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  • “Angel with the Cross on Ponte Sant'Angelo Rome - Photo by Dino Carbetta”<br />
<br />
Captured just after sundown, this image reveals a tranquil scene as the sky deepens into a majestic blue, highlighting the golden light on the angelic figures that line the bridge. The Ponte Sant'Angelo (Bridge of Angels) spans the Tiber River, only a short walk from St. Peter’s Basilica. For centuries, it has symbolized the transition from the busy streets of Rome to the sacred space of Vatican City, offering a contemplative pause for pilgrims crossing into the spiritual heart of the city. The bridge’s ten angel sculptures were designed by Gian Lorenzo Bernini, though few were carved by his own hand. His vision, however, lives on in these figures, which stand as silent sentinels, each holding symbols of Christ’s Passion. The bridge is anchored by statues of Saints Peter and Paul, marking the gateway to the spiritual realm. With their imposing presence, they frame the passageway, guiding travelers to reflect on their journey of faith. One of the most striking figures is the "Angel with the Cross." Its serene expression and reverent pose underscore the deep symbolism of the cross it holds. Beneath the statue, a Latin inscription from Isaiah 9:6 reads, "Cuius principatus super humerum eius" — "Dominion rests on his shoulders." This prophetic message of Christ’s kingship resonates deeply with the scene, reminding all who pass of the weight of Christ's authority and sacrifice. In Dino Carbetta's photograph, the interplay of light and shadow creates a sense of the eternal. The angel seems illuminated from within, standing out against the fading Roman sky. Through his lens, Carbetta captures more than just a moment—he preserves the spiritual legacy of the bridge, inviting viewers to reflect on the enduring message of faith, sacrifice, and redemption that permeates this historic path. The image speaks to the timeless intersection of art, faith, and history in one of Rome's most iconic locations.
    Angelo con la Croce sul Ponte Sant'A..etta
  • “Our Lady of Sorrows Radiant Blue - Cathedral of San Rufino, Assisi - Painting by Dino Carbetta”…<br />
<br />
The title "Our Lady of Sorrows" bestowed upon our Blessed Mother beckons our attention to her profound suffering and grief, most notably during the passion and death of our Lord. It encompasses the seven sorrows of Mary, as foretold by the Priest Simeon. "This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed, and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare" Lk 2:34-35. These seven sorrows of our Blessed Mother weave a poignant narrative: the flight of the Holy Family into Egypt, the loss and finding of the child Jesus in the Temple, Mary's encounter with Jesus on His way to Calvary, her presence at the foot of the cross during our Lord's crucifixion, cradling Jesus as He was taken down from the cross, and His burial. In the prophecy of Simeon, a sword would pierce our Blessed Mother's heart, and find its fulfillment. Mary is depicted with her heart exposed and seven swords piercing it, symbolizing her profound sorrows. Her unwavering courage, love, and trust with which Mary embraced each trial, echoing her initial fiat: "Let it be done unto me according to thy word," first spoken at the Annunciation. This unwavering faith is beautifully depicted in the Adoration of the Madonna as a participant in the Passion of Christ, as captured in the iconographic tradition in 1672. Luke 2:34-35 serves as the foundation of this profound portrayal: "He blessed them and said to Mary his mother: 'Behold, this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; and thy own soul a sword shall pierce, that out of many hearts, thoughts may be revealed.'" In "Our Lady of Sorrows," we witness not only the depths of Mary's sorrow but also the enduring strength of her faith, an inspiration for all who encounter this ethereal work of art.
    Madonna Addolorata Radiante Azzurre ..etta
  • "Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi"...<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..sisi
  • "Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi - Luminance"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..anza
  • "The angels observe from above the Monumental Church of San Michele Arcangelo Anacapri"...<br />
<br />
On the third morning in Sorrento, I departed on a high speed Ferry to the island of Capri.  Although promoting high-speed, it still took over an hour to arrive at the very crowded Island.  Capri is located off the coast of Naples and there must be a new Ferry full of tourists arriving every 20 minutes throughout the day.  Famous for its Blue Grotto, which I did not venture to this trip, Capri is a picturesque Mediterranean retreat with high cliffs and ancient Roman villas. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri.  I was standing closest to the door on the right side of the bus during the assent up the mountainside.  All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top.  Anacapri is a historic mountaintop town with commanding views of Capri and the sea below.  This 4 image panorama was taken from the tiny balcony above the diminutive Church of St Michael the Archangel in Anacapri, located on Piazza San Nicola. The church was built in 1719, with an octagonal shape and of Baroque style. The church received a "monument" designation due to its notable majolica floor mosaic of creation with Adam and Eve. One must traverse the sacred tile floor on benches around the edges to protect the imagery.
    Gli angeli osservano dall'alto la Ch..apri
  • “My dream my way - Isle of Capri”…<br />
<br />
On the third morning in Sorrento, I departed on a high speed Ferry to the island of Capri.  Although promoting high-speed, it still took over an hour to arrive at the very crowded Island.  Capri is located off the coast of Naples and there must be a new Ferry full of tourists arriving every 20 minutes throughout the day.  Famous for its Blue Grotto, which I did not venture to this trip, Capri is a picturesque Mediterranean retreat with high cliffs and ancient Roman villas. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri.  I was standing closest to the door on the right side of the bus during the assent up the mountainside.  All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top.  Anacapri is a historic mountaintop town with commanding views of Capri and the sea below.  This image was taken in the Bay of Capri along the bustling seaside, where antique wooden excursion boats awaited their passengers.
    Il mio sogno la mia strada - Isola d..apri
  • “Quiet Evening View of Praiano from the Cliffs of Positano - Painting by Dino Carbetta”…<br />
<br />
From the cliffs of Positano, a quiet evening reveals Praiano, a quaint village tucked into the rugged hillsides of the Amalfi Coast. As twilight spreads its golden embrace across the landscape, the azure blue of the Mediterranean Sea meets the boundless sky, creating a feeling of profound peace and serenity. Here, the gentle ebb of time seems to slow, and the beauty of nature is felt deeply in the heart. Praiano, with its pastel-colored cottages and winding stone streets, stretches down toward the horizon, bathed in the last rays of sunlight. The sun’s glow softly illuminates the whitewashed walls and the warm majolica tiles of its iconic churches, including the Parrocchia di San Gennaro, a shining beacon against the deepening blue of the sea. The village seems almost suspended in time, where every small detail, from the tiled votive shrines to the picturesque beaches, exudes a quiet reverence for life and faith. As the sun dips lower, there’s a sense of perfect contentment — an inexplicable calm that arises from being surrounded by such beauty. The waters of the Mediterranean, vast and unyielding, reflect the golden and azure hues of the sky, while the village glows with a timeless tranquility. This scene, so serene, feels like a quiet prayer — a gentle reminder of the blessings that come from both earth and heaven. Praiano, with its simplicity and charm, feels like a place where peace is born from the very air itself. The sun never seems to fully set on this village; instead, it quietly withdraws, leaving behind the softest hues and the lingering sense of warmth. It’s a village not just of beauty, but of deep contentment and peace, where the azure blue of the sea and sky mirrors the inner calm of the heart. "The light shines in the darkness, and the darkness has not overcome it." — John 1:5
    Tranquilla Vista Serata di Praiano D..etta
  • “Family Time on the Ligurian Riviera - Painting by Dino Carbetta” ...<br />
<br />
The Italian Riviera, a breathtaking coastline in the Liguria region, embodies a perfect fusion of natural beauty, rich history, and vibrant culture. Stretching from Ventimiglia near the French border to the poetic Gulf of Poets near Tuscany, this region is a mosaic of scenic splendor and architectural marvels. Enchanting seaside villages and resort towns such as Sanremo, Portofino, and the famed Cinque Terre dot the landscape, each serving as a portal to an experience where the past and present intertwine. This enchanting setting forms the backdrop for the painting "Family Time on the Ligurian Riviera." The painting enthusiastically captures the region's profound beauty with red flowers and moored sailboats, while celebrating the timeless bond of family. Against the stunning Mediterranean backdrop, a family is depicted sharing moments of joy and connection, transcending mere visual representation to resonate deeply with the universal experience of familial love and unity. As dusk falls, the play of light and shadow brings the scene to life. The blue Mediterranean moon casts gentle highlights on the faces of the family members, their expressions filled with contentment and peace. The surrounding landscape, with its verdant hills and sparkling sea, frames this intimate scene in a natural embrace, enhancing the sense of harmony and togetherness. "Family Time on the Ligurian Riviera" invites viewers to step into a world where time slows down, where the whispers of history can be heard in the rustling leaves and the distant cries of seabirds. The painting is more than a depiction of a beautiful landscape; it is a testament to the enduring connection between humanity, nature, and the divine. Through this work, the painting captures the physical beauty of the Ligurian Riviera and its spiritual essence, offering viewers a glimpse into the soul of this enchanting region.
    Tempo in Famiglia Sulla Riviera Ligu..etta
  • “An evening stroll on the ancient, cobbled streets of Orvieto”… <br />
<br />
Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a substantial chunk of volcanic stone called tufa and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this clifftop village over two thousand years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliffside views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. The blue evening skies reflect on the shiny-worn cobblestone Strada below as the last bit of sun illuminates the way for a delightful promenade. “As sorrowful yet always rejoicing; as poor yet enriching many; as having nothing and yet possessing all things.”  2 Corinthians 6:10
    Una passeggiata serale sulle antiche..ieto
  • “The blue cobblestone street converges under the Arco di Orvieto while the evening sun is reflected in the windows”…<br />
<br />
Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a big chunk of volcanic stone called tufa and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this clifftop village over 2000 years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliffside views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. The 14th Century Duomo was constructed to provide a home for the “Corporal of Bolsena,” a miracle that occurred in 1263 in the nearby town of Bolsena. A traveling priest who had doubts about the truth of transubstantiation found that his Host was bleeding so much that it stained the altar cloth. The cloth is now stored in the “Chapel of the Corporal” inside the cathedral. It’s amazing to turn the corner only to view, stop, and stare as the majestic Cathedral slowly rises to touch the heavens above. This is one of the many narrow archways in Orvieto, highlighted with the evening clouds and sun reflected in the windows above. The blue evening skies reflect on the shiny-worn cobblestone Strada below.
    La strada di Ciottoli blu converge s..stre
  • “Peaceful Evening View of Praiano From The Cliffs of Positano – Light Blue”…<br />
<br />
From the cliffs of Positano, a quiet evening reveals Praiano, a quaint village tucked into the rugged hillsides of the Amalfi Coast. As twilight spreads its golden embrace across the landscape, the azure blue of the Mediterranean Sea meets the boundless sky, creating a feeling of profound peace and serenity. Here, the gentle ebb of time seems to slow, and the beauty of nature is felt deeply in the heart. Praiano, with its pastel-colored cottages and winding stone streets, stretches down toward the horizon, bathed in the last rays of sunlight. The sun’s glow softly illuminates the whitewashed walls and the warm majolica tiles of its iconic churches, including the Parrocchia di San Gennaro, a shining beacon against the deepening blue of the sea. The village seems almost suspended in time, where every small detail, from the tiled votive shrines to the picturesque beaches, exudes a quiet reverence for life and faith. As the sun dips lower, there’s a sense of perfect contentment — an inexplicable calm that arises from being surrounded by such beauty. The waters of the Mediterranean, vast and unyielding, reflect the golden and azure hues of the sky, while the village glows with a timeless tranquility. This scene, so serene, feels like a quiet prayer — a gentle reminder of the blessings that come from both earth and heaven. Praiano, with its simplicity and charm, feels like a place where peace is born from the very air itself. The sun never seems to fully set on this village; instead, it quietly withdraws, leaving behind the softest hues and the lingering sense of warmth. It’s a village not just of beauty, but of deep contentment and peace, where the azure blue of the sea and sky mirrors the inner calm of the heart. "The light shines in the darkness, and the darkness has not overcome it." — John 1:5
    Serata Tranquilla Vista di Praiano D..urro
  • “View from the Grand Canal of the church of San Giorgio Maggiore in Venice - Blue and Red”…<br />
<br />
The first church on the island was built about 790, and in 982 the island was given to the Benedictine order by the Doge Tribuno Memmo. The Benedictines founded a monastery there, but in 1223 all the buildings on the island were destroyed by an earthquake. Andrea Palladio, an Italian Renaissance architect active in the Venetian Republic was commissioned for the rebuild. Palladio, influenced by Roman and Greek architecture, is widely considered to be one of the most influential individuals in the history of architecture, began the rebuild in 1560 and made dramatic improvements. The campanile was rebuilt in neo-classic style and completed in 1791. It was ascended by ramps and now an elevator to the top for panoramic views of Venice. The facade is brilliantly white and represents Palladio's solution to the difficulty of adapting a classical temple facade to the form of the Catholic Basilica. Two very large paintings by Tintoretto relate to the institution of the Eucharist and are located on either side of the presbytery, where they can be seen from the altar rail. “The Last Supper” and “The Jews in the Desert” (collecting and eating the manna, a gift of God to the Israelites in the Desert after they escaped Egypt, which foretells the gift of the Eucharist). Claude Monet painted a series of paintings of the island Monastery of San Giorgio Maggiore in 1908 during the artist's only visit to the city. One of the best known is “San Giorgio Maggiore at Dusk”, which exists in two versions. Monet completed his paintings of Venice at home in France and in 1912 showed them in Paris. Buyers included the Welsh collector Gwendoline Davies, who bought three paintings. This vision of the Church of San Giorgio is iconic and famous worldwide. My image capture while upon an evening boat excursion appears theatrical as if the majestic church is posing for yet another Venetian canvas.
    Vista dal Canal Grande della chiesa ..ossa
  • “View from the Grand Canal of the church of San Giorgio Maggiore in Venice - Blue”…<br />
<br />
The first church on the island was built about 790, and in 982 the island was given to the Benedictine order by the Doge Tribuno Memmo. The Benedictines founded a monastery there, but in 1223 all the buildings on the island were destroyed by an earthquake. Andrea Palladio, an Italian Renaissance architect active in the Venetian Republic was commissioned for the rebuild. Palladio, influenced by Roman and Greek architecture, is widely considered to be one of the most influential individuals in the history of architecture, began the rebuild in 1560 and made dramatic improvements. The campanile was rebuilt in neo-classic style and completed in 1791. It was ascended by ramps and now an elevator to the top for panoramic views of Venice. The facade is brilliantly white and represents Palladio's solution to the difficulty of adapting a classical temple facade to the form of the Catholic Basilica. Two very large paintings by Tintoretto relate to the institution of the Eucharist and are located on either side of the presbytery, where they can be seen from the altar rail. “The Last Supper” and “The Jews in the Desert” (collecting and eating the manna, a gift of God to the Israelites in the Desert after they escaped Egypt, which foretells the gift of the Eucharist). Claude Monet painted a series of paintings of the island Monastery of San Giorgio Maggiore in 1908 during the artist's only visit to the city. One of the best known is “San Giorgio Maggiore at Dusk”, which exists in two versions. Monet completed his paintings of Venice at home in France and in 1912 showed them in Paris. Buyers included the Welsh collector Gwendoline Davies, who bought three paintings. This vision of the Church of San Giorgio is iconic and famous worldwide. My image capture while upon an evening boat excursion appears theatrical as if the majestic church is posing for yet another Venetian canvas.
