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  • “Angel with the Cross - Ponte Sant'Angelo – Rome”… <br />
<br />
This image was actualized just after sundown when the sky developed a beautiful blue hue, accenting the golden lighting of the Angels on the Bridge. The Bridge of Angels (in Italian, Ponte Sant'Angelo) spans the Tiber River in Rome. Only a few steps away from St. Peter's Basilica, the bridge reflects the psychological shift from secular to sacred that occurs when pilgrims crossed from the busy streets of Rome over to the churches of the Vatican. Gian Lorenzo Bernini, the famed Italian sculptor, originally designed the bridge's angel sculptures in the seventeenth century. Though few of the angels standing today were done by his hand, Bernini's vision for the bridge lives on. Five angel sculptures flank each side of the bridge, with statues of Saint Peter and Saint Paul on the eastern bank. At the base of each sculpture is a line from the Bible in Latin. Angel with the Cross - Inscription: "Cuius principatus super humerum eius" Translation: Dominion rests on his shoulders (Isaiah 9:6)
    Angelo con la Croce sul Ponte Sant'A..Roma
  • “Angel with the Cross - Ponte Sant'Angelo - Celebration - Painting by Dino Carbetta”…<br />
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“O thus be it ever when freemen shall stand Between their lov'd home and the war's desolation! Blest with vict'ry and peace may the heav'n rescued land Praise the power that hath made and preserv'd us a nation! Then conquer we must, when our cause it is just, And this be our motto - "In God is our trust," And the star-spangled banner in triumph shall wave O'er the land of the free and the home of the brave.” “The Star-Spangled Banner – Final Verse.”<br />
The Bridge of Angels (in Italian, Ponte Sant'Angelo) spans the Tiber River in Rome. Only a few steps away from St. Peter's Basilica, the bridge reflects the psychological shift from secular to sacred that occurs when pilgrims crossed from the busy streets of Rome over to the churches of the Vatican. Gian Lorenzo Bernini, the famed Italian sculptor, originally designed the bridge's angel sculptures in the seventeenth century. Though few of the angels standing today were done by his hand, Bernini's vision for the bridge lives on. Five angel sculptures flank each side of the bridge, with statues of Saint Peter and Saint Paul on the eastern bank. At the base of each sculpture is a line from the Bible in Latin. Angel with the Cross - Inscription: "Cuius principatus super humerum eius" Translation: Dominion rests on his shoulders (Isaiah 9:6)
    Angelo con la Croce - Ponte Sant'Ang..etta
  • “Angel with the Cross - Ponte Sant'Angelo – Rome”… <br />
<br />
This image was also created just after sundown when the sky developed a beautiful blue hue, accenting the golden lighting of the Angels on the Bridge. The Bridge of Angels (in Italian, Ponte Sant'Angelo) spans the Tiber River in Rome. Only a few steps away from St. Peter's Basilica, the bridge reflects the psychological shift from secular to sacred that occurs when pilgrims crossed from the busy streets of Rome over to the churches of the Vatican. Gian Lorenzo Bernini, the famed Italian sculptor, originally designed the bridge's angel sculptures in the seventeenth century. Though few of the angels standing today were done by his hand, Bernini's vision for the bridge lives on. Five angel sculptures flank each side of the bridge, with statues of Saint Peter and Saint Paul on the eastern bank. At the base of each sculpture is a line from the Bible in Latin. Angel with the Cross - Inscription: "Cuius principatus super humerum eius" Translation: Dominion rests on his shoulders (Isaiah 9:6)
    Angelo con la Croce - Ponte Sant'Ang..Roma
  • “Angels of Passion guard Castel Sant'Angelo”…<br />
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This image was captured just after sundown when the sky developed a beautiful blue hue, accenting the golden lighting of the Castel and Angels on the Bridge.  Castel Sant'Angelo and Sant'Angelo Bridge was built in A.D. 139 as a mausoleum for the Roman Emperor Hadrian, and this Castel was transformed into a fortress by the popes during the 14th century.  The Romans built the first bridge in front of the Castel in A.D. 134 as access to the majestic mausoleum.  In A.D. 590, a black plague epidemic decimated the city and an angel appeared on the Castel roof and put his sword back in its scabbard, indicating the end of the epidemic. Afterward, a chapel was built on the roof of the Castel to commemorate this miracle with Saint Michael majestically standing guard above the Castel and Bridge. In 1667, the artist Bernini was in charge of renovating the bridge and he decided to open the parapet and to add eight statues of angels, symbolizing Christ's passion in memory of the miracle that saved the city from the devastating black plague.
    Angeli della Passione guardia Castel..gelo
  • "View of the Vatican at twilight from Ponte Sant'Angelo"...
    Vista del Vaticano al crepuscolo da ..gelo
  • “Michael the Archangel of Castel Sant'Angelo Rome - Painting by Dino Carbetta”…<br />
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In 1224, two years before his death, Saint Francis of Assisi felt drawn to Mount La Verna and set out with a few of his closest brothers to spend a period of prayer and fasting on the mountain. Saint Bonaventure records in his biography; “when according to unto his won't he began to keep a Lent there, fasting, in honor of St. Michael Archangel, he was filled unto overflowing, and as never before, with the sweetness of heavenly contemplation.” Saint Francis to his brothers; “My sons, we are drawing nigh to our forty days’ fast of St. Michael the Archangel; and I firmly believe that it is the will of God that we keep this fast in the mountain of Alvernia, the which by Divine dispensation hath been made ready for us, to the end that we may, through penance, merit from Christ the consolation of consecrating that blessed mountain to the honor and glory of God and His glorious Mother, the Virgin Mary, and of the holy angels.” It was during this fast that St. Francis received the stigmata, the holy wounds of Jesus Christ. Francis’ experience reminds us of the importance of fasting and spending time alone with God. These practices shouldn’t be reserved for the 40 days of Lent before Easter, but are applicable throughout the calendar year. We are always invited to draw closer to God, and St. Michael the Archangel is a powerful intercessor who stands ready to defeat our spiritual enemies so that we can embrace the freedom that is found in Jesus Christ.
    Michele Arcangelo di Castel Sant'Ang..etta
  • “Baldachin Golden Angel Candelabra - Santa Maria Maggiore in Rome”…<br />
<br />
On our Pilgrimage of 2019, the second morning in Roma began with Mass at the Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. This was my second visit to this perfect Bellissimo Basilica where I found familiar faces and comfort in this exquisite sanctuary. The spiritual treasures found here are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. I could not find the artist who sculpted this lifelike larger than life gold angel, but his expression welcomes all to the blessings of God and His Church. Pope Benedict XVI, speaking about Pope John Paul II of suffering and his love of the Holy Mother; “in that last Easter Sunday of his life, the Holy Father, marked by suffering, came once more to the window of the Apostolic Palace and one last time gave his blessing Urbi et Orbi (‘to the city and to the world’). “We can be sure that our beloved pope is standing today at the window of the Father’s house, that sees us and blesses us. Yes, bless us, Holy Father. We entrust your dear soul to the Mother of God, your Mother, who guided you each day and who will guide you now to the glory of her Son, our Lord Jesus Christ. Amen.”
    Baldacchino oro Angelo Candelabra - ..Roma
  • “Cortona World War II monument of an angel lifting a fallen soldier to heaven - Painting by Dino Carbetta”…<br />
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A small park located just inside the ancient walled entrance of Cortona contains this statue of a saintly angel lifting a soldier to heaven. The statue was high above the ground with the pristine evening sky creating a luminous, dramatic backdrop. A very touching tribute for all countries with blessings to all who served and their families who endured a loss. ”God of power and mercy, you destroy war and put down earthly pride. Banish violence from our midst and wipe away our tears, which we may all deserve to be called your sons and daughters. Keep in your mercy those men and women who have died in the cause of freedom and bring them safely into your kingdom of justice and peace. We ask this through Jesus Christ our Lord.” Amen.
    Cortona monumento alla seconda guerr..etta
  • "Guardian Angel Helps to Illuminate the Altar of the Minor Basilica of San Lorenzo in Lucina Rome - Painting by Dino Carbetta"<br />
<br />
After a profound spiritual experience during Mass at St. Peter's Basilica and an awe-inspiring tour of the Vatican, my friend and fellow pilgrim, Patrick, and I found ourselves uplifted during our lunchtime conversation. We set our sights on the enchanting Piazza del Popolo, with the renowned Caravaggio paintings housed in the Basilica of Santa Maria del Popolo calling to us. On my previous attempts, these masterpieces, "Crucifixion of Peter" and "Conversion of Saint Paul," seemed elusive, always obscured by a security guard who would promptly close the chapel door and turn off the lights. However, this time, luck was on our side. As we approached the Basilica, we discovered it undergoing reconstruction. Once inside, we were met with darkness and disarray, making locating the chapel challenging. Suddenly, a ray of light pierced through the shadows, revealing the Caravaggio paintings steps away and we swiftly captured the moment with our cameras. Alas, our euphoria was short-lived as a mysterious guard promptly turned off the lights again. Despite the fleeting encounter, we left the Basilica with our hearts racing from the exhilarating experience. Immersing ourselves further in the atmosphere of Rome, we stumbled upon the picturesque neighborhood of Lucina and settled into a charming bistro for an aperitivo. To our delight, the ancient Basilica of St. Lawrence, dating back to 366 AD, stood adjacent to our table, beckoning us to explore its history and beauty. Stepping into the Basilica, a brilliant stream of sunlight bathed a majestic angel statue with a heavenly glow, leaving me startled by its ethereal beauty, reminded me of life's preciousness, and how moments of disappointment lead to profound understanding and respite. The angel appeared to reach out, touching the hand of Christ conveying a message of illumination and enlightenment.
    Angelo custode aiuta a illuminare l'..etta
  • "Guardian angel helps to illuminate the altar of the Minor Basilica of San Lorenzo in Lucina - Rome"... <br />
<br />
Artistic, meaningful, and profound, this is a personal favorite from my 2019 Pilgrimage to Italy. After a spiritual Mass at St. Peters Basilica and an intense tour of the Vatican, lunchtime with my friend and pilgrim, Patrick, proved inspirational. Forgoing the Coliseum, we aimed for Piazza del Popolo. Our eyes were on the famous Caravaggio paintings located in the Basilica of Santa Maria del Popolo. The “Crucifixion of Peter” and the “Conversion of Saint Paul” were found to be elusive on my previous visit. The security guard blocked the doorway and turned off the lights to the small chapel inside the Basilica every time I came near. We found the Basilica under reconstruction, waiting for an opening, then rushed inside to find darkness and disarray everywhere. Finally, finding the dark chapel, our eyes could not focus enough to discover the paintings. Suddenly, the light arose and the Caravaggio’s were an arm’s length away. We expeditiously actuated our cameras and euphorically clicked away. Just as hastily, a mysterious guard clicked off the lights. Waltzing out in an adrenalin rush having stood so close to the priceless paintings… we decided to take on the bustling Roma. We stumbled into a Bellissimo neighborhood called Lucina and settled at a bistro for an aperitivo. The ancient Basilica of St. Lawrence built in 366 AD, was adjacent to our table and required a visit. As I walked in, I was startled by the brilliant sunlight coming through the window directly upon the majestic angel. The vision reminded me of our precious life and how disappointment sometimes leads to great respite and understanding. The Angel was reaching out touching the hand of Christ becoming illuminated. I know the same happened on this very day for a couple of wide-eyed exploring Pilgrims who metaphorically reached out and were blessed by an uncharacteristic joy and an unexpected grace.
    Angelo custode aiuta a illuminare l'..Roma
  • "Habakkuk and the Angel (Bernini) - Basilica of Santa Maria del Popolo Chigi Chapel"...
    Habakkuk e l'Angelo (Bernini) - Basi..apel
  • "The little bored angel - Santa Maria del Popolo Rome"...<br />
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Not far from my hotel in Roma resides a fairly nondescript exterior of The Basilica of Santa Maria del Popolo. Encompassed  within its sacred walls is a variety of art work unequaled in the world. The Basilica is comprised of great works by many of the preeminent artists, such as Raphael, Gian Lorenzo Bernini, Caravaggio, Alessandro Algardi, Pinturicchio, Andrea Bregno, Guillaume de Marcillat and Donato Bramante.  “Cappella Cybo” is the second side chapel in the right-hand aisle of the Basilica which is famous for the beauty of its paintings, the preciousness of marble revetments covering its bellissimo walls, and the renowned importance of the artists involved in its construction. The chapel is regarded as one of the most significant sacral monuments erected in Rome in the last quarter of the 17th century.  I knew in advance of the great Caravaggio paintings, especially the “Crucifixion of Peter”; however, I was not prepared for the security guard blocking the doorway and turning off the light to the small chapel inside the Basilica every time I came near.  The guard courageously kept a watchful eye on everyone with a camera in order to protect the integrity of the very famous artwork. I edged to the back, peered around the corner with a telephoto lens and prevailed with a few pictures from a distance of the famous paintings just for my viewing pleasure.  However, as I returned home and upon making a close inspection of the pictures, it was not the Caravaggios I had coveted, but an imposter.  The guard blocked the shallow entrance and within a few steps inside, to the right and left ...the Caravaggios hid from view, as if to tell me to try yet another day. However, another consolation was this tired angel, who seemed less than empathetic with my situation.
    Il piccolo angelo annoiato - Santa M..Roma
  • “Angel of God, My Guardian Dear - Painting by Dino Carbetta” …<br />
<br />
Pope Pius VI granted a valuable gift—a partial indulgence for those with contrite hearts and devotion, reciting the Guardian Angel prayer: "Angel of God, my guardian dear, To whom his love commits me here, Ever this day be at my side, To light and guard, to rule and guide. Amen." The Catholic Church's celebration of the Memorial of the Holy Guardian Angels on October 2 has deep historical roots. Catholics began honoring guardian angels as far back as the 4th century, and local celebrations date to the 11th century, influenced by ancient Jewish traditions. Monastic devotion elevated their significance, with the Franciscan order officially observing the feast in 1500. Pope Paul V added it to the General Roman Calendar in 1607, complementing the Feast of St. Michael on September 29. Pius VI also granted a plenary indulgence for those who recited the prayer morning and evening throughout the year on this feast, subject to customary conditions. Pope John XXIII emphasized the role of guardian angels in protecting humanity, and Josemaría Escrivá founded Opus Dei on October 2, 1928, seeing it as a sign of divine protection. The Feast of the Holy Guardian Angels symbolizes the enduring tradition of angelic devotion in the Catholic Church, representing divine protection and guidance. My artwork, "Angel of God, My Guardian Dear," depicts a guardian angel's unwavering presence, offering divine light, solace, and God's love in both joyful and trying moments. It serves as a reminder that guardian angels accompany us, providing guidance, protection, and reassurance on our earthly journey, connecting humanity to the spiritual realm.
    Angelo Di Dio, Mio Custode Caro - Di..etta
  • “Guardian Angel - Patriarchal Cathedral Basilica of St. Mark Venice”…<br />
<br />
St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace.  St. Mark’s Square and the Basilica are the central tourist focal points, and most crowded of Venice.  The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD.  After a long wait in line to enter the Basilica (with no photos allowed), the interior was quite unique.  As I headed for the exit, I noticed a very steep staircase and followed it upward.  I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica.  At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica.  The horses date to Greece in the 4th century BC, and were eventually displayed at the Hippodrome in Constantinople until Venice sacked them in 1204 AD; also, Napoleon forcibly took them to Paris.  In 1815, the now almost 2500 year old horses made it safely back to Venice.  They are very much worth viewing, and if you stare for a moment…they come to life.  I eventually made my way for a prominent view atop the tiny rooftop terrace in the front of the Basilica, which mesmerized with commanding views of St. Mark’s Square and adjacent Doge’s Palace.  This knowledgeable and finally crafted saintly angel stood atop the nearest column adjacent to the rooftop, a close-up view not often seen.
    Angelo custode - Basilica Cattedrale..ezia
  • "Guardian Angel Expression - Basilica Patriarchal Cathedral of San Marcò"...<br />
<br />
St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace.  St. Mark’s Square and the Basilica are the central tourist focal points, and most crowded of Venice.  The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD.  After a long wait in line to enter the Basilica (with no photos allowed), the interior was quite unique.  As I headed for the exit, I noticed a very steep staircase and followed it upward.  I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica.  At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica.  The horses date to Greece in the 4th century BC, and were eventually displayed at the Hippodrome in Constantinople until Venice sacked them in 1204 AD; also, Napoleon forcibly took them to Paris.  In 1815, the now almost 2500 year old horses made it safely back to Venice.  They are very much worth viewing, and if you stare for a moment…they come to life.  I eventually made my way for a prominent view atop the tiny rooftop terrace in the front of the Basilica, which mesmerized with commanding views of St. Mark’s Square and adjacent Doge’s Palace.  This knowledgeable and finally crafted saintly angel stood atop the nearest column adjacent to the rooftop, a close-up view not often seen.
