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  • “The morning fog disappears over the Sacred Convent and the Basilica of San Francesco d'Assisi”…<br />
<br />
The Sacro Convento is a Franciscan friary in Assisi, Italy. The friary is connected as part of three buildings to the upper and lower church of the Basilica of San Francesco d'Assisi, where the friar's custody with great reverence the body of Saint Francis. St. Francis wanted to be buried at this location outside of Assisi's city walls, called Hill of Hell (Collo d'Inferno - here were the gallows where criminals were put to death) because his master Jesus of Nazareth also was killed like a criminal outside of the city of Jerusalem. The Conventual Franciscans consider Assisi as the mother town and the monastery as the spiritual center of their order, while the operations center is located in Rome. Pope Gregory IX laid the cornerstone for the Basilica of San Francesco d'Assisi and the friary on 17 July 1228, the day after the canonization of Saint Francis. In 1230, after two years the lower church was ready to uptake the bones of Saint Francis, who had died at Portiuncula in 1226 and had been transferred to the church San Gregorio, which later became the Basilica di Santa Chiara, after Santa Chiara's death. The original part of the Sacro Convento consisted of a refectory, dormitory, chapter hall, papal hall, and a scriptorium-library. For the first 200 years of its existence, the library rivaled the Sorbonne and Avignon with a comparable number of manuscripts. The façade of the upper basilica is perhaps the most photographed church in the world. It appears smallish and antiquated from the outside. However, the deceptive upper basilica is quite large but gives way to the grand lower basilica. One has no idea of the massive structure below supporting the Basilica of Saint Francis unless realizing the Sacred Convent is the monumental base. This image confirms the magnitude of the entirety of the Convent and the Basilica.
    La nebbia mattutina svanisce sul Sac..sisi
  • “Holy Door of the Church of Saint Agnes of Montepulciano"... <br />
<br />
St. Agnes of Montepulciano was born in 13th-century Tuscany. At the age of six, Agnes began trying to convince her parents to allow her to join a convent. She was finally admitted to the Dominican convent at Montepulciano at age nine. Agnes' reputation for holiness attracted other sisters, and she became an abbess at the unheard of age of 15. She insisted on greater austerities in the abbey. She lived on bread and water for 15 years, slept on the ground and used a stone for a pillow. It was said that she had visions of the Virgin Mary and that in her visions angels gave her Communion. Agnes also had a vision in which she was holding the infant Jesus. When she awoke from her trance, she was holding the small gold crucifix the infant Jesus was wearing. She died in 1317. Miracles have been reported at her tomb. When her body was moved to a church years after her death, it was found incorrupt. She was canonized in 1726. The saint’s shrine is located facing the 16th century ramparts of the Porta al Prato of Montepulciano. It opens into the lower part of the historical center and completed in 1306. The hill was chosen by the saint to build her church following visions of a stairway to heaven, it was originally occupied by brothels. Agnes purchased the land herself for 1,200 lire. The hill was transformed from a sinful location to a holy and reverent community. The church, monumental cloister, and its convent are now totally transformed and host the incorrupt body of Saint Agnes.
    Porta Santa della Chiesa di Sant'Agn..iano
  • "Santa Chiara in the Cathedral of San Rufino Assisi"...<br />
<br />
Clare was born in 1193 in Assisi of nobility, the oldest child. At 18, Clare escaped from her father’s home one night, was met on the road by friars carrying torches, and in the poor little chapel called the Portiuncula received a rough woolen habit, exchanged her jeweled belt for a common rope, and sacrificed her long tresses to Francis’ scissors. He placed her in a Benedictine convent, which her father and uncles immediately stormed in rage. Clare clung to the altar of the church, threw aside her veil to show her cropped hair, and remained adamant. Sixteen days later her sister Agnes joined her. Others came. They lived a simple life of great poverty, austerity, and complete seclusion from the world, according to a Rule which Francis gave them as a Second Order. At age 21, Francis obliged Clare under obedience to accept the office of abbess, one she exercised until her death. Contemporary accounts glow with admiration of Clare’s life in the convent of San Damiano in Assisi. She served the sick and washed the feet of the begging nuns. She came from prayer, it was said, with her face so shining it dazzled those about her. She suffered a serious illness for the last 27 years of her life. Her influence was such that popes, cardinals, and bishops often came to consult her—Clare herself never left the walls of San Damiano. Francis always remained her great friend and inspiration. Clare was always obedient to his will and to the great ideal of gospel life which he was making real. A well-known story concerns her prayer and trust. Clare had the Blessed Sacrament placed on the walls of the convent when it faced attack by invading Saracens. “Does it please you, O God, to deliver into the hands of these beasts the defenseless children I have nourished with your love? I beseech you, dear Lord, protect these whom I am now unable to protect.” To her sisters, she said, “Don’t be afraid. Trust in Jesus.” The Saracens fled.
    Santa Chiara nella Cattedrale di San..sisi
  • “Holy Door of the Church of Saint Agnes of Montepulciano – BW”…<br />
<br />
St. Agnes of Montepulciano was born in 13th-century Tuscany. At the age of six, Agnes began trying to convince her parents to allow her to join a convent. She was finally admitted to the Dominican convent at Montepulciano at age nine.<br />
Agnes' reputation for holiness attracted other sisters, and she became an abbess at the unheard of age of 15. She insisted on greater austerities in the abbey. She lived on bread and water for 15 years, slept on the ground and used a stone for a pillow. It was said that she had visions of the Virgin Mary and that in her visions angels gave her Communion. She also had a vision in which she was holding the infant Jesus. When she awoke from her trance, she she was holding the small gold crucifix the infant Jesus was wearing. She died in 1317. Miracles have been reported at her tomb. When her body was moved to a church years after her death, it was found incorrupt. She was canonized in 1726. The saint’s shrine is located facing the 16th century ramparts of the Porta al Prato of Montepulciano. It opens into the lower part of the historical center and completed in 1306. The hill was chosen by the saint to build her church following visions of a stairway to heaven, it was originally occupied by brothels. Agnes purchased the land herself for 1,200 lire. The hill was transformed from a sinful location to a holy and reverent community. The church, monumental cloister, and its convent are now totally transformed and host the incorrupt body of Saint Agnes.
    Porta Santa della Chiesa di Sant'Agn..- BW
  • "Saint Rita peacefully watches over her Basilica in Cascia, Italy - Painting by Dino Carbetta"...<br />
<br />
Nestled in the serene hills of Cascia, Italy, the Basilica of Saint Rita is a sanctuary of faith and devotion. Born in 1381, Saint Rita of Cascia is revered for her unwavering faith and remarkable resilience. From a young age, she yearned to dedicate her life to God by joining a convent. However, her parents arranged a marriage to a man known for his harshness and cruelty. Rita exemplified patience and virtue for eighteen years, raising two sons with steadfast faith. Following the deaths of her husband and sons, Rita sought solace in the Augustinian convent in Cascia. Her perseverance and devoutness eventually secured her acceptance despite initial resistance due to her widowhood. Rita's life became a testament to austerity, prayer, and charity within the convent. She dedicated herself to caring for sick nuns, demonstrating profound compassion and selflessness. Her wisdom and counsel drew many to seek her guidance, as she became a beacon of solace for those troubled by life's hardships. Deeply meditative on Christ's passion, Rita experienced a mystical union with His suffering, bearing a wound on her forehead that mirrored the crown of thorns. This divine mark affirmed her sanctity and profound connection to Christ's suffering. The Basilica of Saint Rita, constructed in the early 20th century and completed in 1947, serves as a tribute to her enduring legacy. Each year, thousands of pilgrims journey to Cascia, drawn by Saint Rita's story and relics, seeking her intercession and finding peace in her sacred presence. The basilica is not just a building; it is a place of reflection, healing, and devotion, where the faithful come to honor a saint who has touched countless lives. Through this art, viewers are invited to experience the serene and holy atmosphere of Cascia, inspired by a saint whose life continues to be a beacon of hope and faith.
    Santa Rita veglia pacificamente sull..etta
  • "The Crucifix - The Basilica of Santa Maria degli Angeli Assisi Museum - Painting by Dino Carbetta"...<br />
<br />
Portiuncula is a town and a parish situated about three-quarters of a mile from Assisi. The town has grown up around the Basilica of Our Lady of the Angels. It was of this little church moved within the Basilica that St. Francis recognized his vocation in the year 1208, and it was where St. Francis spent most of his life. In 1211, the Benedictines gave him the little chapel of St. Mary of the Angels or the Portiuncula, which is a “little portion” of land. The first Franciscan convent was also formed nearby. The Portiuncula was also where St. Francis received the vows of St. Clare. St. Francis died here on October 3, 1226, and on his deathbed, he recommended the chapel to the faithful protection and care of his brothers. The Museo della Basilica is in another section of the convent. Among the most important works kept here are the "Crucifix “painted on wood by Giunta Pisano (1236-40). The return of Francis, a penitent man, contemplating his future in the Church... But God had other plans, and Francis did not travel far. His search for conversion led him to the ancient church at San Damiano. While he was praying there, he heard Christ on the crucifix speak to him, "Francis, repair my church." Francis assumed this meant the crumbling building he was in. He later realized it was his call to rebuild the entire Church. He read the command to the rich young man to sell all his good and give to the poor, the order to the apostles to take nothing on their journey, and the demand to take up the cross daily. "Here is our rule," Francis said -- as simple, and as seemingly impossible, as that. He was going to do what no one thought possible any more -- live by the Gospel.
    Il Crocifisso - La Basilica di Santa..etta
  • “Sun illuminates the cross through door of the Convent of cells Cortona”… <br />
<br />
Known as Le Celle, this Franciscan hermitage is just five miles from Cortona at the foot of Mount Sant’ Egidio. In 1211, St. Francis along with a few of his followers built the first nine cells of the hermitage, and it has taken the name of Le Celle ever since. Inside the tiny cell belonging to St. Francis is a tiny window, the bed on which he slept, his desk, and a painting of the Madonna and Child where he prayed. The Hermitage invokes a peaceful atmosphere of spirituality and solitude, yet it is vibrant with religious life. Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. The convent is able to offer lodgings to those contemplating a vocational life. Just inside one of the doors to Le Celle, I noticed the sunlight shining delicately through the transom window gently illuminating the old wooden door and cross. This image epitomizes all the simplicities in which Saint Francis preached and lived. It represents his spartan structure with the rough-textured concrete walls, antique faded wooden door, the green trees in nature which he loved, and the mystic evening sun softening the aging appearance, and revealing his simple life of prayer and personal austerity.
    Sole croce illumina attraverso Porte..tona
  • "Sun shines on the Convent of cells - founded by San Francesco in Cortona"...<br />
<br />
Known as Le Celle, this Franciscan hermitage is just five miles from Cortona at the foot of Mount Sant’ Egidio. In 1211, St. Francis along with a few of his followers built the first nine cells of the hermitage, and it has taken the name of Le Celle ever since. Inside the tiny cell belonging to St. Francis is a tiny window, the bed on which he slept, his desk, and a painting of the Madonna and Child where he prayed. The Hermitage invokes a peaceful atmosphere of spirituality and solitude, yet it is vibrant with religious life. Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge, creates a surreal and picturesque vision of Saint Francis’ image of God and nature. The convent is able to offer lodgings to those contemplating a vocational life. Just inside one of the doors to Le Celle, I noticed the sunlight shining delicately through the transom window gently illuminating the old wooden door and cross. This image epitomizes all the simplicities in which Saint Francis preached and lived. It represents his spartan structure with the rough textured concrete walls, antique faded wooden door, the green trees in nature which he loved, and the mystic evening sun softening the aging appearance, and revealing his simple life of prayer and personal austerity.
    Sole splende sul Convento di celle -..tona
  • "The sun shines on the Cross of Indulgences - Convent of cells founded by San Francesco in Cortona"...<br />
<br />
Known as Le Celle, this Franciscan hermitage is just five miles from Cortona at the foot of Mount Sant’ Egidio. In 1211, St. Francis along with a few of his followers built the first nine cells of the hermitage, and it has taken the name of Le Celle ever since. Inside the tiny cell belonging to St. Francis is a tiny window, the bed on which he slept, his desk, and a painting of the Madonna and Child where he prayed. The Hermitage invokes a peaceful atmosphere of spirituality and solitude, yet it is vibrant with religious life. Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge, creates a surreal and picturesque vision of Saint Francis’ image of God and nature. The convent is able to offer lodgings to those contemplating a vocational life. Just inside one of the doors to Le Celle, I noticed the sunlight shining delicately through the transom window gently illuminating the old wooden door and cross. This image epitomizes all the simplicities in which Saint Francis preached and lived. It represents his spartan structure with the rough textured concrete walls, antique faded wooden door, the green trees in nature which he loved, and the mystic evening sun softening the aging appearance, and revealing his simple life of prayer and personal austerity.
    Il sole splende sulla Croce delle In..tona
  • “Descending sun illuminates the Convent of the Cells of Saint Francis in Cortona”…<br />
<br />
Known as Le Celle, this Franciscan hermitage is just five miles from Cortona at the foot of Mount Sant’ Egidio. In 1211, St. Francis along with a few of his followers built the first nine cells of the hermitage, and it has taken the name of Le Celle ever since.  Inside the tiny cell belonging to St. Francis is a tiny window, the bed on which he slept, his desk, and a painting of the Madonna and Child where he prayed.  The Hermitage invokes a peaceful atmosphere of spirituality and solitude, yet it is vibrant with religious life. Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis.  I found Le Celle to be one of the pleasant surprises in and around Cortona.  The tiny cells built into the side of the mountain with a stream descending along the structural edge, creates a surreal and picturesque vision of Saint Francis’ image of God and nature. The convent is able to offer lodgings to those contemplating a vocational life.  Just inside one of the doors to Le Celle, I noticed the sunlight shining delicately through the transom window gently illuminating the old wooden door and cross.  This image epitomizes all the simplicities in which Saint Frances preached and lived.  It represents his spartan structure with the rough textured concrete walls, antique faded wooden door, the green trees in nature which he loved, and the mystic evening sun softening the aging appearance, and revealing his simple life of prayer and personal austerity.  As I departed the evening tranquility of Le Celle, turning one last time to ponder its beauty…the sun rays divided the clouds and winked at a very grateful photographer.
