 1730, thieves broke into the Church of St. Francis and stole a ciborium containing consecrated hosts. However, since 1730, the hosts have remained fresh and sweet-smelling. The wall mechanically spun around and revealed the Eucharistic Miracle to us. After prayer, I moved to the back and abidingly captured this mystical, spiritual, and reverent manifestation. The Madonna of Fatima stood majestically guarding the precious Hosts. Luke 1:46-48 And Mary said: “My soul proclaims the greatness of the Lord; my spirit rejoices in God my savior. For he has looked upon his handmaid’s lowliness; behold, from now on will all ages call me blessed “O Mary, you shine continuously on our journey as a sign of salvation and hope. We entrust ourselves to you, Health of the Sick. At the foot of the Cross, you participated in Jesus’ pain, with steadfast faith. You, Salvation of the Faithful Peoples, know what we need. We are certain that you will provide, so that, as you did at Cana of Galilee, joy and feasting might return after this moment of trial. Help us, Mother of Divine Love, to conform ourselves to the Father’s will and to do what Jesus tells us: He who took our sufferings upon Himself, and bore our sorrows to bring us, through the Cross, to the joy of the Resurrection. Amen. We seek refuge under your protection, O Holy Mother of God. Do not despise our pleas – we who are put to the test – and deliver us from every danger, O glorious and blessed Virgin.” Pope Francis.
    Madonna al Miracolo Eucaristico di S..iena
  • “Pieta - Church of Saint Moses Venice”… <br />
<br />
Sixth Sorrow: The Crucifixion and Descent from the Cross: After this, Joseph of Arimathea, secretly a disciple of Jesus for fear of the Jews, asked Pilate if he could remove the body of Jesus. And Pilate permitted it. So he came and took his body” (Jn 19:38). Saying, “It is finished,” Jesus bows his head and dies. Mary remembers his words at the Passover meal: “This cup is the new covenant in my blood, which will be shed for you” (Lk 22:20). The dreaded time is now: the precious blood of her son is poured out for all humankind. The covenant is sealed. Jesus, her son, the Son of God, is dead. In her heart, Mary dies with him. Two broken hearts—one pierced with a spear, one pierced with sorrow—become one: Jesus and Mary, forever united for the whole human family. Mary’s sorrow is all the greater because of the greatness of her love. Jesus’ body is taken down from the cross and placed in her arms. Mary embraces her son with a love beyond words, beyond grief itself. For now, it is the grief of a consummate sorrow. She, who had given birth to divinity, now presses the bloodied and battered remains of his humanity close to her sorrowful and shattered heart. “Let it be done according to thy will, Lord,” she prays. Our first stop was Chiesa di San Moisè, built initially in the 8th century. It is dedicated to Moses, and like the Byzantines, the Venetians often considered Old Testament prophets as canonized saints. It also honors Moisè Venier, the aristocrat who funded the reconstruction during the 9th century. San Moisè is the parish church of one of the parishes in the Vicariate of San Marco-Castello. The elaborate Baroque facade, dating from 1668, is profusely decorated with sculpture. This Bellissimo Pietà is by Antonio Corradini, the famous Italian Rococo sculptor. We continued to the Basilica dei Frari which was foremost and Chiesa di San Geremia to visit St. Lucy.
    Pieta - Chiesa di San Moisè Venezia
  • "Blessed Madonna inside the Cathedral of San Rufino di Assisi"...<br />
<br />
Luke 1:46-48 And Mary said: “My soul proclaims the greatness of the Lord; my spirit rejoices in God my savior. For he has looked upon his handmaid’s lowliness; behold, from now on will all ages call me blessed." Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the Fortress was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. Rising slowly up the Assisi hillside after a slow ascent to the highest peak, around the final corner awaited the Romanesque Duomo of Saint Rufino completed in the 12th century. In this church, Saint Francis of Assisi, Saint Clare, and many of their original disciples were baptized among the many spiritual and historical missions of the Duomo. “O Mary, you shine continuously on our journey as a sign of salvation and hope. We entrust ourselves to you, Health of the Sick. At the foot of the Cross, you participated in Jesus’ pain, with steadfast faith. You, Salvation of the Faithful Peoples, know what we need. We are certain that you will provide, so that, as you did at Cana of Galilee, joy and feasting might return after this moment of trial. Help us, Mother of Divine Love, to conform ourselves to the Father’s will and to do what Jesus tells us: He who took our sufferings upon Himself, and bore our sorrows to bring us, through the Cross, to the joy of the Resurrection. Amen. We seek refuge under your protection, O Holy Mother of God. Do not despise our pleas – we who are put to the test – and deliver us from every danger, O glorious and blessed Virgin.” Pope Francis
    Beata Madonna all'interno della Catt..sisi
  • "The sun shines on the Cross of Indulgences - Convent of cells founded by San Francesco in Cortona"...<br />
<br />
Known as Le Celle, this Franciscan hermitage is just five miles from Cortona at the foot of Mount Sant’ Egidio. In 1211, St. Francis along with a few of his followers built the first nine cells of the hermitage, and it has taken the name of Le Celle ever since. Inside the tiny cell belonging to St. Francis is a tiny window, the bed on which he slept, his desk, and a painting of the Madonna and Child where he prayed. The Hermitage invokes a peaceful atmosphere of spirituality and solitude, yet it is vibrant with religious life. Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge, creates a surreal and picturesque vision of Saint Francis’ image of God and nature. The convent is able to offer lodgings to those contemplating a vocational life. Just inside one of the doors to Le Celle, I noticed the sunlight shining delicately through the transom window gently illuminating the old wooden door and cross. This image epitomizes all the simplicities in which Saint Francis preached and lived. It represents his spartan structure with the rough textured concrete walls, antique faded wooden door, the green trees in nature which he loved, and the mystic evening sun softening the aging appearance, and revealing his simple life of prayer and personal austerity.
    Il sole splende sulla Croce delle In..tona
  • “Ring side seat Colosseum - BW”…<br />
<br />
A sunlit and pleasant view of the ancient and organic Colosseum.  The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  I created this image in the late evening as the guards ushered me out for closing time.
    Sedile laterale anello Colosseo - BW
  • "Dramatic clouds gather through the Arch of the Colosseum"...<br />
<br />
A sunlit and pleasant view peering into the ancient and organic Colosseum. The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum. The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition. A Cross stands exultant in the Colosseum center with a plaque stating: “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.” In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck. It is as grand in person as it appears in the media, and it seems to hold a very mystical aura. Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.
    Nubi drammatiche si riuniscono attra..sseo
  • “The Compassion of Our Lady Friday” – Painting by Dino Carbetta<br />
<br />
This sacred painting evokes a profound and heartrending sorrow, portraying the Blessed Virgin Mary beneath the crushing weight of her Son’s cross. It is a moment suspended in anguish, yet illumined by divine love—a visual meditation that finds deep resonance on the Friday of Sorrows, a day devoted to remembering Mary's suffering during Lent. The Feast of Our Lady of Compassion began with the Servite Order’s votive Mass in 1668, was formalized by Pope Innocent XII in 1692, and later moved to the Friday before Palm Sunday by Pope Benedict XIII in 1727. This solemn day draws the faithful into the pierced heart of the Virgin, echoing Simeon’s prophecy: “And a sword shall pierce your own soul also.” Mary’s sorrow in this painting is not remote; it is alive, pressing against the soul. Her eyes radiate acceptance, as if already sharing in the redemptive agony of her Son. This is not mere maternal grief; it is a sacred co-suffering, revealing the vastness of her love not only for Jesus, but for all humanity. The Church’s veneration of Our Lady of Sorrows affirms her deep suffering, her unwavering faith, and her exalted role. She stood when others fled. She believed when the world went dark. Through compassionate brushstrokes, this image invites quiet contemplation of Mary’s presence at the foot of every cross, especially the unseen ones we carry. A single red rose graces the scene—vibrant, sorrowful, and rich in meaning. It speaks of hope, sacrifice, and the promise of resurrection. It draws the heart to the “Light of the World,” her Son, Jesus Christ. This painting opens the soul to Mary's sorrow and strength—a love that invites us to believe, endure, and rise with her into the glory of Easter.
