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  • “Unique View through Medieval Arches of the Cathedral of Sorrento”…<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. I discovered areas where the old Duomo met the new, and it seemed that some images were quite accidental. I noticed that peering through a small and out of the way opening, I could see back to a lighted statue of a patron Bishop. The juxtaposition of the descending and uniquely colored archways gave a great appearance of depth and perspective.
    Vista Unica Attraverso Archi Medieva..ento
  • “The Church of Santa Maddalena is surrounded by Roe Deer, both enjoying the sunset over the Dolomites in South Tyrol, Italy - Painting by Dino Carbetta”…<br />
<br />
The Church of St. Magdalene resides in a small village located in the Dolomites of Italy. Both, the village and the church, are symbols of the Val di Funes. This tiny picturesque village of just 377 people is located in the Trentino-Alto Adige region of Northern Italy. Historically, the church was built where the miraculous image of Santa Maddalena was washed up by the Fopal River. Saint Mary Magdalene church is mentioned beginning in 1394. The current form of the nave with a sloping base and a slightly grooved roof cornice, with pear and round bar on the pointed arch portal with a red chalk inscription, was complete in 1492. The mural exterior is the Crucifix on the gable in a niche with a donkey's back, weather-beaten, early XVI century. St. Christopher is lively and virtuoso in movement with a fluttering, wrinkled robe. Interiorly, the keystones on the vault, are bust portraits of Mary with the Christ Child and saints. The valley, as you can see, Val di Funes is stunningly beautiful. Summer, it’s very green and dotted with colorful flowers. Winter, it’s covered with snow, and the ragged Dolomite peaks, pierce the sky toward the heavens. Mary Magdalene is the first among the women following Jesus to proclaim Him as having overcome death. She is the first to announce the joyful message of Easter. But she also proved she was among those who loved Him most when she stood at the foot of the Cross on Mount Calvary together with Mary, His Mother, and the disciple, St. John. She did not deny him or run away in fear as the other disciples did, but remained close to Him every moment, up to and including the tomb. The Italian Roe Deer rejoice in the beauty of God’s creation.
    La Chiesa di Santa Maddalena e’ circ..etta
  • “Illuminated crucifix in Cathedral of Saints Philip and James – Sorrento”… <br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ.  This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Illuminato crocifisso in Cattedrale ..ento
  • “Crucified Face of Christ - Painting by Dino Carbetta”… <br />
<br />
Above the altar of the Duomo di Sorrento hangs a lifelike Crucifix, a profound symbol that has become a central theme in my artistic exploration. My portfolio is adorned with various depictions of this captivating crucifixion, serving as a primary focus in my study of light and the sacred image of Christ. This singular representation of Christ, seemingly alive, exerts a significant influence on my journey in religious art. In the heart of Sorrento, the main church, known as the Duomo or the Cathedral of San Filippo and San Giacomo, shelters this mesmerizing Crucifix. Although Sorrento is not traditionally considered a pilgrimage site but rather a picturesque seaside resort village, the Duomo, with its origins dating back to the 11th century and a complete reconstruction in the 15th century in Romanesque style, stands as a testament to divine beauty. The Cathedral's unassuming facade belies the grandeur within—three naves separated by pillars and a meticulously crafted, ornate ceiling. Adjacent to the cathedral, a medieval bell tower rests on an arch supported by four columns. On the day I entered the cathedral, only a few elderly women were engaged in fervent prayer, reciting a novena in the front pews. Respectful of their devotion, I quietly explored the sacred space, immersing myself in the reverent beauty and tranquil atmosphere of the Duomo. In this unassuming setting, I encountered a detailed statue of Jesus that left an indelible impression on my soul. Amidst the subdued whispers of prayer, I was moved by the Crucified Christ’s gaze—one of both agony and mercy. This painting, rendered in a sketch-like intimacy, was born from that silent reverence. It seeks to echo the immediacy of His Passion and the evolving impressionistic spirit of divine sorrow. May its silent suffering stir the soul, and may its sacred presence dwell in the hearts of all who behold it.
    Volto Crocifisso di Cristo - Pittura..etta
  • "Altar of the basilica of the Arch of San Giovanni in Laterano"...<br />
<br />
Dedicated to St. John the Baptist and St. John the Evangelist, the Basilica of St. John Lateran is the first among the four major basilicas of Rome. It is also the Cathedral of the Bishop of Rome, the Pope, and is thus known as the "Cathedral of Rome and of the World." Built by Constantine the Great in the 4th century, San Giovanni in Laterano was the first Christian/Catholic church erected in Rome. The present structure of the Basilica resembles Saint Peter's Basilica, and the ancient church was residence of the Papacy until the (1377) return from exile in Avignon and permanent relocation to the Vatican. Many Popes were responsible for repair and additions to the Basilica’s overall splendor and importance throughout the last 1700 years.
    Altare della basilica dell'Archil di..rano
  • “Celestial light illuminates the crucifix - Cathedral of Sorrento”…<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ.  This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Celesti di luce rischiara il crocifi..ento
  • "Stained Glass of Christ Blessing St James at the Cathedral of Saints Philip and James"...<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. James and Philip human men who became foundation stones of the Church, as we are reminded that holiness and its consequent apostolate are entirely the gifts of God. LUKE 24:49 “And [behold] I am sending the promise of my Father upon you, but stay in the city until you are clothed with power from on high.” Their first commission had been to expel unclean spirits, heal diseases, and announce the kingdom. They learned, gradually, that these externals were sacraments of an even greater miracle inside their persons…the divine power to love like God.
    Vetrata di Cristo Benedizione St Jam..como
  • "Luminance of Christ - Cathedral of Sorrento - Contrasting color"...<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ.  This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Luminanza di Cristo - Cattedrale di ..asto
  • "Evening view through the arch of the ancient Orvieto Etruscan walls and vineyards below"...<br />
<br />
Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a big chunk of volcanic stone called tufa, and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this cliff-top village over 2000 years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful Cliffside views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. I captured this evening view peering through the ancient archway and over the walls of the sunlit vineyards below.
    Vista serale attraverso l'arco dell'..anti
  • "The sun goes down on the Arch at the gardens of Villa Borghese Roma"...<br />
<br />
I stumbled into photography just before graduation at the U of TN while volunteering at a local hospital where I was influenced to attend Brooks Institute. The instructors preached the technical aspects of photography, and upon graduation…we could implement our own artistic vision. As a commercial photographer since graduation, I have had little time to express my artistic vision…until I went to Italy for the first time, where I discovered my true love and passion! I consider myself a “contemplative” photographer, and as such, I have a three-part process to achieve my final presentation for each image: the discovery, how I perceive the image creation, and how I hope others will perceive the image. This artistic pursuit, I imagine, is similar to Michelangelo viewing a piece of marble for the first time. Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. This image captured the last highlights of the descending sun while gazing through the archway into the mystical dusk drenched gardens.
    Il sole scende sull'Arco ai giardini..Roma
  • “Father Peek Raises the Consecrated Host for Adoration - Sorrento Cathedral - Painting by Dino Carbetta” …<br />
<br />
The reflection of Father Peek in “The Elevation of the Host” is after genuflection in adoration. The priest raises the Host so that the Faithful may also adore Jesus Christ, the true God and true Man present on the altar. Look at the sacred Body of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things. “Duomo di Sorrento is one of my favorite hidden treasures in Italy. On our last day on the Bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site but as a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. I am not an expert in, nor was born in Marina Grande or Sorrento, but the Gulf of Naples is where my Grandfather and his family are from. It seems that every time I have set foot in this tiny village, the skies explode with color and welcome its former lineage home. Shortly after the last picture was captured, it was mealtime with the entire Pilgrimage group. A perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare, was enjoyed by all!
    Padre Peek Eleva L'ostia Consacrata ..etta
  • “Coronation of the Virgin above the Altar - Santa Maria Maggiore”…<br />
<br />
The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. Behind the triumphal arch is the central apse, whose mosaic, dating to the 1200s, is an incredible euphoric vision. Mary and Jesus sit together at the center of the half-dome enthroned. Below the mosaic is four-pointed windows, which are the earliest examples of gothic architecture in Rome. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God. The apse mosaic, depicting the Coronation of the Virgin, is from the late 13th century, by the Franciscan friar, Jacopo Torriti.
    Incoronazione della Vergine sopra l'..iore
  • “Apse Mosaic Triumphal Arch of Christ flanked by the Apostles - Basilica of San Paolo outside the walls of Rome”…<br />
<br />
Saint Peter and Saint Paul are celebrated together, the two saints are the founders of the See of Rome, through their preaching, ministry, and martyrdom there. Erected during the fourth century AD, the Basilica of St. Paul Outside the Walls is one of the four major basilicas of Rome, and the second largest after St. Peter's Basilica. It was founded on the burial ground of St. Paul. Saint Paul is well-known for his epistle to the Ephesians, where he famously describes the “armor of God.” He uses the armor that a Roman soldier commonly wore to describe a spiritual armor that prepares a Christian to “stand against the wiles of the devil.” For we are not contending against flesh and blood, but against the principalities, against the powers, against the world rulers of this present darkness, against the spiritual hosts of wickedness in the heavenly places” Ephesians 6:11-12. Peter makes his great confession of faith: “You are the Messiah” Mark 8:29. It was one of the many glorious moments in Peter’s life, beginning with the day he was called from his nets along the Sea of Galilee to become a fisher of men for Jesus. The New Testament clearly shows Peter as the apostles' leader, chosen by Jesus to have a special relationship with him. With James and John, he was privileged to witness the Transfiguration, the raising of a dead child to life, and the agony in Gethsemane. In 395 A.D., St. Augustine said of Saints Peter and Paul: “Both apostles share the same feast day, for these two were one; and even though they suffered on different days, they were as one. Peter went first, and Paul followed. And so we celebrate this day made holy by the apostles' blood. Let us embrace what they believed, their life, their labors, their sufferings, their preaching, and their confession of faith.”
    Abside Mosaico Arco di trionfo di Cr..Roma
  • “Cathedral of Saints Philip and James in Sorrento - Nave to the Crucifixion”…<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became. Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ. This image looking down the nave with the sunlight shining through the windows is one of the most meaningful and favorite images from my Italian journey.
    Cattedrale dei Santi Filippo e Giaco..ione
  • “Heavenly lights illuminate the crucifix - Sorrento Cathedral - Painting by Dino Carbetta”…<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ.  This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Celesti di luce rischiara il crocifi..etta
  • **Campanile della Cattedrale dei Santi Filippo e Giacomo – Sorrento<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became. Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light illuminating Christ in a mystical way. This image with the sunlight shining through the window is one of my most meaningful and favorite images from my Italian journey. I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Campanile della Cattedrale dei Santi..ento
  • "Dramatic clouds gather through the Arch of the Colosseum"...<br />
<br />
A sunlit and pleasant view peering into the ancient and organic Colosseum. The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum. The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition. A Cross stands exultant in the Colosseum center with a plaque stating: “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.” In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck. It is as grand in person as it appears in the media, and it seems to hold a very mystical aura. Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.
    Nubi drammatiche si riuniscono attra..sseo
  • "God illuminates the crucifix - Cathedral of Sorrento"...<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light illuminating Christ in a mystical way.  This image with the sunlight shining through the window is one of my most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Dio illumina il crocifisso - Cattedr..ento
  • “Ominous clouds gather through the Arch of Colosseum - BW”…<br />
<br />
The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. It is considered one of the greatest works of Roman architecture and Roman engineering in history.  Occupying a site just east of the Roman Forum, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. Today, it is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  On my last evening in Italy, as the guards ushered me out at closing time…I created this image looking through the solitary entrance with only pigeons left to ponder its significance.
    Nubi minacciose si riuniscono attrav..sseo
  • “The Luminance of Christ - Sorrento Cathedral”… <br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. Hanging above the Altar was a lifelike Crucifix. It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became. Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light mystically illuminating Christ. This image with the sunlight shining through the window is one of the most meaningful and favorite images from my Italian journey. I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    La Luminanza di Cristo - Cattedrale ..ento
  • "The Crucifixion - Cathedral of Sorrento"...<br />
<br />
The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town.  Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times.  Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena.  Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo.  Hanging above the Altar was a lifelike Crucifix.  It was not as large as it appears in the photos; however, the closer I ventured…the more mesmerized I became.  Slowly and quietly moving about, from different angles I was able to capture dramatic images of window light illuminating Christ in a mystical way.  The two images with the sunlight shining through the windows are my most meaningful and favorite images from my Italian journey.  I believe that if you gaze for a minute or two, you will also be transported on a remarkable journey.
    Il Crocifissione - Cattedrale di Sor..ento
  • “Resting Under the Arches of the Doge's Palace – Venice”…<br />
<br />
The Palace is the most representative symbol of Venice's culture, which, together with the Basilica of San Marco at the back and the Piazzetta in the forefront, forms of the most famous sceneries in the world. Peering through the Doge’s arches, one can view the famous and ancient Church of San Giorgio Maggiore across the Grand Canal. For centuries the Doge's Palace had three fundamental roles: the Doge residence, the seat of government, and the palace of justice. This was where some of the most important decisions for Venice's, and even Europe's destiny were taken in this splendid example of Venetian gothic architecture. Most medieval palaces all over Italy, the Doge's Palace was built oppositely with the loggias down below and full walls above, whereas buildings like this normally had a huge base to make them easier to defend. Venetians considered their government as legitimate not by imposition or divine right, like in other Italian medieval cities, but as an expression of the Venetians' will. The thirty-six stone capitals on their arches are a marvelous example of medieval sculpture and give us a rich repertoire of symbolic figures: vice and virtue, saints, martyrs, knights, trades, birds, and signs of the zodiac. As on the outside, the facades indicate the double motive of the portico on the lower floors and of the walls with wide windows on the higher part. The architecture, which matches the marble loggia to the bricks of the masonry, manages to create a language that is both simple and ornate, the perfect expression of the spirit of the Republic. Majestic, mystical, and ornately reverent, indicate the one and only Doge’s Palace of Veneto.