    Vista dal Canal Grande della chiesa ..urro
  • "Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi - Olivina"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..vina
  • “Monumental Church of San Michele Arcangelo, Anacapri”…<br />
<br />
On the third morning in Sorrento, I departed on a high-speed ferry to the island of Capri. Although promoting high-speed, it still took over an hour to arrive at the very crowded Island. Capri is located off the coast of Naples and there must be a new Ferry full of tourists arriving every 20 minutes throughout the day. Famous for its Blue Grotto, which I did not venture to this trip, Capri is a picturesque Mediterranean retreat with high cliffs and ancient Roman villas. The highlight of my visit was the small and very crowded bus ride along the edge of the cliff to Anacapri. I was standing closest to the door on the right side of the bus during the ascent up the mountainside. All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top. Anacapri is a historic mountaintop town with commanding views of Capri and the sea below. This 4 image panorama was taken from the tiny balcony above the diminutive Church of St Michael the Archangel in Anacapri, located on Piazza San Nicola. The church was built in 1719, with an octagonal shape and of Baroque style. The church received a "monument" designation due to its notable majolica floor mosaic of creation with Adam and Eve. One must traverse the sacred tile floor on benches around the edges to protect the imagery.
    Chiesa Monumentale di San Michele Ar..apri
  • "A million faces of Jesus by Dino Carbetta - Blue & Brown"...<br />
<br />
Daniel 10: 5-6 “As I looked up, I saw a man dressed in linen with a belt of fine gold around his waist. His body was like chrysolite, his face shone like lightning, his eyes were like fiery torches, his arms and feet looked like burnished bronze, and the sound of his voice was like the roar of a multitude.” Genesis 1:27 “God created mankind in his image; in the image of God he created them; male and female he created them.” Since early childhood my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel and touch this beatific vision.  Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. The blessed see God, not merely according to the measure of His likeness imperfectly reflected in creation, but they see Him as He is, after the manner of His own Being. 1 Corinthians 13:12 “At present, we are looking at a confused reflection in a mirror; then, we shall see face to face; now, I have only glimpses of knowledge; then, I shall recognize God as he has recognized me.”
    Un milione di volti di Gesù di Dino ..rone
  • “The colors of Capri”…<br />
<br />
On the third morning in Sorrento, I departed on a high speed Ferry to the island of Capri.  Although promoting high-speed, it still took over an hour to arrive at the very crowded Island.  Capri is located off the coast of Naples and there must be a new Ferry full of tourists arriving every 20 minutes throughout the day.  Famous for its Blue Grotto, which I did not venture to this trip, Capri is a picturesque Mediterranean retreat with high cliffs and ancient Roman villas. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri.  I was standing closest to the door on the right side of the bus during the assent up the mountainside.  All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top.  Anacapri is a historic mountaintop town with commanding views of Capri and the sea below.  This image was taken in the Bay of Capri while waiting for the last Ferry back to Sorrento.  My eye caught the color of the blue boat and it was the same color of the late afternoon sky.  Ironically, the name on the side of the little boat was “colori”…meaning colors.
    Il colori di Capri
  • “Fount of Mercy, Flame of Glory — A Painting by Dino Carbetta”...<br />
<br />
Bathed in celestial brilliance, this painting of the Divine Mercy radiates not merely the dual rays of Christ’s redemptive Heart—red for blood, blue for water—but a full halo of light bursting outward, as if all of creation were drawn into His compassionate gaze. This sacred image, crowned with the descending Holy Spirit in the form of a pure white dove, unites heaven and earth in a single breath of divine love. Every stroke invites the soul to behold not just an icon, but an open door to grace. The vision given to Saint Faustina Kowalska was no ordinary revelation—it was a plea from the Heart of Christ to a weary world: “Jesus, I trust in You.” These words, inscribed at His feet, are not merely a prayer, but a covenant. Through this humble Polish nun, Christ unveiled a flood of mercy for the end times, a river of forgiveness for even the most hardened heart. And in this masterpiece, the Divine Mercy is not passive; it shines in all directions, inviting sinners, saints, and seekers alike into its warm embrace. Saint John Paul II, the “Mercy Pope,” understood the power behind this image. It was he who canonized Faustina, and it was under his papacy that Divine Mercy Sunday was instituted—a feast tied intimately to the Paschal Mystery. On this day, the floodgates of Heaven are opened; the faithful who trust, confess, and receive the Eucharist are granted a plenary indulgence—the full remission of all temporal punishment due to sin. It is a spiritual cleansing, a rebirth in the very Blood and Water that gushed from Christ’s pierced side. This painting by Dino Carbetta is more than sacred art—it is a visual prayer, echoing the promise given to Faustina: “Let no soul fear to draw near to Me, even though its sins be as scarlet.” It is a beacon for the broken, a lighthouse for the lost, and a flame of glory radiating from the wounded Heart of our Redeemer. It is not only beautiful—it is merciful.
    Fount of Mercy, Flame of Glory — A P..etta
  • “Let the Little Ones Come to Me – A Painting by Dino Carbetta” ...<br />
<br />
This luminous painting is a visual hymn to Christ’s boundless love, depicting Jesus at the heart of a celestial embrace—surrounded by four angelic young girls, each radiating purity, faith, and devotion. Inspired by Matthew 19:14, where Christ declares, "Let the little ones come to me and do not hinder them, for the kingdom of heaven belongs to such as these," this work speaks to the tender and eternal bond between Jesus and the innocent at heart. The composition is both intimate and divine. Jesus stands at the center, his radiant halo glowing in a symphony of colors, a reflection of his divinity and unwavering compassion. Above him, a white dove gracefully descends, symbolizing the Holy Spirit, as if Heaven itself is blessing this sacred moment. The four young girls, dressed in soft hues of blue and pink, gather closely around him—two in the foreground, embodying youthful innocence, and two slightly older behind them, appearing as graceful figures with angelic presence. Their expressions mirror a profound trust and joy—a silent yet powerful testament to the pure-hearted who dwell in God’s presence. Vibrant yet ethereal colors infuse the painting with a heavenly glow, where soft blues and pinks create an atmosphere of peace, love, and divine serenity. The setting is no mere backdrop—it is a bridge between Heaven and Earth, where light and spirit intertwine, drawing the viewer into the sacred intimacy of this moment. This painting is more than an image; it is an invitation—a call to rediscover the innocence of faith, the unshakable trust of a child in their Creator. It reminds us that in Christ’s presence, we are all his children, embraced in a love that is infinite, unwavering, and eternal. Through masterful brushstrokes and spiritual depth, this work captures not just a scene, but a truth: that the pure-hearted will always find refuge in the arms of the Divine.
    Let the Little Ones Come to Me – A P..etta
  • “Evening Mystical Sun Rays Peep Through the Clouds Above Positano” …<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi Coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. Circling the entire village and its cliffside three times on Positano’s only street, I finally found the parking garage about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the substantial number of tourists and the bright sun did not allow for ideal conditions. Walking the length of the beach, I found a very, very steep staircase leading straight up to a large veranda at the Albergo California. Taking an exhaustive seat on a plush lounge chair with a perfect view to watch the sunset behind the Amalfi Cliffs, I was taken back by a pleasant Italian waiter from the hotel offering a towel, iced water, and drinks for the evening. I expressed that I was not staying at the hotel, but he did not seem to mind and proceeded to educate me on the culture of this historic resort village. The sunset was coy and did not appear to cooperate, but during opportune moments it mystified the cloud arrangement and contributed just enough light and color to satisfy a weary photographer. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town tucked between the descending mountains dripping with multicolored dwellings, and the transcendent blue sea, the church’s brilliant majolica tiled cupola is one of the town’s iconic symbols. The ancient church was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this iconic beautiful seaside village.
    Sera Raggi del Sole Mistici Fanno Ca..tano
  • “Late Afternoon of Colors On the Island of Capri”…<br />
<br />
On the third morning in Sorrento, I departed on a high-speed ferry to the island of Capri. Although promoting high-speed, it still took over an hour to arrive at the very crowded Island. Capri is located off the coast of Naples and there must be a new Ferry full of tourists arriving every 20 minutes throughout the day. Famous for its Blue Grotto, which I did not venture to this trip, Capri is a picturesque Mediterranean retreat with high cliffs and ancient Roman villas. The highlight of my visit was the small and very crowded bus ride along the edge of the cliff to Anacapri. I was standing closest to the door on the right side of the bus during the ascent up the mountainside. All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top. Anacapri is a historic mountaintop town with commanding views of Capri and the sea below. This image was taken in the Bay of Capri of the bustling seaside, with the historic mountaintop town of Capri majestically guarding the port below.
    Tardo Pomeriggio di Colori Sull'Isol..apri
  • In God Is Our Trust ... Painting by Dino Carbetta<br />
<br />
“O thus be it ever when freemen shall stand Between their lov'd home and the war's desolation! Blest with vict'ry and peace may the heav'n rescued land Praise the power that hath made and preserv'd us a nation! Then conquer we must, when our cause it is just, And this be our motto - "In God is our trust," And the star-spangled banner in triumph shall wave O'er the land of the free and the home of the brave.” (The Star-Spangled Banner)<br />
<br />
“While they were eating, Jesus took bread, said the blessing, broke it, and giving it to his disciples said, "Take and eat; this is my body." Then he took a cup, gave thanks, and gave it to them, saying, "Drink from it, all of you, for this is my blood of the covenant, which will be shed on behalf of many for the forgiveness of sins." (Mt 26:26-28)<br />
<br />
This image represents many things… In only 244 years, the United States of America has risen from untapped wilderness to unequivocal leadership of the world. The Red, White, and Blue or  Star-Spangled Banner, has stood tall in victory and defeat. The blood of our people shed for freedom; “the land of the free and the home of the brave.” “Praise the power that hath made and preserv'd us a nation! The color Red represents our very blood, and faith in the “Blood of Christ.” And this be our motto - "In God is our trust."  Dino Carbetta
    In God Is Our Trust ... Painting by ..etta
  • “Angel with the Cross - Ponte Sant'Angelo – Rome”… <br />
<br />
This image was also created just after sundown when the sky developed a beautiful blue hue, accenting the golden lighting of the Angels on the Bridge. The Bridge of Angels (in Italian, Ponte Sant'Angelo) spans the Tiber River in Rome. Only a few steps away from St. Peter's Basilica, the bridge reflects the psychological shift from secular to sacred that occurs when pilgrims crossed from the busy streets of Rome over to the churches of the Vatican. Gian Lorenzo Bernini, the famed Italian sculptor, originally designed the bridge's angel sculptures in the seventeenth century. Though few of the angels standing today were done by his hand, Bernini's vision for the bridge lives on. Five angel sculptures flank each side of the bridge, with statues of Saint Peter and Saint Paul on the eastern bank. At the base of each sculpture is a line from the Bible in Latin. Angel with the Cross - Inscription: "Cuius principatus super humerum eius" Translation: Dominion rests on his shoulders (Isaiah 9:6)
    Angelo con la Croce - Ponte Sant'Ang..Roma
  • “The Basilica of Santa Maria della Salute Venice radiates in the distance on the Grand Canal- Ultramarine blue”…<br />
<br />
Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God." The Basilica di Santa Maria della Salute, commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a conspicuous position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite reverently quaint interiorly.
    La Basilica di Santa Maria della Sal..mare
  • “The mystical evening sunlight peeking through the clouds of Positano”…<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi Coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. Circling the entire village and its cliffside three times on Positano’s only street, I finally found the parking garage about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the substantial number of tourists and the bright sun did not allow for ideal conditions. Walking the length of the beach, I found a very, very steep staircase leading straight up to a large veranda at the Albergo California. Taking an exhaustive seat on a plush lounge chair with a perfect view to watch the sunset behind the Amalfi Cliffs, I was taken back by a pleasant Italian waiter from the hotel offering a towel, iced water, and drinks for the evening. I expressed that I was not staying at the hotel, but he did not seem to mind and proceeded to educate me on the culture of this historic resort village. The sunset was coy and did not appear to cooperate, but during opportune moments it mystified the cloud arrangement and contributed just enough light and color to satisfy a weary photographer. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town tucked between the descending mountains dripping with multicolored dwellings, and the transcendent blue sea, the church’s brilliant majolica tiled cupola is one of the town’s iconic symbols. The ancient church was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this iconic beautiful seaside village.
    I raggi sera mistico del sole capoli..tano
  • “The veranda of the Hotel Giotto features the blue twilight of Assisi”…<br />
<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Frances, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner.  Never stopping for lunch or dinner, I continued to photograph new images well past sundown.  Traversing the narrow steps and strada back down to the bottom of the mountaintop to my hotel, the walk seemed a bit less strenuous and I felt a sense of gratitude and completion of my day long journey.  However, the very quiet Assisi seemed to have fallen into a deep slumber in the early nighttime leaving all the restaurants closed for the night.  Pleading with the hotel manager, she desperately arranged a late dinner at one of the most iconic restaurants in Assisi, La Locanda Del Cardinale, which was built over an ancient Roman settlement dating from the first century B.C., with glass floors to view the mosaics below.  Walking back at midnight to the hotel, the peaceful Assisi continued to call out.  As the serene, quiet Basilica of Saint Francis stood majestically and glowed in the moonlit skies, one could not help but to acquiesce to its mystical yearning for just a few more memorable portraits in the cool dew of the early morning air.  This image was created as the bellissimo blue hue of the night descended over the valley of Assisi displaying panoramic views of Spoleto and Perugia.  The highlight of the image is the Benedictine Abbey of St Peter which was consecrated in 1253.
    La veranda di Hotel Giotto Presenta ..sisi
  • “The Beautiful Full Moon Illuminates and Inspires Emotion in the Bay of the Ligurian Coast - Painting by Dino Carbetta” ...<br />
<br />
Nestled in the Liguria region, the Italian Riviera is a breathtaking coastal stretch where nature, history, and culture harmoniously intertwine. Spanning from Ventimiglia, near the French Riviera, to the enchanting Gulf of Poets north of Tuscany, this region is a treasure trove of stunning landscapes and architectural marvels. You'll discover captivating seaside villages and luxurious resort towns along the coast, such as Sanremo, Portofino, and the renowned Cinque Terre. These destinations offer stunning scenery and a seamless blend of history and modernity. Italy's coastal towns, adorned with a Catholic church, are dotted along the peninsula, serving as beacons of faith, hope, and comfort. The church, strategically located atop each town, stands as a lighthouse and a maternal figure, protecting all who seek its embrace. The painting captures this essence, portraying an ancient church and bell tower standing resilient against the timeless waves of the Mediterranean Sea. The church symbolizes the enduring spirit of the Ligurian people, with the “stained glass Jesus” blessing those along the bay, deeply intertwined with the sea for centuries. As dusk falls, the painting shows a priest enjoying the serene bay, his faithful dog frolicking at the water's edge. The soft glow of the blue Mediterranean moon casts a mesmerizing light on the church's façade, while lush green hills and the sparkling sea frame the scene. The painting invites viewers to step into a world where time slows down, allowing the whispers of history to resonate. The Italian Riviera is not just a destination; it is a place of pilgrimage, an abundant source of inspiration, and a testament to the enduring connection between humanity and the divine. This artwork captures the physical beauty and spiritual essence of the Ligurian Riviera, offering a profound glimpse into its soul.