    La Compassione Della Madonna Del Ven..etta
  • “Our Lady of Sorrows Radiant Blue - Cathedral of San Rufino, Assisi”…<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Radiante Azzurre ..sisi
  • “The Hand of God Shines on the Cross - Convent of the Cells of Cortona – BW” <br />
<br />
The Prayer Come Holy Spirit: Come Holy Spirit, fill the hearts of your faithful, and kindle in them the fire of your love. Send forth your Spirit and they shall be created. And You shall renew the face of the earth. O, God, who by the light of the Holy Spirit, did instruct the hearts of the faithful, grant that by the same Holy Spirit we may be truly wise and ever enjoy His consolations, Through Christ Our Lord. Amen. Sometimes a planned mistake turns out to be a great photo and, in this case, it's the flair of the sun. Peering under a canopy of trees then kneeling and placing the sun behind the Cross...God's hand illuminates one's soul and his imagination.
    La Mano di Dio Risplende sulla Croce..- BW
  • "Three-dimensional artistic impression of Glorious Our Lady of Sorrows - Cathedral of San Rufino, Assisi"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Impressione artistica tridimensional..sisi
  • “Western entrance evening view of the Roman Colosseum”…<br />
<br />
The Colosseum, is an elliptical amphitheater in the center of the city of Rome, the largest ever built during the Roman Empire. It is considered one of the greatest works of Roman architecture and Roman engineering in history.  Occupying a site just east of the Roman Forum, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still, has close connections with the Roman Catholic Church, as each Good Friday the Pope leads torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheater, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past but the forgiveness and sacrifice of its present stature.
    Occidentale ingresso vista sera del ..mano
  • “Western entrance evening view of the Roman Colosseum - Tinto”…<br />
<br />
The Colosseum, is an elliptical amphitheater in the center of the city of Rome, the largest ever built during the Roman Empire. It is considered one of the greatest works of Roman architecture and Roman engineering in history.  Occupying a site just east of the Roman Forum, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still, has close connections with the Roman Catholic Church, as each Good Friday the Pope leads torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheater, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past but the forgiveness and sacrifice of its present stature.
    Occidentale ingresso vista sera del ..into
  • “Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi”…<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..sisi
  • "Glorious Madonna of Sorrows - Cathedral of San Rufino, Assisi"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Gloriosa Madonna Addolorata - Duomo..sisi
  • "Glorious Madonna of Sorrows - Cathedral of San Rufino, Assisi - Splendor"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Gloriosa Madonna Addolorata - Duomo..dore
  • "Glorious Madonna of Sorrows - Cathedral of San Rufino, Assisi - Brightening"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Gloriosa Madonna Addolorata - Duomo..rire
  • “Ominous clouds gather through the Arch of Colosseum - BW”…<br />
<br />
The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. It is considered one of the greatest works of Roman architecture and Roman engineering in history.  Occupying a site just east of the Roman Forum, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. Today, it is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  On my last evening in Italy, as the guards ushered me out at closing time…I created this image looking through the solitary entrance with only pigeons left to ponder its significance.
    Nubi minacciose si riuniscono attrav..sseo
  • “A panoramic view of the Roman Colosseum during evening light - BW”…<br />
<br />
This image of the Roman Colosseum was created using seven images stitched together to form one panoramic image.  The Colosseum occupying a site just east of the Roman Forum, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, the Colosseum was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.
    Una vista panoramica del Colosseo ro..- BW
  • “The mystical twilight descends on the Colosseum in Rome”…<br />
<br />
This image was created combining two images into a panorama of the ancient Colosseum at twilight.  The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  As evening descended on the ancient Colosseum, the sun and the clouds performed a mystical light show to the delight of the weary travelers and one adrenalized photographer.
    Il crepuscolo mistica scende sul Col..Roma
  • “The Hand of God Shines on the Cross - Convent of the Cells of Cortona”<br />
<br />
The Prayer Come Holy Spirit: Come Holy Spirit, fill the hearts of your faithful and kindle in them the fire of your love. Send forth your Spirit and they shall be created. And You shall renew the face of the earth. O, God, who by the light of the Holy Spirit, did instruct the hearts of the faithful, grant that by the same Holy Spirit we may be truly wise and ever enjoy His consolations, Through Christ Our Lord. Amen.<br />
<br />
Sometimes a planned mistake turns out to be a great photo and, in this case, it's the flair of the sun. Peering under a canopy of trees then kneeling and placing the sun behind the Cross...God's hand illuminates one's soul and his imagination.
    La mano di Dio risplende sulla croce..tona
  • “Blessed Virgin Mary - Mother of the Church - Painting by Dino Carbetta” ...<br />
<br />
In the painting "Blessed Virgin Mary - Mother of the Church," we are invited to contemplate Mary's significance within Christianity. This portrayal echoes the decree by the Congregation of Divine Worship, adding the Memorial of Mary, Mother of the Church, to the General Roman Calendar. "Standing below the cross, Mary embodies Christ's message of acceptance, love, and human embrace." Despite Scripture's sparse details, Mary's essence has been illuminated through centuries of saintly reflection and papal teachings. Pope Leo XIII emphasized Mary's role as the Mother of the Church in his 1895 encyclical on the rosary, echoing Vatican II's "Lumen Gentium". This culminated in Pope Paul VI's formal designation of her as "Mother of the Church." Subsequent pontiffs, up to Francis, have expanded upon this title, emphasizing Mary's dual role as both Christ's mother and the mother of all believers. Cardinal Sarah highlighted the significance of this celebration, connecting it to the Mystery of the Cross and the Eucharistic Banquet, where Mary's offering to God is paramount. Mary's presence at pivotal moments in salvation history, from the Crucifixion to Pentecost, underscores her ongoing maternal care for the Church. While debates persist over further dogmatic titles like "Mediatrix of All Grace" and "Co-Redemptrix," recognizing her profound influence in the distribution of divine grace, Mary's central role in the Christian faith remains unshakable. As we honor her as Mother of the Church, we acknowledge her as our spiritual mother and queen. Through her intercession and mediation, we are nurtured in God's grace and entrusted to her loving care as members of Christ's Body. In contemplating Mary's profound mysteries, we draw closer to the heart of God and the essence of divine truth. This painting's enigmatic nature guides us to the core of heavenly truth and the limitless heart of God.
    Beata Vergine Maria - Madre della Ch..etta
  • “Ascension of the Lord - Painting by Dino Carbetta”…<br />
<br />
Luke 24:46-53 narrates "The Ascension of the Lord." Jesus reveals his resurrection to his disciples after three days of suffering and stresses the significance of spreading the message of repentance and forgiveness of sins in his name to all nations, starting from Jerusalem. He reminds his followers that they are witnesses to these events and assures them that he will send his Father's promise upon them. However, he instructs them to stay in the city until they receive power from above. After blessing them, Jesus ascends to heaven. The disciples enthusiastically return to Jerusalem, continuously praising God in the temple. The Ascension signifies that although Jesus may not be present in a specific location, he is always among us. We have an Advocate who defends and guides us through life and a community that lives out their faith with us in our daily lives. Together, we reveal the lordship of God's love to the world through the Risen Jesus Christ, who ascended to heaven and advocates for us. "And when I am lifted from the earth, I will draw all people to myself." The lifting up of Jesus on the cross signifies and announces his ascent into heaven, which begins it. Jesus Christ, the only priest of the new and everlasting Covenant, "entered not into a sanctuary made by human hands... but into heaven itself, now to appear in the presence of God on our behalf." He is the center and principal actor of the liturgy that honors the Father in heaven. Christ is seated at the right hand of the Father, signifying the inauguration of his kingdom and the fulfillment of the prophet Daniel's vision regarding the Son of man. "To him was given dominion and glory and kingdom, that all peoples, nations, and languages should serve him; his dominion is an everlasting dominion, which shall not pass away, and his kingdom one that shall not be destroyed." The apostles became witnesses to the "kingdom will have no end."
