dino carbetta

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  • “Assisi front door with a lot of Character”…<br />
<br />
Italy is famous for its display of fresh and beautiful flowers and foliage outside the windows and doors throughout the countryside, and Assisi was no different except for the perfection of their presentation. I am sure the Chamber of Commerce in Assisi is quite busy maintaining the continuity and beauty of Assisi, but perhaps there is no need as the residents all seem perfectly happy to respect and display all its beauty. The streets, walkways, and general environment were the most immaculate of any town I witnessed in Italy and the most religious of any place on my journey. The town became a mystic and peaceful shrine in the early darkness of night after all the tourists departed, and all the prayers offered that day reflected and echoed off the ancient walls. Even the vending machines contained Rosaries, and its residents strolled about dressed in their religious attire with permanent smiles upon their faces. I am sure there are many remarkable religious destinations in the world but this photographer’s opinion…Assisi has no spiritual equal on this earth.
    Assisi porta di casa con un molto di..tere
  • "Front doors 26-28 along Via Roma Cortona"...<br />
<br />
Before embarking upon my one month journey in Italy, I prepared by walking, running, and exercising 3-4 hours a day to get in shape to hike the steep grades carrying a 25lb. camera bag over the strenuous terrain of the Italian countryside.  No amount of training prepared me for the hot and humid climate, mountainous landscape, and steep grades throughout the country of Italy, and the extremely grueling le strade in Cortona.  This image was created on one of the main streets of Cortona with gradients reaching about 15% or more.  This image is not distorted as Italian architects are famous for overcoming difficulties or seemingly impossible tasks. Here is an example of three front doorways along perhaps one of the steepest town streets I have ever encountered.  I actually had to stand sideways to create this photograph to level out the image. Thanks be to God for the amazing beauty of the flowers, which give hope to the weary and exhausted climbers into the tiny town center.  "From a high Tuscan hill, fifty miles from Florence between Arezzo and Perugia, rises the equally ancient and noble city of Cortona. Before the city lays a vast and beautiful plain, it is flanked on either side by distant hills and valleys while behind it are towering yet fruitful mountains. Cortona has a picturesque aspect, quite a bit longer than wide, turned towards the midday sun.”… 17th century quote.  A part from its artistic beauty, Cortona is a very important tourist destination because of its privileged geographical location. One can easily visit many interesting towns, which have appeal from a cultural and artistic point of view, like Florence, Siena, Perugia, Pienza, Montepulciano, Montalcino, Lake Trasimeno, Arezzo, Assisi, Gubbio, Orvieto, Spoleto and many others.
    Porte Anteriori 26-28 lungo Via Roma..tona
  • “The steep slope and patriotic houses of Cortona”…<br />
<br />
Entering Cortona, one realizes the charm and charisma of this hilltop village.  With its steep streets, ruined Etruscan and Roman walls, narrow alleys, and medieval buildings, Cortona maintains ancient origins and has remained uniquely unchanged today.  Before embarking upon my one month journey in Italy, I prepared by walking, running, and exercising 3-4 hours a day to get in shape to hike the steep grades carrying a 25lb. camera bag over the strenuous terrain of the Italian countryside.  No amount of training prepared me for the hot and humid climate, mountainous landscape, and steep grades throughout the country of Italy, and the extremely grueling le strade in Cortona.  The tiny walled town of Cortona was probably not the most fortified with large amounts of photogenic attractions within its ramparts, but professed to be the perfect central Tuscany location. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970.  If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the bellissimo Tuscan Sun.  The warm ambiance of Cortona, in contrast with its grueling hills…one may find colorful, delicate, and enduring beauty.
    La ripida pendenza e le case patriot..tona
  • “Papal Basilica of St. Francis of Assisi, good evening!”…<br />
<br />
This evening image was created while standing upon remnants of the fortress atop Assisi viewing down to the resting Basilica of Saint Francis. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino, and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about 200 yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God.  This is one of the first images after gaining the top, right at the beginning of the heavenly skies erupting over the countryside.
    Basilica Papale di San Francesco d'A..era!
  • "Sunset descends on a Tuscan farm along the Val d'Orcia - Painting by Dino Carbetta"...<br />
<br />
A late afternoon excursion from Cortona led me to the medieval town of Montepulciano, which stands on an ancient walled hilltop in southern Tuscany, not far from Siena. Within its ramparts are elegant Renaissance palaces, ancient churches, charming squares, hidden corners, and vast panoramas of the famous vineyard valleys of the Val d'Orcia. Montepulciano has received great attention following the filming of the sequel Twilight - New Moon. I would love to spend more time in the picturesque town and will include a longer stay in my return to Italy. Montepulciano is famous for not just one but two excellent wines, Vino Nobile di Montepulciano and Rosso di Montepulciano. However, it is often underestimated in terms of the interest of its art and architecture, perhaps because of its small size. One of the many promises I made to myself upon my return home was to drink a glass of my favorite Italian wine nightly and without a doubt...Montepulciano is my favorite wine region. I conceived and eventually painted this panoramic photograph by combining two images during sunset along the Val d’Orcia. Unfortunately, this image is one of very few from this famous scenic Tuscan countryside, but I pray and aspire for many more.
    Tramonto scende su fattoria toscana ..etta
  • “Beautiful flowers by the front door in Assisi”…<br />
<br />
Italy is famous for its display of fresh and beautiful flowers outside the windows and doors throughout the countryside, and Assisi was no different with the exception of the perfection of their presentation.  I am sure the Chamber of Commerce in Assisi is quite busy maintaining the continuity and beauty of Assisi, but perhaps there is no need as the residents all seem perfectly happy to respect and display all its beauty.  The streets, walkways, and general environment were the most immaculate of any town I witnessed in Italy, and the most religious of any place on my journey.  The town became a mystic and peaceful shrine in the early darkness of night after all the tourists departed, and all the prayers offered that day reflected and echoed off the ancient walls.  Even the vending machines contained Rosaries, and its residents strolled about dressed in their religious attire with permanent smiles upon their faces.  I am sure there are many remarkable religious destinations in the world, but in this photographer’s opinion…Assisi has no spiritual equal on this earth.
    Bellissimi fiori per la porta d'ingr..sisi
  • “Multi-layered vineyards near Montepulciano along the Val d'Orco”…<br />
<br />
A late afternoon excursion from Cortona led me to the medieval town of Montepulciano, which stands on an ancient walled hilltop in southern Tuscany, not far from Siena. Within its ramparts are elegant Renaissance palaces, ancient churches, charming squares, hidden corners, and vast panoramas of the famous vineyard valleys of the Val d'Orcia. Montepulciano has received great attention following the filming of the sequel Twilight - New Moon. I would love to spend more time in the picturesque town, and will include a longer stay in my return to Italy.  Montepulciano is famous for not just one but two excellent wines, Vino Nobile di Montepulciano and Rosso di Montepulciano. However, it is often underestimated in terms of the interest of its art and architecture, perhaps because of its small size.  One of the many promises I made to myself upon my return home was to drink a glass of my favorite Italian wine nightly, and without doubt...Montepulciano is my favorite wine region.  I created this late evening panoramic photograph by combining two images during sunset along the Val d’Orcia.  Unfortunately, this image is one of few from this famous scenic Tuscan countryside, but I pray and aspire for many more.
    Vigneti a più strati, vicino a Monte..Orco
  • "Decorative Wall around the New Church of St. Francis of Assisi"...<br />
<br />
Italy is famous for its display of fresh and beautiful flowers outside the windows and doors throughout the countryside, and Assisi was no different with the exception of the perfection of their presentation. I am sure the Chamber of Commerce in Assisi is quite busy maintaining the continuity and beauty of Assisi, but perhaps there is no need as the residents all seem perfectly happy to respect and display all its beauty. The streets, walkways, and general environment were the most immaculate of any town I witnessed in Italy, and the most religious of any place on my journey. The town became a mystic and peaceful shrine in the early darkness of night after all the tourists departed, and all the prayers offered that day reflected and echoed off the ancient walls. Even the vending machines contained Rosaries, and its residents strolled about dressed in their religious attire with permanent smiles upon their faces. I am sure there are many remarkable religious destinations in the world, but in this photographer’s opinion…Assisi has no spiritual equal on this earth.
    Murale Decorativo circa della Chiesa..sisi
  • “Vineyards near Montepulciano along the Val d'Orco”…<br />
<br />
A late afternoon excursion from Cortona led me to the medieval town of Montepulciano, which stands on an ancient walled hilltop in southern Tuscany, not far from Siena. Within its ramparts are elegant Renaissance palaces, ancient churches, charming squares, hidden corners, and vast panoramas of the famous vineyard valleys of the Val d'Orcia. Montepulciano has received great attention following the filming of the sequel Twilight - New Moon. I would love to spend more time in the picturesque town, and will include a longer stay in my return to Italy.  Montepulciano is famous for not just one but two excellent wines, Vino Nobile di Montepulciano and Rosso di Montepulciano. However, it is often underestimated in terms of the interest of its art and architecture, perhaps because of its small size.  One of the many promises I made to myself upon my return home was to drink a glass of my favorite Italian wine nightly, and without doubt...Montepulciano is my favorite wine region.  I created this late evening panoramic photograph by combining two images during sunset along the Val d’Orcia.  Unfortunately, this image is one of few from this famous scenic Tuscan countryside, but I pray and aspire for many more.
    Vigneti vicino a Montepulciano lungo..Orco
  • “Never-ending steps of Cortona”…<br />
<br />
Entering Cortona, one realizes the charm and charisma of this hilltop village.  With its steep streets, ruined Etruscan and Roman walls, narrow alleys, and medieval buildings, Cortona maintains ancient origins and has remained uniquely unchanged today.  Before embarking upon my one month journey in Italy, I prepared by walking, running, and exercising 3-4 hours a day to get in shape to hike the steep grades carrying a 25lb. camera bag over the strenuous terrain of the Italian countryside.  No amount of training prepared me for the hot and humid climate, mountainous landscape, and steep grades throughout the country of Italy, and the extremely grueling le strade in Cortona.  The tiny walled town of Cortona was probably not the most fortified with large amounts of photogenic attractions within its ramparts but professed to be the perfect central Tuscany location. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970.  If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the Bellissimo Tuscan Sun.  The warm ambiance of Cortona, in contrast with its grueling hills…one may find colorful, delicate, and enduring beauty.
    Non finisce mai passi di Cortona
  • "House of Hospitality - Maria Immacolata Franciscan Missionary Sisters of Assisi - Of the Lily"... <br />
<br />
Italy is famous for its display of fresh and beautiful flowers and foliage outside the windows and doors throughout the countryside, and Assisi again was no different with the exception of the perfection of their presentation. I am sure the Chamber of Commerce in Assisi is quite busy maintaining the continuity and beauty of Assisi, but perhaps there is no need as the residents all seem perfectly happy to respect and display all its beauty. The streets, walkways, and general environment were the most immaculate of any town I witnessed in Italy and the most religious of any place on my journey. The town became a mystic and peaceful shrine in the early darkness of night after all the tourists departed, and all the prayers offered that day reflected and echoed off the ancient walls. Even the vending machines contained Rosaries, and its residents strolled about dressed in their religious attire with permanent smiles upon their faces. I am sure there are many remarkable religious destinations in the world but in this photographer’s opinion…Assisi has no spiritual equal on this earth.
    Casa dell'Ospitalità - Maria Immacol..glio
  • "The beautiful pigeon enjoys the ancient Fonte Gaia in Piazza del Campo Siena"...<br />
<br />
The Piazza del Campo is a magnificent encapsulated brick gathering center surrounded by Siena’s ancient sienna colored buildings. The sloping piazza has been Siena's civic and social center since the ruling Consiglio dei Nove in the mid-12th century. Built on the site of a Roman marketplace, its paving is divided into nine sectors representing the number of members of the consiglio. The cafes around the perimeter are the most popular coffee and aperitivi spots in town. The site revolutionized the idea of the medieval Italian piazza, having no spatial restrictions or conventional shape nor any symbolic balance of secular or religious power. The Palio di Siena is run twice yearly, in July and August, dirt and sand are brought in and laid around the edges of the Piazza del Campo to transform it into a horse racing track. This traditional race, which has ancient roots, still showcases the fierce rivalry which still remains between the 17 wards of the city. The magnificent Fonte Gaia fountain, designed by Jacopo della Quercia around 1419, adorns the higher part of Piazza del Campo. The fountain we see today stands on the exact spot occupied by a previously existing fountain in 1346. The water that feeds the fountain travels from a spring in the nearby countryside through 16 miles of underground passages known as Bottini, built in the Middle Ages. Fonte Gaia acquired its name after great celebrations took place when the inhabitants of Siena saw the water gushing from the fountain. A large, altar-like rectangular basin is surrounded on three sides by a high parapet. The sides are decorated with reliefs of The Creation of Adam and The Flight from the Garden of Eden. The long section of the fountain is adorned at the center with a Madonna and Child, surrounded by allegories of the Virtues. I found Siena to be one of the most pleasing and still authentic Italian of my travels.
    Il bel piccione si gode l'antica Fon..iena
  • "Dramatic sunset over an ancient Tuscan farm along the Val d'Orcia"...<br />
<br />
A late afternoon excursion from Cortona led me to the medieval town of Montepulciano, which stands on an ancient walled hilltop in southern Tuscany, not far from Siena. Within its ramparts are elegant Renaissance palaces, ancient churches, charming squares, hidden corners, and vast panoramas of the famous vineyard valleys of the Val d'Orcia. Montepulciano has received great attention following the filming of the sequel Twilight - New Moon. I would love to spend more time in the picturesque town, and will include a longer stay in my return to Italy. Montepulciano is famous for not just one but two excellent wines, Vino Nobile di Montepulciano and Rosso di Montepulciano. However, it is often underestimated in terms of the interest of its art and architecture, perhaps because of its small size. One of the many promises I made to myself upon my return home was to drink a glass of my favorite Italian wine nightly, and without doubt...Montepulciano is my favorite wine region. This image was made of the dramatic sunset along the Val d’Orcia on the ride back to Cortona. Unfortunately, this image is one of very few from this famous scenic Tuscan countryside, but I pray and aspire for many more.
    Drammatico tramonto su antica fattor..rcia
  • "Mystical sunset over an ancient Tuscan farm along the Val d'Orcia"...<br />
<br />
A late afternoon excursion from Cortona led me to the medieval town of Montepulciano, which stands on an ancient walled hilltop in southern Tuscany, not far from Siena. Within its ramparts are elegant Renaissance palaces, ancient churches, charming squares, hidden corners, and vast panoramas of the famous vineyard valleys of the Val d'Orcia. Montepulciano has received great attention following the filming of the sequel Twilight - New Moon. I would love to spend more time in the picturesque town, and will include a longer stay in my return to Italy. Montepulciano is famous for not just one but two excellent wines, Vino Nobile di Montepulciano and Rosso di Montepulciano. However, it is often underestimated in terms of the interest of its art and architecture, perhaps because of its small size. One of the many promises I made to myself upon my return home was to drink a glass of my favorite Italian wine nightly, and without doubt...Montepulciano is my favorite wine region. This image was made of the dramatic sunset along the Val d’Orcia on the ride back to Cortona. Unfortunately, this image is one of very few from this famous scenic Tuscan countryside, but I pray and aspire for many more.
    Mistico tramonto su antica fattoria ..rcia
  • “Beautiful flowers outside the window in Assisi”…<br />
<br />
Italy is famous for its display of fresh and beautiful flowers outside the windows and doors throughout the countryside, and Assisi was no different with the exception of the perfection of their presentation.  I am sure the Chamber of Commerce in Assisi is quite busy maintaining the continuity and beauty of Assisi, but perhaps there is no need as the residents all seem perfectly happy to respect and display all its beauty.  The streets, walkways, and general environment were the most immaculate of any town I witnessed in Italy, and the most religious of any place on my journey.  The town became a mystic and peaceful shrine in the early darkness of night after all the tourists departed, and all the prayers offered that day reflected and echoed off the ancient walls.  Even the vending machines contained Rosaries, and its residents strolled about dressed in their religious attire with permanent smiles upon their faces.  I am sure there are many remarkable religious destinations in the world, but in this photographer’s opinion…Assisi has no spiritual equal on this earth.
