dino carbetta

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  • “The mystical rainbow of God above the Cathedral of San Rufino Assisi”…<br />
<br />
This image is perhaps one of the most blessed and miraculous of my Italian journey. Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, I was mesmerized at the appearance of this first of eventually two rainbows shining down behind the Duomo of Saint Rufino. I was able to capture a few horizontal and vertical images of the rainbows just as the sun began its descent below the horizon. My Italian journey was truly blessed by the hand of God.
    Il mistico arcobaleno di Dio sopra l..sisi
  • "Rainbow of God divides the sky between San Rufino and St. Clare of Assisi"...<br />
<br />
This image is perhaps the most blessed and miraculous of my Italian journey.  Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner.  Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down.  Looking back over my shoulder, I was mesmerized at the appearance of a double rainbow from the heavens shining down between the Duomo of Saint Rufino, and the Basilica of Saint Clare. I was able to take a few horizontal and vertical images of the great length and depth of the rainbow just before the sun dropped down below the horizon...and, it slowly faded.  My Italian journey was now and forever blessed by the hand of God.
    Arcobaleno di Dio divide il cielo tr..sisi
  • "Double rainbow of God shines Between San Rufino and St. Clare of Assisi"...<br />
<br />
This image is perhaps the most blessed and miraculous of my Italian journey.  Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner.  Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down.  Looking back over my shoulder, I was mesmerized at the appearance of a double rainbow from the heavens shining down between the Duomo of Saint Rufino, and the Basilica of Saint Clare. I was able to take a few horizontal and vertical images of the great length and depth of the rainbow just before the sun dropped down below the horizon...and, it slowly faded.  My Italian journey was now and forever blessed by the hand of God.
    Doppio arcobaleno di Dio risplende T..sisi
  • "Rainbow of God shines Between San Rufino and St. Clare of Assisi"...<br />
<br />
This image is perhaps one of the most blessed and miraculous of my Italian journey.  Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner.  Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down.  Looking back over my shoulder, I was mesmerized at the appearance of a double rainbow from the heavens shining down between the Duomo of Saint Rufino, and the Basilica of Saint Clare. I was able to take this close-up horizontal image of the rainbow just before the sun dropped down below the horizon...and, it slowly faded.  My Italian journey was now and forever blessed by the hand of God.
    Arcobaleno di Dio risplende Tra San ..sisi
  • “Beacon of Hope – Painting by Dino Carbetta” …<br />
<br />
Hope is faith acting and trusting in the promises of God. “Hope” moves us to abide in the word of God, and hope gives meaning to our trials. Hope destines us to live with Christ and it gives us the ability to continue on the path of apostles in freedom and trust. We experience difficulties at different points in our lives. But no circumstance, no pain, and no suffering can ever negate the hope we have in Christ, and God’s promises in Scripture. Both the Old and New Testaments are filled with hundreds of passages on hope. From these passages, we see how important it is to live out our Christian lives as disciples in hope. <br />
(2 Corinthians 4:16-18) "So we do not lose heart. Though our outer nature is wasting away, our inner nature is being renewed every day. For this slight momentary affliction is preparing for us an eternal weight of glory beyond all comparison, because we look not to the things that are seen but to the things that are unseen; for the things that are seen are transient, but the things that are unseen are eternal."<br />
(Philippians 4:4-7) "Rejoice in the Lord always; again I will say, Rejoice. Let all men know your forbearance. The Lord is at hand. Have no anxiety about anything, but in everything by prayer and supplication with thanksgiving let your requests be made known to God. And the peace of God, which passes all understanding, will keep your hearts and your minds in Christ Jesus."<br />
(1 Peter 1:3-5)  “Blessed be the God and Father of our Lord Jesus Christ, who in his great mercy gave us a new birth to a living hope through the resurrection of Jesus Christ from the dead, to an inheritance that is imperishable, undefiled, and unfading, kept in heaven for you who by the power of God are safeguarded through faith, to a salvation that is ready to be revealed in the final time.”
    Faro Della Speranza - Dipinto di Din..etta
  • “The Church of Santa Maddalena is surrounded by Roe Deer, both enjoying the sunset over the Dolomites in South Tyrol, Italy - Painting by Dino Carbetta”…<br />
<br />
The Church of St. Magdalene resides in a small village located in the Dolomites of Italy. Both, the village and the church, are symbols of the Val di Funes. This tiny picturesque village of just 377 people is located in the Trentino-Alto Adige region of Northern Italy. Historically, the church was built where the miraculous image of Santa Maddalena was washed up by the Fopal River. Saint Mary Magdalene church is mentioned beginning in 1394. The current form of the nave with a sloping base and a slightly grooved roof cornice, with pear and round bar on the pointed arch portal with a red chalk inscription, was complete in 1492. The mural exterior is the Crucifix on the gable in a niche with a donkey's back, weather-beaten, early XVI century. St. Christopher is lively and virtuoso in movement with a fluttering, wrinkled robe. Interiorly, the keystones on the vault, are bust portraits of Mary with the Christ Child and saints. The valley, as you can see, Val di Funes is stunningly beautiful. Summer, it’s very green and dotted with colorful flowers. Winter, it’s covered with snow, and the ragged Dolomite peaks, pierce the sky toward the heavens. Mary Magdalene is the first among the women following Jesus to proclaim Him as having overcome death. She is the first to announce the joyful message of Easter. But she also proved she was among those who loved Him most when she stood at the foot of the Cross on Mount Calvary together with Mary, His Mother, and the disciple, St. John. She did not deny him or run away in fear as the other disciples did, but remained close to Him every moment, up to and including the tomb. The Italian Roe Deer rejoice in the beauty of God’s creation.
    La Chiesa di Santa Maddalena e’ circ..etta
  • “Assisi front door with a lot of Character”…<br />
<br />
Italy is famous for its display of fresh and beautiful flowers and foliage outside the windows and doors throughout the countryside, and Assisi was no different except for the perfection of their presentation. I am sure the Chamber of Commerce in Assisi is quite busy maintaining the continuity and beauty of Assisi, but perhaps there is no need as the residents all seem perfectly happy to respect and display all its beauty. The streets, walkways, and general environment were the most immaculate of any town I witnessed in Italy and the most religious of any place on my journey. The town became a mystic and peaceful shrine in the early darkness of night after all the tourists departed, and all the prayers offered that day reflected and echoed off the ancient walls. Even the vending machines contained Rosaries, and its residents strolled about dressed in their religious attire with permanent smiles upon their faces. I am sure there are many remarkable religious destinations in the world but this photographer’s opinion…Assisi has no spiritual equal on this earth.
    Assisi porta di casa con un molto di..tere
  • La Beata Vergine Maria - Dipinto di Dino Carbetta - Rosa <br />
<br />
“The Blessed Virgin Mary - Painting by Dino Carbetta - Rose”… Upon completion of a new and original painting of the teenage Virgin Mary, I sit and stare into her eyes trying to imagine the complexity of the overwhelming magnitude of the future Mother of Christ. Her sincere and loving gaze, illuminating with the glow of the Holy Spirit within her very soul emanates outwardly representing all Mothers. I envision my wonderful Mother as I struggled to bring this two-dimensional representation to life. Again, my humble skills, yet meticulous manner combined to exhaust one complete month of trial and error. Irrevocably, a courageous young teenage Jewish girl is blessed beyond comprehension… <br />
“The Virgin Mother is constantly present on this journey of faith of the People of God towards the light. This is shown especially by the canticle of the "Magnificat," which, having welled up from the depths of Mary's faith at the Visitation, ceaselessly re-echoes in the heart of the Church down the centuries. This is proved by its daily recitation in the liturgy of Vespers and at many other moments of both personal and communal devotion.” (Saint John Paul II) <br />
"My soul magnifies the Lord, <br />
and my spirit rejoices in God my Savior, <br />
for he has looked on his servant in her lowliness. <br />
For behold, henceforth all generations <br />
will call me blessed; <br />
for he who is mighty has done great things for me,<br />
and holy is his name: <br />
and his mercy is from age to age <br />
on those who fear him. <br />
He has shown strength with his arm,<br />
he has scattered the proud-hearted,<br />
he has cast down the mighty from their thrones, <br />
and lifted up the lowly; <br />
he has filled the hungry with good things, <br />
sent the rich away empty. <br />
He has helped his servant Israel, <br />
remembering his mercy, <br />
as he spoke to our fathers, <br />
to Abraham and to his posterity forever." (Lk.1:46-55)
    La Beata Vergine Maria - Dipinto di ..Rosa
  • “Panoramic view from the Bar Giardino San Lorenzo of the Cathedral of San Rufino of Assisi”… <br />
<br />
Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous and a more pleasant excursion. After morning Mass at Chiesa Nuova, and then to Portiuncula. The town has grown up around the Basilica of Our Lady of the Angels. Our Pilgrims took a break for lunch while fellow Pilgrim, Patrick and I headed for the mountain top of Assisi for panoramic views of the town below. The breathless spectacle peering down one side of the fortress is St. Francis Basilica, and the unparagoned ancient architecture on the opposite side and only way up and down, are Bellissimo landscapes of San Rufino and the Basilica di Santa Chiara. Shortly upon our descent, we found a spectacular hidden respite through the wall named: “Bar Giardino San Lorenzo,” where we stopped for lunch. This charming oasis on top of Assisi, was analogous to a floral garden paradise, with astounding views of the valley below and as far away as Siena. Perfect areas abound with shaded tables and chairs and a hut for the main area of the tiny restaurant. The Italiani husband and wife smile graciously as they served up a lunch menu and drinks for the astounded patrons. It appeared to us Pilgrims that we stumbled on the most perfect plot of land in all of Assisi, and found ourselves blessed to sit and relax for moments as we could not help aiming our cameras at God’s pleasant surroundings. After dozens of images exhausted, and nourishment for our hunger and thirst, a sad goodbye was extended to our hosts and a touch of paradise. To date, I have only had the opportunity to visit Assisi twice in my lifetime, but I could not imagine a more perfect spiritual, aesthetically beautiful, and peaceful location in the world. We were off to our next incredible adjacency, the Cathedral of San Rufino.
    Vista panoramica della Cattedrale di..enzo
  • "Dusk falls over the harbor of Riomaggiore"... <br />
<br />
I began my daily journey at the northern most town of Monterosso and took the train to the southernmost town of Riomaggiore. Upon arriving in this picturesque seaside village and moving down to the water’s edge, I noticed proprietor Francesco in front of a tiny boat rental sign. After arranging an evening sail up the coast, I was able to focus on the colorful persona of Riomaggiore. That evening I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. Upon arriving back home in Monterosso, soft light illuminated the sky and azure sea of the Mediterranean convincing me to sail all the way back to Riomaggiore with my gracious guides Claudio and Eddie of "Cinque Terre dal Mare" sailing excursions. We arrived just in time for a perfect sunset and a perfect evening for creating bellissimo new images. After a nice dinner...I caught the last train at midnight back home to Monterosso. A very long day, but worth every minute!
    Crepuscolo cade sul porto di Riomaggiore
  • “Angels Guard the Main Altar of the Sistine Chapel - Basilica of Santa Maria Maggiore Rome”…<br />
<br />
After Mass in the Crucifix Chapel on the second morning of the inaugural Pilgrimage I organized, we were joined by our Roman tour guide for the day. As we listened and ventured around the glorious Basilica, my eyes and camera began to wander. I became stupefied by the grand chapel to the right of the main altar with the rising sun peering through the window just below the cupola. I discreetly wandered in and out in hopes it would shine upon the Holy Crib. The right transept is called the Sistine Chapel, containing the elaborate tomb of Pope Sixtus V (1521-90) and decorated with frescoes and reliefs of events from his reign. The chapel centers on a reliquary containing part of the Holy Crib, and the burial place of Saint Jerome, the 4th-century Doctor of the Church. The architect Domenico Fontana designed the chapel, which also contains the tomb of Pope Pius V. The main altar in the chapel has four gilded bronze angels by Sebastiano Torregiani, holding up the ciborium, which is a model of the chapel itself. The Patriarchal Basilica of St. Mary Major reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God.
    Angeli Custodiscono L'altare Princip..Roma
  • “Silhouette of Gondoliers against the late sun on the Grand Canal near the Church of Santa Maria del Giglio - Red”…<br />
<br />
“Venice” - Henry Wadsworth Longfellow: <br />
WHITE swan of cities, slumbering in thy nest	<br />
So wonderfully built among the reeds	<br />
Of the lagoon, that fences thee and feeds,	<br />
As sayeth thy old historian and thy guest!	<br />
White water-lily, cradled and caressed	<br />
By ocean streams, and from the silt and weeds	<br />
Lifting thy golden pistils with their seeds,	<br />
Thy sun-illumined spires, thy crown and crest!	<br />
White phantom city, whose untrodden streets	<br />
Are rivers, and whose pavements are the shifting	<br />
Shadows of palaces and strips of sky;	<br />
I wait to see thee vanish like the fleets	<br />
Seen in mirage, or towers of cloud uplifting	<br />
In air their unsubstantial masonry.<br />
	<br />
The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The rowing oar, which is not fastened to the hull, is used in a sculling manner, also acting as the rudder. For centuries the gondola was the chief means of transportation and most common watercraft within Venice. It is propelled by a gondolier. In modern times the iconic boats still have a role in public transportation in the city, serving as traghetti (ferries) over the Grand Canal. There are just over four hundred gondolas in active service today, virtually all of them used for hire by tourists. In order to become a professional gondolier, you need to obtain a license from the guild. Two hundred years ago, there were 10,000 gondolas in Venice. Although the aristocracy preferred horses to boats through the early Middle-Ages, beginning in the 14th century when horses were outlawed from the streets of Venice, the noble class embraced gondolas as a respectable form of transportation.
    Silhouette di gondolieri contro il t..osso
  • "Sanctuary of Madonna and child along Calle Dose da Ponte Venice"... <br />
<br />
“O Most Amiable Child Jesus, You who said: "Ask and you shall receive," graciously hear my petition and grant me the favor I ask of You if it be for Your Greater Honor and Glory and for the good of my soul. Amen.” <br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice.