    Riposando Sotto Gli Archi del Palazz..ezia
  • "High altar crucifix from the back of the Papal Basilica of St. Anthony of Padua"... <br />
<br />
I consider this magnificent rear view of the High Altar in St. Anthony’s Basilica looking toward Donatello’s very famous “Crucifix in Padua” one of my few forbidden and miraculous images of my 2019 Pilgrimage to Italy. I was unaware of the mere size and ancient grandeur of the basilica begun in 1233 but found myself mystified by the aura surrounding it and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. As with most prestigious Basilica’s, no photos are allowed, which mostly rendered this photographer reverent, but sad. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. Deceptively, I found myself directly behind the elevated “High Altar,” and as I curiously climbed the steps toward the locked Iron Gate, Donatello’s celestial bronze crucifix began to appear. My surreptitious movement kept me from being noticed by the security guards and our Italian guide. I covertly rested my lens through the iron bars, and quietly depressed the shutter on my camera. Often called “Il Santo” by the locals of Padua, one cannot escape feeling overwhelmed by its majesty, and emanation of spirituality and reverence. The Basilica is austere, mysterious, and solemn, yet capacious, monumental, and impossible to notice every grand detail. However, be emboldened that this Pilgrimage Church is one of the eight international shrines recognized by the Holy See. It is a symbol of faith and hope for all Christian believers. I believe Saint Anthony would be honored and proud to offer Mass here.
    Crocifisso altare maggiore dalla par..dova
  • "Crucified Christ who begins the ascension to Paradise - Painting by Dino Carbetta" ...<br />
<br />
A painting of this very high view peering toward the Altar of the Crucifixion and Titian’s great Altarpiece of the Assumption of Mary. As I arched my back and looked straight above, Jesus appeared to lift skyward. The Basilica di Frari is one of my favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination is bursting with a fascinating impression of great history, aesthetic brilliance, and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a large Gothic church of the early 15th century now filled with elaborate paintings and tombs. The interior is light and spacious, and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and is necessitated by a very large church. The wood crucifix from 1468, hangs over the entrance of the choir. Traditionally, a Calvary was hanging above the choir and beside the Crucifix, there are the sculptures of the Madonna and Saint John the Evangelist. It is very likely that – thanks to His beauty and relevance – this crucifix was taken as a pattern for many others in Venezia and the Veneto region. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    Cristo Crocifisso che inizia l'ascen..etta
  • “Golden Hour Crucifixion – Painting by Dino Carbetta”…<br />
<br />
I consider this magnificent rear view of the High Altar in St. Anthony’s Basilica looking toward Donatello’s very famous “Crucifix in Padua” one of my few forbidden and miraculous images of my 2019 Pilgrimage to Italy. I was unaware of the mere size and ancient grandeur of the basilica begun in 1233 but found myself mystified by the aura surrounding it and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis, and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. Deceptively, I found myself directly behind the elevated “High Altar,” and as I curiously climbed the steps toward the locked Iron Gate, Donatello’s celestial bronze crucifix began to appear. This is the story of my experience with the "High altar crucifix from the back of the Papal Basilica of St. Anthony of Padua"... The crucifix was centered at the bottom of the image and small. I decided to paint the crucifix using the original silhouette and front illumination. I added a magnificent sunset or “Golden Hour” to highlight the Crucifix. “yet I live, no longer I, but Christ lives in me; insofar as I now live in the flesh, I live by faith in the Son of God who has loved me and given himself up for me.” [Galatians 2:20]
    Ora D'oro Crocifissione - Dipinto di..etta
  • “Basilica di San Lorenzo Campanile – Florence”…<br />
<br />
Of all the Catholic buildings in Florence, none are documented earlier than San Lorenzo. It was consecrated in 393 by St. Ambrose, and acted as the city’s cathedral until it was rebuilt in the Romanesque period, and re-consecrated in 1059.  In 1418, the Medici family decided to rebuild it entirely, and entrusted the project to Filippo Brunelleschi who completed it in 1461. In the next century, Michelangelo was commissioned to build the New Sacristy and the Laurentian Library. The church interior architecture is a Latin-Cross with the aisles separated from the nave by Corinthian columns surmounted by high sculpted entablature blocks supporting rounded arches. The two bronze pulpits are great works of Donatello, achieving intense dramatic expressivity of New Testament Biblical scenes. The most celebrated and grandest part of San Lorenzo is the Cappelle Medici (Medici Chapels) in the apse. The Medicis were still paying for it when the last member of the family, Anna Maria Luisa de' Medici, died in 1743. Almost fifty members of the family are buried in the crypt, designed by Bernardo Buontalenti. The Medicis also donated large sums of money for the façade.  However, it has yet to be built even though Michelangelo designed the plans.  The campanile dates from 1740, and as I meandered with wonderment about Florence one evening in the direction of San Lorenzo, the bright descending sun blinded me as I turned the corner. Stopping in my tracks, I waited with anticipation as it fell just below the cupola and campanile blessing the view with a perfect silhouette, glowing crosses, and a symbolic reflection.
    Basilica di San Lorenzo Campanile - ..enze
  • “Atrium of the Cathedral of St. Andrew in Amalfi”…<br />
<br />
On the last of three glorious days in Positano, I arose early to catch sunrise over the village.  However, at about 10:00 am …the cold rains came down dampening the glorious sun.  I caught the rain soaked ferry down the coast to the seaside town of Amalfi.  The Cattedrale di Sant'Andrea/Duomo di Amalfi is usually packed with tourists bused and ferried from hundreds of miles away, but with the dreary weather many chose to stay away.  There has been a church on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral.  Amalfi Cathedral looms impressively over the small Piazza Duomo from atop 62 broad stairs. Its facade, is an Arab-Sicilian riot of stripes, arches, and mosaics.  As I waited for the rain to slow at the top of the very steep steps under the facade, I peered up and noticed the intricate design and captured a few unique angles.
    Atrio della Cattedrale di Sant'Andre..alfi
  • “Father Peek Consecration Prayer - Private Mass in the Basilica of Sant'Antonio da Padova”…<br />
<br />
One wonderful element of our Pilgrimage of 2019 was our Mass schedule in the most distinguished Basilica’s, Cathedrals, and churches in Italy and in fact the world. Often we found ourselves at the Main Altars, Sacristies, or prestigious chapels. The reverent and holy auspicious with unseen views containing profound and historic approbation was at times overwhelming. Contemplating those divine and holy who came before, left us with the feeling of wonderment. The Basilica of Saint Anthony dated back to the early year of 1233. I found myself mystified by the mere size and aura surrounding it, and especially the heavenly altar. The original arrangement is of a three-dimensional 'sacred conversation' with the six statues of the saints – Francis, Anthony, Justina, Daniel, Louis, and Prosdocimus – positioned around the “Madonna with Child” under a dome supported by eight columns and arches, all bronzed by the famous Renaissance Tuscan sculptor Donatello. As with most prestigious Basilica’s, no photos are allowed, which mostly rendered this photographer reverent, but sad. We Pilgrims, paralyzed in capture and armed only with ‘whispers’ in our ears to hear the Italian tour guide, followed intently from brilliant chapel to chapel. The Basilica is austere, mysterious, and solemn, yet capacious, monumental, and impossible to notice every grand detail. However, be emboldened that this Pilgrimage Church is one of the eight international shrines recognized by the Holy See. It is a symbol of faith and hope for all Christian believers. I believe Saint Anthony would be honored and proud to offer Mass here.
    Padre Peek Preghiera della Consacraz..dova
  • "Contemplating Life on the Venice Canal - Painting by Dino Carbetta" ...<br />
<br />
Embark on a journey along the Venice Canal where the whispers of its waters carry tales that date back centuries. Here, the divine harmonizes with the earthly, inviting us to explore the realms of faith and introspection. Each step taken along its banks is imbued with purpose, reaching deep into the souls of those who take a moment to ponder. The bridges that elegantly span the canal are more than just structures; they symbolize the intricate connection between human experience and divine wisdom. Similar to narratives spanning through time, these arches offer solace and guidance, weaving stories that endure across generations. In the gentle play of light and shadow upon the canal, echoes of the inherent contrasts of the human journey emerge. Christ's teachings become a source of unwavering love and resilience, illuminating the delicate dance between joy and sorrow in our worldly existence. His example reminds us of the profound beauty that can emerge even from the darkest moments. As we contemplate this sacred scene, let creativity flow freely and authentically, mirroring the unrestricted movement of the canal's waters. May this reflection spark a deep connection to the universal themes woven into the fabric of our shared human experience, inspiring us to embrace the intricate beauty found in the dance of existence. In the mesmerizing interplay of light and shadow upon the gently undulating canal waters, the image is a vivid tableau that mirrors the intricate choreography of joy and sorrow in the grand theater of our lives, transcending the ordinary, transporting us to a realm where time appears to linger, coaxing us into sacred communion and profound introspection. Much like the canals winding through Italy's heart, emblematic of the passages in our journey. The graceful journey serves as a poignant reminder to discover and celebrate the innate beauty woven into every ephemeral moment.
    Contemplando la vita sul Canale di V..etta
  • “Atrium of the Cathedral of St. Andrew in Amalfi sunburst”…<br />
<br />
On the last of three glorious days in Positano, I arose early to catch sunrise over the village.  However, at about 10:00 am the cold rains came down dampening the glorious sun.  I caught the rain soaked ferry down the coast to the seaside town of Amalfi.  The Cattedrale di Sant'Andrea/Duomo di Amalfi is usually packed with tourists bused and ferried from hundreds of miles away, but with the dreary weather many chose to stay away.  There has been a church on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral.  Amalfi Cathedral looms impressively over the small Piazza Duomo from atop 62 broad stairs. Its facade, is an Arab-Sicilian riot of stripes, arches, and mosaics.  As I waited for the rain to slow at the top of the very steep steps under the facade, I peered up and noticed the intricate design and captured a few unique angles.
    Atrio della Cattedrale di Sant'Andre..gera
  • Madonna of Victory and the Rosary - Painting by Dino Carbetta<br />
<br />
 Honors the Feast of Our Lady of the Rosary celebrated on October 7. Originally designated as "Our Lady of Victory" by Pope Pius V, this feast commemorates the decisive Battle of Lepanto in 1571 amidst the looming specter of the imminent danger posed by the formidable Ottoman fleet, Pope Pius V implored Europe to unite in prayer, leading a solemn rosary procession in Rome. The painting captures this pivotal moment, depicting the devout supplication of the faithful and the divine intervention that ensued. The Battle of Lepanto marked a turning point in history as the Holy League miraculously vanquished the Ottoman armada, liberating thousands of captive Christians. Pius V attributed this triumph to the intercession of the Mother of God, bestowing upon the world the enduring legacy of the Feast of Our Lady of the Rosary. The significance of Mary's intercession resurfaced during the Battle of Vienna in 1683, where Blessed Marco d’Aviano rallied the besieged Christian forces, urging them to seek solace and strength through the rosary. Under the divine protection of the Blessed Virgin Mary, the Polish relief army secured a resounding victory, thwarting the Ottoman threat to Christendom once again. This artwork serves as a poignant reminder of Mary's unwavering guidance and the transformative power of prayer throughout history. The Queen of Heaven continues to lead the faithful in their spiritual battles, offering solace and hope to all who seek her intercession. In our contemporary age, beset by myriad challenges, Mary beckons us to emulate the faith and resilience of our ancestors, trusting in the enduring promise of redemption and salvation. Through the timeless message conveyed by "Madonna of Victory and the Rosary," viewers are inspired to embrace the fighting faith of Christianity, fortified by the unwavering support of Our Lady, who intercedes on behalf of humanity with boundless love and compassion.
    Madonna della Vittoria e del Rosario..etta
  • “Ascension of the Lord - Painting by Dino Carbetta”…<br />
<br />
Luke 24:46-53 narrates "The Ascension of the Lord." Jesus reveals his resurrection to his disciples after three days of suffering and stresses the significance of spreading the message of repentance and forgiveness of sins in his name to all nations, starting from Jerusalem. He reminds his followers that they are witnesses to these events and assures them that he will send his Father's promise upon them. However, he instructs them to stay in the city until they receive power from above. After blessing them, Jesus ascends to heaven. The disciples enthusiastically return to Jerusalem, continuously praising God in the temple. The Ascension signifies that although Jesus may not be present in a specific location, he is always among us. We have an Advocate who defends and guides us through life and a community that lives out their faith with us in our daily lives. Together, we reveal the lordship of God's love to the world through the Risen Jesus Christ, who ascended to heaven and advocates for us. "And when I am lifted from the earth, I will draw all people to myself." The lifting up of Jesus on the cross signifies and announces his ascent into heaven, which begins it. Jesus Christ, the only priest of the new and everlasting Covenant, "entered not into a sanctuary made by human hands... but into heaven itself, now to appear in the presence of God on our behalf." He is the center and principal actor of the liturgy that honors the Father in heaven. Christ is seated at the right hand of the Father, signifying the inauguration of his kingdom and the fulfillment of the prophet Daniel's vision regarding the Son of man. "To him was given dominion and glory and kingdom, that all peoples, nations, and languages should serve him; his dominion is an everlasting dominion, which shall not pass away, and his kingdom one that shall not be destroyed." The apostles became witnesses to the "kingdom will have no end."
    Ascensione del Signore – Dipinto di ..etta
  • “Angels Guard the Main Altar of the Sistine Chapel - Basilica of Santa Maria Maggiore Rome”…<br />
<br />
After Mass in the Crucifix Chapel on the second morning of the inaugural Pilgrimage I organized, we were joined by our Roman tour guide for the day. As we listened and ventured around the glorious Basilica, my eyes and camera began to wander. I became stupefied by the grand chapel to the right of the main altar with the rising sun peering through the window just below the cupola. I discreetly wandered in and out in hopes it would shine upon the Holy Crib. The right transept is called the Sistine Chapel, containing the elaborate tomb of Pope Sixtus V (1521-90) and decorated with frescoes and reliefs of events from his reign. The chapel centers on a reliquary containing part of the Holy Crib, and the burial place of Saint Jerome, the 4th-century Doctor of the Church. The architect Domenico Fontana designed the chapel, which also contains the tomb of Pope Pius V. The main altar in the chapel has four gilded bronze angels by Sebastiano Torregiani, holding up the ciborium, which is a model of the chapel itself. The Patriarchal Basilica of St. Mary Major reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God.