    La Bellissima Luna Piena Illumina ed..etta
  • “Excitement Abounds As Warm Summer Evening Descends Over Positano” …<br />
After a thrilling descent along the winding cliffs from Sorrento, the first glimpse of Positano stole the breath and stirred the soul. Clinging to the mountainside in cascading tiers of color and light, this legendary village appears more dream than dwelling — a vision conjured from sea mist and sun. Navigating the town’s lone serpentine road three full times, I finally discovered the hidden parking tucked near my hotel, perched high above the scene now immortalized in this photograph. The descent was a pilgrimage — narrow alleys, stone staircases, and the intense heat of late May pressed against every step. But upon reaching the beach and the marina, the weight lifted. The Mediterranean, ablaze with afternoon light, shimmered in hues of sapphire and flame. It was as though heaven itself poured its radiance into the sea. And rising amidst it all stood the Church of Santa Maria Assunta — quiet and eternal, her brilliant majolica dome shimmering like a celestial crown. Since 1159, she has watched over Positano with maternal grace, her gaze cast upon the faithful below and the infinite blue beyond. Nestled between cliff and sea, she stands as both anchor and blessing — a house of prayer and a symbol of divine beauty. Later, crossing the warm sands toward a seaside hotel terrace, I found stillness. Facing north, with the village spread before me like a living fresco, I watched as the sun retreated behind the mountains, casting golden rays across Positano’s vibrant facade. In those final moments of light, camera in hand, I captured the mystical union of nature, architecture, and the sacred — a fleeting hour when time itself stands still. Through this photograph, the soul of Positano is revealed — not just in its beauty, but in its quiet invitation to wonder, to rest, and to believe.
    Eccitazione Abbonda Come la Calda Se..tano
  • “Our Lady of Sorrows Radiant Blue - Cathedral of San Rufino, Assisi”…<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Radiante Azzurre ..sisi
  • “Angels of Passion guard Castel Sant'Angelo”…<br />
<br />
This image was captured just after sundown when the sky developed a beautiful blue hue, accenting the golden lighting of the Castel and Angels on the Bridge.  Castel Sant'Angelo and Sant'Angelo Bridge was built in A.D. 139 as a mausoleum for the Roman Emperor Hadrian, and this Castel was transformed into a fortress by the popes during the 14th century.  The Romans built the first bridge in front of the Castel in A.D. 134 as access to the majestic mausoleum.  In A.D. 590, a black plague epidemic decimated the city and an angel appeared on the Castel roof and put his sword back in its scabbard, indicating the end of the epidemic. Afterward, a chapel was built on the roof of the Castel to commemorate this miracle with Saint Michael majestically standing guard above the Castel and Bridge. In 1667, the artist Bernini was in charge of renovating the bridge and he decided to open the parapet and to add eight statues of angels, symbolizing Christ's passion in memory of the miracle that saved the city from the devastating black plague.
    Angeli della Passione guardia Castel..gelo
  • “Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi”…<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..sisi
  • "Panoramic view of the majestic Island of Capri"...<br />
<br />
On the third morning in Sorrento, I departed on a high speed Ferry to the island of Capri.  Although promoting high-speed, it still took over an hour to arrive at the very crowded Island.  Capri is located off the coast of Naples and there must be a new Ferry full of tourists arriving every 20 minutes throughout the day.  Famous for its Blue Grotto, which I did not venture to this trip, Capri is a picturesque Mediterranean retreat with high cliffs and ancient Roman villas. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri.  I was standing closest to the door on the right side of the bus during the assent up the mountainside.  All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top.  Anacapri is a historic mountaintop town with commanding views of Capri and the sea below.
    Vista panoramica della maestosa Isol..apri
  • “The St. Peter's bell tower rises above the beautiful Blue Sea in Corniglia”…<br />
<br />
I began my daily journey at the northern most town of Monterosso and took the train to the southernmost town of Riomaggiore. I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. Upon arriving back home in Monterosso, soft light illuminated the sky and azure sea of the Mediterranean convincing me to sail all the way back to Riomaggiore with my gracious guides Claudio and Eddie of "Cinque Terre dal Mare" sailing excursions. We arrived just in time for a perfect sunset. After a nice dinner...I caught the last train at midnight back home to Monterosso. A very long day, but worth every minute!  This panorama image of Corniglia, the only Cinque Terre town not directly on the sea…was taken on the journey back to Riomaggiore at dusk.  The tiny village seems snuggled into the Cliffside soaking up the last bit of sunlight before nightfall.  The ancient campanile of the church of Saint Peter, which was built in 1334, begins to peer over the cliff in the upper part of Corniglia.
    Il campanile di San Pietro domina il..glia
  • "Madonna and Christ Child above Monumental Church of San Michele Arcangelo, Anacapri"...<br />
<br />
On the third morning in Sorrento, I departed on a high speed Ferry to the island of Capri. Although promoting high-speed, it still took over an hour to arrive at the very crowded Island. Capri is located off the coast of Naples and there must be a new Ferry full of tourists arriving every 20 minutes throughout the day. Famous for its Blue Grotto, which I did not venture to this trip, Capri is a picturesque Mediterranean retreat with high cliffs and ancient Roman villas. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri. I was standing closest to the door on the right side of the bus during the assent up the mountainside. All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top. Anacapri is a historic mountaintop town with commanding views of Capri and the sea below. This 4 image panorama was taken from the tiny balcony above the diminutive Church of St Michael the Archangel in Anacapri, located on Piazza San Nicola. The church was built in 1719, with an octagonal shape and of Baroque style. The church received a "monument" designation due to its notable majolica floor mosaic of creation with Adam and Eve. One must traverse the sacred tile floor on benches around the edges to protect the imagery. This image is high above the Altar at the very top of the small church. I climbed a very creaky and tiny spiral staircase to capture this beautiful image of the Madonna and Christ child.
    Madonna e Cristo Bambino sopra Chies..apri
  • "Evening walk on the ancient cobbled streets of Orvieto"...<br />
<br />
Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a big chunk of volcanic stone called tufa, and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this cliff top village over 2000 years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliffside views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. The blue evening skies reflect on the shiny-worn cobblestone strada below as the last bit of sun illuminates the way for a delightful promenade.
    Passeggiata serale sulle antiche str..ieto
  • “Sunrise reflection of the blue sea in Positano”…<br />
<br />
After a solemn sunrise morning where I essentially had Positano all to myself and before my strenuous journey down and back up the mountainside, I found my perfect vantage point upon the veranda of my favorite hotel, Albergo California, where I spent photographing the sunset on the first evening in Positano.  Out of the corner of my eye I noticed the orange glow of the sunrise in one of the hotel’s windows and captured this reflective image. There was only one occasion that I was really able to pre-plan taking photos at sunrise and that was during the last day of three in Positano.  It takes much planning, logistics, and familiarity to figure the best locations and the proper angles and positions of the sun. My third morning was ideal and fortuitous as it began raining about 10:00 am which gave me perfect clouds for sunrise, finally ending with a very cold wind just in time for sunset.  This image is one of the rare photos of a slumbering Positano in the dewing morning around 6:45 am at the end of May….the beginning of peak tourist season.  By 8:00 am, this tiny seaside village is bustling with tourists and shop owners, and restaurateurs trying to satisfy every need.  All in all, Positano was by far the plushest of all the locations I visited in Italy, and I was blessed to witness everything in full bloom.
    Riflessione di alba di il mare azzur..tano
  • “A panoramic view of the majestic island of Capri”…<br />
<br />
On the third morning in Sorrento, I departed on a high speed Ferry to the island of Capri.  Although promoting high-speed, it still took over an hour to arrive at the very crowded Island.  Capri is located off the coast of Naples and there must be a new Ferry full of tourists arriving every 20 minutes throughout the day.  Famous for its Blue Grotto, which I did not venture to this trip, Capri is a picturesque Mediterranean retreat with high cliffs and ancient Roman villas. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri.  I was standing closest to the door on the right side of the bus during the assent up the mountainside.  All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top.  Anacapri is a historic mountaintop town with commanding views of Capri and the sea below.
    Una vista panoramica della maestosa ..apri
  • "Fog descends on Hotel Oasi Neumann former Monastery Le Contesse Cortona"...<br />
<br />
As I photographed the ancient church Santa Maria delle Grazie Calcinaio and awaited the magic hour of twilight, the illuminating reflection of light on the former Monastery glowed mystically in the background. The wispy evening clouds appeared like waves on the blue seas of the Mediterranean and created a bellissimo contrast of color and light. Just a few meters from Cortona Etruscan walls, standing majestically and perched atop the unique and strategic hilltop, rests the ancient monastery of Le Contesse, known today as the restored Hotel Oasi Neumann. This was the first community of Clarisse nuns who moved to this location in 1225. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970.  If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the bellissimo Tuscan Sun.
    Nebbia scende su Albergo Oasi Neuman..tona
  • “Twilight on the Mediterranean Ligurian Riviera - Painting by Dino Carbetta” ...<br />
<br />
The Italian Riviera, a captivating stretch of coastline in the Liguria region, offers an unparalleled blend of natural beauty, history, and culture. Extending from Ventimiglia near the French Riviera to the poetic allure of the Gulf of Poets north of Tuscany, this region is a treasure trove of scenic splendor and architectural wonders. The Italian Riviera has enchanting seaside villages and resort towns, including Sanremo, Portofino, and the renowned Cinque Terre. These locales are not just destinations but gateways to an experience where the past and present seamlessly converge. The painting captures the essence of a bygone era, preserving an ancient church that stands as a sentinel of faith and resilience against the timeless waves of the Mediterranean Sea. The church exudes reverence and continuity, symbolizing the enduring spirit of the Ligurian people intertwined with the sea for centuries. As dusk settles, a man is seen returning home, his faithful dog sleeping on the dock, and a cat eagerly hungry for dinner. This humble scene against the ancient church backdrop brings the painting to life with daily rhythm and intimate connection. The blue Mediterranean moon highlights the church's façade, while verdant hills and sparkling sea frame the scene. The painting invites viewers to step into a world where time slows down, where the whispers of history can be heard in the rustling leaves and the distant cries of seabirds. The Italian Riviera is more than a destination; it is a place of pilgrimage, a source of inspiration, and a testament to the enduring connection between humanity and the divine. The painting captures the physical beauty and spiritual essence of the Ligurian Riviera, providing a glimpse into its soul. The man's journey home with his loyal companions represents the timeless bond between people, nature, and the divine, converging in this magical twilight moment.
    Crepuscolo sulla Riviera Ligure Medi..etta
  • “Mystical Rays of the Evening Sun Shine Above Positano”…<br />
<br />
After a thrilling descent along the winding cliffs from Sorrento, the first glimpse of Positano stole the breath and stirred the soul. Clinging to the mountainside in cascading tiers of color and light, this legendary village appears more dream than dwelling — a vision conjured from sea mist and sun. Navigating the town’s lone serpentine road three full times, I finally discovered the hidden parking tucked near my hotel, perched high above the scene now immortalized in this photograph. The descent was a pilgrimage — narrow alleys, stone staircases, and the intense heat of late May pressed against every step. But upon reaching the beach and the marina, the weight lifted. The Mediterranean, ablaze with afternoon light, shimmered in hues of sapphire and flame. It was as though heaven itself poured its radiance into the sea. And rising amidst it all stood the Church of Santa Maria Assunta — quiet and eternal, her brilliant majolica dome shimmering like a celestial crown. Since 1159, she has watched over Positano with maternal grace, her gaze cast upon the faithful below and the infinite blue beyond. Nestled between cliff and sea, she stands as both anchor and blessing — a house of prayer and a symbol of divine beauty. Later, crossing the warm sands toward a seaside hotel terrace, I found stillness. Facing north, with the village spread before me like a living fresco, I watched as the sun retreated behind the mountains, casting golden rays across Positano’s vibrant facade. In those final moments of light, camera in hand, I captured the mystical union of nature, architecture, and the sacred — a fleeting hour when time itself stands still. Through this photograph, the soul of Positano is revealed — not just in its beauty, but in its quiet invitation to wonder, to rest, and to believe.
    Raggi Mistico della Sera Sole Splend..tano
  • "The Evening Sun Breaks Through the Clouds Above Positano"... <br />
<br />
After a thrilling descent along the winding cliffs from Sorrento, the first glimpse of Positano stole the breath and stirred the soul. Clinging to the mountainside in cascading tiers of color and light, this legendary village appears more dream than dwelling — a vision conjured from sea mist and sun. Navigating the town’s lone serpentine road three full times, I finally discovered the hidden parking tucked near my hotel, perched high above the scene now immortalized in this photograph. The descent was a pilgrimage — narrow alleys, stone staircases, and the intense heat of late May pressed against every step. But upon reaching the beach and the marina, the weight lifted. The Mediterranean, ablaze with afternoon light, shimmered in hues of sapphire and flame. It was as though heaven itself poured its radiance into the sea. And rising amidst it all stood the Church of Santa Maria Assunta — quiet and eternal, her brilliant majolica dome shimmering like a celestial crown. Since 1159, she has watched over Positano with maternal grace, her gaze cast upon the faithful below and the infinite blue beyond. Nestled between cliff and sea, she stands as both anchor and blessing — a house of prayer and a symbol of divine beauty. Later, crossing the warm sands toward a seaside hotel terrace, I found stillness. Facing north, with the village spread before me like a living fresco, I watched as the sun retreated behind the mountains, casting golden rays across Positano’s vibrant facade. In those final moments of light, camera in hand, I captured the mystical union of nature, architecture, and the sacred — a fleeting hour when time itself stands still. Through this photograph, the soul of Positano is revealed — not just in its beauty, but in its quiet invitation to wonder, to rest, and to believe.