    Bellissimi fiori fuori dalla finestr..sisi
  • "Going down the old stairs in Cortona to find the modern"...<br />
<br />
Entering Cortona, one realizes the charm and charisma of this hilltop village. With its steep streets, ruined Etruscan and Roman walls, narrow alleys, and medieval buildings, Cortona maintains ancient origins and has remained uniquely unchanged today. Before embarking upon my one month journey in Italy, I prepared by walking, running, and exercising 3-4 hours a day to get in shape to hike the steep grades carrying a 25lb. camera bag over the strenuous terrain of the Italian countryside. No amount of training prepared me for the hot and humid climate, mountainous landscape, and steep grades throughout the country of Italy, and the extremely grueling le strade in Cortona. The tiny walled town of Cortona was probably not the most fortified with large amounts of photogenic attractions within its ramparts, but professed to be the perfect central Tuscany location. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970. If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the bellissimo Tuscan Sun. The warm ambiance of Cortona, in contrast with its grueling hills…one may find colorful, delicate, and enduring beauty.
    Scendendo giù per le antiche scale a..erno
  • “The vibrant flowers and doors of Cortona”…<br />
<br />
Entering Cortona, one realizes the charm and charisma of this hilltop village. With its steep streets, ruined Etruscan and Roman walls, narrow alleys, and medieval buildings, Cortona maintains ancient origins and has remained uniquely unchanged today. Before embarking upon my one month journey in Italy, I prepared by walking, running, and exercising 3-4 hours a day to get in shape to hike the steep grades carrying a 25lb. camera bag over the strenuous terrain of the Italian countryside. No amount of training prepared me for the hot and humid climate, mountainous landscape, and steep grades throughout the country of Italy, and the extremely grueling le strade in Cortona. The tiny walled town of Cortona was probably not the most fortified with large amounts of photogenic attractions within its ramparts, but professed to be the perfect central Tuscany location. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970. If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the bellissimo Tuscan Sun. The warm ambiance of Cortona, in contrast with its grueling hills…one may find colorful, delicate, and enduring beauty.
    I fiori vibrante e porte di Cortona
  • “Beautiful flowers and Pax et bonum adorn the doors of Assisi”…<br />
<br />
Italy is famous for its display of fresh and beautiful flowers and foliage outside the windows and doors throughout the countryside, and Assisi was no different with the exception of the perfection of their presentation.  I am sure the Chamber of Commerce in Assisi is quite busy maintaining the continuity and beauty of Assisi, but perhaps there is no need as the residents all seem perfectly happy to respect and display all its beauty.  The streets, walkways, and general environment were the most immaculate of any town I witnessed in Italy, and the most religious of anyplace on my journey.  The town became a mystic and peaceful shrine in the early darkness of night after all the tourists departed, and all the prayers offered that day reflected and echoed off the ancient walls.  Even the vending machines contained Rosaries, and its residents strolled about dressed in their religious attire with permanent smiles upon their faces.  I am sure there are many remarkable religious destinations in the world, but in this photographer’s opinion…Assisi has no spiritual equal on this earth.  Pax et bonum (peace and the good, the motto of St Francis), is displayed above all doors and virtually everywhere in Assisi.  Many in passing just offer a greeting with a friendly “Pax”, or Peace!
    Splendidi fiori e Pax et bonum adorn..sisi
  • “Sweet Maria panoramic views of Lake Trasimeno”…<br />
<br />
Dolce Maria is the Bed and Breakfast I lodged in for four nights in the medieval hill town of Cortona.  One street over from the main square, the ancient historical building from 15th century is the home of the Barboni family.  There is a restaurant on the ground floor where Madre Paola is one of the famous chefs of Cortona, and her friendly husband Franco and son Gianni help run the properties.  Paola’s 80- something year old mother offered to wash my laundry and hung it to dry on the rooftop.  With only six rooms in this steep vertical villa winding about like a castle, it very much felt like a true Tuscan adventure.  Booking Dolce Maria from Roma, I asked for a room with a view; I didn’t notice a view from the 3rd story room, but Paolo instructed me to a tiny door in the corner…with a winding staircase ascending upward about 2-3 more stories to the rooftop and a private terrace view of the valley below.  On my last evening as the sun dipped in the sky and the birds wisped among the clouds, I photographed this image of Lake Trasimeno and the Tuscan countryside through an art-deco like structure on the roof.  The tiny walled town of Cortona was probably not the most fortified with large amounts of photogenic attractions within its ramparts, but professed to be the perfect central Tuscany location. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970.  If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the bellissimo Tuscan Sun.
    Dolce Maria vista panoramica sul Lag..meno
  • Madonna of Victory and the Rosary - Painting by Dino Carbetta<br />
<br />
 Honors the Feast of Our Lady of the Rosary celebrated on October 7. Originally designated as "Our Lady of Victory" by Pope Pius V, this feast commemorates the decisive Battle of Lepanto in 1571 amidst the looming specter of the imminent danger posed by the formidable Ottoman fleet, Pope Pius V implored Europe to unite in prayer, leading a solemn rosary procession in Rome. The painting captures this pivotal moment, depicting the devout supplication of the faithful and the divine intervention that ensued. The Battle of Lepanto marked a turning point in history as the Holy League miraculously vanquished the Ottoman armada, liberating thousands of captive Christians. Pius V attributed this triumph to the intercession of the Mother of God, bestowing upon the world the enduring legacy of the Feast of Our Lady of the Rosary. The significance of Mary's intercession resurfaced during the Battle of Vienna in 1683, where Blessed Marco d’Aviano rallied the besieged Christian forces, urging them to seek solace and strength through the rosary. Under the divine protection of the Blessed Virgin Mary, the Polish relief army secured a resounding victory, thwarting the Ottoman threat to Christendom once again. This artwork serves as a poignant reminder of Mary's unwavering guidance and the transformative power of prayer throughout history. The Queen of Heaven continues to lead the faithful in their spiritual battles, offering solace and hope to all who seek her intercession. In our contemporary age, beset by myriad challenges, Mary beckons us to emulate the faith and resilience of our ancestors, trusting in the enduring promise of redemption and salvation. Through the timeless message conveyed by "Madonna of Victory and the Rosary," viewers are inspired to embrace the fighting faith of Christianity, fortified by the unwavering support of Our Lady, who intercedes on behalf of humanity with boundless love and compassion.
    Madonna della Vittoria e del Rosario..etta
  • “Ascension of the Lord - Painting by Dino Carbetta”…<br />
<br />
Luke 24:46-53 narrates "The Ascension of the Lord." Jesus reveals his resurrection to his disciples after three days of suffering and stresses the significance of spreading the message of repentance and forgiveness of sins in his name to all nations, starting from Jerusalem. He reminds his followers that they are witnesses to these events and assures them that he will send his Father's promise upon them. However, he instructs them to stay in the city until they receive power from above. After blessing them, Jesus ascends to heaven. The disciples enthusiastically return to Jerusalem, continuously praising God in the temple. The Ascension signifies that although Jesus may not be present in a specific location, he is always among us. We have an Advocate who defends and guides us through life and a community that lives out their faith with us in our daily lives. Together, we reveal the lordship of God's love to the world through the Risen Jesus Christ, who ascended to heaven and advocates for us. "And when I am lifted from the earth, I will draw all people to myself." The lifting up of Jesus on the cross signifies and announces his ascent into heaven, which begins it. Jesus Christ, the only priest of the new and everlasting Covenant, "entered not into a sanctuary made by human hands... but into heaven itself, now to appear in the presence of God on our behalf." He is the center and principal actor of the liturgy that honors the Father in heaven. Christ is seated at the right hand of the Father, signifying the inauguration of his kingdom and the fulfillment of the prophet Daniel's vision regarding the Son of man. "To him was given dominion and glory and kingdom, that all peoples, nations, and languages should serve him; his dominion is an everlasting dominion, which shall not pass away, and his kingdom one that shall not be destroyed." The apostles became witnesses to the "kingdom will have no end."
    Ascensione del Signore – Dipinto di ..etta
  • “Beacon of Hope – Painting by Dino Carbetta” …<br />
<br />
Hope is faith acting and trusting in the promises of God. “Hope” moves us to abide in the word of God, and hope gives meaning to our trials. Hope destines us to live with Christ and it gives us the ability to continue on the path of apostles in freedom and trust. We experience difficulties at different points in our lives. But no circumstance, no pain, and no suffering can ever negate the hope we have in Christ, and God’s promises in Scripture. Both the Old and New Testaments are filled with hundreds of passages on hope. From these passages, we see how important it is to live out our Christian lives as disciples in hope. <br />
(2 Corinthians 4:16-18) "So we do not lose heart. Though our outer nature is wasting away, our inner nature is being renewed every day. For this slight momentary affliction is preparing for us an eternal weight of glory beyond all comparison, because we look not to the things that are seen but to the things that are unseen; for the things that are seen are transient, but the things that are unseen are eternal."<br />
(Philippians 4:4-7) "Rejoice in the Lord always; again I will say, Rejoice. Let all men know your forbearance. The Lord is at hand. Have no anxiety about anything, but in everything by prayer and supplication with thanksgiving let your requests be made known to God. And the peace of God, which passes all understanding, will keep your hearts and your minds in Christ Jesus."<br />
(1 Peter 1:3-5)  “Blessed be the God and Father of our Lord Jesus Christ, who in his great mercy gave us a new birth to a living hope through the resurrection of Jesus Christ from the dead, to an inheritance that is imperishable, undefiled, and unfading, kept in heaven for you who by the power of God are safeguarded through faith, to a salvation that is ready to be revealed in the final time.”
    Faro Della Speranza - Dipinto di Din..etta
  • “The Church of Santa Maddalena is surrounded by Roe Deer, both enjoying the sunset over the Dolomites in South Tyrol, Italy - Painting by Dino Carbetta”…<br />
<br />
The Church of St. Magdalene resides in a small village located in the Dolomites of Italy. Both, the village and the church, are symbols of the Val di Funes. This tiny picturesque village of just 377 people is located in the Trentino-Alto Adige region of Northern Italy. Historically, the church was built where the miraculous image of Santa Maddalena was washed up by the Fopal River. Saint Mary Magdalene church is mentioned beginning in 1394. The current form of the nave with a sloping base and a slightly grooved roof cornice, with pear and round bar on the pointed arch portal with a red chalk inscription, was complete in 1492. The mural exterior is the Crucifix on the gable in a niche with a donkey's back, weather-beaten, early XVI century. St. Christopher is lively and virtuoso in movement with a fluttering, wrinkled robe. Interiorly, the keystones on the vault, are bust portraits of Mary with the Christ Child and saints. The valley, as you can see, Val di Funes is stunningly beautiful. Summer, it’s very green and dotted with colorful flowers. Winter, it’s covered with snow, and the ragged Dolomite peaks, pierce the sky toward the heavens. Mary Magdalene is the first among the women following Jesus to proclaim Him as having overcome death. She is the first to announce the joyful message of Easter. But she also proved she was among those who loved Him most when she stood at the foot of the Cross on Mount Calvary together with Mary, His Mother, and the disciple, St. John. She did not deny him or run away in fear as the other disciples did, but remained close to Him every moment, up to and including the tomb. The Italian Roe Deer rejoice in the beauty of God’s creation.
    La Chiesa di Santa Maddalena e’ circ..etta
  • La Beata Vergine Maria - Dipinto di Dino Carbetta - Rosa <br />
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“The Blessed Virgin Mary - Painting by Dino Carbetta - Rose”… Upon completion of a new and original painting of the teenage Virgin Mary, I sit and stare into her eyes trying to imagine the complexity of the overwhelming magnitude of the future Mother of Christ. Her sincere and loving gaze, illuminating with the glow of the Holy Spirit within her very soul emanates outwardly representing all Mothers. I envision my wonderful Mother as I struggled to bring this two-dimensional representation to life. Again, my humble skills, yet meticulous manner combined to exhaust one complete month of trial and error. Irrevocably, a courageous young teenage Jewish girl is blessed beyond comprehension… <br />
“The Virgin Mother is constantly present on this journey of faith of the People of God towards the light. This is shown especially by the canticle of the "Magnificat," which, having welled up from the depths of Mary's faith at the Visitation, ceaselessly re-echoes in the heart of the Church down the centuries. This is proved by its daily recitation in the liturgy of Vespers and at many other moments of both personal and communal devotion.” (Saint John Paul II) <br />
"My soul magnifies the Lord, <br />
and my spirit rejoices in God my Savior, <br />
for he has looked on his servant in her lowliness. <br />
For behold, henceforth all generations <br />
will call me blessed; <br />
for he who is mighty has done great things for me,<br />
and holy is his name: <br />
and his mercy is from age to age <br />
on those who fear him. <br />
He has shown strength with his arm,<br />
he has scattered the proud-hearted,<br />
he has cast down the mighty from their thrones, <br />
and lifted up the lowly; <br />
he has filled the hungry with good things, <br />
sent the rich away empty. <br />
He has helped his servant Israel, <br />
remembering his mercy, <br />
as he spoke to our fathers, <br />
to Abraham and to his posterity forever." (Lk.1:46-55)
    La Beata Vergine Maria - Dipinto di ..Rosa
  • “Panoramic view from the Bar Giardino San Lorenzo of the Cathedral of San Rufino of Assisi”… <br />
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Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous and a more pleasant excursion. After morning Mass at Chiesa Nuova, and then to Portiuncula. The town has grown up around the Basilica of Our Lady of the Angels. Our Pilgrims took a break for lunch while fellow Pilgrim, Patrick and I headed for the mountain top of Assisi for panoramic views of the town below. The breathless spectacle peering down one side of the fortress is St. Francis Basilica, and the unparagoned ancient architecture on the opposite side and only way up and down, are Bellissimo landscapes of San Rufino and the Basilica di Santa Chiara. Shortly upon our descent, we found a spectacular hidden respite through the wall named: “Bar Giardino San Lorenzo,” where we stopped for lunch. This charming oasis on top of Assisi, was analogous to a floral garden paradise, with astounding views of the valley below and as far away as Siena. Perfect areas abound with shaded tables and chairs and a hut for the main area of the tiny restaurant. The Italiani husband and wife smile graciously as they served up a lunch menu and drinks for the astounded patrons. It appeared to us Pilgrims that we stumbled on the most perfect plot of land in all of Assisi, and found ourselves blessed to sit and relax for moments as we could not help aiming our cameras at God’s pleasant surroundings. After dozens of images exhausted, and nourishment for our hunger and thirst, a sad goodbye was extended to our hosts and a touch of paradise. To date, I have only had the opportunity to visit Assisi twice in my lifetime, but I could not imagine a more perfect spiritual, aesthetically beautiful, and peaceful location in the world. We were off to our next incredible adjacency, the Cathedral of San Rufino.
    Vista panoramica della Cattedrale di..enzo
  • "Dusk falls over the harbor of Riomaggiore"... <br />
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I began my daily journey at the northern most town of Monterosso and took the train to the southernmost town of Riomaggiore. Upon arriving in this picturesque seaside village and moving down to the water’s edge, I noticed proprietor Francesco in front of a tiny boat rental sign. After arranging an evening sail up the coast, I was able to focus on the colorful persona of Riomaggiore. That evening I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. Upon arriving back home in Monterosso, soft light illuminated the sky and azure sea of the Mediterranean convincing me to sail all the way back to Riomaggiore with my gracious guides Claudio and Eddie of "Cinque Terre dal Mare" sailing excursions. We arrived just in time for a perfect sunset and a perfect evening for creating bellissimo new images. After a nice dinner...I caught the last train at midnight back home to Monterosso. A very long day, but worth every minute!