    Ascensione del Signore – Dipinto di ..etta
  • “The Church of Santa Maddalena is surrounded by Roe Deer, both enjoying the sunset over the Dolomites in South Tyrol, Italy - Painting by Dino Carbetta”…<br />
<br />
The Church of St. Magdalene resides in a small village located in the Dolomites of Italy. Both, the village and the church, are symbols of the Val di Funes. This tiny picturesque village of just 377 people is located in the Trentino-Alto Adige region of Northern Italy. Historically, the church was built where the miraculous image of Santa Maddalena was washed up by the Fopal River. Saint Mary Magdalene church is mentioned beginning in 1394. The current form of the nave with a sloping base and a slightly grooved roof cornice, with pear and round bar on the pointed arch portal with a red chalk inscription, was complete in 1492. The mural exterior is the Crucifix on the gable in a niche with a donkey's back, weather-beaten, early XVI century. St. Christopher is lively and virtuoso in movement with a fluttering, wrinkled robe. Interiorly, the keystones on the vault, are bust portraits of Mary with the Christ Child and saints. The valley, as you can see, Val di Funes is stunningly beautiful. Summer, it’s very green and dotted with colorful flowers. Winter, it’s covered with snow, and the ragged Dolomite peaks, pierce the sky toward the heavens. Mary Magdalene is the first among the women following Jesus to proclaim Him as having overcome death. She is the first to announce the joyful message of Easter. But she also proved she was among those who loved Him most when she stood at the foot of the Cross on Mount Calvary together with Mary, His Mother, and the disciple, St. John. She did not deny him or run away in fear as the other disciples did, but remained close to Him every moment, up to and including the tomb. The Italian Roe Deer rejoice in the beauty of God’s creation.
    La Chiesa di Santa Maddalena e’ circ..etta
  • "Crucified Christ - Monumental Church of San Michele Arcangelo, Anacapri"...<br />
<br />
Located in the Piazza of Anacapri, the mountaintop above the island of Capri. It dates to 1595 when it replaced Chiesa di Santa Maria as the parish church.  One can view the ancient church contrasting with the more modern white façade. The sacristy and oratorio, were originally in the Chiesa di San Carlo. Architectural features include two bell towers and a baroque facade. The church was enlarged with two chapels and the nave was extended towards the square. The plan of the church is in the form of a Latin cross with a single nave, lateral chapels and a dome above the intersection of the nave and the transept. The belfry can be seen to the left of the facade with two clocks and three bells dedicated to Santa Sofia, Santa Maroa and Santa Elia. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri. I was standing closest to the door on the right side of the bus during the assent up the mountainside. All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top. Anacapri is a historic mountaintop town with commanding views of Capri and the sea below, as well as a concentration of Mediterranean colors, scents, and sounds. Town life here has remained authentic despite the island's tourism: tucked between the houses there are tiny, humble vegetable gardens surrounded by lush tropical plants. A walk around the center of Anacapri will take you past tiny Neapolitan tailor shops, artisan shoemakers, and Enoteca       ...all with the scent of the town's lemon groves that permeates the air. How the ancients managed to arrive at this secluded island and traverse their way to settlements atop is mind boggling.  However, contemplating the mysteries of civilization, one gets lost in the plush ambience. The pleasant aroma and commanding sea view demand that you stay for just a little while longer!
    Cristo Crocifisso - Chiesa Monumenta..apri
  • “Agony in the Garden – Painting by Dino Carbetta” …<br />
<br />
The agony in the Garden of Gethsemane encompasses Holy Week in the life of Jesus. Occurring after the Last Supper, before his betrayal and arrest, all part of the Passion of Jesus leading to his crucifixion and death. This episode is described in the three Synoptic Gospels in the New Testament. According to these accounts, Jesus, accompanied by Peter, John, and James, enters the garden of Gethsemane on the Mount of Olives where he experiences great anguish and prays to be delivered from his impending suffering, while also accepting God's will. Immediately after the Last Supper, Jesus retreated to a garden to pray. Jesus was accompanied by three Apostles: Peter, John, and James, whom he asked to stay awake and pray. He moved "a stone's throw away" from them, where he felt overwhelming sadness and anguish, and said "My Father if it is possible, let this cup pass me by. Nevertheless, let it be as You, not I, would have it." Then, a little while later, he said, "If this cup cannot pass by, but I must drink it, Your will be done!" He said this prayer thrice, checking on the three apostles after each prayer and finding them asleep. He commented: "The spirit is willing, but the flesh is weak". An angel came from heaven to strengthen him. During his agony as he prayed, "His sweat was, as it were, great drops of blood falling upon the ground" (Luke 22:44). In Roman Catholic tradition, the Agony in the Garden is the first Sorrowful Mystery of the Rosary and the First Station of the Scriptural Way of The Cross Catholic tradition includes specific prayers and devotions as acts of reparation for the sufferings of Jesus during His Agony and Passion.
    Agonia Nell'Orto – Dipinto di Dino C..etta
  • "The evening sun radiates over the hilltop of Cortona"... <br />
<br />
The ancient church of Santa Maria delle Grazie Calcinaio is resting on the hillside, presiding in a welcoming posture to all those strong enough to brave Cortona’s steep inclines. The Church was constructed between the years of 1485 and 1513. It is the architectural work of Francesco di Giorgio Martini who designed it after having been contacted by his friend and great artist Luca Signorelli. The Renaissance-style church built on a Latin cross plan with an elegant dome soars into the olive trees on the hillside above. It was the church of the guild of the shoemakers, who used their vats of lime for tanning leather, protected by an image of the Madonna painted by Bernardo Covatti, which is now displayed on the main altar of the church. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970. If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the Bellissimo Tuscan Sun.
    Il sera sole si irradia sopra la col..tona
  • “The Crucifixion above the altar of the Church of Santa Maria Maggiore in Assisi”…<br />
<br />
My artistic interpretation here is of the Crucified Jesus as primary to the Image of The Divine Mercy. St. Faustina asked the Lord about the meaning of the rays in the image: The two rays denote Blood and Water. The pale ray stands for the Water which makes souls righteous. The red ray stands for the Blood which is the life of souls. These two rays issued forth from the depths of My tender mercy when My agonized Heart was opened by a lance on the Cross. Happy is the one who will dwell in their shelter, for the just hand of God shall not lay hold of him. The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built in this site close to the Roman city walls in the 4th century.  The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal its age and status throughout history.
    La Crocifissione sopra l'altare a Ch..sisi
  • "Resurrection - The Name of Jesus - Painting by Dino Carbetta”<br />
<br />
Resonates deeply with the sacred text of Philippians 2:10, embodying the profound submission and reverence accorded to Jesus Christ within Christian doctrine. The name of Jesus encapsulates divine authority, grace, and the promise of salvation, marking the apex of God's redemptive narrative through His life, crucifixion, and triumphant resurrection. At its essence, this magnum opus delves into the core tenet of Christianity: the resurrection of Jesus Christ, portrayed with compelling symbolism and spiritual depth. It beckons viewers to ponder the eternal significance of this pivotal event, which heralds a profound transformation. Jesus Christ commands attention at the center of the canvas, radiating both tranquility and might, His raised hand a testament to His dominion over death, even bearing the wounds as symbols of His sacrifice. The symbolism is rich; the two fingers of His right hand represent His dual nature—human and divine—while the unity of the remaining three fingers symbolizes the Holy Trinity. Surrounding Him, a milieu of sacred elements bathed in celestial light evokes the divine presence. The empty tomb and the cross, rendered with symbolism, underscore the theological gravity of Christ's resurrection, affirming the redemptive love and promise it embodies. This artwork underscores Jesus Christ's indispensable role in the Christian faith, asserting His sovereignty over sin and death. Viewers are invited to encounter the living Christ and contemplate the profound implications of His resurrection. In engaging with this profound piece, they are confronted with the timeless truth of Easter: that death has been vanquished, and new life is made attainable through faith in Jesus Christ. Thus, "Resurrection - The Name of Jesus" serves as a poignant reminder of the hope and promise inherent in Christ's victory over death, beckoning viewers to embrace the transformative power of The Resurrection.
