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  • “The mystical rainbow of God above the Cathedral of San Rufino Assisi”…<br />
<br />
This image is perhaps one of the most blessed and miraculous of my Italian journey. Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, I was mesmerized at the appearance of this first of eventually two rainbows shining down behind the Duomo of Saint Rufino. I was able to capture a few horizontal and vertical images of the rainbows just as the sun began its descent below the horizon. My Italian journey was truly blessed by the hand of God.
    Il mistico arcobaleno di Dio sopra l..sisi
  • "Rainbow of God divides the sky between San Rufino and St. Clare of Assisi"...<br />
<br />
This image is perhaps the most blessed and miraculous of my Italian journey.  Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner.  Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down.  Looking back over my shoulder, I was mesmerized at the appearance of a double rainbow from the heavens shining down between the Duomo of Saint Rufino, and the Basilica of Saint Clare. I was able to take a few horizontal and vertical images of the great length and depth of the rainbow just before the sun dropped down below the horizon...and, it slowly faded.  My Italian journey was now and forever blessed by the hand of God.
    Arcobaleno di Dio divide il cielo tr..sisi
  • "Rainbow of God shines Between San Rufino and St. Clare of Assisi"...<br />
<br />
This image is perhaps one of the most blessed and miraculous of my Italian journey.  Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner.  Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down.  Looking back over my shoulder, I was mesmerized at the appearance of a double rainbow from the heavens shining down between the Duomo of Saint Rufino, and the Basilica of Saint Clare. I was able to take this close-up horizontal image of the rainbow just before the sun dropped down below the horizon...and, it slowly faded.  My Italian journey was now and forever blessed by the hand of God.
    Arcobaleno di Dio risplende Tra San ..sisi
  • "Double rainbow of God shines Between San Rufino and St. Clare of Assisi"...<br />
<br />
This image is perhaps the most blessed and miraculous of my Italian journey.  Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner.  Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down.  Looking back over my shoulder, I was mesmerized at the appearance of a double rainbow from the heavens shining down between the Duomo of Saint Rufino, and the Basilica of Saint Clare. I was able to take a few horizontal and vertical images of the great length and depth of the rainbow just before the sun dropped down below the horizon...and, it slowly faded.  My Italian journey was now and forever blessed by the hand of God.
    Doppio arcobaleno di Dio risplende T..sisi
  • ”Radiant Saint Teresa of Lisieux - the ‘Little Flower’ - Painting by Dino Carbetta”… <br />
<br />
Saint Therese of Lisieux was a woman who discovered a deep source of God's love and an endless love for others. Despite facing many difficulties throughout her life, she remained calm and joyful. She once said, "I prefer the quiet sacrifices of everyday life to the most ecstatic experiences. Even picking up a pin out of love can change someone's life." Her simple message still resonates with millions of people today. Though she only lived for 24 years, Therese believed that her journey was just beginning in serving God, promising to bring goodness to the world from heaven. This promise, known as her "Shower of Roses," continues to flow through the Church. Therese, also known as the "Little Flower," was a Carmelite nun who lived a hidden life in the convent of Lisieux, France. Despite her seemingly uneventful life, she found redemption in quiet endurance and made suffering her mission. She entered the Carmel convent to "save souls and pray for priests," as she said. Pope Pius X called her "the greatest saint of modern times," and she was canonized in 1925. In 1997, Pope John Paul II named her a Doctor of the Church, making her the third woman to receive this honor. Even her parents were canonized in 2015. Though she was known as Therese of the Child Jesus and the Holy Face, she had a profound depth of spiritual maturity that earned her a place among the great spiritual leaders. Her autobiography, "The Story of a Soul," is cherished by many worldwide. As you gaze upon this radiant portrayal, you can't help but be drawn into the world of Saint Thérèse. Her gentle and humble spirit, symbolized by the 'Little Flower,' is radiantly captured in every brushstroke. The delicate colors and intricate details in the painting bring to life the warmth and devotion that characterized her life. Thank you for allowing me to share this poignant piece of art with you.
    Radiosa Santa Teresa di Lisieux - il..etta
  • "The Seven Sorrows - BW"...<br />
<br />
1. The prophecy of Simeon. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and for the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed." 2. The flight into Egypt. Matthew 2:13-14 "Behold an angel of the Lord appeared in sleep to Joseph, saying: Arise and take the child and His mother and fly into Egypt: and be there until I shall tell thee. For it will come to pass that Herod will seek the child to destroy Him. With His mother by night, and retired into Egypt: and He was there until the death of Herod." 3. The loss of the Child Jesus in the temple. Luke 2:43-45 "And having fulfilled the days, when they returned, the Child Jesus remained in Jerusalem; and His parents knew it not. And thinking that he was in the company, they came a day's journey and sought him among their kinsfolk and acquaintance. And not finding Him, they returned into Jerusalem, seeking Him." 4. Meeting of Jesus and Mary on the Way of the Cross: "And there followed Him a great multitude of people, and of women, who bewailed and lamented Him." Luke XXIII, 27. 5. The Crucifixion: "They crucified Him. Now there stood by the cross of Jesus, His Mother. When Jesus, therefore, had seen His Mother and the disciple standing whom he loved, He saith to His Mother: Woman: behold thy son. After that he saith to the disciple: Behold thy Mother." John XIX, l8-25-27. 6. The taking down of the Body of Jesus from the Cross: "Joseph of Arimathea, a noble counselor, came and went in boldly to Pilate, and begged the body of Jesus. And Joseph buying fine linen, and taking Him down, wrapped Him up in the fine linen." Mark XV, 43-46. 7. The burial of Jesus: "Now there was in the place where He was crucified, a garden; and in the garden a new sepulcher, wherein no man yet had been laid." John XIX, 41-42.
    II Sette Dolori - BW
  • "Most Holy Crucifix inside the Cathedral of San Rufino Assisi"...<br />
<br />
The first time I visited the Cathedral, I was laboriously working my way up the Assisi mountain top, of which the Cathedral of San Rufino is the last church. Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous. Although every building in Assisi celebrates Saint Francis, the city’s cathedral is dedicated to San Rufino. It's named for Assisi's patron saint, a former 3rd-century bishop, and martyr. After converting Assisi to Christianity, he was killed by drowning in a nearby river. The cathedral has been a very important aspect in the history of the Franciscan order. It was here that Saint Francis, Saint Clare, and many of their original disciples were baptized. Hearing Francis preaching in this church in 1209, Saint Clare became deeply touched by his message and realized her calling. In 1228, here for the canonization of Saint Francis, Pope Gregory IX consecrated the high altar. A humorous story of the relics of Saint Rufino remaining in this ancient church before it was consecrated as a Cathedral is part of history. The townspeople fought for the saint’s body with the current Bishop Ugone, who wanted to move it to the Cathedral of Santa Maria Maggiore. The citizens took a position against the move and started a real “tug of war” with the saint's coffin. The sixty Bishops’ men were beaten by only seven Assisi citizens. The victory was seen as miraculous, even by Ugone, who then decided to renovate the small Basilica, which eventually became the Cathedral for Assisi. I was struck by the elegant beauty of the “Holy Crucifix” inside the chapel. The apparent artist was Don Doni in 1561. It is carried in the annual procession in Assisi each Good Friday. The face of Christ reveals His suffering, however, it also exudes His beatification and contentment of the fulfillment of Holy Prophesy.
    Santissimo Crocifisso all'interno de..sisi
  • “Eucharistic Miracle of Siena - Basilica of San Francesco Siena”…<br />
<br />
Siena is home to the Eucharistic Miracle which is one of the longest on-going miracles in the world. On August 14, 1730, thieves broke into the Church of St. Francis and stole a ciborium containing consecrated hosts. The theft was discovered the next day by Franciscan priests, and the town’s festivities celebrating the Feast of the Assumption were immediately halted. The bishop asked for prayers and reparations as civil authorities searched for the missing ciborium. On August 17th a parishioner in the Church of St. Mary noticed a bright light coming from a collection box. When the box was opened a large number of hosts were discovered covered by dirt and cobwebs. Counted and examined, these were determined to be the same hosts that were stolen. Normally the priest would have consumed these hosts but since they were covered with dirt and cobwebs it was decided to let them decompose naturally, something that should have taken a few weeks. However, since 1730, the hosts have remained fresh and sweet-smelling. Over the years various tests have been performed that authenticate this miracle.  They are preserved here in Siena in the Basilica of Saint Francis. The hosts are displayed publicly on the 17th of each month, which was the day of the month that they were discovered by the parishioner. Also, on the Feast of Corpus Christi, the hosts are paraded in procession through town. On our Pilgrimage of 2019, Father Peek & Javier our tour guide, arranged with the Franciscan Convent who is in charge of the Basilica to reveal The Miracle to our group in private at the chapel. As we knelt in the medium size chapel, the Priest lit the candles and turned his key in the wall next to the enduring display. The wall mechanically spun around and revealed the Eucharistic Miracle to us. After prayer, I moved to the back and abidingly captured this mystical, spiritual, and reverent manifestation.
    Miracolo Eucaristico di Siena - Basi..iena
  • "House of Hospitality - Maria Immacolata Franciscan Missionary Sisters of Assisi - Of the Lily"... <br />
<br />
Italy is famous for its display of fresh and beautiful flowers and foliage outside the windows and doors throughout the countryside, and Assisi again was no different with the exception of the perfection of their presentation. I am sure the Chamber of Commerce in Assisi is quite busy maintaining the continuity and beauty of Assisi, but perhaps there is no need as the residents all seem perfectly happy to respect and display all its beauty. The streets, walkways, and general environment were the most immaculate of any town I witnessed in Italy and the most religious of any place on my journey. The town became a mystic and peaceful shrine in the early darkness of night after all the tourists departed, and all the prayers offered that day reflected and echoed off the ancient walls. Even the vending machines contained Rosaries, and its residents strolled about dressed in their religious attire with permanent smiles upon their faces. I am sure there are many remarkable religious destinations in the world but in this photographer’s opinion…Assisi has no spiritual equal on this earth.
    Casa dell'Ospitalità - Maria Immacol..glio
  • "Sailing Cinque Terre with the late evening sun on Corniglia"...<br />
<br />
I began my daily journey at the northernmost town of Monterosso and took the train to the southernmost town of Riomaggiore. I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. Upon arriving back home in Monterosso, soft light illuminated the sky and azure sea of the Mediterranean convincing me to sail back to Riomaggiore with my gracious guides Claudio and Eddie of "Cinque Terre dal Mare" sailing excursions. We arrived just in time for a perfect sunset. After a nice dinner...I caught the last train at midnight back home to Monterosso. An exceptionally long day, but worth every minute! This panorama image of Corniglia, the only Cinque Terre town not directly on the sea…was taken on the journey back to Riomaggiore at dusk. The tiny village seems snuggled into the Cliffside soaking up the last bit of sunlight before nightfall. The ancient campanile of the church of Saint Peter, which was built in 1334, begins to peer over the cliff in the upper part of Corniglia. I caught the last train at midnight back home to Monterosso. There is a great appeal in each of the five Cinque Terre villages, each with a different history, people, elements, and culture. This illuminating sunset of Manarola was captured just before arriving back in Riomaggiore. Arrivederci, Manarola!
    Vela Cinque Terre con la sera tarda ..glia
  • “Madonna of Fatima at the Eucharistic Miracle of Siena - Basilica of San Francesco Siena - Painting by Dino Carbetta”… <br />
<br />
Our Lady of Fatima’s confident declaration was: “My Immaculate Heart will triumph”. Pope Benedict XVI interpreted this utterance as follows: “The Heart open to God, purified by contemplation of God, is stronger than guns and weapons of every kind. The fiat of Mary, the word of her heart, has changed the history of the world, because it brought the Saviour into the world—because, thanks to her Yes, God could become man in our world and remains so for all time. The Evil One has power in this world, as we see and experience continually; he has power because our freedom continually lets itself be led away from God. But since God himself took a human heart and has thus steered human freedom towards what is good, the freedom to choose evil no longer has the last word. From that the word that prevails from that time forth in the world, you will have tribulation, but take heart; I have overcome the world” (Jn 16:33). The message of Fatima invites us to trust in this promise. Siena is home to the Eucharistic Miracle, one of the world's longest-ongoing miracles. On August 14, 1730, thieves broke into the Church of St. Francis and stole a ciborium containing consecrated hosts. However, since 1730, the hosts have remained fresh and sweet-smelling. The wall mechanically spun around and revealed the Eucharistic Miracle to us. After prayer, I moved to the back and abidingly captured this mystical, spiritual, and reverent manifestation. The Madonna of Fatima stood majestically guarding the precious Hosts.
    Madonna di Fatima al Miracolo Eucari..etta
  • “Crucifix next to the Confessional - Santa Maria della Salute Venice - Painting by Dino Carbetta”…<br />
<br />
The Basilica di Santa Maria della Salute (Basilica of St. Mary of Health), commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a prominent position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite small interiorly. I am not sure if it was ever an active parish but more of a shrine with little room for seating. The steps wrapping around the front and sides make a perfect destination for relaxation during warm Venetian days. Interior windows open to the sky which allows for a great deal of sunlight, and as I meandered around I noticed a beautiful crucifix near the confessional. The strong rays of sunshine illuminated the face of Christ just enough to encourage one to examine their conscience one last time before entering into Sacrament of Confession.
    Crocifisso accanto al Confessionale ..etta
  • “Ca 'Rezzonico Civic Museums Foundation of Venice and in the distance the watchful bell tower of the Church of San Samuele”…<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating.  We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Ca' Rezzonico Fondazione Musei Civic..uele
  • “The Basilica of Santa Maria della Salute Venice radiates in the distance on the Grand Canal –   Vignette”… <br />
<br />
Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God."<br />
The Basilica di Santa Maria della Salute, commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a prominent position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite reverently quaint interiorly.