    Crepuscolo cade sul porto di Riomaggiore
  • “Illuminated crucifix in Cathedral of Saints Philip and James – Sorrento”… <br />
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The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ.  This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Illuminato crocifisso in Cattedrale ..ento
  • “Silhouette of Gondoliers against the late sun on the Grand Canal near the Church of Santa Maria del Giglio - Red”…<br />
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“Venice” - Henry Wadsworth Longfellow: <br />
WHITE swan of cities, slumbering in thy nest	<br />
So wonderfully built among the reeds	<br />
Of the lagoon, that fences thee and feeds,	<br />
As sayeth thy old historian and thy guest!	<br />
White water-lily, cradled and caressed	<br />
By ocean streams, and from the silt and weeds	<br />
Lifting thy golden pistils with their seeds,	<br />
Thy sun-illumined spires, thy crown and crest!	<br />
White phantom city, whose untrodden streets	<br />
Are rivers, and whose pavements are the shifting	<br />
Shadows of palaces and strips of sky;	<br />
I wait to see thee vanish like the fleets	<br />
Seen in mirage, or towers of cloud uplifting	<br />
In air their unsubstantial masonry.<br />
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The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The rowing oar, which is not fastened to the hull, is used in a sculling manner, also acting as the rudder. For centuries the gondola was the chief means of transportation and most common watercraft within Venice. It is propelled by a gondolier. In modern times the iconic boats still have a role in public transportation in the city, serving as traghetti (ferries) over the Grand Canal. There are just over four hundred gondolas in active service today, virtually all of them used for hire by tourists. In order to become a professional gondolier, you need to obtain a license from the guild. Two hundred years ago, there were 10,000 gondolas in Venice. Although the aristocracy preferred horses to boats through the early Middle-Ages, beginning in the 14th century when horses were outlawed from the streets of Venice, the noble class embraced gondolas as a respectable form of transportation.
    Silhouette di gondolieri contro il t..osso
  • "High altar panorama of the Basilica of Santa Maria del Fiore Florence"...<br />
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Santa Maria del Fiore (also known simply as the Duomo) is the cathedral of Florence known for its distinctive Renaissance dome. Its name ("Saint Mary of the Flower") refers to the lily, the symbol of Florence. The impressive Gothic cathedral complex includes the Duomo, the famous baptistery and a campanile. Built in 1294 to be the largest Roman Catholic Church in the world, it is still the largest masonry dome in the world. Walking down the strada, and turning the corner to view the massive Duomo painted against the sky was captivating. I stopped in my tracks and began taking photos; however, the huge Florence crowds prevented most images from ground level. This was one of the first images I photographed noticing the ancient architecture of the Duomo competing across the narrow strada with the more modern buildings of Firenze.
    Altare maggiore panorama della Basil..enze
  • "Sanctuary of Madonna and child along Calle Dose da Ponte Venice"... <br />
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“O Most Amiable Child Jesus, You who said: "Ask and you shall receive," graciously hear my petition and grant me the favor I ask of You if it be for Your Greater Honor and Glory and for the good of my soul. Amen.” <br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice.
    Santuario di Madonna e bambino lungo..ezia
  • "High altar crucifix from the back of the Papal Basilica of St. Anthony of Padua"... <br />
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I consider this magnificent rear view of the High Altar in St. Anthony’s Basilica looking toward Donatello’s very famous “Crucifix in Padua” one of my few forbidden and miraculous images of my 2019 Pilgrimage to Italy. I was unaware of the mere size and ancient grandeur of the basilica begun in 1233 but found myself mystified by the aura surrounding it and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. As with most prestigious Basilica’s, no photos are allowed, which mostly rendered this photographer reverent, but sad. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. Deceptively, I found myself directly behind the elevated “High Altar,” and as I curiously climbed the steps toward the locked Iron Gate, Donatello’s celestial bronze crucifix began to appear. My surreptitious movement kept me from being noticed by the security guards and our Italian guide. I covertly rested my lens through the iron bars, and quietly depressed the shutter on my camera. Often called “Il Santo” by the locals of Padua, one cannot escape feeling overwhelmed by its majesty, and emanation of spirituality and reverence. The Basilica is austere, mysterious, and solemn, yet capacious, monumental, and impossible to notice every grand detail. However, be emboldened that this Pilgrimage Church is one of the eight international shrines recognized by the Holy See. It is a symbol of faith and hope for all Christian believers. I believe Saint Anthony would be honored and proud to offer Mass here.
    Crocifisso altare maggiore dalla par..dova
  • “Sunrise breaking through the clouds over peaceful Positano”…<br />
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There was only one occasion that I was really able to pre-plan taking photos at sunrise and that was during the last day of three in Positano.  It takes much planning, logistics, and familiarity to figure the best locations and the proper angles and positions of the sun.  My third morning was ideal and fortuitous as it began raining about 10:00 am which gave me perfect clouds for sunrise, finally ending with a very cold wind just in time for sunset.  This image is one of the rare photos of a slumbering Positano in the dewing morning around 6:09 am at the end of May….the beginning of peak tourist season.  By 8:00 am, this tiny seaside village is bustling with tourists and shop owners, and restaurateurs trying to satisfy every need.  All in all, Positano was by far the plushest of all the locations I visited in Italy, and I was blessed to witness everything in full bloom.
    Alba rottura attraverso le nuvole so..tano
  • "Crucified Christ - Monumental Church of San Michele Arcangelo, Anacapri"...<br />
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Located in the Piazza of Anacapri, the mountaintop above the island of Capri. It dates to 1595 when it replaced Chiesa di Santa Maria as the parish church.  One can view the ancient church contrasting with the more modern white façade. The sacristy and oratorio, were originally in the Chiesa di San Carlo. Architectural features include two bell towers and a baroque facade. The church was enlarged with two chapels and the nave was extended towards the square. The plan of the church is in the form of a Latin cross with a single nave, lateral chapels and a dome above the intersection of the nave and the transept. The belfry can be seen to the left of the facade with two clocks and three bells dedicated to Santa Sofia, Santa Maroa and Santa Elia. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri. I was standing closest to the door on the right side of the bus during the assent up the mountainside. All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top. Anacapri is a historic mountaintop town with commanding views of Capri and the sea below, as well as a concentration of Mediterranean colors, scents, and sounds. Town life here has remained authentic despite the island's tourism: tucked between the houses there are tiny, humble vegetable gardens surrounded by lush tropical plants. A walk around the center of Anacapri will take you past tiny Neapolitan tailor shops, artisan shoemakers, and Enoteca       ...all with the scent of the town's lemon groves that permeates the air. How the ancients managed to arrive at this secluded island and traverse their way to settlements atop is mind boggling.  However, contemplating the mysteries of civilization, one gets lost in the plush ambience. The pleasant aroma and commanding sea view demand that you stay for just a little while longer!
    Cristo Crocifisso - Chiesa Monumenta..apri
  • "The Cathedral of Orvieto seeks paradise above the roofs tops"...<br />
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Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a big chunk of volcanic stone called tufa, and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this cliff top village over 2000 years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliff side views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. The 14th Century Duomo was constructed to provide a home for the “Corporal of Bolsena”, a miracle which occurred in 1263 in the nearby town of Bolsena. A traveling priest who had doubts about the truth of transubstantiation found that his Host was bleeding so much that it stained the altar cloth. The cloth is now stored in the “Chapel of the Corporal” inside the cathedral.  It’s amazing to turn the corner only to view, stop, and stare as the majestic Cathedral slowly rises to touch the heavens above.
    Il Duomo di Orvieto cerca il paradis..cime
  • “Angel with the Cross on Ponte Sant'Angelo Rome - Photo by Dino Carbetta”<br />
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Captured just after sundown, this image reveals a tranquil scene as the sky deepens into a majestic blue, highlighting the golden light on the angelic figures that line the bridge. The Ponte Sant'Angelo (Bridge of Angels) spans the Tiber River, only a short walk from St. Peter’s Basilica. For centuries, it has symbolized the transition from the busy streets of Rome to the sacred space of Vatican City, offering a contemplative pause for pilgrims crossing into the spiritual heart of the city. The bridge’s ten angel sculptures were designed by Gian Lorenzo Bernini, though few were carved by his own hand. His vision, however, lives on in these figures, which stand as silent sentinels, each holding symbols of Christ’s Passion. The bridge is anchored by statues of Saints Peter and Paul, marking the gateway to the spiritual realm. With their imposing presence, they frame the passageway, guiding travelers to reflect on their journey of faith. One of the most striking figures is the "Angel with the Cross." Its serene expression and reverent pose underscore the deep symbolism of the cross it holds. Beneath the statue, a Latin inscription from Isaiah 9:6 reads, "Cuius principatus super humerum eius" — "Dominion rests on his shoulders." This prophetic message of Christ’s kingship resonates deeply with the scene, reminding all who pass of the weight of Christ's authority and sacrifice. In Dino Carbetta's photograph, the interplay of light and shadow creates a sense of the eternal. The angel seems illuminated from within, standing out against the fading Roman sky. Through his lens, Carbetta captures more than just a moment—he preserves the spiritual legacy of the bridge, inviting viewers to reflect on the enduring message of faith, sacrifice, and redemption that permeates this historic path. The image speaks to the timeless intersection of art, faith, and history in one of Rome's most iconic locations.
    Angelo con la Croce sul Ponte Sant'A..etta
  • “Saint Charbel: Patron of Corporal and Spiritual Suffering - Painting by Dino Carbetta” ...<br />
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Saint Charbel Makhlouf, born in Lebanon in 1828, is venerated as the Patron Saint of those who face both physical and spiritual afflictions. His life was a profound expression of monastic dedication, characterized by rigorous prayer, fasting, and solitude. This commitment reflects his deep spiritual resilience and unwavering devotion to God’s will. The depiction of Saint Charbel captures more than his physical likeness; it encapsulates his profound spiritual essence. His serene gaze and tranquil demeanor symbolize an intimate communion with the Divine, representing a state of inner peace and unshakable faith The deep spiritual depth and serenity of Saint Charbel reflect his ongoing intercession and influence on many today. Saint Charbel’s life was marked by numerous miracles that continued well after his death. During his lifetime, he was known for his miraculous healings, often attributed to his fervent prayers and deep faith. After his passing in 1898, his tomb became a site of extraordinary miracles. Pilgrims from around the world have reported miraculous healings and profound spiritual experiences at his shrine. These miracles include the healing of terminal illnesses, resolution of chronic conditions, and transformative spiritual experiences, reinforcing his reputation as a powerful intercessor and a beacon of divine grace. The image of Saint Charbel visually testifies to his miracles and serves as a conduit for his grace and healing, inviting viewers to reflect on his life and intercession. Turning to Saint Charbel’s life offers solace and rejuvenation during times of suffering.. This depiction not only highlights his role as a miracle worker but also as a symbol of hope, guiding viewers toward spiritual and emotional rejuvenation through the sacred harmony and divine grace that defined his life.
    San Charbel Patrono della Sofferenza..etta
  • “Saint Bonaventure the “Seraphic Doctor”- Painting by Dino Carbetta” ...<br />
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Though not widely known today, was a pivotal figure in the medieval Church and the Franciscan Order. Renowned for his academic prowess at the University of Paris, he endeared himself to his students through his deep Franciscan devotion to Jesus and the Church, earning the title "Seraphic Doctor." Born as John in Bagnoregio in 1221, he adopted Bonaventure upon joining the Franciscans at 22. "Saint Francis believed to have healed Bonaventure from a severe childhood illness." Saint Bonaventure's academic career halted when he was elected General Minister of the Friars. His 17-year tenure was challenging, marked by internal disputes over the interpretation of poverty. Despite these trials, Bonaventure's prayerful nature and administrative acumen enabled him to guide the Order through effective legislation. He fostered an organized spirituality grounded in Saint Francis's vision, blending practical life with doctrinal faith, thus infusing his teachings with a distinctive warmth. Towards the end of his service as General Minister, Pope Gregory X appointed Bonaventure as a Cardinal and the bishop of Albano. However, during the Second Council of Lyon in 1274, he passed away unexpectedly, with some speculating he was poisoned. Despite his sudden death, Saint Bonaventure left a revitalized Franciscan Order and a legacy of writings centered on his profound love for Jesus. Bonaventure harmonized holiness and theological insight, reaching mystical heights while remaining an active preacher and beloved teacher. His works continue to resonate, offering readers a glimpse into the soul of a true Franciscan and gentleman. This painting elegantly captures the essence of this remarkable figure, reflecting his enduring impact and the deep spirituality that defined his life. This artwork serves as a visual homage to a saint whose love for Christ and dedication to the Church continue to inspire.
    San Bonaventura il “Dottore Serafico..etta
  • "Sacred Union - Madonna and The Christ Child - Painting by Dino Carbetta”<br />
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Within these gentle Palette strokes, we are transported into the heart of Catholic devotion, where the divine bond between mother and child is exalted in sacred imagery. Within this painting, we behold the Madonna, Our Lady of Grace, cradling the Christ Child, the Savior of humanity, in her loving embrace. As we contemplate this sacred scene, we are reminded of the profound significance of Mary in the Catholic tradition. She is the Mother of God and the embodiment of purity, humility, and unwavering faith. Her presence in the painting evokes a sense of reverence and awe, inviting us to draw closer to her maternal intercession. The Christ Child emanates a divine glow, his gaze intimately intertwining with the intense eyes of his Mother, as they extend blessings to all who seek their grace. His innocence and vulnerability symbolize divine condescension, as God humbles Himself to dwell among humanity, offering redemption and salvation to all who believe. In the tender union between the Madonna and the Christ Child, we witness the epitome of sacrificial love. Mary's selfless devotion to her son mirrors the love of the Heavenly Father, who so loved the world that He sent His only begotten Son for our salvation. Their embrace transcends earthly affection, revealing the depths of divine compassion that permeate the universe. Let us contemplate the significance of the Blessed Virgin Mary as the Mediatrix of all graces, the channel through which divine mercy flows into the world. Let us entrust ourselves to her maternal care and seek guidance on our faith journey. May the sacred union depicted in this painting inspire us to deepen our relationship with God and emulate the virtues of Mary in our daily lives. Through her intercession and the grace of her Son, may we be strengthened in faith, hope, and charity, as we strive to live as faithful disciples of Christ in the world today.
    Sacra Unione - Madonna col Bambino -..etta
  • “Solemnity of All Saints - Painting by Dino Carbetta” …<br />
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A profound and sacred spectacle unfolds in the depths of a magnificent Basilica. Thousands of lighted candles flicker like stars in the night sky, casting their warm, golden glow upon the hallowed space. Each of these candles represents a soul, a beacon of faith, and a connection to the glorious saints of the Church. This tableau of illuminated candles on the "Solemnity of All Saints" transcends the physical realm and carries deep spiritual significance. It is a visual testament to the communion of saints, a reminder of the countless holy lives that have walked this earthly journey. These flames, like the saints they symbolize, guide and inspire us, their light casting away the shadows of doubt and despair. As a Roman Catholic artist, I have a remarkable opportunity to capture the profound essence of this sacred moment through these creative expressions. Hopefully, conveying the deep devotion and the rich spiritual tapestry these saints have woven throughout history. In the flickering dance of these candles, one can find hope, solace, and a reminder of the enduring power of faith. It visually represents the unbroken chain of believers, from the earliest martyrs to the modern faithful. Art and words can beautifully encapsulate this timeless tradition, reminding the world of the enduring beauty and significance of the Christian faith. And resonate invoking a sense of wonder, reverence, and a deep connection to the saints who have left an indelible mark on our spiritual journey. Through art and words, one may kindle the same flame of inspiration in others, illuminating their path with the wisdom and grace of the saints. I pray that these artistic and literary renderings continue to inspire others, bridging the gap between the living and the saints who have gone before us. And, to serve as a beacon of faith, inviting contemplation and reflection on the enduring power of belief.
    Solennità Di Tutti I Santi - Dipinto..etta
  • “The Assumption of the Blessed Virgin Mary - Painting by Dino Carbetta” …<br />
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The Assumption of Mary is a profound belief cherished by the Catholic Church, one of the four Marian dogmas. In his apostolic constitution "Munificentissimus Deus," Pope Pius XII officially defined this dogma on 1 November 1950. It proclaims and reveals that the immaculate Mother of God, Mary ever virgin, at the end of her earthly life, was taken up, body and soul, into the heavenly glory by God Himself. This momentous declaration finds its roots in the 1854 dogma of the Immaculate Conception, affirming that Mary was conceived free from original sin, and both doctrines are grounded in the understanding of Mary as the Mother of God. "The Assumption of the Blessed Virgin Mary - Painting by Dino Carbetta," gracefully captures the essence of this belief, depicting Mary in "the light" of her glory. She exalts the greatness of the Lord and finds joy in God, her savior. Her life reflects the wonders God has bestowed upon her, and she humbly leads others to acknowledge God's holiness. Mary is portrayed as a lowly handmaid who deeply reverences her God, yet she has been exalted to the highest heights. From this position of strength and grace, she becomes a beacon of hope and compassion, assisting the lowly and the poor in finding justice on earth. At the same time, she challenges the rich and powerful to reconsider their attachment to wealth and power as sources of true happiness. Through the Assumption of Mary, we are reminded of the immense love and divine grace that God bestows upon His faithful followers. Mary's life journey is an inspiring example of faith, humility, and dedication, guiding us toward a deeper connection with God and a more compassionate outlook on the world around us. As we contemplate this dogma, let us embrace the awe and wonder it evokes and seek to emulate Mary's virtues in our lives.