    Il Sole Della Sera Attraversa le Nuv..tano
  • “Venice blue boat”…<br />
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I am not sure if I am the first to describe Venice as “organic”; however, there has never been a more perfect description to define Venice’s ever changing persona.  Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out.  Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight.  The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope.  Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images.  Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload.  Sometimes we get lucky, and sometimes blessed…taking the water taxi during a downpour from the airport to my hotel was a bit disconcerting.  However, when the sun finally came out, my little hotel became the key to the entire Venetian world!  The view from the tiny hotel dock as the sun breaks…
    Venezia azzurro barca
  • "A view from Positano to Praiano of the blue skies reflected in the Mediterranean Sea"...<br />
<br />
Visiting Positano, one cannot help but notice the diminutive town snuggled in the side of a cliff jutting out into the Mediterranean Sea seven miles south of Positano.  The tiny village seemed to glow every evening with the last bit of sunlight raining down as Praiano extended its petals skyward.  High above the cliffs, buildings are scattered about with just enough via and strada to support the population of just over 2000.  And, like most places in Italy, there is a church for about every 300 parishioners of its population.  The most famous are the Church of San Luca Evangelista, famous for its splendid majolica floor, the Church of Santa Maria a Castro, and the Convent of San Domenico located in the high Campo valley with breathtaking views. The vista of Praiano facing northward toward Positano brightly displays a prominent gold colored church with the traditional majolica tile dome named Parrocchia Di San Gennaro, one of the most beautiful churches on the Amalfi Coast.  In addition to the maze of little lanes, narrow flights of steps, and pastel colored cottages, one of the most characteristic features of Praiano is the majolica tiled votive shrines, which can be seen throughout the town. The shrines were constructed by the local families in order to both claim their ownership of a particular property and to obtain its divine protection. The town displays the most romantic sunsets on the Amalfi Coast with two beautiful beaches, Marina di Praia and Cala della Gavitella.  The latter beach catches the sun from dawn until dusk and can be reached from the center of the town via a pathway interspersed with short flights of steps.  From my vantage point for this image and many others, it mystically seemed as though the sun never set on the bellissimo villaggio molto piccolo of Praiano.
    Una vista da Positano a Praiano dei ..aneo
  • “Fishing boats resting on blue glass water - Sorrento Marina Grande”…<br />
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Fishing boats dream in exuberant anticipation of the early morning’s voyage, with the Bay of Naples in the distant background, and the Bellissimo sunset illuminating the azure seascape. My second evening in Sorrento, about the time I finally learned how to drive a car alongside the very crazed Vespa riders who have absolutely no rules for the road, I stumbled upon Sorrento’s most famous Marina Grande. Grande means big, but it’s just a diminutive fishing village; hardly substantial, but authentically picturesque. Marina Grande was a Godsend that evening as it supported all of the qualities a tired and hungry artist was looking for: sunset, sea, sand, boats, skies, and great seafood. Did I say seafood? Arriving around 8:00 PM, just in time for theatrical sunset images, and leaving after dinner around midnight, the Marina was authentically Grande! The difficulty in photographing water vessels in low light is the movement of the boat in the water causing “ghosting” of the image. I was fortunate to have advanced technology, reliable balance, and the hand of God keeping the boats tranquil for my long exposures. And, yes, a final reward as Marina Grande non ha deluso (did not disappoint) as the seafood was “eccezionale” (exceptional)!
    Barche da pesca a riposo su azzurre ..ande
  • “The church of Santa Maria delle Grazie Calcinaio – Cortona”…<br />
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The ancient church awaited darkness as the wispy evening clouds appeared like waves in the blue seas of the Mediterranean.  The Church was constructed between the years of 1485 and 1513. It is the architectural work of Francesco di Giorgio Martini who designed it after having been contacted by his friend and great artist Luca Signorelli. The Renaissance style church built on a Latin cross plan with an elegant dome soars into the olive trees on the hillside above. It was the church of the guild of the shoe makers, who used their vats of lime for tanning leather, protected by an image of the Madonna painted by Bernardo Covatti, which is now displayed on the main altar of the church. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970.  If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the bellissimo Tuscan Sun.  In the background one can view the convent of Le Contesse, the first community of Clarisse nuns who moved there in 1225.
    La chiesa di Santa Maria delle Grazi..tona
  • “Azuri Blue Dawn Along the Ligurian Riviera - Painting by Dino Carbetta” ...<br />
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The Italian Riviera is a breathtaking coastal stretch where nature, history, and culture harmoniously intertwine. Spanning from Ventimiglia, near the French Riviera, to the enchanting Gulf of Poets north of Tuscany, this region is a treasure trove of stunning landscapes and architectural marvels. Along this captivating coast, one discovers an array of seaside villages and luxurious resort towns, including Sanremo, Portofino, and the renowned Cinque Terre. These destinations offer stunning scenery and vibrant cultural experiences. Italy's coastal towns, adorned with Catholic churches, dot the peninsula, serving as beacons of faith, hope, and comfort. Each church, strategically located atop the town, stands as both a lighthouse and a maternal figure, offering protection and solace to all who seek its embrace. This painting captures this essence, portraying an ancient church and bell tower standing resilient against the timeless waves of the Mediterranean Sea. The church symbolizes the enduring spirit of the Ligurian people, with the ornate Torre delle Campanelle sounding a blessing to those along the bay, deeply intertwined with the sea for centuries. As the crisp morning sun rises, the painting shows an Italian mother and son enjoying the serene bay, with their faithful dog and cats frolicking at the water's edge. The intense orange of the Mediterranean sun casts a mesmerizing light on the church's façade, while lush green hills and the sparkling sea frame the scene with sailboats aglow. The painting invites viewers to step into a world where time slows down, allowing the whispers of history to resonate. This artwork encapsulates the essence of the Ligurian Riviera, celebrating its rich heritage, natural splendor, and profound spirituality. It is a testament to the enduring connection between humanity and the divine, offering viewers an inspirational and contemplative experience.
    Azuri Alba Blu Lungo la Riviera Ligu..etta
  • “Ancient Church on the Mediterranean Ligurian Riviera - Painting by Dino Carbetta” ...<br />
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The Italian Riviera, a captivating stretch of coastline in the Liguria region, offers an unparalleled blend of natural beauty, history, and culture. Extending from Ventimiglia near the French Riviera to the poetic allure of the Gulf of Poets north of Tuscany, this region is a treasure trove of scenic splendor and architectural wonders. The Italian Riviera has enchanting seaside villages and resort towns, including Sanremo, Portofino, and the renowned Cinque Terre. These locales are not just destinations but gateways to an experience where the past and present seamlessly converge. This setting forms the backdrop for the painting "Ancient Church on the Mediterranean Ligurian Riviera." The painting captures the essence of a bygone era, preserving an ancient church that stands as a sentinel of faith and resilience against the timeless waves of the Mediterranean Sea. The church, with its weathered stones and rustic charm, evokes a profound reverence and continuity, testifying to the enduring spirit of the Ligurian people, whose lives have been intertwined with the sea for centuries. Dusk emits alluring light and shadow bringing the ancient church to life. The blue Mediterranean moon casts gentle highlights on the church's façade, while the surrounding landscape, with its verdant hills and sparkling sea, frames the scene in a natural embrace. The painting invites viewers to step into a world where time slows down, where the whispers of history can be heard in the rustling leaves and the distant cries of seabirds. The Italian Riviera is more than a destination; it is a place of pilgrimage, a source of inspiration, and a testament to the enduring connection between humanity and the divine. Through this work, the painting captures the region's physical beauty and spiritual essence, offering viewers a glimpse into the soul of the Ligurian Riviera.
    Antica Chiesa sulla Riviera Ligure M..etta
  • “Leaves Frame Positano in the Late Afternoon Sun.”…<br />
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From the northern heights of Positano, where silence lingers just above the bustle, this photograph captures a moment bathed in serenity and sun. After a daring drive from Sorrento, clinging to the cliffs of the Amalfi Coast, I descended into a world suspended between sea and sky. Positano revealed itself like a vision — a cascade of color tumbling from the mountains into the waiting arms of the Mediterranean. The village, with its sole winding road, required three full circuits before I discovered the tucked-away garage near my hotel, nestled about two-thirds up the vibrant hillside seen here. The journey downward was steep and sun-drenched, a physical trial through narrow walkways and staircases. Yet at the marina’s edge, fatigue gave way to wonder. The late May sun shimmered upon the sea, scattering silver and sapphire into the air. It was a brightness that blinded — and yet, clarified. Framed by overhanging leaves, the scene unfolds like a natural cathedral. The radiant blue sky above and the sea below embrace Positano in a divine spectrum of color and light. Rising at the heart of it all, the Church of Santa Maria Assunta glows in reverent stillness. Her golden majolica dome, a crown of devotion, reflects the light of centuries. Dedicated in 1159 to the Blessed Virgin Mary, she has stood ever since — a sacred sentinel nestled among cascading homes and flowering terraces, her presence both humble and holy. This photograph, taken in the golden hush of afternoon, captures more than beauty. It is an invitation to pause. To peer through the leaves. To behold a place where heaven kisses earth and where every stone, every color, every beam of light sings of the eternal.
    Foglie Incorniciano Positano nel Sol..ggio
  • “Dawn Awakens Bougainvillea In Positano Bay”…<br />
<br />
In the quiet hush before the world stirred, when the sea still whispered its dreams to the shore, Positano awoke beneath a veil of color and light. It was my final morning in this seaside paradise, and providence granted me a moment of rare intimacy. On this solemn hour, time seemed suspended and the village belonged not to tourists or traders, but to the morning itself. With a determined heart, I descended again along winding paths and ancient stairs, guided by the soft promise of sunrise. Then, like a hidden gem revealing itself, this radiant scene unfolded: a cascade of bougainvillea, vibrant and glistening with dawn's gentle dew, spilling into the view of Positano’s pastel-clad homes and the endless azure of the sea. Burgundy and blue danced together in divine harmony — heaven’s palette laid bare upon the Amalfi cliffs. Photographing the village at this sacred hour was no accident. It required not only planning and persistence, but reverence. I had studied the sun, the angles, the elevations — and the Lord’s timing was perfect. By midmorning, clouds would roll in and bless the landscape with rain; by evening, a biting wind would rise from the Mediterranean deep. But in that fleeting hour before the world stirred, beauty stood unveiled. This image captures more than light and color — it captures grace. The Bougainvillea, wild yet composed, does not strive, yet it clothes the world with majesty. As Scripture reminds us: “Consider the lilies... they neither toil nor spin, yet Solomon in all his glory was not arrayed like one of these.” (Luke 12:27) Here, creation testifies — in bloom, in stillness, in radiance — to the hand of the Creator. Positano, in this tender hour, becomes not merely a destination, but a benediction.
    L'alba Risveglia Le Bouganville Nell..tano
  • “Saint Mary of Graces of Cortona Panorama - Painting by Dino Carbetta” ...<br />
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Amid the golden embrace of an Italian sunset, Cortona stands proudly atop the mountain, a vision of history and faith woven into the very fabric of Tuscany. The journey to this moment began with a single photograph—an image captured in reverence, holding within it the timeless beauty of an ancient city bathed in the last light of day. From this photographic inspiration, a painting was born, breathing new life into the scene, and transforming fleeting light into a lasting tribute. The panorama unfolds like a sacred hymn, each brushstroke echoing the whispers of centuries past. The Basilica of Santa Maria delle Grazie al Calcinaio, gracefully resting midway up the mountainside, is a beacon of devotion—where prayer has long ascended with the morning mist.  Its Renaissance form, timeless yet weathered, stands in quiet harmony with the landscape, a testament to both the faith of those who built it and the divine presence that still lingers in the valley. Above, Cortona crowns the summit, its ancient stone walls kissed by the final hues of daylight. The town, a cradle of Etruscan and medieval heritage, is painted with warmth and mystery, its history cradled in the embrace of ochre and amber tones. The winding paths to its heights tell stories of saints, pilgrims, and dreamers who found solace under the Tuscan sky. The sun, a celestial artist in its own right, casts long shadows that soften the edges of stone and earth, merging the heavens with the land. The cool blues of the approaching night whisper through the valleys, while the last rays of gold illuminate the sacred structures, as if an unseen hand has anointed them with light. To stand before this scene—whether in memory, through the lens of a camera, or now in Cortona is a timeless hilltop city, where the divine meets the earthly, its beauty undimmed for those who seek it.
    Panorama di Santa Maria Delle Grazie..etta
  • “The Spirit of God descends like a Dove - Painting by Dino Carbetta – Azure”…<br />
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Gospel Jn 20:19-23 “On the evening of that first day of the week, when the doors were locked, where the disciples were, for fear of the Jews, Jesus came and stood in their midst and said to them, “Peace be with you.” When he had said this, he showed them his hands and his side. The disciples rejoiced when they saw the Lord. Jesus said to them again, “Peace be with you. As the Father has sent me, so I send you.” And when he had said this, he breathed on them and said to them, “Receive the Holy Spirit. Whose sins you forgive are forgiven them, and whose sins you retain are retained.”<br />
2 Corinthians 1:3-7 “Blessed be the God and Father of our Lord Jesus Christ, the Father of compassion and God of all encouragement, who encourages us in our every affliction, so that we may be able to encourage those who are in any affliction with the encouragement with which we ourselves are encouraged by God. For as Christ’s sufferings overflow to us, so through Christ* does our encouragement also overflow. If we are afflicted, it is for your encouragement and salvation; if we are encouraged, it is for your encouragement, which enables you to endure the same sufferings that we suffer. Our hope for you is firm, for we know that as you share in the sufferings, you also share in the encouragement.”
    Lo Spirito di Dio scende come una Co..urro
  • “I saw the Spirit descend like a Dove - Painting by Dino Carbetta”…<br />
<br />
1 IS 42:1-7 Here is my servant whom I uphold, my chosen one with whom I am pleased, Upon whom I have put my Spirit; he shall bring forth justice to the nations, Not crying out, not shouting, not making his voice heard in the street. A bruised reed he shall not break, and a smoldering wick he shall not quench, Until he establishes justice on the earth; the coastlands will wait for his teaching. Thus says God, the LORD, who created the heavens and stretched them out, who spreads out the earth with its crops, Who gives breath to its people and spirit to those who walk on it: I, the LORD, have called you for the victory of justice, I have grasped you by the hand; I formed you, and set you as a covenant of the people, a light for the nations, To open the eyes of the blind, to bring out prisoners from confinement, and from the dungeon, those who live in darkness.<br />
JOHN 1:29 “The next day he saw Jesus coming toward him and said, “Behold, the Lamb of God,* who takes away the sin of the world. He is the one of whom I said, ‘A man is coming after me who ranks ahead of me because he existed before me.’ I did not know him, but the reason why I came baptizing with water was that he might be made known to Israel.” John testified further, saying, “I saw the Spirit come down like a dove from the sky and remain upon him. I did not know him, but the one who sent me to baptize with water told me, ‘On whomever you see the Spirit come down and remain, he is the one who will baptize with the Holy Spirit.’ Now I have seen and testified that he is the Son of God.”