    Scendendo sole illumina il Convento ..tona
  • “Station of the Cross - Convent of Celle, founded by St. Francis Cortona”…<br />
<br />
Around the perimeter of the Convent one can find Stations of the Cross.  Here is a Station carved into the ancient stones with a simple rusted Cross for reflection and prayer. In the year 1211, St. Francis and a few of his followers built the first nine cells of the now Franciscan Hermitage, and it has been called Le Celle ever since. Originally, only a few small hermit’s cottages and peasant dwellings existed, including a small chapel built during the Lombard invasions and dedicated to the Archangel Michael.  This is believed to be the place where, in May 1226, four months before his death, St. Francis dictated his Will. Following the death of Saint Francis that same year, Brother Elias of Cortona who was among the first to join St. Francis of Assisi in his newly founded Order of Friars Minor, withdrew permanently to the Le Celle Hermitage.  In 1239, Elias carried out a number of improvements and restoration works which ensured the hermitage became a permanent Franciscan property. Brother Elias is in fact considered responsible for having broken up the stone of the caves and created a chapel that was formerly used as a dormitory by the monks, and the small cell where St. Francis lived. The walls built under leadership of Brother Elias are rough but solid; the hermitage contains eight small rooms large enough for a bed, table and a chair – the essential furnishings prescribed by St. Francis himself for a Franciscan hermitage, where the prime importance was to lead a life given over to contemplation.  Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis.  I found Le Celle to be one of the pleasant surprises in and around Cortona.  The tiny cells built into the side of the mountain with a stream descending along the structural edge, creates a surreal and picturesque vision of Saint Francis’ image of God and nature.
    Stazione della Croce - Convento di C..tona
  • “Santa Rita di Cascia inside Santa Maria Sopra Minerva Assisi - Painting by Dino Carbetta”…<br />
<br />
“Saint Rita of Cascia was a wife, mother, widow, and member of a religious community. Her holiness was reflected in each phase of her life. Born at Roccaporena in central Italy, Rita wanted to become a nun but was pressured at a young age into marrying a harsh and cruel man. During her 18-year marriage, she bore and raised two sons. After her husband was killed in a brawl and her sons had died, Rita tried to join the Augustinian nuns in Cascia. Unsuccessful at first because she was a widow, Rita eventually succeeded. Over the years, her austerity, prayerfulness, and charity became legendary. When she developed wounds on her forehead, people quickly associated them with the wounds from Christ’s crown of thorns. She meditated frequently on Christ’s passion. Her care for the sick nuns was especially loving. She also counseled lay people who came to her monastery. Beatified in 1626, Rita was not canonized until 1900. She has acquired the reputation, together with Saint Jude, as a saint of impossible cases. Many people visit her tomb each year.” It is said that near the end of her life Rita was bedridden at the convent. While visiting her, a cousin asked if she desired anything from her old home. Rita responded by asking for a rose from the garden. It was January, and her cousin did not expect to find one due to the season. However, when her relative went to the house, a single blooming rose was found in the garden, and her cousin brought it back to Rita at the convent. Other than Mother Mary, I found Saint Rita to be venerated everywhere in Italy. Her peaceful gaze grants each visitor with blessings of devoted compassion and loving tenderness.
    Santa Rita di Cascia all'interno di ..etta
  • “The Hand of God Shines on the Cross in the Snow - Convent of the Cells of Cortona - Painting by Dino Carbetta”…<br />
<br />
Gospel Jn 17:11-19 “Lifting up his eyes to heaven, Jesus prayed, saying: ‘Holy Father, keep them in your name that you have given me, so that they may be one just as we are one. When I was with them I protected them in your name that you gave me, and I guarded them, and none of them was lost except the son of destruction, in order that the Scripture might be fulfilled. But now I am coming to you. I speak this in the world so that they may share my joy completely. I gave them your word, and the world hated them, because they do not belong to the world any more than I belong to the world. I do not ask that you take them out of the world but that you keep them from the Evil One. They do not belong to the world any more than I belong to the world. Consecrate them in the truth. Your word is truth. As you sent me into the world, so I sent them into the world. And I consecrate myself for them, so that they also may be consecrated in truth.” In the realm of artistic serendipity, a premeditated error can unveil a spectacular image, as seen in the captivating interplay of sunlight. Casting its radiance through the window amidst a snowy tapestry of trees, the light graces the Cross with its presence. Here, it is not just the physical realm that is illuminated; it is the soul and the realm of imagination itself that basks in the divine glow. The Hand of God, subtly painted by the artist, breathes life into both canvas and spirit, transcending the boundaries of mere observation to illuminate the profound connection between art, spirituality, and the boundless landscapes of the human soul.
    La Mano di Dio Risplende sulla Croce..etta
  • “Convent of the Cells - Founded by St. Francis in Cortona”…<br />
<br />
In the year 1211, St. Francis along with a few of his followers built the first nine cells of the now Franciscan Hermitage, and it has taken the name of Le Celle ever since. Originally, only a few small hermit’s cottages and peasant dwellings existed, including a small chapel that had been built during the Lombard invasions and dedicated to the Archangel Michael.  This is believed to be the place where, in May 1226, four months before his death, St. Francis dictated his Will. Following the death of Saint Francis that same year, Brother Elias of Cortona who was among the first to join St. Francis of Assisi in his newly founded Order of Friars Minor, withdrew permanently to the Le Celle Hermitage.  In 1239, Elias carried out a number of improvements and restoration works which ensured the hermitage became a permanent Franciscan property. Brother Elias is in fact considered responsible for having broken up the stone of the caves and created a chapel that was formerly used as a dormitory by the monks, and the small cell where St. Francis lived. The walls built under leadership of Brother Elias are rough but solid; the hermitage contains eight small rooms large enough for a bed, table and a chair – the essential furnishings prescribed by St. Francis himself for a Franciscan hermitage, where the prime importance was to lead a life given over to contemplation.  Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis.  I found Le Celle to be one of the pleasant surprises in and around Cortona.  The tiny cells built into the side of the mountain with a stream descending along the structural edge, creates a surreal and picturesque vision of Saint Francis’ image of God and nature.
    Convento delle Celle - Fondato da Sa..tona
  • “Convent of Cells - Founded by St. Francis - Cortona”…<br />
<br />
St. Francis came to Cortona to preach in 1211, and here at the foot of Mount Sant’Egidio found the solitude he was looking for. A young nobleman who went on to become the Blessed Guido, one of his first followers, offered him the place as a prayer retreat. From that moment St. Francis and his followers stayed in this isolated spot on the way to and from Assisi and other places where they were preaching. There was no hermitage in St. Francis’s time, however, and the saint slept on the bare rock. After he died in 1226, the first stone “cells” were built and a small oratory. What we see today is the result of the XVI century construction work. Le Celle stood abandoned until 1537 when it was granted by the Bishop of Cortona to the recently founded Third Order of Franciscans, known as the Capuchins. The hermitage was considerably enlarged by the Capuchins, who in 1634 erected a new chapel to take the place of a more ancient one. This new chapel was consecrated to St Anthony of Padua and reflects the Capuchins simple, unpretentious architectural and decorative style. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. Imagine the spiritual solitude as Saint Francis would take hermitage here for days of ecstatic meditation with only a loaf of bread, listening to his beloved waterfall beneath a small window.
    Convento Delle Celle - Fondato da Sa..tona
  • “Water flow passage to the Convent of cells founded by Saint Francis – Cortona”…<br />
<br />
St. Francis came to Cortona to preach in 1211, and here at the foot of Mount Sant’Egidio found the solitude he was looking for. A young nobleman who went on to become the Blessed Guido, one of his first followers, offered him the place as a prayer retreat. From that moment St. Francis and his followers stayed in this isolated spot on the way to and from Assisi and other places where they were preaching. There was no hermitage in St. Francis’s time, however, and the saint slept on the bare rock. After he died in 1226, the first stone “cells” were built and a small oratory. What we see today is the result of the XVI century construction work. Le Celle stood abandoned until 1537 when it was granted by the Bishop of Cortona to the recently founded Third Order of Franciscans, known as the Capuchins. The hermitage was considerably enlarged by the Capuchins, who in 1634 erected a new chapel to take the place of a more ancient one. This new chapel was consecrated to St Anthony of Padua and reflects the Capuchins simple, unpretentious architectural and decorative style. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. Imagine the spiritual solitude as Saint Francis would take hermitage here for days of ecstatic meditation with only a loaf of bread, listening to his beloved waterfall beneath a small window.
    Acqua flusso di passaggio le Convent..tona
  • "Welcome to the Convent of cells Founded by San Francesco Cortona"...<br />
<br />
In the year 1211, St. Francis along with a few of his followers built the first nine cells of the now Franciscan Hermitage, and it has taken the name of Le Celle ever since. Originally, only a few small hermit’s cottages and peasant dwellings existed, including a small chapel that had been built during the Lombard invasions and dedicated to the Archangel Michael.  This is believed to be the place where, in May 1226, four months before his death, St. Francis dictated his Will. Following the death of Saint Francis that same year, Brother Elias of Cortona who was among the first to join St. Francis of Assisi in his newly founded Order of Friars Minor, withdrew permanently to the Le Celle Hermitage.  In 1239, Elias carried out a number of improvements and restoration works which ensured the hermitage became a permanent Franciscan property. Brother Elias is in fact considered responsible for having broken up the stone of the caves and created a chapel that was formerly used as a dormitory by the monks, and the small cell where St. Francis lived. The walls built under leadership of Brother Elias are rough but solid; the hermitage contains eight small rooms large enough for a bed, table and a chair – the essential furnishings prescribed by St. Francis himself for a Franciscan hermitage, where the prime importance was to lead a life given over to contemplation.  Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis.  I found Le Celle to be one of the pleasant surprises in and around Cortona.  The tiny cells built into the side of the mountain with a stream descending along the structural edge, creates a surreal and picturesque vision of Saint Francis’ image of God and nature.
    Benvenuti al Convento di celle Fonda..tona
  • "The Hand Of God Shines On The Cross - Convent Of Cells Cortona"... <br />
<br />
Gospel Jn 17:11-19 “Lifting up his eyes to heaven, Jesus prayed, saying: ‘Holy Father, keep them in your name that you have given me, so that they may be one just as we are one. When I was with them I protected them in your name that you gave me, and I guarded them, and none of them was lost except the son of destruction, in order that the Scripture might be fulfilled. But now I am coming to you. I speak this in the world so that they may share my joy completely. I gave them your word, and the world hated them because they do not belong to the world any more than I belong to the world. I do not ask that you take them out of the world but that you keep them from the Evil One. They do not belong to the world any more than I belong to the world. Consecrate them in the truth. Your word is truth. As you sent me into the world, so I sent them into the world. And I consecrate myself for them, so that they also may be consecrated in truth.” Sometimes a planned mistake turns out to be a great photo and, in this case, it's the flair of the sun. Peering under a canopy of trees then kneeling and placing the sun behind the Cross...God's hand illuminates one's soul and imagination.”
    Sulla Croce Splende La Mano Di Dio -..tona
  • “The Evening Sun shines on the Cross at the Convent le Celle Cortona - Painting by Dino Carbetta”…<br />
<br />
St. Francis came to Cortona to preach in 1211, and here at the foot of Mount Sant’Egidio found the solitude he was looking for. A young nobleman who went on to become the Blessed Guido, one of his first followers, offered him the place as a prayer retreat. From that moment St. Francis and his followers stayed in this isolated spot on the way to and from Assisi and other places where they were preaching. There was no hermitage in St. Francis’s time, however, and the saint slept on the bare rock. After he died in 1226, the first stone “cells” were built and a small oratory. What we see today is the result of the XVI century construction work. Le Celle stood abandoned until 1537 when it was granted by the Bishop of Cortona to the recently founded Third Order of Franciscans, known as the Capuchins. The hermitage was considerably enlarged by the Capuchins, who in 1634 erected a new chapel to take the place of a more ancient one. This new chapel was consecrated to St Anthony of Padua and reflects the Capuchins' simple, unpretentious architectural and decorative style. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. Imagine the spiritual solitude as Saint Francis would take hermitage here for days of ecstatic meditation with only a loaf of bread, listening to his beloved waterfall beneath a small window.
    Il Sole della Sera splende sulla Cro..etta
  • "The Evening Snow covers the Church of Santa Maria Nuova - Cortona"...<br />
<br />
Rising high up on the hillside below Cortona, the church of Santa Maria Nuova stands majestically keeping a watchful eye over the valley. The ancient dome ascends above the trees, and especially during foggy weather, aspires toward the heavens. Initial construction began in 1550 when Giorgio Vasari became engaged with the project. One of my favorite Renaissance men, Vasari was an Italian painter, architect, writer, and historian. He is famous today for his “Lives of the Most Excellent Painters, Sculptors, and Architects,” and considered the ideological foundation of art-historical writing. The design changed to a classic Renaissance style temple based on the Greek cross plan. The Church’s location was predestined, as miraculous apparitions of the Madonna occurred in this exact setting. It is also located along the road which leads to Del Convento di Celle fondato da San Francesco (Convent of the Cells founded by St. Francis). Stationed below the ancient wall and olive trees, the noble dome seemed to pierce into the dramatic clouds above…confident in its symbolic beauty. Snow and fog often radiate up the ancient hilltop of Cortona from the valley and lake below to the cooler fortified town above. The enchanting effect will bequeath one with mystical views of the distinguished Basilica immersed in a haze of clouds.
    La Sera Neve copre la Chiesa di Sant..tona
  • “St. Francis with the Stigmata - The Basilica of Santa Maria degli Angeli Museum”… <br />
<br />
Portiuncula is a town and parish located approximately three-quarters of a mile away from Assisi. This town's roots are intertwined with the Basilica of Our Lady of the Angels. It was within this modest church, relocated within the Basilica, that St. Francis profoundly realized his calling in the year 1208. Throughout his life, St. Francis spent most of his time in this sacred place. The Benedictines entrusted him with the small chapel of St. Mary of the Angels, also known as the Portiuncula, which translates to a "little portion" of land. Nearby, the first Franciscan convent took shape. It was here that St. Francis also received the vows of St. Clare. St. Francis passed away within these hallowed walls on October 3, 1226. On his deathbed, he earnestly entrusted the chapel to his fellow brothers' faithful protection and care. At age 42 and a year after constructing the first crib in honor of Our Lord, he embarked on a solitary journey to Mt, Alvernia, and dedicated forty days to fasting and prayer, preparing himself for the feast of Saint Michael. On the feast day of the Exaltation of the Holy Cross, Saint Francis received the Sacred Wounds in his hands, feet, and side, directly from Our Lord's body. Saint Francis is renowned for the deep and beautiful love he shared with Our Lord. The wounds of  Jesus remained on his hands, feet, and side, continuously bleeding for two more years until his passing in 1226. The Basilica Museum houses a poignant depiction of St. Francis with the Stigmata in his hands, among many other historical relics from his remarkable life. Our Pilgrimage was blessed to tour this profoundly reverent Basilica, which stands as one of the most significant pilgrimage destinations in Italy. This striking image unveils Saint Francis with the Stigmata, showcasing the unwavering determination etched upon his face as he followed the path of the Lord.