    Santuario di Madonna e bambino lungo..ezia
  • "High altar crucifix from the back of the Papal Basilica of St. Anthony of Padua"... <br />
<br />
I consider this magnificent rear view of the High Altar in St. Anthony’s Basilica looking toward Donatello’s very famous “Crucifix in Padua” one of my few forbidden and miraculous images of my 2019 Pilgrimage to Italy. I was unaware of the mere size and ancient grandeur of the basilica begun in 1233 but found myself mystified by the aura surrounding it and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. As with most prestigious Basilica’s, no photos are allowed, which mostly rendered this photographer reverent, but sad. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. Deceptively, I found myself directly behind the elevated “High Altar,” and as I curiously climbed the steps toward the locked Iron Gate, Donatello’s celestial bronze crucifix began to appear. My surreptitious movement kept me from being noticed by the security guards and our Italian guide. I covertly rested my lens through the iron bars, and quietly depressed the shutter on my camera. Often called “Il Santo” by the locals of Padua, one cannot escape feeling overwhelmed by its majesty, and emanation of spirituality and reverence. The Basilica is austere, mysterious, and solemn, yet capacious, monumental, and impossible to notice every grand detail. However, be emboldened that this Pilgrimage Church is one of the eight international shrines recognized by the Holy See. It is a symbol of faith and hope for all Christian believers. I believe Saint Anthony would be honored and proud to offer Mass here.
    Crocifisso altare maggiore dalla par..dova
  • “Solemnity of All Saints - Painting by Dino Carbetta” …<br />
<br />
A profound and sacred spectacle unfolds in the depths of a magnificent Basilica. Thousands of lighted candles flicker like stars in the night sky, casting their warm, golden glow upon the hallowed space. Each of these candles represents a soul, a beacon of faith, and a connection to the glorious saints of the Church. This tableau of illuminated candles on the "Solemnity of All Saints" transcends the physical realm and carries deep spiritual significance. It is a visual testament to the communion of saints, a reminder of the countless holy lives that have walked this earthly journey. These flames, like the saints they symbolize, guide and inspire us, their light casting away the shadows of doubt and despair. As a Roman Catholic artist, I have a remarkable opportunity to capture the profound essence of this sacred moment through these creative expressions. Hopefully, conveying the deep devotion and the rich spiritual tapestry these saints have woven throughout history. In the flickering dance of these candles, one can find hope, solace, and a reminder of the enduring power of faith. It visually represents the unbroken chain of believers, from the earliest martyrs to the modern faithful. Art and words can beautifully encapsulate this timeless tradition, reminding the world of the enduring beauty and significance of the Christian faith. And resonate invoking a sense of wonder, reverence, and a deep connection to the saints who have left an indelible mark on our spiritual journey. Through art and words, one may kindle the same flame of inspiration in others, illuminating their path with the wisdom and grace of the saints. I pray that these artistic and literary renderings continue to inspire others, bridging the gap between the living and the saints who have gone before us. And, to serve as a beacon of faith, inviting contemplation and reflection on the enduring power of belief.
    Solennità Di Tutti I Santi - Dipinto..etta
  • “Spring Mystical Reflections of Villa Borghese – Rome”…<br />
<br />
Villa Borghese in Roma is a famous Garden and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus. Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and give time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Primavera Riflessioni Mistiche di Vi..Roma
  • “Red bricks lead to the Papal Basilica of San Francesco d’Assisi” …<br />
<br />
This late afternoon image was captured while standing upon remnants atop the mountainside of Assisi viewing down to the resting Basilica of Saint Francis. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Frances where this image was captured, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted, and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about two hundred yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God. The Basilica, which was begun in 1228 honoring the life of Saint Francis, is probably the most exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate Pilgrims, tourists, and artists.
    Mattoni rossi piombo alla Basilica P..sisi
  • “Giving seed to the One who sows, Snow - Painting by Dino Carbetta”…<br />
<br />
Isaiah 55:10-13, “Yet just as from the heavens the rain and snow come down And do not return there till they have watered the earth, making it fertile and fruitful, Giving seed to the one who sows and bread to the one who eats, So shall my word be that goes forth from My mouth; It shall not return to me empty but shall do what pleases me, achieving the end for which I sent it. Yes, in joy you shall go forth, in peace you shall be brought home; Mountains and hills shall break out in song before you, and all trees of the field shall clap their hands. In place of the thornbush, the cypress shall grow, instead of nettles, the myrtle. This shall be to the LORD’s renown, as an everlasting sign that shall not fail.” “Giving Seed to the One who Sows, Snow - is an artwork that draws inspiration from Isaiah. The rain and snow that fall from the heavens, water the earth and make it fertile and fruitful. God's Word invigorates our souls, guiding us towards spiritual growth and renewal. The painting captures this divine interaction through meticulous strokes and nuanced hues. The snow, symbolizing purity and renewal, blankets the earth, signifying the transformative power of God's Word. The mountains, hills, and trees celebrate this divine work, creating a celestial orchestra of joy and harmony. Deer are creatures of the natural world, and their presence could highlight the interconnectedness of all living things. The deer symbolizes the harmony between the created world and the spiritual realm. It's a testament to God's restorative power, where desolation gives way to abundance, and barrenness blossoms into beauty. In essence, "Giving Seed," is not just an inspired composition but a spiritual odyssey that invites us to reflect on the boundless grace, transformative power, and eternal promise encapsulated in God's Word.
    Dare seme a Colui che semina, Neve -..etta
  • “The New Church birthplace of St. Francis of Assisi”…<br />
<br />
This photograph was created while approaching Chiesa Nuova (New Church) at the same time an elderly Italian man was entering for worship and prayer. As I entered the beautiful small church, a Franciscan Monk working inside saw me and without reluctance, rose from his desk and graced me with a half-hour tour speaking entirely in Italian. He never hesitated and he never assumed that I was not fluent in Italian; yet, he continued to entrust me with every detail of what looked like a mini Basilica. As we ventured around, he explained every nuance, even the crypt where Saint Francis’ parents reside. Upon completion of the tour, he shook my hand, gave me a gentle embrace, and bestowed a blessing in Italian. While not understanding the language, I left with gratitude and amazement …yet, somehow, I understood his every word.
    La Chiesa Nuova luogo di nascita di ..sisi
  • “Night view through the arch of the Papal Basilica of San Francesco”…<br />
<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Never stopping for lunch or dinner, I continued to photograph new images well past sundown. Traversing the narrow steps and Strada back down to the bottom of the mountaintop to my hotel, the walk seemed a bit less strenuous and I felt a sense of gratitude and completion of my day-long journey. However, the very quiet Assisi seemed to have fallen into a deep slumber in the early nighttime leaving all the restaurants closed for the night. Pleading with the hotel manager, she desperately arranged a late dinner at one of the most iconic restaurants in Assisi, La Locanda Del Cardinale, which was built over an ancient Roman settlement dating from the first century B.C., with glass floors to view the mosaics below. Walking back at midnight to the hotel, the peaceful Assisi continued to call out. As the serene, quiet Basilica of Saint Francis stood majestically and glowed in the midnight skies, one could not help but to acquiesce to its mystical yearning for just a few more memorable portraits in the cool dew of the early morning air.
    Vista notturna attraverso l'arco di ..esco
  • “Christus Patiens above the High Altar of the Franciscan Basilica of Santa Chiara d'Assisi”…<br />
<br />
Around sunset, the clouds shifted and the descending sun illuminated the Assisi mountaintop as a slight mist of rain mystified the landscape. The ascent was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. As I approached the last two Churches after 7:00 pm; the Basilica of Saint Clare, and the Cathedral of Saint Rufino...I noticed the security guard locking Santa Chiara’s front door. I rushed forward anxiously and begged to just look quickly inside the Vestibule. He only spoke Italian and frustrated with me, said I had one minute inside. Aiming my camera and telephoto lens directly toward the High Altar which seemed a mile away, I clicked one picture as the guard hastily gestured me outside. Ironically, I found that no pictures are allowed in this Basilica. And, on my Pilgrimage of 2019, was frustrated during my tour of the historic and reverent church, still, no pictures were allowed. I always try to respect the rules and venerate every location, however, I did take two very surreptitious images in the Oratorio del Crocifisso (Oratory of the Crucifix), a peaceful chapel that preserves the venerable 12th-century crucifix that spoke to St. Francis at San Damiano. This abrupt photo of the painted crucifix still hangs above the high altar of Santa Chiara and was probably the first painting that was commissioned for the new church. The image was conceived shortly before Saint Clare’s death in 1260 and is attributed to the Maestro di Santa Chiara. The iconography of Christus Patiens (the dying Christ on the Cross) was widely used in early Franciscan churches. In this example, the Virgin and St John the Evangelist flank the Cross, with another figure of the Virgin (praying and flanked by angels) and Christ Pantocrator above.
    Christus Patiens sopra l'Altare Magg..sisi
  • “Angelic Woman Resting Under the Sun at the Cathedral of San Rufino in Assisi”…<br />
<br />
Upon arriving early that day in Assisi, I couldn't resist capturing every moment with my camera from the moment I parked at Hotel Giotto nestled within the walls at the foothills of Assisi. It felt like Saint Francis had orchestrated the day, painting the skies with dramatic perfection and guiding each encounter with a mystical touch. As I embarked on the journey from the Basilica of Saint Francis, every step of the ascent towards the mountain's summit and the fortress of Rocca Maggiore seemed to unveil something even more profound and spiritual than the last. With each arduous staircase climbed, there was an anticipation building, fueled by the promise of divine scenery awaiting at the summit. Finally, as I reached the pinnacle almost at sunset, the clouds parted, and the sun cast its golden glow, accompanied by a gentle mist of rain. Despite the exhaustion from the steep climb, the sight that greeted me around the final bend took my breath away—the Romanesque Duomo of Saint Rufino, standing majestically, a testament to centuries of spiritual and historical significance. As I turned the corner, the late evening sunbathed the façade of the Duomo in a radiant light, illuminating a lone figure basking in its warmth by the side door. Despite the dampness and chill in the air, her presence seemed to emit a warmth that transcended the physical realm. I stood frozen, captivated by the ethereal beauty before me. With trembling hands, I lifted my camera to capture a fleeting moment of this otherworldly scene, hoping to preserve it forever. In that moment, as the shutter clicked, she stirred, her eyes meeting mine with a gentle smile before gracefully departing. I longed for her presence to linger, but all that remained was the memory captured in that single photograph—a mere glimpse of the profound and surreal encounter that would forever echo in my soul.
    Donna Angelicata di Riposo Sotto il ..sisi
  • “Pieta - Church of Saint Moses Venice - BW”… <br />
<br />
Sixth Sorrow: The Crucifixion and Descent from the Cross: After this, Joseph of Arimathea, secretly a disciple of Jesus for fear of the Jews, asked Pilate if he could remove the body of Jesus. And Pilate permitted it. So he came and took his body” (Jn 19:38). Saying, “It is finished,” Jesus bows his head and dies. Mary remembers his words at the Passover meal: “This cup is the new covenant in my blood, which will be shed for you” (Lk 22:20). The dreaded time is now: the precious blood of her son is poured out for all humankind. The covenant is sealed. Jesus, her son, the Son of God, is dead. In her heart, Mary dies with him. Two broken hearts—one pierced with a spear, one pierced with sorrow—become one: Jesus and Mary, forever united for the whole human family. Mary’s sorrow is all the greater because of the greatness of her love. Jesus’ body is taken down from the cross and placed in her arms. Mary embraces her son with a love beyond words, beyond grief itself. For now, it is the grief of a consummate sorrow. She, who had given birth to divinity, now presses the bloodied and battered remains of his humanity close to her sorrowful and shattered heart. “Let it be done according to thy will, Lord,” she prays. Our first stop was Chiesa di San Moisè, built initially in the 8th century. It is dedicated to Moses, and like the Byzantines, the Venetians often considered Old Testament prophets as canonized saints. It also honors Moisè Venier, the aristocrat who funded the reconstruction during the 9th century. San Moisè is the parish church of one of the parishes in the Vicariate of San Marco-Castello. The elaborate Baroque facade, dating from 1668, is profusely decorated with sculpture. This Bellissimo Pietà is by Antonio Corradini, the famous Italian Rococo sculptor. We continued to the Basilica dei Frari which was foremost and Chiesa di San Geremia to visit St. Lucy.
    Pieta - Chiesa di San Moisè Venezia - BW
  • “Father Peek Elevates the Host for Adoration - The Patriarchal Cathedral Basilica of San Marco Venice”…<br />
<br />
On the final day of our pilgrimage, we arrived in Venice, a city that breathes history and faith. We began our journey with a bus ride from Padua to the Venetian Lagoon, where a private boat carried us to the Patriarchal Cathedral Basilica of San Marco. This architectural masterpiece and spiritual haven was the perfect culmination of our journey. My first visit to Venice left me longing for a deeper connection with this sacred place. This time, our pilgrimage granted us a special appointment for Mass in the Basilica’s main Sacristy. The space, normally hidden from public view, became the setting for a profound moment of worship led by our beloved Father Peek. As he elevated the Host for adoration, I captured a photograph that forever holds the essence of our journey—a sacred encounter with the divine. Father Peek, whose devotion to God and his flock is unwavering, is now the pastor of one of my childhood churches. His spirit reflects Christ’s love, and his leadership inspires all who know him. We also discussed another pilgrimage to Italy, an invitation for all who seek to deepen their faith and witness the beauty of our Church in the heart of Italy. While I could not take more photographs during our tour of St. Mark’s, the hidden corridors we walked left an indelible mark on my spirit. St. Mark’s Basilica endures as an iconic testament to the faith that has sustained it for centuries. St. Mark’s presence fills the air, his fatherly spirit guiding us through the mysteries of faith. Venice enchants with its canals and grandeur, but for me, its true heart beats within St. Mark’s. The Eucharist is the center of our faith, a profound encounter with Christ that transcends time and space. In the elevation of the Host, we are drawn into the very heart of God, a mystery that continues to unfold with each step of our journey.