    L'Assunzione della Beata Vergine Mar..etta
  • “Third Sunday of Advent - Painting by Dino Carbetta” …<br />
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In the sacred tradition of Christianity, the Advent wreath serves as a poignant symbol, cradling the significance of the four Advent candles. These candles, flickering amid darkness, embody the arrival of Jesus as the illuminating light. A ritual unfolds as each candle is kindled every Sunday, a progression towards the culmination of all four candles blazing with radiant warmth. The increasing luminosity symbolizes the approaching Christmas, where the profound truth of Jesus' presence permeates our souls. A particular luminary moment occurs on the Third Advent Candle/Sunday, a celebration of joy known as "Gaudete Sunday." In the angelic proclamation in Luke 2:10-12, the narrative of good news and great joy unfolds. In the city of David, a Savior, the Messiah, is born—a sign for all, wrapped in swaddling clothing and cradled in a manger. This third candle, a manifestation of joy, beckons us into a deeper sense of anticipation and celebration. It invites us to relive the joyous spirit of the shepherds who, with eager hearts, embarked on a pilgrimage to witness the divine spectacle in Bethlehem. Even before the wise men, their anticipation was palpable, and on this Gaudete Sunday, we resonate with their jubilation. Affectionately known as the "Shepherd's Candle," the third luminary is adorned in the hue of joy—pink, a liturgical color that radiates with the vibrancy of celebration. As we approach the 17th of December 2023, the designated day for kindling this symbolic flame, let our hearts be aglow with the joyful anticipation reminiscent of the shepherds of old. In this rendition, I've reimagined and recreated the scene from my album of photographs, capturing the essence of the "Adoration of the Shepherds" at the Vatican Museums' Gallery of the Tapestries. May this artistic interpretation deepen the resonance of joy in your Advent journey, echoing the timeless narrative of hope, anticipation, and jubilation."
    Terza Domenica di Avvento - Dipinto ..etta
  • “Red bricks lead to the Papal Basilica of San Francesco d’Assisi” …<br />
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This late afternoon image was captured while standing upon remnants atop the mountainside of Assisi viewing down to the resting Basilica of Saint Francis. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Frances where this image was captured, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted, and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about two hundred yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God. The Basilica, which was begun in 1228 honoring the life of Saint Francis, is probably the most exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate Pilgrims, tourists, and artists.
    Mattoni rossi piombo alla Basilica P..sisi
  • “The Baptism of the Lord - Painting by Dino Carbetta”…<br />
<br />
Portrays a profound moment as Jesus descends into the River, sanctifying its waters and endowing them with the transformative power to birth sons of God. This event transcends a mere ritual, echoing a second creation with the active involvement of the entire Trinity. In the Eastern Church, it is known as Theophany, emphasizing the divine revelation as God manifests in three persons during Christ's baptism in the Jordan River. John the Baptist's baptism, a sacramental preparation for Christ, stirred repentance and confession of sins among people. However, Christ, sinless and impeccable, underwent John's baptism not out of necessity but to bestow upon water the true Baptism, capable of cleansing all worldly sins. His baptism mirrors the sacrament we undergo, symbolized by various events. During Christ's baptism, the Holy Spirit descended upon Him; in our Baptism, the Trinity establishes its dwelling within our souls. Christ declared the "Beloved Son" at His baptism, which parallels our Baptism where we, too, become adopted sons of God. The opening of the heavens at Christ's baptism signifies a similar opening for us during our Baptism. Luke 3:15-16, 21-22 narrates the anticipation among the people, speculating whether John might be the Christ. John humbly asserts his role in baptizing with water but foretells someone mightier, who will baptize with the Holy Spirit and fire. As Jesus prays after His baptism, heaven opens, the Holy Spirit descends like a dove, and a voice declares, “You are my beloved Son; with you, I am well pleased.” This sacred moment not only marks Christ's divine affirmation but foreshadows the grace and favor bestowed upon those baptized, inviting them into the loving embrace of the Heavenly Father.
    Il Battesimo del Signore - Dipinto d..etta
  • “The Hand of God Shines on the Cross in the Snow - Convent of the Cells of Cortona - Painting by Dino Carbetta”…<br />
<br />
Gospel Jn 17:11-19 “Lifting up his eyes to heaven, Jesus prayed, saying: ‘Holy Father, keep them in your name that you have given me, so that they may be one just as we are one. When I was with them I protected them in your name that you gave me, and I guarded them, and none of them was lost except the son of destruction, in order that the Scripture might be fulfilled. But now I am coming to you. I speak this in the world so that they may share my joy completely. I gave them your word, and the world hated them, because they do not belong to the world any more than I belong to the world. I do not ask that you take them out of the world but that you keep them from the Evil One. They do not belong to the world any more than I belong to the world. Consecrate them in the truth. Your word is truth. As you sent me into the world, so I sent them into the world. And I consecrate myself for them, so that they also may be consecrated in truth.” In the realm of artistic serendipity, a premeditated error can unveil a spectacular image, as seen in the captivating interplay of sunlight. Casting its radiance through the window amidst a snowy tapestry of trees, the light graces the Cross with its presence. Here, it is not just the physical realm that is illuminated; it is the soul and the realm of imagination itself that basks in the divine glow. The Hand of God, subtly painted by the artist, breathes life into both canvas and spirit, transcending the boundaries of mere observation to illuminate the profound connection between art, spirituality, and the boundless landscapes of the human soul.
    La Mano di Dio Risplende sulla Croce..etta
  • The Majestic Statues of St. Peter’s Basilica<br />
Photograph and Reflection in the Days of the Conclave<br />
<br />
Thirteen colossal statues crown the façade of St. Peter’s Basilica, rising like silent sentinels above the heart of Christendom. At the center stands Christ the Redeemer, arms open in sovereign peace. Beside Christ stand eleven apostles and St. John the Baptist—yet St. Peter is absent. But this is no omission; it is a sacred sign. Peter is not placed above, for he remains at the foundation—his mission too vital to overlook, his presence enshrined below the altar, and his legacy living in the very heart of the Church. Peter is not among the heights; he dwells at the foundation—his statue greeting pilgrims in the square, his tomb resting beneath the high altar. Now, as the Church enters a sacred pause—following the death of Pope Francis—a new conclave approaches. Within the ancient walls of the Vatican, beneath these very statues that gaze down like eternal witnesses, the cardinals now gather in sacred assembly. In prayer and silence, they seek not their own will, but the guidance of the Holy Spirit—to discern the one chosen to bear the keys of Peter and shepherd the Church through the trials of a new age. Here, in the shadow of the saints, they will invoke the Holy Spirit to anoint the next successor of Peter. Once captured under a serene Roman sky, this image now echoes with timeless urgency. The apostles above remind us that the Church is not built on passing leaders, but on an unbroken apostolic foundation. Christ remains at the center. The call of John the Baptist still resounds, preparing the way of the Lord. As the conclave begins, heaven and earth watch in prayer. Soon, one will emerge from among the crimson-clad cardinals—a new Pontiff stepping into Peter’s sandals, carrying the keys once given by Christ Himself. Until then, the statues remain, proclaiming with silent grandeur: Tu es Petrus, et super hanc petram ædificabo Ecclesiam meam.
    “The Majestic Statues of St. Peter’s.. ...
  • “Orvieto ancient Etruscan walls and rain soaked hardscape overlook the local vineyards - Painting by Dino Carbetta”…<br />
<br />
Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a big chunk of volcanic stone called tufa and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this clifftop village over 2000 years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliffside views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. The 14th Century Duomo was constructed to provide a home for the “Corporal of Bolsena”, a miracle that occurred in 1263 in the nearby town of Bolsena. A traveling priest who had doubts about the truth of transubstantiation found that his Host was bleeding so much that it stained the altar cloth. The cloth is now stored in the “Chapel of the Corporal” inside the cathedral. It’s amazing to turn the corner only to view, stop, and stare as the majestic Cathedral slowly rises to touch the heavens above.
    Orvieto antica mura etrusche e piogg..etta
  • “Night view through the arch of the Papal Basilica of San Francesco”…<br />
<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Never stopping for lunch or dinner, I continued to photograph new images well past sundown. Traversing the narrow steps and Strada back down to the bottom of the mountaintop to my hotel, the walk seemed a bit less strenuous and I felt a sense of gratitude and completion of my day-long journey. However, the very quiet Assisi seemed to have fallen into a deep slumber in the early nighttime leaving all the restaurants closed for the night. Pleading with the hotel manager, she desperately arranged a late dinner at one of the most iconic restaurants in Assisi, La Locanda Del Cardinale, which was built over an ancient Roman settlement dating from the first century B.C., with glass floors to view the mosaics below. Walking back at midnight to the hotel, the peaceful Assisi continued to call out. As the serene, quiet Basilica of Saint Francis stood majestically and glowed in the midnight skies, one could not help but to acquiesce to its mystical yearning for just a few more memorable portraits in the cool dew of the early morning air.
    Vista notturna attraverso l'arco di ..esco
  • “The ancient and the modern compete for a piece of heaven in Florence”…<br />
<br />
Santa Maria del Fiore (also known simply as the Duomo) is the cathedral of Florence known for its distinctive Renaissance dome. Its name ("Saint Mary of the Flower") refers to the lily, the symbol of Florence. The impressive Gothic cathedral complex includes the Duomo, the famous baptistery, and a campanile. Built-in 1294 to be the largest Roman Catholic Church in the world, it is still the largest masonry dome in the world. Walking down the Strada, and turning the corner to view the massive Duomo painted against the sky was captivating. I stopped in my tracks and began taking photos; however, the huge Florence crowds prevented most images from ground level. This was one of the first images I photographed noticing the ancient architecture of the Duomo competing across the narrow Strada with the more modern buildings of Firenze as colorful evening skies danced above.
    L'antico e il moderno competere per ..enze
  • “Christus Patiens above the High Altar of the Franciscan Basilica of Santa Chiara d'Assisi”…<br />
<br />
Around sunset, the clouds shifted and the descending sun illuminated the Assisi mountaintop as a slight mist of rain mystified the landscape. The ascent was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. As I approached the last two Churches after 7:00 pm; the Basilica of Saint Clare, and the Cathedral of Saint Rufino...I noticed the security guard locking Santa Chiara’s front door. I rushed forward anxiously and begged to just look quickly inside the Vestibule. He only spoke Italian and frustrated with me, said I had one minute inside. Aiming my camera and telephoto lens directly toward the High Altar which seemed a mile away, I clicked one picture as the guard hastily gestured me outside. Ironically, I found that no pictures are allowed in this Basilica. And, on my Pilgrimage of 2019, was frustrated during my tour of the historic and reverent church, still, no pictures were allowed. I always try to respect the rules and venerate every location, however, I did take two very surreptitious images in the Oratorio del Crocifisso (Oratory of the Crucifix), a peaceful chapel that preserves the venerable 12th-century crucifix that spoke to St. Francis at San Damiano. This abrupt photo of the painted crucifix still hangs above the high altar of Santa Chiara and was probably the first painting that was commissioned for the new church. The image was conceived shortly before Saint Clare’s death in 1260 and is attributed to the Maestro di Santa Chiara. The iconography of Christus Patiens (the dying Christ on the Cross) was widely used in early Franciscan churches. In this example, the Virgin and St John the Evangelist flank the Cross, with another figure of the Virgin (praying and flanked by angels) and Christ Pantocrator above.
    Christus Patiens sopra l'Altare Magg..sisi
  • “Angelic Woman Resting Under the Sun at the Cathedral of San Rufino in Assisi”…<br />
<br />
Upon arriving early that day in Assisi, I couldn't resist capturing every moment with my camera from the moment I parked at Hotel Giotto nestled within the walls at the foothills of Assisi. It felt like Saint Francis had orchestrated the day, painting the skies with dramatic perfection and guiding each encounter with a mystical touch. As I embarked on the journey from the Basilica of Saint Francis, every step of the ascent towards the mountain's summit and the fortress of Rocca Maggiore seemed to unveil something even more profound and spiritual than the last. With each arduous staircase climbed, there was an anticipation building, fueled by the promise of divine scenery awaiting at the summit. Finally, as I reached the pinnacle almost at sunset, the clouds parted, and the sun cast its golden glow, accompanied by a gentle mist of rain. Despite the exhaustion from the steep climb, the sight that greeted me around the final bend took my breath away—the Romanesque Duomo of Saint Rufino, standing majestically, a testament to centuries of spiritual and historical significance. As I turned the corner, the late evening sunbathed the façade of the Duomo in a radiant light, illuminating a lone figure basking in its warmth by the side door. Despite the dampness and chill in the air, her presence seemed to emit a warmth that transcended the physical realm. I stood frozen, captivated by the ethereal beauty before me. With trembling hands, I lifted my camera to capture a fleeting moment of this otherworldly scene, hoping to preserve it forever. In that moment, as the shutter clicked, she stirred, her eyes meeting mine with a gentle smile before gracefully departing. I longed for her presence to linger, but all that remained was the memory captured in that single photograph—a mere glimpse of the profound and surreal encounter that would forever echo in my soul.
    Donna Angelicata di Riposo Sotto il ..sisi
  • “Sun illuminates the cross through door of the Convent of cells Cortona”… <br />
<br />
Known as Le Celle, this Franciscan hermitage is just five miles from Cortona at the foot of Mount Sant’ Egidio. In 1211, St. Francis along with a few of his followers built the first nine cells of the hermitage, and it has taken the name of Le Celle ever since. Inside the tiny cell belonging to St. Francis is a tiny window, the bed on which he slept, his desk, and a painting of the Madonna and Child where he prayed. The Hermitage invokes a peaceful atmosphere of spirituality and solitude, yet it is vibrant with religious life. Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. The convent is able to offer lodgings to those contemplating a vocational life. Just inside one of the doors to Le Celle, I noticed the sunlight shining delicately through the transom window gently illuminating the old wooden door and cross. This image epitomizes all the simplicities in which Saint Francis preached and lived. It represents his spartan structure with the rough-textured concrete walls, antique faded wooden door, the green trees in nature which he loved, and the mystic evening sun softening the aging appearance, and revealing his simple life of prayer and personal austerity.
    Sole croce illumina attraverso Porte..tona
  • “Crucifixion of the Triumphal Sacrifice - Holy Mass in the Cathedral of Sorrento”…<br />
<br />
Our 2019 Italy Pilgrimage with Spiritual Director: Fr. Kevin Peek offering Mass. “The Nicene Creed: I believe in one God, the Father almighty, maker of heaven and earth, of all things visible and invisible. I believe in one Lord Jesus Christ, the Only Begotten Son of God, born of the Father before all ages. God from God, Light from Light, true God from true God, begotten, not made, consubstantial with the Father; through him all things were made. For us men and for our salvation he came down from heaven, and by the Holy Spirit was incarnate of the Virgin Mary, and became man. For our sake he was crucified under Pontius Pilate, he suffered death and was buried, and rose again on the third day in accordance with the Scriptures. He ascended into heaven and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead and his kingdom will have no end. I believe in the Holy Spirit, the Lord, the giver of life, who proceeds from the Father and the Son, who with the Father and the Son is adored and glorified, who has spoken through the prophets. I believe in one, holy, catholic and apostolic Church. I confess one Baptism for the forgiveness of sins and I look forward to the resurrection of the dead and the life of the world to come. Amen”
    Crocifissione del Sacrificio Trionfa..ento
  • "The evening sun radiates over the hilltop of Cortona"... <br />
<br />
The ancient church of Santa Maria delle Grazie Calcinaio is resting on the hillside, presiding in a welcoming posture to all those strong enough to brave Cortona’s steep inclines. The Church was constructed between the years of 1485 and 1513. It is the architectural work of Francesco di Giorgio Martini who designed it after having been contacted by his friend and great artist Luca Signorelli. The Renaissance-style church built on a Latin cross plan with an elegant dome soars into the olive trees on the hillside above. It was the church of the guild of the shoemakers, who used their vats of lime for tanning leather, protected by an image of the Madonna painted by Bernardo Covatti, which is now displayed on the main altar of the church. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970. If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the Bellissimo Tuscan Sun.