    San Francesco con le Stimmate - La B..useo
  • “Eucharistic Miracle of Siena - Basilica of San Francesco Siena”…<br />
<br />
Siena is home to the Eucharistic Miracle which is one of the longest on-going miracles in the world. On August 14, 1730, thieves broke into the Church of St. Francis and stole a ciborium containing consecrated hosts. The theft was discovered the next day by Franciscan priests, and the town’s festivities celebrating the Feast of the Assumption were immediately halted. The bishop asked for prayers and reparations as civil authorities searched for the missing ciborium. On August 17th a parishioner in the Church of St. Mary noticed a bright light coming from a collection box. When the box was opened a large number of hosts were discovered covered by dirt and cobwebs. Counted and examined, these were determined to be the same hosts that were stolen. Normally the priest would have consumed these hosts but since they were covered with dirt and cobwebs it was decided to let them decompose naturally, something that should have taken a few weeks. However, since 1730, the hosts have remained fresh and sweet-smelling. Over the years various tests have been performed that authenticate this miracle.  They are preserved here in Siena in the Basilica of Saint Francis. The hosts are displayed publicly on the 17th of each month, which was the day of the month that they were discovered by the parishioner. Also, on the Feast of Corpus Christi, the hosts are paraded in procession through town. On our Pilgrimage of 2019, Father Peek & Javier our tour guide, arranged with the Franciscan Convent who is in charge of the Basilica to reveal The Miracle to our group in private at the chapel. As we knelt in the medium size chapel, the Priest lit the candles and turned his key in the wall next to the enduring display. The wall mechanically spun around and revealed the Eucharistic Miracle to us. After prayer, I moved to the back and abidingly captured this mystical, spiritual, and reverent manifestation.
    Miracolo Eucaristico di Siena - Basi..iena
  • “Water dripping through the Convent of cells - founded by St. Francis Cortona”…<br />
<br />
St. Francis came to Cortona to preach in 1211, and here at the foot of Mount Sant’Egidio found the solitude he was looking for. A young nobleman who went on to become the Blessed Guido, one of his first followers, offered him the place as a prayer retreat. From that moment St. Francis and his followers stayed in this isolated spot on the way to and from Assisi and other places where they were preaching. There was no hermitage in St. Francis’s time, however, and the saint slept on the bare rock. After he died in 1226, the first stone “cells” were built and a small oratory. What we see today is the result of the XVI century construction work. Le Celle stood abandoned until 1537 when it was granted by the Bishop of Cortona to the recently founded Third Order of Franciscans, known as the Capuchins. The hermitage was considerably enlarged by the Capuchins, who in 1634 erected a new chapel to take the place of a more ancient one. This new chapel was consecrated to St Anthony of Padua and reflects the Capuchins simple, unpretentious architectural and decorative style. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. Imagine the spiritual solitude as Saint Francis would take hermitage here for days of ecstatic meditation with only a loaf of bread, listening to his beloved waterfall beneath a small window.
    Acqua gocciolare attraverso Convento..tona
  • "Ancient bridge to the Convent of cells - founded by San Francesco in Cortona"...<br />
<br />
St. Francis came to Cortona to preach in 1211, and here at the foot of Mount Sant’Egidio found the solitude he was looking for. A young nobleman who went on to become the Blessed Guido, one of his first followers, offered him the place as a prayer retreat. From that moment St. Francis and his followers stayed in this isolated spot on the way to and from Assisi and other places where they were preaching. There was no hermitage in St. Francis’s time, however, and the saint slept on the bare rock. After he died in 1226, the first stone “cells” were built and a small oratory. What we see today is the result of the XVI century construction work. Le Celle stood abandoned until 1537 when it was granted by the Bishop of Cortona to the recently founded Third Order of Franciscans, known as the Capuchins. The hermitage was considerably enlarged by the Capuchins, who in 1634 erected a new chapel to take the place of a more ancient one. This new chapel was consecrated to St Anthony of Padua and reflects the Capuchins simple, unpretentious architectural and decorative style. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. Imagine the spiritual solitude as Saint Francis would take hermitage here for days of ecstatic meditation with only a loaf of bread, listening to his beloved waterfall beneath a small window.
    Antico ponte al Convento di cellule ..tona
  • "Ancient doors to the Convent of cells - founded by San Francesco in Cortona"...<br />
St. Francis came to Cortona to preach in 1211, and here at the foot of Mount Sant’Egidio found the solitude he was looking for. A young nobleman who went on to become the Blessed Guido, one of his first followers, offered him the place as a prayer retreat. From that moment St. Francis and his followers stayed in this isolated spot on the way to and from Assisi and other places where they were preaching. There was no hermitage in St. Francis’s time, however, and the saint slept on the bare rock. After he died in 1226, the first stone “cells” were built and a small oratory. What we see today is the result of the XVI century construction work. Le Celle stood abandoned until 1537 when it was granted by the Bishop of Cortona to the recently founded Third Order of Franciscans, known as the Capuchins. The hermitage was considerably enlarged by the Capuchins, who in 1634 erected a new chapel to take the place of a more ancient one. This new chapel was consecrated to St Anthony of Padua and reflects the Capuchins simple, unpretentious architectural and decorative style. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. Imagine the spiritual solitude as Saint Francis would take hermitage here for days of ecstatic meditation with only a loaf of bread, listening to his beloved waterfall beneath a small window.
    Antiche porte al Convento di celle -..tona
  • "Farmhouse Podere della Chiesa - Santa Maria Nuova Cortona"...<br />
<br />
Rising high upon the hillside below Cortona, the church of Santa Maria Nuova stands majestically keeping a watchful eye over the valley and the ancient farmhouse below. The antiquated dome ascends above the trees, and especially during foggy weather, aspires toward the heavens. Initial construction began in 1550 when Giorgio Vasari became engaged with the project. One of my favorite Renaissance men, Vasari was an Italian painter, architect, writer, and historian. He is famous today for his “Lives of the Most Excellent Painters, Sculptors, and Architects,” and considered the ideological foundation of art-historical writing. The design changed to a classic Renaissance style temple based on the Greek cross plan. The Church’s location was predestined, as miraculous apparitions of the Madonna occurred on this exact setting. It is also located along the road which leads to Del Convento di Celle fondato da San Francesco (Convent of the Cells founded by St. Francis). Stationed below the ancient wall and olive trees, the noble dome seemed to pierce into the dramatic clouds above…confident in its symbolic beauty. Fog often seeps up the ancient hilltop of Cortona from the valley and lake below to the cooler fortified town above. The enchanting affect will bequeath one with mystical views of the distinguished Basilica. It remains immersed in a haze of clouds protecting the antique farmhouse and olive trees below.
    Agriturismo Podere della Chiesa - Sa..tona
  • “Bell and Reflections at St. Francis Convent of Celle – Cortona”…<br />
<br />
St. Francis came to Cortona to preach in 1211, and here at the foot of Mount Sant’Egidio found the solitude he was looking for. A young nobleman who went on to become the Blessed Guido, one of his first followers, offered him the place as a prayer retreat. From that moment St. Francis and his followers stayed in this isolated spot on the way to and from Assisi and other places where they were preaching. There was no hermitage in St. Francis’s time, however, and the saint slept on the bare rock. After he died in 1226, the first stone “cells” were built and a small oratory. What we see today is the result of the XVI century construction work. Le Celle stood abandoned until 1537 when it was granted by the Bishop of Cortona to the recently founded Third Order of Franciscans, known as the Capuchins. The hermitage was considerably enlarged by the Capuchins, who in 1634 erected a new chapel to take the place of a more ancient one. This new chapel was consecrated to St Anthony of Padua and reflects the Capuchins simple, unpretentious architectural and decorative style. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. Imagine the spiritual solitude as Saint Francis would take hermitage here for days of ecstatic meditation with only a loaf of bread, listening to his beloved waterfall beneath a small window.
    Campana e Riflessioni presso San Fra..tona
  • “San Francesco enjoys Mass at the Convent of cells in Cortona”…<br />
<br />
In the year 1211, St. Francis and a few of his followers built the first nine cells of the now Franciscan Hermitage, and it has been called Le Celle ever since. Originally, only a few small hermit’s cottages and peasant dwellings existed, including a small chapel built during the Lombard invasions and dedicated to the Archangel Michael.  This is believed to be the place where, in May 1226, four months before his death, St. Francis dictated his Will. Following the death of Saint Francis that same year, Brother Elias of Cortona who was among the first to join St. Francis of Assisi in his newly founded Order of Friars Minor, withdrew permanently to the Le Celle Hermitage.  In 1239, Elias carried out a number of improvements and restoration works which ensured the hermitage became a permanent Franciscan property. Brother Elias is in fact considered responsible for having broken up the stone of the caves and created a chapel that was formerly used as a dormitory by the monks, and the small cell where St. Francis lived. I found Le Celle to be one of the pleasant surprises in and around Cortona.  The tiny cells built into the side of the mountain with a stream descending along the structural edge, creates a surreal and picturesque vision of Saint Francis’ image of God and nature. Imagine the spiritual solitude as Saint Francis would take hermitage here for days of ecstatic meditation with only a loaf of bread, listening to his beloved waterfall beneath a small window.  This image is of the tiny chapel built into the rock of the cliffside. Notice the statue of Saint Francis in the window quietly observing the Mass.
    San Francesco gode Messa presso il C..tona
  • 🌹“The Light of Life - Convent of Cells Cortona - Painting by Dino Carbetta”… <br />
🌹Ascending from a tiny cell within Le Celle, I noticed the radiant sunlight illuminating the ancient stone stairway. Considering the location, its 1000 years of age, and its Saintly founding fathers, one could not help feeling spiritually exalted as the bright light immersed my ascension to the top. I didn’t quite reach Heaven at the height of the mystic climb, but perhaps the illumination rendered a touch of hope to a weary and petitioning photo artist. “(Gospel - Lk 24:1-12) At daybreak on the first day of the week the women who had come from Galilee with Jesus took the spices they had prepared and went to the tomb. They found the stone rolled away from the tomb; but when they entered, they did not find the body of the Lord Jesus. While they were puzzling over this, behold, two men in dazzling garments appeared to them. They were terrified and bowed their faces to the ground. They said to them, “Why do you seek the living One among the dead? He is not here, but he has been raised. Remember what he said to you while he was still in Galilee, that the Son of Man must be handed over to sinners and be crucified, and rise on the third day.” And they remembered his words. Then they returned from the tomb and announced all these things to the eleven and to all the others. The women were Mary Magdalene, Joanna, and Mary the mother of James; the others who accompanied them also told this to the apostles, but their story seemed like nonsense and they did not believe them. But Peter got up and ran to the tomb, bent down, and saw the burial cloths alone; then he went home amazed at what had happened.”
    La Luce della Vita - Convento di Cel..etta
  • “The Hand of God Shines on the Cross - Convent of the Cells of Cortona – BW” <br />
<br />
The Prayer Come Holy Spirit: Come Holy Spirit, fill the hearts of your faithful, and kindle in them the fire of your love. Send forth your Spirit and they shall be created. And You shall renew the face of the earth. O, God, who by the light of the Holy Spirit, did instruct the hearts of the faithful, grant that by the same Holy Spirit we may be truly wise and ever enjoy His consolations, Through Christ Our Lord. Amen. Sometimes a planned mistake turns out to be a great photo and, in this case, it's the flair of the sun. Peering under a canopy of trees then kneeling and placing the sun behind the Cross...God's hand illuminates one's soul and his imagination.
    La Mano di Dio Risplende sulla Croce..- BW
  • “Evening fog blankets the Church of Santa Maria Nuova – Cortona”…<br />
<br />
Rising high upon the hillside below Cortona, the church of Santa Maria Nuova stands majestically keeping a watchful eye over the valley. The ancient dome ascends above the trees, and especially during foggy weather, aspires toward the heavens. Initial construction began in 1550 when Giorgio Vasari became engaged with the project.  One of my favorite Renaissance men, Vasari was an Italian painter, architect, writer, and historian. He is famous today for his “Lives of the Most Excellent Painters, Sculptors, and Architects,” and considered the ideological foundation of art-historical writing.  The design changed to a classic Renaissance style temple based on the Greek cross plan. The Church’s location was predestined, as miraculous apparitions of the Madonna occurred on this exact setting.  It is also located along the road which leads to Del Convento di Celle fondato da San Francesco (Convent of the Cells founded by St. Francis).  Stationed below the ancient wall and olive trees, the noble dome seemed to pierce into the dramatic clouds above…confident in its symbolic beauty.  Fog often seeps up the ancient hilltop of Cortona from the valley and lake below to the cooler fortified town above. The enchanting affect will bequeath one with mystical views of the distinguished Basilica immersed in a haze of clouds.
    Nebbia di Sera le le coperte Chiesa ..tona
  • “Sunlight shines on the Convent of the Cells by St. Francis in Cortona”…<br />
<br />
St. Francis came to Cortona to preach in 1211, and here at the foot of Mount Sant’Egidio found the solitude he was looking for. A young nobleman who went on to become the Blessed Guido, one of his first followers, offered him the place as a prayer retreat. From that moment St. Francis and his followers stayed in this isolated spot on the way to and from Assisi and other places where they were preaching. There was no hermitage in St. Francis’s time, however, and the saint slept on the bare rock. After he died in 1226, the first stone “cells” were built and a small oratory. What we see today is the result of the XVI century construction work. Le Celle stood abandoned until 1537 when it was granted by the Bishop of Cortona to the recently founded Third Order of Franciscans, known as the Capuchins. The hermitage was considerably enlarged by the Capuchins, who in 1634 erected a new chapel to take the place of a more ancient one. This new chapel was consecrated to St Anthony of Padua and reflects the Capuchins simple, unpretentious architectural and decorative style. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. Imagine the spiritual solitude as Saint Francis would take hermitage here for days of ecstatic meditation with only a loaf of bread, listening to his beloved waterfall beneath a small window.
    Luce del sole splende sulla Convento..tona
  • “The Hand of God Shines on the Cross - Convent of the Cells of Cortona”<br />
<br />
The Prayer Come Holy Spirit: Come Holy Spirit, fill the hearts of your faithful and kindle in them the fire of your love. Send forth your Spirit and they shall be created. And You shall renew the face of the earth. O, God, who by the light of the Holy Spirit, did instruct the hearts of the faithful, grant that by the same Holy Spirit we may be truly wise and ever enjoy His consolations, Through Christ Our Lord. Amen.<br />
<br />
Sometimes a planned mistake turns out to be a great photo and, in this case, it's the flair of the sun. Peering under a canopy of trees then kneeling and placing the sun behind the Cross...God's hand illuminates one's soul and his imagination.
    La mano di Dio risplende sulla croce..tona
  • “Church of Santa Maria Nuova – Cortona - BW”…<br />
<br />
Rising high upon the hillside below Cortona, the church of Santa Maria Nuova stands majestically keeping a watchful eye over the valley. The ancient dome ascends above the trees, and especially during foggy weather, aspires toward the heavens. Initial construction began in 1550 when Giorgio Vasari became engaged with the project.  One of my favorite Renaissance men, Vasari was an Italian painter, architect, writer, and historian. He is famous today for his “Lives of the Most Excellent Painters, Sculptors, and Architects,” and considered the ideological foundation of art-historical writing.  The design changed to a classic Renaissance style temple based on the Greek cross plan. The Church’s location was predestined, as miraculous apparitions of the Madonna occurred on this exact setting.  It is also located along the road which leads to Del Convento di Celle fondato da San Francesco (Convent of the Cells founded by St. Francis).  Stationed below the ancient wall and olive trees, the noble dome seemed to pierce into the dramatic clouds above…confident in its symbolic beauty.