    Angeli Custodiscono L'altare Princip..Roma
  • “Silhouette of Gondoliers against the late sun on the Grand Canal near the Church of Santa Maria del Giglio - Red”…<br />
<br />
“Venice” - Henry Wadsworth Longfellow: <br />
WHITE swan of cities, slumbering in thy nest	<br />
So wonderfully built among the reeds	<br />
Of the lagoon, that fences thee and feeds,	<br />
As sayeth thy old historian and thy guest!	<br />
White water-lily, cradled and caressed	<br />
By ocean streams, and from the silt and weeds	<br />
Lifting thy golden pistils with their seeds,	<br />
Thy sun-illumined spires, thy crown and crest!	<br />
White phantom city, whose untrodden streets	<br />
Are rivers, and whose pavements are the shifting	<br />
Shadows of palaces and strips of sky;	<br />
I wait to see thee vanish like the fleets	<br />
Seen in mirage, or towers of cloud uplifting	<br />
In air their unsubstantial masonry.<br />
	<br />
The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The rowing oar, which is not fastened to the hull, is used in a sculling manner, also acting as the rudder. For centuries the gondola was the chief means of transportation and most common watercraft within Venice. It is propelled by a gondolier. In modern times the iconic boats still have a role in public transportation in the city, serving as traghetti (ferries) over the Grand Canal. There are just over four hundred gondolas in active service today, virtually all of them used for hire by tourists. In order to become a professional gondolier, you need to obtain a license from the guild. Two hundred years ago, there were 10,000 gondolas in Venice. Although the aristocracy preferred horses to boats through the early Middle-Ages, beginning in the 14th century when horses were outlawed from the streets of Venice, the noble class embraced gondolas as a respectable form of transportation.
    Silhouette di gondolieri contro il t..osso
  • "High altar panorama of the Basilica of Santa Maria del Fiore Florence"...<br />
<br />
Santa Maria del Fiore (also known simply as the Duomo) is the cathedral of Florence known for its distinctive Renaissance dome. Its name ("Saint Mary of the Flower") refers to the lily, the symbol of Florence. The impressive Gothic cathedral complex includes the Duomo, the famous baptistery and a campanile. Built in 1294 to be the largest Roman Catholic Church in the world, it is still the largest masonry dome in the world. Walking down the strada, and turning the corner to view the massive Duomo painted against the sky was captivating. I stopped in my tracks and began taking photos; however, the huge Florence crowds prevented most images from ground level. This was one of the first images I photographed noticing the ancient architecture of the Duomo competing across the narrow strada with the more modern buildings of Firenze.
    Altare maggiore panorama della Basil..enze
  • "Sanctuary of Madonna and child along Calle Dose da Ponte Venice"... <br />
<br />
“O Most Amiable Child Jesus, You who said: "Ask and you shall receive," graciously hear my petition and grant me the favor I ask of You if it be for Your Greater Honor and Glory and for the good of my soul. Amen.” <br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice.
    Santuario di Madonna e bambino lungo..ezia
  • “Sunrise breaking through the clouds over peaceful Positano”…<br />
<br />
There was only one occasion that I was really able to pre-plan taking photos at sunrise and that was during the last day of three in Positano.  It takes much planning, logistics, and familiarity to figure the best locations and the proper angles and positions of the sun.  My third morning was ideal and fortuitous as it began raining about 10:00 am which gave me perfect clouds for sunrise, finally ending with a very cold wind just in time for sunset.  This image is one of the rare photos of a slumbering Positano in the dewing morning around 6:09 am at the end of May….the beginning of peak tourist season.  By 8:00 am, this tiny seaside village is bustling with tourists and shop owners, and restaurateurs trying to satisfy every need.  All in all, Positano was by far the plushest of all the locations I visited in Italy, and I was blessed to witness everything in full bloom.
    Alba rottura attraverso le nuvole so..tano
  • "Crucified Christ - Monumental Church of San Michele Arcangelo, Anacapri"...<br />
<br />
Located in the Piazza of Anacapri, the mountaintop above the island of Capri. It dates to 1595 when it replaced Chiesa di Santa Maria as the parish church.  One can view the ancient church contrasting with the more modern white façade. The sacristy and oratorio, were originally in the Chiesa di San Carlo. Architectural features include two bell towers and a baroque facade. The church was enlarged with two chapels and the nave was extended towards the square. The plan of the church is in the form of a Latin cross with a single nave, lateral chapels and a dome above the intersection of the nave and the transept. The belfry can be seen to the left of the facade with two clocks and three bells dedicated to Santa Sofia, Santa Maroa and Santa Elia. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri. I was standing closest to the door on the right side of the bus during the assent up the mountainside. All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top. Anacapri is a historic mountaintop town with commanding views of Capri and the sea below, as well as a concentration of Mediterranean colors, scents, and sounds. Town life here has remained authentic despite the island's tourism: tucked between the houses there are tiny, humble vegetable gardens surrounded by lush tropical plants. A walk around the center of Anacapri will take you past tiny Neapolitan tailor shops, artisan shoemakers, and Enoteca       ...all with the scent of the town's lemon groves that permeates the air. How the ancients managed to arrive at this secluded island and traverse their way to settlements atop is mind boggling.  However, contemplating the mysteries of civilization, one gets lost in the plush ambience. The pleasant aroma and commanding sea view demand that you stay for just a little while longer!
    Cristo Crocifisso - Chiesa Monumenta..apri
  • "The Cathedral of Orvieto seeks paradise above the roofs tops"...<br />
<br />
Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a big chunk of volcanic stone called tufa, and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this cliff top village over 2000 years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliff side views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. The 14th Century Duomo was constructed to provide a home for the “Corporal of Bolsena”, a miracle which occurred in 1263 in the nearby town of Bolsena. A traveling priest who had doubts about the truth of transubstantiation found that his Host was bleeding so much that it stained the altar cloth. The cloth is now stored in the “Chapel of the Corporal” inside the cathedral.  It’s amazing to turn the corner only to view, stop, and stare as the majestic Cathedral slowly rises to touch the heavens above.
    Il Duomo di Orvieto cerca il paradis..cime
  • “Papà’s Embrace - A Painting by Dino Carbetta” ...<br />
<br />
In this intimate and profoundly moving portrait, Pope Francis is depicted embracing a young child, a moment of pure tenderness and compassion. The close-up composition captures the deep emotions reflected in their faces—the gentle warmth of a shepherd and the innocent trust of a child. As Papà Francesco, he is more than just the leader of the Church; he is a father to the faithful, especially to the poor, the marginalized, and the forgotten. His papacy has been defined by an unyielding commitment to those in need, reaching beyond borders, divisions, and prejudices to offer the healing embrace of Christ. His paternal care reflects God's boundless love, recognizing only the human soul in need of grace, regardless of status or wealth. Yet, this calling has not been without suffering. Like a shepherd in turbulent waters, Pope Francis has faced relentless challenges from an indifferent world and from within his flock. The Church, a vessel of salvation, is also a place of great human struggle, where pride, rigidity, and division sometimes overshadow the very message of Christ. Some believe they hold the fullness of truth, are unwilling to listen, quick to judge, and slow to love. And yet, through it all, Papà Francesco presses forward, undeterred in his mission, carrying the burdens of leadership with the heart of a servant. All he has ever sought is to bring the world closer to Christ. To remind the faithful that mercy triumphs over judgment, that love conquers discord, and that true wisdom is found not in self-righteous certainty, but in humble service. Papà’s Embrace is not just a moment of tenderness—it is a testament to a shepherd’s endurance, a father’s unwavering love, and a disciple’s relentless pursuit of the Gospel. In this embrace, we see the heart of a man who has given everything to guide souls home. May we, too, find the humility to embrace one another, as Christ embraces us all.
    Papà’s Embrace - A Painting by Dino ..etta
  • “Angel with the Cross on Ponte Sant'Angelo Rome - Photo by Dino Carbetta”<br />
<br />
Captured just after sundown, this image reveals a tranquil scene as the sky deepens into a majestic blue, highlighting the golden light on the angelic figures that line the bridge. The Ponte Sant'Angelo (Bridge of Angels) spans the Tiber River, only a short walk from St. Peter’s Basilica. For centuries, it has symbolized the transition from the busy streets of Rome to the sacred space of Vatican City, offering a contemplative pause for pilgrims crossing into the spiritual heart of the city. The bridge’s ten angel sculptures were designed by Gian Lorenzo Bernini, though few were carved by his own hand. His vision, however, lives on in these figures, which stand as silent sentinels, each holding symbols of Christ’s Passion. The bridge is anchored by statues of Saints Peter and Paul, marking the gateway to the spiritual realm. With their imposing presence, they frame the passageway, guiding travelers to reflect on their journey of faith. One of the most striking figures is the "Angel with the Cross." Its serene expression and reverent pose underscore the deep symbolism of the cross it holds. Beneath the statue, a Latin inscription from Isaiah 9:6 reads, "Cuius principatus super humerum eius" — "Dominion rests on his shoulders." This prophetic message of Christ’s kingship resonates deeply with the scene, reminding all who pass of the weight of Christ's authority and sacrifice. In Dino Carbetta's photograph, the interplay of light and shadow creates a sense of the eternal. The angel seems illuminated from within, standing out against the fading Roman sky. Through his lens, Carbetta captures more than just a moment—he preserves the spiritual legacy of the bridge, inviting viewers to reflect on the enduring message of faith, sacrifice, and redemption that permeates this historic path. The image speaks to the timeless intersection of art, faith, and history in one of Rome's most iconic locations.
    Angelo con la Croce sul Ponte Sant'A..etta
  • “Saint Charbel: Patron of Corporal and Spiritual Suffering - Painting by Dino Carbetta” ...<br />
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Saint Charbel Makhlouf, born in Lebanon in 1828, is venerated as the Patron Saint of those who face both physical and spiritual afflictions. His life was a profound expression of monastic dedication, characterized by rigorous prayer, fasting, and solitude. This commitment reflects his deep spiritual resilience and unwavering devotion to God’s will. The depiction of Saint Charbel captures more than his physical likeness; it encapsulates his profound spiritual essence. His serene gaze and tranquil demeanor symbolize an intimate communion with the Divine, representing a state of inner peace and unshakable faith The deep spiritual depth and serenity of Saint Charbel reflect his ongoing intercession and influence on many today. Saint Charbel’s life was marked by numerous miracles that continued well after his death. During his lifetime, he was known for his miraculous healings, often attributed to his fervent prayers and deep faith. After his passing in 1898, his tomb became a site of extraordinary miracles. Pilgrims from around the world have reported miraculous healings and profound spiritual experiences at his shrine. These miracles include the healing of terminal illnesses, resolution of chronic conditions, and transformative spiritual experiences, reinforcing his reputation as a powerful intercessor and a beacon of divine grace. The image of Saint Charbel visually testifies to his miracles and serves as a conduit for his grace and healing, inviting viewers to reflect on his life and intercession. Turning to Saint Charbel’s life offers solace and rejuvenation during times of suffering.. This depiction not only highlights his role as a miracle worker but also as a symbol of hope, guiding viewers toward spiritual and emotional rejuvenation through the sacred harmony and divine grace that defined his life.
    San Charbel Patrono della Sofferenza..etta
  • “Saint Bonaventure the “Seraphic Doctor”- Painting by Dino Carbetta” ...<br />
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Though not widely known today, was a pivotal figure in the medieval Church and the Franciscan Order. Renowned for his academic prowess at the University of Paris, he endeared himself to his students through his deep Franciscan devotion to Jesus and the Church, earning the title "Seraphic Doctor." Born as John in Bagnoregio in 1221, he adopted Bonaventure upon joining the Franciscans at 22. "Saint Francis believed to have healed Bonaventure from a severe childhood illness." Saint Bonaventure's academic career halted when he was elected General Minister of the Friars. His 17-year tenure was challenging, marked by internal disputes over the interpretation of poverty. Despite these trials, Bonaventure's prayerful nature and administrative acumen enabled him to guide the Order through effective legislation. He fostered an organized spirituality grounded in Saint Francis's vision, blending practical life with doctrinal faith, thus infusing his teachings with a distinctive warmth. Towards the end of his service as General Minister, Pope Gregory X appointed Bonaventure as a Cardinal and the bishop of Albano. However, during the Second Council of Lyon in 1274, he passed away unexpectedly, with some speculating he was poisoned. Despite his sudden death, Saint Bonaventure left a revitalized Franciscan Order and a legacy of writings centered on his profound love for Jesus. Bonaventure harmonized holiness and theological insight, reaching mystical heights while remaining an active preacher and beloved teacher. His works continue to resonate, offering readers a glimpse into the soul of a true Franciscan and gentleman. This painting elegantly captures the essence of this remarkable figure, reflecting his enduring impact and the deep spirituality that defined his life. This artwork serves as a visual homage to a saint whose love for Christ and dedication to the Church continue to inspire.
    San Bonaventura il “Dottore Serafico..etta
  • "Sacred Union - Madonna and The Christ Child - Painting by Dino Carbetta”<br />
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Within these gentle Palette strokes, we are transported into the heart of Catholic devotion, where the divine bond between mother and child is exalted in sacred imagery. Within this painting, we behold the Madonna, Our Lady of Grace, cradling the Christ Child, the Savior of humanity, in her loving embrace. As we contemplate this sacred scene, we are reminded of the profound significance of Mary in the Catholic tradition. She is the Mother of God and the embodiment of purity, humility, and unwavering faith. Her presence in the painting evokes a sense of reverence and awe, inviting us to draw closer to her maternal intercession. The Christ Child emanates a divine glow, his gaze intimately intertwining with the intense eyes of his Mother, as they extend blessings to all who seek their grace. His innocence and vulnerability symbolize divine condescension, as God humbles Himself to dwell among humanity, offering redemption and salvation to all who believe. In the tender union between the Madonna and the Christ Child, we witness the epitome of sacrificial love. Mary's selfless devotion to her son mirrors the love of the Heavenly Father, who so loved the world that He sent His only begotten Son for our salvation. Their embrace transcends earthly affection, revealing the depths of divine compassion that permeate the universe. Let us contemplate the significance of the Blessed Virgin Mary as the Mediatrix of all graces, the channel through which divine mercy flows into the world. Let us entrust ourselves to her maternal care and seek guidance on our faith journey. May the sacred union depicted in this painting inspire us to deepen our relationship with God and emulate the virtues of Mary in our daily lives. Through her intercession and the grace of her Son, may we be strengthened in faith, hope, and charity, as we strive to live as faithful disciples of Christ in the world today.