    Ho visto lo Spirito scendere come un..urro
  • “Beacon of Hope – Painting by Dino Carbetta” …<br />
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Hope is faith acting and trusting in the promises of God. “Hope” moves us to abide in the word of God, and hope gives meaning to our trials. Hope destines us to live with Christ and it gives us the ability to continue on the path of apostles in freedom and trust. We experience difficulties at different points in our lives. But no circumstance, no pain, and no suffering can ever negate the hope we have in Christ, and God’s promises in Scripture. Both the Old and New Testaments are filled with hundreds of passages on hope. From these passages, we see how important it is to live out our Christian lives as disciples in hope. <br />
(2 Corinthians 4:16-18) "So we do not lose heart. Though our outer nature is wasting away, our inner nature is being renewed every day. For this slight momentary affliction is preparing for us an eternal weight of glory beyond all comparison, because we look not to the things that are seen but to the things that are unseen; for the things that are seen are transient, but the things that are unseen are eternal."<br />
(Philippians 4:4-7) "Rejoice in the Lord always; again I will say, Rejoice. Let all men know your forbearance. The Lord is at hand. Have no anxiety about anything, but in everything by prayer and supplication with thanksgiving let your requests be made known to God. And the peace of God, which passes all understanding, will keep your hearts and your minds in Christ Jesus."<br />
(1 Peter 1:3-5)  “Blessed be the God and Father of our Lord Jesus Christ, who in his great mercy gave us a new birth to a living hope through the resurrection of Jesus Christ from the dead, to an inheritance that is imperishable, undefiled, and unfading, kept in heaven for you who by the power of God are safeguarded through faith, to a salvation that is ready to be revealed in the final time.”
    Faro Della Speranza - Dipinto di Din..etta
  • “Let Us Begin Again – Painting by Dino Carbetta”…<br />
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“Let us begin again, for until now we have done nothing,” Francis uttered these words as he was nearing his death. He knew that conversion is never a single moment and a flash of lightning but a lifelong journey. Thus, every day we need to constantly renew our commitment to Christ which we vowed in our baptism, to follow the Gospel as we have promised in our Christian journey, to be closer to God as our spirituality would require. In the Incarnation, Jesus, in divesting himself of divine glory to embrace a poor human existence except for sin elevated all of our humanness to its divine condition. St. Francis does not treat Scripture as texts to be studied, but as the living word, this mystery was at the heart of his understanding of who God is. For Francis, a meditation on this divine prophecy was at the heart of his understanding of God’s saving love for us. It was also at the heart of Francis’s wholehearted embrace of poverty, of humility, of all of the divine virtues.
    Let Us Begin Again – Painting by Din..etta
  • “Panoramic view from the Bar Giardino San Lorenzo of the Cathedral of San Rufino of Assisi”… <br />
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Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous and a more pleasant excursion. After morning Mass at Chiesa Nuova, and then to Portiuncula. The town has grown up around the Basilica of Our Lady of the Angels. Our Pilgrims took a break for lunch while fellow Pilgrim, Patrick and I headed for the mountain top of Assisi for panoramic views of the town below. The breathless spectacle peering down one side of the fortress is St. Francis Basilica, and the unparagoned ancient architecture on the opposite side and only way up and down, are Bellissimo landscapes of San Rufino and the Basilica di Santa Chiara. Shortly upon our descent, we found a spectacular hidden respite through the wall named: “Bar Giardino San Lorenzo,” where we stopped for lunch. This charming oasis on top of Assisi, was analogous to a floral garden paradise, with astounding views of the valley below and as far away as Siena. Perfect areas abound with shaded tables and chairs and a hut for the main area of the tiny restaurant. The Italiani husband and wife smile graciously as they served up a lunch menu and drinks for the astounded patrons. It appeared to us Pilgrims that we stumbled on the most perfect plot of land in all of Assisi, and found ourselves blessed to sit and relax for moments as we could not help aiming our cameras at God’s pleasant surroundings. After dozens of images exhausted, and nourishment for our hunger and thirst, a sad goodbye was extended to our hosts and a touch of paradise. To date, I have only had the opportunity to visit Assisi twice in my lifetime, but I could not imagine a more perfect spiritual, aesthetically beautiful, and peaceful location in the world. We were off to our next incredible adjacency, the Cathedral of San Rufino.
    Vista panoramica della Cattedrale di..enzo
  • “I saw the Spirit descend like a Dove - Painting by Dino Carbetta”…<br />
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Acts 2:1-4 “When the time for Pentecost was fulfilled, they were all in one place together. And suddenly there came from the sky a noise like a strong driving wind, and it filled the entire house in which they were. Then there appeared to them tongues as of fire, which parted and came to rest on each one of them. And they were all filled with the Holy Spirit and began to speak in different tongues, as the Spirit enabled them to proclaim. Jn 20:19-23 “On the evening of that first day of the week, when the doors were locked, where the disciples were, for fear of the Jews, Jesus came and stood in their midst and said to them, “Peace be with you.” When he had said this, he showed them his hands and his side. The disciples rejoiced when they saw the Lord. Jesus said to them again, “Peace be with you. As the Father has sent me, so I send you.” And when he had said this, he breathed on them and said to them, “Receive the Holy Spirit. Whose sins you forgive are forgiven them, and whose sins you retain are retained.”
    Ho visto lo Spirito scendere come un..etta
  • “And this be our motto - "In God is our trust," And the star-spangled banner in triumph shall wave - Painting by Dino Carbetta”…<br />
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O thus be it ever when freemen shall stand Between their lov'd home and the war's desolation! Blest with vict'ry and peace may the heav'n rescued land Praise the power that hath made and preserv'd us a nation! Then conquer we must, when our cause it is just, And this be our motto - "In God is our trust," And the star-spangled banner in triumph shall wave O'er the land of the free and the home of the brave.
    And this be our motto - In God is ou..etta
  • “Angels Guard the Main Altar of the Sistine Chapel - Basilica of Santa Maria Maggiore Rome”…<br />
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After Mass in the Crucifix Chapel on the second morning of the inaugural Pilgrimage I organized, we were joined by our Roman tour guide for the day. As we listened and ventured around the glorious Basilica, my eyes and camera began to wander. I became stupefied by the grand chapel to the right of the main altar with the rising sun peering through the window just below the cupola. I discreetly wandered in and out in hopes it would shine upon the Holy Crib. The right transept is called the Sistine Chapel, containing the elaborate tomb of Pope Sixtus V (1521-90) and decorated with frescoes and reliefs of events from his reign. The chapel centers on a reliquary containing part of the Holy Crib, and the burial place of Saint Jerome, the 4th-century Doctor of the Church. The architect Domenico Fontana designed the chapel, which also contains the tomb of Pope Pius V. The main altar in the chapel has four gilded bronze angels by Sebastiano Torregiani, holding up the ciborium, which is a model of the chapel itself. The Patriarchal Basilica of St. Mary Major reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God.
    Angeli Custodiscono L'altare Princip..Roma
  • "Sanctuary of Madonna and child along Calle Dose da Ponte Venice"... <br />
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“O Most Amiable Child Jesus, You who said: "Ask and you shall receive," graciously hear my petition and grant me the favor I ask of You if it be for Your Greater Honor and Glory and for the good of my soul. Amen.” <br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice.
    Santuario di Madonna e bambino lungo..ezia
  • "High altar crucifix from the back of the Papal Basilica of St. Anthony of Padua"... <br />
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I consider this magnificent rear view of the High Altar in St. Anthony’s Basilica looking toward Donatello’s very famous “Crucifix in Padua” one of my few forbidden and miraculous images of my 2019 Pilgrimage to Italy. I was unaware of the mere size and ancient grandeur of the basilica begun in 1233 but found myself mystified by the aura surrounding it and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. As with most prestigious Basilica’s, no photos are allowed, which mostly rendered this photographer reverent, but sad. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. Deceptively, I found myself directly behind the elevated “High Altar,” and as I curiously climbed the steps toward the locked Iron Gate, Donatello’s celestial bronze crucifix began to appear. My surreptitious movement kept me from being noticed by the security guards and our Italian guide. I covertly rested my lens through the iron bars, and quietly depressed the shutter on my camera. Often called “Il Santo” by the locals of Padua, one cannot escape feeling overwhelmed by its majesty, and emanation of spirituality and reverence. The Basilica is austere, mysterious, and solemn, yet capacious, monumental, and impossible to notice every grand detail. However, be emboldened that this Pilgrimage Church is one of the eight international shrines recognized by the Holy See. It is a symbol of faith and hope for all Christian believers. I believe Saint Anthony would be honored and proud to offer Mass here.
    Crocifisso altare maggiore dalla par..dova
  • Madonna of Victory and the Rosary - Painting by Dino Carbetta<br />
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 Honors the Feast of Our Lady of the Rosary celebrated on October 7. Originally designated as "Our Lady of Victory" by Pope Pius V, this feast commemorates the decisive Battle of Lepanto in 1571 amidst the looming specter of the imminent danger posed by the formidable Ottoman fleet, Pope Pius V implored Europe to unite in prayer, leading a solemn rosary procession in Rome. The painting captures this pivotal moment, depicting the devout supplication of the faithful and the divine intervention that ensued. The Battle of Lepanto marked a turning point in history as the Holy League miraculously vanquished the Ottoman armada, liberating thousands of captive Christians. Pius V attributed this triumph to the intercession of the Mother of God, bestowing upon the world the enduring legacy of the Feast of Our Lady of the Rosary. The significance of Mary's intercession resurfaced during the Battle of Vienna in 1683, where Blessed Marco d’Aviano rallied the besieged Christian forces, urging them to seek solace and strength through the rosary. Under the divine protection of the Blessed Virgin Mary, the Polish relief army secured a resounding victory, thwarting the Ottoman threat to Christendom once again. This artwork serves as a poignant reminder of Mary's unwavering guidance and the transformative power of prayer throughout history. The Queen of Heaven continues to lead the faithful in their spiritual battles, offering solace and hope to all who seek her intercession. In our contemporary age, beset by myriad challenges, Mary beckons us to emulate the faith and resilience of our ancestors, trusting in the enduring promise of redemption and salvation. Through the timeless message conveyed by "Madonna of Victory and the Rosary," viewers are inspired to embrace the fighting faith of Christianity, fortified by the unwavering support of Our Lady, who intercedes on behalf of humanity with boundless love and compassion.
    Madonna della Vittoria e del Rosario..etta
  • “Saint Catherine of Siena Bearing the Sacred Stigmata - Painting by Dino Carbetta” ...<br />
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Captures the essence of a remarkable life devoted to Christ. Born on March 25, 1347, Catherine Benincasa embraced a profound commitment: surrendering to her Lord. From her early years as the 23rd child of Jacopo and Lapa Benincasa, Catherine displayed remarkable intelligence, cheerfulness, and intense religious devotion. Rejecting societal pressures, Catherine boldly cut her hair in protest against superficial expectations to attract a husband, earning her room for solitary prayer and reflection. At 18, she entered the Dominican Third Order, dedicating three years to seclusion, prayer, and austerity. Yet, her contemplative life attracted followers from diverse backgrounds, drawn to her unwavering faith and spiritual insight. Despite opposition and slander, Catherine fearlessly engaged with the world, advocating for spiritual growth and addressing public affairs through her letters. Her influence grew, marked by her holiness, Dominican affiliation, and profound impact on Pope Gregory XI. In tumultuous times marked by the Great Schism, Catherine remained steadfast, advocating for unity within the Church and tirelessly promoting peace. Her final years were spent in Rome, fervently praying for Pope Urban VI and the Church's unity. Declared co-patron of Italy in 1461, Catherine's spiritual legacy endures alongside Francis of Assisi. Named a Doctor of the Church in 1970, her teachings, encapsulated in "The Dialogue," transcend time, inviting us to pursue holiness as a lifelong endeavor. Catherine's unwavering pursuit of holiness resonates despite the stark differences between her era and ours. Her mystical experiences and ascetic practices may seem distant, yet her recognition of holiness as a lifelong journey remains relevant in our rapidly changing world. Catherine's devotion to Christ compels us to seek the divine presence in our lives as we journey through Christianity.
    Santa Caterina da Siena Recante le S..etta
  • “Ascension of the Lord - Painting by Dino Carbetta”…<br />
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Luke 24:46-53 narrates "The Ascension of the Lord." Jesus reveals his resurrection to his disciples after three days of suffering and stresses the significance of spreading the message of repentance and forgiveness of sins in his name to all nations, starting from Jerusalem. He reminds his followers that they are witnesses to these events and assures them that he will send his Father's promise upon them. However, he instructs them to stay in the city until they receive power from above. After blessing them, Jesus ascends to heaven. The disciples enthusiastically return to Jerusalem, continuously praising God in the temple. The Ascension signifies that although Jesus may not be present in a specific location, he is always among us. We have an Advocate who defends and guides us through life and a community that lives out their faith with us in our daily lives. Together, we reveal the lordship of God's love to the world through the Risen Jesus Christ, who ascended to heaven and advocates for us. "And when I am lifted from the earth, I will draw all people to myself." The lifting up of Jesus on the cross signifies and announces his ascent into heaven, which begins it. Jesus Christ, the only priest of the new and everlasting Covenant, "entered not into a sanctuary made by human hands... but into heaven itself, now to appear in the presence of God on our behalf." He is the center and principal actor of the liturgy that honors the Father in heaven. Christ is seated at the right hand of the Father, signifying the inauguration of his kingdom and the fulfillment of the prophet Daniel's vision regarding the Son of man. "To him was given dominion and glory and kingdom, that all peoples, nations, and languages should serve him; his dominion is an everlasting dominion, which shall not pass away, and his kingdom one that shall not be destroyed." The apostles became witnesses to the "kingdom will have no end."
    Ascensione del Signore – Dipinto di ..etta
  • “Annunciation of the Lord - Marian Shrine Basilica of the Holy House in Loreto, Italy – Painting by Dino Carbetta” …<br />
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Gospel Lk 1:26-38  “The angel Gabriel was sent from God to a town of Galilee called Nazareth, to a virgin betrothed to a man named Joseph, of the house of David, and the virgin's name was Mary. And coming to her, he said, "Hail, full of grace! The Lord is with you." But she was greatly troubled at what was said and pondered what sort of greeting this might be. Then the angel said to her, "Do not be afraid, Mary, for you have found favor with God. Behold, you will conceive in your womb and bear a son, and you shall name him Jesus.<br />
He will be great and will be called Son of the Most High, and the Lord God will give him the throne of David his father, and he will rule over the house of Jacob forever, and of his Kingdom there will be no end." But Mary said to the angel, "How can this be, since I have no relations with a man?" And the angel said to her in reply, "The Holy Spirit will come upon you, and the power of the Most High will overshadow you. Therefore the child to be born<br />
will be called holy, the Son of God. And behold, Elizabeth, your relative, has also conceived a son in her old age, and this is the sixth month for her who was called barren; for nothing will be impossible for God." Mary said, "Behold, I am the handmaid of the Lord. May it be done to me according to your word." Then the angel departed from her.”