    Chiesa di Santa Maria Nuova - Corton..- BW
  • “Madonna of the Angels - The Basilica of Santa Maria degli Angeli Assisi - Painting by Dino Carbetta” …<br />
<br />
Nestled just three-quarters of a mile from Assisi lies the serene town of Portiuncula, a place imbued with profound significance. Its heart is the Basilica of Our Lady of the Angels, where a humble little church holds the essence of Saint Francis of Assisi's calling. In the year 1208, it was within these hallowed walls that Saint Francis discovered his divine purpose. He spent most of his earthly existence here, and in 1211, the Benedictines entrusted him with the stewardship of the small chapel of St. Mary of the Angels, known as the Portiuncula, meaning 'a little portion' of land, where the first Franciscan convent was established. It was under the sheltering wings of the Portiuncula that Saint Francis received the sacred vows of Saint Clare. On October 3, 1226, Saint Francis bequeathed the chapel to his brothers, entrusting it to their faithful care. At the age of 42, Saint Francis embarked on a solitary retreat to the remote Mount Alvernia. Here, he prepared himself through 40 days of fasting and prayer for the feast of Saint Michael, the mightiest of God's angels. On the day of the Exaltation of the Holy Cross, Saint Francis was graced with the Sacred Wounds, mirroring those of Our Lord, upon his hands, feet, and side. These divine wounds remained upon his body, bleeding continuously for two more years until his passing in 1226. In 1930, a golden-plated statue of the Madonna Degli Angeli, sculpted by Colasanti and crafted by Marinelli Artistic Foundry, was placed atop the Basilica's façade, radiating its sacred presence. During our 2019 Pilgrimage, we were blessed to explore this deeply reverent Basilica, where the golden exterior of Mother Mary, when kissed by the sun's rays, seems almost translucent. In my artistic endeavor, I sought to capture this mystical radiance, echoing the harmonious and glorious light that bathes the Madonna degli Angeli.
    Madonna degli Angeli - La Basilica d..etta
  • "The evening sun shines on the cross at the Convent of Celle Cortona"...<br />
<br />
St. Francis came to Cortona to preach in 1211, and here at the foot of Mount Sant’Egidio found the solitude he was looking for. A young nobleman who went on to become the Blessed Guido, one of his first followers, offered him the place as a prayer retreat. From that moment St. Francis and his followers stayed in this isolated spot on the way to and from Assisi and other places where they were preaching. There was no hermitage in St. Francis’s time, however, and the saint slept on the bare rock. After he died in 1226, the first stone “cells” were built and a small oratory. What we see today is the result of the XVI century construction work. Le Celle stood abandoned until 1537 when it was granted by the Bishop of Cortona to the recently founded Third Order of Franciscans, known as the Capuchins. The hermitage was considerably enlarged by the Capuchins, who in 1634 erected a new chapel to take the place of a more ancient one. This new chapel was consecrated to St Anthony of Padua and reflects the Capuchins simple, unpretentious architectural and decorative style. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. Imagine the spiritual solitude as Saint Francis would take hermitage here for days of ecstatic meditation with only a loaf of bread, listening to his beloved waterfall beneath a small window.
    Il sole della sera splende sulla cro..tona
  • “The entrance to the Convent of Cells founded by St. Francis – Cortona”…<br />
<br />
St. Francis came to Cortona to preach in 1211, and here at the foot of Mount Sant’Egidio found the solitude he was looking for. A young nobleman who went on to become the Blessed Guido, one of his first followers, offered him the place as a prayer retreat. From that moment St. Francis and his followers stayed in this isolated spot on the way to and from Assisi and other places where they were preaching. There was no hermitage in St. Francis’s time, however, and the saint slept on the bare rock. After he died in 1226, the first stone “cells” were built and a small oratory. What we see today is the result of the XVI century construction work. Le Celle stood abandoned until 1537 when it was granted by the Bishop of Cortona to the recently founded Third Order of Franciscans, known as the Capuchins. The hermitage was considerably enlarged by the Capuchins, who in 1634 erected a new chapel to take the place of a more ancient one. This new chapel was consecrated to St Anthony of Padua and reflects the Capuchins simple, unpretentious architectural and decorative style. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. Imagine the spiritual solitude as Saint Francis would take hermitage here for days of ecstatic meditation with only a loaf of bread, listening to his beloved waterfall beneath a small window.
    L'ingresso del Convento di Celle fon..tona
  • “Church of Santa Maria Nuova – Cortona”…<br />
<br />
Rising high upon the hillside below Cortona, the church of Santa Maria Nuova stands majestically keeping a watchful eye over the valley. The ancient dome ascends above the trees, and especially during foggy weather, aspires toward the heavens. Initial construction began in 1550 when Giorgio Vasari became engaged with the project.  One of my favorite Renaissance men, Vasari was an Italian painter, architect, writer, and historian. He is famous today for his “Lives of the Most Excellent Painters, Sculptors, and Architects,” and considered the ideological foundation of art-historical writing.  The design changed to a classic Renaissance style temple based on the Greek cross plan. The Church’s location was predestined, as miraculous apparitions of the Madonna occurred on this exact setting.  It is also located along the road which leads to Del Convento di Celle fondato da San Francesco (Convent of the Cells founded by St. Francis).  Stationed below the ancient wall and olive trees, the noble dome seemed to pierce into the dramatic clouds above…confident in its symbolic beauty.
    Chiesa di Santa Maria Nuova - Cortona
  • “The church of Santa Maria delle Grazie Calcinaio – Cortona”…<br />
<br />
The ancient church awaited darkness as the wispy evening clouds appeared like waves in the blue seas of the Mediterranean.  The Church was constructed between the years of 1485 and 1513. It is the architectural work of Francesco di Giorgio Martini who designed it after having been contacted by his friend and great artist Luca Signorelli. The Renaissance style church built on a Latin cross plan with an elegant dome soars into the olive trees on the hillside above. It was the church of the guild of the shoe makers, who used their vats of lime for tanning leather, protected by an image of the Madonna painted by Bernardo Covatti, which is now displayed on the main altar of the church. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970.  If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the bellissimo Tuscan Sun.  In the background one can view the convent of Le Contesse, the first community of Clarisse nuns who moved there in 1225.
    La chiesa di Santa Maria delle Grazi..tona
  • "The sunset begins over Torre del Mangia in Piazza del Campo di Siena"...<br />
<br />
The Piazza del Campo is a magnificent encapsulated brick gathering center surrounded by Siena’s ancient sienna colored buildings. The sloping piazza has been Siena's civic and social center since the ruling Consiglio dei Nove in the mid-12th century. Built on the site of a Roman marketplace, its paving is divided into nine sectors representing the number of members of the consiglio. The cafes around the perimeter are the most popular coffee and aperitivi spots in town. The site revolutionized the idea of the medieval Italian piazza, having no spatial restrictions or conventional shape nor any symbolic balance of secular or religious power. The Palio di Siena is run twice yearly, in July and August, dirt and sand are brought in and laid around the edges of the Piazza del Campo to transform it into a horse racing track. This traditional race, which has ancient roots, still showcases the fierce rivalry which still remains between the 17 wards of the city. I found Siena to be one of the most pleasing and still authentic Italian of my travels. Siena is also the home of Saint Catherine of Siena who was part of the Dominican Order. She was a Scholastic philosopher and theologian who had a great influence on the Catholic Church. Saint Catherine has been declared a Saint and a Doctor of the Church. She is one of the outstanding figures of medieval Catholicism and by the strong influence she has had in the history of the papacy. She is behind the return of the Pope from Avignon to Rome, and carried out many missions entrusted by the pope, a rare feat for a Nun of the Middle Ages.
    Il tramonto inizia sopra Torre del M..iena
  • "The beautiful pigeon enjoys the ancient Fonte Gaia in Piazza del Campo Siena"...<br />
<br />
The Piazza del Campo is a magnificent encapsulated brick gathering center surrounded by Siena’s ancient sienna colored buildings. The sloping piazza has been Siena's civic and social center since the ruling Consiglio dei Nove in the mid-12th century. Built on the site of a Roman marketplace, its paving is divided into nine sectors representing the number of members of the consiglio. The cafes around the perimeter are the most popular coffee and aperitivi spots in town. The site revolutionized the idea of the medieval Italian piazza, having no spatial restrictions or conventional shape nor any symbolic balance of secular or religious power. The Palio di Siena is run twice yearly, in July and August, dirt and sand are brought in and laid around the edges of the Piazza del Campo to transform it into a horse racing track. This traditional race, which has ancient roots, still showcases the fierce rivalry which still remains between the 17 wards of the city. The magnificent Fonte Gaia fountain, designed by Jacopo della Quercia around 1419, adorns the higher part of Piazza del Campo. The fountain we see today stands on the exact spot occupied by a previously existing fountain in 1346. The water that feeds the fountain travels from a spring in the nearby countryside through 16 miles of underground passages known as Bottini, built in the Middle Ages. Fonte Gaia acquired its name after great celebrations took place when the inhabitants of Siena saw the water gushing from the fountain. A large, altar-like rectangular basin is surrounded on three sides by a high parapet. The sides are decorated with reliefs of The Creation of Adam and The Flight from the Garden of Eden. The long section of the fountain is adorned at the center with a Madonna and Child, surrounded by allegories of the Virtues. I found Siena to be one of the most pleasing and still authentic Italian of my travels.
    Il bel piccione si gode l'antica Fon..iena
  • “Nativity of St. Francis with the Holy Family - The Basilica of Santa Maria degli Angeli Museum”… <br />
<br />
The Nativity scene is a beloved Christmas tradition that symbolizes the birth of Jesus. However, many people are unaware that its origins can be traced back to the visionary celebration of St. Francis of Assisi. St. Francis was known for his humility, simplicity, and love for nature. During his pilgrimage to Bethlehem, he stood on the exact site of Christ's nativity. The stark poverty of the surroundings left a lasting impression on him, compelling him to celebrate Christmas in a way that honored the modest circumstances of Jesus' birth. In 1221, St. Francis shared his idea with a friend in Greccio. He wanted to create a memorial of the Child who was born in Bethlehem and recreates the infant hardships of Jesus. He intended to do this by manifesting the essence of the first Christmas in a humble hilltop grove, accompanied by living animals, rather than creating a conventional representation within the confines of a church. In Greccio, simplicity was honored, poverty exalted, and humility commended. A new Bethlehem emerged, illuminated as brightly as day, bringing joy to both humanity and beasts. In 1291, the first Franciscan pope, Nicholas IV furthered the legacy by commissioning statues for the Roman Basilica of St. Mary Major, establishing the first permanent Nativity scene. Over the centuries, Nativity scenes of diverse shapes and sizes have increased worldwide, becoming a beloved and enduring Christmas tradition. The Nativity scene is more than just a representation of the birth of Jesus; it embodies the profound vision and inspiration of St. Francis. It serves as a reminder of the true meaning of Christmas and encourages us to reflect on the virtues of humility, simplicity, and love for all living things.
    Natività di San Francesco con la Sac..useo
  • “Beacon of Hope – Painting by Dino Carbetta” …<br />
<br />
Hope is faith acting and trusting in the promises of God. “Hope” moves us to abide in the word of God, and hope gives meaning to our trials. Hope destines us to live with Christ and it gives us the ability to continue on the path of apostles in freedom and trust. We experience difficulties at different points in our lives. But no circumstance, no pain, and no suffering can ever negate the hope we have in Christ, and God’s promises in Scripture. Both the Old and New Testaments are filled with hundreds of passages on hope. From these passages, we see how important it is to live out our Christian lives as disciples in hope. <br />
(2 Corinthians 4:16-18) "So we do not lose heart. Though our outer nature is wasting away, our inner nature is being renewed every day. For this slight momentary affliction is preparing for us an eternal weight of glory beyond all comparison, because we look not to the things that are seen but to the things that are unseen; for the things that are seen are transient, but the things that are unseen are eternal."<br />
(Philippians 4:4-7) "Rejoice in the Lord always; again I will say, Rejoice. Let all men know your forbearance. The Lord is at hand. Have no anxiety about anything, but in everything by prayer and supplication with thanksgiving let your requests be made known to God. And the peace of God, which passes all understanding, will keep your hearts and your minds in Christ Jesus."<br />
(1 Peter 1:3-5)  “Blessed be the God and Father of our Lord Jesus Christ, who in his great mercy gave us a new birth to a living hope through the resurrection of Jesus Christ from the dead, to an inheritance that is imperishable, undefiled, and unfading, kept in heaven for you who by the power of God are safeguarded through faith, to a salvation that is ready to be revealed in the final time.”
    Faro Della Speranza - Dipinto di Din..etta
  • “Assisi front door with a lot of Character”…<br />
<br />
Italy is famous for its display of fresh and beautiful flowers and foliage outside the windows and doors throughout the countryside, and Assisi was no different except for the perfection of their presentation. I am sure the Chamber of Commerce in Assisi is quite busy maintaining the continuity and beauty of Assisi, but perhaps there is no need as the residents all seem perfectly happy to respect and display all its beauty. The streets, walkways, and general environment were the most immaculate of any town I witnessed in Italy and the most religious of any place on my journey. The town became a mystic and peaceful shrine in the early darkness of night after all the tourists departed, and all the prayers offered that day reflected and echoed off the ancient walls. Even the vending machines contained Rosaries, and its residents strolled about dressed in their religious attire with permanent smiles upon their faces. I am sure there are many remarkable religious destinations in the world but this photographer’s opinion…Assisi has no spiritual equal on this earth.