    Sacra Unione - Madonna col Bambino -..etta
  • “Saint Joseph and Jesus - Painting by Dino Carbetta”…<br />
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Within these brushstrokes lies the essence of inspiration, and the profound narrative of Saint Joseph, a figure whose life whispers volumes of faith, devotion, and humility. Though dwelling in the shadows of history, St. Joseph emerges as a beacon of silent strength and unwavering commitment. From the moment the celestial proclamation graced his ears, he embraced his divine calling with a depth of devotion unmatched. His love for his foster son, Jesus, knew no bounds, as he selflessly sacrificed all for their well-being. Handpicked by the Divine to shepherd the Savior, St. Joseph embodied the essence of fatherhood, guiding and safeguarding Jesus with tender care. In his humble actions, we find a blueprint for authentic masculinity and familial devotion, and his very existence is a testament to the sanctity of the family unit. While the annals of history may not boast of miraculous deeds or grand proclamations, St. Joseph's quiet resolve and unwavering faith echo through the corridors of time. Scripture unveils glimpses of his character, from his immediate protection of Mary to his steadfast obedience to divine command. The profound reverence bestowed upon St. Joseph by luminaries like St. Teresa of Ávila speaks volumes of his enduring impact. Through her devoted advocacy, St. Joseph's silent influence permeated the hearts of many, offering solace and inspiration to those who sought his intercession. In a world enraptured by the clamor of ambition and accolades, St. Joseph's humble example beckons us to embrace simplicity, humility, and unwavering trust in Divine providence. His legacy is a powerful testament to the transformative impact of selfless love and resolute faith. St. Joseph's quiet presence continues to inspire and elevate souls to profound depths of spiritual contemplation, reminding us that true greatness lies not in grandeur, but in the silent acts of love and devotion that echo through eternity.
    San Giuseppe e Gesù - Dipinto di Din..etta
  • "Resurrection - The Name of Jesus - Painting by Dino Carbetta”<br />
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Resonates deeply with the sacred text of Philippians 2:10, embodying the profound submission and reverence accorded to Jesus Christ within Christian doctrine. The name of Jesus encapsulates divine authority, grace, and the promise of salvation, marking the apex of God's redemptive narrative through His life, crucifixion, and triumphant resurrection. At its essence, this magnum opus delves into the core tenet of Christianity: the resurrection of Jesus Christ, portrayed with compelling symbolism and spiritual depth. It beckons viewers to ponder the eternal significance of this pivotal event, which heralds a profound transformation. Jesus Christ commands attention at the center of the canvas, radiating both tranquility and might, His raised hand a testament to His dominion over death, even bearing the wounds as symbols of His sacrifice. The symbolism is rich; the two fingers of His right hand represent His dual nature—human and divine—while the unity of the remaining three fingers symbolizes the Holy Trinity. Surrounding Him, a milieu of sacred elements bathed in celestial light evokes the divine presence. The empty tomb and the cross, rendered with symbolism, underscore the theological gravity of Christ's resurrection, affirming the redemptive love and promise it embodies. This artwork underscores Jesus Christ's indispensable role in the Christian faith, asserting His sovereignty over sin and death. Viewers are invited to encounter the living Christ and contemplate the profound implications of His resurrection. In engaging with this profound piece, they are confronted with the timeless truth of Easter: that death has been vanquished, and new life is made attainable through faith in Jesus Christ. Thus, "Resurrection - The Name of Jesus" serves as a poignant reminder of the hope and promise inherent in Christ's victory over death, beckoning viewers to embrace the transformative power of The Resurrection.
    Resurrezione - Il Nome di Gesù - Dip..etta
  • “Madonna of Tears - Painting by Dino Carbetta” …<br />
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It serves as a focal point for the devotion to "Our Lady of Tears," which has experienced a resurgence of interest. This devotion, as evidenced by the records of The Marian Library/International Marian Research Institute, is underscored by a profound Rosary dedication to Mary under this title. Additionally, contemporary interpretations of Our Lady of Tears have emerged, signaling the enduring relevance of this devotion. The genesis of this devotion traces back to November 8, 1929, when Sister Amalia experienced a divine encounter while praying fervently in the presence of the Eucharist. Seeking intercession for a loved one's dire illness, Sister Amalia was instructed by Jesus Himself on the efficacy of praying through the tears of His mother, Mary. This pivotal moment led to the formulation of a unique Rosary, comprised of forty-nine small pearls divided into seven decades, reminiscent of the Seven Sorrows of Mary Rosary. This Rosary, adorned with three small pearls and the medal of Our Lady of Tears, became a tangible expression of devotion to Mary's sorrowful tears and unwavering love for humanity. In the painting, Mary, the Sorrowful Mother, is depicted in a contemplative posture, her tears bearing witness to the profound anguish she experienced throughout her son Jesus Christ's life and the redemptive sacrifice He made for humanity. Amidst her tears, Mary personifies the essence of maternal love and compassion, while bearing witness to her son's journey to save the world from sin. This devotion, endorsed by Pope Paul VI, resonates with believers seeking solace and grace through prayer and contemplation of Mary's role in the divine plan of salvation. As the faithful engage with the Madonna of Tears painting and the accompanying Rosary devotion, discover more about Mary's sorrow and Christ's mission, and find comfort in her intercession.
    Madonna delle Lacrime - Dipinto di D..etta
  • "Sacred Harmony - The Holy Family Nativity – Painting by Dino Carbetta” …<br />
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In the serene narrative of Luke 2:8-14, we find shepherds tending to their flock in the quietude of the night. Suddenly, the angel of the Lord emerges, bathed in divine radiance, evoking awe in the shepherds. Amidst their trepidation, the angel utters, "Fear not," heralding joyful tidings for all. The city of David becomes the stage for the announcement of a Savior, the Messiah, born to the world. A sign unfolds—an infant in swaddling clothes, lying in a manger. This humble scene marks a profound inception, emphasizing salvation's inclusive accessibility to all, irrespective of societal standing.  A celestial spectacle ensues as heavenly hosts join the angel in a harmonious symphony of praise. Their proclamation resounds, "Glory to God in the highest, and on earth peace to those on whom his favor rests." Beyond the shepherds, this celestial chorus envelops all creation, showcasing the universality of divine grace. This painting encapsulates the sacred moment, with the Holy Family at its centre, radiating profound symbolism that delves into the essence of human existence. The tender depiction of the infant in swaddling clothes, nestled in a manger, signifies a humble genesis for the Savior, emphasizing the universal accessibility of salvation that transcends societal divisions. Beyond a visual representation, The artwork transforms into a visual sermon, guiding observers into a contemplative space where the sacred narrative unfolds. Through meticulous brushstrokes and thoughtful composition, the painting invites us to witness not just a historical event but an eternal truth—within the simplicity of a stable, profound and universal message of hope and peace is born. May this artwork inspire and resonate with those who explore its depths. In its quiet distinction, let it echo the timeless proclamation of peace and goodwill to all who encounter its transformative narrative.
    Sacred Harmony - The Holy Family Nat..etta
  • “Saint Cecilia - Roman Virgin and Martyr - Painting by Dino Carbetta” …<br />
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Saint Cecilia, a revered Roman virgin martyr, holds a special place in the heart of the Catholic Church. She is recognized as the patroness of music and musicians. It is recounted that during her wedding, as musicians played, Cecilia "sang in her heart to the Lord." Her significance is marked by musical compositions dedicated to her, and on the 22nd of November, her feast becomes the inspiration for concerts and musical festivals. Also known as Cecilia of Rome, she is among the virgin martyrs commemorated by name in the Canon of the Mass in the Latin Church. The church of Santa Cecilia in Trastevere, established in the 3rd century by Pope Urban I, is believed to stand on the site where she once lived and ultimately met her fate. She was forced into marriage to a pagan nobleman named Valerian, despite her vow of virginity. During the wedding ceremony, Cecilia sat apart, singing to God in her heart, earning her the title of the patron saint of musicians. In a remarkable turn of events, Cecilia, true to her vow, informed Valerian that an angel of the Lord was watching over her. This angel, she proclaimed, would punish him for violating her purity but would bestow love upon him if he respected her commitment. To witness this angel, Valerian was directed to the third milestone on the Via Appia, where he underwent baptism by Pope Urban I. He beheld the angel standing beside her, adorning her with a crown of roses and lilies. Cecilia's martyrdom unfolds after that of her husband Valerian and his brother. Legend has it that, struck three times on the neck with a sword, Cecilia miraculously lived for three more days. In her final request to the pope, she asked for her home to be converted into a church. Saint Cecilia found her resting place in the Catacomb of Callixtus, later transferred to the Church of Santa Cecilia in Trastevere in 1599, her body incorrupt and appearing as if in peaceful slumber.
    Santa Cecilia - Vergine Romana e Mar..etta
  • “The Assumption of the Blessed Virgin Mary - Painting by Dino Carbetta” …<br />
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The Assumption of Mary is a profound belief cherished by the Catholic Church, one of the four Marian dogmas. In his apostolic constitution "Munificentissimus Deus," Pope Pius XII officially defined this dogma on 1 November 1950. It proclaims and reveals that the immaculate Mother of God, Mary ever virgin, at the end of her earthly life, was taken up, body and soul, into the heavenly glory by God Himself. This momentous declaration finds its roots in the 1854 dogma of the Immaculate Conception, affirming that Mary was conceived free from original sin, and both doctrines are grounded in the understanding of Mary as the Mother of God. "The Assumption of the Blessed Virgin Mary - Painting by Dino Carbetta," gracefully captures the essence of this belief, depicting Mary in "the light" of her glory. She exalts the greatness of the Lord and finds joy in God, her savior. Her life reflects the wonders God has bestowed upon her, and she humbly leads others to acknowledge God's holiness. Mary is portrayed as a lowly handmaid who deeply reverences her God, yet she has been exalted to the highest heights. From this position of strength and grace, she becomes a beacon of hope and compassion, assisting the lowly and the poor in finding justice on earth. At the same time, she challenges the rich and powerful to reconsider their attachment to wealth and power as sources of true happiness. Through the Assumption of Mary, we are reminded of the immense love and divine grace that God bestows upon His faithful followers. Mary's life journey is an inspiring example of faith, humility, and dedication, guiding us toward a deeper connection with God and a more compassionate outlook on the world around us. As we contemplate this dogma, let us embrace the awe and wonder it evokes and seek to emulate Mary's virtues in our lives.
    L'Assunzione della Beata Vergine Mar..etta
  • “Agony in the Garden – Painting by Dino Carbetta” …<br />
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The agony in the Garden of Gethsemane encompasses Holy Week in the life of Jesus. Occurring after the Last Supper, before his betrayal and arrest, all part of the Passion of Jesus leading to his crucifixion and death. This episode is described in the three Synoptic Gospels in the New Testament. According to these accounts, Jesus, accompanied by Peter, John, and James, enters the garden of Gethsemane on the Mount of Olives where he experiences great anguish and prays to be delivered from his impending suffering, while also accepting God's will. Immediately after the Last Supper, Jesus retreated to a garden to pray. Jesus was accompanied by three Apostles: Peter, John, and James, whom he asked to stay awake and pray. He moved "a stone's throw away" from them, where he felt overwhelming sadness and anguish, and said "My Father if it is possible, let this cup pass me by. Nevertheless, let it be as You, not I, would have it." Then, a little while later, he said, "If this cup cannot pass by, but I must drink it, Your will be done!" He said this prayer thrice, checking on the three apostles after each prayer and finding them asleep. He commented: "The spirit is willing, but the flesh is weak". An angel came from heaven to strengthen him. During his agony as he prayed, "His sweat was, as it were, great drops of blood falling upon the ground" (Luke 22:44). In Roman Catholic tradition, the Agony in the Garden is the first Sorrowful Mystery of the Rosary and the First Station of the Scriptural Way of The Cross Catholic tradition includes specific prayers and devotions as acts of reparation for the sufferings of Jesus during His Agony and Passion.
    Agonia Nell'Orto – Dipinto di Dino C..etta
  • “Third Sunday of Advent - Painting by Dino Carbetta” …<br />
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In the sacred tradition of Christianity, the Advent wreath serves as a poignant symbol, cradling the significance of the four Advent candles. These candles, flickering amid darkness, embody the arrival of Jesus as the illuminating light. A ritual unfolds as each candle is kindled every Sunday, a progression towards the culmination of all four candles blazing with radiant warmth. The increasing luminosity symbolizes the approaching Christmas, where the profound truth of Jesus' presence permeates our souls. A particular luminary moment occurs on the Third Advent Candle/Sunday, a celebration of joy known as "Gaudete Sunday." In the angelic proclamation in Luke 2:10-12, the narrative of good news and great joy unfolds. In the city of David, a Savior, the Messiah, is born—a sign for all, wrapped in swaddling clothing and cradled in a manger. This third candle, a manifestation of joy, beckons us into a deeper sense of anticipation and celebration. It invites us to relive the joyous spirit of the shepherds who, with eager hearts, embarked on a pilgrimage to witness the divine spectacle in Bethlehem. Even before the wise men, their anticipation was palpable, and on this Gaudete Sunday, we resonate with their jubilation. Affectionately known as the "Shepherd's Candle," the third luminary is adorned in the hue of joy—pink, a liturgical color that radiates with the vibrancy of celebration. As we approach the 17th of December 2023, the designated day for kindling this symbolic flame, let our hearts be aglow with the joyful anticipation reminiscent of the shepherds of old. In this rendition, I've reimagined and recreated the scene from my album of photographs, capturing the essence of the "Adoration of the Shepherds" at the Vatican Museums' Gallery of the Tapestries. May this artistic interpretation deepen the resonance of joy in your Advent journey, echoing the timeless narrative of hope, anticipation, and jubilation."
    Terza Domenica di Avvento - Dipinto ..etta
  • “The Gondoliers illuminated by the afternoon light along Rio De La Toletta Venice - Painting by Dino Carbetta” …<br />
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Our itinerary included Basilica, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. In the maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission in Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated from the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Le Gondoliera illuminate dalla luce ..etta
  • “The Hand of God Shines on the Cross in the Snow - Convent of the Cells of Cortona - Painting by Dino Carbetta”…<br />
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Gospel Jn 17:11-19 “Lifting up his eyes to heaven, Jesus prayed, saying: ‘Holy Father, keep them in your name that you have given me, so that they may be one just as we are one. When I was with them I protected them in your name that you gave me, and I guarded them, and none of them was lost except the son of destruction, in order that the Scripture might be fulfilled. But now I am coming to you. I speak this in the world so that they may share my joy completely. I gave them your word, and the world hated them, because they do not belong to the world any more than I belong to the world. I do not ask that you take them out of the world but that you keep them from the Evil One. They do not belong to the world any more than I belong to the world. Consecrate them in the truth. Your word is truth. As you sent me into the world, so I sent them into the world. And I consecrate myself for them, so that they also may be consecrated in truth.” In the realm of artistic serendipity, a premeditated error can unveil a spectacular image, as seen in the captivating interplay of sunlight. Casting its radiance through the window amidst a snowy tapestry of trees, the light graces the Cross with its presence. Here, it is not just the physical realm that is illuminated; it is the soul and the realm of imagination itself that basks in the divine glow. The Hand of God, subtly painted by the artist, breathes life into both canvas and spirit, transcending the boundaries of mere observation to illuminate the profound connection between art, spirituality, and the boundless landscapes of the human soul.