    Angelo Custode espressione - Basilic..arcò
  • “Guardian Angel - Patriarchal Cathedral Basilica of St. Mark”…<br />
<br />
St. Mark's Basilica (Basilica di San Marco) is the most famous of the many churches of Venice, and the world, and a fine example of Byzantine architecture. Located just off the Grand Canal, the majestic Basilica overlooks the Piazza San Marco (St. Mark's Square) and adjoins the Doge's Palace.  St. Mark’s Square and the Basilica are the central tourist focal points and most crowded of Venice.  The relics of the Biblical Gospel author, Saint Mark, has resided in the Basilica since 828 AD.  After a long wait in line to enter the Basilica (with no photos allowed), the interior was quite unique.  As I headed for the exit, I noticed a very steep staircase and followed it upward.  I was met at the top by a security guard charging to see the small Museum and visit the rooftop of the Basilica.  At the museum, I did take a few secret photos of the very famous original four horses which are duplicated in front of the Basilica.  The horses date to Greece in the 4th century BC, and were eventually displayed at the Hippodrome in Constantinople until Venice sacked them in 1204 AD; also, Napoleon forcibly took them to Paris.  In 1815, the now almost 2500 year old horses made it safely back to Venice.  They are very much worth viewing, and if you stare for a moment…they come to life.  I eventually made my way for a prominent view atop the tiny rooftop terrace in the front of the Basilica, which mesmerized with commanding views of St. Mark’s Square and adjacent Doge’s Palace.  This knowledgeable and finally crafted saintly angel stood atop the nearest column adjacent to the rooftop, a close-up view not often seen.
    Angelo Custode - Basilica Cattedral..arcò
  • “Angel Candelabra illuminates the way to the altar - Siena Cathedral”…<br />
<br />
The Duomo in Siena lies in a piazza above the Piazza del Campo, a great Gothic building filled with treasures by Pisano, Donatello, Bernini, and Michelangelo as well as frescoes by Pinturicchio. Originally completed in 1263, the 14th century inspired an ambitious attempt to transform the cathedral into the largest temple in all of Christendom, which would dwarf even St. Peter's in Rome. The already-large Duomo would form just the transept of this huge cathedral.  In 1348, the Black Death swept through the city and killed 4/5 of Siena's population. The giant cathedral was never completed, and the half-finished walls of the New Cathedral survive as a monument to Siena's ambition and one-time wealth.  The magnificent complex of the Cathedral of Siena houses a series of some of the most important monuments of the European artistic panorama. One will travel along a memorable itinerary to the discovery of self and the truth of faith through culture and art, the result of more than a millennium of Western history.  If I was asked to choose only one place that represented the great history of art, architecture, culture, and faith in all of Italy…one would be hard pressed to find a more complete portfolio than the Cathedral of Siena.  I found myself awe-inspired just walking up and facing the elegant façade, striped walls and pillars, and massive size.  Upon entering into the nave, one is overwhelmed with a plethora of artistic expression and great beauty placed in every available space.  From its dome, stained glass, frescos, sculptures, and to what is said to be the most magnificent marble floor in history…it is worth every minute.  This image is one of Domenico Beccafumi’s eight Angels on the pillars near the high altar- just one of the small and elegant details of this great Duomo.
    Angelo Candelabra illumina strada pe..iena
  • 🌹The Resurrection of the Lord - Painting by Dino Carbetta<br />
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🌹(Gospel Jn 20:1-9)  “On the first day of the week, Mary of Magdala came to the tomb early in the morning, while it was still dark, and saw the stone removed from the tomb. So she ran and went to Simon Peter and to the other disciple whom Jesus loved, and told them, “They have taken the Lord from the tomb, and we don’t know where they put him.” So Peter and the other disciple went out and came to the tomb. They both ran, but the other disciple ran faster than Peter and arrived at the tomb first; he bent down and saw the burial cloths there, but did not go in. When Simon Peter arrived after him, he went into the tomb and saw the burial cloths there, and the cloth that had covered his head, not with the burial cloths but rolled up in a separate place. Then the other disciple also went in, the one who had arrived at the tomb first, and he saw and believed. For they did not yet understand the Scripture that he had to rise from the dead.” (Mark 16:19-20) “So then the Lord Jesus, after he spoke to them, was taken up into heaven and took his seat at the right hand of God. But they went forth and preached everywhere, while the Lord worked with them and confirmed the word through accompanying signs.)
    La Resurrezione del Signore - Dipint..etta
  • "Madonna embracing the Rosary - Santa Maria dei Miracoli Rome - Painting by Dino Carbetta"... <br />
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Our Lady of the Rosary feast was instituted to honor Mary for the Christian victory over the Turks at Lepanto on October 7, 1571. Pope St. Pius V and all Christians had prayed the Rosary for victory. The Rosary, or the Psalter of the Blessed Virgin Mary, is one of the best prayers to Mary, the Mother of God. Lepanto, perhaps the most complete victory ever gained over the Ottoman Empire, on October 7, 1571, is commemorated by the invocation "Help of Christians," inserted in the Litany of Loretto. At Belgrade, the Turks were defeated on the Feast of Our Lady ad Nives in 1716. A second victory gained that year on the Octave of the Assumption determined Pope Clement XI to command the Feast of the Rosary to be celebrated by the universal Church. Leo XIII added the invocation "Queen of the Most Holy Rosary, pray for us," to the Litany of Loretto. The Feast is in reality a great festival of thanksgiving for the signal and countless benefits bestowed on Christendom through the Rosary of our blessed Queen. In modern times successive popes have urged the faithful to pray the Rosary. It is a form of contemplative prayer, mental and vocal prayer, which brings down God’s blessing on the Church. It is a biblically inspired prayer that is centered on meditation on the salvific mysteries of Christ in union with Mary, who was so closely associated with her Son in his redeeming activity.
    Madonna Che Abbraccia Il Rosario - S..etta
  • "Crucifix of the Basilica Sacristy inside the Patriarchal Cathedral of San Marco Venice"... <br />
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“God of hope and mercy, we lift up to you all victims of natural disasters and those responding with assistance and aid. Protect all who are in any form of danger; provide practical help to those in need; strengthen the weary, console the grieving, heal the suffering; and bless those engaged in disaster relief efforts with safety and courage. Help all people of good will respond with compassion and generous hearts. Amen.”<br />
The last day of our Pilgrimage of 2019 was spent in Venice. Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass offered by our Father Peek. Our last Mass of 2 weeks of travel throughout Italy could not have ended in a more appropriate location. My first visit to Venice was in 2012 like all tourists, I waited in line at St. Marks Basilica and was rushed through with limitations. The crowds and speed in which they pushed us through was quite underwhelming. Our Pilgrimage of 2019 reserved a special appointment for Mass in the Basilica’s main Sacristy. I photographed each Mass, but I made sure when arriving in the area of this picture, which is the final prayer and preparation for each Priest offering Mass anywhere in the Basilica. The main focus is the Crucifix in front of a kneeler, and various last minute preparation for Divine Liturgy. I was not allowed further images on the rest of the tour of St. Marks, but the intensive back-room maze we were lead to and from our destination gave me the spiritual, historical, and reverent image in my heart and soul that I so desired from this magnificent structure and its contents. I was quite overwhelmed with the ancient beauty, and the fact St. Mark watches over his earthly home with a Fatherly Spirit. To me, Venice is intoxicating and a place of passion, and it all begins at the Cathedral of St. Marks.
    Crocifisso Sagrestia della Basilica ..ezia
  • “The prophet Isaiah at the base of the Column of the Immaculate Conception – Rome”…<br />
<br />
The column is situated next to the Piazza di Spagna in the adjacent Piazza Mignanelli in front of the Spanish Embassy in Rome near the Palace of the Propagation of the Faith. It was realized by the architect Luigi Poletti and inaugurated in 1857 on the 8th December thanks to the work of 220 firemen. The work is dedicated to the dogma of the Immaculate Conception that was proclaimed by Pope Pius IX, in 1854, with the Apostolic Constitution Ineffabilis Deus. This dogma states that Mary is the only human being who was born without original sin. The statues are the work of Giuseppi Obici. On the base of the column are 4 bronze statues of Moses, David, the prophet Ezekiel and Isaiah. Below each statue is a verse from the Sacred Scriptures that refers to the dogma of the Immaculate Conception. Below this statue of Isaiah, we find the verse: “Therefore the Lord himself will give you this sign: the virgin shall be with child, and bear a son, and shall name him Immanuel.” (Is 7:14)  Each year, on the 8th of December the Church celebrates the solemnity of the Immaculate Conception. In the afternoon the Holy Father visits the Piazza di Spagna to place roses as an act of homage to Our Lady, at the statue of the Virgin. These roses indicate the love and devotion of the Pope, the Church and the people of the city of Rome for the Virgin Mary. With these roses, the desire is to depose each of anxiety and place hope at the foot of the celestial Mother of the Redeemer. The late afternoon sun was shining directly on the Prophet Isaiah’s pen in anticipation of his divinatory words.
    Il profeta Isaia alla base della Col..Roma
  • “The evening sun illuminates the Angels guarding the Papal Archbasilica of San Giovanni in Laterano – Rome”…<br />
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A familiar grandeur and ambiance welcomed us to Roma on the first evening Mass of our 2019 Pilgrimage. As the evening sun descended through the windows above the grand hallways where Priest of many languages offered Confession during the daytime, I took advantage of the opportunity with an Italian Priest speaking in his native language...a great blessing! Dedicated to St. John the Baptist and St. John the Evangelist, the Basilica of St. John Lateran is the first among the four major basilicas of Rome. It is also the Cathedral of the Bishop of Rome, the Pope, and is thus known as the "Cathedral of Rome and of the World." Built by Constantine the Great in the 4th century, San Giovanni in Laterano was the first Christian/Catholic church erected in Rome. The present structure of the Basilica resembles Saint Peter's Basilica, and the ancient church was residence of the Papacy until the (1377) return from exile in Avignon and permanent relocation to the Vatican. Many Popes were responsible for repair and additions to the Basilica’s overall splendor and importance throughout the last 1700 years. This image was inspired upon noticing dozens of tiny cherub angels holding up the archways of a long and narrow hallway leading to a sacred and Holy Door of the Archbasilica. Each angel is unique and has a different face and expression. One cannot help being overcome with humility observing the veneration of the Basilica’s Piccoli Angeli protecting all the wondrous souls within.
    Il sole della sera illumina gli Ange..Roma
  • “First Sunday of Advent - Painting by Dino Carbetta” …<br />
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“Lord our God, we praise you for your Son, Jesus Christ: He is Emmanuel, the hope of the peoples, He is the wisdom that teaches and guides us, He is the Savior of every nation. Lord God, let your blessing come upon us as we light the candles of this wreath. May the wreath and its light be a sign of Christ’s promise to bring us salvation. May He come quickly and not delay. We ask this through Christ our Lord. Amen.” (First Advent Candle/Sunday: Hope) “Once in our world, a stable had something in it that was bigger than our whole world.” – C.S. Lewis It is only fitting that the first candle on the Advent wreath represents Hope – the first Sunday of Advent not only leads us to anticipate the birth of Christ but celebrate the beginning of a new liturgical season as well. The first candle is purple, the primary color of Advent and a color symbolizing royalty. Sometimes called the “Prophecy Candle,” the first candle harkens us back to Isaiah’s foretelling of the birth of Christ and all of the promises God gave us in the Old Testament that would be fulfilled by the birth of Jesus. This Advent, light the first candle on Sunday, November 27, 2022. (The Four Advent Candles) As a Christian tradition, the wreath holds the four Advent candles. The candles represent Jesus coming as the light in the darkness. One candle is lit each Sunday until all four candles are lit. As Christmas draws nearer, each candle brings a slightly greater light into the darkness. The four candles of Advent represent the four Sundays of Advent, and they respectively symbolize hope, peace, joy, and love. In some homes and parishes, people will also light the fifth candle on Christmas Eve or Christmas Day to represent the birth of Jesus; this candle, when added to the Advent wreath, is typically white and larger than the other candles and is placed in the center of the wreath.
    Prima Domenica di Avvento - Dipinto ..etta
  • “A million faces of Jesus by Dino Carbetta – Incandescent”…<br />
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Gospel Jn 20:1-9 On the first day of the week, Mary of Magdala came to the tomb early in the morning, while it was still dark, and saw the stone removed from the tomb. So she ran and went to Simon Peter and to the other disciple whom Jesus loved, and told them, “They have taken the Lord from the tomb, and we don’t know where they put him.” So Peter and the other disciple went out and came to the tomb. They both ran, but the other disciple ran faster than Peter and arrived at the tomb first; he bent down and saw the burial cloths there, but did not go in. When Simon Peter arrived after him, he went into the tomb and saw the burial cloths there, and the cloth that had covered his head, not with the burial cloths but rolled up in a separate place. Then the other disciple also went in, the one who had arrived at the tomb first,and he saw and believed. For they did not yet understand the Scripture that he had to rise from the dead.
    Un milione di volti di Gesù di Dino ..cent
  • “Orvieto ancient Etruscan walls and rain soaked hardscape overlook the local vineyards - Painting by Dino Carbetta”…<br />
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Orvieto is one of the most striking, memorable, and enjoyable hill towns in central Italy. Less than 90 minutes from Rome, Orvieto sits majestically high above the valley floor atop a big chunk of volcanic stone called tufa and overlooking cypress-dotted Umbrian plains and vineyards. The ancient city rewards one with a peaceful and historical stroll back in time to the days of the Etruscans, who built this clifftop village over 2000 years ago for protection from their enemies. The ancient Etruscan wall still stands today presenting colorful cliffside views, and protecting the famous Duomo di Orvieto, the Palazzo del Popolo, and other antique treasures. The 14th Century Duomo was constructed to provide a home for the “Corporal of Bolsena”, a miracle that occurred in 1263 in the nearby town of Bolsena. A traveling priest who had doubts about the truth of transubstantiation found that his Host was bleeding so much that it stained the altar cloth. The cloth is now stored in the “Chapel of the Corporal” inside the cathedral. It’s amazing to turn the corner only to view, stop, and stare as the majestic Cathedral slowly rises to touch the heavens above.
    Orvieto antica mura etrusche e piogg..etta
  • “Christus Patiens above the High Altar of the Franciscan Basilica of Santa Chiara d'Assisi”…<br />
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Around sunset, the clouds shifted and the descending sun illuminated the Assisi mountaintop as a slight mist of rain mystified the landscape. The ascent was fraught with a multitude of very steep and exhaustive staircases, but the one consolation was the dramatic anticipation of the divine scenery emerging in the distance. As I approached the last two Churches after 7:00 pm; the Basilica of Saint Clare, and the Cathedral of Saint Rufino...I noticed the security guard locking Santa Chiara’s front door. I rushed forward anxiously and begged to just look quickly inside the Vestibule. He only spoke Italian and frustrated with me, said I had one minute inside. Aiming my camera and telephoto lens directly toward the High Altar which seemed a mile away, I clicked one picture as the guard hastily gestured me outside. Ironically, I found that no pictures are allowed in this Basilica. And, on my Pilgrimage of 2019, was frustrated during my tour of the historic and reverent church, still, no pictures were allowed. I always try to respect the rules and venerate every location, however, I did take two very surreptitious images in the Oratorio del Crocifisso (Oratory of the Crucifix), a peaceful chapel that preserves the venerable 12th-century crucifix that spoke to St. Francis at San Damiano. This abrupt photo of the painted crucifix still hangs above the high altar of Santa Chiara and was probably the first painting that was commissioned for the new church. The image was conceived shortly before Saint Clare’s death in 1260 and is attributed to the Maestro di Santa Chiara. The iconography of Christus Patiens (the dying Christ on the Cross) was widely used in early Franciscan churches. In this example, the Virgin and St John the Evangelist flank the Cross, with another figure of the Virgin (praying and flanked by angels) and Christ Pantocrator above.
    Christus Patiens sopra l'Altare Magg..sisi
  • “St. John the Apostle at the Archbasilica of Saint John Lateran Rome”… <br />
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Dedicated to St. John the Baptist and St. John the Evangelist, the Basilica of St. John Lateran is the first among the four major basilicas of Rome. It is also the Cathedral of the Bishop of Rome, the Pope, and is thus known as the "Cathedral of Rome and the World." Built by Constantine the Great in the 4th century, San Giovanni in Laterano was the first Christian/Catholic church erected in Rome. The present structure of the Basilica resembles Saint Peter's Basilica, and the ancient church was the residence of the Papacy until the (1377) return from exile in Avignon and permanent relocation to the Vatican. In 1702, Pope Clement XI announced a grand scheme for twelve sculptures of the Apostles to fill the niches left in the nave of the Basilica. The commission was opened to all the premier sculptors of late Baroque Rome, Camillo Rusconi was the sculptor of St. John. One cannot help being impressed by the larger-than-life statues of these great men blessing the nave with their imposing presence. John’s own Gospel refers to him as “the disciple whom Jesus loved”, the one who reclined next to Jesus at the Last Supper, and the one to whom Jesus gave the exquisite honor of caring for his mother, as John stood beneath the cross. “Woman, behold your son…. Behold, your mother” Because of the depth of his Gospel, John is usually thought of as the eagle of theology, soaring in high regions that other writers did not enter. John’s Jesus speaks at the Last Supper as if he were already in heaven. John’s is the Gospel of Jesus’ glory.