    La Basilica di Santa Maria della Sal..ette
  • "Light from Heaven - Sistine Chapel - Basilica of Santa Maria Maggiore Rome"... <br />
<br />
After Mass in the Crucifix Chapel on the second morning of the inaugural Pilgrimage I organized, we were joined by our Roman tour guide for the day. As we listened and ventured around the glorious Basilica, my eyes and camera began to wander. I became stupefied by the grand chapel to the right of the main altar with the rising sun peering through the window just below the cupola. I discreetly wandered in and out in hopes it would shine upon the Holy Crib. On my 4th attempt, my judicious endeavor was rewarded. A young woman in a splendid white dress walked directly into the heavenly light. Her luminescence and celestial reverence gave the appearance of a wondrous and radiant angel in admiration of the sacred relic. The right transept is called the Sistine Chapel, containing the elaborate tomb of Pope Sixtus V (1521-90) and decorated with frescoes and reliefs of events from his reign. The chapel centers on a reliquary containing part of the Holy Crib, and the burial place of Saint Jerome, the 4th-century Doctor of the Church. The Patriarchal Basilica of St. Mary Major reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God.
    La luce dal Paradiso - Cappella Sist..Roma
  • “A Million Faces of Jesus by Dino Carbetta – Resplendent”…<br />
<br />
“God of every nation and people, from the very beginning of creation you have made manifest your love: when our need for a Savior was great you sent your Son to be born of the Virgin Mary. To our lives, he brings joy and peace, justice, mercy, and love.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. Battle against Evil: Finally, draw your strength from the Lord and from his mighty power. Put on the armor of God so that you may be able to stand firm against the tactics of the devil. For our struggle is not with flesh and blood but with the principalities, with the powers, with the world rulers of this present darkness, with the evil spirits in the heavens. Therefore, put on the armor of God, that you may be able to resist on an evil day and, having done everything, to hold your ground. So stand fast with your loins girded in truth, clothed with righteousness as a breastplate, and your feet shod in readiness for the gospel of peace. In all circumstances, hold faith as a shield, to quench all [the] flaming arrows of the evil one. And take the helmet of salvation and the sword of the Spirit, which is the word of God.  EPHESIANS, 6:10-17
    Un Milione di volti di Gesù di Dino ..ente
  • “Iridescent Venetian Sunset”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images. Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload. Canal sunsets became the norm of my three glorious days in Venice.
    Iridescente Veneziano Tramonto
  • “Coronation of the Virgin above the Altar - Santa Maria Maggiore”…<br />
<br />
The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. Behind the triumphal arch is the central apse, whose mosaic, dating to the 1200s, is an incredible euphoric vision. Mary and Jesus sit together at the center of the half-dome enthroned. Below the mosaic is four-pointed windows, which are the earliest examples of gothic architecture in Rome. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God. The apse mosaic, depicting the Coronation of the Virgin, is from the late 13th century, by the Franciscan friar, Jacopo Torriti.
    Incoronazione della Vergine sopra l'..iore
  • “Chapel of the Blessed Sacrament - Adoration of the Shepherds Duomo di Siena”... <br />
<br />
Located at the corner between the right transept and the presbytery, in a position corresponding to the Chapel of Sant'Ansano, the Chapel of the Blessed Sacrament occupies this span. The altarpiece is a canvas depicting the Adoration of the Shepherds by Alessandro Casolani beginning in 1594. The Duomo in Siena lies in a piazza above the Piazza del Campo, a great Gothic building filled with treasures by Pisano, Donatello, Bernini, and Michelangelo as well as frescoes by Pinturicchio. Originally completed in 1263, the 14th century inspired an ambitious attempt to transform the cathedral into the largest temple in all of Christendom, which would dwarf even St. Peter's in Rome. The already-large Duomo would form just the transept of this huge cathedral. In 1348, the Black Death swept through the city and killed 4/5 of Siena's population. The giant cathedral was never completed, and the half-finished walls of the New Cathedral survive as a monument to Siena's ambition and one-time wealth. The magnificent complex of the Cathedral of Siena houses a series of some of the most important monuments of the European artistic panorama. If I was asked to choose only one place that represented the great history of art, architecture, culture, and faith in all of Italy…one would be hard-pressed to find a more complete portfolio than the Cathedral of Siena. I found myself awe-inspired just walking up and facing the elegant façade, striped walls and pillars, and massive size. Upon entering the nave, one is overwhelmed with a plethora of artistic expression and great beauty placed in every available space. From its dome, stained glass, frescos, sculptures, and to what is said to be the most magnificent marble floor in history…it is worth every minute.
    Cappella del Santissimo Sacramento -..iena
  • “A Million Faces of Jesus by Dino Carbetta – Mist”…<br />
<br />
Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. Battle against Evil: Finally, draw your strength from the Lord and from his mighty power. Put on the armor of God so that you may be able to stand firm against the tactics of the devil. For our struggle is not with flesh and blood but with the principalities, with the powers, with the world rulers of this present darkness, with the evil spirits in the heavens. Therefore, put on the armor of God, that you may be able to resist on the evil day and, having done everything, to hold your ground. So stand fast with your loins girded in truth, clothed with righteousness as a breastplate, and your feet shod in readiness for the gospel of peace. In all circumstances, hold faith as a shield, to quench all [the] flaming arrows of the evil one. And take the helmet of salvation and the sword of the Spirit, which is the word of God.  EPHESIANS, 6:10-17   Thank you for your prayers!
    Un Milione di volti di Gesù di Dino ..chia
  • “I saw the Spirit descend like a Dove - Painting by Dino Carbetta – Azure”…<br />
<br />
Acts 2:1-4 “When the time for Pentecost was fulfilled, they were all in one place together. And suddenly there came from the sky a noise like a strong driving wind, and it filled the entire house in which they were. Then there appeared to them tongues as of fire, which parted and came to rest on each one of them. And they were all filled with the Holy Spirit and began to speak in different tongues, as the Spirit enabled them to proclaim. Jn 20:19-23 “On the evening of that first day of the week, when the doors were locked, where the disciples were, for fear of the Jews, Jesus came and stood in their midst and said to them, “Peace be with you.” When he had said this, he showed them his hands and his side. The disciples rejoiced when they saw the Lord. Jesus said to them again, “Peace be with you. As the Father has sent me, so I send you.” And when he had said this, he breathed on them and said to them, “Receive the Holy Spirit. Whose sins you forgive are forgiven them, and whose sins you retain are retained.”
    Ho visto lo Spirito scendere come un..urro
  • “Saint Jude the Apostle – Painting by Dino Carbetta” …<br />
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St. Jude is the Patron Saint of Hope and impossible causes and one of Jesus’ original twelve Apostles. He preached the Gospel with great passion, often in the most difficult circumstances. Through the power of the Holy Spirit, he made profound differences in people's lives as he offered them the Word of God. The Gospel tells us that St. Jude was a brother of St. James the Less, also one of the Apostles. They are described in the Gospel of Matthew as the "brethren" of Jesus, probably cousins. St. Jude is often confused with Judas Iscariot who betrayed Jesus. St. Jude is traditionally depicted carrying the image of Jesus in his hand. This recalls one of his miracles during his work spreading the Word of God. King Abgar of Edessa asked Jesus to cure him of leprosy and sent an artist to bring him a drawing of Jesus. Impressed with Abgar’s great faith, Jesus pressed His face on a cloth, leaving the image of His face on it. He gave the cloth to St. Jude, who took the image to Abgar and cured him. After the death and resurrection of Jesus, St. Jude traveled throughout Mesopotamia, Libya, and Persia with St. Simon preaching and building up the foundations of the early Church. St. Jude died a martyr death for his unwavering faith. His body was later brought to Rome and placed in a crypt under St. Peter's Basilica. Over the ages, many people in desperate need have turned to Saint Jude in prayer. Saint Bridget of Sweden said she was directed in a vision to pray with deep faith and confidence to Saint Jude. She stated that Christ told her, “Following his surname, Thaddeus, the amiable or loving, Saint Jude will show himself most willing to help.” Today, Saint Jude continues to be one of the most popular and beloved Saints, a trusted heavenly intercessor for all those seeking God’s assistance during times of family crisis, sickness, and trouble, especially when all hope seems lost.
    San Giuda Apostolo - Dipinto di Dino..etta
  • “Father Peek raises the chalice for adoration - The New Church of San Francesco in Assisi – Luminescense”…<br />
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The reflection of Father Peek in “The Elevation of the Host and Chalice” is after genuflection in adoration. The priest raises them both so that the Faithful may also adore Jesus Christ, true God, and true Man present on the altar. Look at the sacred Body and Blood of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things." A more ancient elevation of Host and Chalice occurs in the Mass of the Roman Rite while the priest speaks the concluding doxology of the Eucharistic Prayer: Per ipsum et cum ipso et in ipso est tibi Deo Patri omnipotenti in unitate Spiritus Sancti omnis honor et gloria per omnia saecula saeculorum (Through him, and with him, and in him, O God, almighty Father, in the unity of the Holy Spirit, all glory and honour is yours, forever and ever). The presence in the Roman Rite of this elevation can be traced back at least to the ninth century. The Chiesa Nuova is a church in Assisi, Italy, built in 1615 on the site of the presumed birthplace of St. Francis, the house of Pietro di Bernardone. It was then called Chiesa Nuova because it was the last church to be built in Assisi at that time. This Church appears as a small basilica, and on our first morning in Assisi of my Pilgrimage of 2019, Father Peek offered a venerable Mass. Two of our Pilgrimage couples renewed their vows during the celebration and an abundance of blessings were bestowed upon the faithful. The specular window light from high above the altar once again illuminates the Body and Blood of Christ as the Holy Spirit descends.
    Padre Peek solleva il Calice per L'a..ense
  • "Saint Helena holding the cross - Santa Croce in Gerusalemme, Rome"...<br />
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The Basilica of the Holy Cross in Jerusalem is located in Rome, in the Esquilino quarter, close to the Aurelian Walls and the Castrense Amphitheatre, between the Basilica of St. John Lateran and Porta Maggiore. The Basilica of the Holy Cross is part of the route of the “Seven Churches” that ancient pilgrims used to visit on foot. Several sources, including an inscription in the church, verify that the Sessorian Palace was owned by the empress St. Helen (c.255-330), Constantine's mother. From the end of the 4th century, it was said that St. Helen had made a pilgrimage to the Holy Land, during which she discovered the True Cross on which Christ was crucified and many other relics. It was also said that she wished to set up a shrine in Rome for pilgrims who could not travel to Jerusalem. The first room of the chapel has a Roman-era statue of St. Helen holding the cross. Beneath the statue is a floor believed to contain soil from the Holy Land. Under the protective glass covering the soil are many paper prayers from the faithful. Fragments of the cross were circulating in the West by 348 AD. The earliest historical record of the church, dated to 501 AD, refers to it as "Hierusalem basilica Sessoriani palatii." Architecturally, it is notable that the 4th-century Chapel of St. Helen is quite similar in design to a martyrium that was erected by Constantine in Jerusalem to house a fragment of the True Cross. In 1492, a dramatic discovery was made in the course of repairs to a mosaic: a brick inscribed with the words TITULUS CRUCIS (Title of the Cross). Sealed behind the brick was a fragment of an inscription in wood, with the word "Nazarene" written in Hebrew, Latin, and Greek. The Title is mentioned in all four Gospel accounts. This was our first stop on our Pilgrimage of 2019 in Italy. A very propitious, historical, and spiritual beginning to a monumental journey in The Eternal City.
    Sant'Elena con in mano la croce - Sa..Roma
  • “Luminous Madonna - Santa Maria Maggiore in Assisi - Painting by Dino Carbetta”…<br />
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The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built on this site close to the Roman city walls in the 4th century. The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. The interior has a basilica plan with three naves, separated by pillars. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal their age and status throughout history. Hail Mary, full of grace, the Lord is with you. Blessed are you among women, and blessed is the fruit of your womb, Jesus. Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death. Amen.
    Luminous Madonna - Santa Maria Maggi..etta
  • “Crucifixion beyond the entrance to the Abbey of Santa Giustina – Padua”…<br />
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Our Pilgrimage finally arrived in Padua and after lunch, we discovered the Abbey of Santa Giustina attached to the Basilica built in the 6th century. It contains the relics of multiple saints (including those of St. Luke the Evangelist). Shaped in the form of a Latin cross, the prodigious Basilica of St. Giustina is one of the most colossal in all of Christianity. The grandeur of the building is enhanced by the Prato della Valle which it overlooks. There are 3 main chapels: the presbytery and 2 chapels for Saints Luke and Matthew that form the transepts and each aisle has six small chapels. The Abbey and the Basilica of St. Anthony were two of my foremost surprises and a must-see on a Pilgrimage to Italy. Unfortunately, pictures were allowed only in St. Giustina, but not in the latter. Initially, I was a bit overwhelmed at the imposing wide open space of the Basilica. The high altar seemed an eternity away. It is difficult to give one a perspective of just how spacious and immense many of these basilicas can be, not only in pictures but in words. The colorful geometric marble floor leads one to the main altar, but only adds to the great depth, size, and dimension of the Basilica. A curiously placed Crucifix standing about 6’ tall is located just inside the colossal nave and appears diminutive below the 26 pillars supporting the 8 cupolas. As most basilicas are traditionally dark depending on the sunlight, the Crucifix was almost a complete faint silhouette only lit by the dome windows above the altar. Standing as close as possible with a telephoto perspective, I was able to reverse the impression of size and portray the grandiosity Christ deserves, as well as the original artist. The distant window light bled over the body and illuminated the darkness. The glow of the original beauty has become radiant. Framed by the brilliant distant archways, the Crucifixion becomes transformed.