    Annunciazione del Signore - Santuari..etta
  • “The Gondoliers illuminated by the afternoon light along Rio De La Toletta Venice - Painting by Dino Carbetta” …<br />
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Our itinerary included Basilica, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. In the maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission in Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated from the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Le Gondoliera illuminate dalla luce ..etta
  • "Mystically, St. John Bosco offered Mass for the Pilgrims in the Sorrento Cathedral - Painting by Dino Carbetta"...<br />
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St. John Bosco (1815 – 1888), was a man of God, who besides his many miracles and ordinary life of holiness, received visions of Mary and numerous prophetic dreams. St. Bosco also worked countless miracles. He had the gift of multiplication of the loaves, and St. John even raised a boy from the dead to give him the chance of a good confession. The boy confessed his sins and died, but this time he went straight to Heaven. St. John Bosco was ordained a priest in 1841, and he worked tirelessly with young boys in his neighborhood. His goal was to make saints out of them, and at least one of his boys became a saint, St. Dominic Savio. St. John founded the Oratory of St. Francis de Sales and was the chaplain there. He opened up workshops for tailoring and shoe-making to help the boys not only grow spiritually but have enough money to live. St. John lived daily for Jesus Christ. He would rise early, hear Confessions, and write letters to those in need for hours into the night. He wrote over 130 works defending the faith, and for that, he was hated by the enemies of the Church. There were numerous plots to kill him though none succeeded. Father Peek, stood in this day for Saint John Bosco and offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. I am sure Saint John Bosco would have been proud of the lessons taught and learned during our scholarly and spiritual pursuit.
    Misticamente, San Giovanni Bosco off..etta
  • “The Church of Santa Maddalena is surrounded by Roe Deer, both enjoying the sunset over the Dolomites in South Tyrol, Italy - Painting by Dino Carbetta”…<br />
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The Church of St. Magdalene resides in a small village located in the Dolomites of Italy. Both, the village and the church, are symbols of the Val di Funes. This tiny picturesque village of just 377 people is located in the Trentino-Alto Adige region of Northern Italy. Historically, the church was built where the miraculous image of Santa Maddalena was washed up by the Fopal River. Saint Mary Magdalene church is mentioned beginning in 1394. The current form of the nave with a sloping base and a slightly grooved roof cornice, with pear and round bar on the pointed arch portal with a red chalk inscription, was complete in 1492. The mural exterior is the Crucifix on the gable in a niche with a donkey's back, weather-beaten, early XVI century. St. Christopher is lively and virtuoso in movement with a fluttering, wrinkled robe. Interiorly, the keystones on the vault, are bust portraits of Mary with the Christ Child and saints. The valley, as you can see, Val di Funes is stunningly beautiful. Summer, it’s very green and dotted with colorful flowers. Winter, it’s covered with snow, and the ragged Dolomite peaks, pierce the sky toward the heavens. Mary Magdalene is the first among the women following Jesus to proclaim Him as having overcome death. She is the first to announce the joyful message of Easter. But she also proved she was among those who loved Him most when she stood at the foot of the Cross on Mount Calvary together with Mary, His Mother, and the disciple, St. John. She did not deny him or run away in fear as the other disciples did, but remained close to Him every moment, up to and including the tomb. The Italian Roe Deer rejoice in the beauty of God’s creation.
    La Chiesa di Santa Maddalena e’ circ..etta
  • "Saint Helena holding the cross - Santa Croce in Gerusalemme, Rome"...<br />
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The Basilica of the Holy Cross in Jerusalem is located in Rome, in the Esquilino quarter, close to the Aurelian Walls and the Castrense Amphitheatre, between the Basilica of St. John Lateran and Porta Maggiore. The Basilica of the Holy Cross is part of the route of the “Seven Churches” that ancient pilgrims used to visit on foot. Several sources, including an inscription in the church, verify that the Sessorian Palace was owned by the empress St. Helen (c.255-330), Constantine's mother. From the end of the 4th century, it was said that St. Helen had made a pilgrimage to the Holy Land, during which she discovered the True Cross on which Christ was crucified and many other relics. It was also said that she wished to set up a shrine in Rome for pilgrims who could not travel to Jerusalem. The first room of the chapel has a Roman-era statue of St. Helen holding the cross. Beneath the statue is a floor believed to contain soil from the Holy Land. Under the protective glass covering the soil are many paper prayers from the faithful. Fragments of the cross were circulating in the West by 348 AD. The earliest historical record of the church, dated to 501 AD, refers to it as "Hierusalem basilica Sessoriani palatii." Architecturally, it is notable that the 4th-century Chapel of St. Helen is quite similar in design to a martyrium that was erected by Constantine in Jerusalem to house a fragment of the True Cross. In 1492, a dramatic discovery was made in the course of repairs to a mosaic: a brick inscribed with the words TITULUS CRUCIS (Title of the Cross). Sealed behind the brick was a fragment of an inscription in wood, with the word "Nazarene" written in Hebrew, Latin, and Greek. The Title is mentioned in all four Gospel accounts. This was our first stop on our Pilgrimage of 2019 in Italy. A very propitious, historical, and spiritual beginning to a monumental journey in The Eternal City.
    Sant'Elena con in mano la croce - Sa..Roma
  • "The Crucifix - The Basilica of Santa Maria degli Angeli Assisi Museum - Painting by Dino Carbetta"...<br />
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Portiuncula is a town and a parish situated about three-quarters of a mile from Assisi. The town has grown up around the Basilica of Our Lady of the Angels. It was of this little church moved within the Basilica that St. Francis recognized his vocation in the year 1208, and it was where St. Francis spent most of his life. In 1211, the Benedictines gave him the little chapel of St. Mary of the Angels or the Portiuncula, which is a “little portion” of land. The first Franciscan convent was also formed nearby. The Portiuncula was also where St. Francis received the vows of St. Clare. St. Francis died here on October 3, 1226, and on his deathbed, he recommended the chapel to the faithful protection and care of his brothers. The Museo della Basilica is in another section of the convent. Among the most important works kept here are the "Crucifix “painted on wood by Giunta Pisano (1236-40). The return of Francis, a penitent man, contemplating his future in the Church... But God had other plans, and Francis did not travel far. His search for conversion led him to the ancient church at San Damiano. While he was praying there, he heard Christ on the crucifix speak to him, "Francis, repair my church." Francis assumed this meant the crumbling building he was in. He later realized it was his call to rebuild the entire Church. He read the command to the rich young man to sell all his good and give to the poor, the order to the apostles to take nothing on their journey, and the demand to take up the cross daily. "Here is our rule," Francis said -- as simple, and as seemingly impossible, as that. He was going to do what no one thought possible any more -- live by the Gospel.
    Il Crocifisso - La Basilica di Santa..etta
  • “Assisi front door with a lot of Character”…<br />
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Italy is famous for its display of fresh and beautiful flowers and foliage outside the windows and doors throughout the countryside, and Assisi was no different except for the perfection of their presentation. I am sure the Chamber of Commerce in Assisi is quite busy maintaining the continuity and beauty of Assisi, but perhaps there is no need as the residents all seem perfectly happy to respect and display all its beauty. The streets, walkways, and general environment were the most immaculate of any town I witnessed in Italy and the most religious of any place on my journey. The town became a mystic and peaceful shrine in the early darkness of night after all the tourists departed, and all the prayers offered that day reflected and echoed off the ancient walls. Even the vending machines contained Rosaries, and its residents strolled about dressed in their religious attire with permanent smiles upon their faces. I am sure there are many remarkable religious destinations in the world but this photographer’s opinion…Assisi has no spiritual equal on this earth.
    Assisi porta di casa con un molto di..tere
  • Jesus of Nazareth – Sorrentino Fishing Boat – Marina Grande, Sorrento<br />
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In quaint Sorrento, near the Amalfi Coast, lies my heart’s gem—the Cathedral of Saints Philip and James. Father Peek led a cherished Mass at the majestic High Altar during our pilgrimage. Skipping Capri, I chose Marina Grande to commemorate this sacred day. I convinced my friend Patrick that the marina held a unique charm, perfect for reflecting on our journey. We arrived on a rainy Sunday afternoon. The bustling port wasn’t filled with tourists, but with spirited locals going about their day. Overcast skies hovered, but now and then the sun broke through, painting the heavens in soft, fleeting pastels. In that light, a solitary boat gently rocked at the mouth of the Piccolo Marina. On its stern, it bore the name: “Gesù di Nazareth.” A striking moment—graceful and profound. That name called to mind Saint Matthew’s Gospel, when Jesus, asleep in the boat amid a storm, rose and calmed the seas: “Then He arose and rebuked the winds and the sea, and there was a great calm.” (Matthew 8:26) The peaceful scene stirred another memory—the recent passing of my childhood friend Shannon, just a week earlier. The soft, radiant sky felt like a message... a trace of Heaven. In that moment, grief gave way to peace. It was as though Shannon’s spirit was near, in the hush between wind and wave. We returned to the marina that evening to capture the tranquil seascape before joining the pilgrimage group for dinner at my favorite restaurant, Zi’Ntonio Mare. Within Sorrento’s sacred stillness and Marina Grande’s beauty, I found both comfort and inspiration. The boat’s name remains etched in my heart, a living reminder that Christ is present—within the storm, beside the sea, and in every quiet farewell. This photograph is not just an image—it is a memory etched in stillness, a symbol of faith floating on gentle waters.
    Gesù di Nazareth - Peschereccio Sorr..ento
  • La Beata Vergine Maria - Dipinto di Dino Carbetta - Rosa <br />
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“The Blessed Virgin Mary - Painting by Dino Carbetta - Rose”… Upon completion of a new and original painting of the teenage Virgin Mary, I sit and stare into her eyes trying to imagine the complexity of the overwhelming magnitude of the future Mother of Christ. Her sincere and loving gaze, illuminating with the glow of the Holy Spirit within her very soul emanates outwardly representing all Mothers. I envision my wonderful Mother as I struggled to bring this two-dimensional representation to life. Again, my humble skills, yet meticulous manner combined to exhaust one complete month of trial and error. Irrevocably, a courageous young teenage Jewish girl is blessed beyond comprehension… <br />
“The Virgin Mother is constantly present on this journey of faith of the People of God towards the light. This is shown especially by the canticle of the "Magnificat," which, having welled up from the depths of Mary's faith at the Visitation, ceaselessly re-echoes in the heart of the Church down the centuries. This is proved by its daily recitation in the liturgy of Vespers and at many other moments of both personal and communal devotion.” (Saint John Paul II) <br />
"My soul magnifies the Lord, <br />
and my spirit rejoices in God my Savior, <br />
for he has looked on his servant in her lowliness. <br />
For behold, henceforth all generations <br />
will call me blessed; <br />
for he who is mighty has done great things for me,<br />
and holy is his name: <br />
and his mercy is from age to age <br />
on those who fear him. <br />
He has shown strength with his arm,<br />
he has scattered the proud-hearted,<br />
he has cast down the mighty from their thrones, <br />
and lifted up the lowly; <br />
he has filled the hungry with good things, <br />
sent the rich away empty. <br />
He has helped his servant Israel, <br />
remembering his mercy, <br />
as he spoke to our fathers, <br />
to Abraham and to his posterity forever." (Lk.1:46-55)
    La Beata Vergine Maria - Dipinto di ..Rosa
  • “Crucifixion beyond the entrance to the Abbey of Santa Giustina – Padua”…<br />
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Our Pilgrimage finally arrived in Padua and after lunch, we discovered the Abbey of Santa Giustina attached to the Basilica built in the 6th century. It contains the relics of multiple saints (including those of St. Luke the Evangelist). Shaped in the form of a Latin cross, the prodigious Basilica of St. Giustina is one of the most colossal in all of Christianity. The grandeur of the building is enhanced by the Prato della Valle which it overlooks. There are 3 main chapels: the presbytery and 2 chapels for Saints Luke and Matthew that form the transepts and each aisle has six small chapels. The Abbey and the Basilica of St. Anthony were two of my foremost surprises and a must-see on a Pilgrimage to Italy. Unfortunately, pictures were allowed only in St. Giustina, but not in the latter. Initially, I was a bit overwhelmed at the imposing wide open space of the Basilica. The high altar seemed an eternity away. It is difficult to give one a perspective of just how spacious and immense many of these basilicas can be, not only in pictures but in words. The colorful geometric marble floor leads one to the main altar, but only adds to the great depth, size, and dimension of the Basilica. A curiously placed Crucifix standing about 6’ tall is located just inside the colossal nave and appears diminutive below the 26 pillars supporting the 8 cupolas. As most basilicas are traditionally dark depending on the sunlight, the Crucifix was almost a complete faint silhouette only lit by the dome windows above the altar. Standing as close as possible with a telephoto perspective, I was able to reverse the impression of size and portray the grandiosity Christ deserves, as well as the original artist. The distant window light bled over the body and illuminated the darkness. The glow of the original beauty has become radiant. Framed by the brilliant distant archways, the Crucifixion becomes transformed.
    Crocifissione oltre l'ingresso dell'..dova
  • “Crucifixion of the Triumphal Sacrifice - Holy Mass in the Cathedral of Sorrento”…<br />
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Our 2019 Italy Pilgrimage with Spiritual Director: Fr. Kevin Peek offering Mass. “The Nicene Creed: I believe in one God, the Father almighty, maker of heaven and earth, of all things visible and invisible. I believe in one Lord Jesus Christ, the Only Begotten Son of God, born of the Father before all ages. God from God, Light from Light, true God from true God, begotten, not made, consubstantial with the Father; through him all things were made. For us men and for our salvation he came down from heaven, and by the Holy Spirit was incarnate of the Virgin Mary, and became man. For our sake he was crucified under Pontius Pilate, he suffered death and was buried, and rose again on the third day in accordance with the Scriptures. He ascended into heaven and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead and his kingdom will have no end. I believe in the Holy Spirit, the Lord, the giver of life, who proceeds from the Father and the Son, who with the Father and the Son is adored and glorified, who has spoken through the prophets. I believe in one, holy, catholic and apostolic Church. I confess one Baptism for the forgiveness of sins and I look forward to the resurrection of the dead and the life of the world to come. Amen”
    Crocifissione del Sacrificio Trionfa..ento
  • “I saw the Spirit descend like a Dove - Painting by Dino Carbetta – Azure”…<br />
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Acts 2:1-4 “When the time for Pentecost was fulfilled, they were all in one place together. And suddenly there came from the sky a noise like a strong driving wind, and it filled the entire house in which they were. Then there appeared to them tongues as of fire, which parted and came to rest on each one of them. And they were all filled with the Holy Spirit and began to speak in different tongues, as the Spirit enabled them to proclaim. Jn 20:19-23 “On the evening of that first day of the week, when the doors were locked, where the disciples were, for fear of the Jews, Jesus came and stood in their midst and said to them, “Peace be with you.” When he had said this, he showed them his hands and his side. The disciples rejoiced when they saw the Lord. Jesus said to them again, “Peace be with you. As the Father has sent me, so I send you.” And when he had said this, he breathed on them and said to them, “Receive the Holy Spirit. Whose sins you forgive are forgiven them, and whose sins you retain are retained.”