    La Mano di Dio Risplende sulla Croce..etta
  • ”Radiant Saint Teresa of Lisieux - the ‘Little Flower’ - Painting by Dino Carbetta”… <br />
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Saint Therese of Lisieux was a woman who discovered a deep source of God's love and an endless love for others. Despite facing many difficulties throughout her life, she remained calm and joyful. She once said, "I prefer the quiet sacrifices of everyday life to the most ecstatic experiences. Even picking up a pin out of love can change someone's life." Her simple message still resonates with millions of people today. Though she only lived for 24 years, Therese believed that her journey was just beginning in serving God, promising to bring goodness to the world from heaven. This promise, known as her "Shower of Roses," continues to flow through the Church. Therese, also known as the "Little Flower," was a Carmelite nun who lived a hidden life in the convent of Lisieux, France. Despite her seemingly uneventful life, she found redemption in quiet endurance and made suffering her mission. She entered the Carmel convent to "save souls and pray for priests," as she said. Pope Pius X called her "the greatest saint of modern times," and she was canonized in 1925. In 1997, Pope John Paul II named her a Doctor of the Church, making her the third woman to receive this honor. Even her parents were canonized in 2015. Though she was known as Therese of the Child Jesus and the Holy Face, she had a profound depth of spiritual maturity that earned her a place among the great spiritual leaders. Her autobiography, "The Story of a Soul," is cherished by many worldwide. As you gaze upon this radiant portrayal, you can't help but be drawn into the world of Saint Thérèse. Her gentle and humble spirit, symbolized by the 'Little Flower,' is radiantly captured in every brushstroke. The delicate colors and intricate details in the painting bring to life the warmth and devotion that characterized her life. Thank you for allowing me to share this poignant piece of art with you.
    Radiosa Santa Teresa di Lisieux - il..etta
  • “Orvieto ancient Etruscan walls and rain soaked hardscape overlook the local vineyards - Painting by Dino Carbetta”…<br />
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Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a big chunk of volcanic stone called tufa and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this clifftop village over 2000 years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliffside views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. The 14th Century Duomo was constructed to provide a home for the “Corporal of Bolsena”, a miracle that occurred in 1263 in the nearby town of Bolsena. A traveling priest who had doubts about the truth of transubstantiation found that his Host was bleeding so much that it stained the altar cloth. The cloth is now stored in the “Chapel of the Corporal” inside the cathedral. It’s amazing to turn the corner only to view, stop, and stare as the majestic Cathedral slowly rises to touch the heavens above.
    Orvieto antica mura etrusche e piogg..etta
  • Jesus of Nazareth – Sorrentino Fishing Boat – Marina Grande, Sorrento<br />
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In quaint Sorrento, near the Amalfi Coast, lies my heart’s gem—the Cathedral of Saints Philip and James. Father Peek led a cherished Mass at the majestic High Altar during our pilgrimage. Skipping Capri, I chose Marina Grande to commemorate this sacred day. I convinced my friend Patrick that the marina held a unique charm, perfect for reflecting on our journey. We arrived on a rainy Sunday afternoon. The bustling port wasn’t filled with tourists, but with spirited locals going about their day. Overcast skies hovered, but now and then the sun broke through, painting the heavens in soft, fleeting pastels. In that light, a solitary boat gently rocked at the mouth of the Piccolo Marina. On its stern, it bore the name: “Gesù di Nazareth.” A striking moment—graceful and profound. That name called to mind Saint Matthew’s Gospel, when Jesus, asleep in the boat amid a storm, rose and calmed the seas: “Then He arose and rebuked the winds and the sea, and there was a great calm.” (Matthew 8:26) The peaceful scene stirred another memory—the recent passing of my childhood friend Shannon, just a week earlier. The soft, radiant sky felt like a message... a trace of Heaven. In that moment, grief gave way to peace. It was as though Shannon’s spirit was near, in the hush between wind and wave. We returned to the marina that evening to capture the tranquil seascape before joining the pilgrimage group for dinner at my favorite restaurant, Zi’Ntonio Mare. Within Sorrento’s sacred stillness and Marina Grande’s beauty, I found both comfort and inspiration. The boat’s name remains etched in my heart, a living reminder that Christ is present—within the storm, beside the sea, and in every quiet farewell. This photograph is not just an image—it is a memory etched in stillness, a symbol of faith floating on gentle waters.
    Gesù di Nazareth - Peschereccio Sorr..ento
  • “Quiet evening view of Praiano from the cliffs of Positano”…<br />
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Visiting Positano, one cannot help but notice the diminutive town snuggled in the side of a cliff jutting out into the Mediterranean Sea seven miles south of Positano. The tiny village seemed to glow every evening with the last bit of sunlight raining down as Praiano extended its petals skyward. High above the cliffs, buildings are scattered about with just enough via and Strada to support the population of just over 2000. And, like most places in Italy, there is a church for about every 300 parishioners of its population. The most famous is the Church of San Luca Evangelista, famous for its splendid majolica floor, the Church of Santa Maria a Castro, and the Convent of San Domenico located in the high Campo valley with breathtaking views. The vista of Praiano facing northward toward Positano brightly displays a prominent gold-colored church with the traditional majolica tile dome named Parrocchia Di San Gennaro, one of the most beautiful churches on the Amalfi Coast. In addition to the maze of little lanes, narrow flights of steps, and pastel-colored cottages, one of the most characteristic features of Praiano is the majolica tiled votive shrines, which can be seen throughout the town. The shrines were constructed by the local families to both claim their ownership of a particular property and to obtain its divine protection. The town displays the most romantic sunsets on the Amalfi Coast with two beautiful beaches, Marina di Praia and Cala della Gavitella. The latter beach catches the sun from dawn until dusk and can be reached from the center of the town via a pathway interspersed with short flights of steps. From my vantage point for this image and many others, it mystically seemed as though the sun never set on the Bellissimo Villaggio molto piccolo of Praiano.
    Tranquilla vista serata di Praiano d..tano
  • “The ancient and the modern compete for a piece of heaven in Florence”…<br />
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Santa Maria del Fiore (also known simply as the Duomo) is the cathedral of Florence known for its distinctive Renaissance dome. Its name ("Saint Mary of the Flower") refers to the lily, the symbol of Florence. The impressive Gothic cathedral complex includes the Duomo, the famous baptistery, and a campanile. Built-in 1294 to be the largest Roman Catholic Church in the world, it is still the largest masonry dome in the world. Walking down the Strada, and turning the corner to view the massive Duomo painted against the sky was captivating. I stopped in my tracks and began taking photos; however, the huge Florence crowds prevented most images from ground level. This was one of the first images I photographed noticing the ancient architecture of the Duomo competing across the narrow Strada with the more modern buildings of Firenze as colorful evening skies danced above.
    L'antico e il moderno competere per ..enze
  • “Luminance of Christ - Sorrento Cathedral - Painting by Dino Carbetta”… <br />
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Transporting viewers to the heart of Sorrento, where the Cathedral of San Filippo and San Giacomo stands as a testament to spiritual devotion and architectural brilliance. Despite Sorrento's notoriety, not as a pilgrimage destination, the Duomo's roots trace back to the 11th century, with a notable reconstruction in the 15th century, boasting Romanesque grandeur. Stepping into this sacred space, one is enveloped by a solemn ambience. Devout elders engaged in novena prayers grace the pews, their reverence tangible. As I silently traversed the cathedral, its sacred aura embraced me. The ornate ceiling and towering pillars unveiled the Duomo's inner sanctum, while the adjacent bell tower stood as a silent sentinel of faith's enduring passage through time. However, it was the Crucifix above the Altar that captivated my gaze. Its vivid portrayal seemed to transcend the canvas, exuding divine presence. Illuminated by sunlight, the figure of Christ radiated an ethereal glow, every detail illuminated to reveal profound depths of meaning. In that sacred moment, I felt transported beyond earthly confines. With my lens, I aimed to preserve the interplay of light and shadow, showcasing the everlasting beauty of faith. This image, a cherished memento of my Italian sojourn, embodies the transformative power of art and devotion. As Galatians 2:20 echoes, "Yet I live, no longer I, but Christ lives in me," I found resonance. In the pursuit of artistic perfection, I encountered a deeper truth—that true perfection resides in the crucified one, whose boundless love and sacrifice redeem all. May this testament to faith inspire others on their journey of discovery and devotion, reminding them of the profound beauty found in the luminance of Christ. "Enveloped within this painting lies a poignant representation that captures and magnifies the profound essence of Christ's true meaning."
    Luminanza di Cristo - Cattedrale di ..etta
  • “Sun illuminates the cross through door of the Convent of cells Cortona”… <br />
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Known as Le Celle, this Franciscan hermitage is just five miles from Cortona at the foot of Mount Sant’ Egidio. In 1211, St. Francis along with a few of his followers built the first nine cells of the hermitage, and it has taken the name of Le Celle ever since. Inside the tiny cell belonging to St. Francis is a tiny window, the bed on which he slept, his desk, and a painting of the Madonna and Child where he prayed. The Hermitage invokes a peaceful atmosphere of spirituality and solitude, yet it is vibrant with religious life. Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. The convent is able to offer lodgings to those contemplating a vocational life. Just inside one of the doors to Le Celle, I noticed the sunlight shining delicately through the transom window gently illuminating the old wooden door and cross. This image epitomizes all the simplicities in which Saint Francis preached and lived. It represents his spartan structure with the rough-textured concrete walls, antique faded wooden door, the green trees in nature which he loved, and the mystic evening sun softening the aging appearance, and revealing his simple life of prayer and personal austerity.
    Sole croce illumina attraverso Porte..tona
  • “Crucifixion of the Triumphal Sacrifice - Holy Mass in the Cathedral of Sorrento”…<br />
<br />
Our 2019 Italy Pilgrimage with Spiritual Director: Fr. Kevin Peek offering Mass. “The Nicene Creed: I believe in one God, the Father almighty, maker of heaven and earth, of all things visible and invisible. I believe in one Lord Jesus Christ, the Only Begotten Son of God, born of the Father before all ages. God from God, Light from Light, true God from true God, begotten, not made, consubstantial with the Father; through him all things were made. For us men and for our salvation he came down from heaven, and by the Holy Spirit was incarnate of the Virgin Mary, and became man. For our sake he was crucified under Pontius Pilate, he suffered death and was buried, and rose again on the third day in accordance with the Scriptures. He ascended into heaven and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead and his kingdom will have no end. I believe in the Holy Spirit, the Lord, the giver of life, who proceeds from the Father and the Son, who with the Father and the Son is adored and glorified, who has spoken through the prophets. I believe in one, holy, catholic and apostolic Church. I confess one Baptism for the forgiveness of sins and I look forward to the resurrection of the dead and the life of the world to come. Amen”
    Crocifissione del Sacrificio Trionfa..ento
  • "The evening sun radiates over the hilltop of Cortona"... <br />
<br />
The ancient church of Santa Maria delle Grazie Calcinaio is resting on the hillside, presiding in a welcoming posture to all those strong enough to brave Cortona’s steep inclines. The Church was constructed between the years of 1485 and 1513. It is the architectural work of Francesco di Giorgio Martini who designed it after having been contacted by his friend and great artist Luca Signorelli. The Renaissance-style church built on a Latin cross plan with an elegant dome soars into the olive trees on the hillside above. It was the church of the guild of the shoemakers, who used their vats of lime for tanning leather, protected by an image of the Madonna painted by Bernardo Covatti, which is now displayed on the main altar of the church. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970. If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the Bellissimo Tuscan Sun.
    Il sera sole si irradia sopra la col..tona
  • “Mystic Reflections of Villa Borghese – Rome”…<br />
<br />
Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus.  Neglected over the centuries, it was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, the Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and gives time and rumination of the historical and religious world capital which is the ever Eternal City of Roma.
    Riflessioni Mistiche di Villa Borghe..Roma
  • “Pietà discovered on the wall of St. Andrew's Cathedral Amalfi”… <br />
<br />
On the last of three glorious days in Positano, I woke early to witness the sunrise over the village. However, around 10:00 am, the cold rains poured down, dampening the once magnificent sun. Undeterred, I decided to take a rain-soaked ferry down the coast to the charming seaside town of Amalfi. The Cattedrale di Sant'Andrea, also known as the Duomo di Amalfi, is usually teeming with tourists who have traveled for miles by bus or ferry. Yet, due to the dreary weather, many opted to stay away. A church has graced this spot in Amalfi since the year 596 AD, and remarkably, the ninth-century structure still stands proudly today. In the early 13th century, the present cathedral was built adjacent to the old one, serving as a final resting place for the revered St. Andrew the Apostle. Initially, the two buildings were joined to form a single, magnificent six-nave Romanesque cathedral. While exploring the cathedral, I discovered a fascinating piece of history. Portions of the newer walls have been carefully removed, revealing glimpses of the ancient original church. As I passed by one of these exposed walls on three separate occasions, I failed to notice anything extraordinary. It was only when I stepped back and gazed intently that the ancient Pieta gradually materialized before my eyes. The mystical beauty of this faded image left me astounded. Seizing the opportunity, I captured two photographs, intending to merge them into a panoramic view, fervently hoping that the essence of this miraculous vision would manifest. For over 1500 years, God has preserved this unique fresco, but its fading state suggests that it will soon vanish completely. I consider myself truly blessed to have beheld this extraordinary sight and fervently aspire to safeguard it for future generations.