    Il sera sole si irradia sopra la col..tona
  • “The sunset illuminates the bell tower of Santa Maria Maggiore - Assisi”…<br />
<br />
After a progressive but slow ascent up to the mountaintop of Assisi, I took time to pause, look over my shoulder, and truly appreciate all I had seen. God always seemed to illuminate my forward path; however, He also left a glow of remembrance from where the journey began. This evening view is from the Basilica di Santa Chiara (Basilica of St. Clare), a 13th-century church that houses the relics of St. Clare, friend and protégé of St. Francis of Assisi, and the 12th-century crucifix that spoke to St. Francis at San Damiano. The view is a rear view of the church and campanile of Santa Maria Maggiore, the first cathedral of Assisi which was built near the Roman city walls of the 4th century. The crypt under the apse of the present church is the oldest surviving part of the structure and dates to the 9th or 10th century. Santa Maria Maggiore remained the cathedral of Assisi until 1035 when San Rufino assumed this function.
    Il tramonto illumina il campanile di..sisi
  • “The Crucifixion above the altar of the Church of Santa Maria Maggiore in Assisi”…<br />
<br />
My artistic interpretation here is of the Crucified Jesus as primary to the Image of The Divine Mercy. St. Faustina asked the Lord about the meaning of the rays in the image: The two rays denote Blood and Water. The pale ray stands for the Water which makes souls righteous. The red ray stands for the Blood which is the life of souls. These two rays issued forth from the depths of My tender mercy when My agonized Heart was opened by a lance on the Cross. Happy is the one who will dwell in their shelter, for the just hand of God shall not lay hold of him. The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built in this site close to the Roman city walls in the 4th century.  The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal its age and status throughout history.
    La Crocifissione sopra l'altare a Ch..sisi
  • "Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi - Luminance"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..anza
  • "Sunlight illuminates the Crucifix - Sorrento Cathedral"…<br />
<br />
The Nicene Creed:<br />
I believe in one God, the Father almighty, maker of heaven and earth, of all things visible and invisible. I believe in one Lord Jesus Christ, the Only Begotten Son of God, born of the Father before all ages. God from God, Light from Light, true God from true God, begotten, not made, consubstantial with the Father; through him all things were made. For us men and for our salvation he came down from heaven, and by the Holy Spirit was incarnate of the Virgin Mary,<br />
and became man. For our sake he was crucified under Pontius Pilate, he suffered death and was buried, and rose again on the third day in accordance with the Scriptures. He ascended into heaven and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead and his kingdom will have no end. I believe in the Holy Spirit, the Lord, the giver of life, who proceeds from the Father and the Son, who with the Father and the Son is adored and glorified, who has spoken through the prophets. I believe in one, holy, catholic and apostolic Church. I confess one Baptism for the forgiveness of sins and I look forward to the resurrection of the dead and the life of the world to come. Amen
    La luce del sole illumina il Crocifi..ento
  • “Holy Door of the Church of Saint Agnes of Montepulciano"... <br />
<br />
St. Agnes of Montepulciano was born in 13th-century Tuscany. At the age of six, Agnes began trying to convince her parents to allow her to join a convent. She was finally admitted to the Dominican convent at Montepulciano at age nine. Agnes' reputation for holiness attracted other sisters, and she became an abbess at the unheard of age of 15. She insisted on greater austerities in the abbey. She lived on bread and water for 15 years, slept on the ground and used a stone for a pillow. It was said that she had visions of the Virgin Mary and that in her visions angels gave her Communion. Agnes also had a vision in which she was holding the infant Jesus. When she awoke from her trance, she was holding the small gold crucifix the infant Jesus was wearing. She died in 1317. Miracles have been reported at her tomb. When her body was moved to a church years after her death, it was found incorrupt. She was canonized in 1726. The saint’s shrine is located facing the 16th century ramparts of the Porta al Prato of Montepulciano. It opens into the lower part of the historical center and completed in 1306. The hill was chosen by the saint to build her church following visions of a stairway to heaven, it was originally occupied by brothels. Agnes purchased the land herself for 1,200 lire. The hill was transformed from a sinful location to a holy and reverent community. The church, monumental cloister, and its convent are now totally transformed and host the incorrupt body of Saint Agnes.
    Porta Santa della Chiesa di Sant'Agn..iano
  • "Ancient arched facade near Santa Chiara in Assisi" ...<br />
<br />
After a progressive but slow assent up to the mountaintop of Assisi, I took time to pause, look over my shoulder, and truly appreciate all I had seen. God always seemed to illuminate my forward path; however, He also left a glow of remembrance from where the journey began. This evening view is from the Basilica di Santa Chiara (Basilica of St. Clare), a 13th-century church that houses the relics of St. Clare, friend and protégé of St. Francis of Assisi, and the 12th-century crucifix that spoke to St. Francis at San Damiano. The ancient archway still standing over 2000 years...gives a peak of the valley below.
    Antica facciata ad arco vicino a San..sisi
  • "Sunrise from Hotel California - Positano"...<br />
<br />
After a solemn sunrise morning where I essentially had Positano all to myself and before my strenuous journey down and back up the mountainside, I found my perfect vantage point upon the veranda of my favorite hotel, Albergo California, where I spent photographing the sunset on the first evening in Positano.  Out of the corner of my eye I noticed the orange glow of the sunrise in one of the hotel’s windows and captured this reflective image. There was only one occasion that I was really able to pre-plan taking photos at sunrise and that was during the last day of three in Positano.  It takes much planning, logistics, and familiarity to figure the best locations and the proper angles and positions of the sun.  My third morning was ideal and fortuitous as it began raining about 10:00 am which gave me perfect clouds for sunrise, finally ending with a very cold wind just in time for sunset.  This image is one of the rare photos of a slumbering Positano in the dewing morning around 6:45 am at the end of May….the beginning of peak tourist season.  By 8:00 am, this tiny seaside village is bustling with tourists and shop owners, and restaurateurs trying to satisfy every need.  All in all, Positano was by far the plushest of all the locations I visited in Italy, and I was blessed to witness everything in full bloom.
    Alba da Albergo California - Positano
  • "High Privileged Altar - Church of Our Lady of the Assumption Positano"...<br />
<br />
The history of the Church of Our Lady of the Assumption is closely linked to the Benedictine monastery of St. Mary, which, according to tradition, was built when a Byzantine icon of the Virgin was brought to Positano and venerated thereafter. The Icon belonged to a cargo ship from the East, and offshore of Positano the ship was stopped by a dead calm sea. After unsuccessful attempts to continue sailing, the sailors heard a voice saying “Posa Posa”, meaning, “Put me down, put me down!” (Origin of the name “Positano”). The captain thought this miracle meant that the Virgin wanted to stop there and decided to head for shore. At that point…the ship began to sail again. The sailors disembarked the icon and gave it to the inhabitants of Positano, who chose the Virgin as their patron and built a church in her honor. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious and architectural landscape. Strategically located in the center of town with the backdrop of the azzurro Mediterranean Sea, the church’s colorful majolica tiled cupola is one of the town’s iconic symbols. I found this Crucifix inside a small chapel of the ancient church which was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this beautiful seaside village.
    Altare Alto Privilegiato - Chiesa di..tano
  • "The sun sets behind the Church of San Giacomo Maggiore - Orvieto"...<br />
<br />
Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a big chunk of volcanic stone called tufa, and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this cliff top village over 2000 years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliffside views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. A hospice for the poor and traveling pilgrims was established on this location in 1187 and the site eventually developed into a civic hospital.  Pope Clement IV gave permission for the erection of a chapel and cemetery in 1266.  Eventually the church finally closed in 2000, when the new Ospedale di Santa  Maria della Stella opened at nearby Ciconia.
    Il sole tramonta dietro la Chiesa di..ieto
  • “Heavens erupting with rainbows over the Cathedral of San Rufino Assisi”…<br />
<br />
This image is perhaps one of the most blessed and miraculous of my Italian journey.  Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner.  Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down.  Looking back over my shoulder, I was mesmerized at the appearance of this first of eventually two rainbows shining down behind the Duomo of Saint Rufino. I was able to take a few horizontal and vertical images of the rainbows just as the sun began it's decent below the horizon. My Italian journey was truly blessed by the hand of God. This image is a vertical panorama combining two vertical and one horizontal image.
    Cieli in eruzione con arcobaleni sop..sisi
  • “Convent of the Cells - Founded by St. Francis in Cortona”…<br />
<br />
In the year 1211, St. Francis along with a few of his followers built the first nine cells of the now Franciscan Hermitage, and it has taken the name of Le Celle ever since. Originally, only a few small hermit’s cottages and peasant dwellings existed, including a small chapel that had been built during the Lombard invasions and dedicated to the Archangel Michael.  This is believed to be the place where, in May 1226, four months before his death, St. Francis dictated his Will. Following the death of Saint Francis that same year, Brother Elias of Cortona who was among the first to join St. Francis of Assisi in his newly founded Order of Friars Minor, withdrew permanently to the Le Celle Hermitage.  In 1239, Elias carried out a number of improvements and restoration works which ensured the hermitage became a permanent Franciscan property. Brother Elias is in fact considered responsible for having broken up the stone of the caves and created a chapel that was formerly used as a dormitory by the monks, and the small cell where St. Francis lived. The walls built under leadership of Brother Elias are rough but solid; the hermitage contains eight small rooms large enough for a bed, table and a chair – the essential furnishings prescribed by St. Francis himself for a Franciscan hermitage, where the prime importance was to lead a life given over to contemplation.  Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis.  I found Le Celle to be one of the pleasant surprises in and around Cortona.  The tiny cells built into the side of the mountain with a stream descending along the structural edge, creates a surreal and picturesque vision of Saint Francis’ image of God and nature.
    Convento delle Celle - Fondato da Sa..tona
  • “Dusk falls on Hotel California in Positano”…<br />
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After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal.  After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image.  The climb down the winding road and steep staircases made for quite a workout in the hot late May sun.  Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions.  Walking the length of the beach, I found a very, very steep staircase leading straight up to a large veranda at the Albergo California.  Taking an exhaustive seat on a plush lounge chair with a perfect view to watch the sunset behind the Amalfi Cliffs, I was taken back by a pleasant Italian (Positano) waiter from the hotel offering a towel, ice water, and drinks for the evening.  I expressed that I was not staying at the hotel, but he didn’t seem to mind and proceeded to educate me on the culture of this historic resort village.  After a brief rest, I wandered around taking full advantage of Albergo California’s 180 degrees of the perfect seaside vistas.
    Crepuscolo cade in Albergo Californi..tano
  • “Sunset view from the Grand Hotel Italy – Orvieto”…<br />
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At the peak of its economic power and political stability, towards the end of the 13th century, the Comune of Orvieto decided to move its civic buildings to the restored Palazzo Communal, and to build the Palazzo del Popolo, La Torre del Moro, and the Duomo di Orvieto.  The tower has maintained many functions including water storage for “the city on the cliff.”  The Duomo is an Italian, ornate architectural masterpiece.  The facade is one of the most famous in the world and looks like something seen at Disney World.  Constructed under the orders of Pope Urban IV to commemorate and provide a suitable home for the Corporal of Bolsena, a miracle which is said to have occurred in 1263 in the nearby town of Bolsena. A traveling priest who had doubts about the truth of transubstantiation found that his Host was bleeding so much that it stained the altar cloth. The cloth is now stored in the Chapel of the Corporal inside the cathedral.  This evening image was photographed from my rooftop terrace at the Grand Hotel Italia.
    Tramonto vista panoramica dal Grand ..ieto
  • “The Holy Family: Divine Grace – Painting by Dino Carbetta” ...<br />
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Amid the tranquil account of Luke 2:8-14, shepherds keep watch over their flock beneath the quiet canopy of night. Suddenly, the angel of the Lord appears, illuminated by divine brilliance, casting awe and reverence upon the humble scene. Amid the shepherds' fear, the angel's voice rings out: "Fear not," proclaiming joyful news for all people. The city of David becomes the stage for a momentous announcement—a Savior, the Messiah, is born. A sign is given: a child wrapped in swaddling clothes and lying in a manger, an image of humility that heralds the profound accessibility of salvation to all, regardless of status or station.  Heavenly hosts then join the angel in a celestial symphony of praise, their proclamation resounding: "Glory to God in the highest, and on earth peace to those on whom his favor rests." This chorus transcends time and space, enveloping not only the shepherds but all creation, affirming the boundless reach of divine grace. This painting encapsulates the sacred essence of that moment, centering on the Holy Family. The tender image of the infant Jesus, swaddled and resting in a manger, conveys the profound humility of the Savior's birth. The artwork's intricate details and symbols invite viewers to reflect on salvation as a universal message of hope and peace that transcends human division. Far more than a depiction of a historical event, the painting serves as a visual homily, drawing observers into a contemplative space where the sacred narrative becomes personal and eternal. Each meticulous brushstroke breathes life into the scene, transforming the stable into a symbol of profound truths. Within its simplicity lies an eternal message: the birth of Christ signifies hope, peace, and redemption for all humanity. May this artwork inspire and uplift all who gaze upon it. May its beauty echo goodwill and peace, guiding hearts to embrace divine grace and love.
    The Holy Family Divine Grace – Paint..etta
  • "The First Light of Dawn - Fishing Along the Ligurian Coast - A Painting by Dino Carbetta" ...<br />
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Step into the timeless beauty of the Italian Riviera, where nature, history, and faith converge in a stunning reflection of Italy's coastal charm. This painting transports viewers to a serene moment at dawn, capturing a young Italian boy fishing with his dog on the Ligurian coast as the first light of the day bathes the scene in a warm, golden glow. In the background, an ancient church stands as a steadfast sentinel, its weathered stones embodying the resilience and faith of the Ligurian people, who have lived in harmony with the sea for centuries. With its stone façade and bell tower, the church symbolizes continuity, enduring through time and the Mediterranean's waves. As the soft morning light washes over it, every detail of the church’s architecture is illuminated, bringing forth a sense of reverence and peace. The surrounding landscape, lush with rolling hills and framed by the sparkling sea, enhances the scene’s tranquil beauty, inviting viewers into a world where nature and faith are inseparably woven together. As dawn breaks, the painting beautifully encapsulates the stunning allure of the Ligurian coast while also conveying its profound spiritual essence. The calm waters and radiant sky, the ancient church and the boy's quiet fishing all evoke a sense of stillness and reflection, inviting viewers to pause and absorb the deeper meaning behind the scene. The Italian Riviera, a blend of past and present, is more than a destination; it's a pilgrimage and a testament to the enduring bond between humanity, nature, and faith. This work offers a glimpse into the soul of the Ligurian coast, where history whispers through the hills, and the divine presence is felt in every ray of the rising sun. Here, the essence of life unfolds in simple yet profound moments, reminding us of the beauty found in everyday rituals and the sacred connections that define our existence.