    San Giovanni Apostolo presso Arcibas..Roma
  • “The Sacred Heart of Jesus - Basilica of San Lorenzo in Lucina Rome - Painting by Dino Carbetta”…<br />
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19 days after Pentecost, Catholics celebrate the Solemnity of the Sacred Heart of Jesus. The Catechism, quoting Pope Pius XII’s beautiful encyclical on the devotion to the Sacred Heart of Jesus, states, “Jesus has loved us all with a human heart. For this reason, the Sacred Heart of Jesus, pierced by our sins and for our salvation, ‘is quite rightly considered the chief sign and symbol of that… love with which the divine Redeemer continually loves the eternal Father and all human beings without exception. To appreciate this rich symbolism of the heart, we must remember in Judaism that the word heart represented the core of the person. While recognized as the principal life organ, the heart was also considered the center of all spiritual activity. Here was the seat of all emotion, especially love. As the psalms express, God speaks to a person in his heart and there probes him. This notion of the heart is clear in Deuteronomy 6:5-6: “Therefore, you shall love the Lord, your God, with all your heart, and with all your soul, and with all your strength. Take to heart these words which I enjoin on you today.” In 1675, Margaret Mary received the vision which came to be known as the “great apparition.” Jesus asked that the modern Feast of the Sacred Heart be celebrated each year on the Friday following Corpus Christi, in reparation for the ingratitude of men for the sacrifice which Christ had made for them. “O most holy heart of Jesus, the fountain of every blessing, I adore you, I love you, and with lively sorrow for my sins I offer you this poor heart of mine. Make me humble, patient, pure, and wholly obedient to your will. Grant, Good Jesus that I may live in you and for you. Protect me in the midst of danger. Comfort me in my afflictions. Give me health of body, assistance in my temporal needs, your blessing on all that I do, and the grace of a holy death. Amen.”
    Il Sacro Cuore di Gesù - Minore Basi..etta
  • "Sun hiding behind the Macuteo Obelisk - Roman Pantheon"...<br />
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Eventually, one discovers that God finds a way where there is none. A very crowded Pantheon at 3:00 PM in the bright afternoon made creative photography impossible. However, getting on my knees and placing the sun behind the cross of the Obelisk created a phenomenal appeal. All are original, including the landing dove/pigeon and sun flare. The Obelisk was originally built by one of the most famous Egyptian Pharaohs about 1300 years before Christ by Pharaoh Ramses II for the Temple of Ra in Heliopolis and brought to Rome in ancient times. It was rediscovered in 1374 underneath the apse of the nearby Basilica of Santa Maria Sopra Minerva. In the mid-15th century, the obelisk had been erected in the small Piazza di San Macuto some 200 meters east of the Pantheon, where it remained until its 1711 move to the Piazza della Rotonda. It is still called the Obelisco Macutèo after its previous location. Fontana del Pantheon was constructed by Giacomo Della Porta under Pope Gregory XIII in 1575, and the obelisk was added under Pope Clement XI. The city of Rome harbors the most obelisks in the world. There are eight ancient Egyptian and five ancient Roman obelisks. The Romans used special heavy cargo carriers called obelisk ships to transport the monuments down the Nile to Alexandria and from there across the Mediterranean Sea to Rome. On-site, large Roman cranes were employed to erect the monoliths. The obelisk is crowned by a bronze cross, the symbol of Jesus Christ. One idea that can be drawn from this is that Christianity—the cross of Jesus Christ—conquers paganism.  Another idea is that the obelisk represents the human desire for God which is only fulfilled in the Cross of Christ.
    Domenica di nascondersi dietro il Ma..heon
  • “Conversion on the Way to Damascus - Saint Paul by Caravaggio”…<br />
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After a spiritual Mass at St. Peters Basilica and an intense tour of the Vatican, discussions with fellow pilgrim, Patrick, proved inspirational. Our eyes were fixated on the famous Caravaggio paintings located in the acclaimed Basilica of Santa Maria del Popolo. The “Crucifixion of Peter” and the “Conversion on the Way to Damascus” were elusive on my previous visit. We found the Basilica under reconstruction, waiting for an opening, then rushed inside to find darkness and disarray everywhere. Finally, finding the dark chapel, our eyes could not focus enough to discover the paintings. Suddenly, the light arose and the Caravaggio’s were an arm’s length away. We expeditiously actuated our cameras and euphorically clicked away. Just as hastily, a mysterious guard clicked off the lights. “On his journey, as he was nearing Damascus, a light from the sky suddenly flashed around him. He fell to the ground and heard a voice saying to him, “Saul, Saul, why are you persecuting me?” He said, “Who are you, sir?” The reply came, “I am Jesus, whom you are persecuting.” [Acts 9:3-5] The scene is lit by a strong light but the three figures are engulfed by almost impenetrable darkness. A few faint rays on the light evoke Jesus' epiphany but these are not the real source of the lighting, and the groom remains seemingly oblivious to the presence of the divine. Caravaggio's style of Tenebrism, where forms in paintings emerge from a dark background with usually one source of stark light, creates dramatic effects with its strong contrasts. This lighting was evoking spiritual drama in the Conversion of Saint Paul. In the present day, the reputation of Caravaggio remains impressive - ranked alongside the likes of Da Vinci, Michelangelo, and Raphael. I am always appreciative upon completion of one of my many artworks. Displaying this elusive image by the great Caravaggio, I am triumphant!
    Conversione sulla via di Damasco - S..ggio
  • "Late afternoon sun along the Rio Dei Tolentini in Venice"...<br />
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The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles walking, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day and the atmosphere that is exclusively Venice was intoxicating. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent.
    Sole del tardo pomeriggio lungo il R..ezia
  • “The Immaculate Heart of Mary - Painting by Dino Carbetta”…<br />
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The Immaculate Heart of Mary is a devotional name used to refer to the interior life of the Blessed Virgin Mary. Early Christians were first attracted by the love and virtues of the Heart of Mary. The Gospel itself invited this attention with exquisite discretion and delicacy. Compassion for the Virgin Mother was the first characteristic of this devotion and appeal. It was at the foot of the Cross that the Christian heart first made the association to the Heart of Mary. Simeon's prophecy paved the way and furnished the devotion with one of its favorite formulae and most popular representations: “the heart pierced with a sword.” But Mary was not merely passive at the foot of the Cross; "she cooperated through charity," as St. Augustine says, ‘in the work of our redemption." The veneration of the Heart of Mary is analogous to the worship of the Sacred Heart of Jesus. There are, however, differences in this analogy as devotion to the heart of Jesus is especially directed to the "divine heart" as overflowing with love for humanity. In the devotion to Mary, however, the attraction is the love of her heart for Jesus and God. The second difference is the nature of the devotion itself: in the devotion to the Sacred Heart of Jesus, the Roman Catholic venerates in a sense of love responding to love, in the devotion to the Heart of Mary, study and imitation hold as important a place as love. The devotion aims to unite humankind to God through Mary's heart, and this process involves the ideas of consecration and reparation. The idea for this painting was to include all the elements of Her perfect Heart, Christ, and His Holy Spirit.
    Il Cuore Immacolato di Maria - Dipin..etta
  • “Crucifix beyond the vestibule of the Abbey of Santa Giustina – Padua”… <br />
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Our Pilgrimage finally arrived in Padua and after lunch, we discovered the Abbey of Santa Giustina attached to the Basilica built in the 6th century. It contains the relics of multiple saints (including those of St. Luke the Evangelist). Shaped in the form of a Latin cross, the prodigious Basilica of St. Giustina is one of the most colossal in all of Christianity. The grandeur of the building is enhanced by the Prato della Valle which it overlooks. There are 3 main chapels: the presbytery and 2 chapels for Saints Luke and Matthew that form the transepts and each aisle has six small chapels. The Abbey and the Basilica of St. Anthony were two of my foremost surprises and a must-see on a Pilgrimage to Italy. Unfortunately, pictures were allowed only in St. Giustina, but not in the latter. Initially, I was a bit overwhelmed at the imposing wide open space of the Basilica. The high altar seemed an eternity away. It is difficult to give one a perspective of just how spacious and immense many of these basilicas can be, not only in pictures but in words. The colorful geometric marble floor leads one to the main altar, but only adds to the great depth, size, and dimension of the Basilica. A curiously placed Crucifix standing about 6’ tall is located just inside the colossal nave and appears diminutive below the 26 pillars supporting the 8 cupolas. As most basilicas are traditionally dark depending on the sunlight, the Crucifix was almost a complete faint silhouette only lit by the dome windows above the altar. Standing as close as possible with a telephoto perspective, I was able to reverse the impression of size and portray the grandiosity Christ deserves, as well as the original artist. The distant window light bled over the body and illuminated the darkness. The glow of the original beauty has become radiant. Framed by the brilliant distant archways, the Crucifixion becomes transformed.
    Crocifisso al di là di vestibolo del..dova
  • “Father Peek Raises the Consecrated Host for Adoration - The Church of Santo Spirito in Sassia - Painting by Dino Carbetta” …<br />
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On our 4th gentile morning in Roma before leaving for Sorrento, we walked from our hotel to the Bellissimo Santo Spirito for Mass. Located just steps from St. Peter’s Basilica, the church is the center of the Divine Mercy established by St. John Paul II. Each day at 3 p.m. the congregants assemble to pray the Divine Mercy Chaplet in this reverent sanctuary containing St. Faustina Kowalska and St. John Paul II relics. The church is distinguished for its beautiful and pious artistic and aesthetic adornment, yet, also has a long history of bringing mercy to the human spirit and body. In the eighth century, there was a church in this place called Santa Maria in Sassia dedicated to the Virgin Mary. The name of the church comes from “the Saxon school,” where pilgrims from Northern Europe and Saxon nations received their first spiritual and material assistance. In 1198, at the request of Pope Innocent III, the first “Holy Spirit Hospital” in Europe was built adjacent to the church. The chapel on the right side is dedicated to The Divine Mercy and to Saint Faustina where the “The Apostle of The Divine Mercy” statue resides with her reliquary donated by the Holy Father John Paul II. The reflection of Father Peek in “The Elevation of the Host” is after genuflection in adoration. The priest raises the Host so that the Faithful may also adore Jesus Christ, true God, and true Man present on the altar. Look at the sacred Body of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things."
    Padre Peek Eleva Consacrata l'ostia ..etta
  • “Santa Teresa d'Avila - Painting by Dino Carbetta”…<br />
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Teresa of Ávila (born March 1515), also called Saint Teresa of Jesus, was a Spanish noblewoman who felt called to convent life in the Catholic Church. Teresa lived in an age of exploration as well as political, social, and religious upheaval. It was the 16th century, a time of turmoil and reform. She was born before the Protestant Reformation and died almost 20 years after the closing of the Council of Trent. A Carmelite nun, a prominent Spanish mystic, religious reformer, author, theologian of the contemplative life and mental prayer, she earned the rare distinction of being declared a Doctor of the Church, but not until over four centuries after her death. Active during the Catholic Reformation, she reformed the Carmelite Orders of both women and men. The movement she initiated was later joined by the younger Spanish Carmelite friar and mystic John of the Cross. It led eventually to the establishment of the Discalced Carmelites. A formal papal decree adopting the split from the old order was issued in 1580. Teresa was a woman “for God,” a woman of prayer, discipline, and compassion. Her heart belonged to God. Her ongoing conversion was an arduous lifelong struggle, involving ongoing purification and suffering. She was misunderstood, misjudged, and opposed in her efforts at reform. Yet she struggled on, courageous and faithful; she struggled with her mediocrity, her illness, her opposition. And in the midst of all this, she clung to God in life and prayer. Her writings on prayer and contemplation are drawn from her experience: powerful, practical, and graceful. She founded many new monasteries, traveled, wrote, fought—always to renew, to reform. In herself, in her prayer, in her life, in her efforts to reform, in all the people she touched, she was a woman for others, a woman who inspired and gave life. Her writings, especially the Way of Perfection and The Interior Castle, have helped generations of believers.
    Santa Teresa d'Avila - Dipinto di Di..etta
  • “Apse Mosaic Triumphal Arch of Christ flanked by the Apostles - Basilica of San Paolo outside the walls of Rome”…<br />
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Saint Peter and Saint Paul are celebrated together, the two saints are the founders of the See of Rome, through their preaching, ministry, and martyrdom there. Erected during the fourth century AD, the Basilica of St. Paul Outside the Walls is one of the four major basilicas of Rome, and the second largest after St. Peter's Basilica. It was founded on the burial ground of St. Paul. Saint Paul is well-known for his epistle to the Ephesians, where he famously describes the “armor of God.” He uses the armor that was commonly worn by a Roman Solider to describe a spiritual armor that prepares a Christian to “stand against the wiles of the devil. For we are not contending against flesh and blood, but against the principalities, against the powers, against the world rulers of this present darkness, against the spiritual hosts of wickedness in the heavenly places” Ephesians 6:11-12. Peter makes his great confession of faith: “You are the Messiah” Mark 8:29. It was one of the many glorious moments in Peter’s life, beginning with the day he was called from his nets along the Sea of Galilee to become a fisher of men for Jesus. The New Testament clearly shows Peter as the leader of the apostles, chosen by Jesus to have a special relationship with him. With James and John, he was privileged to witness the Transfiguration, the raising of a dead child to life, and the agony in Gethsemane. In 395 A.D., St. Augustine said of Saints Peter and Paul: “Both apostles share the same feast day, for these two were one; and even though they suffered on different days, they were as one. Peter went first, and Paul followed. And so we celebrate this day made holy for us by the apostles' blood. Let us embrace what they believed, their life, their labors, their sufferings, their preaching, and their confession of faith.”
    Abside Mosaico Arco di trionfo di Cr..Roma
  • “The Arch Papal Basilica of St. John Lateran Mosaic Apse - Rome”…<br />
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The present mosaic, executed in 1878, is a copy of the destroyed original completed in 1291 by two Franciscan friars, Jacopo da Camerino and Jacopo Torriti, commissioned by Pope Nicholas IV who was also a Franciscan. The upper part depicts the bust of Christ in a dark blue empyrean with the red clouds of dawn, accompanied by four angels on each side and with a six-winged seraph above. Here, Christ is being depicted under his aspect of the Rising Sun (Malachi 4:2, Luke 1:78). It is thought that the seraph replaced a Hand of God which, with Christ and the Dove below him, would have given a Trinitarian iconography. A jeweled cross which is a depiction of the True Cross formerly venerated in Jerusalem and bears a central medallion showing The Baptism of Christ. The Dove of the Holy Spirit emits seven streams from its beak which are symbolic of the Seven Gifts of the Holy Spirit. These streams form a pool where the cross stands and from this flow the four rivers of the Garden of Eden, which also symbolize the four Gospels. Two deer (Ps 42:1) and six sheep drink from these, which run into the River Jordan, a symbol of Baptism. Heavenly Jerusalem, guarded by St Michael the Archangel and ruled over by SS Peter and Paul. In the city, the phoenix, a symbol of immortality, is perched on the Tree of Life. To the left of the central motif, and venerating it, stand the Blessed Virgin, St Francis of Assisi, and the Apostles Peter and Paul. To the right are SS John the Baptist, Anthony of Padua, John the Evangelist, and Andrew the Apostle. The pope kneeling close to the Blessed Virgin is the Franciscan Nicholas IV, who was praised for his work at the Lateran by Dante in Paradiso. The Virgin places her hand on his head, as a sign of her protection. St. John Lateran is the parish church of all Catholics because it is the pope’s cathedral. This church is the spiritual home of the people who are the Church.
    L'Arch Basilica Papale di San Giovan..Roma
  • “Agony in the Garden – Painting by Dino Carbetta” …<br />
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The agony in the Garden of Gethsemane encompasses Holy Week in the life of Jesus. Occurring after the Last Supper, before his betrayal and arrest, all part of the Passion of Jesus leading to his crucifixion and death. This episode is described in the three Synoptic Gospels in the New Testament. According to these accounts, Jesus, accompanied by Peter, John, and James, enters the garden of Gethsemane on the Mount of Olives where he experiences great anguish and prays to be delivered from his impending suffering, while also accepting God's will. Immediately after the Last Supper, Jesus retreated to a garden to pray. Jesus was accompanied by three Apostles: Peter, John, and James, whom he asked to stay awake and pray. He moved "a stone's throw away" from them, where he felt overwhelming sadness and anguish, and said "My Father if it is possible, let this cup pass me by. Nevertheless, let it be as You, not I, would have it." Then, a little while later, he said, "If this cup cannot pass by, but I must drink it, Your will be done!" He said this prayer thrice, checking on the three apostles after each prayer and finding them asleep. He commented: "The spirit is willing, but the flesh is weak". An angel came from heaven to strengthen him. During his agony as he prayed, "His sweat was, as it were, great drops of blood falling upon the ground" (Luke 22:44). In Roman Catholic tradition, the Agony in the Garden is the first Sorrowful Mystery of the Rosary and the First Station of the Scriptural Way of The Cross Catholic tradition includes specific prayers and devotions as acts of reparation for the sufferings of Jesus during His Agony and Passion.