    Padre Peek eleva I'Host per l'Adoraz..ezia
  • "The sun sets like fire in the sky above the Papal Basilica of St. Francis of Assisi"...<br />
<br />
The seventh morning of our Pilgrimage, we sorrowfully said goodbye to the majestic Sorrento and set out to find the spiritual mecca of Assisi. The excitement of Saint Francis' tiny mountaintop walled village perked our eyes toward the bus windows. Hotel Giotto welcomed all!  An evening Mass with Fr. Peek in the PAX Chapel (a small underground sanctuary in Saint Francis Basilica) hosted our celebration. Mass was celebrated in honor of the wedding anniversary of Bill and Bardeen Dunphy from Atlanta, GA. I cannot say enough about the wonderful quality of people and Catholics in which I had the honor to accompany on our Pilgrimage. A small group of only 12, but mighty in character, affection, spirituality, and compassion. Bill and Bardeen epitomized this nature and shared their love will all our Pilgrims and those who witnessed our gatherings. We were also blessed by a humble, yet charismatic Priest, Father Kevin Peek. He seemed to know every other person in Italy, and subsequently, we all found new friends at dinner time. I cannot honestly conclude a more perfect Pilgrimage Priest than Father, and he was the epitome of a Spiritual guide. He not only celebrated Mass each morning in the most beautiful and prestigious Basilica’s in the world, he also led nighttime rosary walks through the Italian Strada, offered confession, interjected stories of the Saints, discussed all Italian epicurean delights with great enthusiasm, and spread the word and love of God to anyone who would listen.  After Mass, the sun once again glowed as it set behind Saint Francis Basilica. There is probably not a more exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate artist of capture.
    Il sole tramonta come fuoco nel ciel..sisi
  • "Hidden villa along the Cannaregio Canal in Tolentino Venice"...<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Nascosta villa lungo il Canale Canna..ezia
  • "The Gondoliera illuminated by the afternoon light along Rio De La Toletta Venezia"...<br />
<br />
Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Le Gondoliera illuminate dalla luce ..ezia
  • "The evening sun illuminates the panorama of the Papal Basilica of St. Francis of Assisi"...<br />
<br />
The seventh morning of our Pilgrimage, we sorrowfully said goodbye to the majestic Sorrento and set out to find the spiritual mecca of Assisi. The excitement of Saint Francis' tiny mountaintop walled village perked our eyes toward the bus windows. Hotel Giotto welcomed all! An evening Mass with Fr.Peek in the PAX Chapel (a small underground sanctuary in Saint Francis Basilica) hosted our celebration. Mass was celebrated in honor of the wedding anniversary of Bill and Bardeen Dunphy from Atlanta, GA. I cannot say enough about the wonderful quality of people and Catholics in which I had the honor to accompany on our Pilgrimage. A small group of only 12, but mighty in character, affection, spirituality, and compassion. Bill and Bardeen epitomized this nature and shared their love will all our Pilgrims and those who witnessed our gatherings. We were also blessed by a humble, yet charismatic Priest, Father Kevin Peek. He seemed to know every other person in Italy, and subsequently, we all found new friends at dinner time. I cannot honestly conclude a more perfect Pilgrimage Priest than Father, and he was the epitome of a Spiritual guide. He not only celebrated Mass each morning in the most beautiful and prestigious Basilica’s in the world, he also led nighttime rosary walks through the Italian Strada, offered confession, interjected stories of the Saints, discussed all Italian epicurean delights with great enthusiasm, and spread the word and love of God to anyone who would listen. After Mass, the sun once again glowed as it set behind Saint Francis Basilica. There is probably not a more exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate artist of capture.
    Il sole della sera illumina il panor..sisi
  • "A million faces of Jesus by Dino Carbetta - Spatola di metallo"...<br />
<br />
Daniel 10: 5-6 “As I looked up, I saw a man dressed in linen with a belt of fine gold around his waist. His body was like chrysolite, his face shone like lightning, his eyes were like fiery torches, his arms and feet looked like burnished bronze, and the sound of his voice was like the roar of a multitude.” Genesis 1:27 “God created mankind in his image; in the image of God he created them; male and female he created them.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. The blessed see God, not merely according to the measure of His likeness imperfectly reflected in creation, but they see Him as He is, after the manner of His own Being. 1 Corinthians 13:12 “At present, we are looking at a confused reflection in a mirror; then, we shall see face to face; now, I have only glimpses of knowledge; then, I shall recognize God as he has recognized me.”
    Un milione di volti di Gesù di Dino ..allo
  • "The oculus of the 2000 year-old Pantheon of Santa Maria"...<br />
<br />
The ancient Pantheon is still the world's largest unreinforced concrete dome.  Both the height and the diameter of the dome is exactly 142 feet.  The Romans were so far ahead of their time...just imagine the possibilities if the empire had survived. The Pantheon is now an active Catholic church known as Santa Maria Rotonda.  The ancient tradition of dropping rose petals from the open oculus happens at noon every Pentecostal Sunday during Mass.  The rose petals symbolize the descent of the Holy Spirit falling on the apostles and the faithful, and it dates back as early as 600 years after the birth of Christ.  Vigili del Fuoco (firefighters) of Rome, climb on top of the Pantheon’s dome, and drop thousands of rose petals as the choir chants the sequence of Veni Sancte Spiritus.
    L'oculo del Pantheon di 2000 anni di..aria
  • “The evening reflections at Villa Borghese – Rome”…<br />
<br />
I stumbled into photography just before graduation at the U of TN while volunteering at a local hospital where I was influenced to attend Brooks Institute.  The instructors preached the technical aspects of photography, and upon graduation…we could implement our own artistic vision.  As a commercial photographer since graduation, I have had little time to express my artistic vision…until I went to Italy for the first time, where I discovered my true love and passion!  I consider myself a “contemplative” photographer, and as such, I have a three-part process to achieve my final presentation for each image: the discovery, how I perceive the image creation, and how I hope others will perceive the image.  This artistic pursuit, I imagine, is similar to Michelangelo viewing a piece of marble for the first time.  Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake.  Surrounding this small lake is a three-foot iron fence, which I now affectionately call “Il lago di dolore”, or Lake Pain!  I tried to cross this iron fence with camera in hand and a 20lb bag on my shoulder…needless to say, it did not go well!  Despite the intense pain, I continued to take 60 images around the lake, and upon return home, I stubbornly refused to look at them until recently.  My disdain for Lake Pain kept me from discovering the true artistic vision I first saw when I began creating these images. I finally gave into the contempt I had for the Lake and began working on several images.  Perhaps, the viewer will perceive the great pain it took to finally engender a feeling of solace and peace in the true vision, and find that suffering eventually brought forth eminent beauty.  As for this photographer, Il lago di dolore will be a constant reminder that the creation of great art sometimes endures great pain!
    Le riflessioni della sera a Villa Bo..Roma
  • “A perfect evening overlooking the Colosseum”…<br />
<br />
A sunlit and pleasant view of the ancient and organic Colosseum.  The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  I created this image in the late evening as the guards ushered me out for closing time.
    Una serata perfetta che si affaccia ..sseo
  • “Venice Sun Evening Reflections”…<br />
<br />
I am not sure if I am the first to describe Venice as “organic”; however, there has never been a more perfect description to define Venice’s ever changing persona.  Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out.  Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine.  The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight.  The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope.  Heading out the first afternoon with no sleep since leaving Atlanta the day before, I was exhausted yet had so much adrenaline and utter excitement emanating from my soul.  My heart, eyes, and brain forced me to follow the light and take photos; thus, the first day of thirty began with number 1 of 6500 images.  Not until I began writing these descriptions did I realize that many of these were taken the day I arrived in Venice…it was sensory overload.  Sometimes we get lucky, and sometimes blessed…taking the water taxi during a downpour from the airport to my hotel was a bit disconcerting.  However, when the sun finally came out, my little hotel became the key to the entire Venetian world!  The view from the tiny hotel dock as the sun breaks, and one of the first 75 images taken in Italy.
    Venezia Sole di Sera Riflessioni
  • "Altar of the basilica of the Arch of San Giovanni in Laterano"...<br />
<br />
Dedicated to St. John the Baptist and St. John the Evangelist, the Basilica of St. John Lateran is the first among the four major basilicas of Rome. It is also the Cathedral of the Bishop of Rome, the Pope, and is thus known as the "Cathedral of Rome and of the World." Built by Constantine the Great in the 4th century, San Giovanni in Laterano was the first Christian/Catholic church erected in Rome. The present structure of the Basilica resembles Saint Peter's Basilica, and the ancient church was residence of the Papacy until the (1377) return from exile in Avignon and permanent relocation to the Vatican. Many Popes were responsible for repair and additions to the Basilica’s overall splendor and importance throughout the last 1700 years.
    Altare della basilica dell'Archil di..rano
  • “Heavens erupting with rainbows over the Cathedral of San Rufino Assisi”…<br />
<br />
This image is perhaps one of the most blessed and miraculous of my Italian journey.  Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner.  Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down.  Looking back over my shoulder, I was mesmerized at the appearance of this first of eventually two rainbows shining down behind the Duomo of Saint Rufino. I was able to take a few horizontal and vertical images of the rainbows just as the sun began it's decent below the horizon. My Italian journey was truly blessed by the hand of God. This image is a vertical panorama combining two vertical and one horizontal image.
    Cieli in eruzione con arcobaleni sop..sisi
  • “Dusk falls on the Colosseum in Rome”…<br />
<br />
The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  As evening descended on the ancient Colosseum, the sun and the clouds performed a mystical light show to the delight of the weary travelers and one adrenalized photographer.
    Crepuscolo scende sul Colosseo di Roma
  • “Papà’s Embrace - A Painting by Dino Carbetta” ...<br />
<br />
In this intimate and profoundly moving portrait, Pope Francis is depicted embracing a young child, a moment of pure tenderness and compassion. The close-up composition captures the deep emotions reflected in their faces—the gentle warmth of a shepherd and the innocent trust of a child. As Papà Francesco, he is more than just the leader of the Church; he is a father to the faithful, especially to the poor, the marginalized, and the forgotten. His papacy has been defined by an unyielding commitment to those in need, reaching beyond borders, divisions, and prejudices to offer the healing embrace of Christ. His paternal care reflects God's boundless love, recognizing only the human soul in need of grace, regardless of status or wealth. Yet, this calling has not been without suffering. Like a shepherd in turbulent waters, Pope Francis has faced relentless challenges from an indifferent world and from within his flock. The Church, a vessel of salvation, is also a place of great human struggle, where pride, rigidity, and division sometimes overshadow the very message of Christ. Some believe they hold the fullness of truth, are unwilling to listen, quick to judge, and slow to love. And yet, through it all, Papà Francesco presses forward, undeterred in his mission, carrying the burdens of leadership with the heart of a servant. All he has ever sought is to bring the world closer to Christ. To remind the faithful that mercy triumphs over judgment, that love conquers discord, and that true wisdom is found not in self-righteous certainty, but in humble service. Papà’s Embrace is not just a moment of tenderness—it is a testament to a shepherd’s endurance, a father’s unwavering love, and a disciple’s relentless pursuit of the Gospel. In this embrace, we see the heart of a man who has given everything to guide souls home. May we, too, find the humility to embrace one another, as Christ embraces us all.
    Papà’s Embrace - A Painting by Dino ..etta
  • “Agony in the Garden – Painting by Dino Carbetta” …<br />
<br />
The agony in the Garden of Gethsemane encompasses Holy Week in the life of Jesus. Occurring after the Last Supper, before his betrayal and arrest, all part of the Passion of Jesus leading to his crucifixion and death. This episode is described in the three Synoptic Gospels in the New Testament. According to these accounts, Jesus, accompanied by Peter, John, and James, enters the garden of Gethsemane on the Mount of Olives where he experiences great anguish and prays to be delivered from his impending suffering, while also accepting God's will. Immediately after the Last Supper, Jesus retreated to a garden to pray. Jesus was accompanied by three Apostles: Peter, John, and James, whom he asked to stay awake and pray. He moved "a stone's throw away" from them, where he felt overwhelming sadness and anguish, and said "My Father if it is possible, let this cup pass me by. Nevertheless, let it be as You, not I, would have it." Then, a little while later, he said, "If this cup cannot pass by, but I must drink it, Your will be done!" He said this prayer thrice, checking on the three apostles after each prayer and finding them asleep. He commented: "The spirit is willing, but the flesh is weak". An angel came from heaven to strengthen him. During his agony as he prayed, "His sweat was, as it were, great drops of blood falling upon the ground" (Luke 22:44). In Roman Catholic tradition, the Agony in the Garden is the first Sorrowful Mystery of the Rosary and the First Station of the Scriptural Way of The Cross Catholic tradition includes specific prayers and devotions as acts of reparation for the sufferings of Jesus during His Agony and Passion.
    Agonia Nell'Orto – Dipinto di Dino C..etta
  • “The mystical evening sun's rays peeking over the hills of Assisi”…<br />
<br />
This image was captured as the hazy sun began to set behind the mountains and a light rain began. The combination of the low, brightly veiled evening sun with the mist of the rain displayed a spectacular prism effect that dazzled the senses and displayed a glorious light show above Assisi. The magnificent display lasted until dark and was one of the many mystical and blessed experiences of my perfect 24 hours in Assisi. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted, and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about two hundred yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God.
    Il mistico serata raggi del sole cap..sisi
  • “Sunset view of Manarola from the azure Tyrrhenian Sea” …<br />
<br />
I began my daily journey at the northernmost town of Monterosso and took the train to the southernmost town of Riomaggiore. I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. This image was composed of standing on the rooftop of the antique 28-foot Angelina’s galley with my arms around the mast and my 25-pound camera bag strapped over my shoulder, creating a human tripod for support. I could not help noticing tourists in each village photographing our boat as we sailed up and down the coast; perhaps it was the image of a silly photographer hanging on for dear life as the waves wobbled the boat side to side in anticipation of a splashdown?! Leaving for my destination of Monterosso, the radiant sunset illuminated the sky and the azure sea of the Mediterranean. I was convinced to sail back to Riomaggiore with my gracious guides Claudio and Eddie of the "Cinque Terre dal Mare" sailing excursions. We arrived just in time for the perfect magic-hour glow of the setting sun. After a nice dinner...I caught the last train at midnight back home to Monterosso. There is a great appeal in each of the five Cinque Terre villages, each with a different history, people, elements, and culture. This illuminating sunset of Manarola was captured just before arriving back in Riomaggiore. Arrivederci, Manarola!