    Crocifissione oltre l'ingresso dell'..dova
  • "Sun hiding behind the Macuteo Obelisk - Roman Pantheon"...<br />
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Eventually, one discovers that God finds a way where there is none. A very crowded Pantheon at 3:00 PM in the bright afternoon made creative photography impossible. However, getting on my knees and placing the sun behind the cross of the Obelisk created a phenomenal appeal. All are original, including the landing dove/pigeon and sun flare. The Obelisk was originally built by one of the most famous Egyptian Pharaohs about 1300 years before Christ by Pharaoh Ramses II for the Temple of Ra in Heliopolis and brought to Rome in ancient times. It was rediscovered in 1374 underneath the apse of the nearby Basilica of Santa Maria Sopra Minerva. In the mid-15th century, the obelisk had been erected in the small Piazza di San Macuto some 200 meters east of the Pantheon, where it remained until its 1711 move to the Piazza della Rotonda. It is still called the Obelisco Macutèo after its previous location. Fontana del Pantheon was constructed by Giacomo Della Porta under Pope Gregory XIII in 1575, and the obelisk was added under Pope Clement XI. The city of Rome harbors the most obelisks in the world. There are eight ancient Egyptian and five ancient Roman obelisks. The Romans used special heavy cargo carriers called obelisk ships to transport the monuments down the Nile to Alexandria and from there across the Mediterranean Sea to Rome. On-site, large Roman cranes were employed to erect the monoliths. The obelisk is crowned by a bronze cross, the symbol of Jesus Christ. One idea that can be drawn from this is that Christianity—the cross of Jesus Christ—conquers paganism.  Another idea is that the obelisk represents the human desire for God which is only fulfilled in the Cross of Christ.
    Domenica di nascondersi dietro il Ma..heon
  • “Organic Venice - Perpetual Evolution of Splendor, Harmony, and Color” …<br />
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I am not sure if I am the first to describe Venice as “organic;” however, there has never been a more perfect description to define Venice’s ever-changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the dynamic light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at the first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became a passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. This image was captured along a small canal in front of The Santa Maria Gloriosa dei Frari (St. Mary of the Friars), known locally as Frari, one of the great churches of Venice. Ironically, before my Italian journey, I read Rick Steve’s travel book on Italy and watched all of his shows made in Italy. It seemed every American tourist had his book in their hands following closely every piece of advice he offered. As I pondered my impending images, I looked up and there was Rick about 20 feet in front of me. Sometimes one has moments of brilliance, and mine was to yell…"Hey, Rick” and snap a photo when he looked. He smiled as I walked up and shook his hand, and dumbfoundedly I shared how much he contributed to my tour. He was very gracious as we spoke for about five minutes and then he continued producing his next PBS show on the Venice Lagoon including his favorite church, The Frari. As I walked away shocked by my accidental meeting, the clouds parted and the light transformed a perfect ambiance along this tiny, yet majestic canal.
    Venezia organica - evoluzione perpet..lore
  • “Baldachin Golden Angel Candelabra - Santa Maria Maggiore in Rome”…<br />
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On our Pilgrimage of 2019, the second morning in Roma began with Mass at the Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. This was my second visit to this perfect Bellissimo Basilica where I found familiar faces and comfort in this exquisite sanctuary. The spiritual treasures found here are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. I could not find the artist who sculpted this lifelike larger than life gold angel, but his expression welcomes all to the blessings of God and His Church. Pope Benedict XVI, speaking about Pope John Paul II of suffering and his love of the Holy Mother; “in that last Easter Sunday of his life, the Holy Father, marked by suffering, came once more to the window of the Apostolic Palace and one last time gave his blessing Urbi et Orbi (‘to the city and to the world’). “We can be sure that our beloved pope is standing today at the window of the Father’s house, that sees us and blesses us. Yes, bless us, Holy Father. We entrust your dear soul to the Mother of God, your Mother, who guided you each day and who will guide you now to the glory of her Son, our Lord Jesus Christ. Amen.”
    Baldacchino oro Angelo Candelabra - ..Roma
  • “The Basilica of Santa Maria della Salute Venice radiates in the distance on the Grand Canal- Ultramarine blue”…<br />
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Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God." The Basilica di Santa Maria della Salute, commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a conspicuous position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite reverently quaint interiorly.
    La Basilica di Santa Maria della Sal..mare
  • “View from the Grand Canal of the church of San Giorgio Maggiore in Venice”…<br />
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The first church on the island was built about 790, and in 982 the island was given to the Benedictine order by the Doge Tribuno Memmo. The Benedictines founded a monastery there, but in 1223 all the buildings on the island were destroyed by an earthquake. Andrea Palladio, an Italian Renaissance architect active in the Venetian Republic was commissioned for the rebuild. Palladio, influenced by Roman and Greek architecture, is widely considered to be one of the most influential individuals in the history of architecture, began the rebuild in 1560 and made dramatic improvements. The campanile was rebuilt in neo-classic style and completed in 1791. It was ascended by ramps and now an elevator to the top for panoramic views of Venice. The facade is brilliantly white and represents Palladio's solution to the difficulty of adapting a classical temple facade to the form of the Catholic Basilica. Two very large paintings by Tintoretto relate to the institution of the Eucharist and are located on either side of the presbytery, where they can be seen from the altar rail. “The Last Supper” and “The Jews in the Desert” (collecting and eating the manna, a gift of God to the Israelites in the Desert after they escaped Egypt, which foretells the gift of the Eucharist). Claude Monet painted a series of paintings of the island Monastery of San Giorgio Maggiore in 1908 during the artist's only visit to the city. One of the best known is “San Giorgio Maggiore at Dusk”, which exists in two versions. Monet completed his paintings of Venice at home in France and in 1912 showed them in Paris. Buyers included the Welsh collector Gwendoline Davies, who bought three paintings. This vision of the Church of San Giorgio is iconic and famous worldwide. My image capture while upon an evening boat excursion appears theatrical as if the majestic church is posing for yet another Venetian canvas.
    Vista dal Canal Grande della chiesa ..ezia
  • "Luminous Madonna - Santa Maria Maggiore in Assisi"...<br />
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The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built in this site close to the Roman city walls in the 4th century. The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. The interior has a basilica plan with three naves, separated by pillars. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal its age and status throughout history.
    Luminous Madonna - Santa Maria Maggi..sisi
  • "Father Peek elevates the Host for Adoration - The Church of Santo Spirito in Sassia"... <br />
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This image is one of my favorites and the most poignant of our 2019 Pilgrimage. On our fourth gentile morning in Roma before leaving for Sorrento, we walked from our hotel to the Bellissimo Santo Spirito for Mass. Located just steps from St. Peter’s Basilica, the church is the center of the Divine Mercy established by St. John Paul II. Each day at 3 p.m. the congregants assemble to pray the Divine Mercy Chaplet in this reverent sanctuary containing St. Faustina Kowalska and St. John Paul II relics. The church is distinguished for its beautiful and pious artistic and aesthetic adornment, yet, also has a long history of bringing mercy to the human spirit and body. In the eighth century, a church called Santa Maria in Sassia was dedicated to the Virgin Mary. The name of the church comes from “the Saxon school,” where pilgrims from Northern Europe and Saxon nations received their first spiritual and material assistance. In 1198, at the request of Pope Innocent III, the first “Holy Spirit Hospital” in Europe was built adjacent to the church. The chapel on the right side is dedicated to The Divine Mercy and to Saint Faustina where the “The Apostle of The Divine Mercy” statue resides with her reliquary donated by the Holy Father John Paul II. The reflection of Father Peek in “The Elevation of the Host” is after genuflection in adoration. The priest raises the Host so that the Faithful may also adore Jesus Christ, the true God, and true Man present on the altar. Look at the sacred Body of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things."
    Padre Peek Eleva Consacrata l'ostia ..ssia
  • "San Maurizio Canal Venice"...<br />
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The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass in the sacristy. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Canale di San Maurizio Venezia
  • “Spring Mystical Reflections of Villa Borghese – Rome”…<br />
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Villa Borghese in Roma is a famous Garden and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus. Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and give time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Primavera Riflessioni Mistiche di Vi..Roma
  • “Notre Dame de Bétharram Our Lady of the Beautiful Branch Crowned by Pius X - Santa Maria dei Miracoli Rome - Painting by Dino Carbetta”…<br />
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The church of Santa Maria dei Miracoli completed in 1675 is one of two twin churches that stand like sentinels at the beginning of Via del Corso as it leaves the Piazza del Popolo. The accompanying church is Santa Maria in Montesanto. Built by Carlo Rainaldi, the two churches are seemingly indistinguishable from the exterior, however unique inside. The first chapel on the right-hand side has an altar dedicated to Our Lady of Bétharram, named after a shrine near Lourdes. It contains a copy of Renoir's Madonna at Bétharram and this beautifully famous statue. The order of the Priests of the Sacred Heart, who minister this church, was founded at Bétharram. The Abbot Orsini wrote: “Our Lady of Betharam, in the Diocese of Lescar, in the Province of Bearn. This image was found, in the year 1503, by some shepherds, who, seeing an extraordinary light on the spot where the High Altar of the Chapel now stands, came up to it and found there, an image of Our Lady, for which they had a Chapel built immediately.” “Lord Jesus, you are the source and lover of life. Reawaken in us respect for every human life. Help us to see in each child the marvelous work of our Creator. Open our hearts to welcome every child as a unique and wonderful gift. Guide the work of doctors, nurses, and midwives. May the life of a mother and her baby in the womb be equally cherished and dignified. Help those who make our laws to uphold the uniqueness and sacredness of every human life, from the first moment of conception to natural death. Give us wisdom and generosity to build a society that cares for all. Together with Mary, your Mother, in whose womb you took on our human nature, Help us to choose life in every decision we make. We ask this in the joyful hope of eternal life with you, and the communion of the Blessed Trinity. Amen.”
    Notre Dame de Bétharram Nostra Signo..etta
  • “Explosion of light above the Papal Basilica of San Francesco d'Assisi - Winter Pointillism - Painting by Dino Carbetta”…<br />
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Carol of the Bells: Hark how the bells, sweet silver bells, all seem to say, throw cares away Christmas is here, bringing good cheer, to young and old, meek and the bold. Ding dong ding dong that is their song with joyful ring all caroling. One seems to hear words of good cheer from everywhere filling the air. Oh how they pound, raising the sound, o'er hill and dale, telling their tale. Gaily they ring while people sing songs of good cheer, Christmas is here. Merry, Merry, Merry, Merry Christmas, Merry, Merry, Merry, Merry Christmas. On on they send, on without end, their joyful tone to every home. Ding dong ding... dong! “On that day, “Holy to the LORD” will be written on the horses’ bells. The pots in the house of the LORD will be as the basins before the altar.”~ Zechariah 14:20
    Esplosione di luce sopra la Basilica..etta
  • “Giving seed to the One who sows, Snow - Painting by Dino Carbetta”…<br />
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[Isaiah 55:10-13] “Yet just as from the heavens the rain and snow come down And do not return there till they have watered the earth, making it fertile and fruitful, Giving seed to the one who sows and bread to the one who eats, So shall my word be that goes forth from My mouth; It shall not return to me empty but shall do what pleases me, achieving the end for which I sent it. Yes, in joy you shall go forth, in peace you shall be brought home; Mountains and hills shall break out in song before you, and all trees of the field shall clap their hands. In place of the thornbush, the cypress shall grow, instead of nettles, the myrtle. This shall be to the LORD’s renown, as an everlasting sign that shall not fail.”
    Dare seme a Colui che semina, Neve -..etta
  • “Immaculate, Queen and Mother of the Church - Painting by Dino Carbetta”…<br />
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St. Maximilian Maria Kolbe once asked the Immaculate Conception, "Who are you?" He deduced that she was not God, Adam, Eve, or the Incarnate Word. The Immaculate Conception, Mary, is different from the children of Eve as they are conceived with original sin while she is not. She is the only Immaculate Conception, and her union with the Holy Spirit is the pinnacle of love, where the Uncreated Love is joined with the created love. St. Bernadette Soubirous was told by the Virgin Mary, "I am the Immaculate Conception," and St. Francis of Assisi referred to Mary as the Spouse of the Holy Spirit. St. Maximilian Kolbe explained that the union between Mary and the Holy Spirit was an interior one, where the Holy Spirit dwells in her since the moment of her existence and will continue to do so for eternity. Mary's virginal womb is reserved for the divine life of the God-Man. I find inspiration in St. Maximilian's prayer and reflect on it while viewing a painting of the Immaculate Conception as I recite the Immaculate Prayer daily.
    Immacolata, Regina e Madre della Chi..etta
  • “The New Church birthplace of St. Francis of Assisi”…<br />
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This photograph was created while approaching Chiesa Nuova (New Church) at the same time an elderly Italian man was entering for worship and prayer. As I entered the beautiful small church, a Franciscan Monk working inside saw me and without reluctance, rose from his desk and graced me with a half-hour tour speaking entirely in Italian. He never hesitated and he never assumed that I was not fluent in Italian; yet, he continued to entrust me with every detail of what looked like a mini Basilica. As we ventured around, he explained every nuance, even the crypt where Saint Francis’ parents reside. Upon completion of the tour, he shook my hand, gave me a gentle embrace, and bestowed a blessing in Italian. While not understanding the language, I left with gratitude and amazement …yet, somehow, I understood his every word.