    Le Prime Luci Dell'Alba - Pesca Lung..etta
  • "Mystical Padre Pio – Painting by Dino Carbetta"...<br />
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Padre Pio emerged from humble beginnings, born into a farming family in the heart of southern Italy. His father journeyed to New York to provide for them. At 15, Francesco joined the Capuchin order, taking the name Pio. In 1910, he was ordained a priest, but his ministry was interrupted by World War I, during which he was drafted. Due to tuberculosis, he was honorably discharged, and in 1917, he found his spiritual home at the friary in San Giovanni Rotondo. In that place, he experienced receiving the sacred stigmata, which mirrored the wounds of Christ's Passion. This significant moment was immortalized in this painting of Padre Pio. The saint's reputation spread quickly, drawing multitudes to his confessional, where he spent up to 10 hours a day in spiritual counsel and absolution. Many testified to miraculous healings and spiritual transformations through his intercession, as Padre Pio seemed to possess an extraordinary ability to read souls. His life was one of deep prayer, intense devotion, and severe austerity. His letters reveal the profound spiritual and physical suffering he endured, all in communion with God and in deep love for the Blessed Eucharist and the Virgin Mary. During his canonization in 2002, Pope Saint John Paul II reflected, "The Gospel image of the 'yoke' evokes the many trials that the humble Capuchin endured. Today, we contemplate in him how sweet is the 'yoke' of Christ and how light the burdens become when carried with faithful love. Padre Pio’s life teaches us that when accepted with love, suffering transforms into a privileged path to holiness, leading to a greater good known only to the Lord." This spiritual depth, enduring sanctity, and the profound mystery of his stigmata are beautifully captured in this painting of the mystical Padre Pio, a tribute to the saint's life and legacy.
    Padre Pio Mistico – Dipinto di Dino ..etta
  • “Family Time on the Ligurian Riviera - Painting by Dino Carbetta” ...<br />
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The Italian Riviera, a breathtaking coastline in the Liguria region, embodies a perfect fusion of natural beauty, rich history, and vibrant culture. Stretching from Ventimiglia near the French border to the poetic Gulf of Poets near Tuscany, this region is a mosaic of scenic splendor and architectural marvels. Enchanting seaside villages and resort towns such as Sanremo, Portofino, and the famed Cinque Terre dot the landscape, each serving as a portal to an experience where the past and present intertwine. This enchanting setting forms the backdrop for the painting "Family Time on the Ligurian Riviera." The painting enthusiastically captures the region's profound beauty with red flowers and moored sailboats, while celebrating the timeless bond of family. Against the stunning Mediterranean backdrop, a family is depicted sharing moments of joy and connection, transcending mere visual representation to resonate deeply with the universal experience of familial love and unity. As dusk falls, the play of light and shadow brings the scene to life. The blue Mediterranean moon casts gentle highlights on the faces of the family members, their expressions filled with contentment and peace. The surrounding landscape, with its verdant hills and sparkling sea, frames this intimate scene in a natural embrace, enhancing the sense of harmony and togetherness. "Family Time on the Ligurian Riviera" invites viewers to step into a world where time slows down, where the whispers of history can be heard in the rustling leaves and the distant cries of seabirds. The painting is more than a depiction of a beautiful landscape; it is a testament to the enduring connection between humanity, nature, and the divine. Through this work, the painting captures the physical beauty of the Ligurian Riviera and its spiritual essence, offering viewers a glimpse into the soul of this enchanting region.
    Tempo in Famiglia Sulla Riviera Ligu..etta
  • “Saint Catherine of Siena Bearing the Sacred Stigmata - Painting by Dino Carbetta” ...<br />
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Captures the essence of a remarkable life devoted to Christ. Born on March 25, 1347, Catherine Benincasa embraced a profound commitment: surrendering to her Lord. From her early years as the 23rd child of Jacopo and Lapa Benincasa, Catherine displayed remarkable intelligence, cheerfulness, and intense religious devotion. Rejecting societal pressures, Catherine boldly cut her hair in protest against superficial expectations to attract a husband, earning her room for solitary prayer and reflection. At 18, she entered the Dominican Third Order, dedicating three years to seclusion, prayer, and austerity. Yet, her contemplative life attracted followers from diverse backgrounds, drawn to her unwavering faith and spiritual insight. Despite opposition and slander, Catherine fearlessly engaged with the world, advocating for spiritual growth and addressing public affairs through her letters. Her influence grew, marked by her holiness, Dominican affiliation, and profound impact on Pope Gregory XI. In tumultuous times marked by the Great Schism, Catherine remained steadfast, advocating for unity within the Church and tirelessly promoting peace. Her final years were spent in Rome, fervently praying for Pope Urban VI and the Church's unity. Declared co-patron of Italy in 1461, Catherine's spiritual legacy endures alongside Francis of Assisi. Named a Doctor of the Church in 1970, her teachings, encapsulated in "The Dialogue," transcend time, inviting us to pursue holiness as a lifelong endeavor. Catherine's unwavering pursuit of holiness resonates despite the stark differences between her era and ours. Her mystical experiences and ascetic practices may seem distant, yet her recognition of holiness as a lifelong journey remains relevant in our rapidly changing world. Catherine's devotion to Christ compels us to seek the divine presence in our lives as we journey through Christianity.
    Santa Caterina da Siena Recante le S..etta
  • “The Annunciation of the Lord – Painting by Dino Carbetta”...<br />
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Captures the profound moment described in the Gospel of Luke 1:26-38. In this sacred scene, the angel Gabriel, a messenger of God, appears to Mary in the humble town of Nazareth. The painting imbued with reverence and spiritual depth, portrays the angel's words to Mary: "Hail, full of grace! The Lord is with you." Mary's initial perplexity and trepidation, depicted with delicate brushstrokes, reflect the gravity of the divine message she receives. As Gabriel reassures her, Mary's acceptance of God's will becomes pivotal in salvation history. Through the artful use of color and light, the painting conveys the ethereal presence of the Holy Spirit, symbolized by the radiant glow enveloping Mary. This art captures the essence of Mary's surrender and trust in God's plan with profound insight. Mary's response, "Behold, I am the handmaid of the Lord. May it be done to me according to your word," is depicted with humility and reverence, inspiring viewers to contemplate the depth of her faith and obedience. The scripture remains the foundation for this artistic interpretation. The painting expressively communicates the timeless message of God's unfathomable love and the transformative power of faith. Viewers are invited to ponder the mystery of the Incarnation and Mary's extraordinary role in God's divine plan as they gaze upon this magnum opus. Through "The Annunciation of the Lord," The artist invites us to encounter the sacred through art, offering a profound visual meditation on the words of Scripture. In a world often filled with noise and distractions, this painting serves as a beacon of spiritual contemplation, guiding us to embrace God's will with the same courage and trust exemplified by the Blessed Virgin Mary. “Then the angel said to her, “Do not be afraid, Mary, for you have found favor with God. Behold, you will conceive in your womb and bear a son, and you shall name him Jesus.”
    L’Annunciazione del Signore – Dipint..etta
  • “Saint Joseph and Jesus - Painting by Dino Carbetta”…<br />
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Within these brushstrokes lies the essence of inspiration, and the profound narrative of Saint Joseph, a figure whose life whispers volumes of faith, devotion, and humility. Though dwelling in the shadows of history, St. Joseph emerges as a beacon of silent strength and unwavering commitment. From the moment the celestial proclamation graced his ears, he embraced his divine calling with a depth of devotion unmatched. His love for his foster son, Jesus, knew no bounds, as he selflessly sacrificed all for their well-being. Handpicked by the Divine to shepherd the Savior, St. Joseph embodied the essence of fatherhood, guiding and safeguarding Jesus with tender care. In his humble actions, we find a blueprint for authentic masculinity and familial devotion, and his very existence is a testament to the sanctity of the family unit. While the annals of history may not boast of miraculous deeds or grand proclamations, St. Joseph's quiet resolve and unwavering faith echo through the corridors of time. Scripture unveils glimpses of his character, from his immediate protection of Mary to his steadfast obedience to divine command. The profound reverence bestowed upon St. Joseph by luminaries like St. Teresa of Ávila speaks volumes of his enduring impact. Through her devoted advocacy, St. Joseph's silent influence permeated the hearts of many, offering solace and inspiration to those who sought his intercession. In a world enraptured by the clamor of ambition and accolades, St. Joseph's humble example beckons us to embrace simplicity, humility, and unwavering trust in Divine providence. His legacy is a powerful testament to the transformative impact of selfless love and resolute faith. St. Joseph's quiet presence continues to inspire and elevate souls to profound depths of spiritual contemplation, reminding us that true greatness lies not in grandeur, but in the silent acts of love and devotion that echo through eternity.
    San Giuseppe e Gesù - Dipinto di Din..etta
  • "Resurrection - The Name of Jesus - Painting by Dino Carbetta”<br />
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Resonates deeply with the sacred text of Philippians 2:10, embodying the profound submission and reverence accorded to Jesus Christ within Christian doctrine. The name of Jesus encapsulates divine authority, grace, and the promise of salvation, marking the apex of God's redemptive narrative through His life, crucifixion, and triumphant resurrection. At its essence, this magnum opus delves into the core tenet of Christianity: the resurrection of Jesus Christ, portrayed with compelling symbolism and spiritual depth. It beckons viewers to ponder the eternal significance of this pivotal event, which heralds a profound transformation. Jesus Christ commands attention at the center of the canvas, radiating both tranquility and might, His raised hand a testament to His dominion over death, even bearing the wounds as symbols of His sacrifice. The symbolism is rich; the two fingers of His right hand represent His dual nature—human and divine—while the unity of the remaining three fingers symbolizes the Holy Trinity. Surrounding Him, a milieu of sacred elements bathed in celestial light evokes the divine presence. The empty tomb and the cross, rendered with symbolism, underscore the theological gravity of Christ's resurrection, affirming the redemptive love and promise it embodies. This artwork underscores Jesus Christ's indispensable role in the Christian faith, asserting His sovereignty over sin and death. Viewers are invited to encounter the living Christ and contemplate the profound implications of His resurrection. In engaging with this profound piece, they are confronted with the timeless truth of Easter: that death has been vanquished, and new life is made attainable through faith in Jesus Christ. Thus, "Resurrection - The Name of Jesus" serves as a poignant reminder of the hope and promise inherent in Christ's victory over death, beckoning viewers to embrace the transformative power of The Resurrection.
    Resurrezione - Il Nome di Gesù - Dip..etta
  • “Madonna of Tears - Painting by Dino Carbetta” …<br />
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It serves as a focal point for the devotion to "Our Lady of Tears," which has experienced a resurgence of interest. This devotion, as evidenced by the records of The Marian Library/International Marian Research Institute, is underscored by a profound Rosary dedication to Mary under this title. Additionally, contemporary interpretations of Our Lady of Tears have emerged, signaling the enduring relevance of this devotion. The genesis of this devotion traces back to November 8, 1929, when Sister Amalia experienced a divine encounter while praying fervently in the presence of the Eucharist. Seeking intercession for a loved one's dire illness, Sister Amalia was instructed by Jesus Himself on the efficacy of praying through the tears of His mother, Mary. This pivotal moment led to the formulation of a unique Rosary, comprised of forty-nine small pearls divided into seven decades, reminiscent of the Seven Sorrows of Mary Rosary. This Rosary, adorned with three small pearls and the medal of Our Lady of Tears, became a tangible expression of devotion to Mary's sorrowful tears and unwavering love for humanity. In the painting, Mary, the Sorrowful Mother, is depicted in a contemplative posture, her tears bearing witness to the profound anguish she experienced throughout her son Jesus Christ's life and the redemptive sacrifice He made for humanity. Amidst her tears, Mary personifies the essence of maternal love and compassion, while bearing witness to her son's journey to save the world from sin. This devotion, endorsed by Pope Paul VI, resonates with believers seeking solace and grace through prayer and contemplation of Mary's role in the divine plan of salvation. As the faithful engage with the Madonna of Tears painting and the accompanying Rosary devotion, discover more about Mary's sorrow and Christ's mission, and find comfort in her intercession.
    Madonna delle Lacrime - Dipinto di D..etta
  • “Saint Thomas Aquinas - The Great Philosopher – Painting by Dino Carbetta” ... <br />
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Born in 1225 in the county of Aquino, situated in the Kingdom of Sicily, Aquinas emerged as a prominent figure in philosophy and theology. He was an Italian Dominican friar, priest, philosopher, theologian, and jurist whose legacy of intellect continues to endure. Aquinas's significant contributions center around natural theology and the establishment of Thomism, a school of thought aiming to harmonize theology and philosophy. He believed that God was the wellspring of both natural reason and faith, striving to meld Aristotelian philosophy with Christian principles. His profound impact is evident in works like the unfinished Summa Theologica and the Summa contra Gentiles, as well as commentaries on Christian Scripture and Aristotle, all shaping medieval philosophy. He is accredited as "the most influential thinker of the medieval period" and "the greatest of the medieval philosopher-theologians." Aquinas, a devout Catholic, enriched the liturgy of the Catholic Church with enduring Eucharistic hymns. Thomas Aquinas began his intellectual journey when he joined the Benedictine monastery at Monte Cassino when he was only five. He was later given titles such as Doctor Angelicus ("Angelic Doctor") and Doctor Communis. Further studies in Naples in 1239 deepened his connection to Aristotle's philosophy. The painting divinely captures the essence of Saint Thomas Aquinas. This inspirational figure's emphasis on the unity of faith and reason, revelation, and human knowledge resonates with those seeking knowledge and spiritual truth. Aquinas's enduring insights and this youthful artistic representation converge to present a profound reflection on the legacy of this great philosopher, whose wisdom remains pertinent and inspiring in our contemporary world.
    San Tommaso d'Aquino - Il Grande Fil..etta
  • “Virgin Mary and Newborn Jesus in Bethlehem - Painting by Dino Carbetta”…<br />
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In the Gospel of Luke (1:46-55), Mary praises the Lord and rejoices in the birth of her son. These words have resonated throughout history, reminding us of Mary's humility, faith, and grace that God has bestowed upon her. This painting captures the tender bond between mother and child and tells the story of Mary's acknowledgement of her humility, she exudes quiet strength and grace and God's enduring mercy through generations. The imagery conveys the power of God's arm, the humbling of the proud, and the exaltation of the lowly. The painting then transitions to a reflection on the imminent arrival of the Savior and the mystery of the Incarnation. The narration delves into the theological significance, emphasizing the divine condescension as God's only begotten Son descends upon Earth. This sacred union with humanity, conceived by the Holy Ghost in a virgin, is described eloquently, emphasizing Christ's dual nature—God with us, yet sharing in our humanity without sin. And Christ’s willingness to share in our human experiences—poverty, prayer, suffering, and guilt. The narrative unfolds, outlining Christ's continuous presence throughout various phases of life, from the cross to Holy Communion, daily Mass, and tabernacles, culminating in the promise of His eternal presence in heaven. The profound journey through the artwork concludes with a powerful call to prayer for the sanctity of life, inspired by Pope Saint John Paul II's Evangelium Vitae. The urgency for a global prayer resonates as an impassioned plea to God, the Creator and lover of life, urging communities, groups, families, and believers to unite in fervent prayer. This expansive portrayal transcends its visual realm, becoming a vessel for profound reflections on faith, the Incarnation, the sanctity of life, and a collective call to prayer—a testament to the enduring power of art to inspire and elevate the human spirit.
    Vergine Maria e Gesù Neonato a Betle..etta
  • "Sanctuary of Innocence - Mother Mary's Gentle Embrace Amidst the Holy Innocents -  Palette Knife Rendering by Dino Carbetta"<br />
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The Feast of the Holy Innocents solemnly commemorates a tragic event wherein innocent children were brutally slaughtered, becoming the early church's first martyrs and emphasizing the sanctity of human life. Evolving from a day of solemn religious contemplation, it has blossomed into a festive celebration, particularly cherished in Roman Catholic countries. The Flight into Egypt, the Second Sorrow in the Story of the Holy Innocents, swiftly unfolds as Joseph heeds a divine warning delivered through a dream. Fleeing from Herod's sinister intent to annihilate the newborn Christ, Joseph and Mary embark on a perilous journey, grappling with uncertainties and fears. Despite Mary's apprehensions about the desert wilderness, her unwavering trust in God's providence shines through. The couple's decision to uproot their lives to shield the infant Jesus highlights their profound commitment to protecting the sacred life within their family. Noteworthy is the deference to the authority of Saint Joseph, even though Mary is Immaculately Conceived and Jesus is the Word made flesh. Herod, a politically astute and brutal ruler, reacts with paranoia to the news of the newborn king, deceptively feigning homage while plotting the massacre of Bethlehem's male children under two years old. Beyond the historical significance, the Holy Innocents' massacre serves as a poignant reminder of ongoing challenges to the sanctity of life, drawing parallels to contemporary issues like genocide and abortion. Each human life, graced by Jesus' death and resurrection, is a precious treasure destined for eternity. This narrative invites reflection on life's profound value, resonating with the inspirational message that each soul, touched by the divine, holds immeasurable significance in the grandeur of existence. Mother Mary's comforting embrace envelops the innocent children.