    Tramonto vista di Manarola fin da il..Mare
  • “Saint Jerome - Chigi Chapel in the Cathedral of Siena” …<br />
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Is a window into the rich history and artistic grandeur of Siena's Duomo, the Cathedral of Siena. This magnificent cathedral, perched above the bustling Piazza del Campo, stands as a testament to the city's glorious past, filled with remarkable treasures by renowned artists like Pisano, Donatello, Bernini, and even Michelangelo. Completed in 1263, the 14th century ushered in an audacious vision – to transform this cathedral into the largest in all of Christendom, surpassing even the grandeur of St. Peter's in Rome. However, the devastating Black Death of 1348 struck, claiming four-fifths of Siena's population, its half-built walls becoming a poignant monument to the city's once unbridled prosperity. If tasked with selecting a singular location that encapsulates Italy's grand tapestry of history, art, architecture, culture, and faith, the Cathedral of Siena would undoubtedly emerge as an unparalleled choice. Distinguished by its striped walls and commanding pillars, you can't help but be struck by its sheer magnitude. Stepping inside the nave, you are immediately enveloped by a symphony of artistic expression and unparalleled beauty meticulously placed in every conceivable space. From the celestial dome to the intricate stained glass, from the captivating frescoes to the masterful sculptures, and culminating in what is revered as the most magnificent marble floor in history, the cathedral is an artistic treasure trove. Among the many artistic gems is the sculpture of Saint Jerome by the eminent Italian artist Gianlorenzo Bernini shines brightly. St. Jerome, stands as a towering figure, both in art and in history. He was a Scripture scholar of unparalleled distinction, responsible for translating a substantial portion of the Old Testament from its original Hebrew form. His commentaries continue to serve as an enduring source of scriptural inspiration for us today.
    San Girolamo - Cappella Chigi nel Du..iena
  • “Santa Chiara d'Assisi In front of San Damiano ... Painting by Dino Carbetta” … <br />
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In the grand narrative of history, Clare of Assisi shines as a luminous figure, embodying unwavering devotion and courageous faith. This Italian saint, deeply connected with Francis of Assisi, carved a path of sanctity that continues to inspire. Clare was not merely a follower but a beacon of feminine spirituality, founding the Order of Poor Clares within the Franciscan tradition. At eighteen, Clare’s heart was ignited by Francis' words. In a moment of profound spiritual awakening, she escaped her family’s expectations, meeting Francis at the altar. There, she shed her worldly trappings, cutting her long hair and exchanging her rich garments for Francis’ rough tunic—a bold declaration of her commitment to a life of poverty and service. Clare’s life at San Damiano was of radical simplicity and deep faith. She served the sick, washed the feet of her fellow nuns, and lived in a community that embraced seclusion and poverty. Despite pressures to relax these strictures, Clare remained steadfast, famously declaring, “I need to be absolved from my sins, but I do not wish to be absolved from the obligation of following Jesus Christ.” One of the most powerful episodes of her life occurred when Saracen invaders threatened the convent. Clare placed the Blessed Sacrament on the walls and prayed, “O God, do these defenseless hearts find solace?” Her faith was so profound that the invaders fled, leaving the convent unharmed. Clare’s life was a continuous prayer, a testament to her connection with the divine. Even in her final moments, she spoke of the light that guided her, saying, “In the story of my life, pain found no dwelling, His light illuminated my steps.” The painting by Dino Carbetta captures this legacy, honoring Clare’s devotion and courage, making her spirit visible and her story told anew, her light continues to guide others on their spiritual journey.
    Santa Chiara d'Assisi Davanti a San ..etta
  • “Monument of Madonna embracing the Cross in the Basilica of Santa Maria Maggiore in Rome”…<br />
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The first major stop on my first visit to Rome was The Patriarchal Basilica of Saint Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, Saint Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. I found Saint Mary in a spectacular monument to Cardinal Agostino Favoriti, 1685, by Filippo Carcani. The famous 17th-century cardinal is shown seated at a desk behind large allegorical figures of Fortitude (with the lion) and Saint Mary representing religion. Of the very large monument, Mother Mary stood out to me, as one cannot help feeling blessed by her compassionate presence, and the luminescent glow of light gently descending upon her face, revealing her abiding love for her precious son. Pope Benedict XVI, speaking about Pope John Paul II of suffering and his love of the Holy Mother; “in that last Easter Sunday of his life, the Holy Father, marked by suffering, came once more to the window of the Apostolic Palace and one last time gave his blessing Urbi et Orbi (‘to the city and the world’). “We can be sure that our beloved pope is standing today at the window of the Father’s house, that sees us and blesses us. Yes, bless us, Holy Father. We entrust your dear soul to the Mother of God, your Mother, who guided you each day and who will guide you now to the glory of her Son, our Lord Jesus Christ. Amen.”
    Monumento di Madonna abbracciando La..Roma
  • “The Gondoliers illuminated by the afternoon light along Rio De La Toletta Venice - Painting by Dino Carbetta” …<br />
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Our itinerary included Basilica, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. In the maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission in Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated from the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Le Gondoliera illuminate dalla luce ..etta
  • “The Baptism of the Lord - Painting by Dino Carbetta”…<br />
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Portrays a profound moment as Jesus descends into the River, sanctifying its waters and endowing them with the transformative power to birth sons of God. This event transcends a mere ritual, echoing a second creation with the active involvement of the entire Trinity. In the Eastern Church, it is known as Theophany, emphasizing the divine revelation as God manifests in three persons during Christ's baptism in the Jordan River. John the Baptist's baptism, a sacramental preparation for Christ, stirred repentance and confession of sins among people. However, Christ, sinless and impeccable, underwent John's baptism not out of necessity but to bestow upon water the true Baptism, capable of cleansing all worldly sins. His baptism mirrors the sacrament we undergo, symbolized by various events. During Christ's baptism, the Holy Spirit descended upon Him; in our Baptism, the Trinity establishes its dwelling within our souls. Christ declared the "Beloved Son" at His baptism, which parallels our Baptism where we, too, become adopted sons of God. The opening of the heavens at Christ's baptism signifies a similar opening for us during our Baptism. Luke 3:15-16, 21-22 narrates the anticipation among the people, speculating whether John might be the Christ. John humbly asserts his role in baptizing with water but foretells someone mightier, who will baptize with the Holy Spirit and fire. As Jesus prays after His baptism, heaven opens, the Holy Spirit descends like a dove, and a voice declares, “You are my beloved Son; with you, I am well pleased.” This sacred moment not only marks Christ's divine affirmation but foreshadows the grace and favor bestowed upon those baptized, inviting them into the loving embrace of the Heavenly Father.
    Il Battesimo del Signore - Dipinto d..etta
  • “Saint Pope John Paul II - Painting by Dino Carbetta” …<br />
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Saint John Paul II is one of the most well-known pontiffs in recent history and is most remembered for his charismatic nature, his love of youth and his world travels, along with his role in the fall of communism in Europe during his 27-year papacy. He established World Youth Day, which brought together millions of young people from around the globe. Karol Jósef Wojtyła was born in 1920 in Poland. He expressed exceptional apostolic zeal, particularly for families, young people, and the sick. Among the many fruits which he has left as a heritage to the Church are above all his rich body of teachings, the promulgation of the Catechism of the Catholic Church, and the Codes of Canon Law. In Rome on April 2, 2005, the eve of the Second Sunday of Easter (or of Divine Mercy), he died peacefully in the Lord. “Christ is the center of the universe and human history” was the opening line of John Paul II’s 1979 encyclical, Redeemer of the Human Race. In 1995, he described himself to the United Nations General Assembly as “a witness to hope.” In his 27 years of papal ministry, John Paul II wrote fourteen encyclicals and five books, canonized 482 saints, and beatified 1,338 people. In the last years of his life, he suffered from Parkinson’s disease, Pope Francis canonized him in 2014. Presiding at the funeral Mass, Pope Benedict XVI, concluded his homily by saying: “None of us can ever forget how, in that last Easter Sunday of his life, the Holy Father, marked by suffering, came once more to the window of the Apostolic Palace and one last time gave his blessing Urbi et orbi (‘to the city and the world). “We can be sure that our beloved pope is standing today at the window of the Father’s house, which sees us and blesses us. Yes, bless us, Holy Father. We entrust your dear soul to the Mother of God, your Mother, who guided you each day and will now guide you to the glory of her Son, our Lord Jesus Christ.
    San Papa Giovanni Paolo II - Dipinto..etta
  • “Sunrise on the Veranda in Positano”…<br />
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A hush blanketed Positano in the stillness of early morning, as if Heaven itself had breathed softly upon its pastel cliffs. It was my final day in this dreamlike haven, and by divine fortune, the dawn greeted me with golden silence and a sea of waking light. As I began the steep descent into the heart of the village, my eyes were drawn to a hidden veranda, perfectly perched with a view that seemed kissed by angels. A locked gate denied entry, but not inspiration. Kneeling in quiet resolve, I threaded my lens through a slender opening in the wrought iron, capturing a single frame of a moment never to return. Such beauty required foresight. This sunrise was the only one I had the grace to plan, requiring careful study of Positano’s winding geography, the play of morning light, and the unpredictable rhythms of the sea and sky. By 10:00 a.m., gentle rain began to fall, as if to seal the morning in sacred memory. By sunset, a biting wind swept in from the Azzurro Sea, closing the day with solemn grandeur. At 6:50 a.m., when this image was taken, the town still slept beneath its canopy of dew and prayer. No footsteps echoed, no voices stirred—only the quiet bloom of bougainvillea and the glint of sun upon majolica. By 8:00, life would return in full flourish: shopkeepers unlocking doors, the scent of espresso in the air, travelers arriving with wide eyes and eager hearts. Of all the sanctuaries I visited across Italy, Positano was the most lush, the most radiant—where even silence bloomed. And in that tranquil veranda at sunrise, Heaven whispered: “Consider how the flowers grow. They do not toil or spin. But I tell you, not even Solomon in all his splendor was arrayed like one of them.” —Luke 12:27
    Alba Sulla Veranda a Positano
  • ”Radiant Saint Teresa of Lisieux - the ‘Little Flower’ - Painting by Dino Carbetta”… <br />
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Saint Therese of Lisieux was a woman who discovered a deep source of God's love and an endless love for others. Despite facing many difficulties throughout her life, she remained calm and joyful. She once said, "I prefer the quiet sacrifices of everyday life to the most ecstatic experiences. Even picking up a pin out of love can change someone's life." Her simple message still resonates with millions of people today. Though she only lived for 24 years, Therese believed that her journey was just beginning in serving God, promising to bring goodness to the world from heaven. This promise, known as her "Shower of Roses," continues to flow through the Church. Therese, also known as the "Little Flower," was a Carmelite nun who lived a hidden life in the convent of Lisieux, France. Despite her seemingly uneventful life, she found redemption in quiet endurance and made suffering her mission. She entered the Carmel convent to "save souls and pray for priests," as she said. Pope Pius X called her "the greatest saint of modern times," and she was canonized in 1925. In 1997, Pope John Paul II named her a Doctor of the Church, making her the third woman to receive this honor. Even her parents were canonized in 2015. Though she was known as Therese of the Child Jesus and the Holy Face, she had a profound depth of spiritual maturity that earned her a place among the great spiritual leaders. Her autobiography, "The Story of a Soul," is cherished by many worldwide. As you gaze upon this radiant portrayal, you can't help but be drawn into the world of Saint Thérèse. Her gentle and humble spirit, symbolized by the 'Little Flower,' is radiantly captured in every brushstroke. The delicate colors and intricate details in the painting bring to life the warmth and devotion that characterized her life. Thank you for allowing me to share this poignant piece of art with you.
    Radiosa Santa Teresa di Lisieux - il..etta
  • “Our Lady of Sorrows Radiant Blue - Cathedral of San Rufino, Assisi - Painting by Dino Carbetta”…<br />
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The title "Our Lady of Sorrows" bestowed upon our Blessed Mother beckons our attention to her profound suffering and grief, most notably during the passion and death of our Lord. It encompasses the seven sorrows of Mary, as foretold by the Priest Simeon. "This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed, and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare" Lk 2:34-35. These seven sorrows of our Blessed Mother weave a poignant narrative: the flight of the Holy Family into Egypt, the loss and finding of the child Jesus in the Temple, Mary's encounter with Jesus on His way to Calvary, her presence at the foot of the cross during our Lord's crucifixion, cradling Jesus as He was taken down from the cross, and His burial. In the prophecy of Simeon, a sword would pierce our Blessed Mother's heart, and find its fulfillment. Mary is depicted with her heart exposed and seven swords piercing it, symbolizing her profound sorrows. Her unwavering courage, love, and trust with which Mary embraced each trial, echoing her initial fiat: "Let it be done unto me according to thy word," first spoken at the Annunciation. This unwavering faith is beautifully depicted in the Adoration of the Madonna as a participant in the Passion of Christ, as captured in the iconographic tradition in 1672. Luke 2:34-35 serves as the foundation of this profound portrayal: "He blessed them and said to Mary his mother: 'Behold, this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; and thy own soul a sword shall pierce, that out of many hearts, thoughts may be revealed.'" In "Our Lady of Sorrows," we witness not only the depths of Mary's sorrow but also the enduring strength of her faith, an inspiration for all who encounter this ethereal work of art.
    Madonna Addolorata Radiante Azzurre ..etta
  • The Majestic Statues of St. Peter’s Basilica<br />
Photograph and Reflection in the Days of the Conclave<br />
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Thirteen colossal statues crown the façade of St. Peter’s Basilica, rising like silent sentinels above the heart of Christendom. At the center stands Christ the Redeemer, arms open in sovereign peace. Beside Christ stand eleven apostles and St. John the Baptist—yet St. Peter is absent. But this is no omission; it is a sacred sign. Peter is not placed above, for he remains at the foundation—his mission too vital to overlook, his presence enshrined below the altar, and his legacy living in the very heart of the Church. Peter is not among the heights; he dwells at the foundation—his statue greeting pilgrims in the square, his tomb resting beneath the high altar. Now, as the Church enters a sacred pause—following the death of Pope Francis—a new conclave approaches. Within the ancient walls of the Vatican, beneath these very statues that gaze down like eternal witnesses, the cardinals now gather in sacred assembly. In prayer and silence, they seek not their own will, but the guidance of the Holy Spirit—to discern the one chosen to bear the keys of Peter and shepherd the Church through the trials of a new age. Here, in the shadow of the saints, they will invoke the Holy Spirit to anoint the next successor of Peter. Once captured under a serene Roman sky, this image now echoes with timeless urgency. The apostles above remind us that the Church is not built on passing leaders, but on an unbroken apostolic foundation. Christ remains at the center. The call of John the Baptist still resounds, preparing the way of the Lord. As the conclave begins, heaven and earth watch in prayer. Soon, one will emerge from among the crimson-clad cardinals—a new Pontiff stepping into Peter’s sandals, carrying the keys once given by Christ Himself. Until then, the statues remain, proclaiming with silent grandeur: Tu es Petrus, et super hanc petram ædificabo Ecclesiam meam.