    Assisi porta di casa con un molto di..tere
  • La Beata Vergine Maria - Dipinto di Dino Carbetta - Rosa <br />
<br />
“The Blessed Virgin Mary - Painting by Dino Carbetta - Rose”… Upon completion of a new and original painting of the teenage Virgin Mary, I sit and stare into her eyes trying to imagine the complexity of the overwhelming magnitude of the future Mother of Christ. Her sincere and loving gaze, illuminating with the glow of the Holy Spirit within her very soul emanates outwardly representing all Mothers. I envision my wonderful Mother as I struggled to bring this two-dimensional representation to life. Again, my humble skills, yet meticulous manner combined to exhaust one complete month of trial and error. Irrevocably, a courageous young teenage Jewish girl is blessed beyond comprehension… <br />
“The Virgin Mother is constantly present on this journey of faith of the People of God towards the light. This is shown especially by the canticle of the "Magnificat," which, having welled up from the depths of Mary's faith at the Visitation, ceaselessly re-echoes in the heart of the Church down the centuries. This is proved by its daily recitation in the liturgy of Vespers and at many other moments of both personal and communal devotion.” (Saint John Paul II) <br />
"My soul magnifies the Lord, <br />
and my spirit rejoices in God my Savior, <br />
for he has looked on his servant in her lowliness. <br />
For behold, henceforth all generations <br />
will call me blessed; <br />
for he who is mighty has done great things for me,<br />
and holy is his name: <br />
and his mercy is from age to age <br />
on those who fear him. <br />
He has shown strength with his arm,<br />
he has scattered the proud-hearted,<br />
he has cast down the mighty from their thrones, <br />
and lifted up the lowly; <br />
he has filled the hungry with good things, <br />
sent the rich away empty. <br />
He has helped his servant Israel, <br />
remembering his mercy, <br />
as he spoke to our fathers, <br />
to Abraham and to his posterity forever." (Lk.1:46-55)
    La Beata Vergine Maria - Dipinto di ..Rosa
  • “Panoramic view from the Bar Giardino San Lorenzo of the Cathedral of San Rufino of Assisi”… <br />
<br />
Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous and a more pleasant excursion. After morning Mass at Chiesa Nuova, and then to Portiuncula. The town has grown up around the Basilica of Our Lady of the Angels. Our Pilgrims took a break for lunch while fellow Pilgrim, Patrick and I headed for the mountain top of Assisi for panoramic views of the town below. The breathless spectacle peering down one side of the fortress is St. Francis Basilica, and the unparagoned ancient architecture on the opposite side and only way up and down, are Bellissimo landscapes of San Rufino and the Basilica di Santa Chiara. Shortly upon our descent, we found a spectacular hidden respite through the wall named: “Bar Giardino San Lorenzo,” where we stopped for lunch. This charming oasis on top of Assisi, was analogous to a floral garden paradise, with astounding views of the valley below and as far away as Siena. Perfect areas abound with shaded tables and chairs and a hut for the main area of the tiny restaurant. The Italiani husband and wife smile graciously as they served up a lunch menu and drinks for the astounded patrons. It appeared to us Pilgrims that we stumbled on the most perfect plot of land in all of Assisi, and found ourselves blessed to sit and relax for moments as we could not help aiming our cameras at God’s pleasant surroundings. After dozens of images exhausted, and nourishment for our hunger and thirst, a sad goodbye was extended to our hosts and a touch of paradise. To date, I have only had the opportunity to visit Assisi twice in my lifetime, but I could not imagine a more perfect spiritual, aesthetically beautiful, and peaceful location in the world. We were off to our next incredible adjacency, the Cathedral of San Rufino.
    Vista panoramica della Cattedrale di..enzo
  • "High altar panorama of the Basilica of Santa Maria del Fiore Florence"...<br />
<br />
Santa Maria del Fiore (also known simply as the Duomo) is the cathedral of Florence known for its distinctive Renaissance dome. Its name ("Saint Mary of the Flower") refers to the lily, the symbol of Florence. The impressive Gothic cathedral complex includes the Duomo, the famous baptistery and a campanile. Built in 1294 to be the largest Roman Catholic Church in the world, it is still the largest masonry dome in the world. Walking down the strada, and turning the corner to view the massive Duomo painted against the sky was captivating. I stopped in my tracks and began taking photos; however, the huge Florence crowds prevented most images from ground level. This was one of the first images I photographed noticing the ancient architecture of the Duomo competing across the narrow strada with the more modern buildings of Firenze.
    Altare maggiore panorama della Basil..enze
  • "The Cathedral of Orvieto seeks paradise above the roofs tops"...<br />
<br />
Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a big chunk of volcanic stone called tufa, and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this cliff top village over 2000 years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliff side views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. The 14th Century Duomo was constructed to provide a home for the “Corporal of Bolsena”, a miracle which occurred in 1263 in the nearby town of Bolsena. A traveling priest who had doubts about the truth of transubstantiation found that his Host was bleeding so much that it stained the altar cloth. The cloth is now stored in the “Chapel of the Corporal” inside the cathedral.  It’s amazing to turn the corner only to view, stop, and stare as the majestic Cathedral slowly rises to touch the heavens above.
    Il Duomo di Orvieto cerca il paradis..cime
  • “Solemnity of All Saints - Painting by Dino Carbetta” …<br />
<br />
A profound and sacred spectacle unfolds in the depths of a magnificent Basilica. Thousands of lighted candles flicker like stars in the night sky, casting their warm, golden glow upon the hallowed space. Each of these candles represents a soul, a beacon of faith, and a connection to the glorious saints of the Church. This tableau of illuminated candles on the "Solemnity of All Saints" transcends the physical realm and carries deep spiritual significance. It is a visual testament to the communion of saints, a reminder of the countless holy lives that have walked this earthly journey. These flames, like the saints they symbolize, guide and inspire us, their light casting away the shadows of doubt and despair. As a Roman Catholic artist, I have a remarkable opportunity to capture the profound essence of this sacred moment through these creative expressions. Hopefully, conveying the deep devotion and the rich spiritual tapestry these saints have woven throughout history. In the flickering dance of these candles, one can find hope, solace, and a reminder of the enduring power of faith. It visually represents the unbroken chain of believers, from the earliest martyrs to the modern faithful. Art and words can beautifully encapsulate this timeless tradition, reminding the world of the enduring beauty and significance of the Christian faith. And resonate invoking a sense of wonder, reverence, and a deep connection to the saints who have left an indelible mark on our spiritual journey. Through art and words, one may kindle the same flame of inspiration in others, illuminating their path with the wisdom and grace of the saints. I pray that these artistic and literary renderings continue to inspire others, bridging the gap between the living and the saints who have gone before us. And, to serve as a beacon of faith, inviting contemplation and reflection on the enduring power of belief.
    Solennità Di Tutti I Santi - Dipinto..etta
  • “Annunciation of the Lord - Marian Shrine Basilica of the Holy House in Loreto, Italy – Painting by Dino Carbetta” …<br />
<br />
Gospel Lk 1:26-38  “The angel Gabriel was sent from God to a town of Galilee called Nazareth, to a virgin betrothed to a man named Joseph, of the house of David, and the virgin's name was Mary. And coming to her, he said, "Hail, full of grace! The Lord is with you." But she was greatly troubled at what was said and pondered what sort of greeting this might be. Then the angel said to her, "Do not be afraid, Mary, for you have found favor with God. Behold, you will conceive in your womb and bear a son, and you shall name him Jesus.<br />
He will be great and will be called Son of the Most High, and the Lord God will give him the throne of David his father, and he will rule over the house of Jacob forever, and of his Kingdom there will be no end." But Mary said to the angel, "How can this be, since I have no relations with a man?" And the angel said to her in reply, "The Holy Spirit will come upon you, and the power of the Most High will overshadow you. Therefore the child to be born<br />
will be called holy, the Son of God. And behold, Elizabeth, your relative, has also conceived a son in her old age, and this is the sixth month for her who was called barren; for nothing will be impossible for God." Mary said, "Behold, I am the handmaid of the Lord. May it be done to me according to your word." Then the angel departed from her.”
    Annunciazione del Signore - Santuari..etta
  • “Red bricks lead to the Papal Basilica of San Francesco d’Assisi” …<br />
<br />
This late afternoon image was captured while standing upon remnants atop the mountainside of Assisi viewing down to the resting Basilica of Saint Francis. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Frances where this image was captured, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted, and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about two hundred yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God. The Basilica, which was begun in 1228 honoring the life of Saint Francis, is probably the most exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate Pilgrims, tourists, and artists.
    Mattoni rossi piombo alla Basilica P..sisi
  • “The Baptism of the Lord - Painting by Dino Carbetta”…<br />
<br />
Portrays a profound moment as Jesus descends into the River, sanctifying its waters and endowing them with the transformative power to birth sons of God. This event transcends a mere ritual, echoing a second creation with the active involvement of the entire Trinity. In the Eastern Church, it is known as Theophany, emphasizing the divine revelation as God manifests in three persons during Christ's baptism in the Jordan River. John the Baptist's baptism, a sacramental preparation for Christ, stirred repentance and confession of sins among people. However, Christ, sinless and impeccable, underwent John's baptism not out of necessity but to bestow upon water the true Baptism, capable of cleansing all worldly sins. His baptism mirrors the sacrament we undergo, symbolized by various events. During Christ's baptism, the Holy Spirit descended upon Him; in our Baptism, the Trinity establishes its dwelling within our souls. Christ declared the "Beloved Son" at His baptism, which parallels our Baptism where we, too, become adopted sons of God. The opening of the heavens at Christ's baptism signifies a similar opening for us during our Baptism. Luke 3:15-16, 21-22 narrates the anticipation among the people, speculating whether John might be the Christ. John humbly asserts his role in baptizing with water but foretells someone mightier, who will baptize with the Holy Spirit and fire. As Jesus prays after His baptism, heaven opens, the Holy Spirit descends like a dove, and a voice declares, “You are my beloved Son; with you, I am well pleased.” This sacred moment not only marks Christ's divine affirmation but foreshadows the grace and favor bestowed upon those baptized, inviting them into the loving embrace of the Heavenly Father.
    Il Battesimo del Signore - Dipinto d..etta
  • “Giving seed to the One who sows, Snow - Painting by Dino Carbetta”…<br />
<br />
Isaiah 55:10-13, “Yet just as from the heavens the rain and snow come down And do not return there till they have watered the earth, making it fertile and fruitful, Giving seed to the one who sows and bread to the one who eats, So shall my word be that goes forth from My mouth; It shall not return to me empty but shall do what pleases me, achieving the end for which I sent it. Yes, in joy you shall go forth, in peace you shall be brought home; Mountains and hills shall break out in song before you, and all trees of the field shall clap their hands. In place of the thornbush, the cypress shall grow, instead of nettles, the myrtle. This shall be to the LORD’s renown, as an everlasting sign that shall not fail.” “Giving Seed to the One who Sows, Snow - is an artwork that draws inspiration from Isaiah. The rain and snow that fall from the heavens, water the earth and make it fertile and fruitful. God's Word invigorates our souls, guiding us towards spiritual growth and renewal. The painting captures this divine interaction through meticulous strokes and nuanced hues. The snow, symbolizing purity and renewal, blankets the earth, signifying the transformative power of God's Word. The mountains, hills, and trees celebrate this divine work, creating a celestial orchestra of joy and harmony. Deer are creatures of the natural world, and their presence could highlight the interconnectedness of all living things. The deer symbolizes the harmony between the created world and the spiritual realm. It's a testament to God's restorative power, where desolation gives way to abundance, and barrenness blossoms into beauty. In essence, "Giving Seed," is not just an inspired composition but a spiritual odyssey that invites us to reflect on the boundless grace, transformative power, and eternal promise encapsulated in God's Word.
    Dare seme a Colui che semina, Neve -..etta
  • The Majestic Statues of St. Peter’s Basilica<br />
Photograph and Reflection in the Days of the Conclave<br />
<br />
Thirteen colossal statues crown the façade of St. Peter’s Basilica, rising like silent sentinels above the heart of Christendom. At the center stands Christ the Redeemer, arms open in sovereign peace. Beside Christ stand eleven apostles and St. John the Baptist—yet St. Peter is absent. But this is no omission; it is a sacred sign. Peter is not placed above, for he remains at the foundation—his mission too vital to overlook, his presence enshrined below the altar, and his legacy living in the very heart of the Church. Peter is not among the heights; he dwells at the foundation—his statue greeting pilgrims in the square, his tomb resting beneath the high altar. Now, as the Church enters a sacred pause—following the death of Pope Francis—a new conclave approaches. Within the ancient walls of the Vatican, beneath these very statues that gaze down like eternal witnesses, the cardinals now gather in sacred assembly. In prayer and silence, they seek not their own will, but the guidance of the Holy Spirit—to discern the one chosen to bear the keys of Peter and shepherd the Church through the trials of a new age. Here, in the shadow of the saints, they will invoke the Holy Spirit to anoint the next successor of Peter. Once captured under a serene Roman sky, this image now echoes with timeless urgency. The apostles above remind us that the Church is not built on passing leaders, but on an unbroken apostolic foundation. Christ remains at the center. The call of John the Baptist still resounds, preparing the way of the Lord. As the conclave begins, heaven and earth watch in prayer. Soon, one will emerge from among the crimson-clad cardinals—a new Pontiff stepping into Peter’s sandals, carrying the keys once given by Christ Himself. Until then, the statues remain, proclaiming with silent grandeur: Tu es Petrus, et super hanc petram ædificabo Ecclesiam meam.
    “The Majestic Statues of St. Peter’s.. ...
  • “Orvieto ancient Etruscan walls and rain soaked hardscape overlook the local vineyards - Painting by Dino Carbetta”…<br />
<br />
Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a big chunk of volcanic stone called tufa and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this clifftop village over 2000 years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliffside views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. The 14th Century Duomo was constructed to provide a home for the “Corporal of Bolsena”, a miracle that occurred in 1263 in the nearby town of Bolsena. A traveling priest who had doubts about the truth of transubstantiation found that his Host was bleeding so much that it stained the altar cloth. The cloth is now stored in the “Chapel of the Corporal” inside the cathedral. It’s amazing to turn the corner only to view, stop, and stare as the majestic Cathedral slowly rises to touch the heavens above.
    Orvieto antica mura etrusche e piogg..etta
  • “The New Church birthplace of St. Francis of Assisi”…<br />
<br />
This photograph was created while approaching Chiesa Nuova (New Church) at the same time an elderly Italian man was entering for worship and prayer. As I entered the beautiful small church, a Franciscan Monk working inside saw me and without reluctance, rose from his desk and graced me with a half-hour tour speaking entirely in Italian. He never hesitated and he never assumed that I was not fluent in Italian; yet, he continued to entrust me with every detail of what looked like a mini Basilica. As we ventured around, he explained every nuance, even the crypt where Saint Francis’ parents reside. Upon completion of the tour, he shook my hand, gave me a gentle embrace, and bestowed a blessing in Italian. While not understanding the language, I left with gratitude and amazement …yet, somehow, I understood his every word.
    La Chiesa Nuova luogo di nascita di ..sisi
  • “Night view through the arch of the Papal Basilica of San Francesco”…<br />
<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Never stopping for lunch or dinner, I continued to photograph new images well past sundown. Traversing the narrow steps and Strada back down to the bottom of the mountaintop to my hotel, the walk seemed a bit less strenuous and I felt a sense of gratitude and completion of my day-long journey. However, the very quiet Assisi seemed to have fallen into a deep slumber in the early nighttime leaving all the restaurants closed for the night. Pleading with the hotel manager, she desperately arranged a late dinner at one of the most iconic restaurants in Assisi, La Locanda Del Cardinale, which was built over an ancient Roman settlement dating from the first century B.C., with glass floors to view the mosaics below. Walking back at midnight to the hotel, the peaceful Assisi continued to call out. As the serene, quiet Basilica of Saint Francis stood majestically and glowed in the midnight skies, one could not help but to acquiesce to its mystical yearning for just a few more memorable portraits in the cool dew of the early morning air.