    Pietà scoperto sul muro della Catted..alfi
  • "The brave little boat faces threatening skies during a dramatic sunset over Marina Grande Sorrento - Painting"...<br />
<br />
Our last day on the bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. Hallelujah, it was our first free day of the 2019 Pilgrimage and most were heading to Capri. I convinced my fellow Pilgrim Patrick that Marina Grande was the preferred location to commemorate this rain threatened day. Sunday afternoon in this tiny hallowed port on the Mediterranean was bustling, not with tourist, but with energetic and unassuming locals. The misty skies were vulnerable all day with the threat of rain, but the reluctant sun penetrated the clouds for a few fortuitous moments. God painted the skies for brief moments with luminous pastel elements of abstract color. A lonely boat gleamed in the late evening sun resting upon the silent waves. Saint Matthew’s account of Peter trying to walk on water came to mind: “Peter said to him in reply, ‘Lord, if it is you, command me to come to you on the water.” He said, “Come.” Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how [strong] the wind was he became frightened; and, beginning to sink, he cried out, “Lord, save me!” Immediately Jesus stretched out his hand and caught him, and said to him, “O you of little faith,* why did you doubt?” After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, “Truly, you are the Son of God.” (Matt: 14: 28-33) We left after lunch only to humbly return again capturing the evening seascape a few hours before our reservation with the entire Pilgrimage group for a perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare.
    La coraggiosa barchetta affronta min..tura
  • "A million faces of Jesus by Dino Carbetta - Spatola di metallo"...<br />
<br />
Daniel 10: 5-6 “As I looked up, I saw a man dressed in linen with a belt of fine gold around his waist. His body was like chrysolite, his face shone like lightning, his eyes were like fiery torches, his arms and feet looked like burnished bronze, and the sound of his voice was like the roar of a multitude.” Genesis 1:27 “God created mankind in his image; in the image of God he created them; male and female he created them.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. The blessed see God, not merely according to the measure of His likeness imperfectly reflected in creation, but they see Him as He is, after the manner of His own Being. 1 Corinthians 13:12 “At present, we are looking at a confused reflection in a mirror; then, we shall see face to face; now, I have only glimpses of knowledge; then, I shall recognize God as he has recognized me.”
    Un milione di volti di Gesù di Dino ..allo
  • "Sunlight illuminates the Crucifix - Sorrento Cathedral"…<br />
<br />
The Nicene Creed:<br />
I believe in one God, the Father almighty, maker of heaven and earth, of all things visible and invisible. I believe in one Lord Jesus Christ, the Only Begotten Son of God, born of the Father before all ages. God from God, Light from Light, true God from true God, begotten, not made, consubstantial with the Father; through him all things were made. For us men and for our salvation he came down from heaven, and by the Holy Spirit was incarnate of the Virgin Mary,<br />
and became man. For our sake he was crucified under Pontius Pilate, he suffered death and was buried, and rose again on the third day in accordance with the Scriptures. He ascended into heaven and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead and his kingdom will have no end. I believe in the Holy Spirit, the Lord, the giver of life, who proceeds from the Father and the Son, who with the Father and the Son is adored and glorified, who has spoken through the prophets. I believe in one, holy, catholic and apostolic Church. I confess one Baptism for the forgiveness of sins and I look forward to the resurrection of the dead and the life of the world to come. Amen
    La luce del sole illumina il Crocifi..ento
  • "Pentecost - The Basilica di Santa Maria Gloriosa dei Frari Venice"...<br />
<br />
Gospel Jn 20:19-23: On the evening of that first day of the week, when the doors were locked, where the disciples were, for fear of the Jews, Jesus came and stood in their midst and said to them, "Peace be with you." When he had said this, he showed them his hands and his side. The disciples rejoiced when they saw the Lord. Jesus said to them again, "Peace be with you. As the Father has sent me, so I send you." And when he had said this, he breathed on them and said to them, "Receive the Holy Spirit. Whose sins you forgive are forgiven them, and whose sins you retain are retained."
    Pentecoste - La Basilica di Santa Ma..ezia
  • "The oculus of the 2000 year-old Pantheon of Santa Maria"...<br />
<br />
The ancient Pantheon is still the world's largest unreinforced concrete dome.  Both the height and the diameter of the dome is exactly 142 feet.  The Romans were so far ahead of their time...just imagine the possibilities if the empire had survived. The Pantheon is now an active Catholic church known as Santa Maria Rotonda.  The ancient tradition of dropping rose petals from the open oculus happens at noon every Pentecostal Sunday during Mass.  The rose petals symbolize the descent of the Holy Spirit falling on the apostles and the faithful, and it dates back as early as 600 years after the birth of Christ.  Vigili del Fuoco (firefighters) of Rome, climb on top of the Pantheon’s dome, and drop thousands of rose petals as the choir chants the sequence of Veni Sancte Spiritus.
    L'oculo del Pantheon di 2000 anni di..aria
  • “The evening reflections at Villa Borghese – Rome”…<br />
<br />
I stumbled into photography just before graduation at the U of TN while volunteering at a local hospital where I was influenced to attend Brooks Institute.  The instructors preached the technical aspects of photography, and upon graduation…we could implement our own artistic vision.  As a commercial photographer since graduation, I have had little time to express my artistic vision…until I went to Italy for the first time, where I discovered my true love and passion!  I consider myself a “contemplative” photographer, and as such, I have a three-part process to achieve my final presentation for each image: the discovery, how I perceive the image creation, and how I hope others will perceive the image.  This artistic pursuit, I imagine, is similar to Michelangelo viewing a piece of marble for the first time.  Villa Borghese in Roma is a famous Gardens and Museum begun in the early 17th century, highlighted by a "Temple of Aesculapius” at the garden lake.  Surrounding this small lake is a three-foot iron fence, which I now affectionately call “Il lago di dolore”, or Lake Pain!  I tried to cross this iron fence with camera in hand and a 20lb bag on my shoulder…needless to say, it did not go well!  Despite the intense pain, I continued to take 60 images around the lake, and upon return home, I stubbornly refused to look at them until recently.  My disdain for Lake Pain kept me from discovering the true artistic vision I first saw when I began creating these images. I finally gave into the contempt I had for the Lake and began working on several images.  Perhaps, the viewer will perceive the great pain it took to finally engender a feeling of solace and peace in the true vision, and find that suffering eventually brought forth eminent beauty.  As for this photographer, Il lago di dolore will be a constant reminder that the creation of great art sometimes endures great pain!
    Le riflessioni della sera a Villa Bo..Roma
  • “Holy Door of the Church of Saint Agnes of Montepulciano"... <br />
<br />
St. Agnes of Montepulciano was born in 13th-century Tuscany. At the age of six, Agnes began trying to convince her parents to allow her to join a convent. She was finally admitted to the Dominican convent at Montepulciano at age nine. Agnes' reputation for holiness attracted other sisters, and she became an abbess at the unheard of age of 15. She insisted on greater austerities in the abbey. She lived on bread and water for 15 years, slept on the ground and used a stone for a pillow. It was said that she had visions of the Virgin Mary and that in her visions angels gave her Communion. Agnes also had a vision in which she was holding the infant Jesus. When she awoke from her trance, she was holding the small gold crucifix the infant Jesus was wearing. She died in 1317. Miracles have been reported at her tomb. When her body was moved to a church years after her death, it was found incorrupt. She was canonized in 1726. The saint’s shrine is located facing the 16th century ramparts of the Porta al Prato of Montepulciano. It opens into the lower part of the historical center and completed in 1306. The hill was chosen by the saint to build her church following visions of a stairway to heaven, it was originally occupied by brothels. Agnes purchased the land herself for 1,200 lire. The hill was transformed from a sinful location to a holy and reverent community. The church, monumental cloister, and its convent are now totally transformed and host the incorrupt body of Saint Agnes.
    Porta Santa della Chiesa di Sant'Agn..iano
  • Il Battistero Nella Basilica di Sant..Roma
  • “The glow of the Holy Cross in the ruins of the Colosseum”…<br />
<br />
The Colosseum is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque, stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.  It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.
    Il bagliore della Santa Croce tra le..sseo
  • "Sunrise from Hotel California - Positano"...<br />
<br />
After a solemn sunrise morning where I essentially had Positano all to myself and before my strenuous journey down and back up the mountainside, I found my perfect vantage point upon the veranda of my favorite hotel, Albergo California, where I spent photographing the sunset on the first evening in Positano.  Out of the corner of my eye I noticed the orange glow of the sunrise in one of the hotel’s windows and captured this reflective image. There was only one occasion that I was really able to pre-plan taking photos at sunrise and that was during the last day of three in Positano.  It takes much planning, logistics, and familiarity to figure the best locations and the proper angles and positions of the sun.  My third morning was ideal and fortuitous as it began raining about 10:00 am which gave me perfect clouds for sunrise, finally ending with a very cold wind just in time for sunset.  This image is one of the rare photos of a slumbering Positano in the dewing morning around 6:45 am at the end of May….the beginning of peak tourist season.  By 8:00 am, this tiny seaside village is bustling with tourists and shop owners, and restaurateurs trying to satisfy every need.  All in all, Positano was by far the plushest of all the locations I visited in Italy, and I was blessed to witness everything in full bloom.
    Alba da Albergo California - Positano
  • “A perfect evening overlooking the Colosseum”…<br />
<br />
A sunlit and pleasant view of the ancient and organic Colosseum.  The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  I created this image in the late evening as the guards ushered me out for closing time.
    Una serata perfetta che si affaccia ..sseo
  • “Ring side seat Colosseum”…<br />
<br />
A sunlit and pleasant view of the ancient and organic Colosseum.  The Colosseum, is an elliptical amphitheatre in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch lit "Way of the Cross" procession that starts in the area around the Colosseum.  The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition.  A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheatre, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck.   It is as grand in person as it appears in the media, and it seems to hold a very mystical aura.  Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past, but the forgiveness and sacrifice of its present stature.  I created this image in the late evening as the guards ushered me out for closing time.
    Sedile laterale anello Colosseo
  • "Front doors 26-28 along Via Roma Cortona"...<br />
<br />
Before embarking upon my one month journey in Italy, I prepared by walking, running, and exercising 3-4 hours a day to get in shape to hike the steep grades carrying a 25lb. camera bag over the strenuous terrain of the Italian countryside.  No amount of training prepared me for the hot and humid climate, mountainous landscape, and steep grades throughout the country of Italy, and the extremely grueling le strade in Cortona.  This image was created on one of the main streets of Cortona with gradients reaching about 15% or more.  This image is not distorted as Italian architects are famous for overcoming difficulties or seemingly impossible tasks. Here is an example of three front doorways along perhaps one of the steepest town streets I have ever encountered.  I actually had to stand sideways to create this photograph to level out the image. Thanks be to God for the amazing beauty of the flowers, which give hope to the weary and exhausted climbers into the tiny town center.  "From a high Tuscan hill, fifty miles from Florence between Arezzo and Perugia, rises the equally ancient and noble city of Cortona. Before the city lays a vast and beautiful plain, it is flanked on either side by distant hills and valleys while behind it are towering yet fruitful mountains. Cortona has a picturesque aspect, quite a bit longer than wide, turned towards the midday sun.”… 17th century quote.  A part from its artistic beauty, Cortona is a very important tourist destination because of its privileged geographical location. One can easily visit many interesting towns, which have appeal from a cultural and artistic point of view, like Florence, Siena, Perugia, Pienza, Montepulciano, Montalcino, Lake Trasimeno, Arezzo, Assisi, Gubbio, Orvieto, Spoleto and many others.
    Porte Anteriori 26-28 lungo Via Roma..tona
  • "High Privileged Altar - Church of Our Lady of the Assumption Positano"...<br />
<br />
The history of the Church of Our Lady of the Assumption is closely linked to the Benedictine monastery of St. Mary, which, according to tradition, was built when a Byzantine icon of the Virgin was brought to Positano and venerated thereafter. The Icon belonged to a cargo ship from the East, and offshore of Positano the ship was stopped by a dead calm sea. After unsuccessful attempts to continue sailing, the sailors heard a voice saying “Posa Posa”, meaning, “Put me down, put me down!” (Origin of the name “Positano”). The captain thought this miracle meant that the Virgin wanted to stop there and decided to head for shore. At that point…the ship began to sail again. The sailors disembarked the icon and gave it to the inhabitants of Positano, who chose the Virgin as their patron and built a church in her honor. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious and architectural landscape. Strategically located in the center of town with the backdrop of the azzurro Mediterranean Sea, the church’s colorful majolica tiled cupola is one of the town’s iconic symbols. I found this Crucifix inside a small chapel of the ancient church which was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this beautiful seaside village.
    Altare Alto Privilegiato - Chiesa di..tano
  • "The angels observe from above the Monumental Church of San Michele Arcangelo Anacapri"...<br />
<br />
On the third morning in Sorrento, I departed on a high speed Ferry to the island of Capri.  Although promoting high-speed, it still took over an hour to arrive at the very crowded Island.  Capri is located off the coast of Naples and there must be a new Ferry full of tourists arriving every 20 minutes throughout the day.  Famous for its Blue Grotto, which I did not venture to this trip, Capri is a picturesque Mediterranean retreat with high cliffs and ancient Roman villas. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri.  I was standing closest to the door on the right side of the bus during the assent up the mountainside.  All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top.  Anacapri is a historic mountaintop town with commanding views of Capri and the sea below.  This 4 image panorama was taken from the tiny balcony above the diminutive Church of St Michael the Archangel in Anacapri, located on Piazza San Nicola. The church was built in 1719, with an octagonal shape and of Baroque style. The church received a "monument" designation due to its notable majolica floor mosaic of creation with Adam and Eve. One must traverse the sacred tile floor on benches around the edges to protect the imagery.
    Gli angeli osservano dall'alto la Ch..apri
  • "The sun sets behind the Church of San Giacomo Maggiore - Orvieto"...<br />
<br />
Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a big chunk of volcanic stone called tufa, and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this cliff top village over 2000 years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliffside views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. A hospice for the poor and traveling pilgrims was established on this location in 1187 and the site eventually developed into a civic hospital.  Pope Clement IV gave permission for the erection of a chapel and cemetery in 1266.  Eventually the church finally closed in 2000, when the new Ospedale di Santa  Maria della Stella opened at nearby Ciconia.