    “The Majestic Statues of St. Peter’s.. ...
  • "The Crucifix - The Basilica of Santa Maria degli Angeli Assisi Museum - Painting by Dino Carbetta"...<br />
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Portiuncula is a town and a parish situated about three-quarters of a mile from Assisi. The town has grown up around the Basilica of Our Lady of the Angels. It was of this little church moved within the Basilica that St. Francis recognized his vocation in the year 1208, and it was where St. Francis spent most of his life. In 1211, the Benedictines gave him the little chapel of St. Mary of the Angels or the Portiuncula, which is a “little portion” of land. The first Franciscan convent was also formed nearby. The Portiuncula was also where St. Francis received the vows of St. Clare. St. Francis died here on October 3, 1226, and on his deathbed, he recommended the chapel to the faithful protection and care of his brothers. The Museo della Basilica is in another section of the convent. Among the most important works kept here are the "Crucifix “painted on wood by Giunta Pisano (1236-40). The return of Francis, a penitent man, contemplating his future in the Church... But God had other plans, and Francis did not travel far. His search for conversion led him to the ancient church at San Damiano. While he was praying there, he heard Christ on the crucifix speak to him, "Francis, repair my church." Francis assumed this meant the crumbling building he was in. He later realized it was his call to rebuild the entire Church. He read the command to the rich young man to sell all his good and give to the poor, the order to the apostles to take nothing on their journey, and the demand to take up the cross daily. "Here is our rule," Francis said -- as simple, and as seemingly impossible, as that. He was going to do what no one thought possible any more -- live by the Gospel.
    Il Crocifisso - La Basilica di Santa..etta
  • “Pentecost - Painting by Dino Carbetta”...<br />
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As I neared completion of this painting called “Pentecost,” I became overwhelmed and replete with emotion. It was not the composition or finality of another symbolic artwork, but the actual memory of my extraordinary Pentecost when I received the blessings and Sacrament of Catholic Confirmation. Archbishop Donoghue anointed my forehead with oil on the Altar of the Cathedral of Christ the King in Atlanta in front of an overflowing church, and my Catholic Brother and childhood friend Bob Casey’s hand on my shoulder. The first example of Confirmation can be found in Acts 8:14-17. Confirmation sponsors “bring the candidates to receive the sacrament, present them to the minister for anointing, and will later help them fulfill their baptismal promises faithfully under the influence of the Holy Spirit whom they have received.” I was overwhelmed then, and feel the same as now. Confirmation is a Sacrament in the Catholic Church in which the one who is confirmed receives the gifts of the Holy Spirit through the imposition of hand and anointing with oils by the bishop. It’s considered a sacrament of initiation which means that it brings you deeper into communion with the Church. “Bishops are the successors of the apostles. They have received the fullness of the sacrament of Holy Orders. The administration of this sacrament demonstrates clearly that its effects are to unite those who receive it more closely to the Church, her apostolic origins, and her mission of bearing witness to Christ.” It is the full outpouring of the Holy Spirit as once granted to the apostles on the day of Pentecost. Confirmation brings Catholics a deepening of baptismal grace and unites us more firmly to Christ. It increases the gifts of the Holy Spirit and leaves an indelible mark on the soul just like baptism. Come Holy Spirit, fill the hearts of your faithful and kindle in them the fire of your love.
    Pentecoste - Dipinto di Dino Carbetta
  • “The Blessed Virgin Mary - Painting by Dino Carbetta”… <br />
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Embarking on this artistic journey is a deep, reflective experience. The canvas graciously hosts the expression of my imaginative essence, enabling a tender exploration of the intricacies surrounding the imminent Mother of Christ with profound empathy and understanding. I find myself captivated by the authentic and tender expression emanating from the divine radiance of the Holy Spirit within her essence. Throughout the nuanced process of creation, my musings invariably gravitated toward my venerable Maternal figure, whose boundless love and nurturing served as an inspiring wellspring. Endowed with blessings of unfathomable magnitude, she embarked on a courageous odyssey, irrevocably altering the trajectory of humanity. Through her steadfast devotion and unwavering trust in the Divine, she emerges as an enduring beacon of optimism, guiding souls toward the transcendental path. Her unassuming heart acknowledges her divine role as a servant of the Divine, a reflection of boundless mercy extending through generations to those who revere the Supreme. It extols the divine strength fortifying the unpretentious and humbling the haughty, illustrating divine justice upholding the oppressed and showering the indigent with abundance. Mary's unwavering faith and the divine grace bestowed upon her elevate her to a timeless symbol—incarnating hope, love, and devotion across epochs. As observers engage with the painting, my profound aspiration is for them to discern the beauty and profound significance embodied by the Blessed Virgin Mary, to be stirred by her celestial presence, and to recognize the enduring impact she continues to exert on the spiritual odyssey of humanity. May this artistic creation stand as an elevated beacon, impelling all to embrace the profound realms of faith, love, and devotion, finding solace in the enduring legacy of the Virgin Mother.
    La Beata Vergine Maria - Dipinto di ..etta
  • “The glow of the Madonna in the New Church of San Francesco di Assisi – Ethereal”…<br />
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Psalm 46:9-11 “Come and see the works of the LORD, who has done fearsome deeds on earth; Who stops wars to the ends of the earth, breaks the bow, splinters the spear, and burns the shields with fire; Be still and know that I am God! I am exalted among the nations, exalted on the earth.”<br />
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Romans 5:1-5 “Therefore, since we have been justified by faith, we have peace* with God through our Lord Jesus Christ, through whom we have gained access [by faith] to this grace in which we stand, and we boast in hope of the glory of God. Not only that, but we even boast of our afflictions, knowing that affliction produces endurance, and endurance, proven character, and proven character, hope, and hope does not disappoint, because the love of God has been poured out into our hearts through the holy Spirit that has been given to us.
    Il bagliore della Madonna nella Chie..real
  • "Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi"...<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..sisi
  • “Father Peek Raises the Chalice for Adoration – The New Church of San Francesco in Assisi”… <br />
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The photo captures Father Peek in a sacred moment after genuflection. This image portrays the priest raising the consecrated Chalice, inviting the Faithful to adore Jesus Christ, truly present on the altar. This action exemplifies the Catholic belief in the real presence of Christ, bringing the faithful together in deep reverence and worship. As we gaze upon the sacred Body and Blood of Jesus, we are moved to interiorly proclaim, "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things." This silent prayer resonates with the ancient traditions of the Church, connecting us to centuries of devotion. The practice of elevating the Host and Chalice during the Mass of the Roman Rite is an enduring tradition, steeped in history. The priest, as he concludes the Eucharistic Prayer with the doxology—"Per ipsum et cum ipso et in ipso est tibi Deo Patri omnipotenti in unitate Spiritus Sancti omnis honor et gloria per omnia saecula saeculorum" (Through him, and with him, and in him, O God, almighty Father, in the unity of the Holy Spirit, all glory and honor is yours, forever and ever) offers a moment of sublime adoration. This elevation, tracing back to at least the ninth century, symbolizes the Church's unwavering devotion to Christ. Within this sacred space, resembling a small basilica, Father Peek celebrated a venerable Mass on our first morning in Assisi during our Pilgrimage. Two pilgrimage couples renewed their vows in the presence of a community of believers. The faithful received numerous blessings, demonstrating the power of shared faith and devotion. The window light shone down on the altar, illuminating Christ and casting a divine glow. This radiant light symbolized the presence of the divine and God's enduring love and grace.
    Padre Peek solleva il Calice per L'a..sisi
  • “The Spirit of God descends like a Dove - Painting by Dino Carbetta – Azure”…<br />
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Gospel Jn 20:19-23 “On the evening of that first day of the week, when the doors were locked, where the disciples were, for fear of the Jews, Jesus came and stood in their midst and said to them, “Peace be with you.” When he had said this, he showed them his hands and his side. The disciples rejoiced when they saw the Lord. Jesus said to them again, “Peace be with you. As the Father has sent me, so I send you.” And when he had said this, he breathed on them and said to them, “Receive the Holy Spirit. Whose sins you forgive are forgiven them, and whose sins you retain are retained.”<br />
2 Corinthians 1:3-7 “Blessed be the God and Father of our Lord Jesus Christ, the Father of compassion and God of all encouragement, who encourages us in our every affliction, so that we may be able to encourage those who are in any affliction with the encouragement with which we ourselves are encouraged by God. For as Christ’s sufferings overflow to us, so through Christ* does our encouragement also overflow. If we are afflicted, it is for your encouragement and salvation; if we are encouraged, it is for your encouragement, which enables you to endure the same sufferings that we suffer. Our hope for you is firm, for we know that as you share in the sufferings, you also share in the encouragement.”
    Lo Spirito di Dio scende come una Co..urro
  • “Mystic Reflections of Villa Borghese – Rome”…<br />
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Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus.  Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, the Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and gives time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Riflessioni Mistiche di Villa Borghe..Roma
  • “The Spirit of God descends like a Dove - Painting by Dino Carbetta”… <br />
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Gospel Jn 20:19-23 – “On the evening of that first day of the week, when the doors were locked, where the disciples were, for fear of the Jews, Jesus came and stood in their midst and said to them, “Peace be with you.” When he had said this, he showed them his hands and his side. The disciples rejoiced when they saw the Lord. Jesus said to them again, “Peace be with you. As the Father has sent me, so I send you.” And when he had said this, he breathed on them and said to them, ‘Receive the Holy Spirit. Whose sins you forgive are forgiven them, and whose sins you retain are retained.”
    Lo Spirito di Dio discende come una ..etta
  • “Midnight glow of the Papal Basilica of Saint Francis of Assisi - Snow White”…<br />
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Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Frances, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner.  Never stopping for lunch or dinner, I continued to photograph new images well past sundown.  Traversing the narrow steps and strada back down to the bottom of the mountaintop to my hotel, the walk seemed a bit less strenuous and I felt a sense of gratitude and completion of my day long journey.  However, the very quiet Assisi seemed to have fallen into a deep slumber in the early nighttime leaving all the restaurants closed for the night.  Pleading with the hotel manager, she desperately arranged a late dinner at one of the most iconic restaurants in Assisi, La Locanda Del Cardinale, which was built over an ancient Roman settlement dating from the first century B.C., with glass floors to view the mosaics below.  Walking back at midnight to the hotel, the peaceful Assisi continued to call out.  As the serene, quiet Basilica of Saint Francis stood majestically and glowed in the midnight skies, one could not help but to acquiesce to its mystical yearning for just a few more memorable portraits in the cool dew of the early morning air.
    Mezzanotte bagliore della Basilica P..neve
  • “The sunset illuminates the bell tower of Santa Maria Maggiore - Assisi”…<br />
<br />
After a progressive but slow ascent up to the mountaintop of Assisi, I took time to pause, look over my shoulder, and truly appreciate all I had seen. God always seemed to illuminate my forward path; however, He also left a glow of remembrance from where the journey began. This evening view is from the Basilica di Santa Chiara (Basilica of St. Clare), a 13th-century church that houses the relics of St. Clare, friend and protégé of St. Francis of Assisi, and the 12th-century crucifix that spoke to St. Francis at San Damiano. The view is a rear view of the church and campanile of Santa Maria Maggiore, the first cathedral of Assisi which was built near the Roman city walls of the 4th century. The crypt under the apse of the present church is the oldest surviving part of the structure and dates to the 9th or 10th century. Santa Maria Maggiore remained the cathedral of Assisi until 1035 when San Rufino assumed this function.
    Il tramonto illumina il campanile di..sisi
  • "Crucifix of the Basilica Sacristy inside the Patriarchal Cathedral of San Marco Venice"... <br />
<br />
“God of hope and mercy, we lift up to you all victims of natural disasters and those responding with assistance and aid. Protect all who are in any form of danger; provide practical help to those in need; strengthen the weary, console the grieving, heal the suffering; and bless those engaged in disaster relief efforts with safety and courage. Help all people of good will respond with compassion and generous hearts. Amen.”<br />
The last day of our Pilgrimage of 2019 was spent in Venice. Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass offered by our Father Peek. Our last Mass of 2 weeks of travel throughout Italy could not have ended in a more appropriate location. My first visit to Venice was in 2012 like all tourists, I waited in line at St. Marks Basilica and was rushed through with limitations. The crowds and speed in which they pushed us through was quite underwhelming. Our Pilgrimage of 2019 reserved a special appointment for Mass in the Basilica’s main Sacristy. I photographed each Mass, but I made sure when arriving in the area of this picture, which is the final prayer and preparation for each Priest offering Mass anywhere in the Basilica. The main focus is the Crucifix in front of a kneeler, and various last minute preparation for Divine Liturgy. I was not allowed further images on the rest of the tour of St. Marks, but the intensive back-room maze we were lead to and from our destination gave me the spiritual, historical, and reverent image in my heart and soul that I so desired from this magnificent structure and its contents. I was quite overwhelmed with the ancient beauty, and the fact St. Mark watches over his earthly home with a Fatherly Spirit. To me, Venice is intoxicating and a place of passion, and it all begins at the Cathedral of St. Marks.
    Crocifisso Sagrestia della Basilica ..ezia
  • “The Crucifixion above the altar of the Church of Santa Maria Maggiore in Assisi”…<br />
<br />
My artistic interpretation here is of the Crucified Jesus as primary to the Image of The Divine Mercy. St. Faustina asked the Lord about the meaning of the rays in the image: The two rays denote Blood and Water. The pale ray stands for the Water which makes souls righteous. The red ray stands for the Blood which is the life of souls. These two rays issued forth from the depths of My tender mercy when My agonized Heart was opened by a lance on the Cross. Happy is the one who will dwell in their shelter, for the just hand of God shall not lay hold of him. The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built in this site close to the Roman city walls in the 4th century.  The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal its age and status throughout history.