    Sanctuary of Innocence - Mother Mary..etta
  • "Sacred Harmony - The Holy Family Nativity – Painting by Dino Carbetta” …<br />
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In the serene narrative of Luke 2:8-14, we find shepherds tending to their flock in the quietude of the night. Suddenly, the angel of the Lord emerges, bathed in divine radiance, evoking awe in the shepherds. Amidst their trepidation, the angel utters, "Fear not," heralding joyful tidings for all. The city of David becomes the stage for the announcement of a Savior, the Messiah, born to the world. A sign unfolds—an infant in swaddling clothes, lying in a manger. This humble scene marks a profound inception, emphasizing salvation's inclusive accessibility to all, irrespective of societal standing.  A celestial spectacle ensues as heavenly hosts join the angel in a harmonious symphony of praise. Their proclamation resounds, "Glory to God in the highest, and on earth peace to those on whom his favor rests." Beyond the shepherds, this celestial chorus envelops all creation, showcasing the universality of divine grace. This painting encapsulates the sacred moment, with the Holy Family at its centre, radiating profound symbolism that delves into the essence of human existence. The tender depiction of the infant in swaddling clothes, nestled in a manger, signifies a humble genesis for the Savior, emphasizing the universal accessibility of salvation that transcends societal divisions. Beyond a visual representation, The artwork transforms into a visual sermon, guiding observers into a contemplative space where the sacred narrative unfolds. Through meticulous brushstrokes and thoughtful composition, the painting invites us to witness not just a historical event but an eternal truth—within the simplicity of a stable, profound and universal message of hope and peace is born. May this artwork inspire and resonate with those who explore its depths. In its quiet distinction, let it echo the timeless proclamation of peace and goodwill to all who encounter its transformative narrative.
    Sacred Harmony - The Holy Family Nat..etta
  • “Saint Cecilia - Roman Virgin and Martyr - Painting by Dino Carbetta” …<br />
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Saint Cecilia, a revered Roman virgin martyr, holds a special place in the heart of the Catholic Church. She is recognized as the patroness of music and musicians. It is recounted that during her wedding, as musicians played, Cecilia "sang in her heart to the Lord." Her significance is marked by musical compositions dedicated to her, and on the 22nd of November, her feast becomes the inspiration for concerts and musical festivals. Also known as Cecilia of Rome, she is among the virgin martyrs commemorated by name in the Canon of the Mass in the Latin Church. The church of Santa Cecilia in Trastevere, established in the 3rd century by Pope Urban I, is believed to stand on the site where she once lived and ultimately met her fate. She was forced into marriage to a pagan nobleman named Valerian, despite her vow of virginity. During the wedding ceremony, Cecilia sat apart, singing to God in her heart, earning her the title of the patron saint of musicians. In a remarkable turn of events, Cecilia, true to her vow, informed Valerian that an angel of the Lord was watching over her. This angel, she proclaimed, would punish him for violating her purity but would bestow love upon him if he respected her commitment. To witness this angel, Valerian was directed to the third milestone on the Via Appia, where he underwent baptism by Pope Urban I. He beheld the angel standing beside her, adorning her with a crown of roses and lilies. Cecilia's martyrdom unfolds after that of her husband Valerian and his brother. Legend has it that, struck three times on the neck with a sword, Cecilia miraculously lived for three more days. In her final request to the pope, she asked for her home to be converted into a church. Saint Cecilia found her resting place in the Catacomb of Callixtus, later transferred to the Church of Santa Cecilia in Trastevere in 1599, her body incorrupt and appearing as if in peaceful slumber.
    Santa Cecilia - Vergine Romana e Mar..etta
  • “Crimson Crucifixion in the Chapel of the Church of Santa Maria Assunta in Positano - Painting by Dino Carbetta”…<br />
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Amidst the breathtaking landscapes of the Amalfi Coast, my journey led me to the enchanting village of Positano. The drive along the high cliffs, winding down the narrow lane from Sorrento, was nothing short of exhilarating. The sensory overload of Positano's beauty and its photogenic allure left me captivated. Navigating the village's single lane, which winds down from the top and back up to where it began, presented a unique challenge. After circling the entire village three times, I finally reached the parking garage by the hotel, positioned about 2/3rds up the facing village in the captivating image before you. The descent down the winding road and steep staircases, though strenuous in the late May sun, became a memorable part of the adventure. Upon reaching the beach and marina, any exhaustion I felt dissipated in the face of Positano's plush beauty. Despite the challenges posed by the multitude of tourists and the intense sunlight, I endeavored to capture the essence of this coastal haven. As I traversed the beach and shoreline, the late afternoon sunlight, piercing through the mountaintop, blinded me momentarily. It was during this encounter with the radiant glow that the Church of Santa Maria Assunta emerged before me. Positioned strategically in the heart of the town, with the Azzurro Mediterranean Sea as its backdrop, the church's colorful majolica tiled cupola stands as an iconic symbol of Positano. Delving into the ancient roots of this sacred place, I discovered a hidden gem within the church—a Crucifix housed in a small chapel. Dating back to 1159, this chapel was dedicated to the Blessed Virgin Mary. It is here that Santa Maria, with her blessed and watchful eye, continues to oversee Positano, welcoming all to this seaside paradise.
    Cremisi Crocifissione nella cappella..etta
  • “Blessed Carlo Acutis - Painting by Dino Carbetta” …<br />
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Born in London and raised in Milan, had a remarkable spiritual journey that serves as an inspiration to many. Carlo's deep faith blossomed early, marked by his first communion at age seven. He became a devoted communicant, praying before the Tabernacle before and after Mass. Carlo looked up to saints like Francis of Assisi, Bernadette Soubirous, Jacinta and Francisco Marto, and Dominic Savio, drawing inspiration from their lives. He displayed compassion at school, comforting friends in times of parental divorce and defending disabled students from bullies. Beyond his studies, Carlo volunteered to help the homeless, embracing the call to serve those in need. He enjoyed simple pleasures like films, comics, soccer, and video games. He combined his love for technology with faith, dedicating four years to creating a website cataloguing Eucharistic miracles worldwide. Carlo's life took a challenging turn with a Leukemia diagnosis, but he offered his suffering to God for the intentions of Pope Benedict XVI and the Church. Sadly, his dream of visiting Eucharistic miracle sites was cut short by his illness. Carlo passed away in 2006 and was beatified in 2020, with his final resting place in Assisi. Carlo's beatification in Assisi's Basilica of St. Francis was attended by many of his childhood friends, highlighting his ability to use technology to spread the Gospel and foster friendship with the Lord. Carlo Acutis did not seek fame; instead, he sought to cooperate generously with God's grace. His journey, though brief, was marked by an unwavering desire to serve God and others selflessly. The artist's portrayal of Carlo in front of the Basilica of Saint Francis of Assisi captures the essence of this remarkable young man, whose life continues to inspire and guide us on our spiritual journeys. His liturgical feast is celebrated on October 12th, reminding us of the profound impact of a life lived in faith and service.
    Beato Carlo Acutis - Dipinto di Dino..etta
  • “Our Lady of Sorrows - Painting by Dino Carbetta” …<br />
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Offers a profound reflection on the Blessed Mother's deep grief, particularly during Christ's passion and death. This evocative work draws viewers into the depths of her sorrow, highlighting the seven sorrows she endured, as foretold by Simeon. His words in Luke 2:34-35 resonate through the ages: "Behold, this child is destined for the fall and rise of many in Israel, and for a sign that will be contradicted—and you yourself a sword will pierce—so that the thoughts of many hearts may be revealed." These sorrows are not mere events but spiritual wounds carved deeply into Mary's heart, each marked by intense anguish. The seven sorrows, central to this piece, include the flight into Egypt, the loss of Jesus in the Temple, Mary's encounter with her Son on the road to Calvary, witnessing His crucifixion, holding His lifeless body after His descent from the cross, and His burial. Each moment is captured in this portrayal of Mary, whose pierced heart symbolizes both Simeon’s prophecy and her immense spiritual suffering. Yet amidst this profound sorrow, there is remarkable strength—an unwavering faith that never faltered. This same faith led Mary to proclaim at the Annunciation, "Let it be done unto me according to thy word." Her steadfast trust in God's plan echoes through each sorrow, offering a powerful testament to faith amid deep grief. Inspired by the rich tradition of Marian iconography, the painting depicts Mary as a central figure in Christ's Passion. It captures both the personal sorrow of a mother and the broader spiritual sorrow of one who shares in her Son's redemptive mission. This work invites reflection on Mary's suffering, boundless faith, and courage, offering solace and inspiration to those who suffer. Like Mary, this painting beckons us to understand the redemptive power of suffering embraced with faith—a timeless message for all who encounter it.
    Madonna Addolorata - Dipinto di Dino..etta
  • “Most Holy Name of the Blessed Virgin Mary - Painting by Dino Carbetta” …<br />
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The rich tapestry of faith is often woven with threads of history and tradition. The celebration of the Most Holy Name of Mary, its origins tracing back to the vibrant lands of Spain in the year 1513, serves as a profound reminder of the enduring power of devotion. A timeless journey that started in a particular time and place has blossomed into a cherished moment for the entire Church. Pope Innocent XI, recognizing the beauty and significance of this venerable tradition, embraced it wholeheartedly, extending its embrace to the global congregation. The unity of faith finds its expression in shared rituals, and the celebration of the Most Holy Name of Mary beautifully complements the Feast of the Holy Name of Jesus, observed every September 12. In the intricate mosaic of Catholic devotion, these celebrations are like twin stars, one radiating the celestial grace of Mary, the other illuminating the majestic persona of Jesus. Each festivity encapsulates a distinct essence, yet they resonate harmoniously, representing the two pillars of divinity. The Holy Name of Mary, a testament to her unwavering virtue and maternal compassion, stands as a symbol of solace and intercession. Just as the name of a beloved carries the power to evoke emotions, Mary's name invokes hope and supplication, a bridge between the human heart and the divine realm. I am embracing the profound significance of these celebrations embarking on this artistic and literary venture. The legacy of the Most Holy Name of Mary and the Feast of the Holy Name of Jesus infuses these artistic endeavors with a sense of purpose and inspiration. Words and art have the potential to be vessels of transcendence, allowing those who encounter them to glimpse the eternal truths that lie beyond the visible realm. Mary was inspired by my good Catholic friend, Lori.
    Santissimo Nome della Beata Vergine ..etta
  • “The Transfiguration of Jesus – Painting by Dino Carbetta” … <br />
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According to the Synoptic Gospels, Jesus, accompanied by Peter, James, and John, ascended a high mountain to pray. During this divine encounter, Jesus underwent a profound transformation, His countenance radiating with celestial brilliance, and His garments gleaming with a purity beyond earthly comprehension. The presence of Moses and Elijah conversing with Jesus symbolized the continuity between the Law, the prophets, and the fulfillment of both in Christ. Overwhelmed by the magnitude of this encounter, Peter proposed the construction of tents for Jesus, Moses, and Elijah, not fully comprehending the divine significance. In a profound manifestation of divine affirmation, a cloud enveloped them, and the voice of God declared Jesus as His beloved Son, commanding obedience to His teachings. This momentous event affirmed Jesus' divinity and mission, reinforcing His authority as the promised Messiah. As abruptly as it began, the vision concluded, leaving the apostles with Jesus alone, and they descended from the mountain, grappling with the mystery of Jesus' impending resurrection. The Transfiguration serves as a beacon of divine revelation, illuminating the profound theological truths central to the Christian faith. It signifies the culmination of the Old Testament prophecies and foreshadows the glory of Christ's resurrection. In Catholic tradition, the Feast of the Transfiguration invites believers to reflect on the majesty of Christ and the promise of transformation in His likeness. It underscores the theological significance of Christ's divinity and His fulfilment of Scripture, offering solace and encouragement to believers amidst life's trials. On July 22, 1456, the Crusaders defeated the Turks at Belgrade. News of the victory reached Rome on August 6, and Pope Callistus III placed the feast on the Roman calendar the following year.
    La Trasfigurazione di Gesù – Dipinto..etta
  • “Saint Anne: Embracing the Sacred Word Across Generations - Uniting in Faith as the Maternal Grandmother of Jesus and Mother of Mary – Painting by Dino Carbetta” …<br />
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Is a painting depicting the bond between Saint Anne, the maternal grandmother of Jesus, and Mary, the Mother of Christ. Through vibrant hues and emblematic gestures, the artwork aims to evoke contemplation and spirituality, inviting viewers to connect with the heavenly realm. The painting incorporates nuanced symbolism, encouraging a multifaceted exploration of faith and the divine plan. Saint Anne's significance in the Christian tradition lies in her role as the mother of Mary and the grandmother of Jesus. Though historical details about her life are scarce, religious texts and apocryphal writings preserve her story. Anne, a devout Jewish woman from Bethlehem, married Joachim, and despite their strong faith, they initially couldn't conceive. However, through a divine message, Anne was promised a child, and in their old age, she and Joachim were blessed with Mary, a virtuous woman devoted to God. Mary's life took an extraordinary turn when the angel Gabriel announced she would give birth to Jesus, the Savior, conceived by the Holy Spirit. Anne was supportive and influential as Jesus' maternal grandmother, guiding his moral and spiritual development. Her feast day is celebrated on July 26th, and she is venerated as the patron saint of mothers, grandmothers, and women in labor. Anne's story symbolizes hope, faith, and God's providence, emphasizing the importance of trusting in God's plan and the impact of family in shaping lives. The painting embodies the profound depths of faith, love, and divine connection, aiming to touch the hearts of those who view it. Through this artistic pilgrimage to a spiritual narrative, Dino Carbetta invites viewers to contemplate the legacy of Saint Anne and the enduring influence of her daughter, Mary, and grandson, Jesus, on human history.
    Sant'Anna Abbracciare la Sacra Parol..etta
  • “Solemnity of Saints Peter and Paul - Painting by Dino Carbetta” …<br />
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Today, June 29, the Church commemorates the feast day of Saints Peter and Paul. This celebration has been a longstanding tradition dating back to as early as 258. These two saints are considered the founders of the See of Rome, as they preached, ministered, and were martyred there. Peter was a fisherman from Galilee, introduced to Jesus by his brother Andrew. Jesus renamed him Cephas, which means "Rock," as he was to be the foundation upon which Christ built His Church. Peter was a loyal follower of Jesus, being the first to recognize Him as the Messiah and pledge his allegiance to Him until death. Making mistakes, such as losing faith and betraying Jesus, Peter was still chosen to be the shepherd of God's flock. In his role as the first Pope, he led the Apostles and ensured that they maintained their true faith. He spent his final years in Rome, leading the Church through persecution and ultimately being martyred in the year 64. St. Peter was buried on Vatican Hill, and St. Peter's Basilica was built over his tomb. On the other hand, St. Paul was an Apostle to the Gentiles. His letters in the New Testament provide insight into his life and the early Church's faith. Before his conversion, he was known as Saul, a devout Jewish pharisee who persecuted Christians. However, he experienced a profound conversion on his way to Damascus, where he was blinded by a great light and heard Jesus' voice. He was baptized, and named Paul and spent the rest of his life preaching the Gospel to the Gentiles. He was imprisoned and beheaded in Rome in the year 67 and is buried in the Basilica of St. Paul Outside the Walls. St. Augustine of Hippo once said of these two apostles that they shared the same feast day and were as one, even though they suffered on different days. Let us honor their lives, labors, sufferings, preaching, and confession of faith as we celebrate this holy day.