    Resurrezione - Il Nome di Gesù - Dip..etta
  • “Virgin Mary and Newborn Jesus in Bethlehem - Painting by Dino Carbetta”…<br />
<br />
In the Gospel of Luke (1:46-55), Mary praises the Lord and rejoices in the birth of her son. These words have resonated throughout history, reminding us of Mary's humility, faith, and grace that God has bestowed upon her. This painting captures the tender bond between mother and child and tells the story of Mary's acknowledgement of her humility, she exudes quiet strength and grace and God's enduring mercy through generations. The imagery conveys the power of God's arm, the humbling of the proud, and the exaltation of the lowly. The painting then transitions to a reflection on the imminent arrival of the Savior and the mystery of the Incarnation. The narration delves into the theological significance, emphasizing the divine condescension as God's only begotten Son descends upon Earth. This sacred union with humanity, conceived by the Holy Ghost in a virgin, is described eloquently, emphasizing Christ's dual nature—God with us, yet sharing in our humanity without sin. And Christ’s willingness to share in our human experiences—poverty, prayer, suffering, and guilt. The narrative unfolds, outlining Christ's continuous presence throughout various phases of life, from the cross to Holy Communion, daily Mass, and tabernacles, culminating in the promise of His eternal presence in heaven. The profound journey through the artwork concludes with a powerful call to prayer for the sanctity of life, inspired by Pope Saint John Paul II's Evangelium Vitae. The urgency for a global prayer resonates as an impassioned plea to God, the Creator and lover of life, urging communities, groups, families, and believers to unite in fervent prayer. This expansive portrayal transcends its visual realm, becoming a vessel for profound reflections on faith, the Incarnation, the sanctity of life, and a collective call to prayer—a testament to the enduring power of art to inspire and elevate the human spirit.
    Vergine Maria e Gesù Neonato a Betle..etta
  • “Our Lady of Sorrows - Painting by Dino Carbetta” …<br />
<br />
Offers a profound reflection on the Blessed Mother's deep grief, particularly during Christ's passion and death. This evocative work draws viewers into the depths of her sorrow, highlighting the seven sorrows she endured, as foretold by Simeon. His words in Luke 2:34-35 resonate through the ages: "Behold, this child is destined for the fall and rise of many in Israel, and for a sign that will be contradicted—and you yourself a sword will pierce—so that the thoughts of many hearts may be revealed." These sorrows are not mere events but spiritual wounds carved deeply into Mary's heart, each marked by intense anguish. The seven sorrows, central to this piece, include the flight into Egypt, the loss of Jesus in the Temple, Mary's encounter with her Son on the road to Calvary, witnessing His crucifixion, holding His lifeless body after His descent from the cross, and His burial. Each moment is captured in this portrayal of Mary, whose pierced heart symbolizes both Simeon’s prophecy and her immense spiritual suffering. Yet amidst this profound sorrow, there is remarkable strength—an unwavering faith that never faltered. This same faith led Mary to proclaim at the Annunciation, "Let it be done unto me according to thy word." Her steadfast trust in God's plan echoes through each sorrow, offering a powerful testament to faith amid deep grief. Inspired by the rich tradition of Marian iconography, the painting depicts Mary as a central figure in Christ's Passion. It captures both the personal sorrow of a mother and the broader spiritual sorrow of one who shares in her Son's redemptive mission. This work invites reflection on Mary's suffering, boundless faith, and courage, offering solace and inspiration to those who suffer. Like Mary, this painting beckons us to understand the redemptive power of suffering embraced with faith—a timeless message for all who encounter it.
    Madonna Addolorata - Dipinto di Dino..etta
  • “Monument of Madonna embracing the Cross in the Basilica of Santa Maria Maggiore in Rome”…<br />
<br />
The first major stop on my first visit to Rome was The Patriarchal Basilica of Saint Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, Saint Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. I found Saint Mary in a spectacular monument to Cardinal Agostino Favoriti, 1685, by Filippo Carcani. The famous 17th-century cardinal is shown seated at a desk behind large allegorical figures of Fortitude (with the lion) and Saint Mary representing religion. Of the very large monument, Mother Mary stood out to me, as one cannot help feeling blessed by her compassionate presence, and the luminescent glow of light gently descending upon her face, revealing her abiding love for her precious son. Pope Benedict XVI, speaking about Pope John Paul II of suffering and his love of the Holy Mother; “in that last Easter Sunday of his life, the Holy Father, marked by suffering, came once more to the window of the Apostolic Palace and one last time gave his blessing Urbi et Orbi (‘to the city and the world’). “We can be sure that our beloved pope is standing today at the window of the Father’s house, that sees us and blesses us. Yes, bless us, Holy Father. We entrust your dear soul to the Mother of God, your Mother, who guided you each day and who will guide you now to the glory of her Son, our Lord Jesus Christ. Amen.”
    Monumento di Madonna abbracciando La..Roma
  • "The Crucifix - The Basilica of Santa Maria degli Angeli Assisi Museum - Painting by Dino Carbetta"...<br />
<br />
Portiuncula is a town and a parish situated about three-quarters of a mile from Assisi. The town has grown up around the Basilica of Our Lady of the Angels. It was of this little church moved within the Basilica that St. Francis recognized his vocation in the year 1208, and it was where St. Francis spent most of his life. In 1211, the Benedictines gave him the little chapel of St. Mary of the Angels or the Portiuncula, which is a “little portion” of land. The first Franciscan convent was also formed nearby. The Portiuncula was also where St. Francis received the vows of St. Clare. St. Francis died here on October 3, 1226, and on his deathbed, he recommended the chapel to the faithful protection and care of his brothers. The Museo della Basilica is in another section of the convent. Among the most important works kept here are the "Crucifix “painted on wood by Giunta Pisano (1236-40). The return of Francis, a penitent man, contemplating his future in the Church... But God had other plans, and Francis did not travel far. His search for conversion led him to the ancient church at San Damiano. While he was praying there, he heard Christ on the crucifix speak to him, "Francis, repair my church." Francis assumed this meant the crumbling building he was in. He later realized it was his call to rebuild the entire Church. He read the command to the rich young man to sell all his good and give to the poor, the order to the apostles to take nothing on their journey, and the demand to take up the cross daily. "Here is our rule," Francis said -- as simple, and as seemingly impossible, as that. He was going to do what no one thought possible any more -- live by the Gospel.
    Il Crocifisso - La Basilica di Santa..etta
  • “Crucifixion beyond the entrance to the Abbey of Santa Giustina – Padua”…<br />
<br />
Our Pilgrimage finally arrived in Padua and after lunch, we discovered the Abbey of Santa Giustina attached to the Basilica built in the 6th century. It contains the relics of multiple saints (including those of St. Luke the Evangelist). Shaped in the form of a Latin cross, the prodigious Basilica of St. Giustina is one of the most colossal in all of Christianity. The grandeur of the building is enhanced by the Prato della Valle which it overlooks. There are 3 main chapels: the presbytery and 2 chapels for Saints Luke and Matthew that form the transepts and each aisle has six small chapels. The Abbey and the Basilica of St. Anthony were two of my foremost surprises and a must-see on a Pilgrimage to Italy. Unfortunately, pictures were allowed only in St. Giustina, but not in the latter. Initially, I was a bit overwhelmed at the imposing wide open space of the Basilica. The high altar seemed an eternity away. It is difficult to give one a perspective of just how spacious and immense many of these basilicas can be, not only in pictures but in words. The colorful geometric marble floor leads one to the main altar, but only adds to the great depth, size, and dimension of the Basilica. A curiously placed Crucifix standing about 6’ tall is located just inside the colossal nave and appears diminutive below the 26 pillars supporting the 8 cupolas. As most basilicas are traditionally dark depending on the sunlight, the Crucifix was almost a complete faint silhouette only lit by the dome windows above the altar. Standing as close as possible with a telephoto perspective, I was able to reverse the impression of size and portray the grandiosity Christ deserves, as well as the original artist. The distant window light bled over the body and illuminated the darkness. The glow of the original beauty has become radiant. Framed by the brilliant distant archways, the Crucifixion becomes transformed.
    Crocifissione oltre l'ingresso dell'..dova
  • “The evening reflections at Villa Borghese – Rome”…<br />
<br />
I stumbled into photography just before graduation at the U of TN while volunteering at a local hospital where I was influenced to attend Brooks Institute.  The instructors preached the technical aspects of photography, and upon graduation…we could implement our own artistic vision.  As a commercial photographer since graduation, I have had little time to express my artistic vision…until I went to Italy for the first time, where I discovered my true love and passion!  I consider myself a “contemplative” photographer, and as such, I have a three-part process to achieve my final presentation for each image: the discovery, how I perceive the image creation, and how I hope others will perceive the image.  This artistic pursuit, I imagine, is similar to Michelangelo viewing a piece of marble for the first time.  Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake.  Surrounding this small lake is a three-foot iron fence, which I now affectionately call “Il lago di dolore”, or Lake Pain!  I tried to cross this iron fence with camera in hand and a 20lb bag on my shoulder…needless to say, it did not go well!  Despite the intense pain, I continued to take 60 images around the lake, and upon return home, I stubbornly refused to look at them until recently.  My disdain for Lake Pain kept me from discovering the true artistic vision I first saw when I began creating these images. I finally gave into the contempt I had for the Lake and began working on several images.  Perhaps, the viewer will perceive the great pain it took to finally engender a feeling of solace and peace in the true vision, and find that suffering eventually brought forth eminent beauty.  As for this photographer, Il lago di dolore will be a constant reminder that the creation of great art sometimes endures great pain!