    Agonia Nell'Orto – Dipinto di Dino C..etta
  • “Third Sunday of Advent - Painting by Dino Carbetta” …<br />
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(The Four Advent Candles): As a Christian tradition, the wreath holds the four Advent candles. The candles represent Jesus coming as the light in the darkness. One candle is lit each Sunday until all four candles are lit. Each candle brings a slightly greater light into the darkness as Christmas draws nearer. Sometimes a white candle is lit on Christmas Eve or Christmas Day to symbolize that Jesus is with us. This can be referred to as the "Christ candle." Each of the candles lit before Christmas represents an aspect of preparation during the season of Advent. Third Advent Candle/Sunday: Joy –“Gaudete Sunday” “But the angel said to them, ‘Do not be afraid; for see — I am bringing you good news of great joy for all the people: to you is born this day in the city of David a Savior, who is the Messiah, the Lord. This will be a sign for you: you will find a child wrapped in bands of cloth and lying in a manger.’” (Luke 2:10-12) The third candle of Advent symbolizes Joy. As we continue to approach Christmas Day, our joy grows increasingly. The third candle takes us back to the joyful anticipation of the shepherds who journeyed to see Jesus in Bethlehem, even before the wise men. On this third Sunday of Advent, which the Church calls “Gaudete Sunday,” meaning rejoice or praise, we light the third candle and rejoice like the shepherds. For this reason, the third candle of Advent is called the “Shepherd’s Candle,” and its color is pink, the liturgical color for joy. This Advent, light the third candle on Sunday, December 11, 2022. I repainted this image from one of my photographs of, “Adoration of the Shepherds - Vatican Museums - Gallery of the Tapestries.”
    Terza Domenica di Avvento - Dipinto ..etta
  • ”Radiant Saint Teresa of Lisieux - the ‘Little Flower’ - Painting by Dino Carbetta”… <br />
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Saint Therese of Lisieux was a woman who discovered a deep source of God's love and an endless love for others. Despite facing many difficulties throughout her life, she remained calm and joyful. She once said, "I prefer the quiet sacrifices of everyday life to the most ecstatic experiences. Even picking up a pin out of love can change someone's life." Her simple message still resonates with millions of people today. Though she only lived for 24 years, Therese believed that her journey was just beginning in serving God, promising to bring goodness to the world from heaven. This promise, known as her "Shower of Roses," continues to flow through the Church. Therese, also known as the "Little Flower," was a Carmelite nun who lived a hidden life in the convent of Lisieux, France. Despite her seemingly uneventful life, she found redemption in quiet endurance and made suffering her mission. She entered the Carmel convent to "save souls and pray for priests," as she said. Pope Pius X called her "the greatest saint of modern times," and she was canonized in 1925. In 1997, Pope John Paul II named her a Doctor of the Church, making her the third woman to receive this honor. Even her parents were canonized in 2015. Though she was known as Therese of the Child Jesus and the Holy Face, she had a profound depth of spiritual maturity that earned her a place among the great spiritual leaders. Her autobiography, "The Story of a Soul," is cherished by many worldwide. As you gaze upon this radiant portrayal, you can't help but be drawn into the world of Saint Thérèse. Her gentle and humble spirit, symbolized by the 'Little Flower,' is radiantly captured in every brushstroke. The delicate colors and intricate details in the painting bring to life the warmth and devotion that characterized her life. Thank you for allowing me to share this poignant piece of art with you.
    Radiosa Santa Teresa di Lisieux - il..etta
  • "Stained Glass of Christ Blessing St James at the Cathedral of Saints Philip and James"...<br />
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The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site, but a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. Inconspicuously, I entered the cathedral and saw only a dozen elderly women sitting in the front pews reciting aloud a novena. Not wanting to disturb them, I ventured around quietly and was taken aback by the reverent beauty and peaceful aura of the magnificent Duomo. James and Philip human men who became foundation stones of the Church, as we are reminded that holiness and its consequent apostolate are entirely the gifts of God. LUKE 24:49 “And [behold] I am sending the promise of my Father upon you, but stay in the city until you are clothed with power from on high.” Their first commission had been to expel unclean spirits, heal diseases, and announce the kingdom. They learned, gradually, that these externals were sacraments of an even greater miracle inside their persons…the divine power to love like God.
    Vetrata di Cristo Benedizione St Jam..como
  • "Sunset descends on a Tuscan farm along the Val d'Orcia - Painting by Dino Carbetta"...<br />
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A late afternoon excursion from Cortona led me to the medieval town of Montepulciano, which stands on an ancient walled hilltop in southern Tuscany, not far from Siena. Within its ramparts are elegant Renaissance palaces, ancient churches, charming squares, hidden corners, and vast panoramas of the famous vineyard valleys of the Val d'Orcia. Montepulciano has received great attention following the filming of the sequel Twilight - New Moon. I would love to spend more time in the picturesque town and will include a longer stay in my return to Italy. Montepulciano is famous for not just one but two excellent wines, Vino Nobile di Montepulciano and Rosso di Montepulciano. However, it is often underestimated in terms of the interest of its art and architecture, perhaps because of its small size. One of the many promises I made to myself upon my return home was to drink a glass of my favorite Italian wine nightly and without a doubt...Montepulciano is my favorite wine region. I conceived and eventually painted this panoramic photograph by combining two images during sunset along the Val d’Orcia. Unfortunately, this image is one of very few from this famous scenic Tuscan countryside, but I pray and aspire for many more.
    Tramonto scende su fattoria toscana ..etta
  • “The Church of Sant'Anna in Marina Grande of Sorrento”…<br />
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The church of Sant’ Anna at Marina Grande was consecrated as a civil parish in 1945. The church, originally dedicated to San Giacomo della Marche and a new church was created at the behest of the fishermen of the Confraternita di San Giovanni in Fontibus and dedicated to the Souls in Purgatory in 1680. The church was restored in 1800 and reconsecrated to Sant’Anna whose following in the west became popular in the 16th century when it was preached that her faith had laid the foundation of courage that allowed her daughter to stand by the Cross as her Son was crucified and still believe. The squat bell tower has a distinctive green and yellow majolica tiled cupola. Sant’ Anna’s bells are an important link between the village and its fishermen out at sea. Like many bells along the Amalfi Coast, Sant’ Anna’s bells not only call the congregation to church but chime the hours and the quarter hours. During the restoration the gilded stucco decoration was added to the cool white nave where there are statues of San Giaocchino holding two turtle doves (his other attributes are a shovel and a lamb); St Joseph; the Holy Heart of Jesus and St. Paul with his martyr’s sword. My first visit to Marina Grande, I found the church after hours to be closed, but upon my Spring Pilgrimage of 2019…the doors were open just before Mass. I captured only 2 images of the altar and the Crucified Jesus which I found alive and fascinating. Combining the two images of the small, but an elegant church with a peak of sunlight from upper windows shining upon the altar gives the reverent, spiritual, and mystical appeal the Church of Sant’ Anna in Marina Grande deserves. I hope to visit here again in the near future and spend more time getting to know this fisherman’s parish.
    La Chiesa di Sant'Anna a Marina Gran..ento
  • “A Million Faces of Jesus by Dino Carbetta – Resplendent”…<br />
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“God of every nation and people, from the very beginning of creation you have made manifest your love: when our need for a Savior was great you sent your Son to be born of the Virgin Mary. To our lives, he brings joy and peace, justice, mercy, and love.” Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. Battle against Evil: Finally, draw your strength from the Lord and from his mighty power. Put on the armor of God so that you may be able to stand firm against the tactics of the devil. For our struggle is not with flesh and blood but with the principalities, with the powers, with the world rulers of this present darkness, with the evil spirits in the heavens. Therefore, put on the armor of God, that you may be able to resist on an evil day and, having done everything, to hold your ground. So stand fast with your loins girded in truth, clothed with righteousness as a breastplate, and your feet shod in readiness for the gospel of peace. In all circumstances, hold faith as a shield, to quench all [the] flaming arrows of the evil one. And take the helmet of salvation and the sword of the Spirit, which is the word of God.  EPHESIANS, 6:10-17
    Un Milione di volti di Gesù di Dino ..ente
  • “Coronation of the Virgin above the Altar - Santa Maria Maggiore”…<br />
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The first major stop on my first visit to Rome was The Patriarchal Basilica of St. Mary Major, which reigns as an authentic jewel in the crown of Roman churches. Its beautiful treasures are of inestimable value and represent the Church's role as the cradle of Christian artistic civilization in Rome. For nearly sixteen centuries, St. Mary Major has held its position as a Marian shrine par excellence and has been a magnet for pilgrims from all over the world who have come to the Eternal City to experience the beauty, grandeur, and holiness of the Basilica. Behind the triumphal arch is the central apse, whose mosaic, dating to the 1200s, is an incredible euphoric vision. Mary and Jesus sit together at the center of the half-dome enthroned. Below the mosaic is four-pointed windows, which are the earliest examples of gothic architecture in Rome. The numerous treasures contained in the museum render St. Mary Major a place where art and spirituality combine in a perfect union, offering visitors a unique experience in contemplating the great works of man inspired by God. The apse mosaic, depicting the Coronation of the Virgin, is from the late 13th century, by the Franciscan friar, Jacopo Torriti.
    Incoronazione della Vergine sopra l'..iore
  • “A Million Faces of Jesus by Dino Carbetta – Mist”…<br />
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Since early childhood, my fascination with the face of Christ resulted in a multitude of sketches, drawings, and photographs. Today, my mind’s eye continues this perception in wonderment. I yearn to see, feel, and touch this beatific vision. Blessed with humble skills, this is my current vision after three years of introspection and change of the face of Christ. I know that in heaven the just will see God by direct intuition, clearly and distinctly. Scripture and theology tell us that the blessed see God face to face. And because this vision is immediate and direct, it is also exceedingly clear and distinct. Battle against Evil: Finally, draw your strength from the Lord and from his mighty power. Put on the armor of God so that you may be able to stand firm against the tactics of the devil. For our struggle is not with flesh and blood but with the principalities, with the powers, with the world rulers of this present darkness, with the evil spirits in the heavens. Therefore, put on the armor of God, that you may be able to resist on the evil day and, having done everything, to hold your ground. So stand fast with your loins girded in truth, clothed with righteousness as a breastplate, and your feet shod in readiness for the gospel of peace. In all circumstances, hold faith as a shield, to quench all [the] flaming arrows of the evil one. And take the helmet of salvation and the sword of the Spirit, which is the word of God.  EPHESIANS, 6:10-17   Thank you for your prayers!
    Un Milione di volti di Gesù di Dino ..chia
  • “The mystical evening sun's rays peeking over the hills of Assisi”…<br />
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This image was captured as the hazy sun began to set behind the mountains and a light rain began. The combination of the low, brightly veiled evening sun with the mist of the rain displayed a spectacular prism effect that dazzled the senses and displayed a glorious light show above Assisi. The magnificent display lasted until dark and was one of the many mystical and blessed experiences of my perfect 24 hours in Assisi. Upon arrival early that day I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain to the fortress Rocca Maggiore, a new surprise awaited around every corner. Upon my final steps to the top at almost sunset, the clouds parted, and the low sun brightened as a slight mist of rain came down. Looking back over my shoulder, the appearance of a rainbow shone down between the Duomo of Saint Rufino and the Basilica of Saint Clare. After the first small rainbow dissipated...I moved about two hundred yards to the opposite view facing the setting sun over the Basilica of St. Francis. I was fortunate to capture several dramatic images just before another rainbow appeared behind me...a spectacular and blessed show by the hand of God.
    Il mistico serata raggi del sole cap..sisi
  • “Saint Jerome - Chigi Chapel in the Cathedral of Siena” …<br />
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Is a window into the rich history and artistic grandeur of Siena's Duomo, the Cathedral of Siena. This magnificent cathedral, perched above the bustling Piazza del Campo, stands as a testament to the city's glorious past, filled with remarkable treasures by renowned artists like Pisano, Donatello, Bernini, and even Michelangelo. Completed in 1263, the 14th century ushered in an audacious vision – to transform this cathedral into the largest in all of Christendom, surpassing even the grandeur of St. Peter's in Rome. However, the devastating Black Death of 1348 struck, claiming four-fifths of Siena's population, its half-built walls becoming a poignant monument to the city's once unbridled prosperity. If tasked with selecting a singular location that encapsulates Italy's grand tapestry of history, art, architecture, culture, and faith, the Cathedral of Siena would undoubtedly emerge as an unparalleled choice. Distinguished by its striped walls and commanding pillars, you can't help but be struck by its sheer magnitude. Stepping inside the nave, you are immediately enveloped by a symphony of artistic expression and unparalleled beauty meticulously placed in every conceivable space. From the celestial dome to the intricate stained glass, from the captivating frescoes to the masterful sculptures, and culminating in what is revered as the most magnificent marble floor in history, the cathedral is an artistic treasure trove. Among the many artistic gems is the sculpture of Saint Jerome by the eminent Italian artist Gianlorenzo Bernini shines brightly. St. Jerome, stands as a towering figure, both in art and in history. He was a Scripture scholar of unparalleled distinction, responsible for translating a substantial portion of the Old Testament from its original Hebrew form. His commentaries continue to serve as an enduring source of scriptural inspiration for us today.
    San Girolamo - Cappella Chigi nel Du..iena
  • “The sunset breaking through the rain clouds over Marina Grande Sorrento”…<br />
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Duomo di Sorrento is one of my favorite hidden treasures in Italy. Our last day on the bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. Hallelujah, it was our first free day of the 2019 Pilgrimage and most were heading to Capri. I convinced my fellow Pilgrim Patrick that Marina Grande was the preferred location to commemorate this rain-threatened day. Sunday afternoon in this tiny hallowed port on the Mediterranean was bustling, not with tourists, but with energetic and unassuming locals. The misty skies were vulnerable all day with the promise of rain, but the reluctant sun penetrated the clouds for a few fortuitous moments. God painted the skies for brief moments with luminous pastel elements of abstract color. We left after lunch only to humbly return perceiving the brilliant orange skies cascading down upon the piccolo village as a gift from Heaven. The brilliant heavenly evening sun upon the Marina offered reverent thoughts of Sunday’s Mass. “Now the people were filled with expectation, and all were asking in their hearts whether John might be the Messiah. John answered them all, saying, “I am baptizing you with water, but one mightier than I is coming. I am not worthy to loosen the thongs of his sandals. He will baptize you with the Holy Spirit and fire. His winnowing fan is in his hand to clear his threshing floor and to gather the wheat into his barn, but the chaff he will burn with unquenchable fire.” (Luke 3:15-17) We left after lunch only to humbly return again capturing the evening seascape a few hours before our reservation with the entire Pilgrimage group for a perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare.
    Il tramonto che attraversa le nuvole..ento
  • “Christ in Paradise - the Basilica of Santa Maria Gloriosa of the Frari Venice”…<br />
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A view from the Altar in front of Titian’s great painting, peering toward an extraordinary bestowment of artistic reverent beauty of Heaven. The complexity and aggregate of all the artwork involved in this presentation are a bit overwhelming. It is surely not the norm for the simplistic stylings of the Franciscans. However, the Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed to sneak a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a very large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and necessitated by the very large church. The wood crucifix from 1468, hangs over the entrance of the choir. Traditionally, there was a Calvary hanging above the choir and beside the Crucifix, there are the sculptures of the Madonna and Saint John the Evangelist. It is very likely that – thanks to His beauty and relevance – this crucifix was taken as a pattern for many others in Venezia and the Veneto region. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook.