    La Crocifissione sopra l'altare a Ch..sisi
  • "Dynamic view from the Bar San Lorenzo Garden of the Cathedral of San Rufino of Assisi"...<br />
<br />
Upon my most recent Pilgrimage, I learned that taking a taxi to Rocco Maggiorie at the very top and working downward is much less strenuous and a more pleasant excursion. After morning Mass at Chiesa Nuova, and then to Portiuncula. The town has grown up around the Basilica of Our Lady of the Angels. Our Pilgrims took a break for lunch while fellow Pilgrim, Patrick and I headed for the mountain top of Assisi for panoramic views of the town below. The breathless spectacle peering down one side of the fortress is St. Francis Basilica, and the unparagoned ancient architecture on the opposite side and only way up and down, are Bellissimo landscapes of San Rufino and the Basilica di Santa Chiara. Shortly upon our descent, we found a spectacular hidden respite through the wall named: “Bar Giardino San Lorenzo,” where we stopped for lunch. This charming oasis on top of Assisi, was analogous to a floral garden paradise, with astounding views of the valley below and as far away as Siena. Perfect areas abound with shaded tables and chairs and a hut for the main area of the tiny restaurant. The Italiani husband and wife smile graciously as they served up a lunch menu and drinks for the astounded patrons. It appeared to us Pilgrims that we stumbled on the most perfect plot of land in all of Assisi, and found ourselves blessed to sit and relax for moments as we could not help aiming our cameras at God’s pleasant surroundings. After dozens of images exhausted, and nourishment for our hunger and thirst, a sad goodbye was extended to our hosts and to a touch of paradise. To date, I have only had the opportunity to visit Assisi twice in my lifetime, but I could not imagine a more perfect spiritual, aesthetically beautiful, and peaceful location in the world. We were off to our next incredible adjacency, the Cathedral of San Rufino.
    Vista dinamica dal Bar Giardino San ..sisi
  • "Explosion of light over the Papal Basilica of St. Francis of Assisi"...<br />
<br />
The seventh morning of our Pilgrimage, we sorrowfully said goodbye to the majestic Sorrento and set out to find the spiritual mecca of Assisi. The excitement of Saint Francis' tiny mountaintop walled village perked our eyes toward the bus windows. Hotel Giotto welcomed all!  An evening Mass with Fr. Peek in the PAX Chapel (a small underground sanctuary in Saint Francis Basilica) hosted our celebration. Mass was celebrated in honor of the wedding anniversary of Bill and Bardeen Dunphy from Atlanta, GA. I cannot say enough about the wonderful quality of people and Catholics in which I had the honor to accompany on our Pilgrimage. A small group of only 12, but mighty in character, affection, spirituality, and compassion. Bill and Bardeen epitomized this nature and shared their love will all our Pilgrims and those who witnessed our gatherings. We were also blessed by a humble, yet charismatic Priest, Father Kevin Peek. He seemed to know every other person in Italy, and subsequently, we all found new friends at dinner time. I cannot honestly conclude a more perfect Pilgrimage Priest than Father, and he was the epitome of a Spiritual guide. He not only celebrated Mass each morning in the most beautiful and prestigious Basilica’s in the world, he also led nighttime rosary walks through the Italian Strada, offered confession, interjected stories of the Saints, discussed all Italian epicurean delights with great enthusiasm, and spread the word and love of God to anyone who would listen.  After Mass, the sun once again glowed as it set behind Saint Francis Basilica. There is probably not a more exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate artist of capture.
    Esplosione di luce sopra la Basilica..sisi
  • "Our Lady of Sorrows Blue - Cathedral of San Rufino, Assisi - Luminance"...<br />
<br />
The title, Our Lady of Sorrows, given to our Blessed Mother focuses on her intense suffering and grief during the passion and death of our Lord. Traditionally, this suffering was not limited to the passion and death event; rather, it comprised the seven sorrows of Mary, which were foretold by the Priest Simeon who proclaimed to Mary, This child [Jesus] is destined to be the downfall and the rise of many in Israel, a sign that will be opposed and you shall be pierced with a sword so that the thoughts of many hearts may be laid bare (Luke 2:34-35). These seven sorrows of our Blessed Mother included the flight of the Holy Family into Egypt; the loss and finding of the child Jesus in the Temple; Mary's meeting of Jesus on His way to Calvary; Mary's standing at the foot of the cross when our Lord was crucified; her holding of Jesus when He was taken down from the cross; and then our Lord's burial. In all, the prophecy of Simeon that a sword would pierce our Blessed Mother's heart was fulfilled in these events. For this reason, Mary is sometimes depicted with her heart exposed and with seven swords piercing it. More importantly, each new suffering was received with the courage, love, and trust that echoed her fiat, let it be done unto me according to thy word, first uttered at the Annunciation. Adoration of the Madonna as a participant in the Passion of Christ is the image of the iconographic tradition finished in 1672. Luke 2:34-35 "And Simeon blessed them, and said to Mary his mother: Behold this child is set for the fall and the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that out of many hearts thoughts may be revealed."
    Madonna Addolorata Azzurre - Duomo d..anza
  • “The prophet Isaiah at the base of the Column of the Immaculate Conception – Rome”…<br />
<br />
The column is situated next to the Piazza di Spagna in the adjacent Piazza Mignanelli in front of the Spanish Embassy in Rome near the Palace of the Propagation of the Faith. It was realized by the architect Luigi Poletti and inaugurated in 1857 on the 8th December thanks to the work of 220 firemen. The work is dedicated to the dogma of the Immaculate Conception that was proclaimed by Pope Pius IX, in 1854, with the Apostolic Constitution Ineffabilis Deus. This dogma states that Mary is the only human being who was born without original sin. The statues are the work of Giuseppi Obici. On the base of the column are 4 bronze statues of Moses, David, the prophet Ezekiel and Isaiah. Below each statue is a verse from the Sacred Scriptures that refers to the dogma of the Immaculate Conception. Below this statue of Isaiah, we find the verse: “Therefore the Lord himself will give you this sign: the virgin shall be with child, and bear a son, and shall name him Immanuel.” (Is 7:14)  Each year, on the 8th of December the Church celebrates the solemnity of the Immaculate Conception. In the afternoon the Holy Father visits the Piazza di Spagna to place roses as an act of homage to Our Lady, at the statue of the Virgin. These roses indicate the love and devotion of the Pope, the Church and the people of the city of Rome for the Virgin Mary. With these roses, the desire is to depose each of anxiety and place hope at the foot of the celestial Mother of the Redeemer. The late afternoon sun was shining directly on the Prophet Isaiah’s pen in anticipation of his divinatory words.
    Il profeta Isaia alla base della Col..Roma
  • "Pentecost - The Basilica di Santa Maria Gloriosa dei Frari Venice"...<br />
<br />
Gospel Jn 20:19-23: On the evening of that first day of the week, when the doors were locked, where the disciples were, for fear of the Jews, Jesus came and stood in their midst and said to them, "Peace be with you." When he had said this, he showed them his hands and his side. The disciples rejoiced when they saw the Lord. Jesus said to them again, "Peace be with you. As the Father has sent me, so I send you." And when he had said this, he breathed on them and said to them, "Receive the Holy Spirit. Whose sins you forgive are forgiven them, and whose sins you retain are retained."
    Pentecoste - La Basilica di Santa Ma..ezia
  • “Christ in Paradise - the Basilica of Santa Maria Gloriosa of the Frari Venice”…<br />
<br />
A view from the Altar in front of Titian’s great painting, peering toward an extraordinary bestowment of artistic reverent beauty of Heaven. The complexity and aggregate of all the artwork involved in this presentation are a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. However, the Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed to sneak a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a very large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and necessitated by the very large church. The wood crucifix from 1468, hangs over the entrance of the choir. Traditionally, there was a Calvary hanging above the choir and beside the Crucifix, there are the sculptures of the Madonna and Saint John the Evangelist. It is very likely that – thanks to His beauty and relevance – this crucifix was taken as a pattern for many others in Venezia and the Veneto region. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    Cristo in Paradiso - la Basilica di ..ezia
  • "Waiting for the visitation of St. Francis with Grace - Papal Basilica of St. Francis of Assisi"<br />
<br />
The seventh morning of our Pilgrimage, we sorrowfully said goodbye to the majestic Sorrento and set out to find the spiritual mecca of Assisi. The excitement of Saint Francis' mountaintop walled village perked our eyes toward the bus windows. Hotel Giotto welcomed all!  An evening Mass with Fr. Peek in the PAX Chapel (a small underground sanctuary in Saint Francis Basilica) hosted our celebration. Mass was celebrated in honor of the wedding anniversary of Bill and Bardeen Dunphy from Atlanta, GA. I cannot say enough about the wonderful quality of people and Catholics in which I had the honor to accompany on our Pilgrimage. A small group of only 12, but mighty in character, affection, spirituality, and compassion. Bill and Bardeen epitomized this nature and shared their love will all our Pilgrims and those who witnessed our gatherings. We were also blessed by a humble, yet charismatic Priest, Fr. Kevin Peek. He seemed to know every other person in Italy, and subsequently, we all found new friends at dinner time. I cannot honestly conclude a more perfect Pilgrimage Priest than Father, and he was the epitome of a Spiritual guide. He not only celebrated Mass each morning in the most beautiful and prestigious Basilica’s in the world, he also led nighttime rosary walks through the Italian Strada, offered confession, interjected stories of the Saints, discussed all Italian epicurean delights with great enthusiasm, and spread the word and love of God to anyone who would listen.  After Mass, the sun once again glowed as it set behind Saint Francis Basilica. There is probably not a more exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be there but all those who witness its image created by God and the fortunate artist of capture.
    In attesa della visita di San France..sisi
  • "A million faces of Jesus by Dino Carbetta - Infinite"...<br />
<br />
Daniel 10: 5-6 “As I looked up, I saw a man dressed in linen with a belt of fine gold around his waist. His body was like chrysolite, his face shone like lightning, his eyes were like fiery torches, his arms and feet looked like burnished bronze, and the sound of his voice was like the roar of a multitude.” Genesis 1:27 “God created mankind in his image; in the image of God he created them; male and female he created them.” Since early childhood my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel and touch this beatific vision.  Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. The blessed see God, not merely according to the measure of His likeness imperfectly reflected in creation, but they see Him as He is, after the manner of His own Being. 1 Corinthians 13:12 “At present, we are looking at a confused reflection in a mirror; then, we shall see face to face; now, I have only glimpses of knowledge; then, I shall recognize God as he has recognized me.”
    Un milione di volti di Gesù di Dino ..nito
  • “Rising above the Basilica Piazza San Francesco – Assisi - BW”…<br />
<br />
Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore, was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance.
    L'aumento di sopra della piazza di B..- BW
  • “Reflections of the sun on Villa Borghese – Rome”…<br />
<br />
Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus.  Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, the Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and gives time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Riflessioni sole della su Villa Borg..Roma
  • “Go down the stairs and you'll find the hostel where Francis was born the poor man”…<br />
<br />
This is the inscription carved into the stone below the sculpture and above the stairway down to the small room where Saint Francis was born.  I passed by this small archway and opening above a staircase and was taken by its simple beauty, never knowing the significance until my return home as my Italian language is a work in progress.  Saint Francis of Assisi was born in 1181, and he became an Italian Roman Catholic friar and preacher. He founded the men's Order of Friars Minor, Order of Saint Clare, and the Third Order of Saint Francis. St. Francis is one of the most venerated religious figures in history.  He was canonized in 1228, and along with Saint Catherine of Siena he was designated Patron saint of Italy. He later became associated with patronage of animals and the natural environment; known for his love of the Eucharist; bearing the wounds of stigmata; the apparition of Seraphic angels during his religious ecstasy; and for the creation of the Christmas Nativity Scene.
    Scendere le scale e troverai L'ostel..ello
  • Il Battistero Nella Basilica di Sant..Roma
  • “The glow of the Holy Cross in the ruins of the Colosseum”…<br />
<br />
The Colosseum is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque, stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.  It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.
    Il bagliore della Santa Croce tra le..sseo
  • "Ancient arched facade near Santa Chiara in Assisi" ...<br />
<br />
After a progressive but slow assent up to the mountaintop of Assisi, I took time to pause, look over my shoulder, and truly appreciate all I had seen. God always seemed to illuminate my forward path; however, He also left a glow of remembrance from where the journey began. This evening view is from the Basilica di Santa Chiara (Basilica of St. Clare), a 13th-century church that houses the relics of St. Clare, friend and protégé of St. Francis of Assisi, and the 12th-century crucifix that spoke to St. Francis at San Damiano. The ancient archway still standing over 2000 years...gives a peak of the valley below.
    Antica facciata ad arco vicino a San..sisi
  • “Ring side seat Colosseum”…<br />
<br />
A sunlit and pleasant view of the ancient and organic Colosseum.  The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  I created this image in the late evening as the guards ushered me out for closing time.
    Sedile laterale anello Colosseo
  • "Twilight falls on the village of Riomaggiore"...<br />
<br />
I began my daily journey at the northern most town of Monterosso and took the train to the southernmost town of Riomaggiore. Upon arriving in this picturesque seaside village and moving down to the water’s edge, I noticed proprietor Francesco in front of a tiny boat rental sign.  After arranging an evening sail up the coast, I was able to focus on the colorful persona of Riomaggiore. That evening I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. Upon arriving back home in Monterosso, soft light illuminated the sky and azure sea of the Mediterranean convincing me to sail all the way back to Riomaggiore with my gracious guides Claudio and Eddie of "Cinque Terre dal Mare" sailing excursions. We arrived just in time for a perfect sunset and a perfect evening for creating bellissimo new images. After a nice dinner...I caught the last train at midnight back home to Monterosso. A very long day, but worth every minute!