    Le riflessioni della sera a Villa Bo..Roma
  • "Sun shines on the Convent of cells - founded by San Francesco in Cortona"...<br />
<br />
Known as Le Celle, this Franciscan hermitage is just five miles from Cortona at the foot of Mount Sant’ Egidio. In 1211, St. Francis along with a few of his followers built the first nine cells of the hermitage, and it has taken the name of Le Celle ever since. Inside the tiny cell belonging to St. Francis is a tiny window, the bed on which he slept, his desk, and a painting of the Madonna and Child where he prayed. The Hermitage invokes a peaceful atmosphere of spirituality and solitude, yet it is vibrant with religious life. Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge, creates a surreal and picturesque vision of Saint Francis’ image of God and nature. The convent is able to offer lodgings to those contemplating a vocational life. Just inside one of the doors to Le Celle, I noticed the sunlight shining delicately through the transom window gently illuminating the old wooden door and cross. This image epitomizes all the simplicities in which Saint Francis preached and lived. It represents his spartan structure with the rough textured concrete walls, antique faded wooden door, the green trees in nature which he loved, and the mystic evening sun softening the aging appearance, and revealing his simple life of prayer and personal austerity.
    Sole splende sul Convento di celle -..tona
  • “Evening fog rolling down the hill of Cortona - Oil painting”…<br />
<br />
This image was created using three horizontal photographs stitched together to form a panoramic evening view of Cortona.  The ancient church of Santa Maria delle Grazie Calcinaio is resting on the hillside, presiding in a welcoming posture to all those strong enough to brave Cortona’s steep inclines.  The Church was constructed between the years of 1485 and 1513. It is the architectural work of Francesco di Giorgio Martini who designed it after having been contacted by his friend and great artist Luca Signorelli. The Renaissance style church built on a Latin cross plan with an elegant dome soars into the olive trees on the hillside above. It was the church of the guild of the shoe makers, who used their vats of lime for tanning leather, protected by an image of the Madonna painted by Bernardo Covatti, which is now displayed on the main altar of the church. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970.  If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the bellissimo Tuscan Sun.
    Nebbia di sera rotolare giù per la c..olio
  • "Fra Giovanni Angelico: The Angelic Brother" - Painting by Dino Carbetta”...<br />
<br />
Fra Angelico (1395-1455) was a Dominican friar and a masterful artist of the early Renaissance. Revered as "the Angelic Painter," he crafted many breathtaking religious artworks that grace the churches and convents of Italy. Among his renowned pieces are "The Annunciation" and "The Descent from the Cross." His feast day is February 18. Born in Rome, Fra Angelico joined a strict Dominican community in 1420. His artistic journey began with illuminating manuscripts and choir books. For Fra Angelico, painting was an act of prayer; he sought divine blessing before starting any project. His devotion led him to create exclusively religious art, which he never retouched or altered once completed. His talent quickly attracted attention, leading to requests to paint the interiors of convents and churches. One of his masterpieces is an altarpiece in the National Gallery of London, showing Christ in glory with 250 saints. "The Annunciation" was commissioned by Cosimo de’ Medici in Florence during the 1440s. His talents were further recognized by Pope Eugenius IV, who summoned him to Rome to decorate church interiors and papal chambers. Later, Pope Nicholas V invited him back to the Vatican to continue his work. When questioned about miracles attributed to Fra Angelico upon his beatification in 1984, Pope St. John Paul II referred to his art, declaring, "These are his miracles." Fra Angelico was declared the patron saint of artists in 1984 for "the perfect integrity of his life and the almost divine beauty of his images, especially those of the Blessed Virgin Mary." Fra Angelico's serene and pious character permeated his works, often bringing him to tears while painting crucifixions, a testament to the depth of his faith and the sincerity of his Christian piety. This painting seeks to capture this divine spirit and devotion, honoring the Angelic Brother who found holiness through art.
    Fra Giovanni Angelico - Il Fratello ..etta
  • "Resurrection - Redemptive Light - Painting by Dino Carbetta”<br />
<br />
A profound testament to the core principles of Christian doctrine, drawing viewers into a contemplative journey reminiscent of the sacred verses of Philippians 2:10: “that at the name of Jesus, every knee should bend, of those in heaven and on earth and under the earth.” The profound embodiment of divine authority, grace, and the assurance of salvation is found in Jesus Christ's name. “Redemptive Light” invites reflection on its transformative power and eternal significance. Capturing the radiance of Christ's divine presence and his triumph over death symbolizing the enduring power of faith and hope for believers. Central to the canvas is the figure of Jesus Christ, exuding both tranquility and fortitude, His hands adorned with the scars of sacrifice yet radiating victory over death. These wounds etched into His flesh stand as tangible symbols of triumph and sovereignty, reminding viewers of the redemptive power of His love. White lilies and roses, symbols of purity and divine presence, heighten the spiritual atmosphere, evoking a sense of reverence and wonder. Every element within the composition, from the scars to the celestial light and symbolic flora, intricately weaves a narrative of redemption and transcendence. The vacant tomb and cross serve to underscore the theological weight of Christ's resurrection, affirming the boundless love and promise it embodies. This artwork emphasizes the indispensable role of Jesus Christ in the Christian faith, reaffirming His dominion over sin and death. Encouraging one to encounter the living Christ and contemplate the profound implications of His resurrection, embracing the transformative potential it offers. Through "Resurrection - Redemptive Light," audiences confront the timeless truth of Easter: death vanquished, and new life through faith in Jesus Christ. It serves as a heartfelt invitation to embrace the hope and promise found in His victory.
    Resurrezione - Luce Redentiva - Dipi..etta
  • “Saint Thomas - “My Lord and my God!”- Painting by Dino Carbetta” …<br />
<br />
In the timeless story in the Gospel of John 20:24–29, we encounter the profound tale of Saint Thomas, one of the Twelve disciples. Thomas earned the label "Doubting Thomas" due to his inherent doubt, as he sought empirical evidence of Jesus' resurrection. He desired to witness the scars left by the nails, place his hand into the wound on Jesus' side, and see the indelible marks of crucifixion. Thomas's insistence on tangible proof mirrors our natural inclination to seek assurance. A week later, the disciples gathered again, and Jesus invited Thomas to touch the wounds that bore the weight of humanity's redemption. Overwhelmed with realization, Thomas uttered the profound declaration: "My Lord and my God!" Though labelled as "Doubting Thomas," it is essential to recognize his courage and loyalty. Thomas displayed unwavering commitment when faced with Jesus' proposal for a perilous journey to Bethany after Lazarus's death. His willingness to follow Jesus, even in the face of imminent danger and potential death, speaks to a courage often overshadowed by his momentary doubt. In embracing doubt, we echo Thomas's quest for certainty. Jesus met him with compassion and an invitation to healing, offering solace to those grappling with doubt. This reassures us that fear can be a conduit for God's mercy and a pathway to deepen our faith. Navigating our doubts, may we find inspiration in Thomas's journey, which ultimately led him to a profound affirmation of faith: "My Lord and my God!" Just as Jesus embraced Thomas, so too can we trust in His unwavering compassion amid our moments of uncertainty. The Lotus Flower and Cross are potent symbols in Saint Thomas's journey, reminding us of the profound beauty that can emerge from the interplay of doubt and faith.