    Cristo in Paradiso - la Basilica di ..ezia
  • "Madonna in the Basilica of Santa Maria del Popolo Rome"... <br />
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After a spiritual Mass at St. Peters Basilica and an intense tour of the Vatican, lunchtime with my friend and pilgrim, Patrick, proved inspirational. Forgoing the Coliseum, we aimed for Piazza del Popolo. Encompassed within its sacred walls is a variety of artwork unequaled in the world. Our eyes were on the famous Caravaggio paintings located in the Basilica of Santa Maria del Popolo. The “Crucifixion of Peter” and the “Conversion of Saint Paul” were found to be elusive on my previous visit. The security guard blocked the doorway and turned off the lights to the small chapel inside the Basilica every time I came near. We found the Basilica under reconstruction, waiting for an opening, then rushed inside to find darkness and disarray everywhere. Finally, finding the dark chapel, our eyes could not focus enough to discover the paintings. Suddenly, the light arose and the Caravaggio’s were an arm’s length away. We expeditiously actuated our cameras and euphorically clicked away. Just as hastily, a mysterious guard clicked off the lights. As we calmed down and gathered benevolent thoughts, we aimed our startled eyes toward the exit. The fragmented sunlight streaming into the dark basilica from the vestibule and front doors appeared like a dream. As I vacillated forward, a dark, but luminous statue absorbed by sunlight appeared to gaze upon me with precocious compassion. Her motherly expression offered a perception of love and gratitude. Upon exit, the Eternal City awaited our next impassioned venture.
    Madonna nella Basilica di Santa Mari..Roma
  • “Cybo Chapel - Basilica of Santa Maria del Popolo Rome”…<br />
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The Basilica of Santa Maria del Popolo, encompassed within its sacred walls is a variety of artwork unequaled in the world. The Basilica is comprised of great works by many of the preeminent artists, such as Raphael, Gian Lorenzo Bernini, Caravaggio, Alessandro Algardi, Pinturicchio, Andrea Bregno, Guillaume de Marcillat, and Donato Bramante. “Cappella Cybo” is the second side chapel in the right-hand aisle of the Basilica, which is famous for the beauty of its paintings, the preciousness of marble revetments covering its Bellissimo walls, and the renowned importance of the artists involved in its construction. The chapel is regarded as one of the most significant sacral monuments erected in Rome in the last quarter of the 17th century. The huge altarpiece, painted with oil on the wall, is one of the most important works of Carlo Maratta, finished in 1686. It depicts the Disputation over the Immaculate Conception with the Four Doctors of the Church, St Augustine, John Chrysostom, John the Evangelist, and Gregory the Great celebrating the purity of the Virgin. I knew in advance of the great Caravaggio paintings, especially the “Crucifixion of Peter;” however, I was not prepared for the security guard blocking the doorway and turning off the light to the small chapel inside the Basilica every time I came near. The guard courageously kept a watchful eye on everyone with a camera to protect the integrity of the incredibly famous artwork. I edged to the back, peered around the corner with a telephoto lens, and prevailed with a few pictures from a distance of the famous paintings just for my viewing pleasure. However, as I returned home and upon making a close inspection of the pictures, it was not the Caravaggios I had coveted, but an imposter. The guard blocked the shallow entrance and within a few steps inside, to the right and left ...the Caravaggios hid from view as if to tell me to try yet another day.
    Cybo Cappella - Basilica di Santa Ma..Roma
  • “Macuteo Roman Obelisk in the Pantheon - Painting by Dino Carbetta”…<br />
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Originally one of a pair at the Temple of Ra in Heliopolis, the other being the now much shorter Matteiano Obelisk. Moved to the Temple of Isis near Santa Maria Sopra Minerva. Found in 1373 near San Macuto. Moved to the front of the Pantheon by Pope Clement XI in 1711 over a fountain by Filippo Barigioni. The Aqua Virgo, one of the eleven aqueducts that supplied ancient Rome with drinking water, served the area of the Campus Martius, but had fallen into disrepair and disuse by the late Middle Ages. It was reconstructed under Pope Nicholas V and consecrated in 1453 as the Acqua Vergine. In 1570, Giacomo della Porta was commissioned under Pope Gregory XIII to oversee a major project to extend the distribution of water from the Vergine to eighteen new public fountains. The Obelisk was originally built by one of the most famous Egyptian Pharaohs about 1300 years before Christ, Ramses II. The cross of Jesus, through his death and resurrection, has conquered all evil and fulfilled the desires of every human person expressed through the diversity of religions that have existed throughout history. The ancient obelisk pointed upward toward the sun when built-in Heliopolis, but now it directs the attention of every pilgrim who views this and other Obelisk’s in Rome to the victorious cross of Christ, protecting them and dispersing any evil that approaches. The Feast of the Exaltation of the Cross on Sept. 14 is a reminder for us to place the cross of Christ over everything that we are and do. Christ wants to claim each one of us entirely and invites us to surrender completely to him. The victory of Jesus on the cross informs everything in our lives and allows us to exclaim, “We adore you, O Christ, and we bless you because by your Cross you have redeemed the world.”
    Macuteo Obelisco Romana al Pantheon ..etta
  • “Jesus Weeps over Fractured America – Painting by Dino Carbetta”…<br />
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“Know this, my dear brothers: everyone should be quick to hear, slow to speak, slow to wrath, for the wrath of a man does not accomplish the righteousness of God.” James 1:19-20 “Rejoice in the Lord always. I shall say it again: rejoice! Your kindness should be known to all. The Lord is near Have no anxiety at all, but in everything, by prayer and petition, with thanksgiving, make your requests known to God. Then the peace of God that surpasses all understanding will guard your hearts and minds in Christ Jesus. Finally, brothers, whatever is true, whatever is honorable, whatever is just, whatever is pure, whatever is lovely, whatever is gracious, if there is any excellence and if there is anything worthy of praise, think about these things. Keep on doing what you have learned and received and heard and seen in me. Then the God of peace will be with you.” Philippians 4:4-9
    Gesù Piange sull'America Fratturata ..etta
  • “Mass in the Papal Basilica of St. Peter in the Vatican at the Altar of St. Pius X”…<br />
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The 3rd day in Rome on our Italy Pilgrimage with Dino (Sacred Artist Dino Carbetta), Spiritual Director Fr. Kevin Peek and led by 206 Tours, we enjoyed Mass at Saint Peter’s Basilica in the Vatican. Below the altar, is a crystal coffin containing the body of St. Pius X (1904-1914), as one may view in this image.  Pope Pius X is perhaps best remembered for his encouragement of the frequent reception of Holy Communion, especially by children. The second of 10 children in a poor Italian family, Joseph Sarto became Pius X at age 68. He was one of the 20th century’s greatest popes. Ever mindful of his humble origins, Pope Pius stated, “I was born poor, I lived poor, I will die poor.” He was embarrassed by some of the opulence of the papal court. More interested in politics, Pope Pius encouraged Italian Catholics to become more politically involved. On the 11th anniversary of his election as pope, Europe was plunged into World War I. Pius had foreseen it, but it sickened him, “this is the last affliction the Lord will visit on me. I would gladly give my life to save my poor children from this ghastly scourge.” He died a few weeks after the war began, and was canonized in 1954. His legacy included promoting the practice of daily communion as a source of virtue and holiness, he reformed the liturgy in the Missal and Breviary as well as sacred music and Gregorian chant. He fought against and condemned modernism which is still considered an issue in society and the church today. Our Spiritual guide Father Peek concelebrated this Mass with another 206 Tour group from Memphis, TN. Our pilgrims crossed paths many times and new friendships were formed by all.
    Santa Messa nella Basilica Papale di..io X
  • “The Pontifical Swiss Guard protects the bronze door of the Vatican – Rome”…<br />
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My Roman tour guide at the Vatican, who knew all who worked there, made sure he presented every opportunity for me knowing I was a photographer/artist. For this and several other images, he talked with security allowing me to enter areas off-limits to photograph through doorways and windows. This huge bronze door has been the official entrance to the Apostolic Palace since 1663 and is permanently watched by three Swiss guards. The Pontifical Swiss Guard was founded in 1506 and in the 18th-century several Swiss soldiers were recruited from various European courts to form the close-quarter guards of the kings. Michelangelo designed the official--highly colorful--uniform, and guards also wear a long sword and a traditional halberd. The bronze door opens to a long corridor leading to the famous steps of the Scala Regia, which was designed by Bernini to appear longer and wider than in actuality. Unfortunately, this architectural wonder is closed to visitors, as is the rest of the Apostolic Palace where the Pope lives; only official visitors are admitted inside.
    La Pontificia Guardia Svizzera prote..Roma
  • “Monument to Saint Francis of Assisi in Rome”…<br />
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In 1209 Saint Francis composed a simple rule for his friars, the "Primitive Rule," which came from verses in the Bible. The rule was "To follow the teachings of our Lord Jesus Christ and to walk in his footsteps.” This large monument of Italy’s Patron Saint (St. Francis of Assisi) is visually recognizable between the Basilicas of Santa Croce in Gerusalemme where we began our pilgrimage and San Giovanni in Laterano where we later enjoyed Mass. It was inaugurated in 1927 to commemorate the seventh centenary of his death. The statue portrays the visit of St Francis to Rome, leading his first eleven followers to seek permission from Pope Innocent III to found a new religious Order. A number of the Pope's counselors considered the mode of life proposed by Francis as unsafe and impractical. However, the Pope dreamt he saw Francis holding up the Basilica of St. John Lateran (the cathedral of Rome, thus the 'home church' of all Christendom) and decided to endorse Francis' Order. This occurred, according to tradition, on April 16, 1210, and constituted the official founding of the Franciscan Order. The bronze monument was sculpted by artist Giuseppe Tonnini. An inscription taken from the eleventh canto, of Paradise of the Divine Comedy, can be seen at the base, in which Dante makes references to Saint Francis: “Between Topino's stream and that which flows down from the hill the blessed Ubaldo chose, from a high peak there hangs a fertile slope; from there Perugia feels both heat and cold at Porta Sole, while behind it sorrow Nocera and Gualdo under their hard yoke. From this hillside, where it abates its rise, a sun was born into the world, much like this sun when it is climbing from the Ganges. Therefore let him who names this site not say, Assisi, which would be to say too little, but Orient, if he would name it rightly.”
    Monumento a san Francesco d'assisi a..Roma
  • “Father Peek Raises the Consecrated Host for Adoration - Sorrento Cathedral - Painting by Dino Carbetta” …<br />
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The reflection of Father Peek in “The Elevation of the Host” is after genuflection in adoration. The priest raises the Host so that the Faithful may also adore Jesus Christ, the true God and true Man present on the altar. Look at the sacred Body of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things. “Duomo di Sorrento is one of my favorite hidden treasures in Italy. On our last day on the Bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. The main church in Sorrento is the Duomo, also known as the Cathedral of San Filippo and San Giacomo, which is concealed right in the heart of the town. Sorrento is not known as a pilgrimage site but as a beautiful seaside resort village. The Duomo dates as far back as the 11th century but was completely rebuilt in the 15th century in Romanesque style. The façade is very plain for a Cathedral of such interior grandeur, which has three naves separated by pillars and a very ornate ceiling. Next to the cathedral is a bell tower resting on an arch with four columns, which dates back to medieval times. I am not an expert in, nor was born in Marina Grande or Sorrento, but the Gulf of Naples is where my Grandfather and his family are from. It seems that every time I have set foot in this tiny village, the skies explode with color and welcome its former lineage home. Shortly after the last picture was captured, it was mealtime with the entire Pilgrimage group. A perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare, was enjoyed by all!
    Padre Peek Eleva L'ostia Consacrata ..etta
  • “Explosion of light above the Papal Basilica of San Francesco d'Assisi - Winter Pointillism - Painting by Dino Carbetta”…<br />
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Carol of the Bells: Hark how the bells, sweet silver bells, all seem to say, throw cares away Christmas is here, bringing good cheer, to young and old, meek and the bold. Ding dong ding dong that is their song with joyful ring all caroling. One seems to hear words of good cheer from everywhere filling the air. Oh how they pound, raising the sound, o'er hill and dale, telling their tale. Gaily they ring while people sing songs of good cheer, Christmas is here. Merry, Merry, Merry, Merry Christmas, Merry, Merry, Merry, Merry Christmas. On on they send, on without end, their joyful tone to every home. Ding dong ding... dong! “On that day, “Holy to the LORD” will be written on the horses’ bells. The pots in the house of the LORD will be as the basins before the altar.”~ Zechariah 14:20
    Esplosione di luce sopra la Basilica..etta
  • “Sant'Andrea Imagining the Crucifixion of Christ - Amalfi Cathedral”…<br />
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I caught the rain-soaked ferry down the coast to the seaside town of Amalfi. The Duomo di Amalfi is usually packed with tourists bused and ferried from 100’s of miles away, but with the dreary weather, many stayed away. A church has resided on this site in Amalfi since 596 AD and the one built in the 9th century still stands today. The present cathedral was built adjacent to the old one in the early 13th century to provide a suitable resting place for St. Andrew the Apostle. The two were originally joined together to form a single, six-nave Romanesque cathedral. Newer walls have been taken down to expose parts of the ancient original church, and one can ponder history by this glimpse back in time. Andrew, Saint Peter’s brother and one of Christ’s closest disciples was also the disciple of John the Baptist. Saint Andrew was called with Peter: “As [Jesus] was walking by the Sea of Galilee, he saw two brothers, Simon who is now called Peter, and his brother Andrew, casting a net into the sea; they were fishermen. He said to them, ‘Come after me, and I will make you fishers of men.’ At once they left their nets and followed him” (Matthew 4:18-20). Stairs near the east end of the Duomo descend into the Crypt of St. Andrew, where his relics are kept in the central altar. The crypt is decorated with magnificent Baroque murals from 1660. As I knelt and prayed at the glorious crypt befitting this great disciple who was martyred on an X-shaped crucifix, my mind wandered to the true nature of this chosen man who became a Disciple and Saint. I stirred around to the back of the altar and found myself facing his eternal light and relics. I knelt again in prayer feeling the great essence and presence of this selfless apostle. As in many other locations and churches in Italy, where Saints seem to be from every town, I was overcome with deep emotion and an abundance of heartfelt spiritual joy!
    Sant'Andrea Immaginare il Crocifissi..alfi
  • “Three-dimensional artistic impression of the Crucifix in the Abbey of Santa Giustina – Padua”…<br />
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Our Pilgrimage finally arrived in Padua and after lunch, we discovered the Abbey of Santa Giustina attached to the Basilica built in the 6th century. It contains the relics of multiple saints (including those of St. Luke the Evangelist). Shaped in the form of a Latin cross, the prodigious Basilica of St. Giustina is one of the most colossal in all of Christianity. The grandeur of the building is enhanced by the Prato della Valle which it overlooks. There are 3 main chapels: the presbytery and 2 chapels for Saints Luke and Matthew that form the transepts and each aisle has six small chapels. The Abbey and the Basilica of St. Anthony were two of my foremost surprises and a must-see on a Pilgrimage to Italy. Unfortunately, pictures were allowed only in St. Giustina, but not in the latter. Initially, I was a bit overwhelmed at the imposing wide open space of the Basilica. The high altar seemed an eternity away. The colorful geometric marble floor leads one to the main altar, but only adds to the great depth, size, and dimension of the Basilica. A curiously placed Crucifix standing about 6’ tall is located just inside the colossal nave and appears diminutive below the 26 pillars supporting the 8 cupolas. As most basilicas are traditionally dark depending on the sunlight, the Crucifix was almost a complete faint silhouette only lit by the dome windows above the altar. I wanted to create an impression of depth in the crucifix itself transposed against the massive Basilica and distance of the architecture. It took several days and many failures, however, I was finally able to find the three dimensions of Christ I was searching for. The glow of the original beauty has become radiant. Framed by the brilliant distant archways, the Crucifixion becomes transformed.
    Impressione artistica tridimensional..dova
  • "Madonna and Child with Saints - Chapel of the Franciscan Saints - Basilica dei Frari Venice"...<br />
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The altarpiece is depicting the Madonna and Child enthroned. To His right are St. Clare, St. Bonaventure, St. Francis and St. Mark; behind the head of the client: father Antonietto da Venezia; to the left: St. John the Baptist, St. Anthony, St. Louis d'Anjou (Bishop of Toulouse) and Saint Andrew. The artist is Bernardino Licinio and completed in the year 1524. The Basilica di Frari is one of my most favorite churches in all of Italy. Outwardly nondescript, walking through the doorway, one is instantly overwhelmed by its ancient beauty and grandeur. My imagination explodes with a fascinating impression of great history, aesthetic brilliance and the “Holy” who have embarked upon this monumental “Basilica masterpiece!” Although I managed to sneak a few images, photography was restricted on my first visit. However, on our Pilgrimage of 2019, a small entrance fee allowed for unlimited actuations. “Frari,” is a very large Gothic church of the early 15th-century now filled with elaborate paintings and tombs. The interior is light and spacious and claims are often made for the Frari being almost a museum of Venetian Renaissance art. The Assumption of the Virgin is a brilliant large altarpiece painting by the Italian Renaissance artist Titian. It is the largest altarpiece in the city and necessitated by the very large church. This masterpiece of Madonna and Child is a central theme of all the dramatic chapels around Frari to the delight of the faithful. Just like most former tourists of Italy, one yearns for the delectable anamnesis of Gelato. I agree with that memorable thought, but I also hunger and languish for Venice and all its hidden spirituality that most simply overlook such as the Basilica of Santa Maria Gloriosa dei Frari.