    La Chiesa Nuova luogo di nascita di ..sisi
  • "Archangel Gabriel - Doge's Palace San Marcò Venice"... <br />
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In the Old Testament, Gabriel prevented Abraham from slaying his son Isaac and encouraged Noah to stow animals into the Ark. In the New Testament, Gabriel declared to Mary (and Joseph) that she was pregnant by the Holy Spirit, which is why this Gabriel is holding an Annunciation lily. In the book of Revelation, Gabriel blows his horn to announce Judgement Day. St Mark’s Basilica is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco and adjoins the Doge's Palace. St. Mark’s Square and the Basilica are the central tourist focal points and the most populous in Venice. The relics of the Biblical Gospel author, Saint Mark, have resided in the Basilica since 828 AD. There are more than 85,000 square feet of luminous mosaics in St. Mark’s Basilica. The mosaics were accomplished over 8 centuries, mostly in gold, and the result is astonishing. It's especially resplendent just before sunset when the sun's dying rays set the golden mosaics ablaze. As I headed for the exit, I noticed a very steep staircase and followed it upward. I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica. In the museum, I did take a few veiled photos of the very famous original four horses dating from Classical Antiquity which are duplicated in front of the Basilica. Meandering outside on the rooftop, I became mesmerized by the multitude of historic artwork residing on high. This knowledgeable and finally crafted saintly angel, Gabriel stood atop the nearest column adjacent to the rooftop, a close-up view not often seen.
    Arcangelo Gabriele - Palazzo Ducale ..ezia
  • “Pieta - Church of Saint Moses Venice - BW”… <br />
<br />
Sixth Sorrow: The Crucifixion and Descent from the Cross: After this, Joseph of Arimathea, secretly a disciple of Jesus for fear of the Jews, asked Pilate if he could remove the body of Jesus. And Pilate permitted it. So he came and took his body” (Jn 19:38). Saying, “It is finished,” Jesus bows his head and dies. Mary remembers his words at the Passover meal: “This cup is the new covenant in my blood, which will be shed for you” (Lk 22:20). The dreaded time is now: the precious blood of her son is poured out for all humankind. The covenant is sealed. Jesus, her son, the Son of God, is dead. In her heart, Mary dies with him. Two broken hearts—one pierced with a spear, one pierced with sorrow—become one: Jesus and Mary, forever united for the whole human family. Mary’s sorrow is all the greater because of the greatness of her love. Jesus’ body is taken down from the cross and placed in her arms. Mary embraces her son with a love beyond words, beyond grief itself. For now, it is the grief of a consummate sorrow. She, who had given birth to divinity, now presses the bloodied and battered remains of his humanity close to her sorrowful and shattered heart. “Let it be done according to thy will, Lord,” she prays. Our first stop was Chiesa di San Moisè, built initially in the 8th century. It is dedicated to Moses, and like the Byzantines, the Venetians often considered Old Testament prophets as canonized saints. It also honors Moisè Venier, the aristocrat who funded the reconstruction during the 9th century. San Moisè is the parish church of one of the parishes in the Vicariate of San Marco-Castello. The elaborate Baroque facade, dating from 1668, is profusely decorated with sculpture. This Bellissimo Pietà is by Antonio Corradini, the famous Italian Rococo sculptor. We continued to the Basilica dei Frari which was foremost and Chiesa di San Geremia to visit St. Lucy.
    Pieta - Chiesa di San Moisè Venezia - BW
  • “Father Peek elevates the Host for Adoration - The Patriarchal Cathedral Basilica of San Marco Venice”…<br />
<br />
The last day of our Pilgrimage of 2019 was spent in Venice. Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass offered by our Father Peek. Our last Mass of 2 weeks of travel throughout Italy could not have ended in a more appropriate location. My first visit to Venice was in 2012 like all tourists, I waited in line at St. Marks Basilica and was rushed through with limitations. The crowds and speed in which they pushed us through was quite underwhelming. Our Pilgrimage of 2019 reserved a special appointment for Mass in the Basilica’s main Sacristy. Father Peek once again offered a reverent Mass, and I was able to capture this blessed moment. Father in now a military Chaplin and will be deployed one year from March 2020. A more giving and blessed Priest would be difficult to find, please keep him in your prayers! One more thing about Father Peek, he truly loves his job! We discussed another Pilgrimage to Italy in the autumn of 2021, it will be life changing, please join us. I was not allowed further images on the rest of the tour of St. Marks, but the intensive back-room maze we were lead to and from our destination gave me the spiritual, historical, and reverent image in my heart and soul that I so desired from this magnificent structure and its contents. I was quite overwhelmed with the ancient beauty, and the fact St. Mark watches over his earthly home with a Fatherly Spirit. To me, Venice is intoxicating and a place of passion, and it all begins at the Cathedral of St. Marks.
    Padre Peek eleva I'Host per l'Adoraz..ezia
  • “The evening sun illuminates the Angels guarding the Papal Archbasilica of San Giovanni in Laterano – Rome”…<br />
<br />
A familiar grandeur and ambiance welcomed us to Roma on the first evening Mass of our 2019 Pilgrimage. As the evening sun descended through the windows above the grand hallways where Priest of many languages offered Confession during the daytime, I took advantage of the opportunity with an Italian Priest speaking in his native language...a great blessing! Dedicated to St. John the Baptist and St. John the Evangelist, the Basilica of St. John Lateran is the first among the four major basilicas of Rome. It is also the Cathedral of the Bishop of Rome, the Pope, and is thus known as the "Cathedral of Rome and of the World." Built by Constantine the Great in the 4th century, San Giovanni in Laterano was the first Christian/Catholic church erected in Rome. The present structure of the Basilica resembles Saint Peter's Basilica, and the ancient church was residence of the Papacy until the (1377) return from exile in Avignon and permanent relocation to the Vatican. Many Popes were responsible for repair and additions to the Basilica’s overall splendor and importance throughout the last 1700 years. This image was inspired upon noticing dozens of tiny cherub angels holding up the archways of a long and narrow hallway leading to a sacred and Holy Door of the Archbasilica. Each angel is unique and has a different face and expression. One cannot help being overcome with humility observing the veneration of the Basilica’s Piccoli Angeli protecting all the wondrous souls within.
    Il sole della sera illumina gli Ange..Roma
  • "The sun sets like fire in the sky above the Papal Basilica of St. Francis of Assisi"...<br />
<br />
The seventh morning of our Pilgrimage, we sorrowfully said goodbye to the majestic Sorrento and set out to find the spiritual mecca of Assisi. The excitement of Saint Francis' tiny mountaintop walled village perked our eyes toward the bus windows. Hotel Giotto welcomed all!  An evening Mass with Fr. Peek in the PAX Chapel (a small underground sanctuary in Saint Francis Basilica) hosted our celebration. Mass was celebrated in honor of the wedding anniversary of Bill and Bardeen Dunphy from Atlanta, GA. I cannot say enough about the wonderful quality of people and Catholics in which I had the honor to accompany on our Pilgrimage. A small group of only 12, but mighty in character, affection, spirituality, and compassion. Bill and Bardeen epitomized this nature and shared their love will all our Pilgrims and those who witnessed our gatherings. We were also blessed by a humble, yet charismatic Priest, Father Kevin Peek. He seemed to know every other person in Italy, and subsequently, we all found new friends at dinner time. I cannot honestly conclude a more perfect Pilgrimage Priest than Father, and he was the epitome of a Spiritual guide. He not only celebrated Mass each morning in the most beautiful and prestigious Basilica’s in the world, he also led nighttime rosary walks through the Italian Strada, offered confession, interjected stories of the Saints, discussed all Italian epicurean delights with great enthusiasm, and spread the word and love of God to anyone who would listen.  After Mass, the sun once again glowed as it set behind Saint Francis Basilica. There is probably not a more exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate artist of capture.
    Il sole tramonta come fuoco nel ciel..sisi
  • “Three-dimensional artistic impression of the Crucifix in the Abbey of Santa Giustina – Padua”…<br />
<br />
Our Pilgrimage finally arrived in Padua and after lunch, we discovered the Abbey of Santa Giustina attached to the Basilica built in the 6th century. It contains the relics of multiple saints (including those of St. Luke the Evangelist). Shaped in the form of a Latin cross, the prodigious Basilica of St. Giustina is one of the most colossal in all of Christianity. The grandeur of the building is enhanced by the Prato della Valle which it overlooks. There are 3 main chapels: the presbytery and 2 chapels for Saints Luke and Matthew that form the transepts and each aisle has six small chapels. The Abbey and the Basilica of St. Anthony were two of my foremost surprises and a must-see on a Pilgrimage to Italy. Unfortunately, pictures were allowed only in St. Giustina, but not in the latter. Initially, I was a bit overwhelmed at the imposing wide open space of the Basilica. The high altar seemed an eternity away. The colorful geometric marble floor leads one to the main altar, but only adds to the great depth, size, and dimension of the Basilica. A curiously placed Crucifix standing about 6’ tall is located just inside the colossal nave and appears diminutive below the 26 pillars supporting the 8 cupolas. As most basilicas are traditionally dark depending on the sunlight, the Crucifix was almost a complete faint silhouette only lit by the dome windows above the altar. I wanted to create an impression of depth in the crucifix itself transposed against the massive Basilica and distance of the architecture. It took several days and many failures, however, I was finally able to find the three dimensions of Christ I was searching for. The glow of the original beauty has become radiant. Framed by the brilliant distant archways, the Crucifixion becomes transformed.
    Impressione artistica tridimensional..dova
  • "Madonna and Child with Saints - Chapel of the Franciscan Saints - Basilica dei Frari Venice"...<br />
<br />
The altarpiece is depicting the Madonna and Child enthroned. To His right are St. Clare, St. Bonaventure, St. Francis and St. Mark; behind the head of the client: father Antonietto da Venezia; to the left: St. John the Baptist, St. Anthony, St. Louis d'Anjou (Bishop of Toulouse) and Saint Andrew. The artist is Bernardino Licinio and completed in the year 1524. The Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed to sneak a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a very large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and necessitated by the very large church. This masterpiece of Madonna and Child is a central theme of all the dramatic chapels around Frari to the delight of the faithful. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook such as the Basilica of Santa Maria Gloriosa dei Frari.
    Madonna col Bambino e santi - Cappel..ezia
  • "Hidden villa along the Cannaregio Canal in Tolentino Venice"...<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Nascosta villa lungo il Canale Canna..ezia
  • "The Gondoliera illuminated by the afternoon light along Rio De La Toletta Venezia"...<br />
<br />
Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Le Gondoliera illuminate dalla luce ..ezia
  • "The evening sun illuminates the panorama of the Papal Basilica of St. Francis of Assisi"...<br />
<br />
The seventh morning of our Pilgrimage, we sorrowfully said goodbye to the majestic Sorrento and set out to find the spiritual mecca of Assisi. The excitement of Saint Francis' tiny mountaintop walled village perked our eyes toward the bus windows. Hotel Giotto welcomed all! An evening Mass with Fr.Peek in the PAX Chapel (a small underground sanctuary in Saint Francis Basilica) hosted our celebration. Mass was celebrated in honor of the wedding anniversary of Bill and Bardeen Dunphy from Atlanta, GA. I cannot say enough about the wonderful quality of people and Catholics in which I had the honor to accompany on our Pilgrimage. A small group of only 12, but mighty in character, affection, spirituality, and compassion. Bill and Bardeen epitomized this nature and shared their love will all our Pilgrims and those who witnessed our gatherings. We were also blessed by a humble, yet charismatic Priest, Father Kevin Peek. He seemed to know every other person in Italy, and subsequently, we all found new friends at dinner time. I cannot honestly conclude a more perfect Pilgrimage Priest than Father, and he was the epitome of a Spiritual guide. He not only celebrated Mass each morning in the most beautiful and prestigious Basilica’s in the world, he also led nighttime rosary walks through the Italian Strada, offered confession, interjected stories of the Saints, discussed all Italian epicurean delights with great enthusiasm, and spread the word and love of God to anyone who would listen. After Mass, the sun once again glowed as it set behind Saint Francis Basilica. There is probably not a more exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate artist of capture.
    Il sole della sera illumina il panor..sisi
  • "Canal on the way to the excellent Pizzería Da Alvise Restaurant - Venice"...<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Canale sulla strada per l'eccellente..ezia
  • “Saint Anthony of Padua inside Santa Maria Sopra Minerva Assisi - Painting by Dino Carbetta” …<br />
<br />
Saint Anthony of Padua, a follower of St. Francis of Assisi, was widely celebrated and known for his reputation as a miracle worker. In fact, he was declared a Doctor of the Church by Pope Pius XII on January 16, 1946. In art, he is often depicted holding a book, a heart, a flame, a lily, or the child Jesus. Some of his authentic writings include sermons for Sundays and feast days, which were published in three volumes in 1979. The defining principle of Saint Anthony's life was his dedication to following Christ and leaving everything else behind. He consistently responded with renewed zeal and self-sacrifice to God's calls for him to fulfill His plans. Despite feeling hesitant, Anthony accepted the call to speak at an ordination where no one else was prepared. His years of prayer, Scripture reading, and service had prepared him to allow the Spirit to use his talents. His sermon was so astounding that those who expected an unprepared speech were amazed by the Spirit's power to give him the right words. Anthony was recognized as an exceptional man of prayer, a great scholar of Scripture and theology, and a prolific orator. He became the first friar to teach theology to other friars. On June 13, he fell seriously ill and requested to be taken back to Padua, where he eventually passed away after receiving the last sacraments. Saint Anthony, who was known as the finder of lost objects and causes, found himself by completely losing himself to the providence of God.