    Il sole tramonta dietro la Chiesa di..ieto
  • “Convent of the Cells - Founded by St. Francis in Cortona”…<br />
<br />
In the year 1211, St. Francis along with a few of his followers built the first nine cells of the now Franciscan Hermitage, and it has taken the name of Le Celle ever since. Originally, only a few small hermit’s cottages and peasant dwellings existed, including a small chapel that had been built during the Lombard invasions and dedicated to the Archangel Michael.  This is believed to be the place where, in May 1226, four months before his death, St. Francis dictated his Will. Following the death of Saint Francis that same year, Brother Elias of Cortona who was among the first to join St. Francis of Assisi in his newly founded Order of Friars Minor, withdrew permanently to the Le Celle Hermitage.  In 1239, Elias carried out a number of improvements and restoration works which ensured the hermitage became a permanent Franciscan property. Brother Elias is in fact considered responsible for having broken up the stone of the caves and created a chapel that was formerly used as a dormitory by the monks, and the small cell where St. Francis lived. The walls built under leadership of Brother Elias are rough but solid; the hermitage contains eight small rooms large enough for a bed, table and a chair – the essential furnishings prescribed by St. Francis himself for a Franciscan hermitage, where the prime importance was to lead a life given over to contemplation.  Currently, the hermitage is inhabited by seven friars who continue to practice the teachings of St. Francis.  I found Le Celle to be one of the pleasant surprises in and around Cortona.  The tiny cells built into the side of the mountain with a stream descending along the structural edge, creates a surreal and picturesque vision of Saint Francis’ image of God and nature.
    Convento delle Celle - Fondato da Sa..tona
  • “Convent of Cells - Founded by St. Francis - Cortona”…<br />
<br />
St. Francis came to Cortona to preach in 1211, and here at the foot of Mount Sant’Egidio found the solitude he was looking for. A young nobleman who went on to become the Blessed Guido, one of his first followers, offered him the place as a prayer retreat. From that moment St. Francis and his followers stayed in this isolated spot on the way to and from Assisi and other places where they were preaching. There was no hermitage in St. Francis’s time, however, and the saint slept on the bare rock. After he died in 1226, the first stone “cells” were built and a small oratory. What we see today is the result of the XVI century construction work. Le Celle stood abandoned until 1537 when it was granted by the Bishop of Cortona to the recently founded Third Order of Franciscans, known as the Capuchins. The hermitage was considerably enlarged by the Capuchins, who in 1634 erected a new chapel to take the place of a more ancient one. This new chapel was consecrated to St Anthony of Padua and reflects the Capuchins simple, unpretentious architectural and decorative style. I found Le Celle to be one of the pleasant surprises in and around Cortona. The tiny cells built into the side of the mountain with a stream descending along the structural edge creates a surreal and picturesque vision of Saint Francis’ image of God and nature. Imagine the spiritual solitude as Saint Francis would take hermitage here for days of ecstatic meditation with only a loaf of bread, listening to his beloved waterfall beneath a small window.
    Convento Delle Celle - Fondato da Sa..tona
  • “Dusk falls on Hotel California in Positano”…<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal.  After circling around the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image.  The climb down the winding road and steep staircases made for quite a workout in the hot late May sun.  Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large amount of tourists and bright sun did not allow for ideal conditions.  Walking the length of the beach, I found a very, very steep staircase leading straight up to a large veranda at the Albergo California.  Taking an exhaustive seat on a plush lounge chair with a perfect view to watch the sunset behind the Amalfi Cliffs, I was taken back by a pleasant Italian (Positano) waiter from the hotel offering a towel, ice water, and drinks for the evening.  I expressed that I was not staying at the hotel, but he didn’t seem to mind and proceeded to educate me on the culture of this historic resort village.  After a brief rest, I wandered around taking full advantage of Albergo California’s 180 degrees of the perfect seaside vistas.
    Crepuscolo cade in Albergo Californi..tano
  • “The steep slope and patriotic houses of Cortona”…<br />
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Entering Cortona, one realizes the charm and charisma of this hilltop village.  With its steep streets, ruined Etruscan and Roman walls, narrow alleys, and medieval buildings, Cortona maintains ancient origins and has remained uniquely unchanged today.  Before embarking upon my one month journey in Italy, I prepared by walking, running, and exercising 3-4 hours a day to get in shape to hike the steep grades carrying a 25lb. camera bag over the strenuous terrain of the Italian countryside.  No amount of training prepared me for the hot and humid climate, mountainous landscape, and steep grades throughout the country of Italy, and the extremely grueling le strade in Cortona.  The tiny walled town of Cortona was probably not the most fortified with large amounts of photogenic attractions within its ramparts, but professed to be the perfect central Tuscany location. Cortona was perhaps the most quaint and charming of towns during my Italian journey, and I was surprised to see the University of Georgia has maintained a campus there since 1970.  If one has the legs and heart to traverse the steep grades of this ancient Tuscan village, Cortona offers great rewards and blessings under the bellissimo Tuscan Sun.  The warm ambiance of Cortona, in contrast with its grueling hills…one may find colorful, delicate, and enduring beauty.
    La ripida pendenza e le case patriot..tona
  • “My dream my way - Isle of Capri”…<br />
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On the third morning in Sorrento, I departed on a high speed Ferry to the island of Capri.  Although promoting high-speed, it still took over an hour to arrive at the very crowded Island.  Capri is located off the coast of Naples and there must be a new Ferry full of tourists arriving every 20 minutes throughout the day.  Famous for its Blue Grotto, which I did not venture to this trip, Capri is a picturesque Mediterranean retreat with high cliffs and ancient Roman villas. The highlight of my visit was the small and very crowded bus ride along the cliffs edge to Anacapri.  I was standing closest to the door on the right side of the bus during the assent up the mountainside.  All I could see was the rocky shore below and with every leaning left turn, prayed desperately I would make it to the top.  Anacapri is a historic mountaintop town with commanding views of Capri and the sea below.  This image was taken in the Bay of Capri along the bustling seaside, where antique wooden excursion boats awaited their passengers.
    Il mio sogno la mia strada - Isola d..apri
  • “Sunset view from the Grand Hotel Italy – Orvieto”…<br />
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At the peak of its economic power and political stability, towards the end of the 13th century, the Comune of Orvieto decided to move its civic buildings to the restored Palazzo Communal, and to build the Palazzo del Popolo, La Torre del Moro, and the Duomo di Orvieto.  The tower has maintained many functions including water storage for “the city on the cliff.”  The Duomo is an Italian, ornate architectural masterpiece.  The facade is one of the most famous in the world and looks like something seen at Disney World.  Constructed under the orders of Pope Urban IV to commemorate and provide a suitable home for the Corporal of Bolsena, a miracle which is said to have occurred in 1263 in the nearby town of Bolsena. A traveling priest who had doubts about the truth of transubstantiation found that his Host was bleeding so much that it stained the altar cloth. The cloth is now stored in the Chapel of the Corporal inside the cathedral.  This evening image was photographed from my rooftop terrace at the Grand Hotel Italia.
    Tramonto vista panoramica dal Grand ..ieto
  • “The Holy Family: Divine Grace – Painting by Dino Carbetta” ...<br />
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Amid the tranquil account of Luke 2:8-14, shepherds keep watch over their flock beneath the quiet canopy of night. Suddenly, the angel of the Lord appears, illuminated by divine brilliance, casting awe and reverence upon the humble scene. Amid the shepherds' fear, the angel's voice rings out: "Fear not," proclaiming joyful news for all people. The city of David becomes the stage for a momentous announcement—a Savior, the Messiah, is born. A sign is given: a child wrapped in swaddling clothes and lying in a manger, an image of humility that heralds the profound accessibility of salvation to all, regardless of status or station.  Heavenly hosts then join the angel in a celestial symphony of praise, their proclamation resounding: "Glory to God in the highest, and on earth peace to those on whom his favor rests." This chorus transcends time and space, enveloping not only the shepherds but all creation, affirming the boundless reach of divine grace. This painting encapsulates the sacred essence of that moment, centering on the Holy Family. The tender image of the infant Jesus, swaddled and resting in a manger, conveys the profound humility of the Savior's birth. The artwork's intricate details and symbols invite viewers to reflect on salvation as a universal message of hope and peace that transcends human division. Far more than a depiction of a historical event, the painting serves as a visual homily, drawing observers into a contemplative space where the sacred narrative becomes personal and eternal. Each meticulous brushstroke breathes life into the scene, transforming the stable into a symbol of profound truths. Within its simplicity lies an eternal message: the birth of Christ signifies hope, peace, and redemption for all humanity. May this artwork inspire and uplift all who gaze upon it. May its beauty echo goodwill and peace, guiding hearts to embrace divine grace and love.
    The Holy Family Divine Grace – Paint..etta
  • "The First Light of Dawn - Fishing Along the Ligurian Coast - A Painting by Dino Carbetta" ...<br />
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Step into the timeless beauty of the Italian Riviera, where nature, history, and faith converge in a stunning reflection of Italy's coastal charm. This painting transports viewers to a serene moment at dawn, capturing a young Italian boy fishing with his dog on the Ligurian coast as the first light of the day bathes the scene in a warm, golden glow. In the background, an ancient church stands as a steadfast sentinel, its weathered stones embodying the resilience and faith of the Ligurian people, who have lived in harmony with the sea for centuries. With its stone façade and bell tower, the church symbolizes continuity, enduring through time and the Mediterranean's waves. As the soft morning light washes over it, every detail of the church’s architecture is illuminated, bringing forth a sense of reverence and peace. The surrounding landscape, lush with rolling hills and framed by the sparkling sea, enhances the scene’s tranquil beauty, inviting viewers into a world where nature and faith are inseparably woven together. As dawn breaks, the painting beautifully encapsulates the stunning allure of the Ligurian coast while also conveying its profound spiritual essence. The calm waters and radiant sky, the ancient church and the boy's quiet fishing all evoke a sense of stillness and reflection, inviting viewers to pause and absorb the deeper meaning behind the scene. The Italian Riviera, a blend of past and present, is more than a destination; it's a pilgrimage and a testament to the enduring bond between humanity, nature, and faith. This work offers a glimpse into the soul of the Ligurian coast, where history whispers through the hills, and the divine presence is felt in every ray of the rising sun. Here, the essence of life unfolds in simple yet profound moments, reminding us of the beauty found in everyday rituals and the sacred connections that define our existence.
    Le Prime Luci Dell'Alba - Pesca Lung..etta
  • "Mystical Padre Pio – Painting by Dino Carbetta"...<br />
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Padre Pio emerged from humble beginnings, born into a farming family in the heart of southern Italy. His father journeyed to New York to provide for them. At 15, Francesco joined the Capuchin order, taking the name Pio. In 1910, he was ordained a priest, but his ministry was interrupted by World War I, during which he was drafted. Due to tuberculosis, he was honorably discharged, and in 1917, he found his spiritual home at the friary in San Giovanni Rotondo. In that place, he experienced receiving the sacred stigmata, which mirrored the wounds of Christ's Passion. This significant moment was immortalized in this painting of Padre Pio. The saint's reputation spread quickly, drawing multitudes to his confessional, where he spent up to 10 hours a day in spiritual counsel and absolution. Many testified to miraculous healings and spiritual transformations through his intercession, as Padre Pio seemed to possess an extraordinary ability to read souls. His life was one of deep prayer, intense devotion, and severe austerity. His letters reveal the profound spiritual and physical suffering he endured, all in communion with God and in deep love for the Blessed Eucharist and the Virgin Mary. During his canonization in 2002, Pope Saint John Paul II reflected, "The Gospel image of the 'yoke' evokes the many trials that the humble Capuchin endured. Today, we contemplate in him how sweet is the 'yoke' of Christ and how light the burdens become when carried with faithful love. Padre Pio’s life teaches us that when accepted with love, suffering transforms into a privileged path to holiness, leading to a greater good known only to the Lord." This spiritual depth, enduring sanctity, and the profound mystery of his stigmata are beautifully captured in this painting of the mystical Padre Pio, a tribute to the saint's life and legacy.
    Padre Pio Mistico – Dipinto di Dino ..etta
  • “The Beautiful Full Moon Illuminates and Inspires Emotion in the Bay of the Ligurian Coast - Painting by Dino Carbetta” ...<br />
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Nestled in the Liguria region, the Italian Riviera is a breathtaking coastal stretch where nature, history, and culture harmoniously intertwine. Spanning from Ventimiglia, near the French Riviera, to the enchanting Gulf of Poets north of Tuscany, this region is a treasure trove of stunning landscapes and architectural marvels. You'll discover captivating seaside villages and luxurious resort towns along the coast, such as Sanremo, Portofino, and the renowned Cinque Terre. These destinations offer stunning scenery and a seamless blend of history and modernity. Italy's coastal towns, adorned with a Catholic church, are dotted along the peninsula, serving as beacons of faith, hope, and comfort. The church, strategically located atop each town, stands as a lighthouse and a maternal figure, protecting all who seek its embrace. The painting captures this essence, portraying an ancient church and bell tower standing resilient against the timeless waves of the Mediterranean Sea. The church symbolizes the enduring spirit of the Ligurian people, with the “stained glass Jesus” blessing those along the bay, deeply intertwined with the sea for centuries. As dusk falls, the painting shows a priest enjoying the serene bay, his faithful dog frolicking at the water's edge. The soft glow of the blue Mediterranean moon casts a mesmerizing light on the church's façade, while lush green hills and the sparkling sea frame the scene. The painting invites viewers to step into a world where time slows down, allowing the whispers of history to resonate. The Italian Riviera is not just a destination; it is a place of pilgrimage, an abundant source of inspiration, and a testament to the enduring connection between humanity and the divine. This artwork captures the physical beauty and spiritual essence of the Ligurian Riviera, offering a profound glimpse into its soul.
    La Bellissima Luna Piena Illumina ed..etta
  • “Family Time on the Ligurian Riviera - Painting by Dino Carbetta” ...<br />
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The Italian Riviera, a breathtaking coastline in the Liguria region, embodies a perfect fusion of natural beauty, rich history, and vibrant culture. Stretching from Ventimiglia near the French border to the poetic Gulf of Poets near Tuscany, this region is a mosaic of scenic splendor and architectural marvels. Enchanting seaside villages and resort towns such as Sanremo, Portofino, and the famed Cinque Terre dot the landscape, each serving as a portal to an experience where the past and present intertwine. This enchanting setting forms the backdrop for the painting "Family Time on the Ligurian Riviera." The painting enthusiastically captures the region's profound beauty with red flowers and moored sailboats, while celebrating the timeless bond of family. Against the stunning Mediterranean backdrop, a family is depicted sharing moments of joy and connection, transcending mere visual representation to resonate deeply with the universal experience of familial love and unity. As dusk falls, the play of light and shadow brings the scene to life. The blue Mediterranean moon casts gentle highlights on the faces of the family members, their expressions filled with contentment and peace. The surrounding landscape, with its verdant hills and sparkling sea, frames this intimate scene in a natural embrace, enhancing the sense of harmony and togetherness. "Family Time on the Ligurian Riviera" invites viewers to step into a world where time slows down, where the whispers of history can be heard in the rustling leaves and the distant cries of seabirds. The painting is more than a depiction of a beautiful landscape; it is a testament to the enduring connection between humanity, nature, and the divine. Through this work, the painting captures the physical beauty of the Ligurian Riviera and its spiritual essence, offering viewers a glimpse into the soul of this enchanting region.