    Madonna col Bambino e santi - Cappel..ezia
  • "Canal on the way to the excellent Pizzería Da Alvise Restaurant - Venice"...<br />
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The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Canale sulla strada per l'eccellente..ezia
  • “The Hand of God Shines on the Cross - Convent of the Cells of Cortona”<br />
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The Prayer Come Holy Spirit: Come Holy Spirit, fill the hearts of your faithful and kindle in them the fire of your love. Send forth your Spirit and they shall be created. And You shall renew the face of the earth. O, God, who by the light of the Holy Spirit, did instruct the hearts of the faithful, grant that by the same Holy Spirit we may be truly wise and ever enjoy His consolations, Through Christ Our Lord. Amen.<br />
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Sometimes a planned mistake turns out to be a great photo and, in this case, it's the flair of the sun. Peering under a canopy of trees then kneeling and placing the sun behind the Cross...God's hand illuminates one's soul and his imagination.
    La mano di Dio risplende sulla croce..tona
  • “Our Lady Star of the Sea - Painting by Dino Carbetta” …<br />
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"Our Lady, Star of the Sea,” is an ancient and profound title for the Virgin Mary. It derives from the Latin title Stella Maris, which has been in use since the early medieval period. Interestingly, its origin is said to have emerged from a scribal error during the translation of Mary's name. Initially, Mary's Hebrew name, Miryam, meant 'a drop of the sea,' but through a twist of fate, it transformed into 'Star of the Sea' in Latin, showcasing God's power in exalting the humble. This title symbolizes Mary's role as a guiding star on the path to Christ, a protector and guide for seafarers. Many coastal churches and the Apostleship of the Sea bear the name Stella Maris or Star of the Sea. But what does this mean for those who don't earn our livelihoods on the water? It means that we can turn to Mary, our guiding star, to calm the storms in our own lives. As St. Bernard of Clairvaux wisely noted, 'If the winds of temptation arise, if you are driven upon the rocks of tribulation, look to the star, call on Mary. If you are tossed upon the waves of pride, ambition, envy, or rivalry, look to the star, and call on Mary. Should anger, avarice, or fleshly desire assail your soul, look at the star, call upon Mary.' In the 9th century, St. Paschasius Radbertus allegorically explained the name, emphasizing that Mary is the 'Star of the Sea' to be followed on the path to Christ, ensuring we don't capsize amid life's storm-tossed waves. Interestingly, Stella Maris was also given to the North Star, Polaris, because of its role as a guidepost, much like Mary on our spiritual journeys. Mary, as Our Lady, Star of the Sea, stands as a beacon of hope and guidance, not just for seafarers but for all of us navigating the tempestuous seas of life."
    Our Lady Star of the Sea - Painting ..etta
  • “Santa Maria Faustina - The Church of Santo Spirito in Sassia Rome - Painting by Dino Carbetta”…<br />
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“Saint Faustina’s name is forever linked to the annual feast of the Divine Mercy, the Divine Mercy chaplet, and the Divine Mercy prayer recited each day at 3 p.m. by many people. Born in what is now west-central Poland, Helena Kowalska was the third of 10 children. She worked as a housekeeper in three cities before joining the Congregation of the Sisters of Our Lady of Mercy in 1925. She worked as a cook, gardener, and porter in three of their houses. In addition to carrying out her work faithfully, generously serving the needs of the sisters and the local people, Sister Faustina also had a deep interior life. This included receiving revelations from the Lord Jesus, messages that she recorded in her diary at the request of Christ, and her confessors. At a time when some Catholics had an image of God as such a strict judge that they might be tempted to despair about the possibility of being forgiven, Jesus chose to emphasize his mercy and forgiveness for sins acknowledged and confessed. “I do not want to punish aching mankind,” he once told Saint Faustina, “but I desire to heal it, pressing it to my merciful heart.” The two rays emanating from Christ’s heart, she said, represent the blood and water poured out after Jesus’ death. Because Sister Maria Faustina knew that the revelations she had already received did not constitute holiness itself, she wrote in her diary: “Neither graces, nor revelations, nor raptures, nor gifts granted to a soul make it perfect, but rather the intimate union of the soul with God. These gifts are merely ornaments of the soul but constitute neither its essence nor its perfection. My sanctity and perfection consist in the close union of my will with the will of God.” by Franciscan Media.
    Santa Maria Faustina - La Chiesa di ..etta
  • “God Bless the United States and All Its Glory - Painting by Dino Carbetta”…<br />
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Evangelium vitae, translated in English to "The Gospel of Life", is a papal encyclical promulgated on 25 March 1995 by Pope John Paul II. Among all the crimes which can be committed against life, procured abortion has characteristics making it particularly serious and deplorable. The Second Vatican Council defines abortion, together with infanticide, as an "unspeakable crime." The texts of Sacred Scripture never address the question of deliberate abortion and so do not directly and specifically condemn it. But they show such great respect for the human being in the mother's womb that they require as a logical consequence that God's commandment "You shall not kill" be extended to the unborn child as well. ... Christian Tradition – as the Declaration issued by the Congregation for the Doctrine of the Faith points out so well – is clear and unanimous, from the beginning up to our own day, in describing abortion as a particularly grave moral disorder. ... Given such unanimity in the doctrinal and disciplinary tradition of the Church, Paul VI was able to declare that this tradition [regarding abortion] is unchanged and unchangeable. Therefore, by the authority which Christ conferred upon Peter and his Successors, in communion with the Bishops – who on various occasions have condemned abortion and who in the aforementioned consultation, albeit dispersed throughout the world, have shown unanimous agreement concerning this doctrine – I declare that direct abortion, that is, abortion willed as an end or as a means, always constitutes a grave moral disorder, since it is the deliberate killing of an innocent human being. This doctrine is based upon the natural law and upon the written Word of God, is transmitted by the Church's Tradition and taught by the ordinary and universal Magisterium.
    Dio Benedica gli Stati Uniti e tutta..etta
  • “St. Peter in the Papal Archbasilica of San Giovanni in Laterano - Painting by Dino Carbetta”…<br />
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Mt 16:13-19 “When Jesus went into the region of Caesarea Philippi he asked his disciples, ‘Who do people say that the Son of Man is?” They replied, “Some say John the Baptist, others Elijah, still others Jeremiah or one of the prophets.’ He said to them, “But who do you say that I am?” Simon Peter said in reply, “You are the Christ, the Son of the living God.” Jesus said to him in reply, “Blessed are you, Simon son of Jonah. For flesh and blood has not revealed this to you, but my heavenly Father. And so I say to you, you are Peter, and upon this rock I will build my Church, and the gates of the netherworld shall not prevail against it. I will give you the keys to the Kingdom of heaven. Whatever you bind on earth shall be bound in heaven; and whatever you loose on earth shall be loosed in heaven.” San Giovanni in Laterano was the first Christian/Catholic church erected in Rome. In 1702, Pope Clement XI announced a grand scheme for twelve sculptures of the Apostles to fill the niches left in the nave of the Basilica. The commission was opened to all the premier sculptors of late Baroque Rome, and the Pope himself sponsored this sculpture of Saint Peter, which was completed by Pierre-Étienne Monnot. One cannot help being impressed by the larger-than-life statues of these great men blessing the nave with their imposing presence. This statue of Saint Peter, the first Pope, stood out to me more than the others because of its extreme detail, piercing stare, and forward hand touched by God. I found the perfect angle as if he was looking straight at me to create this image. I photographed all twelve apostles, including Saint Paul, and none appeared as lifelike as this one of Saint Peter. Look deeply into his eyes, and I believe you will feel the presence of God.
    San Pietro in il Arcibasilica Papale..etta
  • “Saint Agnes of Assisi In front of San Damiano ... Painting by Dino Carbetta” …<br />
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When St Clare received the veil in 1212, she left a young sister of fourteen named Agnes behind her at home. In answer to Clare's prayers and inspired by God, Agnes left for the same convent only 16 days later. Saint Francis gave Clare’s sister the name Agnes because she was gentle like a young lamb. St Francis then led the two maidens to St Damian's convent, where he also gave the holy habit to Agnes. She now endeavored to imitate her saintly sister in everything and devoted all her spare time to prayer and contemplation. She lived a very austere life, partaking only of bread and water, and wearing coarse clothing. St Francis soon recognized the rich treasure of virtue hidden in this privileged soul. When a new convent was to be founded in Florence, St Francis sent Agnes, despite her youth. Saint Agnes of Assisi was favored with many extraordinary graces by God. In the great fervor of her devotion, she often elevated above the earth. From Holy Thursday until Holy Saturday she was once so found in rapture in the contemplation of the sufferings of Christ that she was under the impression she had spent only an hour in this mystical state. Agnes matched her sister in devotion to prayer and in willingness to endure the strict penances that characterized the Poor Ladies’ lives at San Damiano. When a group of Benedictine nuns in Monticelli asked to become Poor Ladies, Clare sent Agnes to become abbess of the monastery. Agnes soon wrote a rather sad letter about how much she missed Clare and the other nuns at San Damiano. After establishing monasteries in northern Italy, Agnes was recalled to San Damiano in 1253, as Clare lay dying. In her last moments Clare addressed her sister in these words, "My beloved sister, it is the will of God that I go, but be comforted, you will soon come and rejoin me with our Lord." Three months later Agnes followed her sister to eternity on November 16, 1253.
    Sant'Agnese d'Assisi Di fronte a San..etta
  • “By Kissing the Holy Cross One Acquires a Year and 40 Days of Indulgence” …<br />
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The title of this image is the inscription on each cross placed at every entrance to the Colosseum. It still maintains close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torch-lit "Way of the Cross" procession that starts in the area around the Colosseum. Christ believers throughout history have generally regarded the Colosseum as a site of the martyrdom of large numbers of believers during the great persecution of Christians in the Roman Empire, as evidenced by Church history and tradition. A Cross stands exultant in the Colosseum center with a plaque stating:  “The amphitheater, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.”  In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck. It is as grand in person as it appears in the media, and it seems to hold a very mystical aura. Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past but the forgiveness and sacrifice of its present stature.
    Baciando la Santa Croce si Acquisisc..enza
  • “St. Peter's Basilica - Madonna of the Column, Dome”…<br />
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Our Lady of the Column is a Byzantine Madonna and Child that was painted on a column of Porta Santa marble in the original Basilica of St. Peter (Constantine). There is no detailed information on the original painting available, but from the style, it appears to be 11th-12th century. When the new Basilica was built in the 16th century, the column and painting were preserved; and in 1581 it was placed in a marble frame created by Giacomo della Porta, who designed an altar of exquisite marble with alabaster columns. After the Second Vatican Council, Paul VI honored it with the title of "Mater Ecclesiae". In 1981 John Paul II had a mosaic reproduction of it set on the external wall of the palazzo facing St. Peter's Square, where it can also be seen illuminated at night. The chapel is covered by one of the basilica's minor cupolas which let in light that enhances the colors of the altar. On the vault of the dome are portraits of the Litany of Loreto in the spandrels: St. Bonaventure, St. Thomas Aquinas, St. Cyril of Alexandra, St. John Damascene. Inside the lunettes are the portraits of The Virgin Mother and Child, the Dream of St. Joseph, and the Kings, David and Solomon. This image is one of the multitudes of beautiful images in and around Saint Peter’s Basilica, the most resplendent church in the world.
    Basilica di San Pietro - Madonna del..pola
  • "Twilight falls on the Roman Colosseum at closing time"...<br />
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A dramatic fading sunlit view of the ancient and organic Colosseum. The Colosseum, is an elliptical amphitheater in the center of the city of Rome, the largest ever built during the Roman Empire. One of the greatest works of Roman architecture and engineering in history, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus. Capable of seating 65,000 spectators, it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It is one of Rome's most popular tourist attractions and still, has close connections with the Roman Catholic Church, as each Good Friday the Pope leads torchlit "Way of the Cross" procession that starts in the area around the Colosseum. The Colosseum is generally regarded by Christians as a site of the martyrdom of large numbers of believers during the persecution of Christians in the Roman Empire, as evidenced by Church history and tradition. A Cross stands exultant in the Colosseum center with a plaque stating: “The amphitheater, one consecrated to triumphs, entertainments, and the impious worship of pagan gods, is now dedicated to the sufferings of the martyrs purified from impious superstitions.” In viewing many historical sites during my journey in Italy, seeing the iconic Colosseum for the first time…I became awestruck. It is as grand in person as it appears in the media, and it seems to hold a very mystical aura. Climbing the ancient steps inside, one cannot help but feel not only the suffering of its past but the forgiveness and sacrifice of its present stature. I created this image in the late evening as the guards ushered me out for closing time.
    Crepuscolo cade su il Colosseo roman..sura
  • “Angels watch over the lake at Villa Borghese in Rome”…<br />
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Villa Borghese in Roma is a famous Garden and Museum that began in the early 17th century and was highlighted by a "Temple of Aesculapius” at the garden lake. The Temple is located in the gardens of Borghese in Roma and was styled in the ionic characteristic by Antonio Asprucci. The temple was perhaps built-in memory of the destroyed ancient temple to the god of Medicine on Tiber Island. The temple houses a statue of Aesculapius believed to be originally from the Mausoleum of Augustus.  It was neglected over the centuries and was restored by Vincenzo Pacetti and sold to Marcantonio Borghese IV in 1785. Stretching from above Piazza del Popolo to the top of Via Veneto, Villa Borghese crowns Rome in a glorious canopy of Green. Despite the onward march of the years and extensive developmental changes to Rome, Villa Borghese has remained a perennial and pleasant space, diluting the impact of an otherwise ever-expanding urban Metropolis. The Park was originally a private vineyard, redesigned and enlarged in 1605 to grandiose proportions for Pope Paul V's nephew, Cardinal Scipione Borghese. However, it was named after the Borghese family on the condition that it boasted the most luxurious and magnificent dwelling in Rome. Visiting the very spaciously plush park and lovely atmosphere of tall secluding lavish trees, blissful gardens, and colorful reflective lakes, one is taken away from the city life and transported to a serene country paradise. Peace and relaxation encompass the body and soul and give time and rumination to the historical and religious world capital which is the ever the Eternal City of Roma.
    Angeli vigilare lago presso Villa Bo..Roma
  • “Our Lady of Lourdes - Santa Maria dei Miracoli Rome - Painting by Dino Carbetta”…<br />
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After a spiritual Mass at St. Peters Basilica and an intense tour of the Vatican, lunchtime with my friend and pilgrim, Patrick, proved inspirational. We aimed for Piazza del Popolo, encompassed within its sacred walls is a variety of artwork unequaled in the world. Our eyes were on the famous Caravaggio paintings located in the Basilica of Santa Maria del Popolo. The “Crucifixion of Peter” and the “Conversion of Saint Paul” were found to be elusive on my previous visit. The security guard blocked the doorway and turned off the lights to the small chapel inside the Basilica every time I came near. We found the Basilica under reconstruction, waiting for an opening, then rushed inside to find darkness and disarray everywhere. Finally, finding the dark chapel, our eyes could not focus enough to discover the paintings. Suddenly, the light arose and the Caravaggio’s were an arm’s length away. We expeditiously actuated our cameras and euphorically clicked away. Just as hastily, a mysterious guard clicked off the lights. As we calmed down and gathered benevolent thoughts, we aimed our startled eyes toward the exit. The fragmented sunlight streaming into the dark basilica from the vestibule and front doors appeared like a dream. Upon exit, the Eternal City awaited our next impassioned venture which didn’t take long. We headed toward the twin churches opposite Santa Maria del Popolo. On the right is Santa Maria in Montesanto and the left is Santa Maria dei Miracoli. According to tradition, the painting of Madonna dei Miracoli originates from a miracle of 1325. A woman praying to an image of The Virgin Mary painted on the walls along the Tiber River to save her drowning son was miraculously answered.  A small Chapel was built in honor of The Virgin Mary and eventually became this extraordinary church. Pilgrims continue to pray for Our Lady’s intercession in the blessing of future miracles.
    Nostra Signora di Lourdes - Santa Ma..etta
  • Eucharistic Adoration – Painting by Dino Carbetta<br />
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Embarking on this composition of a painting featuring a Monstrance adorned with a living Host for the sacred act of Adoration was an enchanting and enlightening endeavor. It served as a captivating test and granted me a newfound reverence for the complexity of artistic style within a Monstrance. The inherent profundity of Eucharistic Adoration within our Catholic faith bestows an exalted and sublime dimension upon this noble quest. To capture the essence of this cherished tradition, I integrated a Consecrated Host from a Mass in Rome, preserving its spiritual essence on the canvas. The centerpiece was an exquisite Belgian Gothic Revival gilt brass sun-shaped Monstrance, adorned with shimmering cabochons that amplified the sense of awe during Adoration. Its mark, 'Dehin Frères à Liège,' bestowed a profound sense of heritage and devotion. Delving into the history of the Monstrance allowed me to connect with its ancient roots in the late 19th century, a transformative era that influenced religious artifacts' construction and style. Throughout the journey, I contemplated the profound meaning of Eucharistic Adoration—gazing with reverence upon the consecrated Host, expressing unwavering faith and profound adoration for Christ's presence in the Eucharist. Harnessing color, light, and composition, I aspired to convey the spiritual intensity and serenity experienced during sacred Adoration. The brushstrokes sought to evoke an atmosphere of peace, inviting viewers to contemplation and prayer. This painting serves as a poignant reminder of the enduring significance of Eucharistic Adoration, fostering a profound connection with our spiritual heritage. This humbling and enriching experience allowed me to explore art intricacies, uncover historical contexts, and deepen my understanding of the intense value of Eucharistic Adoration within our cherished Catholic tradition.