    Ho visto lo Spirito scendere come un..urro
  • “Father Peek Elevates the Host for Adoration - The Patriarchal Cathedral Basilica of San Marco Venice”…<br />
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On the final day of our pilgrimage, we arrived in Venice, a city that breathes history and faith. We began our journey with a bus ride from Padua to the Venetian Lagoon, where a private boat carried us to the Patriarchal Cathedral Basilica of San Marco. This architectural masterpiece and spiritual haven was the perfect culmination of our journey. My first visit to Venice left me longing for a deeper connection with this sacred place. This time, our pilgrimage granted us a special appointment for Mass in the Basilica’s main Sacristy. The space, normally hidden from public view, became the setting for a profound moment of worship led by our beloved Father Peek. As he elevated the Host for adoration, I captured a photograph that forever holds the essence of our journey—a sacred encounter with the divine. Father Peek, whose devotion to God and his flock is unwavering, is now the pastor of one of my childhood churches. His spirit reflects Christ’s love, and his leadership inspires all who know him. We also discussed another pilgrimage to Italy, an invitation for all who seek to deepen their faith and witness the beauty of our Church in the heart of Italy. While I could not take more photographs during our tour of St. Mark’s, the hidden corridors we walked left an indelible mark on my spirit. St. Mark’s Basilica endures as an iconic testament to the faith that has sustained it for centuries. St. Mark’s presence fills the air, his fatherly spirit guiding us through the mysteries of faith. Venice enchants with its canals and grandeur, but for me, its true heart beats within St. Mark’s. The Eucharist is the center of our faith, a profound encounter with Christ that transcends time and space. In the elevation of the Host, we are drawn into the very heart of God, a mystery that continues to unfold with each step of our journey.
    Padre Peek eleva I'Host per l'Adoraz..ezia
  • "The sun sets like fire in the sky above the Papal Basilica of St. Francis of Assisi"...<br />
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The seventh morning of our Pilgrimage, we sorrowfully said goodbye to the majestic Sorrento and set out to find the spiritual mecca of Assisi. The excitement of Saint Francis' tiny mountaintop walled village perked our eyes toward the bus windows. Hotel Giotto welcomed all!  An evening Mass with Fr. Peek in the PAX Chapel (a small underground sanctuary in Saint Francis Basilica) hosted our celebration. Mass was celebrated in honor of the wedding anniversary of Bill and Bardeen Dunphy from Atlanta, GA. I cannot say enough about the wonderful quality of people and Catholics in which I had the honor to accompany on our Pilgrimage. A small group of only 12, but mighty in character, affection, spirituality, and compassion. Bill and Bardeen epitomized this nature and shared their love will all our Pilgrims and those who witnessed our gatherings. We were also blessed by a humble, yet charismatic Priest, Father Kevin Peek. He seemed to know every other person in Italy, and subsequently, we all found new friends at dinner time. I cannot honestly conclude a more perfect Pilgrimage Priest than Father, and he was the epitome of a Spiritual guide. He not only celebrated Mass each morning in the most beautiful and prestigious Basilica’s in the world, he also led nighttime rosary walks through the Italian Strada, offered confession, interjected stories of the Saints, discussed all Italian epicurean delights with great enthusiasm, and spread the word and love of God to anyone who would listen.  After Mass, the sun once again glowed as it set behind Saint Francis Basilica. There is probably not a more exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate artist of capture.
    Il sole tramonta come fuoco nel ciel..sisi
  • "Dusk falls over the harbor of Riomaggiore"... <br />
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I began my daily journey at the northern most town of Monterosso and took the train to the southernmost town of Riomaggiore. Upon arriving in this picturesque seaside village and moving down to the water’s edge, I noticed proprietor Francesco in front of a tiny boat rental sign. After arranging an evening sail up the coast, I was able to focus on the colorful persona of Riomaggiore. That evening I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. Upon arriving back home in Monterosso, soft light illuminated the sky and azure sea of the Mediterranean convincing me to sail all the way back to Riomaggiore with my gracious guides Claudio and Eddie of "Cinque Terre dal Mare" sailing excursions. We arrived just in time for a perfect sunset and a perfect evening for creating bellissimo new images. After a nice dinner...I caught the last train at midnight back home to Monterosso. A very long day, but worth every minute!
    Crepuscolo cade sul porto di Riomaggiore
  • "The brave little boat faces threatening skies during a dramatic sunset over Marina Grande Sorrento - Painting"...<br />
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Our last day on the bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. Hallelujah, it was our first free day of the 2019 Pilgrimage and most were heading to Capri. I convinced my fellow Pilgrim Patrick that Marina Grande was the preferred location to commemorate this rain threatened day. Sunday afternoon in this tiny hallowed port on the Mediterranean was bustling, not with tourist, but with energetic and unassuming locals. The misty skies were vulnerable all day with the threat of rain, but the reluctant sun penetrated the clouds for a few fortuitous moments. God painted the skies for brief moments with luminous pastel elements of abstract color. A lonely boat gleamed in the late evening sun resting upon the silent waves. Saint Matthew’s account of Peter trying to walk on water came to mind: “Peter said to him in reply, ‘Lord, if it is you, command me to come to you on the water.” He said, “Come.” Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how [strong] the wind was he became frightened; and, beginning to sink, he cried out, “Lord, save me!” Immediately Jesus stretched out his hand and caught him, and said to him, “O you of little faith,* why did you doubt?” After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, “Truly, you are the Son of God.” (Matt: 14: 28-33) We left after lunch only to humbly return again capturing the evening seascape a few hours before our reservation with the entire Pilgrimage group for a perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare.
    La coraggiosa barchetta affronta min..tura
  • “Illuminated crucifix in Cathedral of Saints Philip and James – Sorrento”… <br />
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The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ.  This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Illuminato crocifisso in Cattedrale ..ento
  • “The sunset illuminates the bell tower of Santa Maria Maggiore - Assisi”…<br />
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After a progressive but slow ascent up to the mountaintop of Assisi, I took time to pause, look over my shoulder, and truly appreciate all I had seen. God always seemed to illuminate my forward path; however, He also left a glow of remembrance from where the journey began. This evening view is from the Basilica di Santa Chiara (Basilica of St. Clare), a 13th-century church that houses the relics of St. Clare, friend and protégé of St. Francis of Assisi, and the 12th-century crucifix that spoke to St. Francis at San Damiano. The view is a rear view of the church and campanile of Santa Maria Maggiore, the first cathedral of Assisi which was built near the Roman city walls of the 4th century. The crypt under the apse of the present church is the oldest surviving part of the structure and dates to the 9th or 10th century. Santa Maria Maggiore remained the cathedral of Assisi until 1035 when San Rufino assumed this function.
    Il tramonto illumina il campanile di..sisi
  • “Silhouette of Gondoliers against the late sun on the Grand Canal near the Church of Santa Maria del Giglio - Red”…<br />
<br />
“Venice” - Henry Wadsworth Longfellow: <br />
WHITE swan of cities, slumbering in thy nest	<br />
So wonderfully built among the reeds	<br />
Of the lagoon, that fences thee and feeds,	<br />
As sayeth thy old historian and thy guest!	<br />
White water-lily, cradled and caressed	<br />
By ocean streams, and from the silt and weeds	<br />
Lifting thy golden pistils with their seeds,	<br />
Thy sun-illumined spires, thy crown and crest!	<br />
White phantom city, whose untrodden streets	<br />
Are rivers, and whose pavements are the shifting	<br />
Shadows of palaces and strips of sky;	<br />
I wait to see thee vanish like the fleets	<br />
Seen in mirage, or towers of cloud uplifting	<br />
In air their unsubstantial masonry.<br />
	<br />
The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The rowing oar, which is not fastened to the hull, is used in a sculling manner, also acting as the rudder. For centuries the gondola was the chief means of transportation and most common watercraft within Venice. It is propelled by a gondolier. In modern times the iconic boats still have a role in public transportation in the city, serving as traghetti (ferries) over the Grand Canal. There are just over four hundred gondolas in active service today, virtually all of them used for hire by tourists. In order to become a professional gondolier, you need to obtain a license from the guild. Two hundred years ago, there were 10,000 gondolas in Venice. Although the aristocracy preferred horses to boats through the early Middle-Ages, beginning in the 14th century when horses were outlawed from the streets of Venice, the noble class embraced gondolas as a respectable form of transportation.
    Silhouette di gondolieri contro il t..osso
  • "Hidden villa along the Cannaregio Canal in Tolentino Venice"...<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Nascosta villa lungo il Canale Canna..ezia
  • "The Gondoliera illuminated by the afternoon light along Rio De La Toletta Venezia"...<br />
<br />
Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Le Gondoliera illuminate dalla luce ..ezia
  • “The Crucifixion above the altar of the Church of Santa Maria Maggiore in Assisi”…<br />
<br />
My artistic interpretation here is of the Crucified Jesus as primary to the Image of The Divine Mercy. St. Faustina asked the Lord about the meaning of the rays in the image: The two rays denote Blood and Water. The pale ray stands for the Water which makes souls righteous. The red ray stands for the Blood which is the life of souls. These two rays issued forth from the depths of My tender mercy when My agonized Heart was opened by a lance on the Cross. Happy is the one who will dwell in their shelter, for the just hand of God shall not lay hold of him. The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built in this site close to the Roman city walls in the 4th century.  The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal its age and status throughout history.
    La Crocifissione sopra l'altare a Ch..sisi
  • "The evening sun illuminates the panorama of the Papal Basilica of St. Francis of Assisi"...<br />
<br />
The seventh morning of our Pilgrimage, we sorrowfully said goodbye to the majestic Sorrento and set out to find the spiritual mecca of Assisi. The excitement of Saint Francis' tiny mountaintop walled village perked our eyes toward the bus windows. Hotel Giotto welcomed all! An evening Mass with Fr.Peek in the PAX Chapel (a small underground sanctuary in Saint Francis Basilica) hosted our celebration. Mass was celebrated in honor of the wedding anniversary of Bill and Bardeen Dunphy from Atlanta, GA. I cannot say enough about the wonderful quality of people and Catholics in which I had the honor to accompany on our Pilgrimage. A small group of only 12, but mighty in character, affection, spirituality, and compassion. Bill and Bardeen epitomized this nature and shared their love will all our Pilgrims and those who witnessed our gatherings. We were also blessed by a humble, yet charismatic Priest, Father Kevin Peek. He seemed to know every other person in Italy, and subsequently, we all found new friends at dinner time. I cannot honestly conclude a more perfect Pilgrimage Priest than Father, and he was the epitome of a Spiritual guide. He not only celebrated Mass each morning in the most beautiful and prestigious Basilica’s in the world, he also led nighttime rosary walks through the Italian Strada, offered confession, interjected stories of the Saints, discussed all Italian epicurean delights with great enthusiasm, and spread the word and love of God to anyone who would listen. After Mass, the sun once again glowed as it set behind Saint Francis Basilica. There is probably not a more exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate artist of capture.
    Il sole della sera illumina il panor..sisi
  • "Dynamic view from the Bar San Lorenzo Garden of the Cathedral of San Rufino of Assisi"...<br />
<br />
Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous and a more pleasant excursion. After morning Mass at Chiesa Nuova, and then to Portiuncula. The town has grown up around the Basilica of Our Lady of the Angels. Our Pilgrims took a break for lunch while fellow Pilgrim, Patrick and I headed for the mountain top of Assisi for panoramic views of the town below. The breathless spectacle peering down one side of the fortress is St. Francis Basilica, and the unparagoned ancient architecture on the opposite side and only way up and down, are Bellissimo landscapes of San Rufino and the Basilica di Santa Chiara. Shortly upon our descent, we found a spectacular hidden respite through the wall named: “Bar Giardino San Lorenzo,” where we stopped for lunch. This charming oasis on top of Assisi, was analogous to a floral garden paradise, with astounding views of the valley below and as far away as Siena. Perfect areas abound with shaded tables and chairs and a hut for the main area of the tiny restaurant. The Italiani husband and wife smile graciously as they served up a lunch menu and drinks for the astounded patrons. It appeared to us Pilgrims that we stumbled on the most perfect plot of land in all of Assisi, and found ourselves blessed to sit and relax for moments as we could not help aiming our cameras at God’s pleasant surroundings. After dozens of images exhausted, and nourishment for our hunger and thirst, a sad goodbye was extended to our hosts and to a touch of paradise. To date, I have only had the opportunity to visit Assisi twice in my lifetime, but I could not imagine a more perfect spiritual, aesthetically beautiful, and peaceful location in the world. We were off to our next incredible adjacency, the Cathedral of San Rufino.
    Vista dinamica dal Bar Giardino San ..sisi
  • "Father Peek Elevates the Host for Adoration - The Church of Santo Spirito in Sassia"... <br />
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As the gentle morning light bathes the ancient streets of Rome, we embark on a pilgrimage of faith, drawn inexorably towards the magnificent Santo Spirito. Nestled in the shadows of the grandeur of St. Peter’s Basilica, this sacred sanctuary stands as a testament to Divine Mercy, a legacy meticulously nurtured by the revered St. John Paul II.  Each day, at the reverent hour of 3 p.m., congregants assemble to recite the Divine Mercy Chaplet, enveloping the sanctuary in an atmosphere of grace and tranquility. Yet, beneath its architectural splendor lies a narrative woven with threads of compassion and service, echoing through the annals of history. From its humble beginnings in the eighth century as the Santa Maria church in Sassia, devoted to the Virgin Mary, to the founding of Europe's inaugural "Holy Spirit Hospital" in response to the impassioned plea of Pope Innocent III in 1198, this sacred space has been a bastion of solace and healing for countless souls. Within the sanctified precincts of Santo Spirito, a chapel on the right stands as a testament to The Divine Mercy and to the venerable Saint Faustina. Here, the revered statue of the "Apostle of The Divine Mercy," accompanied by her reliquary gifted by the esteemed Holy Father John Paul II, beckons believers to contemplative prayer. Father Peek's dignified gesture elevating the Host for adoration in this captivating photograph touches our hearts. With reverent genuflection, the priest invites us to behold Jesus Christ, true God and true Man, present upon the altar. Let our gaze linger upon the sacred Body of Christ, and within the depths of our souls, may we echo the profound words of adoration: "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things."
    Padre Peek Eleva Consacrata l'ostia ..ssia
  • "Sunlight illuminates the Crucifix - Sorrento Cathedral"…<br />
<br />
The Nicene Creed:<br />
I believe in one God, the Father almighty, maker of heaven and earth, of all things visible and invisible. I believe in one Lord Jesus Christ, the Only Begotten Son of God, born of the Father before all ages. God from God, Light from Light, true God from true God, begotten, not made, consubstantial with the Father; through him all things were made. For us men and for our salvation he came down from heaven, and by the Holy Spirit was incarnate of the Virgin Mary,<br />
and became man. For our sake he was crucified under Pontius Pilate, he suffered death and was buried, and rose again on the third day in accordance with the Scriptures. He ascended into heaven and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead and his kingdom will have no end. I believe in the Holy Spirit, the Lord, the giver of life, who proceeds from the Father and the Son, who with the Father and the Son is adored and glorified, who has spoken through the prophets. I believe in one, holy, catholic and apostolic Church. I confess one Baptism for the forgiveness of sins and I look forward to the resurrection of the dead and the life of the world to come. Amen
    La luce del sole illumina il Crocifi..ento
  • "High altar panorama of the Basilica of Santa Maria del Fiore Florence"...<br />
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Santa Maria del Fiore (also known simply as the Duomo) is the cathedral of Florence known for its distinctive Renaissance dome. Its name ("Saint Mary of the Flower") refers to the lily, the symbol of Florence. The impressive Gothic cathedral complex includes the Duomo, the famous baptistery and a campanile. Built in 1294 to be the largest Roman Catholic Church in the world, it is still the largest masonry dome in the world. Walking down the strada, and turning the corner to view the massive Duomo painted against the sky was captivating. I stopped in my tracks and began taking photos; however, the huge Florence crowds prevented most images from ground level. This was one of the first images I photographed noticing the ancient architecture of the Duomo competing across the narrow strada with the more modern buildings of Firenze.