    Crepuscolo cade sul villaggio di Rio..iore
  • "The sunset begins over Torre del Mangia in Piazza del Campo di Siena"...<br />
<br />
The Piazza del Campo is a magnificent encapsulated brick gathering center surrounded by Siena’s ancient sienna colored buildings. The sloping piazza has been Siena's civic and social center since the ruling Consiglio dei Nove in the mid-12th century. Built on the site of a Roman marketplace, its paving is divided into nine sectors representing the number of members of the consiglio. The cafes around the perimeter are the most popular coffee and aperitivi spots in town. The site revolutionized the idea of the medieval Italian piazza, having no spatial restrictions or conventional shape nor any symbolic balance of secular or religious power. The Palio di Siena is run twice yearly, in July and August, dirt and sand are brought in and laid around the edges of the Piazza del Campo to transform it into a horse racing track. This traditional race, which has ancient roots, still showcases the fierce rivalry which still remains between the 17 wards of the city. I found Siena to be one of the most pleasing and still authentic Italian of my travels. Siena is also the home of Saint Catherine of Siena who was part of the Dominican Order. She was a Scholastic philosopher and theologian who had a great influence on the Catholic Church. Saint Catherine has been declared a Saint and a Doctor of the Church. She is one of the outstanding figures of medieval Catholicism and by the strong influence she has had in the history of the papacy. She is behind the return of the Pope from Avignon to Rome, and carried out many missions entrusted by the pope, a rare feat for a Nun of the Middle Ages.
    Il tramonto inizia sopra Torre del M..iena
  • "The nave of the Basilica of Santa Maria Maggiore - Rome"...<br />
<br />
The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica.
    La navata della Basilica di Santa Ma..Roma
  • “Fountain of the goddess Roma in People's Square”…<br />
<br />
Staying in a hotel which was a converted Monastery, Residenza Di Ripetta is between Piazza del Popolo and the famous Spanish Steps, centers of activity in Roma.  Piazza del Popolo is a harmonious oval piazza situated near Borghese Park. Three churches border the square and located in the center is an ancient obelisk from Heliopolis, Egypt dating from 1300 BC.  Santa Maria del Popolo is the most celebrated of the churches, built in the year 1477 and containing sculptures from Bernini and paintings from one of my favorite artists, Caravaggio.  The fountain on the western end of the square is the Fontana del Nettuno and shows Neptune accompanied by Tritons. The fountain opposite the Neptune Fountain, at the foot of the Pincio Gardens, is known as the Fontana della dea di Roma. The central figure is the goddess Rome, flanked by allegorical figures representing the rivers Tiber and Aniene. Below the goddess is a statue of a she-wolf suckling Remus and Romulus, founders of Rome.  This is a very common and visited site in the Piazza, but I was fortunate to have perfect skies and stationary subjects for the creation of the image.
    Fontana della dea Roma in Piazza del..polo
  • "Basilica di San Marco - Venice"...<br />
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St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace.  St. Mark’s Square and the Basilica are the central tourist focal points and most crowded of Venice.  The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD.  After a long wait in line to enter the Basilica (with no photos allowed), the interior was quite unique.  As I headed for the exit, I noticed a very steep staircase and followed it upward.  I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica.  At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica.  The horses date to Greece in the 4th century BC, and were eventually displayed at the Hippodrome in Constantinople until Venice sacked them in 1204 AD; also, Napoleon forcibly took them to Paris.  In 1815, the now almost 2500 year old horses made it safely back to Venice.  They are very much worth viewing, and if you stare for a moment…they come to life.  I eventually made my way for a prominent view atop the tiny rooftop terrace in the front of the Basilica, which mesmerized with commanding views of St. Mark’s Square and adjacent Doge’s Palace.
    Basilica di San Marco - Venezia
  • “Papal Basilica of St. Francis of Assisi, good evening!”…<br />
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This evening image was created while standing upon remnants of the fortress atop Assisi viewing down to the resting Basilica of Saint Francis. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino, and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about 200 yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God.  This is one of the first images after gaining the top, right at the beginning of the heavenly skies erupting over the countryside.
    Basilica Papale di San Francesco d'A..era!
  • “The Holy Cross blesses the Christian martyrs of the Roman Colosseum – II”…<br />
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This is one of the most poignant and meaningful images of my entire Italian journey. The Holy Cross stands very majestic as evening descends on the ancient ruins.  The Colosseum has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque, stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  Viewing the iconic Colosseum for the first time…I was in awe.  It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.
    Il Santa Croce benedice i martiri cr..- II
  • “The Glory of His Return – Painting by Dino Carbetta” ...<br />
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"Behold, He is coming with the clouds, and every eye will see Him." – Revelation 1:7                In "The Glory of His Return," Christ stands in radiant majesty, descending from the heavens as the King of Kings. The sky above Him is alive with celestial brilliance, and at the center of this moment, the Holy Spirit, in the form of a great white dove, descends, symbolizing the fulfillment of God’s promise. The heavens open wide, and all creation bears witness to the return of the Son of Man. Before Him stands a vast multitude, robed in luminous white, their hands raised in praise, drawn into His divine light. They now stand in the presence of their Redeemer, free from time and waiting. Every eye beholds Him, and the long-awaited promise is fulfilled. This painting captures the essence of that final triumph—the heavens ablaze, the earth in awe, and the faithful gathered as one. The brilliance of Christ’s presence bathes them in light, transforming not just their forms but their very souls. Christ, once veiled in mystery, is now revealed in His full glory. He is the Alpha and the Omega, the Lamb upon the Throne, the answer to every cry of the human heart. His return is an unavoidable reality for all believers. As Christians, we are united by the Nicene Creed, affirming one Lord, faith, and baptism. His return will mark the moment of judgment for all, with the dead's judgment already complete. Those living at the time of the Second Coming will be judged according to their works. Our Lord will judge us accordingly. Rejecting Him leads to mortal sin without remorse, ultimately resulting in eternal separation from God. "By rejecting grace in this life, one already judges oneself." The righteous will attain glory, while others will be purified. Let this painting be a reminder: He is coming, not as a distant hope, but as the victorious King. May this inspire us to prepare our hearts for His return.
    The Glory of His Return – Painting b..etta
  • “The Beautiful Full Moon Illuminates and Inspires Emotion in the Bay of the Ligurian Coast - Painting by Dino Carbetta” ...<br />
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Nestled in the Liguria region, the Italian Riviera is a breathtaking coastal stretch where nature, history, and culture harmoniously intertwine. Spanning from Ventimiglia, near the French Riviera, to the enchanting Gulf of Poets north of Tuscany, this region is a treasure trove of stunning landscapes and architectural marvels. You'll discover captivating seaside villages and luxurious resort towns along the coast, such as Sanremo, Portofino, and the renowned Cinque Terre. These destinations offer stunning scenery and a seamless blend of history and modernity. Italy's coastal towns, adorned with a Catholic church, are dotted along the peninsula, serving as beacons of faith, hope, and comfort. The church, strategically located atop each town, stands as a lighthouse and a maternal figure, protecting all who seek its embrace. The painting captures this essence, portraying an ancient church and bell tower standing resilient against the timeless waves of the Mediterranean Sea. The church symbolizes the enduring spirit of the Ligurian people, with the “stained glass Jesus” blessing those along the bay, deeply intertwined with the sea for centuries. As dusk falls, the painting shows a priest enjoying the serene bay, his faithful dog frolicking at the water's edge. The soft glow of the blue Mediterranean moon casts a mesmerizing light on the church's façade, while lush green hills and the sparkling sea frame the scene. The painting invites viewers to step into a world where time slows down, allowing the whispers of history to resonate. The Italian Riviera is not just a destination; it is a place of pilgrimage, an abundant source of inspiration, and a testament to the enduring connection between humanity and the divine. This artwork captures the physical beauty and spiritual essence of the Ligurian Riviera, offering a profound glimpse into its soul.
    La Bellissima Luna Piena Illumina ed..etta
  • “The Compassion of Our Lady Friday” – Painting by Dino Carbetta<br />
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This sacred painting evokes a profound and heartrending sorrow, portraying the Blessed Virgin Mary beneath the crushing weight of her Son’s cross. It is a moment suspended in anguish, yet illumined by divine love—a visual meditation that finds deep resonance on the Friday of Sorrows, a day devoted to remembering Mary's suffering during Lent. The Feast of Our Lady of Compassion began with the Servite Order’s votive Mass in 1668, was formalized by Pope Innocent XII in 1692, and later moved to the Friday before Palm Sunday by Pope Benedict XIII in 1727. This solemn day draws the faithful into the pierced heart of the Virgin, echoing Simeon’s prophecy: “And a sword shall pierce your own soul also.” Mary’s sorrow in this painting is not remote; it is alive, pressing against the soul. Her eyes radiate acceptance, as if already sharing in the redemptive agony of her Son. This is not mere maternal grief; it is a sacred co-suffering, revealing the vastness of her love not only for Jesus, but for all humanity. The Church’s veneration of Our Lady of Sorrows affirms her deep suffering, her unwavering faith, and her exalted role. She stood when others fled. She believed when the world went dark. Through compassionate brushstrokes, this image invites quiet contemplation of Mary’s presence at the foot of every cross, especially the unseen ones we carry. A single red rose graces the scene—vibrant, sorrowful, and rich in meaning. It speaks of hope, sacrifice, and the promise of resurrection. It draws the heart to the “Light of the World,” her Son, Jesus Christ. This painting opens the soul to Mary's sorrow and strength—a love that invites us to believe, endure, and rise with her into the glory of Easter.
    La Compassione Della Madonna Del Ven..etta
  • “Van Gogh Style of Café Terrace at Night in Rome Italy - Painting by Dino Carbetta”…<br />
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Paying homage to the genius of Vincent van Gogh while seamlessly blending it with the captivating allure of Rome. In this winsome rendition, I endeavor to channel van Gogh's distinctive style, characterized by bold brushwork, vibrant colors, and expressive forms, to evoke the dynamic atmosphere of Rome's bustling energy. With each brushstroke, trying to transport viewers to the heart of Rome, the soft glow of streetlights and the moon illuminate the scene, casting a spell of warmth and intimacy. The Café Terrace, a focal point of van Gogh's original masterpiece, invites viewers to imagine themselves amidst the lively conversations and laughter of patrons enjoying their evening in the Eternal City. Through meticulous mindfulness, capturing the essence of van Gogh's vision, infusing it with the unique charm and vitality of Rome. The result is a captivating tableau that not only celebrates van Gogh's artistic legacy but also offers a fresh perspective on the timeless charisma of Rome. This imitation of van Gogh’s use of color and form is on full display, "The artistic recreation captures the vibrant energy of the Roman skyline, while also showcasing its rich religious history." Each brush stroke is imbued with a sense of awe and vitality, breathing life into the canvas and inviting viewers to immerse themselves in the rich history of Roman life. From the cobblestone streets to the bustling café terrace, rendered with precision and care, creating a sense of depth and immersion uniquely van Gogh. Gazing upon this artistic interpretation, one is transported on a journey through time and space, where the artistic genius of van Gogh converges with the eternal beauty of Rome. Let's appreciate the enchanting beauty of art and its connection to life. Café Terrace at Night in Rome, Italy reminds us of art's power to unite us in a shared experience of beauty and wonder.
    Stile Van Gogh Della Terrazza Di Un ..etta
  • “Jesus Christ Sacred Heart - Painting by Dino Carbetta” …<br />
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The Solemnity of the Sacred Heart of Jesus, a significant observance in the Catholic faith, takes place on the nineteenth day after Pentecost. This day acknowledges the immense love and sacrifice that Jesus made for humanity. The heart is a powerful symbol in this devotion, representing a person's core, the center of all spiritual activity, and the seat of all emotion, particularly love. This symbolism is firmly rooted in Judaism, where the heart was recognized as the principal life organ, embodying the essence of a person. The painting of Christ's Face in the Sacred Heart of Jesus is an evocative piece that seeks to capture and convey the profound love and sacrifice embodied in this devotion. The heart of Jesus, often depicted aflame with love and pierced, symbolizes His unending love and the pain He endured for the salvation of humanity. This imagery is designed to inspire deep personal reflection and a heartfelt response to Christ’s love. The intricate details of the painting, from the gentle contours of Christ's face to the radiant glow of His heart, invite viewers to a contemplative experience. The flames encircling the Sacred Heart represent the divine love that burns eternally for all souls, a love that transcends time and space. The thorns that pierce His heart remind him of the suffering He willingly accepted out of love for mankind. This dual imagery of love and suffering is central to understanding the depth of Christ’s compassion and the call to emulate His love in our lives. The emotive power of the painting invites viewers to deepen their understanding and forge a profound connection with the Sacred Heart. "The Sacred Heart brings comfort, protection, and grace for living a holy life." As an artist, I hope this artwork brings divine blessings, inspiring devotion, gratitude, and love.
    Gesù Cristo Sacro Cuore - Dipinto di..etta
  • “Our Lady of Grace - Painting by Dino Carbetta” …<br />
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Among the many miraculous images of the Mother of God through which she deigns to grant her favors, there is one in the monastery church of the Carmelites in Vienna, entitled, Our Lady of Grace. In 1610 a Carmelite, Dominic of Jesus-Mary, found among the votaries of an old altar in the monastery church of Maria della Scala in Rome, an oil painting of the Mother of God, dust-covered and somewhat torn, which grieved him. Taking it into his hands, he shook the dust off it and kneeling venerated it with great devotion. “O pure and holiest Virgin, nothing in the whole world is worthy of touching your holy face, but since I have nothing but this coarse handkerchief, deign to accept my goodwill.” To his great surprise, then the face of the Mother of God appeared to take on life, and smiling sweetly at him, she bowed her head, which thereafter remained inclined. Fearing he was under an illusion, Dominic became troubled, but Mary assured him that his requests would be heard, and he could ask of her with full confidence any favor he might desire. He fell upon his knees and offered himself entirely to the service of Jesus and Mary and asked for the deliverance of one of his benefactor’s souls in purgatory. Mary told him to offer several Masses and other good works; a short time after when he was again praying before the image, Mary appeared to him bearing the soul of his benefactor to Heaven. Dominic begged that all who venerated Mary in this image of Our Lady of Grace might obtain all they requested. In reply, the Virgin gave him this assurance: “All those who devoutly venerate me in this picture and take refuge to me will have their request granted and I will obtain for them many graces; but especially will I hear their prayers for the relief and deliverance of the souls in purgatory.” Dominic soon after placed the image into Maria Della Scala's church so that more Mary devotees may venerate her.