    Sant'Antonio da Padova all'interno d..etta
  • “Church of Santa Fosca bell tower above the canal of Santa Fosca Venice - Painting by Dino Carbetta”…<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. My fellow Pilgrim Patrick and I took off out of the starting gate with the notion of capturing the entirety of Venice in half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. In the maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission to Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated from the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Chiesa di Santa Fosca campanile sopr..etta
  • “Madonna with Franciscan Saints - Basilica of Santa Maria Gloriosa dei Frari – Venice”…<br />
<br />
Lk 2:22-32: “When the days were completed for their purification according to the law of Moses, Mary and Joseph took Jesus up to Jerusalem to present him to the Lord,<br />
just as it is written in the law of the Lord, ‘Every male that opens the womb shall be consecrated to the Lord, and to offer the sacrifice of a pair of turtledoves or two young pigeons,’ in accordance with the dictate in the law of the Lord. Now there was a man in Jerusalem whose name was Simeon. This man was righteous and devout, awaiting the consolation of Israel,<br />
and the Holy Spirit was upon him. It had been revealed to him by the Holy Spirit that he should not see death before he had seen the Christ of the Lord. He came in the Spirit into the temple; and when the parents brought in the child Jesus to perform the custom of the law in regard to him, he took him into his arms and blessed God, saying: ‘Now, Master, you may let your servant go in peace, according to your word, for my eyes have seen your salvation, which you prepared in the sight of all the peoples: a light for revelation to the Gentiles, and glory for your people Israel.” In the Santi Francescani's Chapel, I photographed this masterpiece by Bernardino Licinio painted in 1535 of the seated Virgin and Child. On the left are St. Francis, St. Mark, St. Bonaventura, and St. Clare. On the right are St. Anthony, St. Andrew, St. Louis, St. John the Baptist, and the face of St. Elizabeth of Hungary. Licinio's portrayal was ‘not for the nobility of expression, but the splendor of the color and sense of motion.’ The aggregate of the artwork involved in Santa Maria Gloriosa is a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. The Basilica di Frari is one of my favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur.
    Madonna con Santi Francescani - Basi..ezia
  • “The evening descends on the church of San Nicolò da Tolentino Venice - Painting by Dino Carbetta”…<br />
<br />
My second evening enjoying the mystical aura of the Veneziano light and color, I once again found myself meandering about without ever having a good idea of my destination. Leaving the hotel every morning, I always had a semblance of an idea of what I wanted to do, see, and photograph. However, Italy always seemed to change my plans turning the first corner of the day, only to fall in love once again with the cultural brilliance and colorful antiquity which personifies the Italian landscape. This was just the beginning of many mornings, days, and evenings of my Italian inauguration. As I stood gazing down the Tolentini Canal, the evening sun shone perfectly upon the campanile and tower of the Church of St. Nicholas of Tolentino. And once again, a flying seagull posed perfectly for the photo. This photograph is beautiful in its own right, but taking the time to finally capture the Venetian essence in a painting, added to the intoxicating appeal of the total allure of  Venice.
    La sera scende sulla chiesa di San N..etta
  • “Madonna and Child next to Chiesa Nuova - Birthplace of Saint Francis of Assisi”…<br />
<br />
This image was realized while approaching Chiesa Nuova (New Church), of the angelic shrine nearby. As I entered the quaint Bellissimo church, a Franciscan Monk working inside saw me and without reluctance, rose from his desk and graced me with a half-hour tour speaking entirely in Italian. He never hesitated and he never assumed that I was not fluent; yet, he continued to entrust me with every detail. This diminutive church appeared as a mighty Basilica found in the grand populations of Roma, Milano, and Firenze Italia. As we ventured about, he explained every nuance, even the crypt where Saint Francis’ parents reside. Upon completion of the tour, he graciously shook my hand, extended a gentle embrace, and bestowed a blessing in Italian. While not completely understanding his expression of the Italian language, I parted with gratitude and amazement …yet, somehow, I understood his every word. “Three things are too wonderful for me, yes, four I cannot understand.” Proverbs 30:18
    Madonna e Bambino accanto a chiesa N..sisi
  • “A million faces of Jesus by Dino Carbetta”…<br />
<br />
Daniel 10: 5-6 “As I looked up, I saw a man dressed in linen with a belt of fine gold around his waist. His body was like chrysolite, his face shone like lightning, his eyes were like fiery torches, his arms and feet looked like burnished bronze, and the sound of his voice was like the roar of a multitude.” Genesis 1:27 “God created mankind in his image; in the image of God he created them; male and female he created them.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. The blessed see God, not merely according to the measure of His likeness imperfectly reflected in creation, but they see Him as He is, after the manner of His Being. 1 Corinthians 13:12 “At present, we are looking at a confused reflection in a mirror; then, we shall see face to face; now, I have only glimpses of knowledge; then, I shall recognize God as he has recognized me.”
    Un milione di volti di Gesù di Dino ..etta
  • "Guardian Angel Helps to Illuminate the Altar of the Minor Basilica of San Lorenzo in Lucina Rome - Painting by Dino Carbetta"<br />
<br />
After a profound spiritual experience during Mass at St. Peter's Basilica and an awe-inspiring tour of the Vatican, my friend and fellow pilgrim, Patrick, and I found ourselves uplifted during our lunchtime conversation. We set our sights on the enchanting Piazza del Popolo, with the renowned Caravaggio paintings housed in the Basilica of Santa Maria del Popolo calling to us. On my previous attempts, these masterpieces, "Crucifixion of Peter" and "Conversion of Saint Paul," seemed elusive, always obscured by a security guard who would promptly close the chapel door and turn off the lights. However, this time, luck was on our side. As we approached the Basilica, we discovered it undergoing reconstruction. Once inside, we were met with darkness and disarray, making locating the chapel challenging. Suddenly, a ray of light pierced through the shadows, revealing the Caravaggio paintings steps away and we swiftly captured the moment with our cameras. Alas, our euphoria was short-lived as a mysterious guard promptly turned off the lights again. Despite the fleeting encounter, we left the Basilica with our hearts racing from the exhilarating experience. Immersing ourselves further in the atmosphere of Rome, we stumbled upon the picturesque neighborhood of Lucina and settled into a charming bistro for an aperitivo. To our delight, the ancient Basilica of St. Lawrence, dating back to 366 AD, stood adjacent to our table, beckoning us to explore its history and beauty. Stepping into the Basilica, a brilliant stream of sunlight bathed a majestic angel statue with a heavenly glow, leaving me startled by its ethereal beauty, reminded me of life's preciousness, and how moments of disappointment lead to profound understanding and respite. The angel appeared to reach out, touching the hand of Christ conveying a message of illumination and enlightenment.
    Angelo custode aiuta a illuminare l'..etta
  • “Christ in the Baptistery - The Basilica of Santa Maria Maggiore Rome”…<br />
<br />
Saint John the Baptist, the great religious reformer was sent by God to prepare the people for the Messiah. His vocation was one of selfless giving. “I am baptizing you with water, for repentance, but the one who is coming after me is mightier than I. I am not worthy to carry his sandals. He will baptize you with the Holy Spirit and fire” (Matthew 3:11). Scripture tells us that many people followed John looking to him for hope. St. John never allowed himself the false honor of receiving these people for his own glory. He knew his calling was one of preparation. When the time came, he led his disciples to Jesus: “The next day John was there again with two of his disciples, and as he watched Jesus walk by, he said, ‘Behold, the Lamb of God.’ The two disciples heard what he said and followed Jesus” (John 1:35-37). At the center of this 17th-century chapel is the baptismal font attributed to Giuseppe Valadier and consisting of a red porphyry stone basin topped by golden sculptures; the elaborate décor of the chapel includes polychrome marble walls, colorful ceiling frescoes, gleaming gold stucco work, commemorative plaques, marble busts of church officials, and the marble altarpiece of the Assumption of the Virgin sculpted by Pietro Bernini – above which is a glowing image of the all-seeing Eye of Providence.
    Cristo in Battistero - La Basilica d..Roma
  • “Blessed Madonna inside the Cathedral of San Rufino in Assisi - Painting by Dino Carbetta”…<br />
<br />
Luke 1:46-48 And Mary said: “My soul proclaims the greatness of the Lord; my spirit rejoices in God my savior. For he has looked upon his handmaid’s lowliness; behold, from now on will all ages call me blessed." Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain was highlighted by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. Rising slowly up the Assisi hillside after a slow ascent to the highest peak, around the final corner awaited the Romanesque Duomo of Saint Rufino completed in the 12th century. In this church, Saint Francis of Assisi, Saint Clare, and many of their original disciples were baptized among the many spiritual and historical missions of the Duomo. “O Mary, you shine continuously on our journey as a sign of salvation and hope. We entrust ourselves to you, Health of the Sick. At the foot of the Cross, you participated in Jesus’ pain, with steadfast faith. You, Salvation of the Faithful Peoples, know what we need. We are certain that you will provide, so that, as you did at Cana of Galilee, joy and feasting might return after this moment of trial. Help us, Mother of Divine Love, to conform ourselves to the Father’s will and to do what Jesus tells us: He who took our sufferings upon Himself, and bore our sorrows to bring us, through the Cross, to the joy of the Resurrection. Amen. We seek refuge under your protection, O Holy Mother of God. Do not despise our pleas – we who are put to the test – and deliver us from every danger, O glorious and blessed Virgin.” Pope Francis.
    Beata Madonna all'interno della Catt..etta
  • “Pieta - Church of Saint Moses Venice”… <br />
<br />
Sixth Sorrow: The Crucifixion and Descent from the Cross: After this, Joseph of Arimathea, secretly a disciple of Jesus for fear of the Jews, asked Pilate if he could remove the body of Jesus. And Pilate permitted it. So he came and took his body” (Jn 19:38). Saying, “It is finished,” Jesus bows his head and dies. Mary remembers his words at the Passover meal: “This cup is the new covenant in my blood, which will be shed for you” (Lk 22:20). The dreaded time is now: the precious blood of her son is poured out for all humankind. The covenant is sealed. Jesus, her son, the Son of God, is dead. In her heart, Mary dies with him. Two broken hearts—one pierced with a spear, one pierced with sorrow—become one: Jesus and Mary, forever united for the whole human family. Mary’s sorrow is all the greater because of the greatness of her love. Jesus’ body is taken down from the cross and placed in her arms. Mary embraces her son with a love beyond words, beyond grief itself. For now, it is the grief of a consummate sorrow. She, who had given birth to divinity, now presses the bloodied and battered remains of his humanity close to her sorrowful and shattered heart. “Let it be done according to thy will, Lord,” she prays. Our first stop was Chiesa di San Moisè, built initially in the 8th century. It is dedicated to Moses, and like the Byzantines, the Venetians often considered Old Testament prophets as canonized saints. It also honors Moisè Venier, the aristocrat who funded the reconstruction during the 9th century. San Moisè is the parish church of one of the parishes in the Vicariate of San Marco-Castello. The elaborate Baroque facade, dating from 1668, is profusely decorated with sculpture. This Bellissimo Pietà is by Antonio Corradini, the famous Italian Rococo sculptor. We continued to the Basilica dei Frari which was foremost and Chiesa di San Geremia to visit St. Lucy.
    Pieta - Chiesa di San Moisè Venezia
  • “Beacon of Hope – Painting by Dino Carbetta” …<br />
<br />
Hope is faith acting and trusting in the promises of God. “Hope” moves us to abide in the word of God, and hope gives meaning to our trials. Hope destines us to live with Christ and it gives us the ability to continue on the path of apostles in freedom and trust. We experience difficulties at different points in our lives. But no circumstance, no pain, and no suffering can ever negate the hope we have in Christ, and God’s promises in Scripture. Both the Old and New Testaments are filled with hundreds of passages on hope. From these passages, we see how important it is to live out our Christian lives as disciples in hope. <br />
(2 Corinthians 4:16-18) "So we do not lose heart. Though our outer nature is wasting away, our inner nature is being renewed every day. For this slight momentary affliction is preparing for us an eternal weight of glory beyond all comparison, because we look not to the things that are seen but to the things that are unseen; for the things that are seen are transient, but the things that are unseen are eternal."<br />
(Philippians 4:4-7) "Rejoice in the Lord always; again I will say, Rejoice. Let all men know your forbearance. The Lord is at hand. Have no anxiety about anything, but in everything by prayer and supplication with thanksgiving let your requests be made known to God. And the peace of God, which passes all understanding, will keep your hearts and your minds in Christ Jesus."<br />
(1 Peter 1:3-5)  “Blessed be the God and Father of our Lord Jesus Christ, who in his great mercy gave us a new birth to a living hope through the resurrection of Jesus Christ from the dead, to an inheritance that is imperishable, undefiled, and unfading, kept in heaven for you who by the power of God are safeguarded through faith, to a salvation that is ready to be revealed in the final time.”
    Faro Della Speranza - Dipinto di Din..etta
  • “Red bricks lead to the Papal Basilica of San Francesco d’Assisi” …<br />
<br />
This late afternoon image was captured while standing upon remnants atop the mountainside of Assisi viewing down to the resting Basilica of Saint Francis. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Frances where this image was captured, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted, and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about two hundred yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God. The Basilica, which was begun in 1228 honoring the life of Saint Francis, is probably the most exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate Pilgrims, tourists, and artists.
    Mattoni rossi piombo alla Basilica P..sisi
  • “The Church of Santa Maddalena is surrounded by Roe Deer, both enjoying the sunset over the Dolomites in South Tyrol, Italy - Painting by Dino Carbetta”…<br />
<br />
The Church of St. Magdalene resides in a small village located in the Dolomites of Italy. Both, the village and the church, are symbols of the Val di Funes. This tiny picturesque village of just 377 people is located in the Trentino-Alto Adige region of Northern Italy. Historically, the church was built where the miraculous image of Santa Maddalena was washed up by the Fopal River. Saint Mary Magdalene church is mentioned beginning in 1394. The current form of the nave with a sloping base and a slightly grooved roof cornice, with pear and round bar on the pointed arch portal with a red chalk inscription, was complete in 1492. The mural exterior is the Crucifix on the gable in a niche with a donkey's back, weather-beaten, early XVI century. St. Christopher is lively and virtuoso in movement with a fluttering, wrinkled robe. Interiorly, the keystones on the vault, are bust portraits of Mary with the Christ Child and saints. The valley, as you can see, Val di Funes is stunningly beautiful. Summer, it’s very green and dotted with colorful flowers. Winter, it’s covered with snow, and the ragged Dolomite peaks, pierce the sky toward the heavens. Mary Magdalene is the first among the women following Jesus to proclaim Him as having overcome death. She is the first to announce the joyful message of Easter. But she also proved she was among those who loved Him most when she stood at the foot of the Cross on Mount Calvary together with Mary, His Mother, and the disciple, St. John. She did not deny him or run away in fear as the other disciples did, but remained close to Him every moment, up to and including the tomb. The Italian Roe Deer rejoice in the beauty of God’s creation.