    Vista notturna attraverso l'arco di ..esco
  • "Midnight at Piaggia di Porta San Pietro in Assisi"... <br />
<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Frances, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Never stopping for lunch or dinner, I continued to photograph new images well past sundown. Traversing the narrow steps and Strada back down to the bottom of the mountaintop to my hotel, the walk seemed a bit less strenuous and I felt a sense of gratitude and completion of my day-long journey. However, the very quiet Assisi seemed to have fallen into a deep slumber in the early nighttime leaving all the restaurants closed for the night. Pleading with the hotel manager, she desperately arranged a late dinner at one of the most iconic restaurants in Assisi, La Locanda Del Cardinale, which was built over an ancient Roman settlement dating from the first century B.C., with glass floors to view the mosaics below. Walking back at midnight to the hotel, the peaceful Assisi continued to call out. Drifting forward the serene, quiet Basilica of Saint Francis stood majestically and glowed in the distant midnight skies. One could not help but to acquiesce to its spiritual yearning for just a few more memorable portraits in the cool dew of the early morning air.
    Mezzanotte presso Piaggia di Porta S..sisi
  • “The ancient and the modern compete for a piece of heaven in Florence”…<br />
<br />
Santa Maria del Fiore (also known simply as the Duomo) is the cathedral of Florence known for its distinctive Renaissance dome. Its name ("Saint Mary of the Flower") refers to the lily, the symbol of Florence. The impressive Gothic cathedral complex includes the Duomo, the famous baptistery, and a campanile. Built-in 1294 to be the largest Roman Catholic Church in the world, it is still the largest masonry dome in the world. Walking down the Strada, and turning the corner to view the massive Duomo painted against the sky was captivating. I stopped in my tracks and began taking photos; however, the huge Florence crowds prevented most images from ground level. This was one of the first images I photographed noticing the ancient architecture of the Duomo competing across the narrow Strada with the more modern buildings of Firenze as colorful evening skies danced above.
    L'antico e il moderno competere per ..enze
  • “Christus Patiens above the High Altar of the Franciscan Basilica of Santa Chiara d'Assisi”…<br />
<br />
Around sunset, the clouds shifted and the descending sun illuminated the Assisi mountaintop as a slight mist of rain mystified the landscape. The ascent was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. As I approached the last two Churches after 7:00 pm; the Basilica of Saint Clare, and the Cathedral of Saint Rufino...I noticed the security guard locking Santa Chiara’s front door. I rushed forward anxiously and begged to just look quickly inside the Vestibule. He only spoke Italian and frustrated with me, said I had one minute inside. Aiming my camera and telephoto lens directly toward the High Altar which seemed a mile away, I clicked one picture as the guard hastily gestured me outside. Ironically, I found that no pictures are allowed in this Basilica. And, on my Pilgrimage of 2019, was frustrated during my tour of the historic and reverent church, still, no pictures were allowed. I always try to respect the rules and venerate every location, however, I did take two very surreptitious images in the Oratorio del Crocifisso (Oratory of the Crucifix), a peaceful chapel that preserves the venerable 12th-century crucifix that spoke to St. Francis at San Damiano. This abrupt photo of the painted crucifix still hangs above the high altar of Santa Chiara and was probably the first painting that was commissioned for the new church. The image was conceived shortly before Saint Clare’s death in 1260 and is attributed to the Maestro di Santa Chiara. The iconography of Christus Patiens (the dying Christ on the Cross) was widely used in early Franciscan churches. In this example, the Virgin and St John the Evangelist flank the Cross, with another figure of the Virgin (praying and flanked by angels) and Christ Pantocrator above.
    Christus Patiens sopra l'Altare Magg..sisi
  • “Angelic Woman Resting Under the Sun at the Cathedral of San Rufino in Assisi”…<br />
<br />
Upon arriving early that day in Assisi, I couldn't resist capturing every moment with my camera from the moment I parked at Hotel Giotto nestled within the walls at the foothills of Assisi. It felt like Saint Francis had orchestrated the day, painting the skies with dramatic perfection and guiding each encounter with a mystical touch. As I embarked on the journey from the Basilica of Saint Francis, every step of the ascent towards the mountain's summit and the fortress of Rocca Maggiore seemed to unveil something even more profound and spiritual than the last. With each arduous staircase climbed, there was an anticipation building, fueled by the promise of divine scenery awaiting at the summit. Finally, as I reached the pinnacle almost at sunset, the clouds parted, and the sun cast its golden glow, accompanied by a gentle mist of rain. Despite the exhaustion from the steep climb, the sight that greeted me around the final bend took my breath away—the Romanesque Duomo of Saint Rufino, standing majestically, a testament to centuries of spiritual and historical significance. As I turned the corner, the late evening sunbathed the façade of the Duomo in a radiant light, illuminating a lone figure basking in its warmth by the side door. Despite the dampness and chill in the air, her presence seemed to emit a warmth that transcended the physical realm. I stood frozen, captivated by the ethereal beauty before me. With trembling hands, I lifted my camera to capture a fleeting moment of this otherworldly scene, hoping to preserve it forever. In that moment, as the shutter clicked, she stirred, her eyes meeting mine with a gentle smile before gracefully departing. I longed for her presence to linger, but all that remained was the memory captured in that single photograph—a mere glimpse of the profound and surreal encounter that would forever echo in my soul.
    Donna Angelicata di Riposo Sotto il ..sisi
  • "Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi"...<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..sisi
  • "The evening sun radiates over the hilltop of Cortona"... <br />
<br />
The ancient church of Santa Maria delle Grazie Calcinaio is resting on the hillside, presiding in a welcoming posture to all those strong enough to brave Cortona’s steep inclines. The Church was constructed between the years of 1485 and 1513. It is the architectural work of Francesco di Giorgio Martini who designed it after having been contacted by his friend and great artist Luca Signorelli. The Renaissance-style church built on a Latin cross plan with an elegant dome soars into the olive trees on the hillside above. It was the church of the guild of the shoemakers, who used their vats of lime for tanning leather, protected by an image of the Madonna painted by Bernardo Covatti, which is now displayed on the main altar of the church. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970. If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the Bellissimo Tuscan Sun.
    Il sera sole si irradia sopra la col..tona
  • "The sun sets like fire in the sky above the Papal Basilica of St. Francis of Assisi"...<br />
<br />
The seventh morning of our Pilgrimage, we sorrowfully said goodbye to the majestic Sorrento and set out to find the spiritual mecca of Assisi. The excitement of Saint Francis' tiny mountaintop walled village perked our eyes toward the bus windows. Hotel Giotto welcomed all!  An evening Mass with Fr. Peek in the PAX Chapel (a small underground sanctuary in Saint Francis Basilica) hosted our celebration. Mass was celebrated in honor of the wedding anniversary of Bill and Bardeen Dunphy from Atlanta, GA. I cannot say enough about the wonderful quality of people and Catholics in which I had the honor to accompany on our Pilgrimage. A small group of only 12, but mighty in character, affection, spirituality, and compassion. Bill and Bardeen epitomized this nature and shared their love will all our Pilgrims and those who witnessed our gatherings. We were also blessed by a humble, yet charismatic Priest, Father Kevin Peek. He seemed to know every other person in Italy, and subsequently, we all found new friends at dinner time. I cannot honestly conclude a more perfect Pilgrimage Priest than Father, and he was the epitome of a Spiritual guide. He not only celebrated Mass each morning in the most beautiful and prestigious Basilica’s in the world, he also led nighttime rosary walks through the Italian Strada, offered confession, interjected stories of the Saints, discussed all Italian epicurean delights with great enthusiasm, and spread the word and love of God to anyone who would listen.  After Mass, the sun once again glowed as it set behind Saint Francis Basilica. There is probably not a more exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate artist of capture.
    Il sole tramonta come fuoco nel ciel..sisi
  • “The sunset illuminates the bell tower of Santa Maria Maggiore - Assisi”…<br />
<br />
After a progressive but slow ascent up to the mountaintop of Assisi, I took time to pause, look over my shoulder, and truly appreciate all I had seen. God always seemed to illuminate my forward path; however, He also left a glow of remembrance from where the journey began. This evening view is from the Basilica di Santa Chiara (Basilica of St. Clare), a 13th-century church that houses the relics of St. Clare, friend and protégé of St. Francis of Assisi, and the 12th-century crucifix that spoke to St. Francis at San Damiano. The view is a rear view of the church and campanile of Santa Maria Maggiore, the first cathedral of Assisi which was built near the Roman city walls of the 4th century. The crypt under the apse of the present church is the oldest surviving part of the structure and dates to the 9th or 10th century. Santa Maria Maggiore remained the cathedral of Assisi until 1035 when San Rufino assumed this function.
    Il tramonto illumina il campanile di..sisi
  • “The Crucifixion above the altar of the Church of Santa Maria Maggiore in Assisi”…<br />
<br />
My artistic interpretation here is of the Crucified Jesus as primary to the Image of The Divine Mercy. St. Faustina asked the Lord about the meaning of the rays in the image: The two rays denote Blood and Water. The pale ray stands for the Water which makes souls righteous. The red ray stands for the Blood which is the life of souls. These two rays issued forth from the depths of My tender mercy when My agonized Heart was opened by a lance on the Cross. Happy is the one who will dwell in their shelter, for the just hand of God shall not lay hold of him. The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built in this site close to the Roman city walls in the 4th century.  The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal its age and status throughout history.
    La Crocifissione sopra l'altare a Ch..sisi
  • "Luminous Madonna - Santa Maria Maggiore in Assisi"...<br />
<br />
The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built in this site close to the Roman city walls in the 4th century. The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. The interior has a basilica plan with three naves, separated by pillars. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal its age and status throughout history.
    Luminous Madonna - Santa Maria Maggi..sisi
  • "The evening sun illuminates the panorama of the Papal Basilica of St. Francis of Assisi"...<br />
<br />
The seventh morning of our Pilgrimage, we sorrowfully said goodbye to the majestic Sorrento and set out to find the spiritual mecca of Assisi. The excitement of Saint Francis' tiny mountaintop walled village perked our eyes toward the bus windows. Hotel Giotto welcomed all! An evening Mass with Fr.Peek in the PAX Chapel (a small underground sanctuary in Saint Francis Basilica) hosted our celebration. Mass was celebrated in honor of the wedding anniversary of Bill and Bardeen Dunphy from Atlanta, GA. I cannot say enough about the wonderful quality of people and Catholics in which I had the honor to accompany on our Pilgrimage. A small group of only 12, but mighty in character, affection, spirituality, and compassion. Bill and Bardeen epitomized this nature and shared their love will all our Pilgrims and those who witnessed our gatherings. We were also blessed by a humble, yet charismatic Priest, Father Kevin Peek. He seemed to know every other person in Italy, and subsequently, we all found new friends at dinner time. I cannot honestly conclude a more perfect Pilgrimage Priest than Father, and he was the epitome of a Spiritual guide. He not only celebrated Mass each morning in the most beautiful and prestigious Basilica’s in the world, he also led nighttime rosary walks through the Italian Strada, offered confession, interjected stories of the Saints, discussed all Italian epicurean delights with great enthusiasm, and spread the word and love of God to anyone who would listen. After Mass, the sun once again glowed as it set behind Saint Francis Basilica. There is probably not a more exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate artist of capture.
    Il sole della sera illumina il panor..sisi
  • "Dynamic view from the Bar San Lorenzo Garden of the Cathedral of San Rufino of Assisi"...<br />
<br />
Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous and a more pleasant excursion. After morning Mass at Chiesa Nuova, and then to Portiuncula. The town has grown up around the Basilica of Our Lady of the Angels. Our Pilgrims took a break for lunch while fellow Pilgrim, Patrick and I headed for the mountain top of Assisi for panoramic views of the town below. The breathless spectacle peering down one side of the fortress is St. Francis Basilica, and the unparagoned ancient architecture on the opposite side and only way up and down, are Bellissimo landscapes of San Rufino and the Basilica di Santa Chiara. Shortly upon our descent, we found a spectacular hidden respite through the wall named: “Bar Giardino San Lorenzo,” where we stopped for lunch. This charming oasis on top of Assisi, was analogous to a floral garden paradise, with astounding views of the valley below and as far away as Siena. Perfect areas abound with shaded tables and chairs and a hut for the main area of the tiny restaurant. The Italiani husband and wife smile graciously as they served up a lunch menu and drinks for the astounded patrons. It appeared to us Pilgrims that we stumbled on the most perfect plot of land in all of Assisi, and found ourselves blessed to sit and relax for moments as we could not help aiming our cameras at God’s pleasant surroundings. After dozens of images exhausted, and nourishment for our hunger and thirst, a sad goodbye was extended to our hosts and to a touch of paradise. To date, I have only had the opportunity to visit Assisi twice in my lifetime, but I could not imagine a more perfect spiritual, aesthetically beautiful, and peaceful location in the world. We were off to our next incredible adjacency, the Cathedral of San Rufino.
    Vista dinamica dal Bar Giardino San ..sisi
  • "Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi - Luminance"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..anza
  • "Ancient arched facade near Santa Chiara in Assisi" ...<br />
<br />
After a progressive but slow assent up to the mountaintop of Assisi, I took time to pause, look over my shoulder, and truly appreciate all I had seen. God always seemed to illuminate my forward path; however, He also left a glow of remembrance from where the journey began. This evening view is from the Basilica di Santa Chiara (Basilica of St. Clare), a 13th-century church that houses the relics of St. Clare, friend and protégé of St. Francis of Assisi, and the 12th-century crucifix that spoke to St. Francis at San Damiano. The ancient archway still standing over 2000 years...gives a peak of the valley below.
    Antica facciata ad arco vicino a San..sisi
  • "Front doors 26-28 along Via Roma Cortona"...<br />
<br />
Before embarking upon my one month journey in Italy, I prepared by walking, running, and exercising 3-4 hours a day to get in shape to hike the steep grades carrying a 25lb. camera bag over the strenuous terrain of the Italian countryside.  No amount of training prepared me for the hot and humid climate, mountainous landscape, and steep grades throughout the country of Italy, and the extremely grueling le strade in Cortona.  This image was created on one of the main streets of Cortona with gradients reaching about 15% or more.  This image is not distorted as Italian architects are famous for overcoming difficulties or seemingly impossible tasks. Here is an example of three front doorways along perhaps one of the steepest town streets I have ever encountered.  I actually had to stand sideways to create this photograph to level out the image. Thanks be to God for the amazing beauty of the flowers, which give hope to the weary and exhausted climbers into the tiny town center.  "From a high Tuscan hill, fifty miles from Florence between Arezzo and Perugia, rises the equally ancient and noble city of Cortona. Before the city lays a vast and beautiful plain, it is flanked on either side by distant hills and valleys while behind it are towering yet fruitful mountains. Cortona has a picturesque aspect, quite a bit longer than wide, turned towards the midday sun.”… 17th century quote.  A part from its artistic beauty, Cortona is a very important tourist destination because of its privileged geographical location. One can easily visit many interesting towns, which have appeal from a cultural and artistic point of view, like Florence, Siena, Perugia, Pienza, Montepulciano, Montalcino, Lake Trasimeno, Arezzo, Assisi, Gubbio, Orvieto, Spoleto and many others.