    Tempo in Famiglia Sulla Riviera Ligu..etta
  • “Saint Catherine of Siena Bearing the Sacred Stigmata - Painting by Dino Carbetta” ...<br />
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Captures the essence of a remarkable life devoted to Christ. Born on March 25, 1347, Catherine Benincasa embraced a profound commitment: surrendering to her Lord. From her early years as the 23rd child of Jacopo and Lapa Benincasa, Catherine displayed remarkable intelligence, cheerfulness, and intense religious devotion. Rejecting societal pressures, Catherine boldly cut her hair in protest against superficial expectations to attract a husband, earning her room for solitary prayer and reflection. At 18, she entered the Dominican Third Order, dedicating three years to seclusion, prayer, and austerity. Yet, her contemplative life attracted followers from diverse backgrounds, drawn to her unwavering faith and spiritual insight. Despite opposition and slander, Catherine fearlessly engaged with the world, advocating for spiritual growth and addressing public affairs through her letters. Her influence grew, marked by her holiness, Dominican affiliation, and profound impact on Pope Gregory XI. In tumultuous times marked by the Great Schism, Catherine remained steadfast, advocating for unity within the Church and tirelessly promoting peace. Her final years were spent in Rome, fervently praying for Pope Urban VI and the Church's unity. Declared co-patron of Italy in 1461, Catherine's spiritual legacy endures alongside Francis of Assisi. Named a Doctor of the Church in 1970, her teachings, encapsulated in "The Dialogue," transcend time, inviting us to pursue holiness as a lifelong endeavor. Catherine's unwavering pursuit of holiness resonates despite the stark differences between her era and ours. Her mystical experiences and ascetic practices may seem distant, yet her recognition of holiness as a lifelong journey remains relevant in our rapidly changing world. Catherine's devotion to Christ compels us to seek the divine presence in our lives as we journey through Christianity.
    Santa Caterina da Siena Recante le S..etta
  • “The Annunciation of the Lord – Painting by Dino Carbetta”...<br />
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Captures the profound moment described in the Gospel of Luke 1:26-38. In this sacred scene, the angel Gabriel, a messenger of God, appears to Mary in the humble town of Nazareth. The painting imbued with reverence and spiritual depth, portrays the angel's words to Mary: "Hail, full of grace! The Lord is with you." Mary's initial perplexity and trepidation, depicted with delicate brushstrokes, reflect the gravity of the divine message she receives. As Gabriel reassures her, Mary's acceptance of God's will becomes pivotal in salvation history. Through the artful use of color and light, the painting conveys the ethereal presence of the Holy Spirit, symbolized by the radiant glow enveloping Mary. This art captures the essence of Mary's surrender and trust in God's plan with profound insight. Mary's response, "Behold, I am the handmaid of the Lord. May it be done to me according to your word," is depicted with humility and reverence, inspiring viewers to contemplate the depth of her faith and obedience. The scripture remains the foundation for this artistic interpretation. The painting expressively communicates the timeless message of God's unfathomable love and the transformative power of faith. Viewers are invited to ponder the mystery of the Incarnation and Mary's extraordinary role in God's divine plan as they gaze upon this magnum opus. Through "The Annunciation of the Lord," The artist invites us to encounter the sacred through art, offering a profound visual meditation on the words of Scripture. In a world often filled with noise and distractions, this painting serves as a beacon of spiritual contemplation, guiding us to embrace God's will with the same courage and trust exemplified by the Blessed Virgin Mary. “Then the angel said to her, “Do not be afraid, Mary, for you have found favor with God. Behold, you will conceive in your womb and bear a son, and you shall name him Jesus.”
    L’Annunciazione del Signore – Dipint..etta
  • “Van Gogh Style of Café Terrace at Night in Rome Italy - Painting by Dino Carbetta”…<br />
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Paying homage to the genius of Vincent van Gogh while seamlessly blending it with the captivating allure of Rome. In this winsome rendition, I endeavor to channel van Gogh's distinctive style, characterized by bold brushwork, vibrant colors, and expressive forms, to evoke the dynamic atmosphere of Rome's bustling energy. With each brushstroke, trying to transport viewers to the heart of Rome, the soft glow of streetlights and the moon illuminate the scene, casting a spell of warmth and intimacy. The Café Terrace, a focal point of van Gogh's original masterpiece, invites viewers to imagine themselves amidst the lively conversations and laughter of patrons enjoying their evening in the Eternal City. Through meticulous mindfulness, capturing the essence of van Gogh's vision, infusing it with the unique charm and vitality of Rome. The result is a captivating tableau that not only celebrates van Gogh's artistic legacy but also offers a fresh perspective on the timeless charisma of Rome. This imitation of van Gogh’s use of color and form is on full display, "The artistic recreation captures the vibrant energy of the Roman skyline, while also showcasing its rich religious history." Each brush stroke is imbued with a sense of awe and vitality, breathing life into the canvas and inviting viewers to immerse themselves in the rich history of Roman life. From the cobblestone streets to the bustling café terrace, rendered with precision and care, creating a sense of depth and immersion uniquely van Gogh. Gazing upon this artistic interpretation, one is transported on a journey through time and space, where the artistic genius of van Gogh converges with the eternal beauty of Rome. Let's appreciate the enchanting beauty of art and its connection to life. Café Terrace at Night in Rome, Italy reminds us of art's power to unite us in a shared experience of beauty and wonder.
    Stile Van Gogh Della Terrazza Di Un ..etta
  • “Saint Thomas Aquinas - The Great Philosopher – Painting by Dino Carbetta” ... <br />
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Born in 1225 in the county of Aquino, situated in the Kingdom of Sicily, Aquinas emerged as a prominent figure in philosophy and theology. He was an Italian Dominican friar, priest, philosopher, theologian, and jurist whose legacy of intellect continues to endure. Aquinas's significant contributions center around natural theology and the establishment of Thomism, a school of thought aiming to harmonize theology and philosophy. He believed that God was the wellspring of both natural reason and faith, striving to meld Aristotelian philosophy with Christian principles. His profound impact is evident in works like the unfinished Summa Theologica and the Summa contra Gentiles, as well as commentaries on Christian Scripture and Aristotle, all shaping medieval philosophy. He is accredited as "the most influential thinker of the medieval period" and "the greatest of the medieval philosopher-theologians." Aquinas, a devout Catholic, enriched the liturgy of the Catholic Church with enduring Eucharistic hymns. Thomas Aquinas began his intellectual journey when he joined the Benedictine monastery at Monte Cassino when he was only five. He was later given titles such as Doctor Angelicus ("Angelic Doctor") and Doctor Communis. Further studies in Naples in 1239 deepened his connection to Aristotle's philosophy. The painting divinely captures the essence of Saint Thomas Aquinas. This inspirational figure's emphasis on the unity of faith and reason, revelation, and human knowledge resonates with those seeking knowledge and spiritual truth. Aquinas's enduring insights and this youthful artistic representation converge to present a profound reflection on the legacy of this great philosopher, whose wisdom remains pertinent and inspiring in our contemporary world.
    San Tommaso d'Aquino - Il Grande Fil..etta
  • “Virgin Mary and Newborn Jesus in Bethlehem - Painting by Dino Carbetta”…<br />
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In the Gospel of Luke (1:46-55), Mary praises the Lord and rejoices in the birth of her son. These words have resonated throughout history, reminding us of Mary's humility, faith, and grace that God has bestowed upon her. This painting captures the tender bond between mother and child and tells the story of Mary's acknowledgement of her humility, she exudes quiet strength and grace and God's enduring mercy through generations. The imagery conveys the power of God's arm, the humbling of the proud, and the exaltation of the lowly. The painting then transitions to a reflection on the imminent arrival of the Savior and the mystery of the Incarnation. The narration delves into the theological significance, emphasizing the divine condescension as God's only begotten Son descends upon Earth. This sacred union with humanity, conceived by the Holy Ghost in a virgin, is described eloquently, emphasizing Christ's dual nature—God with us, yet sharing in our humanity without sin. And Christ’s willingness to share in our human experiences—poverty, prayer, suffering, and guilt. The narrative unfolds, outlining Christ's continuous presence throughout various phases of life, from the cross to Holy Communion, daily Mass, and tabernacles, culminating in the promise of His eternal presence in heaven. The profound journey through the artwork concludes with a powerful call to prayer for the sanctity of life, inspired by Pope Saint John Paul II's Evangelium Vitae. The urgency for a global prayer resonates as an impassioned plea to God, the Creator and lover of life, urging communities, groups, families, and believers to unite in fervent prayer. This expansive portrayal transcends its visual realm, becoming a vessel for profound reflections on faith, the Incarnation, the sanctity of life, and a collective call to prayer—a testament to the enduring power of art to inspire and elevate the human spirit.
    Vergine Maria e Gesù Neonato a Betle..etta
  • "Sanctuary of Innocence - Mother Mary's Gentle Embrace Amidst the Holy Innocents -  Palette Knife Rendering by Dino Carbetta"<br />
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The Feast of the Holy Innocents solemnly commemorates a tragic event wherein innocent children were brutally slaughtered, becoming the early church's first martyrs and emphasizing the sanctity of human life. Evolving from a day of solemn religious contemplation, it has blossomed into a festive celebration, particularly cherished in Roman Catholic countries. The Flight into Egypt, the Second Sorrow in the Story of the Holy Innocents, swiftly unfolds as Joseph heeds a divine warning delivered through a dream. Fleeing from Herod's sinister intent to annihilate the newborn Christ, Joseph and Mary embark on a perilous journey, grappling with uncertainties and fears. Despite Mary's apprehensions about the desert wilderness, her unwavering trust in God's providence shines through. The couple's decision to uproot their lives to shield the infant Jesus highlights their profound commitment to protecting the sacred life within their family. Noteworthy is the deference to the authority of Saint Joseph, even though Mary is Immaculately Conceived and Jesus is the Word made flesh. Herod, a politically astute and brutal ruler, reacts with paranoia to the news of the newborn king, deceptively feigning homage while plotting the massacre of Bethlehem's male children under two years old. Beyond the historical significance, the Holy Innocents' massacre serves as a poignant reminder of ongoing challenges to the sanctity of life, drawing parallels to contemporary issues like genocide and abortion. Each human life, graced by Jesus' death and resurrection, is a precious treasure destined for eternity. This narrative invites reflection on life's profound value, resonating with the inspirational message that each soul, touched by the divine, holds immeasurable significance in the grandeur of existence. Mother Mary's comforting embrace envelops the innocent children.
    Sanctuary of Innocence - Mother Mary..etta
  • “Crimson Crucifixion in the Chapel of the Church of Santa Maria Assunta in Positano - Painting by Dino Carbetta”…<br />
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Amidst the breathtaking landscapes of the Amalfi Coast, my journey led me to the enchanting village of Positano. The drive along the high cliffs, winding down the narrow lane from Sorrento, was nothing short of exhilarating. The sensory overload of Positano's beauty and its photogenic allure left me captivated. Navigating the village's single lane, which winds down from the top and back up to where it began, presented a unique challenge. After circling the entire village three times, I finally reached the parking garage by the hotel, positioned about 2/3rds up the facing village in the captivating image before you. The descent down the winding road and steep staircases, though strenuous in the late May sun, became a memorable part of the adventure. Upon reaching the beach and marina, any exhaustion I felt dissipated in the face of Positano's plush beauty. Despite the challenges posed by the multitude of tourists and the intense sunlight, I endeavored to capture the essence of this coastal haven. As I traversed the beach and shoreline, the late afternoon sunlight, piercing through the mountaintop, blinded me momentarily. It was during this encounter with the radiant glow that the Church of Santa Maria Assunta emerged before me. Positioned strategically in the heart of the town, with the Azzurro Mediterranean Sea as its backdrop, the church's colorful majolica tiled cupola stands as an iconic symbol of Positano. Delving into the ancient roots of this sacred place, I discovered a hidden gem within the church—a Crucifix housed in a small chapel. Dating back to 1159, this chapel was dedicated to the Blessed Virgin Mary. It is here that Santa Maria, with her blessed and watchful eye, continues to oversee Positano, welcoming all to this seaside paradise.
    Cremisi Crocifissione nella cappella..etta
  • “Blessed Carlo Acutis - Painting by Dino Carbetta” …<br />
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Born in London and raised in Milan, had a remarkable spiritual journey that serves as an inspiration to many. Carlo's deep faith blossomed early, marked by his first communion at age seven. He became a devoted communicant, praying before the Tabernacle before and after Mass. Carlo looked up to saints like Francis of Assisi, Bernadette Soubirous, Jacinta and Francisco Marto, and Dominic Savio, drawing inspiration from their lives. He displayed compassion at school, comforting friends in times of parental divorce and defending disabled students from bullies. Beyond his studies, Carlo volunteered to help the homeless, embracing the call to serve those in need. He enjoyed simple pleasures like films, comics, soccer, and video games. He combined his love for technology with faith, dedicating four years to creating a website cataloguing Eucharistic miracles worldwide. Carlo's life took a challenging turn with a Leukemia diagnosis, but he offered his suffering to God for the intentions of Pope Benedict XVI and the Church. Sadly, his dream of visiting Eucharistic miracle sites was cut short by his illness. Carlo passed away in 2006 and was beatified in 2020, with his final resting place in Assisi. Carlo's beatification in Assisi's Basilica of St. Francis was attended by many of his childhood friends, highlighting his ability to use technology to spread the Gospel and foster friendship with the Lord. Carlo Acutis did not seek fame; instead, he sought to cooperate generously with God's grace. His journey, though brief, was marked by an unwavering desire to serve God and others selflessly. The artist's portrayal of Carlo in front of the Basilica of Saint Francis of Assisi captures the essence of this remarkable young man, whose life continues to inspire and guide us on our spiritual journeys. His liturgical feast is celebrated on October 12th, reminding us of the profound impact of a life lived in faith and service.
    Beato Carlo Acutis - Dipinto di Dino..etta
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