    Adorazione Eucaristica – Dipinto di ..etta
  • “Visitation of the Blessed Virgin Mary - Painting by Dino Carbetta” …<br />
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The feast of the Visitation was established in the 13th to 14th centuries as a way to pray for unity within the Church. This celebration is closely linked to Jesus' saving work and is observed after the Annunciation of the Lord and before the Nativity of Saint John the Baptist. Although the visitation story (Luke 1:39-45) focuses on Mary and Elizabeth, Jesus and John the Baptist play a crucial yet subtle role. Jesus brings the joy of messianic salvation to John, causing him to leap with joy, while Elizabeth is filled with the Holy Spirit and praises Mary, referring to her as "the mother of my Lord." This early form of the Church's devotion to Mary is rooted in Elizabeth's words praising God for what He has done for Mary, and only secondarily praising Mary for trusting God's words. Similarly, Mary attributes all her greatness to God in the Magnificat (Luke 1:46-55), just as the Church does. One of the titles given to Mary in her litany is the "Ark of the Covenant," which, like the Ark of the Covenant of old, brings God's presence into the lives of others. Mary has the power to unite all Christians in her son, just as the Ark helped unite the twelve tribes of Israel when it was placed in David's capital. While devotion to Mary may have caused some division, true devotion to her is hoped to lead all to Christ and one another.
    Visitazione della Beata Vergine Mari..etta
  • "High altar of the Church of Our Lady of the Assumption - Positano"...<br />
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The history of the Church of Our Lady of the Assumption is closely linked to the Benedictine monastery of St. Mary, which, according to tradition, was built when a Byzantine icon of the Virgin was brought to Positano and venerated thereafter. The Icon belonged to a cargo ship from the East, and offshore of Positano the ship was stopped by a dead calm sea. After unsuccessful attempts to continue sailing, the sailors heard a voice saying “Posa Posa”, meaning, “Put me down, put me down!” (Origin of the name “Positano”). The captain thought this miracle meant that the Virgin wanted to stop there and decided to head for shore. At that point…the ship began to sail again. The sailors disembarked the icon and gave it to the inhabitants of Positano, who chose the Virgin as their patron and built a church in her honor. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town with the backdrop of the Azzurro Mediterranean Sea, the church’s colorful majolica tiled cupola is one of the town’s iconic symbols. I found this Crucifix inside a small chapel of the ancient church which was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this beautiful seaside village.
    Altare maggiore della Chiesa di Nost..tano
  • “Our Lady of Fatima embraces the Old Glory - Painting by Dino Carbetta”…<br />
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Inspiring hope in such a desperate situation, the Holy Father – John Paul II celebrated Mary as the only creature who has fully experienced the final victory of life. He presented her as the one who remains at the center of the struggle for life in this world: At her Assumption, Mary was “taken up to Life” – body and soul. She is already a part of “the first fruits” (1 Cor 15:20) of our Savior’s redemptive Death and Resurrection. The Son took his human life from her; in return, he gave her the fullness of communion in Divine Life. She is the only other being in whom the mystery has already been completely accomplished. In Mary, the final victory of Life over death is already a reality. These are astonishing words – “the final victory of Life over death is already a reality” in Our Lady! It is also one of the boldest prophetic statements of our age to claim that, after Christ, the Virgin Mary “is the only other being in whom the mystery [of Divine Life] has already been completely accomplished.” In so many words the Holy Father was saying that all those who consider themselves pro-life must take Mary as their pre-eminent champion in the struggle to restore legal protection to unborn children and to root out a pervasive culture of death. Our Lady was the channel through which Divine Life came to us. She is now the one who will restore life to a society that has succumbed to death.
    La Madonna di Fatima abbraccia la Ve..etta
  • “Faith, Hope, and Love – Painting by Dino Carbetta”…<br />
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Psalm 46: 2-8 “God is our refuge and our strength, an ever-present help in distress. Thus we do not fear, though earth be shaken and mountains quake to the depths of the sea, though its waters rage and foam and mountains totter at its surging. Streams of the river gladden the city of God, the holy dwelling of the Most High. God is in its midst; it shall not be shaken; God will help it at break of day. Though nations rage and kingdoms totter, he utters his voice and the earth melts. The LORD of hosts is with us; our stronghold is the God of Jacob.” <br />
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2 Corinthians 4:8-10 “We are afflicted in every way, but not constrained; perplexed, but not driven to despair; persecuted, but not abandoned; struck down, but not destroyed; always carrying about in the body the dying of Jesus, so that the life of Jesus may also be manifested in our body.”<br />
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Romans 5:1-5 “Therefore, since we have been justified by faith, we have peace with God through our Lord Jesus Christ, through whom we have gained access [by faith] to this grace in which we stand, and we boast in hope of the glory of God. Not only that, but we even boast of our afflictions, knowing that affliction produces endurance, and endurance, proven character, and proven character, hope, and hope does not disappoint, because the love of God has been poured out into our hearts through the Holy Spirit that has been given to us.”
    Fede, Speranza e Amore - Dipinto di ..etta
  • “Our Lady of Fatima embraces the Flag of Italy - Painting by Dino Carbetta”…<br />
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Christopher Columbus made four voyages to the New World, and each brought its discoveries and adventures. Most accounts of Columbus’s voyages mistake his motives by focusing narrowly on economic or political factors. His primary motive was to find enough gold to finance a crusade to retake Jerusalem from the Muslims, as evidenced by a letter he wrote in 1492 to King Fernando and Queen Isabel, encouraging them to “spend all the profits of this my enterprise on the conquest of Jerusalem.” He believed he was fulfilling conditions for the Second Coming of Christ. Near the end of his life, he even compiled a book about the connection between the liberation of Jerusalem and the Second Coming. Columbus considered himself a “Christ-bearer” like his namesake, St. Christopher. When he first arrived on Hispaniola, his first words to the natives were, “The monarchs of Castile have sent us not to subjugate you but, to teach you the true religion. Columbus asked the pontiff to send missionaries to the indigenous peoples of the New World so they could accept Christ. And in his will, he proved his belief in the importance of evangelization by establishing a fund to finance missionary efforts to the lands he discovered. Columbus did not sail to the New World to enslave native peoples he might encounter. In further proof that he did not plan to rely on slave labor, he asked the crown to send him Spanish miners to mine for gold. Indeed, the Spanish monarchs in their instructions to Spanish settlers mandated that the Indians be treated “very well and lovingly” and demanded that no harm should come to them. Sadly, this admonition was not always practiced. Columbus was a complex man and his actions in the New World reflected the complexities of his experiences and the time in which he lived. He was neither the saint nor the barbarian portrayed by different groups with their agendas in the modern world.
    Nostra Signora di Fatima abbraccia B..etta
  • “Crimson Crucifixion in the chapel of Church of Santa Maria Assunta in Positano”…<br />
<br />
After an exhilarating drive along the high cliffs on the Amalfi Coast from Sorrento down to Positano, I found myself in sensory overload with its beauty and photogenic appeal. After circling the entire village and its cliffside three times on Positano’s only street, which was a single lane winding down from the top and back up and over to where I began, I finally found the parking garage by the hotel, about 2/3rds up the facing village in this image. The climb down the winding road and steep staircases made for quite a workout in the hot late May sun. Reaching the beach and marina, I forgot about my exhaustion and could not capture enough of Positano’s plush beauty; however, the large number of tourists and the bright sun did not allow for ideal conditions. As I made my way along the beach and shoreline, rays from the late afternoon sunlight coming over the mountain top blinded me as they illuminated the famous church. The Church of Santa Maria Assunta is a prominent aspect of Positano’s cultural, religious, and architectural landscape. Strategically located in the center of town with the backdrop of the Azzurro Mediterranean Sea, the church’s colorful majolica tiled cupola is one of the town’s iconic symbols. I found this Crucifix inside a small chapel of the ancient church which was dedicated to the Blessed Virgin Mary in 1159. Santa Maria keeps a blessed and watchful eye over Positano and welcomes all to this beautiful seaside village.
    Cremisi Crocifissione nella cappella..tano
  • ”Gondola escaping from the morning fog towards the sunlight of San Moisè, Venice”…<br />
<br />
Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass in the sacristy. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Gondola in fuga dalla nebbia mattuti..ezia
  • “Saint Joseph and Baby Jesus - Santa Maria Maggiore in Assisi and Venice - Painting by Dino Carbetta”…<br />
<br />
The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built in this site close to the Roman city walls in the 4th century. The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. The interior has a basilica plan with three naves, separated by pillars. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal its age and status throughout history. This image is a compilation painting of several images I combined from Assisi to Venice. Saint Joseph is the patron of the Universal Church. Here along with the young Christ, the painting reveals both Perfect and Sacred Hearts.
    San Giuseppe e Gesù Bambino - Santa ..etta
  • “Pastel Sunset of the Venetian Canal”…<br />
<br />
I never knew quite where I was going in Venice, but just followed the canal, or became trapped by the canals with no way of crossing and had to backtrack. Probably not the best way to traverse the Venice Lagoon. On my last evening in Venice, I accidentally stumbled on Ponte dei Scalzi, the "bridge of the barefoot [monks],” one of only four bridges in Venice to span the Grand Canal. The bridge connects the Sestieri of Santa Croce and Cannaregio. I set up my camera facing east in view of the dome and campanile of Chiesa di San Geremia, which contains the relics of Saint Lucy, the patron saint of our eyes. After taking many images of the descending sun, I decided to follow the sun by way of the church of San Geremia taking a hard left northwest along the Cannaregioa Canal and taking this photo of the setting sun from the bridge, Ponte delle Guglie. After sunset, I found my way back to my favorite restaurant, Hosteria Al Vecio Bragosso. Che Dio Benedica l'Italia! Luke 15:4-6: “What man among you having a hundred sheep and losing one of them would not leave the ninety-nine in the desert and go after the lost one until he finds it? And when he does find it, he sets it on his shoulders with great joy and, upon his arrival home, he calls together his friends and neighbors and says to them, ‘Rejoice with me because I have found my lost sheep.’
    Tramonto Pastello del Canale Veneziano
  • “Madonna of Fatima at the Eucharistic Miracle of Siena - Basilica of San Francesco Siena - Artistic Impression by Dino Carbetta - Caffè”…<br />
<br />
Our Lady of Fatima’s confident declaration was: “My Immaculate Heart will triumph”. Pope Benedict XVI has interpreted this utterance as follows: “The Heart open to God, purified by contemplation of God, is stronger than guns and weapons of every kind. The fiat of Mary, the word of her heart, has changed the history of the world, because it brought the Saviour into the world—because, thanks to her Yes, God could become man in our world and remains so for all time. The Evil One has power in this world, as we see and experience continually; he has power because our freedom continually lets itself be led away from God. But since God himself took a human heart and has thus steered human freedom towards what is good, the freedom to choose evil no longer has the last word. From that time forth, the word that prevails is this: “In the world, you will have tribulation, but take heart; I have overcome the world” (Jn 16:33). The message of Fatima invites us to trust in this promise.<br />
Siena is home to the Eucharistic Miracle which is one of the longest on-going miracles in the world. On August 14, 1730, thieves broke into the Church of St. Francis and stole a ciborium containing consecrated hosts. However, since 1730, the hosts have remained fresh and sweet-smelling. The wall mechanically spun around and revealed the Eucharistic Miracle to us. After prayer, I moved to the back and abidingly captured this mystical, spiritual, and reverent manifestation. The Madonna of Fatima stood majestically guarding the precious Hosts.
    Madonna di Fatima al Miracolo Eucari..affè
  • “Father Peek raises the chalice for adoration - The New Church of San Francesco in Assisi – Luminescense”…<br />
<br />
The reflection of Father Peek in “The Elevation of the Host and Chalice” is after genuflection in adoration. The priest raises them both so that the Faithful may also adore Jesus Christ, true God, and true Man present on the altar. Look at the sacred Body and Blood of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things." A more ancient elevation of Host and Chalice occurs in the Mass of the Roman Rite while the priest speaks the concluding doxology of the Eucharistic Prayer: Per ipsum et cum ipso et in ipso est tibi Deo Patri omnipotenti in unitate Spiritus Sancti omnis honor et gloria per omnia saecula saeculorum (Through him, and with him, and in him, O God, almighty Father, in the unity of the Holy Spirit, all glory and honour is yours, forever and ever). The presence in the Roman Rite of this elevation can be traced back at least to the ninth century. The Chiesa Nuova is a church in Assisi, Italy, built in 1615 on the site of the presumed birthplace of St. Francis, the house of Pietro di Bernardone. It was then called Chiesa Nuova because it was the last church to be built in Assisi at that time. This Church appears as a small basilica, and on our first morning in Assisi of my Pilgrimage of 2019, Father Peek offered a venerable Mass. Two of our Pilgrimage couples renewed their vows during the celebration and an abundance of blessings were bestowed upon the faithful. The specular window light from high above the altar once again illuminates the Body and Blood of Christ as the Holy Spirit descends.
    Padre Peek solleva il Calice per L'a..ense
  • “Luminous Madonna - Santa Maria Maggiore in Assisi - Painting by Dino Carbetta”…<br />
<br />
The Church of Santa Maria Maggiore in Assisi is located outside the first city walls, in Piazza del Vescovado. It was the heart of the medieval bishop's citadel and center of religious power until the 11th century when it gave the title of the Cathedral to San Rufino. According to tradition, the first Cathedral of Assisi was built on this site close to the Roman city walls in the 4th century. The crypt under the apse of the present church, which is the oldest surviving part of the structure, seems to date to the 9th or 10th century. St. Francis was baptized in the temple. The interior has a basilica plan with three naves, separated by pillars. In the early Middle Ages, it was an episcopal residence. In 1035, at the time of Bishop Ugone, the title of Cathedral was transferred from Santa Maria Maggiore to the church of San Rufino, where the relics of the patron saint were kept. San Francesco was a guest of Bishop Guido I several times in the adjacent Palazzo Vescovile, in front of which he stripped off his clothes, nurturing a special bond with the church of Santa Maria Maggiore. A stone outside the apse bears witness to works carried out at the time of Francis and Bishop Guido in the year 1216. I found the ancient church to be uncomplicated, yet comforting and reverent. The primitive and recently discovered catacombs below, reveal their age and status throughout history. Hail Mary, full of grace, the Lord is with you. Blessed are you among women, and blessed is the fruit of your womb, Jesus. Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death. Amen.
    Luminous Madonna - Santa Maria Maggi..etta
  • “This is the Lamb of God, who takes away the sins of the world - Painting by Dino”…<br />
<br />
(Matthew Chapter 27:45-50) “From noon onward, darkness came over the whole land until three in the afternoon. And about three o’clock Jesus cried out in a loud voice, “Eli, Eli, lema sabachthani?” which means, “My God, my God, why have you forsaken me?” Some of the bystanders who heard it said, “This one is calling for Elijah.” Immediately one of them ran to get a sponge; he soaked it in wine, and putting it on a reed, gave it to him to drink. But the rest said, “Wait, let us see if Elijah comes to save him.” But Jesus cried out again in a loud voice, and gave up his spirit.<br />
<br />
John the Baptist’s Testimony to Jesus. Jn 1:29-34 “The next day he saw Jesus coming toward him and said, ‘Behold, the Lamb of God, who takes away the sin of the world. He is the one of whom I said, A man is coming after me who ranks ahead of me because he existed before me. I did not know him, but the reason why I came baptizing with water was that he might be made known to Israel.’ John testified further, saying, “I saw the Spirit come down like a dove from the sky and remain upon him. I did not know him, but the one who sent me to baptize with water told me, ‘On whomever you see the Spirit come down and remain, he is the one who will baptize with the Holy Spirit. Now I have seen and testified that he is the Son of God.”