    Saint Thomas - “My Lord and my God!”..etta
  • “Our Lord Jesus Christ, King of the Universe - Painting by Dino Carbetta” …<br />
<br />
Colossians 1, 12-20: “Giving thanks to the Father, who has made you fit to share in the inheritance of the holy ones in light. He delivered us from the power of darkness and transferred us to the kingdom of his beloved Son, In whom we have redemption, the forgiveness of sins. He is the image of the invisible God, the firstborn of all creation. For in him were created all things in heaven and on earth, the visible and the invisible, whether thrones or dominions or principalities or powers; all things were created through him and for him. He is before all things, and in him all things hold together. He is the head of the body, the church. He is the beginning, the firstborn from the dead, that in all things he himself might be preeminent. For in him all the fullness was pleased to dwell, and through him to reconcile all things for him, making peace by the blood of his cross [through him], whether those on earth or those in heaven.” We once declared that the manifold troubles afflicting our world stem from the widespread exclusion of Jesus Christ and His sacred law from the lives of many. We observed that these values were marginalized, both in personal matters and in the realm of politics. Moreover, we asserted that as long as individuals and nations resisted the governance of our Savior, the prospect of enduring peace among nations remained dim. We encouraged men to seek the peace of Christ within the Kingdom of Christ, a commitment we pledged to uphold to the best of our ability. We believed that in the Kingdom of Christ, a profound and lasting peace could be best reestablished and firmly grounded through the revival of our Lord's Empire.
    Nostro Signore Gesù Cristo, Re dell'..etta
  • “St. John the Apostle at the Archbasilica of Saint John Lateran Rome”… <br />
<br />
Dedicated to St. John the Baptist and St. John the Evangelist, the Basilica of St. John Lateran is the first among the four major basilicas of Rome. It is also the Cathedral of the Bishop of Rome, the Pope, and is thus known as the "Cathedral of Rome and the World." Built by Constantine the Great in the 4th century, San Giovanni in Laterano was the first Christian/Catholic church erected in Rome. The present structure of the Basilica resembles Saint Peter's Basilica, and the ancient church was the residence of the Papacy until the (1377) return from exile in Avignon and permanent relocation to the Vatican. In 1702, Pope Clement XI announced a grand scheme for twelve sculptures of the Apostles to fill the niches left in the nave of the Basilica. The commission was opened to all the premier sculptors of late Baroque Rome, Camillo Rusconi was the sculptor of St. John. One cannot help being impressed by the larger-than-life statues of these great men blessing the nave with their imposing presence. John’s own Gospel refers to him as “the disciple whom Jesus loved”, the one who reclined next to Jesus at the Last Supper, and the one to whom Jesus gave the exquisite honor of caring for his mother, as John stood beneath the cross. “Woman, behold your son…. Behold, your mother” Because of the depth of his Gospel, John is usually thought of as the eagle of theology, soaring in high regions that other writers did not enter. John’s Jesus speaks at the Last Supper as if he were already in heaven. John’s is the Gospel of Jesus’ glory.
    San Giovanni Apostolo presso Arcibas..Roma
  • “Madonna Embraces the Cross in Santa Maria Maggiore Rome”…<br />
<br />
On our Pilgrimage of 2019, the second morning in Roma began with Mass at the Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. This was my second visit to this perfect Bellissimo Basilica where I found a familiar face and comfort in this exquisite statue and expression of true Love. The spiritual treasures found here are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. I found Saint Mary in a spectacular monument to Cardinal Agostino Favoriti, 1685, by Filippo Carcani. Mother Mary stood out to me, as one cannot help feeling blessed by her compassionate presence, and the luminescent glow of light gently descending upon her face, revealing her abiding love and ultimate suffering remembering her precious son. Pope Benedict XVI, speaking about Pope John Paul II of suffering and his love of the Holy Mother; “in that last Easter Sunday of his life, the Holy Father, marked by suffering, came once more to the window of the Apostolic Palace and one last time gave his blessing Urbi et Orbi (‘to the city and to the world’). “We can be sure that our beloved pope is standing today at the window of the Father’s house, that sees us and blesses us. Yes, bless us, Holy Father. We entrust your dear soul to the Mother of God, your Mother, who guided you each day and who will guide you now to the glory of her Son, our Lord Jesus Christ. Amen.”
    Madonna Abbraccia la Croce in Santa ..Roma
  • “The Church of Sant'Anna in Marina Grande of Sorrento”…<br />
<br />
The church of Sant’ Anna at Marina Grande was consecrated as a civil parish in 1945. The church, originally dedicated to San Giacomo della Marche and a new church was created at the behest of the fishermen of the Confraternita di San Giovanni in Fontibus and dedicated to the Souls in Purgatory in 1680. The church was restored in 1800 and reconsecrated to Sant’Anna whose following in the west became popular in the 16th century when it was preached that her faith had laid the foundation of courage that allowed her daughter to stand by the Cross as her Son was crucified and still believe. The squat bell tower has a distinctive green and yellow majolica tiled cupola. Sant’ Anna’s bells are an important link between the village and its fishermen out at sea. Like many bells along the Amalfi Coast, Sant’ Anna’s bells not only call the congregation to church but chime the hours and the quarter hours. During the restoration the gilded stucco decoration was added to the cool white nave where there are statues of San Giaocchino holding two turtle doves (his other attributes are a shovel and a lamb); St Joseph; the Holy Heart of Jesus and St. Paul with his martyr’s sword. My first visit to Marina Grande, I found the church after hours to be closed, but upon my Spring Pilgrimage of 2019…the doors were open just before Mass. I captured only 2 images of the altar and the Crucified Jesus which I found alive and fascinating. Combining the two images of the small, but an elegant church with a peak of sunlight from upper windows shining upon the altar gives the reverent, spiritual, and mystical appeal the Church of Sant’ Anna in Marina Grande deserves. I hope to visit here again in the near future and spend more time getting to know this fisherman’s parish.
    La Chiesa di Sant'Anna a Marina Gran..ento
  • "The light of the evening sun illuminates the flowers and the church of Santa Maria Assunta in Positano"...<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal.  After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image.  The climb down the winding road and steep staircases made for quite a workout in the hot late May sun.  Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions.  As I made my way along the beach and shoreline, rays from the late afternoon sunlight coming over the mountain top blinded me as they illuminated the famous church.  The hazy ambience was perfectly accentuating a glowing cross and the Majorca cupula of Santa Maria Assunta.
    La luce del sole di sera illumina i ..tano
  • “Hosanna in the Highest – The Triumphal Entry”- A Painting by Dino Carbetta<br />
<br />
On this sacred day, we remember not only the palm branches, the cloaks laid down, and the cries of “Hosanna!”—but the eternal King who entered the Holy City in divine humility. Riding not upon a chariot or steed, but upon a lowly donkey, Christ revealed the paradox of His kingship: a Prince of Peace whose crown would be of thorns, whose throne would be a cross. This painting, newly inspired and completed in contemplation of Holy Week, captures that breathtaking moment when heaven and earth seemed to hold their breath. Ancient columns stand as silent witnesses to the fulfillment of prophecy. A great archway—glowing as if touched by the light of eternity—beckons beyond the temporal, foreshadowing the passage from death into Resurrection. Above the adoring crowd, the Holy Spirit descends in the form of a white dove, alighting upon the Son of God with grace and power. The people cheer with joy, not yet knowing the sorrow to come—but their hearts, like the stones themselves, cry out in reverence. This is not merely the entry into Jerusalem, but the entry of salvation into the soul of mankind. Each face in the crowd is a soul that longs for healing, for truth, for the Messiah. And He comes, not to conquer by the sword, but to conquer sin and death by love. In this vision, the temporal and the eternal meet under the radiant sky of promise. The moment is both triumph and foreshadowing. The Lamb enters as King. As we journey into Holy Week, may this vision remind us that our Savior did not come to be served, but to serve—and to lay down His life for many. Let us prepare Him room, not only in the streets of memory, but in the sanctuary of our hearts. Blessed is He who comes in the Name of the Lord. Hosanna in the Highest.