    La Chiesa di Santa Maddalena e’ circ..etta
  • “Assisi front door with a lot of Character”…<br />
<br />
Italy is famous for its display of fresh and beautiful flowers and foliage outside the windows and doors throughout the countryside, and Assisi was no different except for the perfection of their presentation. I am sure the Chamber of Commerce in Assisi is quite busy maintaining the continuity and beauty of Assisi, but perhaps there is no need as the residents all seem perfectly happy to respect and display all its beauty. The streets, walkways, and general environment were the most immaculate of any town I witnessed in Italy and the most religious of any place on my journey. The town became a mystic and peaceful shrine in the early darkness of night after all the tourists departed, and all the prayers offered that day reflected and echoed off the ancient walls. Even the vending machines contained Rosaries, and its residents strolled about dressed in their religious attire with permanent smiles upon their faces. I am sure there are many remarkable religious destinations in the world but this photographer’s opinion…Assisi has no spiritual equal on this earth.
    Assisi porta di casa con un molto di..tere
  • “Night view through the arch of the Papal Basilica of San Francesco”…<br />
<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Never stopping for lunch or dinner, I continued to photograph new images well past sundown. Traversing the narrow steps and Strada back down to the bottom of the mountaintop to my hotel, the walk seemed a bit less strenuous and I felt a sense of gratitude and completion of my day-long journey. However, the very quiet Assisi seemed to have fallen into a deep slumber in the early nighttime leaving all the restaurants closed for the night. Pleading with the hotel manager, she desperately arranged a late dinner at one of the most iconic restaurants in Assisi, La Locanda Del Cardinale, which was built over an ancient Roman settlement dating from the first century B.C., with glass floors to view the mosaics below. Walking back at midnight to the hotel, the peaceful Assisi continued to call out. As the serene, quiet Basilica of Saint Francis stood majestically and glowed in the midnight skies, one could not help but to acquiesce to its mystical yearning for just a few more memorable portraits in the cool dew of the early morning air.
    Vista notturna attraverso l'arco di ..esco
  • “Christus Patiens above the High Altar of the Franciscan Basilica of Santa Chiara d'Assisi”…<br />
<br />
Around sunset, the clouds shifted and the descending sun illuminated the Assisi mountaintop as a slight mist of rain mystified the landscape. The ascent was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. As I approached the last two Churches after 7:00 pm; the Basilica of Saint Clare, and the Cathedral of Saint Rufino...I noticed the security guard locking Santa Chiara’s front door. I rushed forward anxiously and begged to just look quickly inside the Vestibule. He only spoke Italian and frustrated with me, said I had one minute inside. Aiming my camera and telephoto lens directly toward the High Altar which seemed a mile away, I clicked one picture as the guard hastily gestured me outside. Ironically, I found that no pictures are allowed in this Basilica. And, on my Pilgrimage of 2019, was frustrated during my tour of the historic and reverent church, still, no pictures were allowed. I always try to respect the rules and venerate every location, however, I did take two very surreptitious images in the Oratorio del Crocifisso (Oratory of the Crucifix), a peaceful chapel that preserves the venerable 12th-century crucifix that spoke to St. Francis at San Damiano. This abrupt photo of the painted crucifix still hangs above the high altar of Santa Chiara and was probably the first painting that was commissioned for the new church. The image was conceived shortly before Saint Clare’s death in 1260 and is attributed to the Maestro di Santa Chiara. The iconography of Christus Patiens (the dying Christ on the Cross) was widely used in early Franciscan churches. In this example, the Virgin and St John the Evangelist flank the Cross, with another figure of the Virgin (praying and flanked by angels) and Christ Pantocrator above.
    Christus Patiens sopra l'Altare Magg..sisi
  • La Beata Vergine Maria - Dipinto di Dino Carbetta - Rosa <br />
<br />
“The Blessed Virgin Mary - Painting by Dino Carbetta - Rose”… Upon completion of a new and original painting of the teenage Virgin Mary, I sit and stare into her eyes trying to imagine the complexity of the overwhelming magnitude of the future Mother of Christ. Her sincere and loving gaze, illuminating with the glow of the Holy Spirit within her very soul emanates outwardly representing all Mothers. I envision my wonderful Mother as I struggled to bring this two-dimensional representation to life. Again, my humble skills, yet meticulous manner combined to exhaust one complete month of trial and error. Irrevocably, a courageous young teenage Jewish girl is blessed beyond comprehension… <br />
“The Virgin Mother is constantly present on this journey of faith of the People of God towards the light. This is shown especially by the canticle of the "Magnificat," which, having welled up from the depths of Mary's faith at the Visitation, ceaselessly re-echoes in the heart of the Church down the centuries. This is proved by its daily recitation in the liturgy of Vespers and at many other moments of both personal and communal devotion.” (Saint John Paul II) <br />
"My soul magnifies the Lord, <br />
and my spirit rejoices in God my Savior, <br />
for he has looked on his servant in her lowliness. <br />
For behold, henceforth all generations <br />
will call me blessed; <br />
for he who is mighty has done great things for me,<br />
and holy is his name: <br />
and his mercy is from age to age <br />
on those who fear him. <br />
He has shown strength with his arm,<br />
he has scattered the proud-hearted,<br />
he has cast down the mighty from their thrones, <br />
and lifted up the lowly; <br />
he has filled the hungry with good things, <br />
sent the rich away empty. <br />
He has helped his servant Israel, <br />
remembering his mercy, <br />
as he spoke to our fathers, <br />
to Abraham and to his posterity forever." (Lk.1:46-55)
    La Beata Vergine Maria - Dipinto di ..Rosa
  • “Angelic Woman Resting Under the Sun at the Cathedral of San Rufino in Assisi”…<br />
<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. Rising slowly up the Assisi hillside after a slow ascent to the highest peak, around the final corner awaited the Romanesque Duomo of Saint Rufino completed in the 12th century. In this church, Saint Francis of Assisi, Saint Clare, and many of their original disciples were baptized among the many spiritual and historical missions of the Duomo. As I rose to the top and turned the corner, the low late evening sun shone brightly on the façade of the Duomo illuminating a singular woman resting in the sun by the side door. It had become damp and chilly outside, and the warm sun illuminated her angelic face so much so, I froze in my tracks and gazed in awe upon this ethereal vision. I honestly thought she might fade away as I lifted my camera for one quick photograph from about 40 yards away. Perhaps she heard the click of the camera shutter and opened her eyes because she smiled and walked away. I wished she would have stayed longer. At least I have this one photo; however, a photo will never be able to capture the true essence of this mystical and surreal moment in time.
    Donna Angelicata di Riposo Sotto il ..sisi
  • “Panoramic view from the Bar Giardino San Lorenzo of the Cathedral of San Rufino of Assisi”… <br />
<br />
Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous and a more pleasant excursion. After morning Mass at Chiesa Nuova, and then to Portiuncula. The town has grown up around the Basilica of Our Lady of the Angels. Our Pilgrims took a break for lunch while fellow Pilgrim, Patrick and I headed for the mountain top of Assisi for panoramic views of the town below. The breathless spectacle peering down one side of the fortress is St. Francis Basilica, and the unparagoned ancient architecture on the opposite side and only way up and down, are Bellissimo landscapes of San Rufino and the Basilica di Santa Chiara. Shortly upon our descent, we found a spectacular hidden respite through the wall named: “Bar Giardino San Lorenzo,” where we stopped for lunch. This charming oasis on top of Assisi, was analogous to a floral garden paradise, with astounding views of the valley below and as far away as Siena. Perfect areas abound with shaded tables and chairs and a hut for the main area of the tiny restaurant. The Italiani husband and wife smile graciously as they served up a lunch menu and drinks for the astounded patrons. It appeared to us Pilgrims that we stumbled on the most perfect plot of land in all of Assisi, and found ourselves blessed to sit and relax for moments as we could not help aiming our cameras at God’s pleasant surroundings. After dozens of images exhausted, and nourishment for our hunger and thirst, a sad goodbye was extended to our hosts and a touch of paradise. To date, I have only had the opportunity to visit Assisi twice in my lifetime, but I could not imagine a more perfect spiritual, aesthetically beautiful, and peaceful location in the world. We were off to our next incredible adjacency, the Cathedral of San Rufino.
    Vista panoramica della Cattedrale di..enzo
  • "Dusk falls over the harbor of Riomaggiore"... <br />
<br />
I began my daily journey at the northern most town of Monterosso and took the train to the southernmost town of Riomaggiore. Upon arriving in this picturesque seaside village and moving down to the water’s edge, I noticed proprietor Francesco in front of a tiny boat rental sign. After arranging an evening sail up the coast, I was able to focus on the colorful persona of Riomaggiore. That evening I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. Upon arriving back home in Monterosso, soft light illuminated the sky and azure sea of the Mediterranean convincing me to sail all the way back to Riomaggiore with my gracious guides Claudio and Eddie of "Cinque Terre dal Mare" sailing excursions. We arrived just in time for a perfect sunset and a perfect evening for creating bellissimo new images. After a nice dinner...I caught the last train at midnight back home to Monterosso. A very long day, but worth every minute!
    Crepuscolo cade sul porto di Riomaggiore
  • “Angels Guard the Main Altar of the Sistine Chapel - Basilica of Santa Maria Maggiore Rome”…<br />
<br />
After Mass in the Crucifix Chapel on the second morning of the inaugural Pilgrimage I organized, we were joined by our Roman tour guide for the day. As we listened and ventured around the glorious Basilica, my eyes and camera began to wander. I became stupefied by the grand chapel to the right of the main altar with the rising sun peering through the window just below the cupola. I discreetly wandered in and out in hopes it would shine upon the Holy Crib. The right transept is called the Sistine Chapel, containing the elaborate tomb of Pope Sixtus V (1521-90) and decorated with frescoes and reliefs of events from his reign. The chapel centers on a reliquary containing part of the Holy Crib, and the burial place of Saint Jerome, the 4th-century Doctor of the Church. The architect Domenico Fontana designed the chapel, which also contains the tomb of Pope Pius V. The main altar in the chapel has four gilded bronze angels by Sebastiano Torregiani, holding up the ciborium, which is a model of the chapel itself. The Patriarchal Basilica of St. Mary Major reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God.
    Angeli Custodiscono L'altare Princip..Roma
  • “Silhouette of Gondoliers against the late sun on the Grand Canal near the Church of Santa Maria del Giglio - Red”…<br />
<br />
“Venice” - Henry Wadsworth Longfellow: <br />
WHITE swan of cities, slumbering in thy nest	<br />
So wonderfully built among the reeds	<br />
Of the lagoon, that fences thee and feeds,	<br />
As sayeth thy old historian and thy guest!	<br />
White water-lily, cradled and caressed	<br />
By ocean streams, and from the silt and weeds	<br />
Lifting thy golden pistils with their seeds,	<br />
Thy sun-illumined spires, thy crown and crest!	<br />
White phantom city, whose untrodden streets	<br />
Are rivers, and whose pavements are the shifting	<br />
Shadows of palaces and strips of sky;	<br />
I wait to see thee vanish like the fleets	<br />
Seen in mirage, or towers of cloud uplifting	<br />
In air their unsubstantial masonry.<br />
	<br />
The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The rowing oar, which is not fastened to the hull, is used in a sculling manner, also acting as the rudder. For centuries the gondola was the chief means of transportation and most common watercraft within Venice. It is propelled by a gondolier. In modern times the iconic boats still have a role in public transportation in the city, serving as traghetti (ferries) over the Grand Canal. There are just over four hundred gondolas in active service today, virtually all of them used for hire by tourists. In order to become a professional gondolier, you need to obtain a license from the guild. Two hundred years ago, there were 10,000 gondolas in Venice. Although the aristocracy preferred horses to boats through the early Middle-Ages, beginning in the 14th century when horses were outlawed from the streets of Venice, the noble class embraced gondolas as a respectable form of transportation.
    Silhouette di gondolieri contro il t..osso
  • "A million faces of Jesus by Dino Carbetta - Spatola di metallo"...<br />
<br />
Daniel 10: 5-6 “As I looked up, I saw a man dressed in linen with a belt of fine gold around his waist. His body was like chrysolite, his face shone like lightning, his eyes were like fiery torches, his arms and feet looked like burnished bronze, and the sound of his voice was like the roar of a multitude.” Genesis 1:27 “God created mankind in his image; in the image of God he created them; male and female he created them.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. The blessed see God, not merely according to the measure of His likeness imperfectly reflected in creation, but they see Him as He is, after the manner of His own Being. 1 Corinthians 13:12 “At present, we are looking at a confused reflection in a mirror; then, we shall see face to face; now, I have only glimpses of knowledge; then, I shall recognize God as he has recognized me.”
    Un milione di volti di Gesù di Dino ..allo
  • "Sanctuary of Madonna and child along Calle Dose da Ponte Venice"... <br />
<br />
“O Most Amiable Child Jesus, You who said: "Ask and you shall receive," graciously hear my petition and grant me the favor I ask of You if it be for Your Greater Honor and Glory and for the good of my soul. Amen.” <br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice.