    Solennità dei Santi Pietro e Paolo -..etta
  • "Our Lady of Fatima - Miracle of the Sun – Painting by Dino Carbetta” …<br />
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It encapsulates a profound moment that unfolded on October 13, 1917. In the vicinity of Fatima, a multitude had assembled, eagerly anticipating the foretold apparition of Our Lady, as heralded by three young shepherd visionaries: Lúcia, Francisco, and Jacinta Marto. What ensued, meticulously documented by journalists, legal professionals, and scientists, later earned the moniker "Miracle of the Sun." Eyewitness testimonies painted a vivid picture of extraordinary solar phenomena: the Sun seemingly pirouetting in the heavens, descending towards the earth, and casting a kaleidoscope of vibrant hues. This celestial spectacle, lasting a remarkable ten minutes, left an indelible impression on those present and reverberated the media environment of that period. Following the event, in November 1917, the local bishop launched a comprehensive investigation, meticulously scrutinizing witness statements and aligning purported messages from Mary with the tenets of Catholic theology. Notably, even skeptics among the gathering, including secular reporters and government officials, attested to the authenticity of the miraculous solar display. The formal endorsement by Bishop José da Silva on October 13, 1930, bestowed official recognition upon "Our Lady of Fatima" within the folds of Catholic tradition. This profound miracle, intertwined with its accompanying prophecies, continues to shape the devotional practices of countless Catholics, leaving an enduring legacy in the annals of Church history. Despite the passage of time, the composed testimony of witnesses such as Dr. Garrett serves as a poignant reminder of the event's solemnity. His steadfast recollection, amidst the surreal backdrop tinged with yellow hues, beckons subsequent generations to ponder the deeper significance of this extraordinary phenomenon.
    Madonna di Fatima - Miracolo del Sol..etta
  • “Annunciation of the Lord - Marian Shrine Basilica of the Holy House in Loreto, Italy – Painting by Dino Carbetta” …<br />
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Gospel Lk 1:26-38  “The angel Gabriel was sent from God to a town of Galilee called Nazareth, to a virgin betrothed to a man named Joseph, of the house of David, and the virgin's name was Mary. And coming to her, he said, "Hail, full of grace! The Lord is with you." But she was greatly troubled at what was said and pondered what sort of greeting this might be. Then the angel said to her, "Do not be afraid, Mary, for you have found favor with God. Behold, you will conceive in your womb and bear a son, and you shall name him Jesus.<br />
He will be great and will be called Son of the Most High, and the Lord God will give him the throne of David his father, and he will rule over the house of Jacob forever, and of his Kingdom there will be no end." But Mary said to the angel, "How can this be, since I have no relations with a man?" And the angel said to her in reply, "The Holy Spirit will come upon you, and the power of the Most High will overshadow you. Therefore the child to be born<br />
will be called holy, the Son of God. And behold, Elizabeth, your relative, has also conceived a son in her old age, and this is the sixth month for her who was called barren; for nothing will be impossible for God." Mary said, "Behold, I am the handmaid of the Lord. May it be done to me according to your word." Then the angel departed from her.”
    Annunciazione del Signore - Santuari..etta
  • “Deer Contemplating the Light of the World – Painting by Dino Carbetta” …<br />
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Artistic expression unfolds with each brush stroke telling a story deeply rooted in sacred scriptures. PS 42:2 breathes life into the canvas, portraying a deer longing for streams of water—a symbol of the soul's deep yearning for God. IS 35:6 unfolds as the once-lame deer leaps like a stag, embodying the transformative joy of divine light. Radiant beams echo the joyous melodies of a once-muted tongue, celebrating spiritual liberation. Jn 8:12 illuminates the canvas with Jesus as the light of the world. The deer, bathed in celestial glow, symbolizes the transformative power of Christ's light dispelling darkness. Mt 5:14-16 turns the deer into a mountain beacon, urging viewers to let their light shine, glorifying the heavenly Father through acts of grace. The profound truth of Jn 3:21 echoes through the artwork, inviting those who gaze upon it to come into the light. The deer, bathed in the radiance of the divine, stands as a testament to a life lived in truth, where deeds are brought into the light to be seen as done in God. The primal creation story of Jn 1:3-9 weaves through the canvas, depicting the light that shines in the darkness and the unyielding triumph of that light. The deer, a witness to this eternal truth, testifies to the presence of the true light that enlightens every corner of the human soul. Finally, the painting echoes the words of Jn 14:6, Jesus declares,  "I am the way, and the truth, and the life." In its contemplation, the deer becomes a guide, pointing towards the way, embodying the truth, and exuding the essence of life itself. Scripture comes to life, inspiring one to contemplate the profound connection between the deer, the divine light, and the timeless truths embedded in sacred texts. The painting becomes a holy journey, inviting all to reflect on their longing for the eternal streams of water and the transformative power of the world's light.
    Cervi Contemplano la Luce del Mondo ..etta
  • “The mystical evening sun's rays peeking over the hills of Assisi”…<br />
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This image was captured as the hazy sun began to set behind the mountains and a light rain began. The combination of the low, brightly veiled evening sun with the mist of the rain displayed a spectacular prism effect that dazzled the senses and displayed a glorious light show above Assisi. The magnificent display lasted until dark and was one of the many mystical and blessed experiences of my perfect 24 hours in Assisi. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted, and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about two hundred yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God.
    Il mistico serata raggi del sole cap..sisi
  • “Mystical Sunset above Marina Grande Sorrento”…<br />
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This mesmerizing photograph showcases one of the initial sunsets over Marina Grande, where the sun orchestrates a breathtaking display harmonizing with the clouds. The magnificent sunset casts a radiant glow upon the sky and water, resulting in a captivating and impactful image. On my second evening in Sorrento, just as I was getting accustomed to navigating alongside the wildly adventurous Vespa riders who disregard road rules entirely, I serendipitously stumbled upon the renowned Marina Grande of Sorrento. Despite its name, "Grande," meaning big, it is a quaint fishing village that exudes picturesque charm rather than vastness. Marina Grande proved to be a godsend that evening, encompassing all the elements I, a tired and famished photographer, sought to capture the perfect sunset: the sea, sandy shores, boats, expansive skies, and delectable seafood. Speaking of seafood, did I mention the incredible dishes? Arriving around 8:00 PM, just in time for a dramatic sunset spectacle, and departing after a satisfying dinner around midnight, the Marina truly lived up to its grandeur. While I am no expert on Marina Grande or Sorrento, it holds a special significance as the birthplace of my grandfather and his family, originating from the Gulf of Naples. It appears that every time I set foot in this tiny village, the heavens burst with vibrant hues, warmly embracing its ancestral heritage. Shortly after capturing the final image, it was time for a delightful meal at my newfound favorite restaurant, Ristorante di "Zi'Ntonio Mare.
    Mistica Tramonto al di sopra Marina ..ento
  • “An evening stroll on the ancient, cobbled streets of Orvieto”… <br />
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Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a substantial chunk of volcanic stone called tufa and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this clifftop village over two thousand years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliffside views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. The blue evening skies reflect on the shiny-worn cobblestone Strada below as the last bit of sun illuminates the way for a delightful promenade. “As sorrowful yet always rejoicing; as poor yet enriching many; as having nothing and yet possessing all things.”  2 Corinthians 6:10
    Una passeggiata serale sulle antiche..ieto
  • “Sunset view of Manarola from the azure Tyrrhenian Sea” …<br />
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I began my daily journey at the northernmost town of Monterosso and took the train to the southernmost town of Riomaggiore. I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. This image was composed of standing on the rooftop of the antique 28-foot Angelina’s galley with my arms around the mast and my 25-pound camera bag strapped over my shoulder, creating a human tripod for support. I could not help noticing tourists in each village photographing our boat as we sailed up and down the coast; perhaps it was the image of a silly photographer hanging on for dear life as the waves wobbled the boat side to side in anticipation of a splashdown?! Leaving for my destination of Monterosso, the radiant sunset illuminated the sky and the azure sea of the Mediterranean. I was convinced to sail back to Riomaggiore with my gracious guides Claudio and Eddie of the "Cinque Terre dal Mare" sailing excursions. We arrived just in time for the perfect magic-hour glow of the setting sun. After a nice dinner...I caught the last train at midnight back home to Monterosso. There is a great appeal in each of the five Cinque Terre villages, each with a different history, people, elements, and culture. This illuminating sunset of Manarola was captured just before arriving back in Riomaggiore. Arrivederci, Manarola!
    Tramonto vista di Manarola fin da il..Mare
  • “Saint Jerome - Chigi Chapel in the Cathedral of Siena” …<br />
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Is a window into the rich history and artistic grandeur of Siena's Duomo, the Cathedral of Siena. This magnificent cathedral, perched above the bustling Piazza del Campo, stands as a testament to the city's glorious past, filled with remarkable treasures by renowned artists like Pisano, Donatello, Bernini, and even Michelangelo. Completed in 1263, the 14th century ushered in an audacious vision – to transform this cathedral into the largest in all of Christendom, surpassing even the grandeur of St. Peter's in Rome. However, the devastating Black Death of 1348 struck, claiming four-fifths of Siena's population, its half-built walls becoming a poignant monument to the city's once unbridled prosperity. If tasked with selecting a singular location that encapsulates Italy's grand tapestry of history, art, architecture, culture, and faith, the Cathedral of Siena would undoubtedly emerge as an unparalleled choice. Distinguished by its striped walls and commanding pillars, you can't help but be struck by its sheer magnitude. Stepping inside the nave, you are immediately enveloped by a symphony of artistic expression and unparalleled beauty meticulously placed in every conceivable space. From the celestial dome to the intricate stained glass, from the captivating frescoes to the masterful sculptures, and culminating in what is revered as the most magnificent marble floor in history, the cathedral is an artistic treasure trove. Among the many artistic gems is the sculpture of Saint Jerome by the eminent Italian artist Gianlorenzo Bernini shines brightly. St. Jerome, stands as a towering figure, both in art and in history. He was a Scripture scholar of unparalleled distinction, responsible for translating a substantial portion of the Old Testament from its original Hebrew form. His commentaries continue to serve as an enduring source of scriptural inspiration for us today.
    San Girolamo - Cappella Chigi nel Du..iena
  • “The Gondoliers illuminated by the afternoon light along Rio De La Toletta Venice - Painting by Dino Carbetta” …<br />
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Our itinerary included Basilica, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. In the maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission in Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated from the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Le Gondoliera illuminate dalla luce ..etta
  • "Mystically, St. John Bosco offered Mass for the Pilgrims in the Sorrento Cathedral - Painting by Dino Carbetta"...<br />
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St. John Bosco (1815 – 1888), was a man of God, who besides his many miracles and ordinary life of holiness, received visions of Mary and numerous prophetic dreams. St. Bosco also worked countless miracles. He had the gift of multiplication of the loaves, and St. John even raised a boy from the dead to give him the chance of a good confession. The boy confessed his sins and died, but this time he went straight to Heaven. St. John Bosco was ordained a priest in 1841, and he worked tirelessly with young boys in his neighborhood. His goal was to make saints out of them, and at least one of his boys became a saint, St. Dominic Savio. St. John founded the Oratory of St. Francis de Sales and was the chaplain there. He opened up workshops for tailoring and shoe-making to help the boys not only grow spiritually but have enough money to live. St. John lived daily for Jesus Christ. He would rise early, hear Confessions, and write letters to those in need for hours into the night. He wrote over 130 works defending the faith, and for that, he was hated by the enemies of the Church. There were numerous plots to kill him though none succeeded. Father Peek, stood in this day for Saint John Bosco and offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. I am sure Saint John Bosco would have been proud of the lessons taught and learned during our scholarly and spiritual pursuit.
    Misticamente, San Giovanni Bosco off..etta
  • “Giving seed to the One who sows, Snow - Painting by Dino Carbetta”…<br />
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Isaiah 55:10-13, “Yet just as from the heavens the rain and snow come down And do not return there till they have watered the earth, making it fertile and fruitful, Giving seed to the one who sows and bread to the one who eats, So shall my word be that goes forth from My mouth; It shall not return to me empty but shall do what pleases me, achieving the end for which I sent it. Yes, in joy you shall go forth, in peace you shall be brought home; Mountains and hills shall break out in song before you, and all trees of the field shall clap their hands. In place of the thornbush, the cypress shall grow, instead of nettles, the myrtle. This shall be to the LORD’s renown, as an everlasting sign that shall not fail.” “Giving Seed to the One who Sows, Snow - is an artwork that draws inspiration from Isaiah. The rain and snow that fall from the heavens, water the earth and make it fertile and fruitful. God's Word invigorates our souls, guiding us towards spiritual growth and renewal. The painting captures this divine interaction through meticulous strokes and nuanced hues. The snow, symbolizing purity and renewal, blankets the earth, signifying the transformative power of God's Word. The mountains, hills, and trees celebrate this divine work, creating a celestial orchestra of joy and harmony. Deer are creatures of the natural world, and their presence could highlight the interconnectedness of all living things. The deer symbolizes the harmony between the created world and the spiritual realm. It's a testament to God's restorative power, where desolation gives way to abundance, and barrenness blossoms into beauty. In essence, "Giving Seed," is not just an inspired composition but a spiritual odyssey that invites us to reflect on the boundless grace, transformative power, and eternal promise encapsulated in God's Word.
    Dare seme a Colui che semina, Neve -..etta
  • “The Luminescent Eye of Christ Gazes Upon Saint Lucia - Painting by Dino Carbetta”…<br />
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Santa Lucia is a virgin and martyr of Syracuse in Sicily, whose feast is celebrated on December 13th. According to tradition, Saint Lucy was born to rich and noble parents in 283. Like early martyrs, Lucy had consecrated her virginity to God, and she hoped to devote all her possessions to the service of the poor. An arranged marriage for three years was postponed. Lucy prayed at the tomb of Saint Agatha to change her mother’s mind about her faith. As a result, her mother's long hemorrhagic illness was cured, and she consented to Lucy's desire to live for God. Saint Lucy’s rejected bridegroom, Paschasius, denounced Lucy as a Christian. The governor tried to force her into prostitution, but the guards could not move her, even hitching her to a team of oxen. The governor ordered her to be killed instead. After gruesome torture, including having her eyes torn out, she was surrounded by wood and set afire, but the fire quickly died out. She prophesied against her persecutors and was then executed by being stabbed to death. Lucy had warned Paschasius he would be punished. When the governor heard, he ordered the guards to gouge out her eyes; however, Lucy removed her eyes to discourage her persistent suitor who greatly admired them. When her body was being prepared for burial, they discovered her eyes had been restored. This and the meaning of her name "light," led to her patronage of eyes, the blind, and eye ailments. Her relics are now located in Venice in the church of San Geremia. Lucy knew of the heroism of earlier virgin martyrs. She remained faithful to their example and to the example of the carpenter, whom she knew to be the Son of God. She is the patroness of eyesight. “To God’s servants, the right words will not be wanting, for the Holy Spirit speaks in us. . . All who live piously and chastely are temples of the Holy Spirit.” – St. Lucy
    L'occhio luminescente di Cristo guar..etta
  • "The Crucifix - The Basilica of Santa Maria degli Angeli Assisi Museum - Painting by Dino Carbetta"...<br />
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Portiuncula is a town and a parish situated about three-quarters of a mile from Assisi. The town has grown up around the Basilica of Our Lady of the Angels. It was of this little church moved within the Basilica that St. Francis recognized his vocation in the year 1208, and it was where St. Francis spent most of his life. In 1211, the Benedictines gave him the little chapel of St. Mary of the Angels or the Portiuncula, which is a “little portion” of land. The first Franciscan convent was also formed nearby. The Portiuncula was also where St. Francis received the vows of St. Clare. St. Francis died here on October 3, 1226, and on his deathbed, he recommended the chapel to the faithful protection and care of his brothers. The Museo della Basilica is in another section of the convent. Among the most important works kept here are the "Crucifix “painted on wood by Giunta Pisano (1236-40). The return of Francis, a penitent man, contemplating his future in the Church... But God had other plans, and Francis did not travel far. His search for conversion led him to the ancient church at San Damiano. While he was praying there, he heard Christ on the crucifix speak to him, "Francis, repair my church." Francis assumed this meant the crumbling building he was in. He later realized it was his call to rebuild the entire Church. He read the command to the rich young man to sell all his good and give to the poor, the order to the apostles to take nothing on their journey, and the demand to take up the cross daily. "Here is our rule," Francis said -- as simple, and as seemingly impossible, as that. He was going to do what no one thought possible any more -- live by the Gospel.
    Il Crocifisso - La Basilica di Santa..etta
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