    “Hosanna in the Highest – The Triump..etta
  • “A Beacon of Life – A Guardian of Hearts - A Painting by Dino Carbetta” ...<br />
<br />
Within the vast heavens and deep ocean, life endures through divine grace and the steady hands of healers. This painting honors those who dedicate their lives to preserving the rhythm of the human heart, ensuring its steady beat carries the melody of life forward. The radiant heart, glowing in the golden sunset, embodies life's fragility and resilience. A faint cardiac line pulses through it, a reminder of life’s delicate balance—one sustained, saved, and restored by healers. Above, a lone white dove descends, carrying the grace of the divine, watching over those who mend what is broken. Beneath the heart, the ocean stretches endlessly, reflecting the sky’s embrace. A sailboat drifts steadily forward, much like a life guided by skill, compassion, and the unseen hand of God. The dock extends into this sacred scene, drawing the viewer into its depth, inviting reflection on the interplay between the physical and spiritual realms. At the dock’s end, a solitary figure stands, gazing upon the heart—his heart, once threatened, now given the gift of more time. His shadow stretches behind him, fading into the painting—a reminder that life on earth is finite, but the impact of healers endures. From the highest point, a faint cross descends through the heart and man—a silent testimony to the unseen forces that guide healer and healed alike. The heart is more than an organ; it is the vessel of love, strength, and endurance. It beats not just by science but by the devotion of those who answer the call to heal. They stand at the crossroads of knowledge and faith, bridging the tangible and the miraculous, ensuring that life continues for those in their care. This painting is a tribute to the selfless dedication of those who choose to be guardians of life. To those who work tirelessly to restore, protect, and sustain, may this serve as a humble offering of gratitude.
    A Beacon Of Life - A Guardian Of Hea...tif
  • "The Mystic Saint Teresa of Avila - Painting by Dino Carbetta"…<br />
<br />
Saint Teresa of Jesus entered the world in March 1515, a Spanish noblewoman destined for a life of deep devotion within the Catholic Church. Living at the cusp of the Protestant Reformation and persevering through decades beyond the Council of Trent, Teresa became a Carmelite nun renowned for her mysticism, religious reform, authorship, and theological contributions. Her contemplative life and dedication to mental prayer left a lasting mark on the Church, culminating in her being named a Doctor of the Church over four centuries after her death. At the heart of the Catholic Reformation, Teresa’s vision sparked a transformation in the Carmelite Orders for both women and men, finding a kindred spirit in the friar and mystic John of the Cross. Together, they founded the Discalced Carmelites, a movement that breathed new life into religious practice. Dino Carbetta’s painting captures the essence of Teresa’s unwavering faith—a life marked by prayer, discipline, and compassion as she endured personal purification and suffering. Despite facing misunderstanding, illness, and adversity, she remained resolute in her mission of reform, clinging to her faith and prayer. This portrayal reflects her journey of spiritual depth, offering a window into her profound insights on prayer and contemplation, gleaned from her own experiences. Teresa's legacy includes founding monasteries, enduring great trials, and writing works of enduring spiritual wisdom. Her masterpieces, "The Way of Perfection" and "The Interior Castle," continue to inspire believers today. Teresa was not merely a woman devoted to God; she was a woman who breathed life and courage into others. Dino Carbetta’s painting honors this legacy, immortalizing her as a beacon of faith and inspiration.
    La Mistica Santa Teresa d'Avila - Di..etta
  • “Savior of the World - Painting by Dino Carbetta” ...<br />
<br />
In contemplating the Incarnation, we encounter the renewing grace of Christ. "Christ is your Son before all ages, yet now he is born in time. He has come to lift all things to himself, to restore unity to creation, and to lead mankind from exile into your heavenly kingdom." The mystery of Christ, beginning in the Virgin Mary's womb and fully revealed on the Cross, permeates history and consecrates humanity. Jesus' Pasch in every Eucharist draws us into redemption. The Eucharist is the living presence of Christ, the same yesterday, today, and forever. "In the most blessed Eucharist is contained the whole spiritual good of the Church, namely Christ himself our Pasch and the living bread which gives life to men through His flesh—that flesh which is given life and gives life through the Holy Spirit." The ecclesiastical institution, in compliance with the imperative of Christ, "Do this in remembrance of me," observes the Eucharist as the ultimate pinnacle and primary origin of its existence. The sacramental signs of Christ's sacrifice, the consecrated bread and wine, invite us into communion with the Lord, transforming us into what we receive and enabling us to live fully in Him. The Eucharist is not solely a means of sustenance for the spirit, but rather an invitation to manifest Christ's love and selflessness in our daily existence. This artwork, "Salvator Mundi," encapsulates a profound verity, portraying the perpetual existence of Christ, the Redeemer of the Universe, who presents Himself as the sustenance for a regenerated existence. As we receive the Bread of Life, we are called to be instruments of God's mercy and compassion in the world, finding strength for our journey, a foretaste of the heavenly banquet, and a call to deeper communion with God and one another. "We are transformed through this encounter and sent to illuminate the world with Christ’s love."
    Salvator Mundi - Painting by Dino Ca..etta
  • “Love and Pain - Mary and Jesus Before the Climb to Calvary - Painting by Dino  Carbetta” ... <br />
<br />
A poignant painting capturing a profound moment in Christian theology. In this scene, Mary and Jesus share a powerful exchange as they meet on the sorrowful journey to Calvary. The accompanying biblical passage underscores the divine wisdom in the seemingly paradoxical nature of Christ's sacrifice. The encounter between Mary and Jesus embodies a depth of emotion that transcends words. Mary, filled with boundless love for her son, meets his gaze with a sorrowful understanding of the impending crucifixion. Their silent interaction speaks volumes, illustrating the deep bond between mother and son, as well as the weight of the sacrifice to come. This moment, known as the Fourth Sorrow, highlights Mary's role as the Sorrowful Mother, foretold by Simeon's prophecy. Despite the darkness of the hour, Mary stands by Jesus with unwavering faith and devotion, offering him solace amidst his suffering. Her acceptance of God's will serves as a model of obedience and surrender to divine providence. Through the lens of faith, we are invited to contemplate the deeper significance of Christ's passion. While the world may view the crucifixion as folly, believers recognize it as the ultimate expression of God's love and wisdom. As the Apostle Paul wrote, "For the foolishness of God is wiser than human wisdom, and the weakness of God is stronger than human strength." In contemplating this painting and its accompanying scripture, we are challenged to embrace the mystery of the Cross with humility and faith. Like Mary, we are called to walk alongside Jesus in his suffering, offering our own "yes" to the will of the Father. In doing so, we discover the transformative power of love and the triumph of redemption through Christ's sacrifice.
    Amore e Dolore - Maria e Gesù Prima ..etta
  • The Majestic Duality: Jesus is the Lion and the Lamb – Painting by Dino Carbetta<br />
<br />
God's omnipotence and paradoxical interplay reveal God's awe-inspiring duality as both the mighty Lion of the Tribe of Judah and the gentle Lamb. In Rev 5:5, Jesus is introduced as the conquering Lion: "The Lion of the tribe of Judah, the Root of David, has prevailed to open the scroll and to lose its seven seals." This imagery highlights the strength and triumph of Christ. In contrast, Jn 1:29 unveils the Lamb: "Behold! The Lamb of God who takes away the sin of the world!" This portrayal affirms the sacrificial nature of Christ, who was sent to lay down His life for humanity. Christ's earthly ministry exemplifies this dual nature. In Matt 20:28, He declares Himself a servant and asserts service over being served. Even in the face of mistreatment during His passion, Christ remains silent, akin to a lamb led to slaughter   (Is 53:7). His humility, not weakness, becomes evident as He fulfills His purpose. Rev 5:6 unveils a captivating scene of the Lamb standing as though slain, adorned with seven horns and seven eyes—the embodiment of Christ's sacrificial mission. The paradox deepens as the Lion who prevailed is now portrayed as the Lamb that was slain. This juxtaposition signifies the cross, where Christ, as the Lamb, was slain, and as the Lion, conquered. JL 3:16 echoes the powerful image of the LORD roaring from Zion, reminiscent of the Lion of the tribe of Judah. The Lion's roar symbolizes strength and protection for His people. This divine duality culminates in the realization that the Lion and the Lamb are not contradictory but complementary aspects of Jesus' nature. In contemplating this divine mystery, we recognize that the Lion and the Lamb represent two facets of Jesus' identity—the victorious Lion of the tribe of Judah and the Lamb of God who bore the sins of the world. This divine interplay showcases the complexity and depth of God's character, inspiring awe and reverence.