    Madonna delle Grazie - Dipinto di Di..etta
  • "Radiant Crucifix at the Convent of Cells Founded by St. Francis - Cortona"... <br />
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Beneath the ancient sky of Cortona, where the sacred whispers of Saint Francis still breathe through stone and cypress, a single moment unfolds in silence and glory. In this original photograph, the crucifix stands not in shadow but in luminous triumph—its silhouette bathed in the brilliance of a sun piercing the heavens. Illuminated by sunlight filtering through the canopy, the cross reflects the sacred simplicity of the Convent of Cells, founded by the Poverello of Assisi. The radiant sun behind the cross mirrors Christ’s high priestly prayer in John’s Gospel: “Consecrate them in the truth. Your word is truth.” This natural glow is no mere light—it symbolizes divine presence, transforming the ordinary into the sacred. The photograph becomes a quiet miracle, echoing Christ’s desire that we be not of the world, but sanctified within it. The light that crowns the crucifix is a heavenly reply to that prayer—a visual sanctification. It speaks of unity, protection, and the quiet joy promised to those who walk in His name. The scene suggests that when we align ourselves with the divine, we too are bathed in light and truth, much like the unexpected beauty of the sun illuminating the cross. More than a captured image, this work is a testament: a stillness where earth and heaven meet, where the eternal word becomes visible through creation. It invites the soul to lift its gaze and remember that light always prevails in the sacred silence of faith. And on a day marked by sorrow, do not dwell in sadness—but rejoice in the Lord, for He died for our sins, and in His radiant love, we are made new. “Rejoice in the Lord always. I shall say it again: rejoice!” (Philippians 4:4)
    Radioso Crocifisso presso del Conven..tona
  • "Sailing Cinque Terre with the late evening sun on Corniglia"...<br />
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I began my daily journey at the northernmost town of Monterosso and took the train to the southernmost town of Riomaggiore. I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. Upon arriving back home in Monterosso, soft light illuminated the sky and azure sea of the Mediterranean convincing me to sail back to Riomaggiore with my gracious guides Claudio and Eddie of "Cinque Terre dal Mare" sailing excursions. We arrived just in time for a perfect sunset. After a nice dinner...I caught the last train at midnight back home to Monterosso. An exceptionally long day, but worth every minute! This panorama image of Corniglia, the only Cinque Terre town not directly on the sea…was taken on the journey back to Riomaggiore at dusk. The tiny village seems snuggled into the Cliffside soaking up the last bit of sunlight before nightfall. The ancient campanile of the church of Saint Peter, which was built in 1334, begins to peer over the cliff in the upper part of Corniglia. I caught the last train at midnight back home to Monterosso. There is a great appeal in each of the five Cinque Terre villages, each with a different history, people, elements, and culture. This illuminating sunset of Manarola was captured just before arriving back in Riomaggiore. Arrivederci, Manarola!
    Vela Cinque Terre con la sera tarda ..glia
  • “Excitement Abounds As Warm Summer Evening Descends Over Positano” …<br />
After a thrilling descent along the winding cliffs from Sorrento, the first glimpse of Positano stole the breath and stirred the soul. Clinging to the mountainside in cascading tiers of color and light, this legendary village appears more dream than dwelling — a vision conjured from sea mist and sun. Navigating the town’s lone serpentine road three full times, I finally discovered the hidden parking tucked near my hotel, perched high above the scene now immortalized in this photograph. The descent was a pilgrimage — narrow alleys, stone staircases, and the intense heat of late May pressed against every step. But upon reaching the beach and the marina, the weight lifted. The Mediterranean, ablaze with afternoon light, shimmered in hues of sapphire and flame. It was as though heaven itself poured its radiance into the sea. And rising amidst it all stood the Church of Santa Maria Assunta — quiet and eternal, her brilliant majolica dome shimmering like a celestial crown. Since 1159, she has watched over Positano with maternal grace, her gaze cast upon the faithful below and the infinite blue beyond. Nestled between cliff and sea, she stands as both anchor and blessing — a house of prayer and a symbol of divine beauty. Later, crossing the warm sands toward a seaside hotel terrace, I found stillness. Facing north, with the village spread before me like a living fresco, I watched as the sun retreated behind the mountains, casting golden rays across Positano’s vibrant facade. In those final moments of light, camera in hand, I captured the mystical union of nature, architecture, and the sacred — a fleeting hour when time itself stands still. Through this photograph, the soul of Positano is revealed — not just in its beauty, but in its quiet invitation to wonder, to rest, and to believe.
    Eccitazione Abbonda Come la Calda Se..tano
  • “Saint Jude the Apostle – Painting by Dino Carbetta” …<br />
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Saint Jude, the Patron Saint of Hope and impossible causes is important in Christian history. As one of Jesus’ original twelve Apostles, he preached the Gospel with unwavering devotion, often in difficult and dangerous circumstances. Through the power of the Holy Spirit, St. Jude brought God's Word to many, inspiring hope in those who needed it most. The Gospel of Matthew identifies St. Jude as the brother of St. James the Less, another Apostle of Jesus. They are considered cousins of Jesus, known as His "brethren." St. Jude is often confused with Judas Iscariot, the Apostle who betrayed Jesus, but his life exemplified loyalty and faithfulness to Christ. In Dino Carbetta’s painting, St. Jude is portrayed as pointing to the image of Christ, a reference to a miracle attributed to him. King Abgar of Edessa, suffering from leprosy, sought the likeness of Jesus for healing. Jesus, moved by the king's faith, pressed His face onto a cloth, leaving His image imprinted on it. He gave this cloth to St. Jude, who delivered it to King Abgar, and through it, the king was miraculously healed. This story highlights St. Jude as a vessel of Christ’s grace, bringing hope and healing. After Jesus' resurrection, he and St. Simon traveled through Mesopotamia, Libya, and Persia, spreading the Gospel and building the early Church. His missionary work led to his martyrdom for his steadfast faith, and his relics now rest in a crypt beneath St. Peter’s Basilica in Rome. For centuries, people have turned to St. Jude in their darkest moments. Saint Bridget of Sweden had a vision where Christ urged her to pray to Him with deep faith, a practice that brings hope in hopeless situations. His name continues to be invoked by those facing impossible challenges, seeking his intercession in times of sickness, crisis, and despair. Dino Carbetta’s painting of St. Jude highlights the Saint as a symbol of Christ’s healing grace and hope.
    San Giuda Apostolo - Dipinto di Dino..etta
  • “The Sun Shines over the Papal Basilica of San Francesco d'Assisi – Painting by Dino Carbetta”…<br />
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On the seventh morning of our Pilgrimage, we sorrowfully said goodbye to the splendid Sorrento and set out to find the spiritual mecca of Assisi. The excitement of Saint Francis' tiny mountaintop village perked our eyes toward the windows and Hotel Giotto welcomed all! An evening Mass with celebrant Fr. Peek in the PAX Chapel, a small underground sanctuary in Saint Francis Basilica hosted our celebration. Mass was also in honor of the wedding anniversary of Bill and Bardeen from Atlanta, GA. I cannot say enough about the wonderful quality of the people and Catholics I had the honor to accompany on our Pilgrimage. A small group of only twelve, but mighty, affectionate, spiritually, and compassionate. Bill and Bardeen epitomized this nature and shared their love will all our Pilgrims and those who witness our gatherings. We were also blessed by a humble, yet charismatic Priest, Father Kevin Peek. He seemed to know every other person in Italy, and subsequently, we all found new friends at dinner time. I cannot honestly conclude a more perfect Pilgrimage Priest than Father, and he was the embodiment of a Spiritual guide. He not only celebrated Mass each morning in the most beautiful and prestigious Basilica in the world, but he also led nighttime rosary walks through the Italian Strada, offered confession anytime, interjected stories of the Saints, discussed all Italian epicurean delights with great delight, and spread the word and love of God to anyone who would listen. After Mass, the sun once again glowed as it set behind Saint Francis Basilica. There is probably not a more exteriorly photographed church in the world, and it always seems eager to please. The Basilica poses graciously night or day and proudly extends a loving welcome not only to those who are blessed to be here but to all those who witness its image created by God and the fortunate artist of expression.
    Il sole splende sopra la Basilica Pa..etta
  • “Madonna of Fatima at the Eucharistic Miracle of Siena - Basilica of San Francesco Siena - Painting by Dino Carbetta”… <br />
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Our Lady of Fatima’s confident declaration was: “My Immaculate Heart will triumph”. Pope Benedict XVI interpreted this utterance as follows: “The Heart open to God, purified by contemplation of God, is stronger than guns and weapons of every kind. The fiat of Mary, the word of her heart, has changed the history of the world, because it brought the Saviour into the world—because, thanks to her Yes, God could become man in our world and remains so for all time. The Evil One has power in this world, as we see and experience continually; he has power because our freedom continually lets itself be led away from God. But since God himself took a human heart and has thus steered human freedom towards what is good, the freedom to choose evil no longer has the last word. From that the word that prevails from that time forth in the world, you will have tribulation, but take heart; I have overcome the world” (Jn 16:33). The message of Fatima invites us to trust in this promise. Siena is home to the Eucharistic Miracle, one of the world's longest-ongoing miracles. On August 14, 1730, thieves broke into the Church of St. Francis and stole a ciborium containing consecrated hosts. However, since 1730, the hosts have remained fresh and sweet-smelling. The wall mechanically spun around and revealed the Eucharistic Miracle to us. After prayer, I moved to the back and abidingly captured this mystical, spiritual, and reverent manifestation. The Madonna of Fatima stood majestically guarding the precious Hosts.
    Madonna di Fatima al Miracolo Eucari..etta
  • “A Million Faces of Jesus by Dino Carbetta – Resplendent”…<br />
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“God of every nation and people, from the very beginning of creation you have made manifest your love: when our need for a Savior was great you sent your Son to be born of the Virgin Mary. To our lives, he brings joy and peace, justice, mercy, and love.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. Battle against Evil: Finally, draw your strength from the Lord and from his mighty power. Put on the armor of God so that you may be able to stand firm against the tactics of the devil. For our struggle is not with flesh and blood but with the principalities, with the powers, with the world rulers of this present darkness, with the evil spirits in the heavens. Therefore, put on the armor of God, that you may be able to resist on an evil day and, having done everything, to hold your ground. So stand fast with your loins girded in truth, clothed with righteousness as a breastplate, and your feet shod in readiness for the gospel of peace. In all circumstances, hold faith as a shield, to quench all [the] flaming arrows of the evil one. And take the helmet of salvation and the sword of the Spirit, which is the word of God.  EPHESIANS, 6:10-17
    Un Milione di volti di Gesù di Dino ..ente
  • “To Give to the Light – The Holy Family – Painting by Dino Carbetta”…<br />
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Dare alla luce: Italian verb: To give birth. In Italian, the literal translation of “to give birth”— “Dare alla Luce”— is: “to give to the light.” An exquisite phrase to describe the beauty and wonder of childbirth. Advent comes from the Latin ad+venire, which means, essentially “To come to,” or “to come toward.” Ad+venire is the root of the Latin “Adventus” which means “arrival.” So Advent is the season of arrival: The arrival of Christ in our hearts, in the world, and into God’s extraordinary plan for our salvation. Beginning the Church's liturgical year, Advent is the season encompassing the four Sundays leading up to the celebration of Christmas. The people of Israel waited for generations for the promised Messiah to arrive. Their poetry, their songs and stories, and their religious worship focused on an awaited savior, whom God had promised, over and over, would come to them to set them free from captivity, and to lead them to the fulfillment of all that God had chosen for them. Israel longed for a Messiah, and John the Baptist, who came before Jesus, promised that the Messiah was coming, and could be found in Jesus Christ, God’s Son, the “Lamb of God who takes away the sins of the world.” Advent is a season in the Church’s life intended to renew the experience of waiting, and longing, for the Messiah. Though Christ has already come into the world, the Church invites us to renew our desire for the Lord more deeply into our lives and to renew our desire for Christ’s triumphant second coming into the world. Our Advent readings call us to be alert and ready, not weighted down and distracted by the cares of this world (Lk 21:34-36). Like Lent, the liturgical color for Advent is purple since both are seasons that prepare us for great feast days. Advent also includes an element of penance in the sense of preparing, quieting, and disciplining our hearts for the full joy of Christmas.
    Dare Alla Luce - La Sacra Famiglia -..etta
  • "Saint Helena holding the cross - Santa Croce in Gerusalemme, Rome"...<br />
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The Basilica of the Holy Cross in Jerusalem is located in Rome, in the Esquilino quarter, close to the Aurelian Walls and the Castrense Amphitheatre, between the Basilica of St. John Lateran and Porta Maggiore. The Basilica of the Holy Cross is part of the route of the “Seven Churches” that ancient pilgrims used to visit on foot. Several sources, including an inscription in the church, verify that the Sessorian Palace was owned by the empress St. Helen (c.255-330), Constantine's mother. From the end of the 4th century, it was said that St. Helen had made a pilgrimage to the Holy Land, during which she discovered the True Cross on which Christ was crucified and many other relics. It was also said that she wished to set up a shrine in Rome for pilgrims who could not travel to Jerusalem. The first room of the chapel has a Roman-era statue of St. Helen holding the cross. Beneath the statue is a floor believed to contain soil from the Holy Land. Under the protective glass covering the soil are many paper prayers from the faithful. Fragments of the cross were circulating in the West by 348 AD. The earliest historical record of the church, dated to 501 AD, refers to it as "Hierusalem basilica Sessoriani palatii." Architecturally, it is notable that the 4th-century Chapel of St. Helen is quite similar in design to a martyrium that was erected by Constantine in Jerusalem to house a fragment of the True Cross. In 1492, a dramatic discovery was made in the course of repairs to a mosaic: a brick inscribed with the words TITULUS CRUCIS (Title of the Cross). Sealed behind the brick was a fragment of an inscription in wood, with the word "Nazarene" written in Hebrew, Latin, and Greek. The Title is mentioned in all four Gospel accounts. This was our first stop on our Pilgrimage of 2019 in Italy. A very propitious, historical, and spiritual beginning to a monumental journey in The Eternal City.
    Sant'Elena con in mano la croce - Sa..Roma
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