    Porte Anteriori 26-28 lungo Via Roma..tona
  • "The sun sets behind the Church of San Giacomo Maggiore - Orvieto"...<br />
<br />
Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a big chunk of volcanic stone called tufa, and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this cliff top village over 2000 years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliffside views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. A hospice for the poor and traveling pilgrims was established on this location in 1187 and the site eventually developed into a civic hospital.  Pope Clement IV gave permission for the erection of a chapel and cemetery in 1266.  Eventually the church finally closed in 2000, when the new Ospedale di Santa  Maria della Stella opened at nearby Ciconia.
    Il sole tramonta dietro la Chiesa di..ieto
  • “Heavens erupting with rainbows over the Cathedral of San Rufino Assisi”…<br />
<br />
This image is perhaps one of the most blessed and miraculous of my Italian journey.  Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner.  Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down.  Looking back over my shoulder, I was mesmerized at the appearance of this first of eventually two rainbows shining down behind the Duomo of Saint Rufino. I was able to take a few horizontal and vertical images of the rainbows just as the sun began it's decent below the horizon. My Italian journey was truly blessed by the hand of God. This image is a vertical panorama combining two vertical and one horizontal image.
    Cieli in eruzione con arcobaleni sop..sisi
  • “Archidado Cortona games”…<br />
<br />
Every year, a procession of 300 or more people wearing wonderful medieval costumes, as well as many riders on their horses, parade through Cortona's historic center. The competition known as the Giostra dell'Archidado commemorates the wedding of Francesco Casali, Lord of Cortona, and the noblewoman Antonia Salimbeni of Sienna, which took place in 1397. The crossbowmen from Cortona's five quarters, "Quintieri", compete for a golden arrow. The contest is held in Piazza Signorelli.  Flag throwing (or flag tossing) is often a major part of the historical costume festivals that are one of the great attractions of Tuscany and, indeed, of all Italy. The performers, known as Sbandieratori, usually young men but with an increasing number of young ladies taking part, dress in medieval costumes and are usually accompanied by drummers (Tamburi) and sometimes trumpeters (Trombettieri). Skills range from good to truly excellent. The younger participants engage in synchronized flag waving through tossing and catching their own flags, while the truly skilled carry out amazing and beautiful exercises involving simultaneously throwing two flags to two partners in their team.  I was fortunate to arrive in Cortona from Roma on Sunday, the last day of the festival.
    Giostra dell'Archidao Cortona partite
  • “The steep slope and patriotic houses of Cortona”…<br />
<br />
Entering Cortona, one realizes the charm and charisma of this hilltop village.  With its steep streets, ruined Etruscan and Roman walls, narrow alleys, and medieval buildings, Cortona maintains ancient origins and has remained uniquely unchanged today.  Before embarking upon my one month journey in Italy, I prepared by walking, running, and exercising 3-4 hours a day to get in shape to hike the steep grades carrying a 25lb. camera bag over the strenuous terrain of the Italian countryside.  No amount of training prepared me for the hot and humid climate, mountainous landscape, and steep grades throughout the country of Italy, and the extremely grueling le strade in Cortona.  The tiny walled town of Cortona was probably not the most fortified with large amounts of photogenic attractions within its ramparts, but professed to be the perfect central Tuscany location. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970.  If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the bellissimo Tuscan Sun.  The warm ambiance of Cortona, in contrast with its grueling hills…one may find colorful, delicate, and enduring beauty.
    La ripida pendenza e le case patriot..tona
  • “Sunset view from the Grand Hotel Italy – Orvieto”…<br />
<br />
At the peak of its economic power and political stability, towards the end of the 13th century, the Comune of Orvieto decided to move its civic buildings to the restored Palazzo Communal, and to build the Palazzo del Popolo, La Torre del Moro, and the Duomo di Orvieto.  The tower has maintained many functions including water storage for “the city on the cliff.”  The Duomo is an Italian, ornate architectural masterpiece.  The facade is one of the most famous in the world and looks like something seen at Disney World.  Constructed under the orders of Pope Urban IV to commemorate and provide a suitable home for the Corporal of Bolsena, a miracle which is said to have occurred in 1263 in the nearby town of Bolsena. A traveling priest who had doubts about the truth of transubstantiation found that his Host was bleeding so much that it stained the altar cloth. The cloth is now stored in the Chapel of the Corporal inside the cathedral.  This evening image was photographed from my rooftop terrace at the Grand Hotel Italia.
    Tramonto vista panoramica dal Grand ..ieto
  • “The mystical evening sun's rays peeking over the hills of Assisi”…<br />
<br />
This image was captured as the hazy sun began to set behind the mountains and a light rain began. The combination of the low, brightly veiled evening sun with the mist of the rain displayed a spectacular prism effect that dazzled the senses and displayed a glorious light show above Assisi. The magnificent display lasted until dark and was one of the many mystical and blessed experiences of my perfect 24 hours in Assisi. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted, and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about two hundred yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God.
    Il mistico serata raggi del sole cap..sisi
  • “Ominous Skies Above the Papal Basilica of San Francesco d'Assisi”…<br />
 <br />
This late afternoon image was captured while standing upon remnants atop the mountainside of Assisi viewing down to the resting Basilica of Saint Francis. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Frances, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted, and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about two hundred yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God. The Basilica, which was begun in 1228 honoring the life of Saint Francis, is probably the most exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate artist of capture.
    Cieli Infausto Sopra la Basilica Pap..sisi
  • “An evening stroll on the ancient, cobbled streets of Orvieto”… <br />
<br />
Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a substantial chunk of volcanic stone called tufa and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this clifftop village over two thousand years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliffside views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. The blue evening skies reflect on the shiny-worn cobblestone Strada below as the last bit of sun illuminates the way for a delightful promenade. “As sorrowful yet always rejoicing; as poor yet enriching many; as having nothing and yet possessing all things.”  2 Corinthians 6:10
    Una passeggiata serale sulle antiche..ieto
  • “Saint Jerome - Chigi Chapel in the Cathedral of Siena” …<br />
<br />
Is a window into the rich history and artistic grandeur of Siena's Duomo, the Cathedral of Siena. This magnificent cathedral, perched above the bustling Piazza del Campo, stands as a testament to the city's glorious past, filled with remarkable treasures by renowned artists like Pisano, Donatello, Bernini, and even Michelangelo. Completed in 1263, the 14th century ushered in an audacious vision – to transform this cathedral into the largest in all of Christendom, surpassing even the grandeur of St. Peter's in Rome. However, the devastating Black Death of 1348 struck, claiming four-fifths of Siena's population, its half-built walls becoming a poignant monument to the city's once unbridled prosperity. If tasked with selecting a singular location that encapsulates Italy's grand tapestry of history, art, architecture, culture, and faith, the Cathedral of Siena would undoubtedly emerge as an unparalleled choice. Distinguished by its striped walls and commanding pillars, you can't help but be struck by its sheer magnitude. Stepping inside the nave, you are immediately enveloped by a symphony of artistic expression and unparalleled beauty meticulously placed in every conceivable space. From the celestial dome to the intricate stained glass, from the captivating frescoes to the masterful sculptures, and culminating in what is revered as the most magnificent marble floor in history, the cathedral is an artistic treasure trove. Among the many artistic gems is the sculpture of Saint Jerome by the eminent Italian artist Gianlorenzo Bernini shines brightly. St. Jerome, stands as a towering figure, both in art and in history. He was a Scripture scholar of unparalleled distinction, responsible for translating a substantial portion of the Old Testament from its original Hebrew form. His commentaries continue to serve as an enduring source of scriptural inspiration for us today.
    San Girolamo - Cappella Chigi nel Du..iena
  • "The guiding light of Santa Maria Maggiore and the New Church of Assisi"...<br />
<br />
(Psalms: 65:9) “Distant peoples stand in awe of your marvels; the places of morning and evening you make resound with joy.” Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted, and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the reward was always greater than the physical agony endured. This image was captured as I followed the radiant winding road illuminated by the evening glimmer of the descending sun.
    La luce guida tra Santa Maria Maggio..sisi
  • “Virgin Mary in front of the Sanctuary of Our Lady of Lourdes - Painting by Dino Carbetta” …<br />
<br />
Transports patrons into the heart of a sacred narrative steeped in faith and miracles. The painting embodies the profound devotion surrounding the Marian Apparition at Lourdes, France, where Saint Bernadette Soubirous, a humble peasant girl, beheld visions of the Blessed Virgin Mary in 1858. These celestial encounters, totaling seventeen, unfolded a message of hope and redemption for humanity. "In the serene environs of the Sanctuary of Our Lady of Lourdes, Mary's presence radiates with the embrace of motherly love and the ineffable grace of the divine." She imparted to Bernadette the call for prayer and the declaration, "I am the Immaculate Conception," affirming her purity and intercessory power. The act of digging at Mary's behest, yielding a miraculous spring whose waters are believed to heal, underscores the mystical essence of the site. Millions visit Lourdes annually for spiritual and physical renewal. The Sanctuary, enveloping the sacred Grotto, serves as a beacon of devotion and a testament to the enduring vitality of Catholic tradition. Countless testimonials attest to the profound healing experienced by pilgrims, affirming the sanctity of this hallowed ground. Lourdes has transcended its physical boundaries to become a realm where faith converges with the miraculous, standing as a testament to the power of prayer and the intercession of the Virgin Mary. Yet, beyond the tangible miracles, Lourdes fosters a deeper transformation—a renewal of faith and a recommitment to serving the marginalized and afflicted. Lourdes remains a bastion of faith, where the divine intersects with the human experience. The saying goes, "For those who believe in God, no explanation is necessary. For those who do not believe, no explanation is possible." The painting's brushstrokes invite us to embrace faith's mysteries and the enduring power of divine love.
    Vierge Marie devant le Sanctuaire No..etta
  • “Ave Maria - Pointillism Painting by Dino Carbetta”…<br />
<br />
Ave Maria, gratia plena,<br />
Maria, gratia plena,<br />
Maria, gratia plena,<br />
Ave, Ave, Dominus,<br />
Dominus tecum.<br />
Benedicta tu in mulieribus, et benedictus,<br />
Et benedictus fructus ventris (tui),<br />
Ventris tui, Jesus.<br />
Ave Maria!<br />
<br />
Sancta Maria, Mater Dei,<br />
Ora pro nobis peccatoribus,<br />
Ora, ora pro nobis;<br />
Ora, ora pro nobis peccatoribus,<br />
Nunc et in hora mortis,<br />
In hora mortis nostrae.<br />
In hora, hora mortis nostrae,<br />
In hora mortis nostrae.<br />
Ave Maria! <br />
Hail Mary, full of grace,<br />
Mary, full of grace,<br />
Mary, full of grace,<br />
Hail, Hail, the Lord<br />
The Lord is with thee.<br />
Blessed art thou among women, and blessed,<br />
Blessed is the fruit of thy womb,<br />
Thy womb, Jesus.<br />
Hail Mary!<br />
<br />
Holy Mary, Mother of God,<br />
Pray for us sinners,<br />
Pray, pray for us;<br />
Pray for us sinners,<br />
Now, and at the hour of our death,<br />
The hour of our death.<br />
The hour, the hour of our death,<br />
The hour of our death.<br />
Hail Mary! <br />
Luciano Pavarotti - Ave Maria (Schubert) -https://www.youtube.com/watch?v=XpYGgtrMTYs
    Ave Maria - Puntinismo Pittura di Di..etta
  • “Father Peek raises the chalice for adoration - The New Church of San Francesco in Assisi – Luminescense”…<br />
<br />
The reflection of Father Peek in “The Elevation of the Host and Chalice” is after genuflection in adoration. The priest raises them both so that the Faithful may also adore Jesus Christ, true God, and true Man present on the altar. Look at the sacred Body and Blood of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things." A more ancient elevation of Host and Chalice occurs in the Mass of the Roman Rite while the priest speaks the concluding doxology of the Eucharistic Prayer: Per ipsum et cum ipso et in ipso est tibi Deo Patri omnipotenti in unitate Spiritus Sancti omnis honor et gloria per omnia saecula saeculorum (Through him, and with him, and in him, O God, almighty Father, in the unity of the Holy Spirit, all glory and honour is yours, forever and ever). The presence in the Roman Rite of this elevation can be traced back at least to the ninth century. The Chiesa Nuova is a church in Assisi, Italy, built in 1615 on the site of the presumed birthplace of St. Francis, the house of Pietro di Bernardone. It was then called Chiesa Nuova because it was the last church to be built in Assisi at that time. This Church appears as a small basilica, and on our first morning in Assisi of my Pilgrimage of 2019, Father Peek offered a venerable Mass. Two of our Pilgrimage couples renewed their vows during the celebration and an abundance of blessings were bestowed upon the faithful. The specular window light from high above the altar once again illuminates the Body and Blood of Christ as the Holy Spirit descends.
    Padre Peek solleva il Calice per L'a..anco
  • “The Light of The Lamb - Painting by Dino Carbetta”…<br />
<br />
In the canvas of existence, we have often gazed at the sun and moon, relying on their luminance to guide our days and nights. Much like God's providence, these celestial bodies illuminate our paths, nurturing both crops and the vitality our bodies crave. Genesis reveals this divine provision: "God made the two great lights, the greater one to govern the day, and the lesser one to govern the night, and the stars." (Gen. 1:16). Yet, in the medley of God's plan, a future brilliance awaits. John, in envisioning the eternal heavenly city, describes a light transcending the sun and moon: "The city had no need of sun or moon to shine on it, for the glory of God gave it light, and its lamp was the Lamb." (Rev. 21:23). Here, the term "light" is more fittingly expressed as "lamp." In His glorified state, Christ becomes the spiritual lamp illuminating the canvas of a joyous new world. Recall the words spoken of Jesus: "Behold, the Lamb of God, who takes away the sin of the world." (John 1:29). He not only bears our burdens but radiates spiritual enlightenment. To those who follow Him, he imparts, "You are the light of the world. A city set on a mountain cannot be hidden." (Matt. 5:14). In this city, the sun and moon fade into insignificance, for the glory of God becomes its everlasting light, and the Lamb becomes its eternal lamp (Rev. 21:23). Let this painting by Dino Carbetta echo this profound truth. As the deer eagerly anticipates the light breaking through the dawn, so do we await the Light of the Lamb to dispel the shadows in our lives. In prayerful hope, may we all bask in the inspirational radiance of the "Light of the Lamb."