    La Maestosa Dualità Gesù è il Leone ..etta
  • “The Sacred Conversion - Saint Paul's Transformative Journey – Painting by Dino Carbetta”…<br />
<br />
In the transformative narrative of Saint Paul's life, a pivotal moment unfolded on the road to Damascus—a meeting with Jesus that would redefine the essence of his being. Paul recognized that his zealous pursuits were misdirected. In his earlier days, fueled by a zealot's hatred, he relentlessly persecuted the Church, dragging men and women from their homes for imprisonment (Acts 8:3). However, in an instant, Paul found himself possessed by a new purpose—becoming a devoted servant of Christ in the ministry of reconciliation. His energy once used to persecute, was now harnessed to the singular goal of being an instrument for others to encounter the transformative Savior. The revelation on that road defined his theology: "I am Jesus, whom you are persecuting" (Acts 9:5). Jesus, became the fulfillment of all his previous pursuits. Henceforth, Paul's life became an unwavering dedication to presenting everyone as perfect in Christ. His labor and struggle were driven by the power working within him (COL 1:28-29). The Gospel he proclaimed was not mere words but a message imbued with power, the Holy Spirit, and deep conviction (1 Thes 1:5). Paul's mission echoed the profound truth that salvation is a divine act—individuals are saved entirely by God's grace, not by their efforts. Paul's message unfolded as a passionate declaration and embodiment of the cross. Through baptism, Christians die to sin and are buried with Christ, emerging as a new creation. They share in Christ's victory and anticipate resurrection. By the grace of the Father, the Spirit is given through Christ, transforming believers into a new and radiant creation. Paul proclaimed to the world: that salvation is a gift, a result of total, free, personal, and loving commitment to Christ. This commitment, in turn, bears fruit in actions surpassing the limitations of all Law.
    The Sacred Conversion - Saint Paul's..etta
  • “The Ascension of the Lord - Painting by Dino Carbetta”…<br />
<br />
Captures a pivotal moment in Christian faith depicted in Luke 24:46-53. This passage narrates the profound significance of Jesus' resurrection and ascension. Jesus, having conquered death, imparts to his disciples the imperative of spreading the message of repentance and forgiveness throughout the world. Beginning in Jerusalem, they are to witness these transformative events, awaiting the promised power from above. As Jesus ascends, he blesses his disciples, leaving them with a tangible sense of his presence despite his physical departure. Their return to Jerusalem is marked by overflowing joy and continuous praise in the temple. This joyous occasion signifies that though Jesus may no longer walk the earth, his spirit remains present, advocating for and guiding believers. In the painting, the lifting up of Jesus on the cross symbolizes the commencement of his ascension into heaven. He, the sole mediator of the new Covenant, transcends earthly confines to intercede on behalf of humanity before God. Christ, seated at the Father's right hand, fulfils ancient prophecies and establishes his dominion over all peoples. The apostles, now witnesses to this eternal reign, embody the enduring nature of Christ's kingdom. Their proclamation resonates through the ages, heralding the everlasting dominion of the Risen Lord. Through the Ascension, we are reminded of our profound connection to the divine, guided by an ever-present Advocate and united in faith with a community that proclaims God's boundless love to the world. After this narrative, this painting beautifully encapsulates the essence of the Ascension, serving as a visual testament to the enduring significance of this pivotal event in the Christian faith.
    L'Ascensione del Signore - Dipinto d..etta
  • “Heaven Reigns of Glorious Snow on the Church of San Sebastiano in the Bavarian Alps - Painting by Dino Carbetta<br />
<br />
Psalms 42:2-6 – “As the deer longs for streams of water, so my soul longs for you, O God. My soul thirsts for God, the living God. When can I enter and see the face of God? My tears have been my bread day and night, as they ask me every day, “Where is your God?” Those times I recall as I pour out my soul When I would cross over to the shrine of the Mighty One, to the house of God, Amid loud cries of thanksgiving, with the multitude keeping festival. Why are you downcast, my soul; why do you groan within me? Wait for God, for I shall again praise him, my savior and my God.” This enchanting Bavarian sanctuary, consecrated to Saints Sebastian and Fabian, has stood proudly since its construction in 1512 and is located 161 miles from the picturesque Bolzano, Italy. In 1611, a sturdy stone tower was erected, and the church witnessed its final baroque splendor. The graceful silhouette adorned with an onion dome and rustic wooden shingles captures the essence of divine elegance. Adjacent to the church lies a historic cemetery, a poignant testament to the past, housing a war memorial honoring the residents who sacrificed their lives during World War II. The church gained international recognition when, in 1960, U.S. President Eisenhower painted its magnificence based on a color photograph. His artistic rendition became a heartfelt Christmas gift for the White House staff and graced the pages of the European edition of Stars and Stripes, the U.S. Armed Forces news. The panoramic setting of the church, embraced by snow-clad mountains, serves as a breathtaking canvas—a divine spectacle echoing the profound verses of Psalms. The ethereal beauty of the scene encapsulates the spiritual resonance and poetic grace found within the sacred pages of the Bible. In humble regard, the artist of this masterwork presents a modest yet faithful portrayal of the divine sanctuary.
    Il Paradiso Regna del Neve Gloriosa ..etta
  • “Saint Catherine extends the Cross and the Olive Branch as Patron of Italy in front of her Sanctuary-home in Siena - Painting by Dino Carbetta”…<br />
<br />
The monumental statue of St. Catherine of Siena, created by Bruno Buracchini and donated to the Diocese of Siena, and stands in front of her home in Siena. Saint Catherine of Siena (1347-80) was a lay-affiliate of the Dominican Order famed for her intellect and mystical visions of Christ. She was the 23rd child of Jacopo and Lapa Benincasa and grew up as an intelligent, cheerful, and intensely religious person. What is most impressive about her is that she learns to view her surrender to her Lord as a goal to be reached through time. She entered the Dominican 3rd Order at 18 and spent the next three years in seclusion, prayer, and austerity. Her public influence reached great heights because of her evident holiness and the deep impression she made on the pope. She worked tirelessly for the crusade against the Turks and peace between Florence and the pope. In 1378, the Great Schism began, splitting the allegiance of Christendom between two, then three, popes and putting even saints on opposing sides. Catherine spent the last two years of her life in Rome, in prayer and pleading on behalf of the cause of Pope Urban VI and the unity of the Church. She offered herself as a victim for the Church in its agony. She died surrounded by her “children” and was canonized in 1461. Catherine ranks high among the mystics and spiritual writers of the Church. In 1939, she and Francis of Assisi were declared co-patrons of Italy. Pope Paul VI named her and Teresa of Avila doctors of the Church in 1970. The Shrine of Saint Catherine occupies the site of Catherine's family home, where she was born in 1347 and where she lived her austere early life as a Dominican affiliate. The house has been much adapted; it is now a series of chapels dedicated to the beloved saint. The monumental marble well in the courtyard dates to the 15th century.
    Santa Caterina si estende la Croce e..etta
  • "The return of Francis, a penitent man, contemplating his future in the Church"...<br />
<br />
Francis of Assisi was a poor little man who astounded and inspired the Church by taking the gospel literally—not in a narrow fundamentalist sense, but by actually following all that Jesus said and did, joyfully, without limit, and without a sense of self-importance. The first change Francis experienced was his discovery of the value of the human person, irrespective of wealth, or social standing. He began to feel a deep inner kinship with the whole of humanity, but especially with the poor and the outcast. This new understanding of the human person is fundamentally identical to that found in the Gospels. So in the spring of 1205, he enlisted in Walter's army and set forth for Puglia, in southern Italy. But God had other plans, and Francis did not travel far. As soon as he reached the nearby city of Spoleto, Francis had a very strange dream. God appeared to him and ordered him to return home. Amid the bewilderment of his friends, Francis left all and made his way back to Assisi. This image of Francis on his horse in front of his eventual Basilica represents the contemplation of his growing faith. His search for conversion led him to the ancient church at San Damiano. While he was praying there, he heard Christ on the crucifix speak to him, "Francis, repair my church." Francis assumed this meant the crumbling building he was in. He later realized it was his call to rebuild the entire Church.  He read the command to the rich young man to sell all his good and give to the poor, the order to the apostles to take nothing on their journey, and the demand to take up the cross daily. "Here is our rule," Francis said -- as simple, and as seemingly impossible, as that. He was going to do what no one thought possible anymore -- live by the Gospel.
    Il ritorno di Francesco uomo peniten..iesa
Next