    Santuario di Madonna e bambino lungo..ezia
  • "High altar crucifix from the back of the Papal Basilica of St. Anthony of Padua"... <br />
<br />
I consider this magnificent rear view of the High Altar in St. Anthony’s Basilica looking toward Donatello’s very famous “Crucifix in Padua” one of my few forbidden and miraculous images of my 2019 Pilgrimage to Italy. I was unaware of the mere size and ancient grandeur of the basilica begun in 1233 but found myself mystified by the aura surrounding it and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. As with most prestigious Basilica’s, no photos are allowed, which mostly rendered this photographer reverent, but sad. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. Deceptively, I found myself directly behind the elevated “High Altar,” and as I curiously climbed the steps toward the locked Iron Gate, Donatello’s celestial bronze crucifix began to appear. My surreptitious movement kept me from being noticed by the security guards and our Italian guide. I covertly rested my lens through the iron bars, and quietly depressed the shutter on my camera. Often called “Il Santo” by the locals of Padua, one cannot escape feeling overwhelmed by its majesty, and emanation of spirituality and reverence. The Basilica is austere, mysterious, and solemn, yet capacious, monumental, and impossible to notice every grand detail. However, be emboldened that this Pilgrimage Church is one of the eight international shrines recognized by the Holy See. It is a symbol of faith and hope for all Christian believers. I believe Saint Anthony would be honored and proud to offer Mass here.
    Crocifisso altare maggiore dalla par..dova
  • "The oculus of the 2000 year-old Pantheon of Santa Maria"...<br />
<br />
The ancient Pantheon is still the world's largest unreinforced concrete dome.  Both the height and the diameter of the dome is exactly 142 feet.  The Romans were so far ahead of their time...just imagine the possibilities if the empire had survived. The Pantheon is now an active Catholic church known as Santa Maria Rotonda.  The ancient tradition of dropping rose petals from the open oculus happens at noon every Pentecostal Sunday during Mass.  The rose petals symbolize the descent of the Holy Spirit falling on the apostles and the faithful, and it dates back as early as 600 years after the birth of Christ.  Vigili del Fuoco (firefighters) of Rome, climb on top of the Pantheon’s dome, and drop thousands of rose petals as the choir chants the sequence of Veni Sancte Spiritus.
    L'oculo del Pantheon di 2000 anni di..aria
  • “The evening reflections at Villa Borghese – Rome”…<br />
<br />
I stumbled into photography just before graduation at the U of TN while volunteering at a local hospital where I was influenced to attend Brooks Institute.  The instructors preached the technical aspects of photography, and upon graduation…we could implement our own artistic vision.  As a commercial photographer since graduation, I have had little time to express my artistic vision…until I went to Italy for the first time, where I discovered my true love and passion!  I consider myself a “contemplative” photographer, and as such, I have a three-part process to achieve my final presentation for each image: the discovery, how I perceive the image creation, and how I hope others will perceive the image.  This artistic pursuit, I imagine, is similar to Michelangelo viewing a piece of marble for the first time.  Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake.  Surrounding this small lake is a three-foot iron fence, which I now affectionately call “Il lago di dolore”, or Lake Pain!  I tried to cross this iron fence with camera in hand and a 20lb bag on my shoulder…needless to say, it did not go well!  Despite the intense pain, I continued to take 60 images around the lake, and upon return home, I stubbornly refused to look at them until recently.  My disdain for Lake Pain kept me from discovering the true artistic vision I first saw when I began creating these images. I finally gave into the contempt I had for the Lake and began working on several images.  Perhaps, the viewer will perceive the great pain it took to finally engender a feeling of solace and peace in the true vision, and find that suffering eventually brought forth eminent beauty.  As for this photographer, Il lago di dolore will be a constant reminder that the creation of great art sometimes endures great pain!
    Le riflessioni della sera a Villa Bo..Roma
  • “A perfect evening overlooking the Colosseum”…<br />
<br />
A sunlit and pleasant view of the ancient and organic Colosseum.  The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  I created this image in the late evening as the guards ushered me out for closing time.
    Una serata perfetta che si affaccia ..sseo
  • “Heavens erupting with rainbows over the Cathedral of San Rufino Assisi”…<br />
<br />
This image is perhaps one of the most blessed and miraculous of my Italian journey.  Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner.  Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down.  Looking back over my shoulder, I was mesmerized at the appearance of this first of eventually two rainbows shining down behind the Duomo of Saint Rufino. I was able to take a few horizontal and vertical images of the rainbows just as the sun began it's decent below the horizon. My Italian journey was truly blessed by the hand of God. This image is a vertical panorama combining two vertical and one horizontal image.
    Cieli in eruzione con arcobaleni sop..sisi
  • “Agony in the Garden – Painting by Dino Carbetta” …<br />
<br />
The agony in the Garden of Gethsemane encompasses Holy Week in the life of Jesus. Occurring after the Last Supper, before his betrayal and arrest, all part of the Passion of Jesus leading to his crucifixion and death. This episode is described in the three Synoptic Gospels in the New Testament. According to these accounts, Jesus, accompanied by Peter, John, and James, enters the garden of Gethsemane on the Mount of Olives where he experiences great anguish and prays to be delivered from his impending suffering, while also accepting God's will. Immediately after the Last Supper, Jesus retreated to a garden to pray. Jesus was accompanied by three Apostles: Peter, John, and James, whom he asked to stay awake and pray. He moved "a stone's throw away" from them, where he felt overwhelming sadness and anguish, and said "My Father if it is possible, let this cup pass me by. Nevertheless, let it be as You, not I, would have it." Then, a little while later, he said, "If this cup cannot pass by, but I must drink it, Your will be done!" He said this prayer thrice, checking on the three apostles after each prayer and finding them asleep. He commented: "The spirit is willing, but the flesh is weak". An angel came from heaven to strengthen him. During his agony as he prayed, "His sweat was, as it were, great drops of blood falling upon the ground" (Luke 22:44). In Roman Catholic tradition, the Agony in the Garden is the first Sorrowful Mystery of the Rosary and the First Station of the Scriptural Way of The Cross Catholic tradition includes specific prayers and devotions as acts of reparation for the sufferings of Jesus during His Agony and Passion.
    Agonia Nell'Orto – Dipinto di Dino C..etta
  • “Third Sunday of Advent - Painting by Dino Carbetta” …<br />
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(The Four Advent Candles): As a Christian tradition, the wreath holds the four Advent candles. The candles represent Jesus coming as the light in the darkness. One candle is lit each Sunday until all four candles are lit. Each candle brings a slightly greater light into the darkness as Christmas draws nearer. Sometimes a white candle is lit on Christmas Eve or Christmas Day to symbolize that Jesus is with us. This can be referred to as the "Christ candle." Each of the candles lit before Christmas represents an aspect of preparation during the season of Advent. Third Advent Candle/Sunday: Joy –“Gaudete Sunday” “But the angel said to them, ‘Do not be afraid; for see — I am bringing you good news of great joy for all the people: to you is born this day in the city of David a Savior, who is the Messiah, the Lord. This will be a sign for you: you will find a child wrapped in bands of cloth and lying in a manger.’” (Luke 2:10-12) The third candle of Advent symbolizes Joy. As we continue to approach Christmas Day, our joy grows increasingly. The third candle takes us back to the joyful anticipation of the shepherds who journeyed to see Jesus in Bethlehem, even before the wise men. On this third Sunday of Advent, which the Church calls “Gaudete Sunday,” meaning rejoice or praise, we light the third candle and rejoice like the shepherds. For this reason, the third candle of Advent is called the “Shepherd’s Candle,” and its color is pink, the liturgical color for joy. This Advent, light the third candle on Sunday, December 11, 2022. I repainted this image from one of my photographs of, “Adoration of the Shepherds - Vatican Museums - Gallery of the Tapestries.”
    Terza Domenica di Avvento - Dipinto ..etta
  • “The Baptism of the Lord - Painting by Dino Carbetta”…<br />
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Jesus descended into the River to sanctify its waters and to give them the power to beget sons of God. The event takes on the importance of a second creation in which the entire Trinity intervenes. In the Eastern Church, this feast is called Theophany because God appeared in three persons at the baptism of Christ in the River Jordan. The baptism of John was a sort of sacramental preparatory for the Baptism of Christ. It moved men to sentiments of repentance and induced them to confess their sins. Christ did not need the baptism of John. Although He appeared in the "substance of our flesh" and was recognized "outwardly like unto ourselves", He was sinless and impeccable. He conferred upon the water the power of the true Baptism which would remove all the sins of the world: "Behold the Lamb of God, behold Him Who takes away the sin of the world". Many of the incidents which accompanied Christ's baptism are symbolic of what happened at our Baptism. At Christ's baptism, the Holy Spirit descended upon Him; at our Baptism, the Trinity took its abode in our souls. At His baptism Christ was proclaimed the "Beloved Son" of the Father; at our Baptism, we become the adopted sons of God. At Christ's baptism, the heavens were opened; at our Baptism heaven was opened to us. Lk 3:15-16, 21-22: The people were filled with expectation, and all were asking in their hearts whether John might be the Christ. John answered them all, saying, “I am baptizing you with water, but one mightier than I is coming. I am not worthy to loosen the thongs of his sandals. He will baptize you with the Holy Spirit and fire.” After all the people had been baptized and Jesus also had been baptized and was praying, heaven was opened and the Holy Spirit descended upon him in bodily form like a dove. And a voice came from heaven, “You are my beloved Son; with you, I am well pleased.”
    Il Battesimo del Signore - Dipinto d..etta
  • “Statues on top of the facade of St. Peter's Basilica with Christ in the Center”…<br />
<br />
The facade of St Peter's Basilica is crowned with thirteen colossal statues. In the center stands Christ the Redeemer (20’ high), one may assume that he is flanked by his 12 apostles. However, this is not quite the case. The basilica might be dedicated to St Peter, but the 'Prince of the Apostles' is nowhere to be seen atop the facade of the church. The twelfth figure is, in fact, St John the Baptist, who stands in the place of honor on the right side of Christ. The statues were executed between 1612 and 1614 by an assortment of sculptors. From left to right they are St Thaddeus (Carlo Fancelli), St Matthew (Bernardino Cennini), St Philip (Simeon Drouin), St Thomas (Simeon Drouin), St James the Great (Egidio Moretti), St John the Baptist (Simeon Drouin), Christ the Redeemer (Cristoforo Stati), St Andrew (Carlo Fancelli), St John the Evangelist (Antonio Valsoldo), St James the Less (Cristoforo Stati), St Bartholomew (Egidio Moretti), St Simon (Bernardino Cennini), St Matthias (Giuseppe Fontana). The facade, which is (376.3 ft.) wide and (149.4 ft.) high, was designed by Carlo Maderno (1556-1629) and built between 1608 and 1612. The building of the facade was undertaken during the reign of Pope Paul V (r. 1605-21). It is emblazoned with the inscription, which proclaims, in letters: IN HONOREM PRINCIPIS APOST PAVLVS V BVRGHESIVS ROMANVS PONT MAX AN MDCXII PONT VII (In honor of the Prince of Apostles, Paul V, Borghese, Roman, Pontifex Maximus, the year 1612, the seventh of his pontificate). St Peter's Basilica was finally consecrated by Pope Urban VIII (r. 1623-44) on November 18th, 1626.
    Statue in cima alla facciata della B..ntro
  • “Mystic Reflections of Villa Borghese – Rome”…<br />
<br />
Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus.  Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, the Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and gives time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Riflessioni Mistiche di Villa Borghe..Roma
  • “The sunset illuminates the bell tower of Santa Maria Maggiore - Assisi”…<br />
<br />
After a progressive but slow ascent up to the mountaintop of Assisi, I took time to pause, look over my shoulder, and truly appreciate all I had seen. God always seemed to illuminate my forward path; however, He also left a glow of remembrance from where the journey began. This evening view is from the Basilica di Santa Chiara (Basilica of St. Clare), a 13th-century church that houses the relics of St. Clare, friend and protégé of St. Francis of Assisi, and the 12th-century crucifix that spoke to St. Francis at San Damiano. The view is a rear view of the church and campanile of Santa Maria Maggiore, the first cathedral of Assisi which was built near the Roman city walls of the 4th century. The crypt under the apse of the present church is the oldest surviving part of the structure and dates to the 9th or 10th century. Santa Maria Maggiore remained the cathedral of Assisi until 1035 when San Rufino assumed this function.
    Il tramonto illumina il campanile di..sisi
  • “The Crucifixion above the altar of the Church of Santa Maria Maggiore in Assisi”…<br />
<br />
My artistic interpretation here is of the Crucified Jesus as primary to the Image of The Divine Mercy. St. Faustina asked the Lord about the meaning of the rays in the image: The two rays denote Blood and Water. The pale ray stands for the Water which makes souls righteous. The red ray stands for the Blood which is the life of souls. These two rays issued forth from the depths of My tender mercy when My agonized Heart was opened by a lance on the Cross. Happy is the one who will dwell in their shelter, for the just hand of God shall not lay hold of him. The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built in this site close to the Roman city walls in the 4th century.  The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal its age and status throughout history.
    La Crocifissione sopra l'altare a Ch..sisi
  • "Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi - Luminance"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..anza
  • "Ancient arched facade near Santa Chiara in Assisi" ...<br />
<br />
After a progressive but slow assent up to the mountaintop of Assisi, I took time to pause, look over my shoulder, and truly appreciate all I had seen. God always seemed to illuminate my forward path; however, He also left a glow of remembrance from where the journey began. This evening view is from the Basilica di Santa Chiara (Basilica of St. Clare), a 13th-century church that houses the relics of St. Clare, friend and protégé of St. Francis of Assisi, and the 12th-century crucifix that spoke to St. Francis at San Damiano. The ancient archway still standing over 2000 years...gives a peak of the valley below.