    Altare maggiore panorama della Basil..enze
  • "Pentecost - The Basilica di Santa Maria Gloriosa dei Frari Venice"...<br />
<br />
Gospel Jn 20:19-23: On the evening of that first day of the week, when the doors were locked, where the disciples were, for fear of the Jews, Jesus came and stood in their midst and said to them, "Peace be with you." When he had said this, he showed them his hands and his side. The disciples rejoiced when they saw the Lord. Jesus said to them again, "Peace be with you. As the Father has sent me, so I send you." And when he had said this, he breathed on them and said to them, "Receive the Holy Spirit. Whose sins you forgive are forgiven them, and whose sins you retain are retained."
    Pentecoste - La Basilica di Santa Ma..ezia
  • “Sunrise breaking through the clouds over peaceful Positano”…<br />
<br />
There was only one occasion that I was really able to pre-plan taking photos at sunrise and that was during the last day of three in Positano.  It takes much planning, logistics, and familiarity to figure the best locations and the proper angles and positions of the sun.  My third morning was ideal and fortuitous as it began raining about 10:00 am which gave me perfect clouds for sunrise, finally ending with a very cold wind just in time for sunset.  This image is one of the rare photos of a slumbering Positano in the dewing morning around 6:09 am at the end of May….the beginning of peak tourist season.  By 8:00 am, this tiny seaside village is bustling with tourists and shop owners, and restaurateurs trying to satisfy every need.  All in all, Positano was by far the plushest of all the locations I visited in Italy, and I was blessed to witness everything in full bloom.
    Alba rottura attraverso le nuvole so..tano
  • "Crucified Christ - Monumental Church of San Michele Arcangelo, Anacapri"...<br />
<br />
Located in the Piazza of Anacapri, the mountaintop above the island of Capri. It dates to 1595 when it replaced Chiesa di Santa Maria as the parish church.  One can view the ancient church contrasting with the more modern white façade. The sacristy and oratorio, were originally in the Chiesa di San Carlo. Architectural features include two bell towers and a baroque facade. The church was enlarged with two chapels and the nave was extended towards the square. The plan of the church is in the form of a Latin cross with a single nave, lateral chapels and a dome above the intersection of the nave and the transept. The belfry can be seen to the left of the facade with two clocks and three bells dedicated to Santa Sofia, Santa Maroa and Santa Elia. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri. I was standing closest to the door on the right side of the bus during the assent up the mountainside. All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top. Anacapri is a historic mountaintop town with commanding views of Capri and the sea below, as well as a concentration of Mediterranean colors, scents, and sounds. Town life here has remained authentic despite the island's tourism: tucked between the houses there are tiny, humble vegetable gardens surrounded by lush tropical plants. A walk around the center of Anacapri will take you past tiny Neapolitan tailor shops, artisan shoemakers, and Enoteca       ...all with the scent of the town's lemon groves that permeates the air. How the ancients managed to arrive at this secluded island and traverse their way to settlements atop is mind boggling.  However, contemplating the mysteries of civilization, one gets lost in the plush ambience. The pleasant aroma and commanding sea view demand that you stay for just a little while longer!
    Cristo Crocifisso - Chiesa Monumenta..apri
  • "The Cathedral of Orvieto seeks paradise above the roofs tops"...<br />
<br />
Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a big chunk of volcanic stone called tufa, and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this cliff top village over 2000 years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliff side views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. The 14th Century Duomo was constructed to provide a home for the “Corporal of Bolsena”, a miracle which occurred in 1263 in the nearby town of Bolsena. A traveling priest who had doubts about the truth of transubstantiation found that his Host was bleeding so much that it stained the altar cloth. The cloth is now stored in the “Chapel of the Corporal” inside the cathedral.  It’s amazing to turn the corner only to view, stop, and stare as the majestic Cathedral slowly rises to touch the heavens above.
    Il Duomo di Orvieto cerca il paradis..cime
  • “Papà’s Embrace - A Painting by Dino Carbetta” ...<br />
<br />
In this intimate and profoundly moving portrait, Pope Francis is depicted embracing a young child, a moment of pure tenderness and compassion. The close-up composition captures the deep emotions reflected in their faces—the gentle warmth of a shepherd and the innocent trust of a child. As Papà Francesco, he is more than just the leader of the Church; he is a father to the faithful, especially to the poor, the marginalized, and the forgotten. His papacy has been defined by an unyielding commitment to those in need, reaching beyond borders, divisions, and prejudices to offer the healing embrace of Christ. His paternal care reflects God's boundless love, recognizing only the human soul in need of grace, regardless of status or wealth. Yet, this calling has not been without suffering. Like a shepherd in turbulent waters, Pope Francis has faced relentless challenges from an indifferent world and from within his flock. The Church, a vessel of salvation, is also a place of great human struggle, where pride, rigidity, and division sometimes overshadow the very message of Christ. Some believe they hold the fullness of truth, are unwilling to listen, quick to judge, and slow to love. And yet, through it all, Papà Francesco presses forward, undeterred in his mission, carrying the burdens of leadership with the heart of a servant. All he has ever sought is to bring the world closer to Christ. To remind the faithful that mercy triumphs over judgment, that love conquers discord, and that true wisdom is found not in self-righteous certainty, but in humble service. Papà’s Embrace is not just a moment of tenderness—it is a testament to a shepherd’s endurance, a father’s unwavering love, and a disciple’s relentless pursuit of the Gospel. In this embrace, we see the heart of a man who has given everything to guide souls home. May we, too, find the humility to embrace one another, as Christ embraces us all.
    Papà’s Embrace - A Painting by Dino ..etta
  • “Saint Charbel: Patron of Corporal and Spiritual Suffering - Painting by Dino Carbetta” ...<br />
<br />
Saint Charbel Makhlouf, born in Lebanon in 1828, is venerated as the Patron Saint of those who face both physical and spiritual afflictions. His life was a profound expression of monastic dedication, characterized by rigorous prayer, fasting, and solitude. This commitment reflects his deep spiritual resilience and unwavering devotion to God’s will. The depiction of Saint Charbel captures more than his physical likeness; it encapsulates his profound spiritual essence. His serene gaze and tranquil demeanor symbolize an intimate communion with the Divine, representing a state of inner peace and unshakable faith The deep spiritual depth and serenity of Saint Charbel reflect his ongoing intercession and influence on many today. Saint Charbel’s life was marked by numerous miracles that continued well after his death. During his lifetime, he was known for his miraculous healings, often attributed to his fervent prayers and deep faith. After his passing in 1898, his tomb became a site of extraordinary miracles. Pilgrims from around the world have reported miraculous healings and profound spiritual experiences at his shrine. These miracles include the healing of terminal illnesses, resolution of chronic conditions, and transformative spiritual experiences, reinforcing his reputation as a powerful intercessor and a beacon of divine grace. The image of Saint Charbel visually testifies to his miracles and serves as a conduit for his grace and healing, inviting viewers to reflect on his life and intercession. Turning to Saint Charbel’s life offers solace and rejuvenation during times of suffering.. This depiction not only highlights his role as a miracle worker but also as a symbol of hope, guiding viewers toward spiritual and emotional rejuvenation through the sacred harmony and divine grace that defined his life.
    San Charbel Patrono della Sofferenza..etta
  • “Saint Bonaventure the “Seraphic Doctor”- Painting by Dino Carbetta” ...<br />
<br />
Though not widely known today, was a pivotal figure in the medieval Church and the Franciscan Order. Renowned for his academic prowess at the University of Paris, he endeared himself to his students through his deep Franciscan devotion to Jesus and the Church, earning the title "Seraphic Doctor." Born as John in Bagnoregio in 1221, he adopted Bonaventure upon joining the Franciscans at 22. "Saint Francis believed to have healed Bonaventure from a severe childhood illness." Saint Bonaventure's academic career halted when he was elected General Minister of the Friars. His 17-year tenure was challenging, marked by internal disputes over the interpretation of poverty. Despite these trials, Bonaventure's prayerful nature and administrative acumen enabled him to guide the Order through effective legislation. He fostered an organized spirituality grounded in Saint Francis's vision, blending practical life with doctrinal faith, thus infusing his teachings with a distinctive warmth. Towards the end of his service as General Minister, Pope Gregory X appointed Bonaventure as a Cardinal and the bishop of Albano. However, during the Second Council of Lyon in 1274, he passed away unexpectedly, with some speculating he was poisoned. Despite his sudden death, Saint Bonaventure left a revitalized Franciscan Order and a legacy of writings centered on his profound love for Jesus. Bonaventure harmonized holiness and theological insight, reaching mystical heights while remaining an active preacher and beloved teacher. His works continue to resonate, offering readers a glimpse into the soul of a true Franciscan and gentleman. This painting elegantly captures the essence of this remarkable figure, reflecting his enduring impact and the deep spirituality that defined his life. This artwork serves as a visual homage to a saint whose love for Christ and dedication to the Church continue to inspire.
    San Bonaventura il “Dottore Serafico..etta
  • "Sacred Union - Madonna and The Christ Child - Painting by Dino Carbetta”<br />
<br />
Within these gentle Palette strokes, we are transported into the heart of Catholic devotion, where the divine bond between mother and child is exalted in sacred imagery. Within this painting, we behold the Madonna, Our Lady of Grace, cradling the Christ Child, the Savior of humanity, in her loving embrace. As we contemplate this sacred scene, we are reminded of the profound significance of Mary in the Catholic tradition. She is the Mother of God and the embodiment of purity, humility, and unwavering faith. Her presence in the painting evokes a sense of reverence and awe, inviting us to draw closer to her maternal intercession. The Christ Child emanates a divine glow, his gaze intimately intertwining with the intense eyes of his Mother, as they extend blessings to all who seek their grace. His innocence and vulnerability symbolize divine condescension, as God humbles Himself to dwell among humanity, offering redemption and salvation to all who believe. In the tender union between the Madonna and the Christ Child, we witness the epitome of sacrificial love. Mary's selfless devotion to her son mirrors the love of the Heavenly Father, who so loved the world that He sent His only begotten Son for our salvation. Their embrace transcends earthly affection, revealing the depths of divine compassion that permeate the universe. Let us contemplate the significance of the Blessed Virgin Mary as the Mediatrix of all graces, the channel through which divine mercy flows into the world. Let us entrust ourselves to her maternal care and seek guidance on our faith journey. May the sacred union depicted in this painting inspire us to deepen our relationship with God and emulate the virtues of Mary in our daily lives. Through her intercession and the grace of her Son, may we be strengthened in faith, hope, and charity, as we strive to live as faithful disciples of Christ in the world today.
    Sacra Unione - Madonna col Bambino -..etta
  • “Saint Joseph and Jesus - Painting by Dino Carbetta”…<br />
<br />
Within these brushstrokes lies the essence of inspiration, and the profound narrative of Saint Joseph, a figure whose life whispers volumes of faith, devotion, and humility. Though dwelling in the shadows of history, St. Joseph emerges as a beacon of silent strength and unwavering commitment. From the moment the celestial proclamation graced his ears, he embraced his divine calling with a depth of devotion unmatched. His love for his foster son, Jesus, knew no bounds, as he selflessly sacrificed all for their well-being. Handpicked by the Divine to shepherd the Savior, St. Joseph embodied the essence of fatherhood, guiding and safeguarding Jesus with tender care. In his humble actions, we find a blueprint for authentic masculinity and familial devotion, and his very existence is a testament to the sanctity of the family unit. While the annals of history may not boast of miraculous deeds or grand proclamations, St. Joseph's quiet resolve and unwavering faith echo through the corridors of time. Scripture unveils glimpses of his character, from his immediate protection of Mary to his steadfast obedience to divine command. The profound reverence bestowed upon St. Joseph by luminaries like St. Teresa of Ávila speaks volumes of his enduring impact. Through her devoted advocacy, St. Joseph's silent influence permeated the hearts of many, offering solace and inspiration to those who sought his intercession. In a world enraptured by the clamor of ambition and accolades, St. Joseph's humble example beckons us to embrace simplicity, humility, and unwavering trust in Divine providence. His legacy is a powerful testament to the transformative impact of selfless love and resolute faith. St. Joseph's quiet presence continues to inspire and elevate souls to profound depths of spiritual contemplation, reminding us that true greatness lies not in grandeur, but in the silent acts of love and devotion that echo through eternity.
    San Giuseppe e Gesù - Dipinto di Din..etta
  • "Resurrection - The Name of Jesus - Painting by Dino Carbetta”<br />
<br />
Resonates deeply with the sacred text of Philippians 2:10, embodying the profound submission and reverence accorded to Jesus Christ within Christian doctrine. The name of Jesus encapsulates divine authority, grace, and the promise of salvation, marking the apex of God's redemptive narrative through His life, crucifixion, and triumphant resurrection. At its essence, this magnum opus delves into the core tenet of Christianity: the resurrection of Jesus Christ, portrayed with compelling symbolism and spiritual depth. It beckons viewers to ponder the eternal significance of this pivotal event, which heralds a profound transformation. Jesus Christ commands attention at the center of the canvas, radiating both tranquility and might, His raised hand a testament to His dominion over death, even bearing the wounds as symbols of His sacrifice. The symbolism is rich; the two fingers of His right hand represent His dual nature—human and divine—while the unity of the remaining three fingers symbolizes the Holy Trinity. Surrounding Him, a milieu of sacred elements bathed in celestial light evokes the divine presence. The empty tomb and the cross, rendered with symbolism, underscore the theological gravity of Christ's resurrection, affirming the redemptive love and promise it embodies. This artwork underscores Jesus Christ's indispensable role in the Christian faith, asserting His sovereignty over sin and death. Viewers are invited to encounter the living Christ and contemplate the profound implications of His resurrection. In engaging with this profound piece, they are confronted with the timeless truth of Easter: that death has been vanquished, and new life is made attainable through faith in Jesus Christ. Thus, "Resurrection - The Name of Jesus" serves as a poignant reminder of the hope and promise inherent in Christ's victory over death, beckoning viewers to embrace the transformative power of The Resurrection.
    Resurrezione - Il Nome di Gesù - Dip..etta
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