    La luce dell'agnello - Dipinto di Di..etta
  • “Pentecost - Painting by Dino Carbetta”...<br />
<br />
As I neared completion of this painting called “Pentecost,” I became overwhelmed and replete with emotion. It was not the composition or finality of another symbolic artwork, but the actual memory of my extraordinary Pentecost when I received the blessings and Sacrament of Catholic Confirmation. Archbishop Donoghue anointed my forehead with oil on the Altar of the Cathedral of Christ the King in Atlanta in front of an overflowing church, and my Catholic Brother and childhood friend Bob Casey’s hand on my shoulder. The first example of Confirmation can be found in Acts 8:14-17. Confirmation sponsors “bring the candidates to receive the sacrament, present them to the minister for anointing, and will later help them fulfill their baptismal promises faithfully under the influence of the Holy Spirit whom they have received.” I was overwhelmed then, and feel the same as now. Confirmation is a Sacrament in the Catholic Church in which the one who is confirmed receives the gifts of the Holy Spirit through the imposition of hand and anointing with oils by the bishop. It’s considered a sacrament of initiation which means that it brings you deeper into communion with the Church. “Bishops are the successors of the apostles. They have received the fullness of the sacrament of Holy Orders. The administration of this sacrament demonstrates clearly that its effects are to unite those who receive it more closely to the Church, her apostolic origins, and her mission of bearing witness to Christ.” It is the full outpouring of the Holy Spirit as once granted to the apostles on the day of Pentecost. Confirmation brings Catholics a deepening of baptismal grace and unites us more firmly to Christ. It increases the gifts of the Holy Spirit and leaves an indelible mark on the soul just like baptism. Come Holy Spirit, fill the hearts of your faithful and kindle in them the fire of your love.
    Pentecoste - Dipinto di Dino Carbetta
  • “The Holy Cross Blessing the Christian Martyrs of the Roman Colosseum – BW” …<br />
<br />
While in Rome, I witnessed a powerful scene and captured this photograph of The Holy Cross standing tall amidst the ancient ruins in the evening, symbolizing the enduring faith of early Christian martyrs. The Colosseum, deeply connected to the Roman Catholic Church, is the site of the torchlit "Way of the Cross" procession led by the Pope on Good Friday. For Christians, the Colosseum is sacred, a place where many believers lost their lives during the Roman Empire's persecution of Christians. Now, a Cross stands in the center, with a plaque stating, "The amphitheatre, once dedicated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions." The grandeur and mystical aura of the Colosseum struck me deeply. Climbing its ancient steps, the weight of its past suffering and the forgiveness and sacrifice that led to its present stature was undeniable. My photograph captures the Holy Cross emanating a radiant light, blessing the martyrs who faced unimaginable trials. The monochromatic palette emphasizes the stark contrast between the darkness of persecution and the light of divine grace. Standing before the Colosseum, I felt a deep connection to the martyrs who had walked this path before me. Their courage and unwavering faith in the face of persecution filled me with awe. The Holy Cross, a symbol of their sacrifice, inspires and uplifts. The Colosseum stands as a silent witness to its enduring legacy, evoking contemplation of faith, sacrifice, and redemption. Through the lens of history, we see the enduring power of the Holy Cross, a testament to the unbreakable spirit of the Christian martyrs. May their legacy continue to inspire us to live with courage and conviction, ever faithful to the path of righteousness.
    Il Santa Croce Benedice i Martiri Cr..- BW
  • "Sunset descends on a Tuscan farm along the Val d'Orcia - Painting by Dino Carbetta"...<br />
<br />
A late afternoon excursion from Cortona led me to the medieval town of Montepulciano, which stands on an ancient walled hilltop in southern Tuscany, not far from Siena. Within its ramparts are elegant Renaissance palaces, ancient churches, charming squares, hidden corners, and vast panoramas of the famous vineyard valleys of the Val d'Orcia. Montepulciano has received great attention following the filming of the sequel Twilight - New Moon. I would love to spend more time in the picturesque town and will include a longer stay in my return to Italy. Montepulciano is famous for not just one but two excellent wines, Vino Nobile di Montepulciano and Rosso di Montepulciano. However, it is often underestimated in terms of the interest of its art and architecture, perhaps because of its small size. One of the many promises I made to myself upon my return home was to drink a glass of my favorite Italian wine nightly and without a doubt...Montepulciano is my favorite wine region. I conceived and eventually painted this panoramic photograph by combining two images during sunset along the Val d’Orcia. Unfortunately, this image is one of very few from this famous scenic Tuscan countryside, but I pray and aspire for many more.
    Tramonto scende su fattoria toscana ..etta
  • “Father Peek Raises the Chalice for Adoration – The New Church of San Francesco in Assisi”… <br />
<br />
The photo captures Father Peek in a sacred moment after genuflection. This image portrays the priest raising the consecrated Chalice, inviting the Faithful to adore Jesus Christ, truly present on the altar. This action exemplifies the Catholic belief in the real presence of Christ, bringing the faithful together in deep reverence and worship. As we gaze upon the sacred Body and Blood of Jesus, we are moved to interiorly proclaim, "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things." This silent prayer resonates with the ancient traditions of the Church, connecting us to centuries of devotion. The practice of elevating the Host and Chalice during the Mass of the Roman Rite is an enduring tradition, steeped in history. The priest, as he concludes the Eucharistic Prayer with the doxology—"Per ipsum et cum ipso et in ipso est tibi Deo Patri omnipotenti in unitate Spiritus Sancti omnis honor et gloria per omnia saecula saeculorum" (Through him, and with him, and in him, O God, almighty Father, in the unity of the Holy Spirit, all glory and honor is yours, forever and ever) offers a moment of sublime adoration. This elevation, tracing back to at least the ninth century, symbolizes the Church's unwavering devotion to Christ. Within this sacred space, resembling a small basilica, Father Peek celebrated a venerable Mass on our first morning in Assisi during our Pilgrimage. Two pilgrimage couples renewed their vows in the presence of a community of believers. The faithful received numerous blessings, demonstrating the power of shared faith and devotion. The window light shone down on the altar, illuminating Christ and casting a divine glow. This radiant light symbolized the presence of the divine and God's enduring love and grace.
    Padre Peek solleva il Calice per L'a..sisi
  • “The Spirit of God descends like a Dove - Painting by Dino Carbetta – Azure”…<br />
<br />
Gospel Jn 20:19-23 “On the evening of that first day of the week, when the doors were locked, where the disciples were, for fear of the Jews, Jesus came and stood in their midst and said to them, “Peace be with you.” When he had said this, he showed them his hands and his side. The disciples rejoiced when they saw the Lord. Jesus said to them again, “Peace be with you. As the Father has sent me, so I send you.” And when he had said this, he breathed on them and said to them, “Receive the Holy Spirit. Whose sins you forgive are forgiven them, and whose sins you retain are retained.”<br />
2 Corinthians 1:3-7 “Blessed be the God and Father of our Lord Jesus Christ, the Father of compassion and God of all encouragement, who encourages us in our every affliction, so that we may be able to encourage those who are in any affliction with the encouragement with which we ourselves are encouraged by God. For as Christ’s sufferings overflow to us, so through Christ* does our encouragement also overflow. If we are afflicted, it is for your encouragement and salvation; if we are encouraged, it is for your encouragement, which enables you to endure the same sufferings that we suffer. Our hope for you is firm, for we know that as you share in the sufferings, you also share in the encouragement.”
    Lo Spirito di Dio scende come una Co..urro
  • "Crucifixion above the altar of the Church of Santa Maria Maggiore in Assisi"...<br />
<br />
The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built on this site close to the Roman city walls in the 4th century.  The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. The interior has a basilica plan with three naves, separated by pillars. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal their age and status throughout history.
    Crocifissione sopra l'altare della C..sisi
  • "Midnight snow glow of the Papal Basilica of San Francesco di Assisi - Stella"...<br />
<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Frances, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Never stopping for lunch or dinner, I continued to photograph new images well past sundown. Traversing the narrow steps and strada back down to the bottom of the mountaintop to my hotel, the walk seemed a bit less strenuous and I felt a sense of gratitude and completion of my day long journey. However, the very quiet Assisi seemed to have fallen into a deep slumber in the early nighttime leaving all the restaurants closed for the night. Pleading with the hotel manager, she desperately arranged a late dinner at one of the most iconic restaurants in Assisi, La Locanda Del Cardinale, which was built over an ancient Roman settlement dating from the first century B.C., with glass floors to view the mosaics below. Walking back at midnight to the hotel, the peaceful Assisi continued to call out. As the serene, quiet Basilica of Saint Francis stood majestically and glowed in the midnight skies, one could not help but to acquiesce to its mystical yearning for just a few more memorable portraits in the cool dew of the early morning air.
    Mezzanotte neve bagliore della Basil..ella
  • “The light of God falls on the bell tower of Santa Maria Maggiore – Assisi”…<br />
<br />
After a progressive but slow ascent up to the mountaintop of Assisi, I took time to pause, look over my shoulder, and truly appreciate all I had seen. God always seemed to illuminate my forward path; however, He also left a glow of remembrance from where the journey began. This evening view is from the Basilica di Santa Chiara (Basilica of St. Clare), a 13th-century church that houses the relics of St. Clare, friend and protégé of St. Francis of Assisi, and the 12th-century crucifix that spoke to St. Francis at San Damiano. The view is a rear view of the church and campanile of Santa Maria Maggiore, the first cathedral of Assisi which was built near the Roman city walls of the 4th century. The crypt under the apse of the present church is the oldest surviving part of the structure and dates to the 9th or 10th century. Santa Maria Maggiore remained the cathedral of Assisi until 1035 when San Rufino assumed this function.
    La luce di Dio cade sul campanile di..sisi
  • “Never-ending steps of Cortona”…<br />
<br />
Entering Cortona, one realizes the charm and charisma of this hilltop village.  With its steep streets, ruined Etruscan and Roman walls, narrow alleys, and medieval buildings, Cortona maintains ancient origins and has remained uniquely unchanged today.  Before embarking upon my one month journey in Italy, I prepared by walking, running, and exercising 3-4 hours a day to get in shape to hike the steep grades carrying a 25lb. camera bag over the strenuous terrain of the Italian countryside.  No amount of training prepared me for the hot and humid climate, mountainous landscape, and steep grades throughout the country of Italy, and the extremely grueling le strade in Cortona.  The tiny walled town of Cortona was probably not the most fortified with large amounts of photogenic attractions within its ramparts but professed to be the perfect central Tuscany location. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970.  If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the Bellissimo Tuscan Sun.  The warm ambiance of Cortona, in contrast with its grueling hills…one may find colorful, delicate, and enduring beauty.
    Non finisce mai passi di Cortona
  • “The hazy evening sun illuminates the Papal Basilica of St. Francis”…<br />
<br />
This image was created as the hazy sun began to set behind the mountains and a light rain began. The combination of the low, brightly veiled evening sun with the mist of the rain displayed a spectacular prism effect that dazzled the senses and displayed a glorious light show above Assisi. The magnificent display lasted until dark and was one of the many mystical and blessed experiences of my perfect 24 hours in Assisi. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about 200 yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God.
    Il sole velato illumina sera della B..esco
  • "Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi - Olivina"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..vina
  • "The sun sets like fire in the sky above the Papal Basilica of St. Francis of Assisi"...<br />
<br />
The seventh morning of our Pilgrimage, we sorrowfully said goodbye to the majestic Sorrento and set out to find the spiritual mecca of Assisi. The excitement of Saint Francis' tiny mountaintop walled village perked our eyes toward the bus windows. Hotel Giotto welcomed all!  An evening Mass with Fr. Peek in the PAX Chapel (a small underground sanctuary in Saint Francis Basilica) hosted our celebration. Mass was celebrated in honor of the wedding anniversary of Bill and Bardeen Dunphy from Atlanta, GA. I cannot say enough about the wonderful quality of people and Catholics in which I had the honor to accompany on our Pilgrimage. A small group of only 12, but mighty in character, affection, spirituality, and compassion. Bill and Bardeen epitomized this nature and shared their love will all our Pilgrims and those who witnessed our gatherings. We were also blessed by a humble, yet charismatic Priest, Father Kevin Peek. He seemed to know every other person in Italy, and subsequently, we all found new friends at dinner time. I cannot honestly conclude a more perfect Pilgrimage Priest than Father, and he was the epitome of a Spiritual guide. He not only celebrated Mass each morning in the most beautiful and prestigious Basilica’s in the world, he also led nighttime rosary walks through the Italian Strada, offered confession, interjected stories of the Saints, discussed all Italian epicurean delights with great enthusiasm, and spread the word and love of God to anyone who would listen.  After Mass, the sun once again glowed as it set behind Saint Francis Basilica. There is probably not a more exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate artist of capture.
    Il sole tramonta attraverso la Basil..sisi
  • "Waiting for the visitation of St. Francis with Grace - Papal Basilica of St. Francis of Assisi"<br />
<br />
The seventh morning of our Pilgrimage, we sorrowfully said goodbye to the majestic Sorrento and set out to find the spiritual mecca of Assisi. The excitement of Saint Francis' mountaintop walled village perked our eyes toward the bus windows. Hotel Giotto welcomed all!  An evening Mass with Fr. Peek in the PAX Chapel (a small underground sanctuary in Saint Francis Basilica) hosted our celebration. Mass was celebrated in honor of the wedding anniversary of Bill and Bardeen Dunphy from Atlanta, GA. I cannot say enough about the wonderful quality of people and Catholics in which I had the honor to accompany on our Pilgrimage. A small group of only 12, but mighty in character, affection, spirituality, and compassion. Bill and Bardeen epitomized this nature and shared their love will all our Pilgrims and those who witnessed our gatherings. We were also blessed by a humble, yet charismatic Priest, Fr. Kevin Peek. He seemed to know every other person in Italy, and subsequently, we all found new friends at dinner time. I cannot honestly conclude a more perfect Pilgrimage Priest than Father, and he was the epitome of a Spiritual guide. He not only celebrated Mass each morning in the most beautiful and prestigious Basilica’s in the world, he also led nighttime rosary walks through the Italian Strada, offered confession, interjected stories of the Saints, discussed all Italian epicurean delights with great enthusiasm, and spread the word and love of God to anyone who would listen.  After Mass, the sun once again glowed as it set behind Saint Francis Basilica. There is probably not a more exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate artist of capture.
    In attesa della visita di San France..sisi
  • “Beautiful flowers by the front door in Assisi”…<br />
<br />
Italy is famous for its display of fresh and beautiful flowers outside the windows and doors throughout the countryside, and Assisi was no different with the exception of the perfection of their presentation.  I am sure the Chamber of Commerce in Assisi is quite busy maintaining the continuity and beauty of Assisi, but perhaps there is no need as the residents all seem perfectly happy to respect and display all its beauty.  The streets, walkways, and general environment were the most immaculate of any town I witnessed in Italy, and the most religious of any place on my journey.  The town became a mystic and peaceful shrine in the early darkness of night after all the tourists departed, and all the prayers offered that day reflected and echoed off the ancient walls.  Even the vending machines contained Rosaries, and its residents strolled about dressed in their religious attire with permanent smiles upon their faces.  I am sure there are many remarkable religious destinations in the world, but in this photographer’s opinion…Assisi has no spiritual equal on this earth.
    Bellissimi fiori per la porta d'ingr..sisi
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