    Antica facciata ad arco vicino a San..sisi
  • “Ring side seat Colosseum”…<br />
<br />
A sunlit and pleasant view of the ancient and organic Colosseum.  The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  I created this image in the late evening as the guards ushered me out for closing time.
    Sedile laterale anello Colosseo
  • “The mystical evening sun's rays peeking over the hills of Assisi”…<br />
<br />
This image was captured as the hazy sun began to set behind the mountains and a light rain began. The combination of the low, brightly veiled evening sun with the mist of the rain displayed a spectacular prism effect that dazzled the senses and displayed a glorious light show above Assisi. The magnificent display lasted until dark and was one of the many mystical and blessed experiences of my perfect 24 hours in Assisi. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted, and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about two hundred yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God.
    Il mistico serata raggi del sole cap..sisi
  • “Saint Jerome - Chigi Chapel in the Cathedral of Siena” …<br />
<br />
Is a window into the rich history and artistic grandeur of Siena's Duomo, the Cathedral of Siena. This magnificent cathedral, perched above the bustling Piazza del Campo, stands as a testament to the city's glorious past, filled with remarkable treasures by renowned artists like Pisano, Donatello, Bernini, and even Michelangelo. Completed in 1263, the 14th century ushered in an audacious vision – to transform this cathedral into the largest in all of Christendom, surpassing even the grandeur of St. Peter's in Rome. However, the devastating Black Death of 1348 struck, claiming four-fifths of Siena's population, its half-built walls becoming a poignant monument to the city's once unbridled prosperity. If tasked with selecting a singular location that encapsulates Italy's grand tapestry of history, art, architecture, culture, and faith, the Cathedral of Siena would undoubtedly emerge as an unparalleled choice. Distinguished by its striped walls and commanding pillars, you can't help but be struck by its sheer magnitude. Stepping inside the nave, you are immediately enveloped by a symphony of artistic expression and unparalleled beauty meticulously placed in every conceivable space. From the celestial dome to the intricate stained glass, from the captivating frescoes to the masterful sculptures, and culminating in what is revered as the most magnificent marble floor in history, the cathedral is an artistic treasure trove. Among the many artistic gems is the sculpture of Saint Jerome by the eminent Italian artist Gianlorenzo Bernini shines brightly. St. Jerome, stands as a towering figure, both in art and in history. He was a Scripture scholar of unparalleled distinction, responsible for translating a substantial portion of the Old Testament from its original Hebrew form. His commentaries continue to serve as an enduring source of scriptural inspiration for us today.
    San Girolamo - Cappella Chigi nel Du..iena
  • “Monument of Madonna embracing the Cross in the Basilica of Santa Maria Maggiore in Rome”…<br />
<br />
The first major stop on my first visit to Rome was The Patriarchal Basilica of Saint Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, Saint Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. I found Saint Mary in a spectacular monument to Cardinal Agostino Favoriti, 1685, by Filippo Carcani. The famous 17th-century cardinal is shown seated at a desk behind large allegorical figures of Fortitude (with the lion) and Saint Mary representing religion. Of the very large monument, Mother Mary stood out to me, as one cannot help feeling blessed by her compassionate presence, and the luminescent glow of light gently descending upon her face, revealing her abiding love for her precious son. Pope Benedict XVI, speaking about Pope John Paul II of suffering and his love of the Holy Mother; “in that last Easter Sunday of his life, the Holy Father, marked by suffering, came once more to the window of the Apostolic Palace and one last time gave his blessing Urbi et Orbi (‘to the city and the world’). “We can be sure that our beloved pope is standing today at the window of the Father’s house, that sees us and blesses us. Yes, bless us, Holy Father. We entrust your dear soul to the Mother of God, your Mother, who guided you each day and who will guide you now to the glory of her Son, our Lord Jesus Christ. Amen.”
    Monumento di Madonna abbracciando La..Roma
  • “Our Lady of Sorrows Radiant Blue - Cathedral of San Rufino, Assisi - Painting by Dino Carbetta”…<br />
<br />
The title "Our Lady of Sorrows" bestowed upon our Blessed Mother beckons our attention to her profound suffering and grief, most notably during the passion and death of our Lord. It encompasses the seven sorrows of Mary, as foretold by the Priest Simeon. "This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed, and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare" Lk 2:34-35. These seven sorrows of our Blessed Mother weave a poignant narrative: the flight of the Holy Family into Egypt, the loss and finding of the child Jesus in the Temple, Mary's encounter with Jesus on His way to Calvary, her presence at the foot of the cross during our Lord's crucifixion, cradling Jesus as He was taken down from the cross, and His burial. In the prophecy of Simeon, a sword would pierce our Blessed Mother's heart, and find its fulfillment. Mary is depicted with her heart exposed and seven swords piercing it, symbolizing her profound sorrows. Her unwavering courage, love, and trust with which Mary embraced each trial, echoing her initial fiat: "Let it be done unto me according to thy word," first spoken at the Annunciation. This unwavering faith is beautifully depicted in the Adoration of the Madonna as a participant in the Passion of Christ, as captured in the iconographic tradition in 1672. Luke 2:34-35 serves as the foundation of this profound portrayal: "He blessed them and said to Mary his mother: 'Behold, this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; and thy own soul a sword shall pierce, that out of many hearts, thoughts may be revealed.'" In "Our Lady of Sorrows," we witness not only the depths of Mary's sorrow but also the enduring strength of her faith, an inspiration for all who encounter this ethereal work of art.
    Madonna Addolorata Radiante Azzurre ..etta
  • "Midnight at Piaggia di Porta San Pietro in Assisi"... <br />
<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Frances, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Never stopping for lunch or dinner, I continued to photograph new images well past sundown. Traversing the narrow steps and Strada back down to the bottom of the mountaintop to my hotel, the walk seemed a bit less strenuous and I felt a sense of gratitude and completion of my day-long journey. However, the very quiet Assisi seemed to have fallen into a deep slumber in the early nighttime leaving all the restaurants closed for the night. Pleading with the hotel manager, she desperately arranged a late dinner at one of the most iconic restaurants in Assisi, La Locanda Del Cardinale, which was built over an ancient Roman settlement dating from the first century B.C., with glass floors to view the mosaics below. Walking back at midnight to the hotel, the peaceful Assisi continued to call out. Drifting forward the serene, quiet Basilica of Saint Francis stood majestically and glowed in the distant midnight skies. One could not help but to acquiesce to its spiritual yearning for just a few more memorable portraits in the cool dew of the early morning air.
    Mezzanotte presso Piaggia di Porta S..sisi
  • “Illuminating glow of the Grand Canal in Venice”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic,” however, there has never been a more perfect description to define Venice’s ever changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight.  The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. Venturing about the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul. My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number one of 6500 images. Not until I began writing these descriptions did I realize that many of these captures were taken the day I arrived in Venice…it was sensory overload.  Canal sunsets became the norm of my three days in Venice. This has always been one of my favorite images taken from a little alley behind the famous Rialto Bridge peering down the Grand Canal. One cannot help notice the towering Campanile of The Chiesa dei Santi Apostoli di Cristo (Church of the Holy Apostles of Christ). It is a 7th-century Roman Catholic Church, and one of the oldest churches in the city. Not imposing from the exterior, but sacred-elegant and austere interiorly, very much worthy of Mass or just a visit.
    Illuminando bagliore del Canal Grand..ezia
  • “The Blessed Virgin Mary - Painting by Dino Carbetta”… <br />
<br />
In the fulfillment of my artistic journey, I approach the canvas with humility, presenting a new and original painting of the teenage Virgin Mary. Creating this artwork has been a profound and grateful experience, allowing me to express my creativity and delve into the complexity of the future Mother of Christ. As I gaze into her eyes, I am captivated by the sincere and loving gaze that radiates with the divine glow of the Holy Spirit within her soul. This representation of all Mothers encompasses boundless love and faith. Throughout the creative process, my thoughts often turned to my own wonderful Mother, who inspired me with her unconditional love and care. With utmost dedication, I poured my heart and soul into this painting, a testament to the sacred significance of Mary's undertaking. She received blessings beyond comprehension, embarking on a courageous journey that will forever alter the course of humanity. Through her unwavering faith and trust in God, she becomes an ever-present beacon of hope, guiding people toward the light. Her humble heart recognizes her divine role as a servant of God. It reflects on the boundless mercy of God, extending from generation to generation to those who revere Him. It celebrates divine strength empowering the humble and bringing down the proud, showcasing divine justice upholding the oppressed, and filling the needy with abundance. Her unwavering faith and the divine grace bestowed upon her make her a timeless symbol of hope, love, and devotion for all generations. As viewers contemplate the painting, my deepest desire is for them to witness the beauty and significance of the Blessed Virgin Mary, to be moved by her divine presence, and to recognize the profound impact she continues to have on humanity's spiritual journey. May this artwork serve as an inspiration to embrace faith, love, and devotion, and to find solace in the enduring legacy of the Virgin Mother.
    La Beata Vergine Maria - Dipinto di ..etta
  • “Resting Under the Arches of the Doge's Palace – Venice”…<br />
<br />
The Palace is the most representative symbol of Venice's culture, which, together with the Basilica of San Marco at the back and the Piazzetta in the forefront, forms of the most famous sceneries in the world. Peering through the Doge’s arches, one can view the famous and ancient Church of San Giorgio Maggiore across the Grand Canal. For centuries the Doge's Palace had three fundamental roles: the Doge residence, the seat of government, and the palace of justice. This was where some of the most important decisions for Venice's, and even Europe's destiny were taken in this splendid example of Venetian gothic architecture. Most medieval palaces all over Italy, the Doge's Palace was built oppositely with the loggias down below and full walls above, whereas buildings like this normally had a huge base to make them easier to defend. Venetians considered their government as legitimate not by imposition or divine right, like in other Italian medieval cities, but as an expression of the Venetians' will. The thirty-six stone capitals on their arches are a marvelous example of medieval sculpture and give us a rich repertoire of symbolic figures: vice and virtue, saints, martyrs, knights, trades, birds, and signs of the zodiac. As on the outside, the facades indicate the double motive of the portico on the lower floors and of the walls with wide windows on the higher part. The architecture, which matches the marble loggia to the bricks of the masonry, manages to create a language that is both simple and ornate, the perfect expression of the spirit of the Republic. Majestic, mystical, and ornately reverent, indicate the one and only Doge’s Palace of Veneto.
    Riposando Sotto Gli Archi del Palazz..ezia
  • “Father Peek raises the Chalice for Adoration – The New Church of San Francesco in Assisi”… <br />
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The reflection of Father Peek in “The Elevation of the Host and Chalice” is after genuflection in adoration. The priest raises them both so that the Faithful may also adore Jesus Christ, the true God, and true Man present on the altar. Look at the sacred Body and Blood of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things." A more ancient elevation of Host and Chalice occurs in the Mass of the Roman Rite while the priest speaks the concluding doxology of the Eucharistic Prayer: Per ipsum et cum ipso et in ipso est tibi Deo Patri omnipotenti in unitate Spiritus Sancti omnis honor et gloria per omnia saecula saeculorum (Through him, and with him, and in him, O God, almighty Father, in the unity of the Holy Spirit, all glory and honor is yours, forever and ever). The presence in the Roman Rite of this elevation can be traced back at least to the ninth century. The Chiesa Nuova is a church in Assisi, Italy, built in 1615 on the site of the presumed birthplace of St. Francis, the house of Pietro di Bernardone. It was then called Chiesa Nuova because it was the last church to be built in Assisi at that time. This Church appears as a small basilica, and Father Peek offered a venerable Mass on our first morning in Assisi for my Pilgrimage of 2019. Two of our Pilgrimage couples renewed their vows during the celebration and an abundance of blessings was bestowed upon the faithful. The specular window light from high above the altar illuminates Christ’s Body and Blood as the Holy Spirit descends.
    Padre Peek solleva il Calice per L'a..sisi
  • “View from the Grand Canal of the church of San Giorgio Maggiore in Venice - Blue and Red”…<br />
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The first church on the island was built about 790, and in 982 the island was given to the Benedictine order by the Doge Tribuno Memmo. The Benedictines founded a monastery there, but in 1223 all the buildings on the island were destroyed by an earthquake. Andrea Palladio, an Italian Renaissance architect active in the Venetian Republic was commissioned for the rebuild. Palladio, influenced by Roman and Greek architecture, is widely considered to be one of the most influential individuals in the history of architecture, began the rebuild in 1560 and made dramatic improvements. The campanile was rebuilt in neo-classic style and completed in 1791. It was ascended by ramps and now an elevator to the top for panoramic views of Venice. The facade is brilliantly white and represents Palladio's solution to the difficulty of adapting a classical temple facade to the form of the Catholic Basilica. Two very large paintings by Tintoretto relate to the institution of the Eucharist and are located on either side of the presbytery, where they can be seen from the altar rail. “The Last Supper” and “The Jews in the Desert” (collecting and eating the manna, a gift of God to the Israelites in the Desert after they escaped Egypt, which foretells the gift of the Eucharist). Claude Monet painted a series of paintings of the island Monastery of San Giorgio Maggiore in 1908 during the artist's only visit to the city. One of the best known is “San Giorgio Maggiore at Dusk”, which exists in two versions. Monet completed his paintings of Venice at home in France and in 1912 showed them in Paris. Buyers included the Welsh collector Gwendoline Davies, who bought three paintings. This vision of the Church of San Giorgio is iconic and famous worldwide. My image capture while upon an evening boat excursion appears theatrical as if the majestic church is posing for yet another Venetian canvas.
    Vista dal Canal Grande della chiesa ..ossa
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