    Ecce Agnus Dei, ecce qui tollit pecc..etta
  • “The Basilica of Santa Maria della Salute Venice radiates in the distance on the Grand Canal- Ultramarine blue”…<br />
<br />
Gospel MT 14:22-33 “After the crowd had eaten their fill, Jesus made the disciples get into the boat and precede him to the other side, while he dismissed the crowds. After doing so, he went up on the mountain by himself to pray. When it was evening he was there alone. Meanwhile, the boat, already a few miles offshore, was being tossed about by the waves, for the wind was against it. During the fourth watch of the night, he came toward them, walking on the sea. When the disciples saw him walking on the sea they were terrified. "It is a ghost," they said, and they cried out in fear. At once Jesus spoke to them, "Take courage, it is I; do not be afraid." Peter said to him in reply, "Lord, if it is you, command me to come to you on the water." He said, "Come." Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how strong the wind was he became frightened; and, beginning to sink, he cried out, "Lord, save me!" Immediately Jesus stretched out his hand and caught him, and said to him, "O you of little faith, why did you doubt?" After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, "Truly, you are the Son of God." The Basilica di Santa Maria della Salute, commonly known as La Salute, is one of the largest, most iconic, and prominent churches of Venice. It stands in a conspicuous position at the junction between the Grand Canal and the Bacino di San Marco on the lagoon. In October 1630, the Venetian Senate decreed that if the city was delivered from the raging Bubonic Plague, which decimated one-third of the Venetian population, a new church would be constructed and dedicated to the Virgin Mary. The Basilica is an ornate, massive structure in its exterior; however, it is quite reverently quaint interiorly.
    La Basilica di Santa Maria della Sal..mare
  • “View from the Grand Canal of the church of San Giorgio Maggiore in Venice”…<br />
<br />
The first church on the island was built about 790, and in 982 the island was given to the Benedictine order by the Doge Tribuno Memmo. The Benedictines founded a monastery there, but in 1223 all the buildings on the island were destroyed by an earthquake. Andrea Palladio, an Italian Renaissance architect active in the Venetian Republic was commissioned for the rebuild. Palladio, influenced by Roman and Greek architecture, is widely considered to be one of the most influential individuals in the history of architecture, began the rebuild in 1560 and made dramatic improvements. The campanile was rebuilt in neo-classic style and completed in 1791. It was ascended by ramps and now an elevator to the top for panoramic views of Venice. The facade is brilliantly white and represents Palladio's solution to the difficulty of adapting a classical temple facade to the form of the Catholic Basilica. Two very large paintings by Tintoretto relate to the institution of the Eucharist and are located on either side of the presbytery, where they can be seen from the altar rail. “The Last Supper” and “The Jews in the Desert” (collecting and eating the manna, a gift of God to the Israelites in the Desert after they escaped Egypt, which foretells the gift of the Eucharist). Claude Monet painted a series of paintings of the island Monastery of San Giorgio Maggiore in 1908 during the artist's only visit to the city. One of the best known is “San Giorgio Maggiore at Dusk”, which exists in two versions. Monet completed his paintings of Venice at home in France and in 1912 showed them in Paris. Buyers included the Welsh collector Gwendoline Davies, who bought three paintings. This vision of the Church of San Giorgio is iconic and famous worldwide. My image capture while upon an evening boat excursion appears theatrical as if the majestic church is posing for yet another Venetian canvas.
    Vista dal Canal Grande della chiesa ..ezia
  • "San Maurizio Canal Venice"...<br />
<br />
The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass in the sacristy. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in a half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, oh, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze that Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Canale di San Maurizio Venezia
  • “Sacred Heart of Jesus - Painting by Dino Carbetta” …<br />
<br />
On the nineteenth day after Pentecost, Catholics observe the Solemnity of the Sacred Heart of Jesus. This day is considered one of great importance in the Catholic faith, as it recognizes the immense love and sacrifice that Jesus made for all humans. The heart is an important symbol in this devotion, as it represents the core of a person, the center of all spiritual activity, and the seat of all emotion, particularly love. This symbolism is deeply rooted in Judaism, where the heart was recognized as the principal life organ and the word heart represented the essence of a person. Margaret Mary's vision in 1675, which came to be known as the "great apparition," resulted in the modern Feast of the Sacred Heart being celebrated each year on the Friday following Corpus Christi. This day serves as a reminder to Catholics to show gratitude for Christ's sacrifice and love by living in accordance with His will. A prayer that is often recited on this day is, "O most holy heart of Jesus, the fountain of every blessing, I adore you, I love you, and with lively sorrow for my sins I offer you this poor heart of mine. Make me humble, patient, pure, and wholly obedient to your will. Grant, Good Jesus, that I may live in you and for you. Protect me in the midst of danger. Comfort me in my afflictions. Give me health of body, assistance in my temporal needs, your blessing on all that I do, and the grace of a holy death. Amen." I truly hope that my painting of Christ's Face in the Sacred Heart of Jesus brings about a positive change in your heart and soul. It is my deepest desire that you experience great blessings in every aspect of your life.
    Sacro Cuore di Gesù - Dipinto di Din..etta
  • “Saint Bernadette Soubirous and the Miracle at Lourdes – Painting by Dino Carbetta” …<br />
<br />
Our Lady of Lourdes is a title of the Blessed Virgin Mary, invoked by Roman Catholics in honor of the Marian Apparition that took place in Lourdes, France. Saint Bernadette Soubirous was a fourteen-year-old peasant girl that witnessed Our Lady’s apparition. There was a total of seventeen apparitions over the year 1858. Our Lady told St. Bernadette that we were to pray for the Conversion of Sinners, and she stated, “I am the Immaculate Conception.”  Saint Bernadette was asked to dig in the ground and a “spring” would erupt. She did as she was told, and to this day the water runs. Nearly six million faithful make the pilgrimage annually, and hundreds of miracles have been reported through these visits. The Sanctuary of Our Lady of Lourdes is an area of ground surrounding the Catholic shrine (Grotto) to Our Lady of Lourdes in the town of Lourdes, France. The Sanctuary is a destination for pilgrimage; sick pilgrims are reputed to be miraculously healed by Lourdes water. This ground is owned and administered by the Roman Catholic Church. Grottos intended as replicas of the one at Our Lady of Lourdes, and other grottos in honor of Our Lady of Lourdes, are often described as "Lourdes grottos." Lourdes has become a place of pilgrimage, healing, and even more of faith. Church authorities have recognized over sixty miraculous cures, although there have probably been many more. To people of faith, this is not surprising. It is a continuation of Jesus’ healing miracles—now performed at the intercession of his mother. Some would say that the greater miracles are hidden. Many who visit Lourdes return home with renewed faith and a readiness to serve God in their needy brothers and sisters. There still may be people who doubt the apparitions of Lourdes. “For those who believe in God, no explanation is necessary. For those who do not believe, no explanation is possible.”
    Santa Bernadette Soubirous e il Mira..etta
  • “Evening In The Lively Seaside Town of Riomaggiore”…<br />
<br />
I began my daily journey at the northernmost town of Monterosso and took the train to the southernmost town of Riomaggiore. I sailed up the coast photographing each Cinque Terre town along the way aboard the Angelina Dada. This image was created standing on the rooftop of the antique 28-foot Angelina’s galley with my arms around the mast and my 20-pound camera bag strapped over my shoulder, creating a human tripod for support. I could not help noticing tourists in each village photographing our boat as we sailed up and down the coast; perhaps it was the image of a silly photographer hanging on for dear life as the waves wobbled the boat side to side in anticipation of a splashdown?! Leaving for my destination of Monterosso, soft light illuminated the sky and azure sea of the Mediterranean convincing me to sail back to Riomaggiore with my gracious guides Claudio and Eddie of "Cinque Terre dal Mare" sailing excursions. We arrived just in time for a perfect sunset. After a nice dinner...I caught the last train at midnight back home to Monterosso. There is a great appeal in each of the five Cinque Terre villages, each with a different history, people, elements, and culture. However, I could not help falling in love with tiny Riomaggiore for its scenic appeal, charming culture, and friendly residents.
    Sera Nella Vivace Cittadina Balneare..iore
  • "The guiding light of Santa Maria Maggiore and the New Church of Assisi"...<br />
<br />
(Psalms: 65:9) “Distant peoples stand in awe of your marvels; the places of morning and evening you make resound with joy.” Upon arrival early that day in Assisi, I began taking photos the second I parked at Hotel Giotto just inside the walls in the foothills of Assisi. Perhaps Saint Francis arranged the dramatically perfect skies and coordinated every encounter. Beginning at the Basilica of Saint Francis, every second of the climb to the top of the mountain and the fortress of Rocca Maggiore was highlighted time after time by a vision of something more mystical and spiritual than the last. Upon my final steps to the top at almost sunset, the clouds parted, and the low sun brightened as a slight mist of rain came down. The climb to the top was fraught with a multitude of very steep and exhaustive staircases, but the reward was always greater than the physical agony endured. This image was captured as I followed the radiant winding road illuminated by the evening glimmer of the descending sun.
    La luce guida tra Santa Maria Maggio..sisi
  • “Virgin Mary in front of the Sanctuary of Our Lady of Lourdes - Painting by Dino Carbetta” …<br />
<br />
Our Lady of Lourdes is a title of the Blessed Virgin Mary, invoked by Roman Catholics in honor of the Marian Apparition that took place in Lourdes, France.  Saint Bernadette Soubirous was a fourteen-year-old peasant girl that witnessed Our Lady’s apparition.  There was a total of seventeen apparitions over the year 1858.  Our Lady told St. Bernadette that we were to pray for the Conversion of Sinners, and she stated, “I am the Immaculate Conception.”  Saint Bernadette was asked to dig in the ground and a “spring” would erupt.  She did as she was told, and to this day the water runs.  Nearly 6 million faithful make the pilgrimage annually, and hundreds of miracles have been reported through these visits.  The Sanctuary of Our Lady of Lourdes is an area of ground surrounding the Catholic shrine (Grotto) to Our Lady of Lourdes in the town of Lourdes, France. The Sanctuary is a destination for pilgrimage; sick pilgrims are reputed to be miraculously healed by Lourdes water. This ground is owned and administered by the Roman Catholic Church. Grottos intended as replicas of the one at Our Lady of Lourdes, and other grottos in honor of Our Lady of Lourdes, are often described as "Lourdes grottos." Lourdes has become a place of pilgrimage and healing, but even more of faith. Church authorities have recognized over 60 miraculous cures, although there have probably been many more. To people of faith, this is not surprising. It is a continuation of Jesus’ healing miracles—now performed at the intercession of his mother. Some would say that the greater miracles are hidden. Many who visit Lourdes return home with renewed faith and a readiness to serve God in their needy brothers and sisters. There still may be people who doubt the apparitions of Lourdes. “For those who believe in God, no explanation is necessary. For those who do not believe, no explanation is possible.”
    Vierge Marie devant le Sanctuaire No..etta
  • “Father Peek raises the chalice for adoration - The New Church of San Francesco in Assisi – Luminescense”…<br />
<br />
The reflection of Father Peek in “The Elevation of the Host and Chalice” is after genuflection in adoration. The priest raises them both so that the Faithful may also adore Jesus Christ, true God, and true Man present on the altar. Look at the sacred Body and Blood of Jesus and then say with all your heart (interiorly): "I adore Thee, O Sacred Body of Jesus Christ, Thou art my Lord and my God; I believe in Thee, I hope in Thee, I love Thee above all things." A more ancient elevation of Host and Chalice occurs in the Mass of the Roman Rite while the priest speaks the concluding doxology of the Eucharistic Prayer: Per ipsum et cum ipso et in ipso est tibi Deo Patri omnipotenti in unitate Spiritus Sancti omnis honor et gloria per omnia saecula saeculorum (Through him, and with him, and in him, O God, almighty Father, in the unity of the Holy Spirit, all glory and honour is yours, forever and ever). The presence in the Roman Rite of this elevation can be traced back at least to the ninth century. The Chiesa Nuova is a church in Assisi, Italy, built in 1615 on the site of the presumed birthplace of St. Francis, the house of Pietro di Bernardone. It was then called Chiesa Nuova because it was the last church to be built in Assisi at that time. This Church appears as a small basilica, and on our first morning in Assisi of my Pilgrimage of 2019, Father Peek offered a venerable Mass. Two of our Pilgrimage couples renewed their vows during the celebration and an abundance of blessings were bestowed upon the faithful. The specular window light from high above the altar once again illuminates the Body and Blood of Christ as the Holy Spirit descends.
    Padre Peek solleva il Calice per L'a..anco
  • “The Light of The Lamb - Painting by Dino Carbetta”…<br />
<br />
Throughout history, we have looked to the sun and moon to light the day and the night. Whether illuminating our path or providing the life-giving radiance for fruitful crops and the nutrients our bodies need, the sun and moon are part of God’s marvelous provision of light. Genesis tells us that God gave “God made the two great lights, the greater one to govern the day, and the lesser one to govern the night, and the stars.” (Gen. 1:16). But someday God will provide a different kind of illumination. Of the eternal heavenly city, John writes: “the city had no need of sun or moon to shine on it, for the glory of God gave it light, and its lamp was the Lamb.” (Rev. 21:23). The word translated “light” here is more accurately rendered as “lamp.” Christ in His glorified state will be the spiritual lamp that lights up that joyous new world. The next day he saw Jesus coming toward him and said, “Behold, the Lamb of God, who takes away the sin of the world.” (John 1:29). He is also the source of spiritual illumination that makes those who follow Him “You are the light of the world. A city set on a mountain cannot be hidden.” (Matt. 5:14). The city did not need of sun or moon to shine on it, for the glory of God gave it light, and its lamp was the Lamb (Rev. 21:23). Prayerfully, we will all live in the “Light of the Lamb.”
    La luce dell'agnello - Dipinto di Di..etta
  • "Riello Canal of Santa Sofia - Ca 'D'Oro, Venice"...<br />
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The last day of our Pilgrimage was spent in one of the most iconic locations on earth, Venice! Busing to the docks at the Venetian Lagoon from Padua to catch our private boat to the Basilica di San Marco, an exemplary spiritual treasure for a special Mass in the sacristy. Touring the crowded Doge’s Palace proceeded, then set free to breathe in as much of the Venetian Island as possible until our final farewell dinner and return flight home in the morning. As standard fare, my fellow Pilgrim Patrick and I took off out of the starting gate with the notion to capture the entirety of Venice in half of a day on foot. We covered exactly 8.3 miles by foot, but with so much adrenaline, we could have doubled it into the nighttime. Our itinerary included Basilica’s, canals, bridges, gondolas, and anything resembling Venetian culture, and a stop for lunch. Basilica dei Frari was foremost and Chiesa di San Geremia to visit St. Lucy. The maze Venice presents, GPS navigation only works occasionally on this crowded water complexity. The shutters on our cameras seemed permanently depressed as we desperately tried to capture everything we possibly could in such a short window of time, as we had to be at the waterside restaurant by 7:00 pm. It was a Bellissimo Spring day, and of course, we stopped for an Aperitivo which I also fell in love with on this replete journey. We artfully meandered the narrow walkways and canals with a keen rhythm and capture of all that was superior. Not a thought of distance occurred in our surreptitious mission of Venice. We finally made it by dusk to our waterway restaurant Ristorante Pizzería Da Alvise, which was authentic and excellent. The finest shrimp I have experienced, grateful speeches emanated the tiny venue. Melancholy gratification filled the ambiance as we said our final farewells to Italy and the wonderful new friendships and experiences we shared on this Pilgrimage of a lifetime!
    Canale Riello de Santa Sofia - Ca 'D..ezia
  • “Fishing boat resting in front of the Sant'Anna Sorrento Restaurant - Painting by Dino Carbetta”…<br />
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Duomo di Sorrento is one of my favorite hidden treasures in Italy. On our last day on the Bellissimo Amalfi Coast, Father Peak offered a venerable morning Mass for our semi-exhausted group of Pilgrims upon the High Altar. Hallelujah, it was our first free day of the 2019 Pilgrimage and most were heading to Capri. I convinced my fellow Pilgrim Patrick that Marina Grande was the preferred location to commemorate this rain-threatened day. Sunday afternoon in this tiny hallowed port on the Mediterranean was bustling, not with tourists, but with energetic and unassuming locals. The misty skies were vulnerable all day with the threat of rain, but the reluctant sun penetrated the clouds for a few fortuitous moments. God painted the skies for brief moments with luminous pastel elements of abstract color. A lonely boat gleamed in the late evening sun resting upon the wet sand. Saint Matthew’s account of Peter trying to walk on water came to mind: “Peter said to him in reply, ‘Lord, if it is you, command me to come to you on the water.” He said, “Come.” Peter got out of the boat and began to walk on the water toward Jesus. But when he saw how [strong] the wind was he became frightened; and, beginning to sink, he cried out, “Lord, save me!” Immediately Jesus stretched out his hand and caught him, and said to him, “O you of little faith,* why did you doubt?” After they got into the boat, the wind died down. Those who were in the boat did him homage, saying, “Truly, you are the Son of God.” (Matt: 14: 28-33) We left after lunch only to humbly return capturing the evening seascape a few hours before our reservation with the entire Pilgrimage group for a perfect dinner at my favorite restaurant, Ristorante di “Zi'Ntonio Mare.
    Peschereccio in appoggio davanti al ..etta
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